Sacerdotalization in Literature & Literary Theory

Sacerdotalization refers to the process by which secular or non-religious entities adopt characteristics or practices associated with priesthood or religious authority.

Sacerdotalization in Literature & Literary Theory
Sacerdotalization: Etymology/Term, Meanings and Concept
Etymology/Term

The term “sacerdotalization” finds its roots in the Latin word “sacerdos,” which means “priest.” It refers to the process by which aspects of society become increasingly organized around religious principles, authority, and power. This can manifest through the elevation of religious leaders to positions of social or political influence, or through the adoption of spiritual or theological concepts as guiding principles within secular domains.

Meanings and Concepts
  • Clerical Influence: The extension of religious authority beyond spiritual matters into areas like politics, law, education, or social customs.
  • Religious Symbolism in Secular Life: The incorporation of religious imagery, language, or concepts into the workings of seemingly non-religious institutions or practices.
  • Moralizing of the Secular: Using religious ethics or values as the primary framework for addressing social or political issues.
  • Blurring the Line Between Sacred and Secular: The lessening of distinction between religious and secular spheres of influence.
Sacerdotalization: Definition of a Theoretical Term

Sacerdotalization refers to the process by which secular or non-religious entities adopt characteristics or practices associated with priesthood or religious authority. It involves imbuing non-spiritual activities or institutions with a sense of sacredness or divine authority, often through ritualistic or ceremonial means. This concept encapsulates the transformation of mundane or profane elements into objects or practices deemed holy or imbued with spiritual significance.

Sacerdotalization: Theorists, Works and Arguments
Theorists:
  • Max Weber: Weber explored sacerdotalization in his sociology of religion, focusing on the routinization of charisma and religious authority’s role in society.
  • Emile Durkheim: Durkheim’s analysis of the sacred and profane and the function of rituals contributes to understanding sacerdotalization.
  • Mircea Eliade: Eliade’s work on the history of religions and the sacred offers insights into sacerdotalization across cultures.
Works:
  • Max Weber: “Economy and Society” and “The Protestant Ethic and the Spirit of Capitalism” provide foundational insights into sacerdotalization within social theory.
  • Emile Durkheim: “The Elementary Forms of Religious Life” explores religious phenomena’s role in shaping social structures, including sacerdotalization.
  • Mircea Eliade: “The Sacred and the Profane” and “Patterns in Comparative Religion” offer perspectives on the significance of the sacred and sacerdotalization.
Arguments:
  • Sacerdotalization consolidates social order by infusing secular activities with religious authority.
  • It serves as a form of power legitimation, establishing control by claiming divine sanction.
  • Sacerdotalization involves ritualization and sacralization, reinforcing significance within a religious framework.
Sacerdotalization: Major Characteristics
  • Ritualization of Activities: Sacerdotalization involves the ritualization of mundane activities, imbuing them with a sense of sacredness. This can be observed in literature through rituals performed by characters that elevate everyday actions to religious significance. For example, in The Waste Land by T.S. Eliot, the ritualistic depiction of the Fisher King’s grail ceremony symbolizes a sacerdotalized ritual within the context of the poem’s modern wasteland.
  • Authority and Hierarchical Structure: Sacerdotalization often entails the establishment of authority structures and hierarchical systems reminiscent of religious organizations. In literature, this can be represented through characters or institutions that wield immense power and influence, akin to religious leaders. In George Orwell’s Animal Farm, the pigs’ gradual usurpation of authority and adoption of religious-like practices illustrate the sacerdotalization of their rule.
  • Sacred Objects and Spaces: Sacerdotalization involves the designation of certain objects, spaces, or symbols as sacred, imbuing them with heightened significance. In literature, this can manifest through the portrayal of revered artifacts or locations that hold profound meaning within the narrative. For instance, in J.R.R. Tolkien’s The Lord of the Rings, the One Ring serves as a sacerdotalized object of immense power, around which the entire quest revolves.
  • Codification of Beliefs and Norms: Sacerdotalization often entails the codification of beliefs, values, and norms into formalized systems or doctrines. In literature, this can be depicted through characters adhering to rigid belief systems or ideological frameworks, akin to religious dogma. An example is Margaret Atwood’s The Handmaid’s Tale, where the society’s strict regulations and rituals reflect the sacerdotalization of patriarchal control and religious ideology.
  • Symbolism and Allegory: Sacerdotalization frequently utilizes symbolism and allegory to convey deeper meanings and truths. In literature, this can be evidenced through allegorical narratives or symbolic representations of spiritual concepts. Nathaniel Hawthorne’s The Scarlet Letter exemplifies sacerdotalization through the symbol of the scarlet letter itself, which represents both sin and redemption within the puritanical society depicted in the novel.
Sacerdotalization: Relevance in Literary Theories
Literary TheoryRelevance of Sacerdotalization
Marxist CriticismSacerdotalization can be examined through the lens of power dynamics within literature, particularly in how authority structures mirror religious hierarchies, reflecting societal power struggles.
Feminist CriticismSacerdotalization may illuminate the patriarchal reinforcement of gender norms and control, as seen in the elevation of certain figures or institutions to positions of divine authority within narratives.
Postcolonial TheorySacerdotalization can shed light on the imposition of colonial ideologies and the subjugation of indigenous cultures, as colonial powers often sacerdotalize their dominance through cultural assimilation and religious conversion.
Psychoanalytic TheorySacerdotalization offers insight into the subconscious desires and fears embedded within literary narratives, as symbols of sacredness and ritualization may reflect individuals’ psychological needs for order and meaning.
StructuralismSacerdotalization can be analyzed as a system of symbols and signs within literary texts, revealing underlying structures of meaning and the cultural significance attributed to rituals, authority figures, and sacred objects.
DeconstructionSacerdotalization invites questioning of fixed meanings and hierarchies within texts, as deconstructionist analysis may uncover the contradictions and instabilities inherent in the portrayal of sacredness and authority.
Sacerdotalization: Application in Critiques
  • The Scarlet Letter by Nathaniel Hawthorne:
    • Sacerdotalization is evident in the portrayal of the Puritanical society, where strict adherence to religious laws and the veneration of moral authority leads to the sacerdotalization of societal norms.
    • The scarlet letter itself serves as a sacerdotalized symbol of sin and redemption, illustrating how society imposes religious significance onto individual actions.
  • The Handmaid’s Tale by Margaret Atwood:
    • Sacerdotalization is central to the oppressive regime of Gilead, where patriarchal control is justified through religious rhetoric, sacerdotalizing the authority of the ruling elite.
    • Rituals and ceremonies within the society serve as sacerdotalized mechanisms for enforcing power and subjugating individuals, highlighting the intersection of religious and political oppression.
  • The Lord of the Rings by J.R.R. Tolkien:
    • The One Ring can be interpreted as a sacerdotalized object of immense power, symbolizing the corrupting influence of authority and the temptation to wield divine-like control.
    • The journey to destroy the Ring becomes a sacerdotalized quest, imbued with mythical significance and the struggle against dark forces, echoing themes of religious prophecy and divine intervention.
  • Animal Farm by George Orwell:
    • The pigs’ gradual usurpation of authority and adoption of religious-like practices illustrate the sacerdotalization of their rule, as they manipulate symbols and rituals to maintain control over the other animals.
    • Orwell critiques the sacerdotalization of ideology and power, exposing how even revolutionary movements can succumb to the allure of divine authority and hierarchical structures.
Sacerdotalization: Relevant Terms
Relevant TermsDefinition
RitualizationImbuing actions with symbolic meaning or significance.
AuthorityLegitimate power or control recognized by others.
HierarchicalArranged in levels of importance or authority.
SacrednessQuality of being holy or revered.
CodificationFormalizing beliefs or practices into a system.
SymbolismUse of symbols to convey deeper meaning.
AllegoryNarrative technique with symbolic representation.
Power DynamicsInteractions determining power distribution.
Cultural AssimilationAdoption of traits from another culture.
IdeologicalRelating to a specific belief system or ideology.
Sacerdotalization: Suggested Readings
  1. Berger, Peter L. The Sacred Canopy: Elements of a Sociological Theory of Religion. Anchor Books, 1967. (Foundational work exploring how the sacred shapes secular life.)
  2. Bourdieu, Pierre. Outline of a Theory of Practice. Translated by Richard Nice, Cambridge University Press, 1977. (Analyzes how power structures become internalized, relevant to subtle forms of sacerdotalization.)
  3. Casanova, José. Public Religions in the Modern World. University of Chicago Press, 1994. (Argues for the continued influence of religion in public life, even within secular contexts.)
  4. Durkheim, Émile. The Elementary Forms of Religious Life. Translated by Karen Fields, Free Press, 1995. (Classic text on the social origins of religion – key for identifying sacred symbolism outside of traditional settings.)
  5. Eliade, Mircea. The Sacred and the Profane: The Nature of Religion. Translated by Willard R. Trask, Harvest Books, 1959. (Defines the sacred/profane distinction, useful for analyzing the elevation of secular elements.)
  6. Meyer, Birgit, editor. Aesthetic Formations: Media, Religion, and the Senses. Palgrave Macmillan, 2009. (Explores how media and aesthetics can shape contemporary understandings of the sacred.)
  7. Riesebrodt, Martin. The Promise of Salvation: A Theory of Religion. Translated by Steven Rendall, University of Chicago Press, 2010. (Comprehensive theory of religion to help identify its elements in secular contexts.)
  8. Taylor, Charles. A Secular Age. Belknap Press, 2007. (Monumental work on secularization, highlighting how religious modes of thinking continue within modernity.)
  9. Weber, Max. The Protestant Ethic and the Spirit of Capitalism. Translated by Talcott Parsons, Dover Publications, 2003. (Classic example of how religious ideas can shape secular systems like economics.)

