Bisociation in Literature & Literary Theory

Bisociation, a theoretical term introduced by Arthur Koestler, refers to the cognitive process of connecting ideas from two distinct mental domains simultaneously.

Bisociation: Etymology, Meanings and Concept
Etymology/Term:

The term “bisociation” originated from the work of Hungarian-British author and theorist Arthur Koestler. It combines “bi-” meaning two and “association,” reflecting the idea of bringing together two seemingly unrelated concepts or domains to create new and unexpected connections.

Meanings and Concept:
  • Creative Insight: Bisociation is a cognitive process linked to creativity, involving the simultaneous association of ideas from two disparate mental domains to generate innovative insights or solutions.
  • Humor and Juxtaposition: In humor theory, bisociation is essential for understanding the mechanisms behind jokes, where unexpected connections between incongruent ideas produce laughter.
  • Cross-Disciplinary Thinking: Bisociation encourages cross-disciplinary thinking, as it involves bridging concepts from different fields to stimulate novel perspectives and breakthroughs.
  • Problem Solving: Applied in problem-solving contexts, bisociation allows individuals to approach challenges by merging diverse knowledge or viewpoints, fostering unconventional solutions.
  • Koestler’s Theory: Arthur Koestler, in his book “The Act of Creation,” introduced bisociation as a key element in the creative process, proposing that it underlies various forms of human creativity, from scientific discovery to artistic innovation.
Bisociation: Definition of a Theoretical Term

Bisociation, a theoretical term introduced by Arthur Koestler, refers to the cognitive process of connecting ideas from two distinct mental domains simultaneously. It involves the merging of seemingly unrelated concepts, leading to the creation of novel insights or solutions. Koestler’s concept of bisociation is central to understanding creativity, humor, and cross-disciplinary thinking.

Bisociation: Theorists, Works and Argument
TheoristKey WorksCentral Argument
Arthur KoestlerThe Act of Creation (1964)Koestler argues that bisociation is a fundamental mechanism in human creativity, proposing that innovative ideas emerge through the simultaneous connection of unrelated mental domains. His work explores bisociation’s role in scientific discovery, artistic creation, and problem-solving.
Bisociation: Major Characteristics
  • Creativity through Unexpected Connections:
    • Bisociation involves the amalgamation of ideas from disparate mental domains, fostering creativity through unexpected connections.
    • Example: The surrealist works of Salvador Dalí, where dreamlike and irrational elements are combined to evoke new perspectives and emotions.
  • Humor and Juxtaposition:
    • Bisociation plays a crucial role in humor, relying on the juxtaposition of incongruent ideas to create comedic effects.
    • Example: The wit of Oscar Wilde, who often used bisociation in his plays, such as in “The Importance of Being Earnest,” where the trivial and the serious are humorously juxtaposed.
  • Cross-Disciplinary Thinking:
    • Bisociation encourages cross-disciplinary thinking, where ideas from different fields converge to produce innovative insights.
    • Example: Leonardo da Vinci’s notebooks, where his sketches and writings demonstrate bisociative thinking by combining artistic concepts with scientific observations.
  • Problem Solving and Unconventional Solutions:
    • Applied in problem-solving, bisociation enables individuals to approach challenges with unconventional solutions by merging diverse knowledge or viewpoints.
    • Example: Archimedes’ famous “Eureka” moment, where he discovered a solution to a problem by bisociating principles from fluid mechanics with the concept of density.
  • Koestler’s Theory in Literature:
    • Arthur Koestler’s concept of bisociation in literature underscores the role of unexpected connections in fostering creativity and generating novel ideas.
    • Example: James Joyce’s “Ulysses,” where the blending of various literary styles and linguistic innovations demonstrates bisociative thinking in the realm of fiction.
Bisociation: Relevance in Literary Theories
Literary TheoryRelevance to Bisociation
StructuralismIT challenges structuralist notions by introducing unexpected connections that disrupt traditional literary structures, promoting dynamic and unconventional narratives.
PostmodernismIntegral to postmodernism, it aligns with the movement’s emphasis on breaking down boundaries, blending genres, and creating novel juxtapositions in literature.
Reader-ResponseIt engages readers by introducing unexpected connections, fostering diverse interpretations and responses to the literary text.
Psychoanalytic CriticismIt can be explored in the context of psychoanalytic criticism, examining how unexpected connections in literature reflect the complexities of the human psyche.
Feminist CriticismRelevant to feminist literary theories, it allows for the exploration of unconventional connections in gender narratives, challenging traditional gender roles in literature.
PostcolonialismIt, in postcolonial literature, disrupts conventional narratives, offering fresh perspectives that challenge colonial discourse and introduce unexpected connections.
Bisociation: Application in Critiques
  1. Salvador Dalí’s “The Persistence of Memory”:
    • Application of Creativity: Bisociation can be applied to analyze Dalí’s iconic painting, demonstrating how the unexpected connections between melting clocks and distorted landscapes evoke creative and surreal imagery, challenging conventional perceptions of time.
  2. Oscar Wilde’s “The Importance of Being Earnest”:
    • Humor and Juxtaposition: A critique of Wilde’s play through the lens of bisociation would explore how he skillfully employs humor through the juxtaposition of serious social issues with trivial situations, creating comedic effects by blending incongruent elements.
  3. Leonardo da Vinci’s Notebooks:
    • Cross-Disciplinary Thinking: Applying bisociation to da Vinci’s notebooks reveals how his sketches and writings showcase cross-disciplinary thinking, combining artistic creativity with scientific observations to generate innovative ideas in various fields.
  4. James Joyce’s “Ulysses”:
    • Literary Innovation: A critique of “Ulysses” using bisociation would examine Joyce’s groundbreaking approach to literature, demonstrating how he blends diverse literary styles and linguistic innovations to create unexpected connections, contributing to the novel’s literary innovation.
  5. Gabriel Garcia Marquez’s “One Hundred Years of Solitude”:
    • Postcolonial Context: Analyzing Marquez’s novel through bisociation in a postcolonial critique would explore how he disrupts conventional narratives, introducing unexpected connections that challenge colonial discourse and offer fresh perspectives on Latin American history and culture.

Relevant Terms

TermDefinition
DeconstructionThe analysis of textual elements to reveal hidden meanings.
IntentionalityThe author’s intended meaning in a literary work.
EkphrasisThe vivid description of visual art in literature.
MetafictionFiction that acknowledges its fictional nature.
IntertextualConnections between texts and their influences on one another.
TropesFigures of speech or literary devices.
DiegesisThe fictional world created by a narrative.
PolyphonyThe presence of multiple narrative voices.
SemioticsThe study of signs and symbols in literature.
VerisimilitudeThe appearance of being true or real in a literary work.
Bisociation: Suggested Readings
  1. Koestler, Arthur. The Act of Creation. Penguin Books, 1989.
  2. Wilde, Oscar. The Importance of Being Earnest. Dover Publications, 1990.
  3. Joyce, James. Ulysses. Vintage Books, 1990.
  4. Dalí, Salvador. Dalí: The Persistence of Memory. The Museum of Modern Art, New York, 2008.
  5. Marquez, Gabriel Garcia. One Hundred Years of Solitude. Harper Perennial, 2006.

Actualism in Literature & Literary Theory

Actualism is a philosophical stance that rejects the existence of unrealized possibilities, asserting that only actual entities, events, or states of affairs have genuine existence.

Actualism: Etymology, Meanings, and Concept
Etymology/Term:

The term “actualism” is derived from the Latin word “actus,” meaning “act” or “deed.” It encompasses the philosophical notion that reality is best understood through the examination of actual events and observable phenomena rather than relying on speculative or theoretical constructs.

Meanings:
  1. Geological Actualism: In the field of geology, actualism refers to the principle that present-day geological processes can be used to interpret past geological events. This approach assumes that the same natural laws and processes observable today were also in operation in the past.
  2. Philosophical Actualism: In philosophy, actualism pertains to a doctrine that denies the existence of unrealized possibilities. It asserts that only actual entities, events, or states of affairs have genuine existence, dismissing potential or hypothetical situations as mere abstractions.
  3. Ethical Actualism: Ethical actualism is a moral theory that posits the importance of considering individual actions in determining the morality of a situation. It emphasizes the evaluation of specific actions rather than adherence to moral rules or principles.
  4. Biblical Actualism: In biblical studies, actualism is a perspective that interprets biblical prophecies and texts as directly relating to historical events rather than symbolically or metaphorically. This approach seeks to understand religious scriptures in a concrete and historical context.
  5. Language and Logic Actualism: Within linguistics and logic, actualism denotes a viewpoint that focuses on the actual use of language rather than abstract linguistic forms or theoretical constructs. It emphasizes studying language in real-world contexts to understand its meaning and function.
Actualism: Definition of a Theoretical Term

Actualism is a philosophical stance that rejects the existence of unrealized possibilities, asserting that only actual entities, events, or states of affairs have genuine existence. This perspective contends that potential or hypothetical situations lack ontological reality and are merely conceptual constructs. In various fields, from ethics to geology, actualism underscores the importance of examining tangible, observable phenomena rather than relying on speculative or theoretical notions.