Islam and Early Modern English Literature

As a broader concept, “Islam and Early Modern English Literature” investigates the complex and often misunderstood relationship between England and the Islamic world during a time of significant cultural exchange and global power shifts.

Islam and Early Modern English Literature
Islam and Early Modern English Literature: Term and Concept
Term

The term “Islam and Early Modern English Literature” refers to an interdisciplinary field of study within literary criticism and historical analysis. It focuses on the period roughly spanning the 16th and 17th centuries in England, examining how English literature of this era reflects, engages with, and is influenced by the Islamic world. This can include representations of Muslims, Islamic cultures, contact with the Ottoman Empire, Orientalist themes, and the possible influence of Islamic thought on English writers.

Concept

As a broader concept, “Islam and Early Modern English Literature” investigates the complex and often misunderstood relationship between England and the Islamic world during a time of significant cultural exchange and global power shifts. Works within this field explore how English authors portrayed Muslims, sometimes as threatening “others,” but also as figures of fascination, romance, or even potential allies. Simultaneously, the concept examines potential traces of Islamic philosophy, literature, and artistic traditions on Early Modern English writers and their works.

Islam and Early Modern English Literature: Writers, Works and Arguments
WriterKey WorksArguments
Christopher MarloweTamburlaine the Great (plays), Doctor Faustus (play)His works portray Islamic empires with a mix of awe and fear. Muslim characters, like the conquering Tamburlaine, embody both ambition and potential tyranny. Marlowe’s depictions reflect English anxieties about rising Islamic power as well as a fascination with the exotic.
William ShakespeareThe Merchant of Venice, Othello, Titus AndronicusShakespeare’s Muslim characters are complex and multimensional. Shylock challenges simplistic stereotypes, while Othello explores themes of love, jealousy, and the destructive power of prejudice. Aaron the Moor embodies tropes of villainy, yet also exhibits moments of defiance.
Edmund SpenserThe Faerie Queene (epic poem)Spenser utilizes allegory to demonize Islam, casting it as an existential threat to Christian England. His work reinforces notions of religious conflict and cements the image of the Muslim as a dangerous “other.”
Francis BaconEssays, such as “Of Empire” and “Of the True Greatness of Kingdoms and Estates”Bacon’s political writings reveal a shrewd analysis of Islamic empires, particularly the Ottomans. He acknowledges their power and sophistication while upholding Christian superiority, offering a complex blend of admiration and competition.
George PeeleThe Battle of Alcazar (play)Peele’s play dramatizes historical conflicts with Moors, portraying them with a mixture of exoticism, respect for their martial valor, and occasional vilification. His work reflects the ambiguous English views towards Moorish figures.
Robert GreeneSelimus, Emperor of the Turks (play)Depicts the bloody intrigues of the Ottoman court, feeding into English perceptions of the Ottomans as both formidable and prone to barbaric infighting.
Travel WritersAccounts of travels to the Ottoman Empire and North AfricaThese firsthand (though frequently biased) narratives shaped English perceptions of Islamic societies. They often emphasized exotic customs and cultural differences, contributing to an Orientalist view of the Muslim world.
Translation ProjectsTranslations of texts like the Qur’an or Arabic worksFacilitated limited exposure to Islamic thought and literature. However, these translations were often filtered through Christian biases and contributed to a distorted understanding of Islam.
Important Notes:
  • Orientalism significantly shapes these representations. It’s crucial to analyze these works for their construction of the “East” as exotic and inferior to the “West.”
  • Each writer holds unique perspectives, reflecting the multifaceted ways in which early modern England engaged with the Islamic world.
Islam and Early Modern English Literature: Key Principals
  • Orientalism: A pervasive mode of representation, as theorized by Edward Said, through which the West constructed the Islamic world as fundamentally “other.” This entailed portraying it as exotic, backwards, and in opposition to Western values.
    • Literary References: This construction is evident in Marlowe’s depiction of Tamburlaine as a powerful yet tyrannical figure, and Spenser’s allegorical portrayal of Muslims as enemies of Christian virtue in The Faerie Queene.
  • Ambivalence and Complexity: Representations of Muslims and Islamic cultures were rarely straightforward. English authors often expressed a mixture of fear, fascination, and begrudging respect.
    • Literary References: Shakespeare’s Othello offers a nuanced portrayal of a Moorish general, while simultaneously grappling with racial prejudice. Travelogues frequently expressed both admiration and disdain for customs within Islamic societies.
  • Religious Antagonism: Christian and Islamic faiths were often framed in opposition, with Christian superiority asserted and Muslims depicted as religious threats.
    • Literary References: Spenser’s The Faerie Queene presents Muslims as enemies of Christendom. Marlowe’s Doctor Faustus includes scenes suggesting the protagonist’s potential rejection of Christianity in favor of Islam, reflecting anxieties about religious conversion.
  • Geopolitical and Mercantile Contact: Expanding diplomatic and trade relations with the Ottoman Empire influenced English perceptions. Works acknowledged Islamic empires as formidable, yet often positioned them as rivals.
    • Literary References: Francis Bacon’s essays display awareness of Ottoman power structures. Plays like Selimus, and travel narratives provide insights (however biased) into Islamic political and social systems.
  • Misrepresentation of Islamic Thought: Direct exposure to Islamic philosophy and theology was limited. Translations were often flawed or filtered through a Christian worldview, contributing to distorted understandings of Islamic beliefs.
    • Literary References: References to the Qur’an or Islamic figures within literary works frequently reveal misconceptions rather than accurate knowledge.

Important Note: These principles are intertwined and illustrate the complex ways in which Early Modern English writers engaged with, and were shaped by, their perceptions of the Islamic world.

Islam and Early Modern English Literature: Relevance in Literary Theories
  • Orientalism: As outlined by Edward Said, Orientalism provides a crucial framework for understanding how Western cultures, including early modern England, constructed the “East” (inclusive of the Islamic world) as fundamentally different and inferior. Key concepts include:
    • Othering: Portraying the Muslim world as radically “other”, emphasizing difference to reinforce a Western sense of superiority.
    • Exoticization: Depicting Islamic cultures as exotic, mysterious, and often sensualized, feeding into a fascination with the East.
    • Essentialism: Reducing complex cultures to a set of simplistic and stereotypical traits, often with negative connotations.
  • Postcolonial Studies: Rooted in the analysis of colonialism and its enduring legacies, postcolonial theory helps unpack the power dynamics embedded in early modern representations of Islam. Key areas of focus include:
    • Imperialism: Examining how portrayals of Muslims might reinforce English imperial ambitions or reveal anxieties about those ambitions.
    • Cultural Hegemony: Analyzing how English literature contributed to establishing dominant narratives about the Islamic world and suppressing alternative voices.
    • Hybridity and Mimicry: Exploring potential counter-currents to purely negative representations, looking for spaces where authors depict cultural exchange, instances of admiration, or even subversion of Orientalist tropes.
  • Religious Studies: This perspective offers critical tools for understanding the theological underpinnings of literary representations. Key inquiries might include:
    • Comparative Analysis: Examining how portrayals of Islam in English literature contrast with Christian doctrine, revealing biases and polemics.
    • Apologetics: Investigating instances where texts defend Christianity by demonizing Islam or misrepresenting Islamic beliefs.
    • Interfaith Encounters: Analyzing depictions of theological debates or conversions (real or imagined) between Christians and Muslims.
  • Critical Race Studies: Illuminates how early modern literature might construct notions of race in relation to representations of Muslims. Of interest is:
    • Racialization of Religion: Examining how religious difference is conflated with racial difference, particularly in negative portrayals of Muslims.
    • Colorism and Physiognomy: Analyzing if descriptions of Muslim characters rely on tropes associating darker skin or specific physical features with negative qualities.
How to Apply:

These perspectives provide lenses to:

  • Uncover biases and examine power dynamics within literary texts.
  • Deconstruct stereotypes and challenge simplistic portrayals of the Islamic world.
  • Explore the intersections of race, religion, and empire in early modern England.
Islam and Early Modern English Literature: Criticism Against It
  • Exaggerated Focus on Islam: Critics argue that the overwhelming attention paid to Islam within some Early Modern studies distorts historical reality. England’s interactions with the Islamic world were significant, but limited compared to broader European concerns and continental conflicts.
  • Overemphasis on Othering: Some suggest that a focus on Orientalism and the construction of the Muslim “other” can lead to a reductive reading of texts. It might oversimplify complex works and neglect themes unrelated to representations of Islam.
  • Anachronistic Interpretations: Critics contend that applying modern concepts like “Orientalism” or rigid notions of religious identity anachronistically obscures the fluidity of early modern perceptions. The concept of a monolithic “Islam” was less established than in later centuries.
  • Neglect of Diverse Muslim Voices: Focusing primarily on English representations risks silencing Muslim voices from the period. Neglecting available texts from the Islamic world reduces it to a passive object of study rather than an active participant in cultural exchange.
Counterarguments and Considerations
  • Revealing Power Structures: Even exaggerated representations of Islam can expose English anxieties, desires, and the processes by which cultural identities were constructed, both of self and other.
  • Unpacking Unconscious Bias: Works might express Orientalist views unintentionally. Analyzing these depictions can reveal deeply ingrained biases that shaped how early modern England viewed the world.
  • Historicizing Frameworks: It’s crucial to apply theories like Orientalism with awareness of their historical development. These frameworks are tools for analysis, not rigid templates to impose onto the past.
  • Seeking Alternative Sources: While the focus may often be on English representations, actively seeking out translations of Ottoman writings, travel narratives from the Islamic world, and other sources offers a more balanced perspective.
Important Note:

Valid criticism encourages nuanced study of Islam and Early Modern English Literature. It’s essential to be mindful of potential oversimplification, acknowledge the period’s complexities, and actively incorporate perspectives from the Islamic world whenever possible.

Islam and Early Modern English Literature: Key Terms
TermDefinition
OrientalismA mode of Western representation, analyzed by Edward Said, that constructs the East (including the Islamic world) as exotic, backward, and inferior to the West.
OtheringThe process of depicting a group or culture as fundamentally different and often inferior, serving to reinforce a sense of superiority over the “other.”
MoorA historical term often used in Early Modern England to refer to Muslims of North African or Iberian descent. Depictions often carry racialized connotations.
TurkA term frequently used to denote Muslims of the Ottoman Empire. Could be employed pejoratively or express fascination and respect.
SaracenA historical term with roots in the Crusades, often used by early modern writers to refer to Muslims in a broader, often negative context.
InfidelA derogatory term used by Christians to denote non-Christians, particularly Muslims, implying a lack of faith or false belief.
RenegadoAn individual who converts from Christianity to Islam, often portrayed as a treacherous act in Early Modern English literature.
Mahomet (or Mohammed)An outdated and often derogatory term used in the period to refer to the Prophet Muhammad.
Qur’an (or Alcoran)The central religious text of Islam. Early Modern English portrayals frequently reveal misunderstandings of its content.
SultanA title used for Muslim rulers, particularly of the Ottoman Empire, often signifying power and political authority.
Islam and Early Modern English Literature: Suggested Readings
Books
Research Articles

Asian American Literature in English

As a broader concept, Asian American Literature explores the multifaceted identities and experiences of people with roots in the vast and diverse continent of Asia living within the American social context.

Asian American Literature in English
Asian American Literature: Term and Concept
Term

The term “Asian American Literature” refers to the body of literary works produced by authors of Asian descent living in the United States. It encompasses a wide range of genres, including fiction, poetry, non-fiction, drama, and graphic novels. This term highlights the unique experiences, perspectives, and historical contexts that shape the creative expression of Asian American communities.

Concept

As a broader concept, Asian American Literature explores the multifaceted identities and experiences of people with roots in the vast and diverse continent of Asia living within the American social context. It grapples with themes such as immigration, cultural hybridity, the struggle for belonging, generational conflict, the legacy of colonialism, and the search for an authentic voice within a multicultural society. Asian American Literature often challenges stereotypes, confronts historical injustices, and celebrates the resilience and contributions of Asian American communities.

Asian American Literature: Authors, Works and Arguments
AuthorKey WorksArguments
Maxine Hong KingstonThe Woman Warrior: Memoirs of a Girlhood Among Ghosts, China MenExplores the intersection of Chinese myth, history, and lived experience as a Chinese American woman. Challenges gender roles and questions notions of cultural authenticity.
Amy TanThe Joy Luck Club, The Kitchen God’s WifeExamines complex mother-daughter relationships, the clash of immigrant and American-born generations, and the enduring power of cultural heritage.
Jhumpa LahiriInterpreter of Maladies (short stories), The Namesake (novel)Delves into the experiences of displacement, the search for identity between cultures, and the complexities of family dynamics within the South Asian diaspora.
Viet Thanh NguyenThe Sympathizer, The RefugeesAddresses the legacy of the Vietnam War, the refugee experience, and the multifaceted nature of individual loyalties within conflict. Challenges simplistic representations of war and its consequences.
Theresa Hak Kyung ChaDictéeExperimental work that blends genres, languages, and visual elements to explore themes of displacement, the fragmentation of memory, and the search for voice as a Korean woman in America.
Carlos BulosanAmerica is in the HeartSemi-autobiographical novel depicting the struggles of Filipino migrant workers in America during the 1930s, exposing systemic exploitation and racism.
R. Zamora LinmarkRolling the R’s (poetry)Explores the experiences of a Filipino American speaker navigating cultural identity, language, and the challenges of belonging in a society marked by prejudice.
Chang-Rae LeeNative Speaker, On Such a Full SeaExamines themes of assimilation, alienation, and the pursuit of the American Dream as experienced by Korean American characters. Tackles complex issues of race and belonging.
Ocean VuongOn Earth We’re Briefly Gorgeous, Night Sky with Exit Wounds (poetry)Explores themes of sexuality, intergenerational trauma, and the complexities of immigrant family dynamics within a Vietnamese American context. Utilizes visceral and lyrical language.
Cathy Park HongMinor Feelings: An Asian American ReckoningBlends personal essay and social critique to examine the insidious nature of everyday racism faced by Asian Americans, and the unique emotional landscape it cultivates.
Asian American Literature: Key Principals
Key Principles
  • Heterogeneity and Diversity: Asian American Literature encompasses a vast range of experiences, reflecting diverse ethnicities, national origins, religions, socioeconomic backgrounds, and immigration histories.
    • Literary References: Collections like “Aiiieeeee! An Anthology of Asian-American Writers” and “Charlie Chan is Dead: An Anthology of Contemporary Asian American Fiction” showcase this multiplicity of voices.
  • Intergenerational Tensions: A recurring theme is the conflict between immigrant parents and their American-born children, who navigate differing worldviews and cultural expectations.
    • Literary References: Amy Tan’s “The Joy Luck Club” and Jhumpa Lahiri’s “The Namesake” poignantly explore these complex dynamics.
  • The Search for Identity and Belonging: Characters often grapple with questions of cultural hybridity, negotiating their Asian heritage within the dominant American social landscape. Works address internalized racism, experiences of alienation, and the desire for acceptance.
    • Literary References: Maxine Hong Kingston’s “The Woman Warrior” and Chang-Rae Lee’s “Native Speaker” delve into these complexities.
  • Historical Trauma and its Legacy: Many works address the enduring consequences of historical events such as colonialism, wars, forced displacement, and discrimination.
    • Literary References: Viet Thanh Nguyen’s “The Sympathizer” examines the Vietnam War’s aftermath, while Julie Otsuka’s “When the Emperor Was Divine” portrays the Japanese American internment experience.
  • Challenging Stereotypes and Reclaiming Narratives: Asian American authors actively dismantle harmful tropes and stereotypes, presenting multifaceted characters and stories that reflect lived experiences with depth and nuance.
    • Literary References: Works like R. Zamora Linmark’s poetry or Cathy Park Hong’s “Minor Feelings” confront and dismantle harmful stereotypes.

Important Note: These principles are interconnected and by no means exhaustive. Asian American Literature is a vibrant and evolving field!

Asian American Literature: Relevance to Literary Theories
  • Postcolonial Literature and Theory: Asian American Literature often grapples with the legacies of colonialism, both the direct experiences of countries like the Philippines and India, as well as the indirect impact on diaspora communities. Works address issues of power imbalances, cultural erasure, and the search for identity in a postcolonial world. Examples include Theresa Hak Kyung Cha’s Dictée and Viet Thanh Nguyen’s The Sympathizer.
  • Critical Race Theory: Asian American Literature foregrounds experiences of race, racism, and the ways in which racialization shapes individual lives and societal structures. It challenges the model minority myth and exposes the lived realities of discrimination and marginalization. Cathy Park Hong’s Minor Feelings directly engages with Critical Race Theory to analyze the specific experiences of Asian Americans.
  • Diaspora Studies: Works often explore themes of displacement, longing for homeland, and the process of forging a new sense of belonging in a foreign land. Writers like Jhumpa Lahiri and Ocean Vuong address the complexities of living in-between cultures and the psychological impact of diasporic life
  • Intersectionality: Asian American Literature highlights how race, gender, class, sexuality, and other identity markers intersect to shape experiences uniquely. Maxine Hong Kingston’s The Woman Warrior explores these intersections within the context of Chinese American womanhood, while Ocean Vuong’s poetry delves into queer identity within an immigrant family.
  • Narrative Theory: Asian American authors often experiment with narrative form, blending oral traditions, non-linear storytelling, and multi-lingualism. This challenges traditional Western narrative structures and offers alternative ways to convey experiences and histories. Maxine Hong Kingston’s work and R. Zamora Linmark’s poetry exemplify this experimentation.
Why this Matters

The relevance of Asian American Literature to literary theory lies in its ability to:

  • Expand the Canon: It introduces perspectives and experiences often marginalized within traditional literary studies.
  • Challenge Assumptions: It complicates notions of American identity, national narratives, and the power dynamics inherent in literary representation.
  • Enrich Analysis: Applying various theoretical frameworks to Asian American texts reveals complexities often overlooked by dominant critical lenses.
Asian American Literature: Key Terms
TermDefinition
DiasporaThe dispersion of Asian communities across the globe, often reflecting experiences of migration.
HybridityThe blending of Asian and American cultures, identities, and experiences.
IdentityThe complex exploration of belonging, self-definition, and cultural heritage.
RacismSystemic discrimination and prejudice faced by Asian Americans in various contexts.
ImmigrationNarratives of migration, settlement, and the challenges of adapting to a new country.
AssimilationThe process of adopting American customs while retaining cultural roots and identity.
NostalgiaLonging for a homeland, past experiences, or cultural traditions left behind.
Cultural HeritageCelebration and preservation of the richness of Asian traditions, values, and practices.
CommunitySolidarity, support, and shared experiences among Asian American individuals and groups.
IntersectionalityUnderstanding how race, gender, class, and other identities intersect and shape experiences.
Asian American Literature: Suggested Readings
  1. Bulosan, Carlos. America is in the Heart: A Personal History. University of Washington Press, 2014.
  2. Cha, Theresa Hak Kyung. Dictée. University of California Press, 2001.
  3. Hong, Cathy Park. Minor Feelings: An Asian American Reckoning. One World, 2020.
  4. Kingston, Maxine Hong. The Woman Warrior: Memoirs of a Girlhood Among Ghosts. Vintage, 1976.
  5. Lahiri, Jhumpa. Interpreter of Maladies. Mariner Books, 1999.
  6. Lee, Chang-rae. Native Speaker. Riverhead Books, 1995.
  7. Linmark, R. Zamora. Rolling the R’s. Hanging Loose Press, 1995.
  8. Nguyen, Viet Thanh. The Sympathizer. Grove Press, 2015.
  9. Tan, Amy. The Joy Luck Club. Penguin Books, 1989.
  10. Vuong, Ocean. On Earth We’re Briefly Gorgeous: A Novel. Penguin Press, 2019.