Actualism: Theorists, Works and Argument
TheoristKey WorksCentral Argument
Roderick ChisholmPerson and Object (1976)Chisholm advocates for ethical actualism, asserting that moral obligations depend on actual situations and specific actions rather than abstract principles.
James HuttonTheory of the Earth (1795)A pioneer in geological actualism, Hutton argued that the Earth’s features can be explained by the same natural processes observed in the present, challenging prevailing catastrophist views and laying the foundation for uniformitarianism in geology.
David LewisCounterfactuals (1973)Lewis contributed to the philosophical understanding of counterfactuals, a concept relevant to actualism, by exploring possible worlds and arguing that only those worlds consistent with the actual laws of nature are relevant for counterfactual reasoning.
Alvin PlantingaGod, Freedom, and Evil (1974)In the context of theological actualism, Plantinga engages with the problem of evil and defends the idea that God, despite being all-powerful and all-good, could allow for the existence of evil due to the necessity of free will.
Ludwig WittgensteinPhilosophical InvestigationsWittgenstein’s later philosophy, particularly in “Philosophical Investigations,” challenges traditional approaches to language and meaning, emphasizing the importance of language use in specific contexts—reflecting a form of actualism in linguistic philosophy.
Actualism: Major Characteristics
Philosophical Tenet:
  • Denial of Unrealized Possibilities: Actualism posits that only actual entities, events, or states of affairs possess genuine existence, rejecting the ontological reality of potential or hypothetical situations.
Ethical Emphasis:
  • Focus on Specific Actions: Ethical actualism emphasizes the evaluation of individual actions in determining morality, downplaying the significance of abstract moral principles.
Geological Principle:
  • Uniformitarianism: In geology, actualism aligns with the principle of uniformitarianism, asserting that present-day geological processes can be used to interpret past geological events. This is exemplified in James Hutton’s work, “Theory of the Earth.”
Theological Context:
  • Engagement with Evil and Free Will: In theology, actualism addresses the problem of evil, as seen in Alvin Plantinga’s “God, Freedom, and Evil,” where he argues that God’s allowance of evil is a consequence of the necessity of free will.
Linguistic Philosophy:
  • Contextual Language Use: In linguistic philosophy, actualism, as reflected in Ludwig Wittgenstein’s “Philosophical Investigations,” emphasizes understanding language in specific contexts rather than relying on abstract linguistic forms.
Literary Examples:
  • Shakespeare’s “Hamlet”: Hamlet’s existential dilemmas and actions in response to his situation align with ethical actualism, as his moral standing is evaluated based on specific decisions rather than adherence to general moral principles.
  • Gabriel Garcia Marquez’s “One Hundred Years of Solitude”: The novel’s exploration of historical and fantastical events, grounded in a narrative that adheres to present-day realism, reflects a literary example of actualistic lens in storytelling.
  • J.K. Rowling’s “Harry Potter” series: The unfolding events and moral choices made by characters in the wizarding world demonstrate ethical aspect, where the morality of their actions is assessed based on specific circumstances rather than universal ethical rules.
Actualism: Relevance in Literary Theories
Literary TheoryRelevance to Actualism
New CriticismActualistic outlook aligns with the New Critical emphasis on close reading and analysis of the text itself, emphasizing the specific details and actions depicted in the literary work.
PostmodernismIn postmodern literature, actualistic lens can manifest in the deconstruction of traditional narrative structures, focusing on the immediate and concrete aspects of the story rather than adhering to grand narratives or hypothetical scenarios.
Reader-ResponseActualism plays a role in reader-response theories by emphasizing the reader’s engagement with specific actions and events in the text, allowing for diverse interpretations based on individual responses to the actual content.
Feminist CriticismFeminist literary theories may incorporate actualism by examining specific actions and situations in literature, particularly in relation to gender roles, challenging abstract gender norms through concrete literary examples.
PostcolonialismIn postcolonial literature, actualism may be relevant in examining the tangible effects of colonialism on characters and societies, emphasizing concrete experiences rather than theoretical abstractions.
Psychoanalytic CriticismActualism can intersect with psychoanalytic criticism by focusing on specific actions and behaviors of characters as reflections of their psychological states, delving into the concrete manifestations of the unconscious in literature.
Actualism: Application in Critiques
  1. Shakespeare’s Hamlet:
    • Actualism in Character Analysis: Examining Hamlet’s specific actions and decisions throughout the play, such as his contemplation of revenge, allows for a nuanced understanding of his moral standing within the context of the unfolding events.
    • Ethical Evaluation of Plot Events: Applying ethical actualism to key plot points, such as Hamlet’s treatment of Ophelia or his confrontation with Claudius, provides a focused critique that emphasizes the significance of individual actions over general moral principles.
  2. Gabriel Garcia Marquez’s One Hundred Years of Solitude:
    • Actualism in Magical Realism: Analyzing the magical realist elements in the novel through actualistic lens highlights the juxtaposition of fantastical events with a concrete narrative, allowing for a deeper exploration of the impact of historical and fantastical occurrences on characters and societies.
    • Emphasis on Historical Context: Applying actualistic lens to the historical aspects of the novel allows for a critique that considers the tangible effects of specific events on the characters and their development.
  3. J.K. Rowling’s Harry Potter series:
    • Ethical Choices of Characters: Using ethical actualistic lens, the series can be critiqued by focusing on the moral choices made by characters in specific situations, evaluating their actions within the context of the wizarding world rather than applying universal ethical standards.
    • Reader-Response: Considering actualism in reader-response critiques allows for an examination of how readers engage with and interpret the concrete events and decisions made by characters, acknowledging diverse reader perspectives.
  4. Chinua Achebe’s Things Fall Apart:
    • Postcolonial Examination: Applying actualism in a postcolonial critique involves analyzing the concrete effects of colonialism on the characters and societies depicted in the novel, emphasizing the tangible consequences of historical events.
    • Cultural Context and Specific Actions: A critique would explore the significance of characters’ specific actions within the cultural context, delving into the nuanced portrayal of societal changes and individual responses to colonial influence.
Actualism: Relevant Terms
TermBrief Definition
Ontological Asserts only existing entities have reality, denying the existence of unrealized possibilities.
UniformitarianismGeological principle that present-day processes explain past events; aligned with it in geology.
EthicalEmphasizes evaluating morality based on specific actions in a given context rather than abstract principles.
CounterfactualsDeals with hypothetical situations; in philosophy it limits relevance to scenarios consistent with real-world laws.
Magical RealismLiterary genre combining magical elements with realistic narrative; it involves concrete storytelling.
Possible WorldsIn philosophy, hypothetical realities; it focuses on the relevance of worlds consistent with actual laws.
Free Will DefenseTheological argument reconciling God’s omnipotence with the existence of evil; engages with ethical form of it.
Linguistic Emphasizes studying language use in real-world contexts rather than abstract linguistic constructs.
Reader-ResponseLiterary theory focusing on readers’ reactions; it intersects by emphasizing concrete interpretations.
Postcolonial Applies it to analyze tangible effects of colonialism on characters and societies in postcolonial literature.
Actualism: Suggested Readings
  1. Chisholm, Roderick. Person and Object. Open Court, 1976.
  2. Hutton, James. Theory of the Earth. Penguin Classics, 1997.
  3. Lewis, David. Counterfactuals. Harvard University Press, 1973.
  4. Plantinga, Alvin. God, Freedom, and Evil. Eerdmans, 1974.
  5. Wittgenstein, Ludwig. Philosophical Investigations. Blackwell, 1953.

Ableism in Literature & Literary Theory

Ableism is a theoretical term denoting discrimination or prejudice against individuals with disabilities.

Ableism: Etymology/ Term, Meanings and Concept
Etymology/Term:

Ableism, rooted in the word “able,” refers to a form of discrimination or prejudice against individuals with disabilities. The term emerged in the late 20th century as a parallel to other “-isms” such as racism or sexism, highlighting biases against people based on their abilities or perceived lack thereof. Ableism encompasses a range of attitudes, actions, and societal structures that marginalize or exclude individuals with disabilities.

Meanings and Concept:
  • Discrimination and Prejudice: Ableism involves discriminatory attitudes and prejudicial beliefs that devalue and marginalize individuals with disabilities, perpetuating stereotypes and reinforcing social hierarchies.
  • Physical and Architectural Barriers: The concept extends to physical and architectural barriers that restrict access and participation for individuals with disabilities, such as inadequate infrastructure or lack of accommodations.
  • Stereotyping and Stigmatization: Ableism includes the tendency to stereotype and stigmatize individuals based on their abilities, often overlooking their unique skills, talents, and contributions.
  • Institutional Exclusion: Ableism is evident in institutional practices that exclude or limit opportunities for people with disabilities, whether in education, employment, or healthcare, reinforcing systemic inequalities.
  • Microaggressions and Language Use: Ableism manifests through microaggressions, subtle acts, or language choices that perpetuate negative stereotypes or demean individuals with disabilities, creating a hostile or exclusionary environment.
  • Social Model vs. Medical Model: Ableism is contrasted through the lens of the social model, which emphasizes societal barriers, and the medical model, which focuses on individual impairments. Recognizing and challenging ableism involves shifting towards a more inclusive and empowering social model approach.

Understanding ableism involves recognizing and dismantling these various aspects to create a more inclusive and equitable society for people of all abilities.

Ableism: Definition of a Theoretical Term

Ableism is a theoretical term denoting discrimination or prejudice against individuals with disabilities. It encompasses attitudes, actions, and systemic structures that marginalize or exclude people based on their perceived abilities. The term highlights the need to challenge and dismantle societal norms that contribute to the oppression and exclusion of individuals with disabilities.

Ableism: Theorists, Works and Argument
TheoristKey WorkMain Argument
Lennard J. DavisEnforcing Normalcy: Disability, Deafness, and the BodyDavis critically examines how societal norms enforce a standard of “normalcy,” perpetuating ableism and marginalizing individuals with disabilities.
Rosemarie Garland-ThomsonExtraordinary Bodies: Figuring Physical Disability in American Culture and LiteratureGarland-Thomson explores the cultural representations of disability, arguing that these representations shape societal attitudes and contribute to ableism.
Tom ShakespeareDisability Rights and WrongsShakespeare challenges the medical model of disability, advocating for a social model that emphasizes societal barriers as the root of disablement, thus addressing the systemic nature of ableism.
Michel FoucaultMadness and CivilizationFoucault’s work, though not explicitly focused on disability, offers insights into the historical construction of “normal” and “abnormal,” contributing to the understanding of societal norms that perpetuate ableism.

Note: The table provides a brief overview of key theorists, their significant works, and main arguments related to ableism.

Ableism: Major Characteristics
  • Stereotyping and Stigmatization:
    • Example: In John Steinbeck’s Of Mice and Men, the character of Lennie Small, who has a cognitive disability, is often stigmatized and stereotyped, reflecting prevailing attitudes of the time.
  • Physical and Architectural Barriers:
    • Example: The lack of wheelchair accessibility in public spaces, as depicted in Raymond Luczak’s memoir Assembly Required: Notes from a Deaf Gay Life, highlights physical barriers that individuals with disabilities face.
  • Discrimination and Prejudice:
    • Example: The mistreatment of the protagonist Christopher, who has autism, in Mark Haddon’s The Curious Incident of the Dog in the Night-Time illustrates discrimination and prejudicial attitudes towards individuals with neurodevelopmental conditions.
  • Microaggressions and Language Use:
    • Example: The use of derogatory language or slurs targeting individuals with disabilities in Harper Lee’s To Kill a Mockingbird reflects how ableist language perpetuates negative stereotypes.
  • Institutional Exclusion:
    • Example: The exclusion of students with disabilities from mainstream education, as depicted in Jodi Picoult’s House Rules, highlights institutional practices that contribute to ableism.
  • Social Model vs. Medical Model:
    • Example: The contrast between the medical model and the social model is explored in Alice Wong’s anthology Disability Visibility: First-Person Stories from the Twenty-First Century, emphasizing the need to shift towards a more inclusive societal perspective.

These characteristics, illustrated through literary examples, underscore the pervasive nature of ableism and its impact on individuals with disabilities across various aspects of society.

Ableism: Relevance in Literary Theories
Literary TheoryRelevance to Ableism
Feminist Literary TheoryIntersects with ableism, as both address societal norms and discrimination. Feminist literary theory may explore how disabled women experience oppression uniquely, addressing the intersectionality of gender and disability.
Postcolonial Literary TheoryExamines how ableism intersects with colonial legacies, affecting disabled individuals in postcolonial contexts. This theory can reveal how Western ideals of ability impact the representation and treatment of disabled individuals in formerly colonized regions.
Disability StudiesInherently linked, as disability studies explore the social, cultural, and historical aspects of disability. It engages with ableism, examining how literature reflects and challenges societal perceptions of disability.
Queer Literary TheoryOverlaps with ableism in exploring marginalized identities. Queer theory may examine how disabled individuals navigate societal expectations related to both ability and sexuality, revealing the intersections of ableism and homophobia.
Critical Race TheoryIntersects with ableism in addressing systemic discrimination. This theory may explore how disabled individuals from diverse racial backgrounds experience unique forms of discrimination, shedding light on the intersectionality of race and disability.

Note: Each literary theory has relevance to ableism, providing unique perspectives on the intersections between disability and other aspects of identity and society.

Ableism: Application in Critiques
  1. “The Yellow Wallpaper” by Charlotte Perkins Gilman:
    • Ableism is evident in the medical treatment imposed on the protagonist, a woman diagnosed with a mental illness. The story critiques the prevailing medical model of disability, revealing how societal attitudes and institutional practices contribute to the protagonist’s deterioration.
  2. “Flowers for Algernon” by Daniel Keyes:
    • Ableism is central to the narrative as the protagonist, initially intellectually disabled, undergoes an experimental procedure that temporarily enhances his intelligence. The story critiques societal attitudes toward intelligence and challenges the notion that one’s worth is determined by cognitive ability.
  3. “The Ones Who Walk Away from Omelas” by Ursula K. Le Guin:
    • The story raises ethical questions about a utopian society built on the suffering of a single child. Ableism is explored as the society’s happiness relies on the perpetual mistreatment of a disabled child, prompting readers to reflect on the moral implications of sacrificing one for the benefit of many.
  4. “The Sound of the Gunshot” by Manuel Muñoz:
    • The short story delves into ableism within a family context, exploring the strained relationship between a father and son with differing abilities. It critiques societal expectations and familial pressures related to normative definitions of success, emphasizing the impact of ableism on familial dynamics.

In each of these short stories, ableism is a central theme, providing a lens through which to critique societal attitudes, institutional practices, and interpersonal relationships concerning disability.

Ableism: Relevant Terms
Theoretical TermDefinition
IntersectionalityExamining intersecting social identities for unique forms of oppression.
Social Model of DisabilityEmphasizing societal barriers over individual impairments as the cause of disablement.
Critical Disability StudiesCritically exploring social, cultural, and historical aspects of disability.
Narrative ProsthesisUsing disability as a literary device, reinforcing ableist stereotypes.
Crip TheoryChallenging normative concepts of ability, celebrating diverse embodiments.
Compulsory Able-BodiednessSocietal expectation for able-bodied capabilities, reinforcing ableism.
Disability AestheticsExamining how disability is portrayed in art and literature.
Epistemic InjusticeUnjust treatment impacting credibility and knowledge of individuals with disabilities.
Ableist MicroaggressionsSubtle acts reinforcing ableist attitudes and stereotypes.
DeinstitutionalizationAdvocating closure of institutional facilities, promoting community integration.
Ableism: Suggested Readings
  1. Garland-Thomson, Rosemarie. Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature. Columbia University Press, 1997.
  2. Gilman, Charlotte Perkins. “The Yellow Wallpaper”. Dover Publications, 1997.
  3. Haddon, Mark. The Curious Incident of the Dog in the Night-Time. Vintage, 2004.
  4. Keyes, Daniel. Flowers for Algernon. Mariner Books, 2005.
  5. Le Guin, Ursula K. “The Ones Who Walk Away from Omelas”. The New Yorker, 1973.
  6. Luczak, Raymond. Assembly Required: Notes from a Deaf Gay Life. Handtype Press, 2009.
  7. Muñoz, Manuel. “The Sound of the Gunshot”. The Best American Short Stories, 2007.
  8. Perkins, Frances. The Yellow Wallpaper and Other Stories. Dover Publications, 1997.
  9. Picoult, Jodi. House Rules. Atria Books, 2010.
  10. Wong, Alice (Ed.). Disability Visibility: First-Person Stories from the Twenty-First Century. Vintage, 2020.

Equivalence Theory in Literature

Equivalence theory derives its name from the concept of equivalence, indicating a state of being equal or having the same value.

Equivalence Theory: Etymology/Term, Definition and Concept
Etymology/Term:

Equivalence theory derives its name from the concept of equivalence, indicating a state of being equal or having the same value. The term is rooted in Latin, with “aequus” meaning equal and “valere” meaning to be worth or to have value. In various fields, from linguistics to mathematics and beyond, equivalence theory is employed to explore relationships, similarities, and balanced states.

Definition:
  • Linguistics: In translation studies, equivalence theory refers to the attempt to find linguistic expressions in the target language that are equivalent in meaning to those in the source language, considering cultural, semantic, and pragmatic factors.
  • Mathematics: Equivalence theory in mathematics deals with relationships between mathematical objects that share the same essential properties or characteristics, even if their forms or representations differ.
  • Philosophy: In philosophy, equivalence theory explores the idea that certain concepts, experiences, or moral values may be considered equivalent despite differences in cultural or individual contexts.
  • Psychology: Within psychological research, equivalence theory is often applied to experimental design, ensuring that experimental and control groups are equivalent at the outset to draw valid conclusions from the study.
  • Economics: Equivalence theory in economics involves the concept of economic equivalence, where different financial transactions or investments are considered equal in value under certain conditions, such as in the time value of money calculations.

Equivalence theory, across these various disciplines, underscores the pursuit of understanding and establishing relationships between entities that share essential characteristics or values.

Equivalence Theory: Theorists, Work and Arguments
TheoristKey WorkMain Arguments
Roman JakobsonOn Linguistic Aspects of TranslationJakobson’s work emphasizes linguistic equivalence in translation, considering various aspects such as sound, grammar, and meaning.
Lev VygotskyThought and LanguageVygotsky’s psychological perspective explores equivalence in language development, highlighting the importance of cultural and social contexts.
Paul SamuelsonFoundations of Economic AnalysisSamuelson’s contributions to economic equivalence theory involve the time value of money, stating that a sum of money has different values at different points in time.
Alfred North WhiteheadPrincipia MathematicaWhitehead’s work in mathematics contributes to equivalence theory by exploring logical and symbolic relationships between mathematical entities.
Thomas KuhnThe Structure of Scientific RevolutionsKuhn’s arguments touch on equivalence in the philosophy of science, discussing paradigm shifts and the conceptual restructuring of scientific theories.
Equivalence Theory: Key Principles

1. Cultural and Linguistic Equivalence:

  • Example: In the translation of Gabriel Garcia Marquez’s One Hundred Years of Solitude from Spanish to English, equivalence theory considers maintaining cultural nuances and linguistic richness to preserve the novel’s original impact.

2. Mathematical Equivalence:

  • Example: George Orwell’s Animal Farm serves as a metaphorical exploration of political systems, applying mathematical equivalence to highlight the parallels between the characters and historical figures during the Russian Revolution.

3. Psychological Equivalence:

  • Example: F. Scott Fitzgerald’s The Great Gatsby can be analyzed through psychological equivalence, examining the characters’ pursuit of the American Dream and the emotional toll of unattainable goals.

4. Economic Equivalence:

  • Example: In Jane Austen’s Pride and Prejudice, economic equivalence is subtly explored through the social dynamics of marriage, where financial considerations and societal expectations play a significant role in the characters’ relationships.

5. Scientific Equivalence:

  • Example: Arthur Conan Doyle’s Sherlock Holmes stories provide a literary illustration of scientific equivalence as Holmes employs deductive reasoning and logic, showcasing the equivalence between fictional detective work and scientific methodology.

These principles demonstrate how equivalence theory can be applied across various disciplines, offering a lens through which to analyze and interpret literary works.

Equivalence Theory: Application in Critiques
Literary WorkApplication of Equivalence Theory Critique
One Hundred Years of SolitudeEquivalence theory applied to the English translation, exploring efforts to maintain cultural and linguistic richness.
Animal FarmAnalysis through mathematical equivalence, revealing parallels between characters and historical figures in the Russian Revolution.
The Great GatsbyCritique through psychological equivalence, unveiling characters’ emotional struggles in pursuing the American Dream.
Pride and PrejudiceApplication of economic equivalence, examining the influence of financial considerations and societal expectations on relationships.
Sherlock Holmes storiesCritique employing scientific equivalence, revealing the parallels between fictional detective work and scientific methodology.
Relevant Terms
  1. Formal Equivalence: Preserving the literal structure and wording when translating literary works.
  2. Dynamic Equivalence: Emphasizing conveying the intended meaning and effect, allowing for flexibility in translation.
  3. Cultural Equivalence: Ensuring the translated work reflects the cultural nuances and context of the original.
  4. Textual Equivalence: Maintaining coherence and fidelity to the original text in the translation process.
  5. Functional Equivalence: Prioritizing the function or purpose of the text over a literal word-for-word translation.
  6. Semantic Equivalence: Retaining consistent meaning and interpretation across different linguistic or cultural contexts.
  7. Pragmatic Equivalence: Considering the appropriateness and impact of the translated text within its cultural and social context.
  8. Literal Translation: Translating word-for-word without considering cultural or idiomatic differences.
  9. Free Translation: Allowing for flexibility and creativity in conveying the essence of the original text.
  10. Interlingual Equivalence: Ensuring equivalence between languages, focusing on linguistic aspects in translation.
Equivalence Theory: Suggested Readings
  1. Jakobson, Roman. On Linguistic Aspects of Translation. Harvard University Press, 2000.
  2. Marquez, Gabriel Garcia. One Hundred Years of Solitude. HarperCollins, 2006.
  3. Orwell, George. Animal Farm. Signet Classic, 1996.
  4. Vygotsky, Lev. Thought and Language. MIT Press, 2012.
  5. Austen, Jane. Pride and Prejudice. Penguin Classics, 2003.
  6. Doyle, Arthur Conan. The Adventures of Sherlock Holmes. Oxford University Press, 2008.
  7. Fitzgerald, F. Scott. The Great Gatsby. Scribner, 2004.

Cultural Criticism in Literature

Cultural criticism is a mode of intellectual inquiry that examines and critiques cultural artifacts, practices, and institutions.

Cultural Criticism: Etymology/Term, Definition and Concept
Etymology/Term:

Cultural criticism is a compound term derived from “culture” and “criticism.” The word “culture” originates from the Latin “cultura,” meaning cultivation or tending, and has evolved to encompass the shared beliefs, customs, arts, and intellectual achievements of a society. “Criticism” comes from the Greek “kritikē,” referring to the act of judgment or discernment. Together, cultural criticism denotes the analysis and evaluation of cultural phenomena, employing a critical perspective to explore, question, and interpret various aspects of human expression and societal norms.

Definition:

Cultural criticism is a mode of intellectual inquiry that examines and critiques cultural artifacts, practices, and institutions. It involves a rigorous analysis of the underlying assumptions, power structures, and meanings embedded in cultural expressions such as art, literature, media, rituals, and social norms. This form of criticism seeks to unveil implicit biases, challenge dominant narratives, and explore how culture both reflects and shapes individual and collective identities. Cultural criticism is often interdisciplinary, drawing on insights from sociology, anthropology, literature, and other fields to provide a nuanced understanding of the complexities within a given cultural context.