Muslim English Discourse in English Literature

As a broader concept, Muslim English Discourse explores the intricate relationship between the Islamic faith and the English language.

Muslim English Discourse in English Literature
Muslim English Discourse: Term and Concept
Term

The term “Muslim English Discourse” designates a specific field within linguistics, discourse analysis, and religious studies. It encompasses the diverse ways in which English is used as a communicative tool by Muslims across various cultural and geographic contexts. This includes the study of how Muslims use English for religious expression, identity formation, community building, and navigating interactions with non-Muslim English-speaking societies.

Concept

As a broader concept, Muslim English Discourse explores the intricate relationship between the Islamic faith and the English language. It examines unique linguistic features, including the integration of Arabic terms and concepts, the creation of new Islamic English vocabulary, and the influence of Islamic thought patterns on English syntax and rhetorical styles. Additionally, the concept investigates how English is utilized by Muslims to discuss theological debates, interpret religious texts, and engage in interfaith dialogue.

Muslim English Discourse and English Literature
  • Muslim English Discourse
    • Focus on Language Use and Communication: Examines the patterns, structures, and functions of English as used by Muslims in various contexts.
    • Interdisciplinary Field: Draws from linguistics, discourse analysis, sociology, and religious studies.
    • Themes: Islamic identity, community dynamics, theological expression, interfaith communication, adaptation of English to Islamic contexts.
  • English Literature
    • Canon of Literary Works: Encompasses the established body of texts considered significant within English-speaking cultures.
    • Traditional Focus: Historically centered on texts produced by authors from predominantly Christian backgrounds.
    • Expanding Scope: Increasing recognition and inclusion of works by Muslim authors, reflecting diverse perspectives and experiences.
  • Points of Intersection
    • Muslim Authors in English Literature: Growing presence of Muslim writers contributing to the English literary landscape with unique voices and perspectives.
    • Representation of Islam: Analysis of how Muslims and Islamic themes are portrayed in English literature, both by Muslim and non-Muslim authors.
    • Critical Perspectives: Application of Muslim English Discourse frameworks to examine literary texts for religious symbolism, linguistic nuances, and cultural references.
Muslim English Discourse: Key Principals
Key PrincipleDescriptionLiterary Reference
IntertextualityIntegration of Qur’anic verses, Hadith, Islamic concepts into English communication.Leila Aboulela’s “The Translator,” “Minaret”
Code-Switching & MultilingualismFluid movement between English, Arabic, and other prevalent languages in Muslim communities.Randa Jarrar’s “A Map of Home,” Diana Abu-Jaber’s “Crescent”
Semantic AdaptationAdapting English vocabulary, syntax, and rhetoric to express Islamic concepts.Mohsin Hamid’s “The Reluctant Fundamentalist,” G. Willow Wilson’s “Alif the Unseen”
Identity Formation & NegotiationUsing English to navigate complex identities, challenge stereotypes, and discuss issues of belonging.Ayad Akhtar’s “Disgraced,” Kamila Shamsie’s “Home Fire”
Authentic RepresentationEfforts by Muslim authors to promote nuanced and diverse representations of Muslims and Islamic thought.Anthologies like “The Things That Divide Us” (ed. Faith Adiele), “Love, Inshallah” (ed. Nura Maznavi and Ayesha Mattu
Muslim English Discourse: Major Writers
  1. Writer: Mohsin Hamid
    • Works: The Reluctant Fundamentalist, Exit West
    • Place: Pakistan
    • Arguments: Hamid’s acclaimed novels delve into the complexities of Muslim identity in a globalized world. The Reluctant Fundamentalist challenges Western perceptions of Muslims post-9/11, while Exit West offers a poignant exploration of love, migration, and displacement amidst a backdrop of conflict and chaos.
  2. Writer: Leila Aboulela
    • Works: Minaret, The Translator
    • Place: Sudan, Scotland
    • Arguments: Aboulela’s evocative prose captures the nuances of Muslim life, often exploring themes of faith, migration, and cultural adaptation. In Minaret, she offers a nuanced portrayal of a Sudanese woman’s spiritual journey in exile, while The Translator delves into the complexities of identity and belonging for a Muslim immigrant in Scotland.
  3. Writer: Zadie Smith
    • Works: White Teeth, Swing Time
    • Place: England
    • Arguments: Smith’s vibrant narratives depict multicultural London and the intricacies of identity, family, and belonging. In White Teeth, she skillfully weaves together the lives of immigrant families, touching on themes of religion, assimilation, and generational change. Swing Time explores the complexities of friendship and ambition against a backdrop of race and class dynamics.
  4. Writer: Khaled Hosseini
    • Works: The Kite Runner, A Thousand Splendid Suns
    • Place: Afghanistan, United States
    • Arguments: Hosseini’s powerful storytelling illuminates the human experience in the context of Afghanistan’s tumultuous history. The Kite Runner delves into themes of guilt, redemption, and the enduring bonds of friendship, while A Thousand Splendid Suns portrays the resilience of Afghan women amidst the backdrop of war and oppression.
  5. Writer: Kamila Shamsie
    • Works: Home Fire, Burnt Shadows
    • Place: Pakistan, United Kingdom
    • Arguments: Shamsie’s compelling narratives tackle pressing issues of identity, politics, and belonging, often through the lens of Muslim characters. Home Fire explores themes of radicalization, loyalty, and sacrifice in a post-9/11 world, while Burnt Shadows traverses continents and generations to examine the enduring impact of colonialism and conflict.
  6. Writer: Ayad Akhtar
    • Works: American Dervish, Disgraced
    • Place: United States
    • Arguments: Akhtar’s works confront themes of religion, identity, and assimilation in contemporary America. American Dervish follows a young Pakistani-American boy’s coming-of-age journey amidst cultural and religious tensions, while Disgraced explores the complexities of Muslim identity, ambition, and prejudice in post-9/11 New York.
  7. Writer: Fatima Farheen Mirza
    • Works: A Place for Us
    • Place: United States
    • Arguments: Mirza’s debut novel A Place for Us offers a moving exploration of family, faith, and belonging within the context of an Indian-American Muslim family. Set in California, the novel delves into the complexities of identity, tradition, and the pursuit of individuality amidst familial expectations and cultural heritage.
Muslim English Discourse: Literary Theories
Literary TheoryDescriptionApplication in Muslim English DiscourseExample Works
Postcolonial TheoryExamines the effects of colonization and imperialism on cultures and societies.Analyzing how colonial legacies shape Muslim identities and literature“The Reluctant Fundamentalist” by Mohsin Hamid, “White Teeth” by Zadie Smith
Feminist TheoryExplores gender dynamics, power structures, and representations of women in literature.Critiquing portrayals of Muslim women and their agency in narratives“A Thousand Splendid Suns” by Khaled Hosseini, “The Translator” by Leila Aboulela
Cultural StudiesInvestigates the role of culture, ethnicity, and identity in shaping literature and society.Understanding how cultural contexts influence Muslim literary expression“Home Fire” by Kamila Shamsie, “Minaret” by Leila Aboulela
PostmodernismChallenges traditional narratives and explores fragmentation, subjectivity, and ambiguity.Examining how Muslim identities are constructed and deconstructed“Disgraced” by Ayad Akhtar, “Exit West” by Mohsin Hamid
Diaspora TheoryFocuses on the experiences of displaced communities and their cultural productions.Exploring narratives of migration, belonging, and hybrid identities“Burnt Shadows” by Kamila Shamsie, “American Dervish” by Ayad Akhtar
Muslim English Discourse: Key Terms
TermDefinition
IntertextualityThe interweaving of Qur’anic verses, Hadith (Prophetic traditions), and Islamic theological concepts into English communication.
Code-switchingThe fluid shift between English, Arabic, and other languages common in Muslim communities.
TranslanguagingThe dynamic and intentional blending of languages for meaning-making, often found in multilingual Muslim contexts.
Semantic AdaptationThe repurposing of English vocabulary, syntax, or rhetorical devices to express Islamic concepts, beliefs, and worldviews.
UmmahThe global community of Muslims, emphasizing unity and a shared religious identity.
IjtihadIndependent reasoning or critical interpretation of Islamic sources for addressing contemporary issues.
DawahThe act of proselytizing or inviting others to learn about Islam.
IsnadThe chain of transmission tracing a specific saying or tradition back to its original source, often the Prophet Muhammad.
HalalRefers to actions, behaviors, products, or services permissible under Islamic law.
InshallahArabic phrase meaning “God willing,” expressing reliance on divine will.
Suggested Readings: Muslim English Discourse
  1. Aboulela, Leila. The Translator. Grove Press, 1999.
  2. Akhtar, Ayad. Disgraced. Picador, 2013.
  3. Hamid, Mohsin. The Reluctant Fundamentalist. Harcourt, 2007.
  4. Jamal, Amina. “Muslim English.” Routledge Handbook of World Englishes, edited by Andy Kirkpatrick, Routledge, 2020, pp. 256-274.
  5. Jarrar, Randa. A Map of Home. Penguin Books, 2008.
  6. Knight, Michael Muhammad. The Taqwacores. Soft Skull Press, 2004.
  7. Mahmood, Saba. Politics of Piety: The Islamic Revival and the Feminist Subject. Princeton University Press, 2005.
  8. Rana, Junaid. Terrifying Muslims: Race and Labor in the South Asian Diaspora. Duke University Press, 2011.
  9. Saeed, Abdullah. The Qur’an: An Introduction. Routledge, 2008.
  10. Shamsie, Kamila. Home Fire. Riverhead Books, 2017.