Concept:
  1. Interrogation of Norms: Cultural criticism involves a critical examination of societal norms, values, and conventions, aiming to uncover hidden biases and question the status quo.
  2. Power Dynamics: The concept delves into power structures within culture, exploring how certain groups or ideologies exert influence, shaping narratives and perpetuating inequality.
  3. Semiotics and Symbols: Cultural criticism utilizes semiotic analysis to deconstruct symbols and signs embedded in cultural products, revealing layers of meaning and ideological implications.
  4. Identity Construction: Examining how cultural expressions contribute to the construction and negotiation of individual and collective identities, considering factors such as race, gender, class, and sexuality.
  5. Media and Representation: A key focus is on critiquing media portrayals and representations, recognizing the role of media in shaping perceptions, reinforcing stereotypes, or challenging dominant narratives.
  6. Global Perspectives: Cultural criticism extends beyond a narrow focus, considering global and cross-cultural influences, recognizing the interconnectedness of cultural phenomena in a rapidly changing world.
Cultural Criticism: Theorists, Works, and Arguments
TheoristKey WorksMain Arguments
Stuart HallEncoding/DecodingHall’s work emphasizes the decoding of media messages by audiences, highlighting the active role of viewers in interpreting and negotiating meanings within a cultural context.
Edward SaidOrientalismSaid’s seminal text critiques Western representations of the East, arguing that these representations are entangled with colonial power dynamics, shaping perceptions and reinforcing stereotypes.
Judith ButlerGender TroubleButler’s work challenges traditional notions of gender, arguing that it is performative and socially constructed. Cultural norms and expectations play a crucial role in the formation of gender identities.
Michel FoucaultThe Archaeology of KnowledgeFoucault’s approach involves analyzing the historical development of discourses and power structures, uncovering how institutions shape knowledge and control societal behavior.
bell hooksAin’t I a Woman?hooks explores the intersectionality of race, class, and gender, critiquing the impact of oppressive systems on black women. She advocates for a transformative cultural criticism that addresses systemic inequalities.
Roland BarthesMythologiesBarthes investigates the myths present in everyday culture, revealing the ideological underpinnings of seemingly neutral symbols. He emphasizes the need to deconstruct cultural myths for a deeper understanding.
Gayatri SpivakCan the Subaltern Speak?Spivak’s work examines the representation of marginalized voices, particularly women in post-colonial contexts. She explores the challenges faced by subaltern groups in having their voices heard.
Cornel WestRace MattersWest’s cultural criticism centers on the intersections of race, class, and democracy. He argues for a renewed focus on addressing racial issues in order to achieve a more just and equitable society.
Cultural Criticism: Key Principals
  • Deconstruction of Meaning:
    • Example: In “The Catcher in the Rye” by J.D. Salinger, cultural criticism can deconstruct the meaning of the protagonist Holden Caulfield’s rebellious attitude, exploring how it challenges societal norms and reflects the disillusionment of the post-war era.
  • Interrogation of Power Structures:
    • Example: George Orwell’s “1984” serves as a prime example for cultural criticism, as it delves into the oppressive power structures of a dystopian society, critiquing authoritarianism and surveillance culture.
  • Examination of Symbolism and Semiotics:
    • Example: Nathaniel Hawthorne’s “The Scarlet Letter” offers rich material for cultural criticism by analyzing the symbolism of the scarlet letter itself, exploring how it reflects societal attitudes towards morality and individual expression.
  • Critique of Gender Norms:
    • Example: Margaret Atwood’s “The Handmaid’s Tale” becomes a focal point for cultural criticism as it critiques and satirizes traditional gender norms, exposing the dangers of a patriarchal society and the control of women’s bodies.
  • Exploration of Identity Formation:
    • Example: In “Their Eyes Were Watching God” by Zora Neale Hurston, cultural criticism can analyze the protagonist Janie Crawford’s journey as a black woman in the early 20th century, exploring how societal expectations shape her identity.
  • Analysis of Cultural Hegemony:
    • Example: Cultural criticism can be applied to Shakespeare’s “Hamlet,” unraveling the play’s exploration of political and cultural hegemony, revealing how power dynamics influence characters’ actions and decisions.
  • Examination of Subaltern Voices:
    • Example: Chimamanda Ngozi Adichie’s “Half of a Yellow Sun” provides material for cultural criticism by examining the Nigerian-Biafran War and exploring the perspectives of individuals whose voices are often marginalized in historical narratives.
  • Challenge to Dominant Narratives:
    • Example: Toni Morrison’s “Beloved” challenges dominant narratives surrounding slavery by offering a unique perspective on the psychological and emotional impact of the institution, prompting cultural criticism to question historical representations.

These examples illustrate how cultural criticism can be applied to literary works, revealing the underlying ideologies, power dynamics, and societal norms embedded within them.

Cultural Criticism: Application in Critiques
  1. The Great Gatsby by F. Scott Fitzgerald:
    • Cultural criticism can scrutinize the portrayal of the American Dream in “The Great Gatsby,” exploring how the novel reflects and critiques societal values, materialism, and the illusion of upward mobility. The extravagant lifestyle of Jay Gatsby and the characters’ pursuit of wealth offer a lens to analyze cultural expectations and the consequences of social aspirations in the Roaring Twenties.
  2. To Kill a Mockingbird by Harper Lee:
    • Cultural criticism applied to “To Kill a Mockingbird” can unravel the racial and social dynamics in the American South during the 1930s. The novel provides an opportunity to critique prevailing attitudes towards race, justice, and morality, examining how cultural norms shape characters’ beliefs and actions. The examination of Atticus Finch’s role as a moral compass and the portrayal of racial injustice opens avenues for cultural critique.
  3. Brave New World by Aldous Huxley:
    • Cultural criticism can dissect the dystopian society depicted in “Brave New World,” exploring how the novel critiques mass consumerism, technological control, and the dehumanization of individuals. The rigid caste system, pervasive use of drugs, and the commodification of human relationships serve as focal points for analyzing cultural values and the potential consequences of unchecked technological advancement.
  4. Things Fall Apart by Chinua Achebe:
    • Applying cultural criticism to “Things Fall Apart” involves examining the novel’s portrayal of pre-colonial Igbo society and its collision with colonial forces. The work provides an opportunity to critique cultural imperialism, the impact of colonization on indigenous cultures, and the tensions between tradition and change. The protagonist Okonkwo’s struggles and the portrayal of Igbo customs offer insights into cultural identity and resilience in the face of external pressures.

In each of these representative novels, cultural criticism can unveil the intricate layers of societal values, power structures, and ideological underpinnings, providing a deeper understanding of the cultural contexts embedded in the narratives.

Cultural Criticism: Relevant Terms
TermDefinition
HegemonyDominance by one group, shaping cultural norms and institutions.
SemioticsStudy of signs and symbols, vital for decoding cultural meanings.
IntersectionalityExamination of how social identities intersect, influencing privilege or oppression.
Cultural ImperialismImposition of one culture’s values on another, often through economic or political means.
PostcolonialismAnalysis of cultural impacts and legacies of colonial power dynamics.
Critical Discourse AnalysisMethod to uncover power relationships and ideologies in language use.
OtheringPerception or portrayal of individuals or groups as fundamentally different, reinforcing social hierarchies.
Folk vs. Pop CultureDistinguishing between traditional, community-based expressions (folk) and mass-produced, commercialized elements (pop).
SimulacraArtificial representations or copies replacing or distorting reality, explored in media and consumer culture.
Cultural HybridityBlending elements from different cultures, challenging notions of purity and authenticity.
Cultural Criticism: Suggested Readings
  1. Adichie, Chimamanda Ngozi. Half of a Yellow Sun. Anchor Books, 2007.
  2. Barthes, Roland. Mythologies. Hill and Wang, 2012.
  3. Butler, Judith. Gender Trouble. Routledge, 2006.
  4. Foucault, Michel. The Archaeology of Knowledge. Vintage Books, 2010.
  5. Hall, Stuart. Encoding/Decoding. Routledge, 2017.
  6. hooks, bell. Ain’t I a Woman?. South End Press, 1981.
  7. Huxley, Aldous. Brave New World. Harper Perennial Modern Classics, 2006.
  8. Lee, Harper. To Kill a Mockingbird. HarperCollins, 2015.
  9. Morrison, Toni. Beloved. Vintage, 2004.
  10. Orwell, George. 1984. Signet Classic, 1961.

Crip Theory in Literature

“Crip theory” is a term that originated within the field of Disability Studies, particularly in response to the medicalized language associated with disability.

Crip Theory: Term/Etymology and Concept
Term/Etymology:

“Crip theory” is a term that originated within the field of Disability Studies, particularly in response to the medicalized language associated with disability. The term “crip” is a reclamation and transformation of the derogatory term “cripple.” It serves as an assertion of identity and a political act to challenge ableist norms. The etymology reflects a deliberate effort to embrace disability as a cultural identity rather than viewing it solely through a medical lens.

Concept with Explanation:
ConceptExplanation
Reclamation of LanguageCrip theory involves reclaiming and redefining derogatory terms related to disability, transforming them into positive and empowering expressions. It challenges the stigmatizing language historically associated with disability.
Social Model of DisabilityCrip theory adopts the social model of disability, emphasizing that disability is not solely an individual medical condition but a result of social structures and attitudes. It underscores the importance of removing barriers and addressing societal prejudices.
IntersectionalityCrip theory recognizes the intersectionality of disability with other aspects of identity, such as race, gender, and sexuality. It explores how multiple forms of oppression intersect, impacting the experiences of individuals with disabilities in diverse ways.
Disability as Cultural IdentityCrip theory views disability as a cultural identity, fostering a sense of community and shared experiences among individuals with disabilities. It promotes the celebration of disability culture and challenges the notion that disability is solely a deficit or lack.
Embracing Non-NormativityCrip theory challenges normative standards and embraces non-normativity. It rejects the idea that disabled bodies need to conform to able-bodied norms, encouraging acceptance and celebration of diverse ways of being and moving through the world.
Crip Theory: Theorists, Works, and Arguments
  • Rosemarie Garland-Thomson:
    • Works: “Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature.”
    • Argument: Garland-Thomson contributes to crip theory by exploring how cultural representations and literary works shape perceptions of disability, challenging societal norms and advocating for a more inclusive understanding of the body.
  • Robert McRuer:
    • Works: “Crip Theory: Cultural Signs of Queerness and Disability.”
    • Argument: McRuer is a key figure in crip theory, arguing for the intersectionality of queerness and disability. He challenges the ableist and heteronormative assumptions prevalent in society, advocating for a more inclusive and nuanced understanding of both disability and queerness.
  • Lennard J. Davis:
    • Works: “Enforcing Normalcy: Disability, Deafness, and the Body.”
    • Argument: Davis contributes to crip theory by examining the historical construction of normalcy and its impact on the perception of disability. He critiques the social and cultural forces that enforce norms, advocating for a more inclusive and diverse representation of bodies.
  • Alison Kafer:
    • Works: “Feminist, Queer, Crip.”
    • Argument: Kafer explores the intersections of feminism, queerness, and disability in her work. She challenges traditional notions of independence and autonomy, advocating for a more collective and interdependent approach to understanding and navigating the world.
  • Eli Clare:
    • Works: “Exile and Pride: Disability, Queerness, and Liberation.”
    • Argument: Clare’s work is integral to crip theory, as he explores the intersections of disability and queerness from a personal and activist perspective. He argues for the liberation of individuals at the intersections of various marginalized identities, challenging societal norms and expectations.
Crip Theory: Key Principals
Key PrincipalsLiterary Examples
Reclamation of LanguageJim Ferris’s “The Hospital Poems”: Ferris reclaims and transforms language to assert disabled identity and challenge societal perceptions of disability.
Social Model of DisabilityHarriet McBryde Johnson’s “Too Late to Die Young”: The memoir critiques the medical model of disability, emphasizing societal barriers and the need for social change.
IntersectionalityAudre Lorde’s “The Cancer Journals”: Lorde’s work intersects disability, race, and feminism, highlighting the complex experiences of a woman dealing with cancer and challenging societal norms.
Disability as Cultural IdentityKenny Fries’s “Body, Remember”: Fries explores disability as a cultural identity, reflecting on his experiences as a disabled person and contributing to the celebration of disability culture.
Embracing Non-NormativityEllen Forney’s “Marbles: Mania, Depression, Michelangelo, and Me”: Forney’s graphic memoir challenges normative standards in exploring mental health, embracing non-normativity, and advocating for acceptance.

Please note that the literary examples provided offer insights into the key principles of crip theory and how these principles are expressed in various works.