Ritualization in Literature & Literary Theory

In theoretical contexts, ritualization refers to the process through which actions or behaviors become imbued with symbolic meaning and cultural significance.

Ritualization in Literature & Literary Theory
Ritualization: Etymology/Term, Meanings and Concept
Etymology/Term:

The term “ritualization” stems from the noun “ritual,” which has its roots in the Latin word “ritus” (religious observance or ceremony). Ritualization describes the process through which ordinary actions, behaviors, or objects become imbued with symbolic meaning and significance within a social or cultural context.

Meanings and Concepts:
  • Transformation of the Ordinary: Ritualization involves taking everyday actions and infusing them with deeper meaning, often connected to social, cultural, or religious values.
  • Symbolism and Performance: Rituals are often symbolic acts that are performed in a specific, formalized way. They can involve stylized gestures, language, and the use of objects.
  • Social Function: Rituals serve various social functions, including:
    • Reinforcing shared values and beliefs
    • Marking transitions or rites of passage
    • Creating a sense of community and belonging
    • Managing emotions and channeling anxieties
  • Evolutionary Origins: Some scholars suggest that ritualization has evolutionary roots in animal behavior, where certain actions became stylized to communicate intentions or appease social hierarchies.
Ritualization: Definition of a Theoretical Term

In theoretical contexts, ritualization refers to the process through which actions or behaviors become imbued with symbolic meaning and cultural significance. It involves the repetition of specific actions, gestures, or ceremonies within a social or cultural context, often serving to reinforce group identity, norms, and values. Ritualization can range from everyday rituals like greeting gestures to more elaborate ceremonial practices found in religious or cultural traditions.

Ritualization: Theorists, Works and Arguments
Theorists:
  • Erving Goffman: In his work The Presentation of Self in Everyday Life, Goffman explores the concept of ritualization within the framework of dramaturgy, emphasizing how individuals engage in symbolic interactions to manage impressions and construct social identities.
  • Victor Turner: Turner’s anthropological studies, particularly The Ritual Process: Structure and Anti-Structure, delve into the significance of ritualization in shaping social structure and fostering community cohesion, highlighting its role in facilitating transitions and resolving social tensions.
Works:
  • The Presentation of Self in Everyday Life by Erving Goffman: This seminal work examines how individuals engage in impression management through ritualized behaviors, presenting themselves in ways that align with societal expectations and norms.
  • The Ritual Process: Structure and Anti-Structure by Victor Turner: In this influential text, Turner explores the transformative power of rituals, arguing that they provide a structured framework for individuals to navigate life transitions, resolve conflicts, and reinforce social bonds.
Arguments:
  • Symbolic Interactionism: Both Goffman and Turner draw from symbolic interactionism to argue that ritualization plays a crucial role in the construction and negotiation of social reality, shaping how individuals perceive themselves and others through shared symbolic meanings and gestures.
  • Communitas and Social Cohesion: Turner’s concept of communitas, arising from intense collective experiences during rituals, underscores the role of ritualization in fostering solidarity and cohesion within social groups, transcending hierarchical distinctions and fostering a sense of belonging.
Ritualization: Major Characteristics
  • Formalization and Repetition: Rituals involve a prescribed pattern of actions, language, or objects that are repeated in a consistent manner.
    • Literary Example: Wedding ceremonies across cultures often follow set structures, with repeated vows and symbolic acts.
  • Symbolism: Rituals utilize symbols with deeper meanings beyond their literal interpretation. These symbols often represent social values, cultural beliefs, or religious concepts.
    • Literary Example: Communion in Christian-centered literature symbolizes the sacrifice of Christ and the connection between believers.
  • Performance: Rituals are often performed with an element of theatricality. This can include specific costumes, props, and stylized gestures.
    • Literary Example: Shakespeare’s plays feature elaborate rituals, like the coronation scene in Macbeth, highlighting power and hierarchy.
  • Communal Aspect: Rituals frequently involve a group of participants, reinforcing shared beliefs and creating a sense of social cohesion.
    • Literary Example: Religious festivals or ceremonies in novels often demonstrate the power of collective ritual in shaping a community’s identity.
  • Transformation: Rituals often mark a change in status or a transition from one state to another.
    • Literary Example: Coming-of-age rituals or initiations depicted in literature highlight personal transformation and growth.
Ritualization: Relevance in Literary Theories
Literary TheoryRelevance of Ritualization
StructuralismRitualization can be seen as a form of cultural structure that shapes symbolic systems and codes within literary texts.
Reader-Response TheoryRitualized elements in literature may evoke specific responses from readers, influencing their interpretations and emotional engagement.
Postcolonial TheoryRitualization in literature may reflect and critique colonial power structures, cultural hybridity, and processes of decolonization.
Feminist TheoryRitualized gender roles and behaviors portrayed in literature can be analyzed to uncover underlying power dynamics and patriarchal norms.
Psychoanalytic TheoryRitualization in literature may symbolize unconscious desires, fears, and conflicts, offering insights into characters’ psyches.
Marxist TheoryRitualized practices and ceremonies depicted in literature can be examined to illuminate class relations, ideology, and social hierarchies.
Postmodernist TheoryRitualization in literature may be deconstructed and subverted to challenge dominant cultural norms and question the stability of meaning.
Queer TheoryRitualized performances of gender and sexuality in literature can be explored to deconstruct binary categories and challenge heteronormativity.
EcocriticismRitualized interactions between humans and nature depicted in literature can reveal attitudes towards the environment and ecological concerns.
Post-structuralismRitualization can be viewed as a discursive practice that constructs and maintains meaning within literary texts, subject to continual interpretation.

This table demonstrates how ritualization intersects with various literary theories, providing multiple lenses through which to analyze and interpret literary texts.

Ritualization: Application in Critiques
Literary WorkApplication of Ritualization
The Lottery by Shirley JacksonIn “The Lottery,” the annual ritual of the lottery serves as a powerful critique of blind adherence to tradition and the dangers of collective violence. The ritualized process of selecting a sacrificial victim highlights the societal pressures to conform and participate in harmful practices without questioning their moral implications. Jackson’s portrayal of the ritual’s normalization and the community’s acceptance of violence underscores broader themes of social conformity and the banality of evil.
The Waste Land by T.S. EliotT.S. Eliot’s The Waste Land is rife with ritualized imagery and motifs, reflecting the fragmented and disillusioned post-World War I society. The poem’s depiction of various religious ceremonies, mythical allusions, and cultural rituals underscores the disconnection and spiritual emptiness of the modern world. Through ritualized symbols and rituals, Eliot critiques the loss of collective meaning and the fragmentation of traditional values in the aftermath of war and societal upheaval.
Beloved by Toni MorrisonIn Beloved, Toni Morrison explores the legacy of slavery through the lens of ritualized trauma and memory. Sethe’s haunting rituals to cope with the trauma of her past, such as the repetitive act of “rememory,” exemplify how rituals can serve as a means of confronting and processing collective trauma. Morrison critiques the societal denial of historical atrocities and the enduring psychological scars of slavery, highlighting the importance of acknowledging and ritualizing collective memory for healing and reconciliation.
The Trial by Franz KafkaFranz Kafka’s The Trial presents a surreal and bureaucratic world where rituals of the legal system dominate protagonist Josef K.’s life. The repetitive and ritualized nature of the trial process reflects themes of alienation, powerlessness, and existential angst. Kafka critiques the absurdity of modern life and the dehumanizing effects of institutionalized rituals, illustrating how individuals can become trapped in a labyrinthine system devoid of meaning or justice.
Ritualization: Relevant Terms
TermDefinition
SymbolismThe use of symbols to represent ideas or concepts, often imbued with cultural or contextual significance.
CommunitasA sense of community and solidarity arising from shared experiences, often heightened during ritualized practices.
PerformanceThe enactment or portrayal of actions, gestures, or behaviors, often with symbolic or ritualistic intent.
TraditionLong-established customs or beliefs passed down through generations, often ritualized in cultural or religious practices.
MythologyA body of traditional stories and beliefs, often involving gods, heroes, and supernatural beings, with ritualized significance.
SacredRevered or holy, deserving of respect and veneration, often associated with ritualized practices and spaces.
CeremonyA formal or solemn ritual observance, often marking significant events or transitions in individuals or communities.
Rite of PassageA ritual that marks a person’s transition from one status or phase of life to another, such as birth, puberty, marriage, or death.
GesturesMovements or actions, often symbolic or ritualized, conveying meaning or emotion, especially in social interactions.
InvocationThe act of calling upon a higher power, deity, or spiritual force, often through ritualized prayers or incantations.
Ritualization: Suggested Readings
  1. Bell, Catherine. Ritual: Perspectives and Dimensions. Oxford University Press, 1997.
  2. Grimes, Ronald L. Beginnings in Ritual Studies. Revised edition, University of South Carolina Press, 1995.
  3. Humphrey, Caroline, and James Laidlaw. The Archetypal Actions of Ritual: A Theory of Ritual Illustrated by the Jain Rite of Worship. Oxford University Press, 1994.
  4. Kertzer, David I. Ritual, Politics, and Power. Yale University Press, 1988.
  5. Lewis, Ioan M. Ecstatic Religion: An Anthropological Study of Spirit Possession and Shamanism. 2nd edition, Routledge, 2003.
  6. McCauley, Robert N., and E. Thomas Lawson. Bringing Ritual to Mind: Psychological Foundations of Cultural Forms. Cambridge University Press, 2002.
  7. Moore, Sally Falk, and Barbara G. Myerhoff, editors. Secular Ritual. Van Gorcum, 1977.
  8. Rappaport, Roy A. Ritual and Religion in the Making of Humanity. Cambridge University Press, 1999.
  9. Tambiah, Stanley Jeyaraja. Culture, Thought, and Social Action: An Anthropological Perspective. Harvard University Press, 1985.
  10. Turner, Victor W. The Ritual Process: Structure and Anti-Structure. Aldine de Gruyter, 1995.