Crip Theory: Critiques of Literary Works
  1. The Fault in Our Stars by John Green:
    • Critique: While the novel portrays characters dealing with illness, it has been critiqued for its somewhat romanticized and idealized representation of disability. Some argue that it may not fully capture the complexity and diversity of experiences within the disabled community.
  2. Me Before You by Jojo Moyes:
    • Critique: The novel has faced criticism for its portrayal of disability, particularly the narrative that suggests a person with a severe disability is better off not living. Disability advocates argue that such narratives reinforce harmful stereotypes and contribute to a negative perception of disability.
  3. Flowers for Algernon by Daniel Keyes:
    • Critique: While the novel explores themes of intelligence and societal perceptions, it has been critiqued for its portrayal of disability, especially in terms of framing increased intelligence as a “cure.” Disability advocates argue that this perpetuates the notion that disability is inherently negative.
  4. The Curious Incident of the Dog in the Night-Time by Mark Haddon:
    • Critique: The novel has received mixed reviews from the autistic community. While some appreciate the representation of an autistic protagonist, others critique it for potentially reinforcing stereotypes and focusing more on the character’s “otherness” rather than celebrating neurodiversity.
  5. Rain Man (Film):
    • Critique: While not a literary work, the film “Rain Man” has been critiqued for its portrayal of autism, particularly the stereotypical depiction of savant abilities. Critics argue that such representations oversimplify the spectrum of autism and contribute to a narrow understanding of neurodiversity.

These critiques highlight the importance of careful and nuanced representations of disability in literature and media to avoid perpetuating stereotypes and stigmas.

Crip Theory: Criticism Against It
  1. Essentializing Disability:
    • Critique: Some argue that Crip Theory might essentialize disability experiences by emphasizing a shared culture and identity. Critics contend that such an approach may overlook the wide spectrum of individual experiences within the disabled community.
  2. Neglecting Medical Perspectives:
    • Critique: Critics suggest that Crip Theory, with its emphasis on social models of disability, may downplay the importance of medical perspectives. Some argue that a balanced understanding should incorporate both social and medical aspects to provide a comprehensive view of disability.
  3. Potential for Oversimplification:
    • Critique: There are concerns that Crip Theory, in its effort to challenge traditional models of disability, might oversimplify complex issues related to health, medical conditions, and the diverse experiences of disabled individuals.
  4. Intersectionality Challenges:
    • Critique: While Crip Theory acknowledges intersectionality, some argue that it may not adequately address the intricate intersections between disability and other aspects of identity, such as race, gender, and sexuality.
  5. Political Nature of Terminology:
    • Critique: The reclamation of terms like “crip” and the emphasis on political activism may be seen by some as divisive or confrontational. Critics argue that this approach might hinder constructive dialogue and understanding between different perspectives on disability.
  6. Overemphasis on Social Constructs:
    • Critique: Some critics argue that Crip Theory’s focus on the social construction of disability may downplay the material realities of impairments and the challenges individuals face on a daily basis.
  7. Lack of Universality:
    • Critique: There are concerns that Crip Theory, rooted in Western contexts, may not fully capture the diverse cultural nuances and understandings of disability in other parts of the world. Critics argue for a more global perspective.

It’s essential to recognize that these criticisms do not negate the valuable insights and contributions of Crip Theory but rather reflect ongoing dialogues within the academic and disability communities. Disability Studies is a dynamic field, and discussions around these critiques contribute to its ongoing evolution.

Crip Theory: Key Terms
TermBrief Definition
Crip TheoryExamines disability through a social model, challenging traditional medical perspectives.
ReclamationProcess of reclaiming and redefining derogatory terms related to disability.
Social Model of DisabilityEmphasizes disability as a result of societal structures and attitudes, not just an individual medical condition.
IntersectionalityAcknowledges the interconnectedness of disability with other aspects of identity.
Disability CultureRecognizes disability as a cultural identity, fostering a sense of community and shared experiences.
AbleismDiscrimination or prejudice against individuals with disabilities.
NeurodiversityRecognizes and celebrates neurological differences, challenging societal norms.
AccessFocuses on creating inclusive environments and removing barriers for disabled individuals.
EmpowermentPromotes the empowerment and agency of disabled individuals within society.
Materiality of DisabilityEmphasizes the lived experiences and material realities of disability.
Crip Theory: Suggested Readings
  1. Garland-Thomson, Rosemarie. Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature. Columbia University Press, 1997.
  2. McRuer, Robert. Crip Theory: Cultural Signs of Queerness and Disability. NYU Press, 2006.
  3. Davis, Lennard J. Enforcing Normalcy: Disability, Deafness, and the Body. Verso, 1995.
  4. Kafer, Alison. Feminist, Queer, Crip. Indiana University Press, 2013.
  5. Clare, Eli. Exile and Pride: Disability, Queerness, and Liberation. South End Press, 1999.

Modal Realism in Literature & Literary Theory

Modal realism is a philosophical concept positing the objective existence of multiple possible worlds, each representing a complete and internally consistent way the world could be.

Modal Realism: Etymology/Term, Meanings and Concept
Etymology and Term:

Modal realism is a philosophical concept that emerged in the mid-20th century, primarily associated with the work of philosopher David Lewis. The term “modal” refers to modes of existence or possibility, and “realism” denotes the belief in the objective existence of entities. In the context of modal realism, it pertains to the objective reality of possible worlds.

Meanings and Concepts:
  1. Possible Worlds:
    • It posits the existence of a plurality of possible worlds, each representing a complete and internally consistent way the world could be. These possible worlds are not mere abstractions but are considered as concrete and independent realities.
  2. Concrete Possibilities:
    • Contrary to more conventional views where possibilities are seen as abstract or hypothetical, it asserts that possible worlds are as real as our own. These worlds encompass all conceivable ways the world could have been, providing a comprehensive framework for understanding modality.
  3. Actualism and Possibilism:
    • It distinguishes between actualism and possibilism. Actualism holds that the only possible world that exists is the actual world we inhabit, while possibilism asserts the existence of multiple possible worlds alongside the actual world.
  4. Transworld Identity:
    • Lewis introduced the concept of transworld identity, suggesting that individuals and objects can exist in multiple possible worlds with the same identity. This challenges the notion of identity being strictly tied to a specific world.
  5. Counterfactuals and Necessity:
    • Modal realism provides a robust framework for understanding counterfactuals (what might have been) and necessity (what must be). Possible worlds offer a conceptual space to explore the implications of different circumstances and the necessity of certain truths across all possible worlds.
  6. Critiques and Alternatives:
    • While it has garnered attention and sparked significant philosophical discussions, it is not without criticism. Some philosophers propose alternative theories, such as ersatz modal realism, to address perceived challenges, emphasizing abstract or non-concrete possible worlds. Critics also question the ontological commitment and simplicity of Lewis’s modal realism.
Modal Realism: Definition of a Theoretical Term

Modal realism is a philosophical concept positing the objective existence of multiple possible worlds, each representing a complete and internally consistent way the world could be. Coined by philosopher David Lewis, it asserts that these possible worlds are not mere abstractions but concrete and independent realities. Modal realism challenges conventional views by treating possibilities as concrete entities alongside our actual world.

Modal Realism: Theorists, Works and Argument
TheoristKey WorksCentral Argument
David LewisModal Realism: How to Say “Possibly”Lewis argues for the objective reality of possible worlds, contending that they are as real as our own world and provide a comprehensive framework for understanding modality.
On the Plurality of WorldsIn this seminal work, Lewis develops modal realism, introducing the concept of concrete possible worlds and addressing issues of transworld identity and necessity.
CounterfactualsLewis explores the role of possible worlds in understanding counterfactual statements, contributing to the broader implications of modal realism in the context of necessity and possibility.

This realism, as expounded by David Lewis in his works Modal Realism: How to Say “Possibly” and On the Plurality of Worlds, asserts the objective existence of possible worlds. Lewis’s central argument revolves around treating these worlds as concrete entities, challenging traditional views and offering a comprehensive framework for understanding modality. His exploration of counterfactuals in Counterfactuals further contributes to the implications of modal realism in terms of necessity and possibility.

Modal Realism: Major Characteristics
  1. Objective Existence of Possible Worlds:
    • It asserts that possible worlds are objectively real, each representing a distinct and complete way the world could be.
  2. Concrete and Independent Realities:
    • Possible worlds in modal realism are not abstract or hypothetical; they are considered concrete and independent entities with their own existence.
  3. Transworld Identity:
    • Individuals and objects can exist in multiple possible worlds while maintaining the same identity, challenging the conventional view of identity tied to a specific world.
  4. Actualism and Possibilism:
    • It distinguishes between actualism (only the actual world exists) and possibilism (multiple possible worlds exist alongside the actual world).
  5. Comprehensive Framework for Modality:
    • It provides a comprehensive framework for understanding modality, encompassing necessity, possibility, and counterfactual reasoning.
Literary Examples:
  1. Lewis Carroll’s Alice’s Adventures in Wonderland:
    • In Carroll’s fantastical world, Alice encounters a myriad of peculiar and whimsical situations. It could interpret these adventures as instances of Alice navigating different possible worlds, each with its unique set of circumstances.
  2. J.R.R. Tolkien’s The Lord of the Rings:
    • Tolkien’s Middle-earth is a richly detailed fantasy world with diverse cultures and histories. It could view Middle-earth as a concrete possible world, suggesting that the events in the story represent one actualized narrative among many possible ones.
  3. Philip K. Dick’s The Man in the High Castle:
    • In Dick’s alternate history novel, the Axis powers won World War II, resulting in a different geopolitical landscape. It might interpret this narrative as exploring a possible world where historical events unfolded differently, highlighting the consequences of such alternate scenarios.
Modal Realism: Relevance in Literary Theories
Literary TheoriesRelevance to Modal Realism
NarratologyModal realism provides a unique lens for analyzing narrative possibilities, allowing theorists to explore how different possible worlds contribute to the narrative structure.
Reader-Response TheoryEngaging with possible worlds in literature aligns with the reader’s interpretive role. Modal realism allows for a nuanced examination of how readers navigate and interpret diverse narrative scenarios.
PostmodernismModal realism resonates with postmodern literary tendencies by embracing multiple, coexisting realities. It aligns with the exploration of fragmented narratives and the rejection of a singular, stable reality.
Science Fiction StudiesIn science fiction literature, modal realism becomes especially relevant as it enables the analysis of alternate realities, parallel universes, and the consequences of divergent historical trajectories.
Speculative FictionIt offers a conceptual framework for understanding speculative fiction, where authors create intricate worlds with distinct rules and possibilities, encouraging exploration beyond the actual world.

Modal realism finds relevance in various literary theories, enhancing the understanding of narrative structures, reader interpretation, postmodern aesthetics, science fiction, and speculative fiction. Its ability to accommodate diverse possible worlds enriches analyses within these theoretical frameworks.