Rhizome in Literature & Literary Theory

A rhizome proposes a decentralized, non-hierarchical way of understanding networks and systems, contrasting with traditional hierarchical models like trees.

Rhizome in Literature & Literary Theory
Rhizome: Etymology/Term, Meanings and Concept
Etymology/Term:

The word “rhizome” originates from the Ancient Greek word “ῥίζωμα” (rhízōma), meaning “mass of roots”. This references the root-like appearance of these modified plant stems.

Meanings and Concepts:
  • Botanical Definition: A rhizome is a continuously growing, typically horizontal, underground plant stem. It produces shoots above ground and roots below, allowing the plant to propagate and expand.
  • Storage Organ: Rhizomes act as storage units for carbohydrates and proteins, helping plants survive unfavorable seasons and propagate vegetatively.
  • Vegetative Propagation: Rhizomes enable plants to spread and reproduce asexually. New plants can sprout from the rhizome’s nodes.
  • Philosophical Concept: In philosophy, the term “rhizome” was famously used by Deleuze and Guattari to describe a non-hierarchical, interconnected network of ideas and concepts, as opposed to a linear or tree-like structure.
Rhizome: Definition of a Theoretical Term

In theoretical terms, a rhizome refers to a conceptual framework popularized by philosophers Gilles Deleuze and Félix Guattari. It proposes a decentralized, non-hierarchical way of understanding networks and systems, contrasting with traditional hierarchical models like trees. Rhizomatic thinking emphasizes connections, multiplicities, and fluidity, suggesting that knowledge, culture, and society grow in a non-linear manner, with interconnected nodes rather than a single, linear progression.

Rhizome: Theorists, Works, and Arguments
Theorist(s)WorksArguments
Gilles Deleuze and Félix GuattariA Thousand Plateaus (and other works)* The rhizome represents a decentralized, non-hierarchical, and interconnected way of thinking. * Knowledge and systems are constantly in flux, without a central point of origin. * The rhizome rejects rigid, linear structures of thought. * It emphasizes multiplicity, becoming, and unexpected connections.
Important Considerations
  • The rhizomatic concept has been applied to diverse fields beyond philosophy, including:
    • Cultural studies (analyzing power structures, fluidity of identity)
    • Literary theory (deconstructing narratives)
    • Hypertext theory (understanding the interconnectedness of digital spaces)
Rhizome: Major Characteristics
  1. Multiplicity and Connectivity: Just as a rhizome grows horizontally, spreading out in multiple directions, literature that embodies this characteristic often features interconnected narratives or themes. Jorge Luis Borges’ “The Garden of Forking Paths” exemplifies this with its complex narrative structure where various storylines branch off from each other, creating a network of interconnected tales.
  2. Non-Linearity: Rather than following a linear narrative arc, rhizomatic literature may present a fragmented or non-linear structure. A prime example is William Faulkner’s “The Sound and the Fury,” where the narrative shifts back and forth in time, reflecting the disjointed perspectives of its characters and the complex nature of memory and consciousness.
  3. Fluidity and De-Centering: Rhizomatic literature often challenges traditional notions of authority and hierarchy. In Toni Morrison’s “Beloved,” the narrative weaves together multiple voices and perspectives, disrupting the dominance of a single authoritative narrative and emphasizing the importance of marginalized voices and histories.

These characteristics collectively illustrate how the rhizome serves as a powerful metaphor for understanding the complexities of literary texts and the interconnectedness of ideas within them.

Rhizome: Relevance in Literary Theories
Literary TheoryRelevance of the Rhizome Concept
PoststructuralismChallenges traditional notions of linear narratives and fixed meanings in texts. Emphasizes the multiplicity of interpretations and the reader’s role in creating meaning.
DeconstructionUndermines the idea of a central, authoritative meaning within a text. Highlights the instability of language and the interconnectedness of seemingly opposing ideas.
Reader-Response TheoryEmphasizes the active role of the reader in constructing meaning. The rhizome suggests that a text’s meaning is not fixed but emerges through the dynamic interaction between the text and the reader’s unique experiences and interpretations.
PostmodernismEmbraces fragmentation, intertextuality, and the play of signifiers. The rhizome provides a model for understanding how texts reference and build upon each other in a non-linear, interconnected web.
Hypertext LiteratureThe non-linear, branching structure of hypertext directly mirrors the rhizomatic concept. The reader can navigate the text in multiple ways, creating their own unique paths and meanings.
Rhizome: Application in Critiques
  1. Moby-Dick by Herman Melville:
    • The rhizomatic perspective can be applied to Moby-Dick to highlight its multiplicity of themes, characters, and narrative threads that spread out like the roots of a rhizome. Rather than a straightforward narrative, the novel explores diverse topics such as obsession, nature, and the human condition, interconnected in a complex web.
    • Melville’s use of non-linear storytelling, including digressions on topics such as whaling practices and marine biology, reflects the rhizomatic structure. These diversions contribute to the richness and depth of the narrative, creating a multi-layered reading experience that resists easy categorization.
  2. One Hundred Years of Solitude by Gabriel García Márquez:
    • García Márquez’s novel embodies the rhizomatic concept through its portrayal of the Buendía family’s multi-generational saga in the fictional town of Macondo. The narrative branches out in various directions, exploring the interconnectedness of personal and collective histories.
    • The novel’s magical realism blurs the boundaries between reality and fantasy, reinforcing the rhizomatic idea of interconnectedness and fluidity. Events and characters recur across generations, creating a sense of continuity and complexity akin to the rhizome’s growth.
  3. Infinite Jest by David Foster Wallace:
    • Wallace’s sprawling novel can be seen as a rhizomatic text due to its fragmented structure, multitude of characters, and interconnected storylines. The narrative branches out in multiple directions, exploring themes such as addiction, entertainment, and existentialism.
    • The novel’s use of footnotes and digressions further reflects the rhizomatic structure, with additional layers of meaning and information branching off from the main text. This non-linear approach challenges readers to engage with the text in a rhizomatic manner, making connections across different sections and perspectives.
  4. The Savage Detectives by Roberto Bolaño:
    • Bolaño’s novel exemplifies the rhizomatic concept through its exploration of literary movements, underground culture, and the search for meaning. The narrative follows a group of poets known as the “visceral realists” across different countries and time periods, creating a network of interconnected stories and experiences.
    • The novel’s episodic structure and shifting perspectives reflect the rhizomatic nature of the narrative, with different characters and events emerging and receding like nodes in a sprawling network. Bolaño’s use of multiple voices and styles underscores the interconnectedness of literature and life, echoing the rhizome’s emphasis on multiplicity and diversity.
Rhizome: Relevant Terms
TermBotanical DefinitionPhilosophical Definition
NodePoints on the rhizome where shoots and roots emerge.Points of connection and potential growth within a network.
InternodeThe section of the rhizome between nodes.The lines of flight or movement between connections.
Lateral GrowthThe horizontal expansion of the rhizome.The spread of ideas or concepts in non-hierarchical ways.
Clonal GrowthAsexual reproduction from the rhizome.Replication and self-similarity within a system.
Determinate GrowthRhizomes with limited growth potential.Ideas or structures with defined boundaries.
Indeterminate GrowthRhizomes with unlimited growth potential.Open-ended systems with potential for constant expansion.
HeterogeneityVariations within a rhizome system.Diversity and difference within a network.
MultiplicityThe presence of multiple nodes and connections.Abundance of potential interpretations or pathways.
DeterritorializationBreaking free from fixed structures or territories.Challenging traditional boundaries and hierarchies.
BecomingA state of constant change and transformation.Emphasizing process and flux over fixed states.
Rhizome: Suggested Readings
  1. Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi, University of Minnesota Press, 1987.
  2. Foucault, Michel. The Archaeology of Knowledge. Translated by A.M. Sheridan Smith, Routledge, 2002.
  3. García Márquez, Gabriel. One Hundred Years of Solitude. Harper & Row, 1970.
  4. Haraway, Donna. Simians, Cyborgs, and Women: The Reinvention of Nature. Routledge, 1991.
  5. Melville, Herman. Moby-Dick; or, The Whale. Harper & Brothers, 1851.
  6. Morrison, Toni. Beloved. Alfred A. Knopf, 1987.
  7. Wallace, David Foster. Infinite Jest. Little, Brown and Company, 1996.
  8. Bolaño, Roberto. The Savage Detectives. Translated by Natasha Wimmer, Farrar, Straus and Giroux, 2007.
  9. Borges, Jorge Luis. Ficciones. Translated by Anthony Kerrigan, Grove Press, 1962.
  10. Calvino, Italo. Invisible Cities. Translated by William Weaver, Harcourt Brace Jovanovich, 1974.