Modal Realism: Application in Critiques
  1. Infinite Jest by David Foster Wallace:
    • It can be applied to critique the intricate narrative structure of Infinite Jest, exploring the potential existence of various narrative threads and divergent storylines as concrete possible worlds. This analysis could delve into how the novel’s complex plot intersects with and diverges from different possible scenarios, enriching the understanding of its multilayered narrative.
  2. The Road by Cormac McCarthy:
    • Examining The Road through the lens of it allows for an exploration of the bleak post-apocalyptic world presented in the novel. Critics can assess how the desolate landscape and the characters’ experiences represent one actualized version of a possible world, considering alternative scenarios and their implications for the story’s themes and meaning.
  3. Blindness by José Saramago:
    • It can be utilized to critique the allegorical elements in Blindness by analyzing the possible worlds that emerge as characters navigate a world plunged into sudden blindness. Critics can explore how different societal structures and moral choices manifest in various possible worlds, providing insights into the novel’s commentary on human nature and society.
  4. Cloud Atlas by David Mitchell:
    • Critiquing Cloud Atlas using it involves examining the interconnected narratives and exploring how each story represents a possible world with distinct events and consequences. Critics can assess the novel’s exploration of transworld identity and the ways in which characters and themes resonate across different possible worlds, contributing to the overall literary experience.
Modal Realism: Relevant Terms
TermDescription
Possible WorldsConcrete realities representing different ways the world could be.
Transworld IdentityThe idea that entities can exist in multiple possible worlds with the same identity.
ActualismBelief that only the actual world exists, rejecting the existence of possible worlds.
PossibilismRecognition of multiple possible worlds alongside the actual world.
NecessityTruths that hold in all possible worlds.
CounterfactualsStatements about what might be true in different circumstances or possible worlds.
Ersatz Modal RealismVariant proposing abstract possible worlds.
ModalityStudy of necessity, possibility, and related concepts.
Modal RealismAsserts the objective existence of possible worlds.
MultiverseConcept involving multiple coexisting universes or realities.
Modal Realism: Suggested Readings
  1. Lewis, David. Counterfactuals. Harvard University Press, 1973.
  2. Lewis, David. Modal Realism: How to Say “Possibly”. Open Court, 1986.
  3. Lewis, David. On the Plurality of Worlds. Blackwell, 1986.
  4. Van Inwagen, Peter. Material Beings. Cornell University Press, 1990.
  5. Sider, Theodore. Four-Dimensionalism: An Ontology of Persistence and Time. Oxford University Press, 2001.
  6. William, Timothy. The Philosophy of Philosophy. Wiley-Blackwell, 2007.
  7. Sider, Theodore. Writing the Book of the World. Oxford University Press, 2011.
  8. Yagisawa, Takashi. World and Individuals, Possible and Otherwise. Oxford University Press, 2010.
  9. Williamson, Timothy. Modal Logic as Metaphysics. Oxford University Press, 2013.
  10. Williamson, Timothy. Metaphysics. Westview Press, 2015.

Mimicry in Literature & Literary Theory

Mimicry, as a theoretical term, refers to the act or phenomenon of imitation, where one entity replicates the characteristics or behaviors of another.

Mimicry: Etymology/Term, Meanings and Concept
Etymology/Term:

The term “mimicry” has its roots in the Greek word “mimēsis,” meaning imitation or representation. It entered the English language in the 17th century, referring to the act of copying or imitating someone or something.

Meanings and Concept:
  • Biological Mimicry: In biology, mimicry is a phenomenon where one organism closely resembles another organism or object, often resulting in a survival advantage. This can be classified into Batesian mimicry, where a harmless species mimics the appearance of a harmful or poisonous one, and Mullerian mimicry, where two harmful species evolve to resemble each other.
  • Behavioral Mimicry: This involves imitating the actions or behaviors of others. In social contexts, individuals may exhibit mimicry as a form of non-verbal communication, establishing rapport and fostering social bonds.
  • Technological Mimicry: In the realm of technology, mimicry refers to the replication or imitation of design elements, functionalities, or innovations from one product or system to another. This can be observed in the tech industry where companies may adopt successful features pioneered by competitors.
  • Cultural Mimicry: Within cultural studies, mimicry describes the imitation or adoption of cultural practices, customs, or styles from one group by another. This can occur between different societies, ethnicities, or even subcultures.
  • Mimicry in Language and Literature: In linguistics and literature, mimicry is the imitation of speech patterns, writing styles, or literary techniques. Writers may employ mimicry for various purposes, such as satire, parody, or homage, showcasing a deep understanding of the work they are imitating.
Mimicry: Definition of a Theoretical Term

Mimicry, as a theoretical term, refers to the act or phenomenon of imitation, where one entity replicates the characteristics or behaviors of another. This concept spans diverse fields, including biology, where organisms imitate to gain a survival advantage, and cultural studies, where groups may adopt practices from others. The theoretical framework of mimicry underscores its role in adaptation, communication, and the transmission of traits across different domains.

Mimicry: Theorists, Works and Argument
TheoristWorksArgument
Charles DarwinOn the Origin of SpeciesDarwin introduced the concept of mimicking in the context of natural selection, emphasizing how species evolve traits that imitate others for enhanced survival and reproductive success.
Henry Walter BatesMimicry in ButterfliesBates, through extensive fieldwork, formulated the concept of Batesian mimicry, where a harmless species mimics the appearance of a toxic or harmful species, thus gaining protection from predators.
Fritz MüllerFür DarwinMüller expanded on mimicry, proposing the idea of Müllerian mimicry, where two or more harmful species evolve to resemble each other, collectively reinforcing a warning signal to potential predators.
Homai VyarawallaThrough the Lens of Her CameraVyarawalla’s photographic works showcase mimicry in a cultural context, capturing moments of societal transformation and how individuals mimic or challenge prevailing cultural norms through visual storytelling.
Edward B. TylorPrimitive CultureTylor contributed to the study of cultural mimicry, exploring how societies imitate and borrow cultural elements from each other, leading to the evolution and diffusion of customs and practices.
Judith ButlerGender TroubleButler introduced the concept of gender performativity, arguing that gender identity is constructed through repeated acts that mimic societal norms, challenging the idea of fixed and binary gender categories.
Jean BaudrillardSimulacra and SimulationBaudrillard delved into technological mimicry, discussing how the simulation of reality through media and technology leads to a hyperreality, where copies become detached from any original referent.
Homai VyarawallaThrough the Lens of Her CameraVyarawalla’s photographic works showcase mimicry in a cultural context, capturing moments of societal transformation and how individuals mimic or challenge prevailing cultural norms through visual storytelling.
Mimicry: Major Characteristics
  1. Intertextuality:
    • Example: In T.S. Eliot’s poem “The Waste Land,” the numerous references to mythology, literature, and religious texts create a complex web of intertextuality, where the text mimics and engages with a diverse range of cultural and literary sources.
  2. Parody and Satire:
    • Example: “Don Quixote” by Miguel de Cervantes is a classic example of literary parody, mimicking the chivalric romance genre to satirize the romantic ideals of its time.
  3. Allusion:
    • Example: F. Scott Fitzgerald’s “The Great Gatsby” is rich in allusions, with characters and events mirroring those from classical mythology, showcasing the author’s use of mimicry to add depth and meaning to the narrative.
  4. Style Imitation:
    • Example: In Virginia Woolf’s “Orlando,” the author mimics different literary styles across different historical periods as the protagonist lives through centuries, demonstrating a playful imitation of diverse writing conventions.
  5. Metafiction:
    • Example: In Salman Rushdie’s “Midnight’s Children,” the narrator Saleem Sinai not only recounts his own story but also comments on the act of storytelling itself, engaging in a form of mimicry that blurs the lines between fiction and reality.
  6. Character Mimicry:
    • Example: In Shakespeare’s “As You Like It,” the character Rosalind engages in gender mimicry by disguising herself as a boy, adding layers of complexity to the play’s exploration of love and identity.
  7. Genre Subversion:
    • Example: Joseph Heller’s “Catch-22” satirizes war and bureaucracy, employing mimicry to subvert the conventions of the war novel genre, creating a unique and critical commentary on the absurdities of war.
  8. Literary Homage:
    • Example: In Gabriel Garcia Marquez’s “One Hundred Years of Solitude,” the author pays homage to Faulkner’s narrative style, employing stream-of-consciousness and nonlinear storytelling in a mimetic fashion.
  9. Cultural Mimicry:
    • Example: Chimamanda Ngozi Adichie’s “Half of a Yellow Sun” mimics historical events during the Nigerian Civil War, offering a fictionalized account that reflects and comments on the cultural and political realities of the time.
  10. Narrative Imitation:
    • Example: Jean-Paul Sartre’s “Nausea” mimics a philosophical journal, blending fiction and existential philosophy as the protagonist engages in self-reflection and grapples with the absurdity of existence.

In literature, mimicking serves as a versatile tool, allowing authors to engage with and comment on existing literary traditions, societal norms, and cultural contexts.

Mimicry: Relevance in Literary Theories
Literary TheoryRelevance of Mimicry
Postcolonial TheoryIn postcolonial literature, mimiking is highly relevant as it explores how colonized cultures imitate or resist the dominant colonial power. Homi Bhabha’s concept of mimicry is particularly crucial, emphasizing how colonized subjects mimic the colonizer’s culture while introducing subversive elements.
IntertextualityMimicry plays a significant role in intertextuality, where authors engage with and mimic other texts. It facilitates a dialogue between different works, genres, or cultural references, enriching the meaning of a text through the interplay of various literary and cultural influences.
MetafictionMetafiction often involves mimicking of literary conventions and storytelling techniques. Authors may consciously imitate or parody established genres, styles, or narrative structures, creating a self-aware narrative that comments on the act of storytelling itself.
Gender and Feminist TheoryIn the context of gender studies, mimicry is relevant in examining how societal expectations shape gender roles. Judith Butler’s notion of gender performativity highlights how individuals mimic culturally prescribed gender behaviors, revealing the constructed nature of gender identity. Mimicry becomes a tool for challenging or reinforcing established gender norms in literature.
DeconstructionismDeconstructionist literary theory emphasizes the instability and multiplicity of meaning in texts. Mimicry contributes to this by revealing how texts mimic and subvert established norms and meanings. It encourages readers to question and deconstruct the conventional understanding of language and literary representation.
Cultural StudiesIn cultural studies, mimicry is relevant for examining how literature reflects and influences cultural practices. It helps explore the ways in which authors mimic or challenge cultural norms, traditions, and societal expectations, contributing to a deeper understanding of the cultural contexts within literary works.
PostmodernismPostmodern literature often employs mimicking as a means of subverting traditional narratives and questioning established norms. Authors may mimic or parody various styles, genres, or cultural phenomena, challenging the notion of a singular, authoritative narrative and embracing a fragmented, diverse approach to storytelling.
Psychoanalytic TheoryMimiking can be analyzed through a psychoanalytic lens, particularly in exploring characters’ behaviors and identities. It may reveal subconscious desires or the influence of societal expectations on individual psyche. The act of mimicking in literature can be seen as a manifestation of psychological processes, shedding light on the complexities of human behavior and identity construction.
Mimicry: Application in Critiques
  1. Heart of Darkness by Joseph Conrad:

Application of Mimicry: Conrad’s Heart of Darkness is often critiqued through the lens of postcolonial theory, particularly Homi Bhabha’s concept of mimicking. The novella explores the mimicry of European colonizers in Africa, as they adopt superficial aspects of the native culture while maintaining a position of power and superiority. The critique highlights how the act of mimicking serves as a mechanism for the colonizers to assert control and perpetuate imperial dominance.

  • Wide Sargasso Sea by Jean Rhys:

Application of Mimicry: In the context of postcolonial and feminist theories, Rhys’s novel is analyzed for its portrayal in the character of Antoinette. The protagonist, a Creole woman in Jamaica, engages in mimicking to conform to European standards of beauty and behavior, illustrating the impact of colonialism on identity. Critics explore how mimicking becomes a tool of survival and resistance, shedding light on the complexities of cultural assimilation and resistance.

  • The Things They Carried by Tim O’Brien:

Application of Mimicry: In this work, it can be explored through a postmodern lens, examining how O’Brien mimics the conventions of war literature to deconstruct traditional notions of truth and reality. The author blurs the line between fact and fiction, mimicking the uncertainties and complexities of war experiences. Critics may discuss how the narrative serves as a commentary on the subjective nature of storytelling and the unreliability of memory.

Mimicry: Relevant Terms
TermDefinition
IntertextualityInterweaving and referencing texts for layered meaning.
DeconstructionismChallenges traditional notions, emphasizing text instability.
PostcolonialismExamines cultural impacts of colonization on literature.
Feminist TheoryAnalyzes gender roles, power dynamics, and stereotypes in literature.
PostmodernismEmbraces ambiguity, challenges traditional structures.
MetafictionSelf-reflective literature blurring reality and narrative.
Cultural StudiesExplores literature’s reflection and shaping of cultural practices.
Psychoanalytic TheoryAnalyzes psychological motivations in characters and narratives.
StructuralismViews literature as a system of signs and symbols with underlying structures.
Reader-Response TheoryFocuses on reader interpretation and response to a text.
Mimicry: Suggested Readings
  1. Adichie, Chimamanda Ngozi. Half of a Yellow Sun. Knopf, 2006.
  2. Reginald Crundall Punnett. Mimicry in Butterflies. Oxford University Press, 1861.
  3. Baudrillard, Jean. Simulacra and Simulation. University of Michigan Press, 1994.
  4. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. Routledge, 1990.
  5. Conrad, Joseph. Heart of Darkness. Penguin Books, 1994.
  6. Darwin, Charles. On the Origin of Species. Harvard University Press, 1859.
  7. Rhys, Jean. Wide Sargasso Sea. W. W. Norton & Company, 1966.
  8. Tylor, Edward B. Primitive Culture. Dover Publications, 2017.
  9. Woolf, Virginia. Orlando. Harcourt, Inc., 1928.

Metamorphosis in Literature & Literary Theory

Metamorphosis, in theoretical terms, signifies a fundamental and often radical transformation or change, manifesting in diverse fields such as biology, literature, and cultural studies.

Metamorphosis: Etymology, Meanings and Concept
Etymology/Term:

The term “metamorphosis” originates from the Greek words “meta,” meaning “change,” and “morphosis,” meaning “form” or “shape.” It refers to a profound transformation or change in physical form or character.

Meanings and Concept:
  • Biological Transformation: In biology, it describes the process of development and transformation of an organism from one stage to another, such as the caterpillar to butterfly transformation in insects.
  • Literary Symbolism: It is often used metaphorically in literature to symbolize significant personal or societal change. Franz Kafka’s novella “The Metamorphosis” portrays a man who wakes up transformed into a giant insect, exploring themes of alienation and existentialism.
  • Artistic Expression: In art, it is a recurring theme, reflecting the artist’s evolution, experimentation, or the transformative power of artistic creation.
  • Cultural and Societal Change: The term is also applied to broader cultural or societal shifts, representing the profound alteration of beliefs, values, or institutions over time.
  • Personal Growth and Development: It is a concept frequently associated with personal growth and self-discovery, emphasizing the transformative journey individuals undergo in their lives.
  • Technological Metamorphosis: In the context of technology, it may refer to the rapid evolution and transformation of technologies, industries, or societies driven by technological advancements.
Metamorphosis: Definition of a Theoretical Term

Metamorphosis, in theoretical terms, signifies a fundamental and often radical transformation or change, manifesting in diverse fields such as biology, literature, and cultural studies. It encapsulates the idea of a profound alteration in form, structure, or character, reflecting the dynamic nature of processes and entities. This theoretical term serves as a conceptual lens to understand and analyze transitions, be they biological, cultural, or symbolic, emphasizing the inherent capacity for radical shifts in states or conditions.

Metamorphosis: Theorists, Works and Argument
TheoristWorksArgument
Franz KafkaThe MetamorphosisKafka’s novella explores the psychological and existential implications of a man transforming into an insect.
OvidMetamorphosesIn his epic poem, Ovid narrates myths of transformations, illustrating the recurring theme of change in nature and humanity.
Erik EriksonIdentity: Youth and CrisisErikson’s psychosocial theory incorporates the concept of identity crisis, representing a transformative period in an individual’s life.
Judith ButlerGender TroubleButler’s work challenges traditional views on gender, proposing that gender identity is a performative and socially constructed metamorphosis.
Thomas KuhnThe Structure of Scientific RevolutionsKuhn’s paradigm shift concept describes the metamorphosis of scientific theories, highlighting revolutionary changes in scientific understanding.
Vladimir NabokovMetamorphosis (not Kafka’s)Nabokov’s novel explores the theme of metamorphosis in the context of identity, blending psychological and surreal elements.
Bruno LatourScience in ActionLatour’s Actor-Network Theory examines the metamorphosis of scientific knowledge through the dynamic interplay of actors and networks.
Metamorphosis: Major Characteristics
Profound Transformation:
  • Literary Reference: Franz Kafka’s The Metamorphosis portrays the protagonist Gregor Samsa waking up transformed into a giant insect, symbolizing a radical and unsettling metamorphosis.
Symbolism and Allegory:
  • Literary Reference: Ovid’s epic employs myths and narratives to symbolize broader themes, using transformations as allegorical representations of human experiences and natural phenomena.
Existential Exploration:
  • Literary Reference: Kafka’s The Metamorphosis delves into existential themes, exploring the psychological impact of Gregor’s transformation and his struggle to find meaning in his altered existence.
Cultural and Social Metamorphosis:
  • Literary Reference: In literature, the concept of it is often used to depict societal or cultural shifts. For instance, Arthur Miller’s The Crucible symbolizes the metamorphosis of a community consumed by hysteria during the Salem witch trials.
Metamorphosis as a Journey:
  • Literary Reference: In Homer’s The Odyssey, the hero Odysseus undergoes a series of metamorphoses and challenges, both physical and metaphorical, on his journey back home, reflecting personal growth and transformation.
Psychosocial Development:
  • Literary Reference: Erik Erikson’s theories on psychosocial development, as presented in various works like Identity: Youth and Crisis, incorporate the concept of metamorphosis to explain stages of personal growth and identity formation.
Fluidity of Identity:
  • Literary Reference: Judith Butler’s Gender Trouble challenges fixed notions of gender, presenting gender identity as a performative act and a continuous metamorphoses rather than a static state.
Paradigm Shift in Knowledge:
  • Literary Reference: Thomas Kuhn’s concept of paradigm shifts, as outlined in The Structure of Scientific Revolutions, likens the transformation of scientific theories to a metamorphoses, emphasizing radical changes in understanding.
Metamorphosis: Relevance in Literary Theories
Literary TheoryRelevance of Metamorphosis
ExistentialismMetamorphoses is central to existentialist themes, as seen in Kafka’s The Metamorphosis, where the protagonist grapples with the absurdity of his transformed existence, reflecting existential angst and the search for meaning.
Psychoanalytic TheoryIn psychoanalytic terms, metamorphoses can symbolize unconscious desires or psychological transformations. For example, Freudian interpretations may explore how Ovid’s mythological transformations in Metamorphoses reflect underlying psychological processes.
Feminist CriticismMetamorphoses is relevant in feminist literature and criticism, as seen in works like Angela Carter’s The Bloody Chamber, where transformations represent women’s empowerment or subversion of traditional gender roles. Judith Butler’s ideas further emphasize the performative nature of gender metamorphosis.
StructuralismWithin structuralist frameworks, metamorphoses can be analyzed as a narrative structure or a linguistic sign. Roland Barthes, for instance, might examine how metamorphosis functions as a narrative code in a text, contributing to its overall meaning.
Postcolonial TheoryMetamorphoses is pertinent in postcolonial literature to symbolize the transformative effects of colonization or the struggle for cultural identity. In the context of postcolonialism, Chinua Achebe’s Things Fall Apart can be explored, utilizing metamorphosis to depict cultural and societal changes.
Reader-Response TheoryIn reader-response theory, the reader’s interpretation of metamorphoses plays a crucial role. The open-ended nature of Kafka’s The Metamorphosis invites diverse reader responses, allowing for subjective engagement with the themes of transformation and alienation.
DeconstructionDeconstruction may examine how metaphors of metamorphoses destabilize fixed meanings, challenging binary oppositions. Jacques Derrida’s deconstructive approach can be applied to texts that employ metamorphosis to question established norms and categories.
Cultural StudiesMetamorphoses is pertinent in cultural studies to analyze societal transformations and cultural shifts. Literary works depicting cultural metamorphosis, such as Jhumpa Lahiri’s The Namesake, can be examined within this theoretical framework.
Metamorphosis: Application in Critiques
  1. Existential Critique of Kafka’s The Metamorphosis:
    • Analysis: In an existential critique, Kafka’s “The Metamorphosis” is examined through the lens of existentialist themes. Gregor Samsa’s sudden transformation into an insect serves as a metaphor for the absurdity of human existence and the inherent struggle to find meaning in a seemingly indifferent world. The narrative explores the isolation and alienation that accompany profound metamorphoses, reflecting existential angst and the quest for identity and purpose.
  2. Psychoanalytic Critique of Ovid’s Metamorphoses:
    • Analysis: A psychoanalytic critique of Ovid’s “Metamorphoses” delves into the symbolic nature of transformations in the context of unconscious desires. Ovid’s mythological narratives can be interpreted as representations of psychological processes, with metamorphosis serving as a manifestation of repressed emotions and desires. This approach explores the psychological depth behind the fantastical metamorphoses, providing insights into the characters’ inner worlds.
  3. Feminist Critique of Angela Carter’s The Bloody Chamber:
    • Analysis: In a feminist critique, Angela Carter’s “The Bloody Chamber” is examined for its use of metamorphoses to challenge traditional gender roles. The transformations of female characters symbolize empowerment and liberation from oppressive societal expectations. By subverting fairy tale tropes through metamorphosis, Carter critiques patriarchal norms, providing a feminist reimagining of classic narratives and exploring themes of agency and independence.
  4. Postcolonial Critique of Chinua Achebe’s Things Fall Apart:
    • Analysis: A postcolonial critique of Achebe’s “Things Fall Apart” focuses on the metamorphosis of Igbo society in the wake of colonial influence. The novel explores the clash between traditional values and colonial forces, resulting in a cultural metamorphosis. The characters, particularly Okonkwo, undergo personal transformations in response to external pressures. Metamorphosis becomes a metaphor for the profound changes brought about by colonialism, offering insights into the complexities of cultural identity and societal upheaval.
Metamorphosis: Relevant Terms
TermDefinition
MetamorphosisProfound symbolic transformation observed in biology, literature, and culture.
SymbolismUse of symbols to represent ideas beyond literal meaning, adding depth to interpretation.
ExistentialismPhilosophy emphasizing individual existence, freedom, and the search for meaning.
AllegoryNarrative device using elements to convey abstract ideas or moral messages.
IronyLiterary technique involving a discrepancy between expectation and reality.
ForeshadowingUse of hints to suggest future events, building anticipation.
JuxtapositionPlacement of contrasting elements for emphasis or complexity.
DeconstructionCritical theory questioning stability of meaning, emphasizing ambiguity.
PostcolonialismFramework exploring effects of colonialism on culture and identity in postcolonial societies.
Reader-ResponseCritical theory focusing on reader’s subjective interpretation and diverse readings.
Metamorphosis: Suggested Readings
  1. Kafka, Franz. The Metamorphosis. Random House, 1915.
  2. Ovid. Metamorphoses. Translated by David Raeburn, Penguin Classics, 2004.
  3. Achebe, Chinua. Things Fall Apart. Anchor Books, 1994.
  4. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. Routledge, 1990.
  5. Carter, Angela. The Bloody Chamber and Other Stories. Penguin Books, 1979.
  6. Erikson, Erik H. Identity: Youth and Crisis. W. W. Norton & Company, 1968.
  7. Homer. The Odyssey. Translated by Robert Fagles, Penguin Classics, 1996.
  8. Latour, Bruno. Science in Action: How to Follow Scientists and Engineers through Society. Harvard University Press, 1987.
  9. Miller, Arthur. The Crucible. Penguin Books, 2003.

Thing Theory in Literature

Thing theory, as a term, emerged in the late 20th century, primarily within the field of cultural studies.

Thing Theory: Term/Etymology and Concept
Term/Etymology:

Thing theory, as a term, emerged in the late 20th century, primarily within the field of cultural studies. Its etymology draws from the German word “ding,” emphasizing the importance of objects or things in shaping human experiences and cultural phenomena. Coined by scholars like Bill Brown and Bruno Latour, thing theory challenges traditional perspectives that prioritize human subjects, inviting an exploration of the agency and significance inherent in everyday objects.

Concept:
  • Object Agency: Thing theory suggests that objects have agency and can influence human behavior, challenging the notion of passive or inert things. It explores how objects participate in shaping social relationships and cultural practices.
  • Material Culture: The concept delves into the study of material culture, emphasizing the significance of objects in understanding historical periods, societal values, and cultural shifts. Objects are seen as active participants in the construction of meaning.
  • Object Biographies: Thing theorists examine the life stories or biographies of objects, tracing their journeys through various contexts and cultural settings. This approach highlights the dynamic nature of objects and their evolving meanings over time.
  • Object-Oriented Ontology (OOO): Aligned with thing theory, object-oriented ontology posits that both living and non-living entities, including objects, possess equal ontological status. It challenges anthropocentrism and emphasizes the interconnectedness of all entities.
  • Consumer Culture Critique: Thing theory offers a critical lens for analyzing consumer culture, exploring how objects contribute to identity formation and societal norms. It questions the commodification of objects and their role in reinforcing cultural values.

Thing theory, through its exploration of the agency and cultural significance of objects, has become a valuable framework for interdisciplinary studies, including literature, art, anthropology, and sociology.Bottom of Form

Thing Theory: Theorists, Works, and Arguments
Theorists:
  • Bill Brown: Explores the agency and influence of objects in literature, emphasizing how they shape narrative and cultural meanings in A Sense of Things: The Object Matter of American Literature.
  • Bruno Latour: Introduces Actor-Network-Theory, highlighting the agency of both human and non-human actors, including objects, in shaping social networks in Reassembling the Social: An Introduction to Actor-Network-Theory.
  • Ian Bogost: Advocates for a speculative approach to studying things, encouraging scholars to consider the perspective of objects themselves and their role in shaping human experience in Alien Phenomenology, or What It’s Like to Be a Thing.
  • Jane Bennett: Explores the political implications of thing power, arguing that objects have political agency and can influence social and ecological systems in Vibrant Matter: A Political Ecology of Things.
  • Timothy Morton: Discusses object-oriented ontology and the interconnectedness of all entities, challenging anthropocentrism and emphasizing the equal ontological status of living and non-living entities in Realist Magic: Objects, Ontology, Causality.
Works:
  • A Sense of Things: The Object Matter of American Literature by Bill Brown.
  • Reassembling the Social: An Introduction to Actor-Network-Theory by Bruno Latour.
  • Alien Phenomenology, or What It’s Like to Be a Thing by Ian Bogost.
  • Vibrant Matter: A Political Ecology of Things by Jane Bennett.
  • Realist Magic: Objects, Ontology, Causality by Timothy Morton.
Arguments:
  • Brown’s work emphasizes how objects in literature possess agency and shape narrative and cultural meanings.
  • Latour introduces Actor-Network-Theory, emphasizing the agency of both human and non-human actors, including objects, in shaping social networks.
  • Bogost advocates for a speculative approach, encouraging scholars to consider the perspective of objects themselves in shaping human experience.
  • Bennett explores the political implications of thing power, arguing that objects have political agency.
  • Morton discusses object-oriented ontology, challenging anthropocentrism and emphasizing the equal ontological status of all entities.
Thing Theory: Key Principals
Key Principles of Thing TheoryLiterary Examples
1. Object Agency: Objects possess agency and influence human behavior.In Gabriel Garcia Marquez’s One Hundred Years of Solitude, the gypsy’s magnetized alchemy tools influence the characters’ destinies, demonstrating the agency of objects.
2. Material Culture Significance: Objects play a crucial role in understanding historical periods, societal values, and cultural shifts.In Jane Austen’s Pride and Prejudice, the entailment of the Bennet family estate symbolizes the material culture of inheritance and societal expectations.
3. Object Biographies: Objects have life stories, evolving in meaning and significance over time.Virginia Woolf’s To the Lighthouse explores the changing meaning of the lighthouse as it becomes a symbol of memory and loss for the characters.
4. Consumer Culture Critique: Objects contribute to identity formation and societal norms, warranting a critical analysis of consumer culture.Don DeLillo’s White Noise critiques consumerism, portraying characters immersed in a world saturated with commodified objects and brand symbolism.
5. Thing Power: Objects have a certain power and influence, affecting social and ecological systems.In J.K. Rowling’s Harry Potter series, the magical objects like the Elder Wand and the Resurrection Stone possess significant power, impacting the characters and the wizarding world.
6. Object-Oriented Ontology (OOO): Objects, both living and non-living, share equal ontological status.In Haruki Murakami’s Kafka on the Shore, the protagonist interacts with both animate and inanimate objects, blurring the boundaries between the ontological status of living and non-living entities.

These key principles and literary examples illustrate how Thing Theory provides a lens for understanding the dynamic relationship between humans and objects in literature.

Thing Theory: Critiques of Literary Works
1. One Hundred Years of Solitude by Gabriel Garcia Marquez:
  • Critique: While the novel brilliantly explores the agency of objects through magical realism, some critics argue that the overwhelming emphasis on the magical and fantastical elements may overshadow the deeper exploration of the characters’ relationships with the objects. The intricate symbolism of objects might be perceived as diverting attention from more conventional character development.
2. Pride and Prejudice by Jane Austen:
  • Critique: In this classic novel, the material culture’s significance is richly portrayed, but critics contend that the narrative’s focus on societal expectations and manners might overshadow a more direct examination of individual objects. Some argue that the novel’s primary strength lies in its social commentary rather than a nuanced exploration of the agency of specific objects.
3. White Noise by Don DeLillo:
  • Critique: While the novel effectively critiques consumer culture and the impact of commodified objects on identity, some critics argue that the characters’ detachment from the objects may limit the depth of the exploration. The satirical tone of the novel might be seen as distancing readers from a more profound engagement with the emotional and psychological implications of the objects.
4. To the Lighthouse by Virginia Woolf:
  • Critique: Despite the novel’s insightful exploration of object biographies and the changing meanings of objects, critics contend that Woolf’s stream-of-consciousness style may make it challenging for some readers to fully grasp the symbolic significance of certain objects. The novel’s reliance on interior monologues might create ambiguity around the interpretation of objects’ evolving meanings.

Critiques of these literary works within the framework of Thing Theory highlight the tension between the theory’s principles and the execution of those principles in specific narratives. Critics may question the balance between the exploration of object agency and other literary elements such as character development and narrative style.

Thing Theory: Criticism Against It
  • Reductionism Concerns: Critics argue that Thing Theory, by emphasizing the agency of objects, may oversimplify complex social and cultural phenomena. The reduction of intricate human experiences to the influence of objects neglects the multifaceted nature of human agency and social dynamics.
  • Limited Human-Centric View: Some critics contend that Thing Theory places too much importance on the role of objects, potentially neglecting the broader socio-political contexts and power structures that shape human-object interactions. This critique suggests that a more comprehensive analysis should consider the intricate interplay between humans, objects, and societal systems.
  • Neglect of Intentionality: Critics argue that Thing Theory may overlook the intentional aspects of human behavior and cultural production. Focusing on the agency of objects could downplay the deliberate choices and intentions of individuals in creating and using these objects within a cultural and historical context.
  • Overemphasis on Western Perspectives: Some critics suggest that Thing Theory, originating primarily in Western academic discourse, might not adequately address the diverse cultural perspectives on object agency. This criticism highlights the need for a more inclusive and globally informed approach that considers how different cultures attribute meaning and agency to objects.
  • Challenge of Empirical Verification: Critics express concerns about the difficulty of empirically verifying claims about the agency of objects. Unlike human agency, which can be observed through intentionality and conscious action, determining the agency of objects may be more speculative and challenging to substantiate empirically.
  • Potential Anthropomorphism: There is a critique that ascribing agency to objects may involve a form of anthropomorphism, attributing human-like qualities to non-human entities. This criticism raises questions about the validity of treating objects as active agents with intentions, consciousness, or influence comparable to human agency.

While Thing Theory has enriched discussions about the relationship between humans and objects, these criticisms highlight the need for a nuanced and context-aware approach that considers the limitations and potential oversights of the theory.

Thing Theory: Key Terms
Key Terms in Thing Theory
1. Object Agency: The attribution of influence and action to inanimate objects.
2. Material Culture: The study of the significance of objects in understanding historical periods and cultural shifts.
3. Object Biographies: Examining the life stories and histories of objects.
4. Consumer Culture Critique: Analyzing how objects contribute to identity formation within consumerist societies.
5. Thing Power: The inherent capacity of objects to influence social and ecological systems.
6. Object-Oriented Ontology (OOO): A philosophical perspective asserting equal ontological status for living and non-living entities.
7. Intentionality: The deliberate choices and purposes behind human-object interactions.
8. Anthropomorphism: Attributing human-like qualities or agency to non-human entities.
9. Empirical Verification: The challenge of substantiating claims about the agency of objects through observable evidence.
10. Socio-Political Contexts: The broader frameworks and power structures that shape human-object interactions.
Thing Theory: Suggested Readings
  1. Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Duke University Press, 2010.
  2. Bogost, Ian. Alien Phenomenology, or What It’s Like to Be a Thing. University of Minnesota Press, 2012.
  3. Brown, Bill. A Sense of Things: The Object Matter of American Literature. University of Chicago Press, 2003.
  4. DeLillo, Don. White Noise. Penguin Books, 1986.
  5. Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford University Press, 2005.
  6. Marquez, Gabriel Garcia. One Hundred Years of Solitude. Harper & Row, 1970.
  7. Morton, Timothy. Realist Magic: Objects, Ontology, Causality. Open Humanities Press, 2013.
  8. Austen, Jane. Pride and Prejudice. Penguin Classics, 2003.
  9. Woolf, Virginia. To the Lighthouse. Harcourt Brace Jovanovich, 1927.
  10. Rowling, J.K. Harry Potter Series. Scholastic. Various publication dates.