Laïcité in Literature & Literary Theory

Laïcité is a concept originating in France, encompassing the principle of secularism. It advocates for the separation of religion from government affairs and public institutions.

Laïcité in Literature & Literary Theory
Laïcité: Etymology, Meaning, and Concept

The word “laïcité” has its roots in the French language, deriving from the Latin word “laicus,” which in turn originates from the Greek “laikos” (λαϊκός), meaning “of the people” or “common.” In the context of modern political and social thought, laïcité embodies a complex set of principles. Here’s a breakdown of its key meanings and concepts:

Meanings and Concepts
  • Separation of Church and State: Laïcité fundamentally advocates for a clear distinction between religious institutions and the governing structures of a state. This ensures that religion does not hold undue influence over political decisions or the functions of government.
  • Freedom of Conscience: Laïcité guarantees the individual’s right to choose their own religious beliefs (or lack thereof) and to practice their faith freely without coercion or discrimination from the state or any other entity.
  • Neutrality of the State: The state, under the principles of laïcité, remains neutral on matters of religion. It does not promote or favor any particular religious belief system, nor does it interfere in the internal practices of religious groups.
  • Equality Before the Law: Laïcité ensures that all citizens, regardless of their religious affiliations, are treated equally under the law. No citizen can be granted special privileges or subjected to discrimination based on their religious beliefs.
  • Secular Public Sphere: Laïcité promotes a public sphere where discussions and debates on matters of common concern can take place without religious doctrine dominating the discourse. This fosters an environment where rational argument and evidence-based decision-making can prevail.
Laïcité: Definition of a Theoretical Term

Laïcité is a concept originating in France, encompassing the principle of secularism. It advocates for the separation of religion from government affairs and public institutions. In practice, it ensures that individuals are free to practice their religion privately but prohibits the influence of any specific faith in public policy and governance.

Laïcité: Theorists, Works and Arguments

Absolutely! Here’s a breakdown of key theorists, their works, and the core arguments surrounding laïcité:

Key Theorists and Works
  • Aristide Briand: A central political figure in the drafting and passage of the 1905 Law on the Separation of Churches and the State. His work embodies the ideal of the state remaining neutral in matters of religion.
    • Key Work: His speeches and parliamentary debates concerning the 1905 law.
  • Ferdinand Buisson: A prominent educational reformer and advocate of secularism. He viewed laïcité as fundamental to ensuring freedom of conscience in the public education system.
    • Key Work: Dictionnaire de pédagogie et d’instruction primaire (Dictionary of Pedagogy and Primary Instruction), co-edited by Buisson, offers insights into his views on secular education.
  • Jean Jaurès: Socialist leader who supported laïcité while emphasizing the importance of social justice and religious tolerance.
    • Key Work: Speeches and writings on the relationship between socialism, religion, and the French Republic.
  • Jean Baubérot: Modern sociologist and historian regarded as a leading scholar of laïcité. His work traces its historical development and analyzes its application within contemporary French society.
    • Key Works:
      • Laïcité 1905-2005, entre passion et raison (Laïcité 1905-2005, Between Passion and Reason)
      • Histoire de la laïcité en France (History of Laïcité in France)
Central Arguments

Here’s a breakdown of the primary arguments for and against laïcité:

Arguments FOR Laïcité
  • Guarantees Freedom of Conscience: Protects everyone’s right to choose their faith (or lack thereof) without governmental influence.
  • Ensures Equality: Prevents one religion from dominating public life, ensuring equal treatment of citizens regardless of belief.
  • Promotes Social Cohesion: Creates a neutral public space, potentially reducing religious tensions and fostering a shared sense of national identity.
Arguments AGAINST Laïcité
  • Restricts Religious Expression: Can be seen as impinging on individuals’ rights to publicly express their faith, especially for minority religions.
  • Potential for Discrimination: Implementation could lead to the targeting or exclusion of certain religious groups.
  • Secularism as Dogma: Some argue that laïcité itself risks becoming overly rigid and intolerant, potentially undermining the very tolerance it purports to defend.
Laïcité: Major Characteristics
  • Separation of Church and State: The state holds no official religion and avoids interference in religious matters. This means religious institutions and symbols are generally absent from public spaces and government functions.
  • Religious Neutrality: The government maintains impartiality in matters of faith. No religion receives public funding or preferential treatment.
  • Freedom of Conscience: Individuals are free to practice a religion, change religions, or have no religious affiliation at all. The state protects this right and does not discriminate on the grounds of religious belief.
How Laïcité is Reflected in Literature

French literature often wrestles with the complexities of laïcité, revealing societal tensions and personal dilemmas. Here are a few ways it’s explored:

  • Challenges to Religious Authority: Many authors critique organized religion’s influence on politics and society. Works from Enlightenment philosophers like Voltaire to the satirical magazine Charlie Hebdo demonstrate this critical tradition.
  • Themes of Identity and Belonging: Literature often explores characters, particularly immigrants or those from religious minorities, struggling to balance their faith within the context of a secular republic. The novels of Tahar Ben Jelloun exemplify this theme.
  • Exploration of Religion in Private Life: Many writers depict the continued importance of faith in family and community life, even within a secular system. Authors like Leïla Slimani, in her novel Adèle, examine this dynamic.
  • Defense of Secular Values: Some works actively defend laïcité as a bulwark against religious extremism and a guarantor of individual liberty. Essays by figures like Caroline Fourest fall into this category.
Specific Literary Examples
  • Voltaire’s Candide: Satirizes religious hypocrisy and intolerance, advocating for reason and secularism.
  • Emile Zola’s J’accuse…!: Open letter passionately defending a Jewish officer wrongly accused of treason, highlighting the need for a secular justice system free from religious bias.
  • Albert Camus’ The Stranger: Mersault’s atheism and indifference to religious convention challenge societal norms.
  • Michel Houellebecq’s Submission: A controversial novel imagining a France under Islamic rule; sparks debate around laïcité and its role in preserving liberal values.

Note: These are just a few examples. Laïcité is a theme that continues to inspire debate and exploration within contemporary French literature.

Laïcité: Relevance in Literary Theories
Literary TheoryRelevance to Laïcité
PostcolonialismExamines the power dynamics and legacies of colonialism on culture and identity. Laïcité, particularly its historical application in French colonies, can be analyzed as a tool of cultural domination or a potential basis for challenging religious and ethnic hierarchies.
FeminismExplores gender inequality and power structures. Laïcité can be seen as both enabling (providing spaces for women free from religious control) or restrictive (limiting religious expression that might be empowering for women in certain contexts).
MarxismFocuses on class struggle and economic systems. Some critics see laïcité as serving the interests of the ruling class, while others argue for its potential in challenging religiously-rooted social and economic inequalities.
StructuralismAnalyzes underlying systems within texts and cultural phenomena. Laïcité itself can be seen as a structural framework that shapes French society and, by extension, literary expression.
Reader-Response TheoryEmphasizes the reader’s role in creating meaning. A reader’s own religious or secular background heavily influences their interpretation of texts dealing with laïcité.
DeconstructionChallenges the stability of meaning and inherent binaries. Laïcité’s emphasis on the separation of religious and secular can be deconstructed, highlighting its inherent ambiguities and the potential for overlap between the two spheres.
Laïcité: Application in Critiques

Here’s how we can apply the principle of laïcité in critiques of four literary works. I’ve chosen a mix of classic and contemporary examples to showcase the concept’s versatility:

1. Voltaire’s Candide
  • Background: A scathing satire of 18th-century European society, particularly targeting religious dogmatism and optimism.
  • Laïcité Lens: Laïcité serves as the philosophical foundation of Voltaire’s critique. The story’s absurdity highlights the dangers of religious influence over reason and secular governance. Candide’s journey can be read as an argument for the separation of church and state and the importance of individual thought.
2. Tahar Ben Jelloun’s Racism Explained to My Daughter
  • Background: A Moroccan-born French author addressing racism and prejudice in a format aimed at informing a young audience.
  • Laïcité Lens: Laïcité provides a framework for Ben Jelloun’s explanation of equality and tolerance. It underpins his argument that differences of faith or ethnicity should not be grounds for discrimination within a secular republic.
3. Michel Houellebecq’s Submission
  • Background: A controversial novel imagining France after an Islamist political takeover.
  • Laïcité Lens: The novel’s very premise is a direct confrontation with laïcité. It explores the potential collapse of French secularism, sparking debates about freedom of expression, religious identity, and the role of laïcité in maintaining a liberal society.
4. Leïla Slimani’s Lullaby
  • Background: A chilling psychological thriller exploring class anxieties and racial tensions within a Parisian household.
  • Laïcité Lens: While not overt, laïcité informs the context of the story. Differences in religion and cultural background underlie tensions between the white Parisian family and their Moroccan nanny. These tensions are played out in the private sphere, reflecting how laïcité’s ideals can be challenged in everyday life.
Key Points to Consider in a Laïcité-Focused Critique
  • Author Intent: Did the author deliberately engage with themes of secularism?
  • Setting and Society: How does the work’s portrayal of French society reflect (or challenge) laïcité?
  • Symbolism: Examine how secular or religious symbols are used and what they represent within the context of laïcité.
  • Character Choices: Do characters’ religious (or non-religious) identities impact their actions, and how does this relate to a secular society?
Laïcité: Relevant Terms
TermDefinition
SecularismThe broad principle of separation between religion and state affairs.
Religious FreedomThe right to practice, change, or abstain from religion without interference.
Religious NeutralityImpartiality of the state towards different religions.
PluralismAcceptance and coexistence of diverse religious and philosophical viewpoints.
Anti-clericalismOpposition to the influence of religious institutions on public life and politics.
Religious ToleranceAcceptance of religious beliefs or practices that differ from one’s own.
State AtheismThe active promotion of atheism by the government, including the suppression of religion. (Contrasts with laïcité’s focus on neutrality)
Establishment ClauseLegal doctrine (such as the First Amendment in the US) preventing the government from establishing an official religion.
TheocracyA form of government in which religious leaders hold authority and religious doctrine guides law.
MulticulturalismA policy or ideology which recognizes and promotes cultural/religious diversity within a society.

Laïcité: Suggested Readings

  1. Baubérot, Jean. Laïcité 1905-2005, entre passion et raison. Seuil, 2004.
  2. Baubérot, Jean, and Valentine Zuber. A History of Secularism in France. Columbia University Press, 2022.
  3. Bowen, John R. Why the French Don’t Like Headscarves: Islam, the State, and Public Space. Princeton University Press, 2008.
  4. Kuru, Ahmet T. Secularism and State Policies toward Religion: The United States, France, and Turkey. Cambridge University Press, 2009.
  5. Laborde, Cécile. Secularism and Liberalism as Twins? Palgrave Macmillan, 2017.
  6. Mayeur, Jean-Marie, and Madeleine Rebérioux. The Third Republic from Its Origins to the Great War, 1871-1914. Cambridge University Press, 1987.
  7. McGowan, Katharine. French Secularism and the “Islamic Veil Affair”. Routledge, 2016.
  8. Scott, Joan Wallach. The Politics of the Veil. Princeton University Press, 2007.
  9. Warner, Carolyn M. Confessions of an Interest Group: The Catholic Church and Political Parties in Europe. Princeton University Press, 2000.
  10. Willaime, Jean-Paul. Europe and the Religions: The Dialogue between the European Union and the Faiths. Routledge, 2016.

Retroculture in Literature & Literary Theory

Retroculture refers to a cultural phenomenon characterized by a nostalgic revival of past styles, trends, and aesthetics within contemporary society.

Retroculture in Literature & Literary Theory
Retroculture: Etymology/Term, Meanings and Concept

Etymology and Term: The term “retroculture” combines the prefix “retro,” meaning backward or behind, with “culture.” It gained prominence in the late 20th and early 21st centuries, describing a widespread cultural engagement with aesthetics, styles, and trends from the past.

Meanings and Concepts
  • Nostalgia as a Driving Force: Retroculture often stems from a yearning for certain periods, whether rooted in personal memories or a broader cultural idealization of the past. This nostalgia can obscure potential complexities or negative aspects of earlier eras.
  • Revival and Reinterpretation: Retroculture frequently involves the re-emergence of past elements, adapted or recontextualized for contemporary sensibilities.
  • The Role of Consumerism: Retroculture intersects with consumerism, as trends and products from the past are repackaged and marketed with a focus on nostalgic appeal.
  • Identity Formation: Retroculture can serve as a means for individuals and communities to explore and shape their identities through conscious engagement with elements of their cultural heritage.
  • Potential for Critique: In some instances, retroculture functions as a form of cultural commentary, juxtaposing the past with the present to critique contemporary issues or societal trends.
Retroculture: Definition of a Theoretical Term

Retroculture refers to a cultural phenomenon characterized by a nostalgic revival of past styles, trends, and aesthetics within contemporary society. It often involves a selective reinterpretation or idealization of elements from previous decades or eras, seeking to evoke a sense of longing or romanticism for the past. Retroculture manifests in various forms, including fashion, music, design, and media, and serves as a means for individuals or groups to construct identities, challenge dominant cultural norms, or express a longing for a perceived simpler or more authentic time.

Retroculture: Theorists, Works, and Arguments
TheoristWork(s)Arguments
Fredric JamesonPostmodernism, or, the Cultural Logic of Late Capitalism (1991)Argues that retroculture is a symptom of postmodernism’s “depthlessness,” where cultural production relies on pastiche and the recycling of past styles rather than innovation.
Simon ReynoldsRetromania: Pop Culture’s Addiction to Its Own Past (2011)Explores the pervasive nature of retroculture in music, fashion, and film, examining the interplay of nostalgia, consumerism, and technological shifts.
Svetlana BoymThe Future of Nostalgia (2001)Differentiates between “restorative” and “reflective” nostalgia, suggesting that retroculture can hold both critical potential and a longing for a simpler, often idealized past.
Umberto EcoTravels in Hyperreality (1986)Analyzes the role of simulation and hyperreality in shaping perceptions of the past. Provides a framework for understanding how retroculture can create romanticized or artificial representations of historical periods.
Linda HutcheonA Theory of Parody (1985)Explores parody as a mechanism through which retroculture reinterprets past cultural products. Argues that irony and self-awareness are often present in retrocultural engagements with earlier styles.
Retroculture: Major Characteristics
  1. Nostalgia-Driven: Retroculture is frequently fueled by yearning for the past. This can be personal nostalgia or a more general romanticization of an era.
    • Literary Reference: Nick Carraway’s longing for the Jazz Age in The Great Gatsby (F. Scott Fitzgerald) embodies this nostalgic sentiment.
  2. Revival and Remix: Retroculture reinvents elements of the past, blending them with modern sensibilities. It’s rarely a straightforward copy.
    • Literary Reference: Wide Sargasso Sea (Jean Rhys) reimagines the story of “mad” Bertha Mason from Jane Eyre, offering a new perspective steeped in Caribbean motifs and a postcolonial lens.
  3. Strong Aesthetic Dimension: Retro trends are often expressed through distinct fashion, music, design, and visual cues.
    • Literary Reference: The Virgin Suicides (Jeffrey Eugenides) uses clothing, music, and interior decoration of the 1970s to evoke a particular suburban mood and atmosphere.
  4. Consumerist Element: Retroculture is often intertwined with commercialism. “Vintage” and “throwback” become marketing tools.
    • Literary Reference: Don DeLillo novels like White Noise satirize consumer culture and its obsession with simulated Americana, including idealized representations of the past.
  5. Ambiguous Interpretations: Retroculture can be either celebratory or critical of the past it references, and sometimes it does both at once.
    • Literary Reference: The Handmaid’s Tale (Margaret Atwood) presents a retro-flavored dystopia with a clear critique of the Puritanical and patriarchal elements it draws upon.
Additional Notes:
  • Technology plays a role – the ease of accessing the past (through old photos, movies, music online) contributes to retroculture’s power.
  • Retroculture exists on a spectrum. It ranges from light pastiche to deep social commentary.
Retroculture: Relevance in Literary Theories
Literary TheoryRelevance of Retroculture
PostmodernismRetroculture is significant in postmodernism due to its emphasis on pastiche, parody, and the blurring of distinctions between high and low culture. Retro references are often used to deconstruct traditional narratives and challenge notions of originality and authenticity. Retroculture’s recycling of past styles and narratives reflects postmodernism’s skepticism towards grand narratives and its celebration of cultural hybridity.
Cultural StudiesRetroculture is examined in cultural studies through the lens of collective memory and cultural nostalgia, exploring how it reflects broader social, political, and economic contexts. Cultural studies may analyze retroculture’s role in constructing and reinforcing particular identities, ideologies, and power structures, as well as its potential for resistance and subversion.
MarxismIn Marxist literary theory, retroculture can be viewed as a form of cultural commodification, where the past is selectively commodified and marketed for consumption by capitalist societies. Retro aesthetics may serve to distract from contemporary social inequalities and perpetuate consumerist ideologies. Marxist analysis of retroculture also considers how it reflects and reproduces class divisions and cultural hegemony.
Feminist TheoryRetroculture intersects with feminist theory by revealing shifting gender norms and representations across different historical periods. Feminist analysis may explore how retroculture reinforces or challenges traditional gender roles, stereotypes, and power dynamics, as well as its implications for women’s agency and empowerment. Retro aesthetics may be critiqued for romanticizing or erasing the struggles of marginalized groups, including women.
Psychoanalytic TheoryRetroculture can be examined through psychoanalytic theory by uncovering unconscious desires and anxieties manifested in nostalgic longing for the past. Psychoanalytic analysis may explore how retroculture functions as a form of cultural regression, offering comfort and security in a chaotic present or projecting fantasies of lost innocence and utopian ideals. Retro aesthetics may serve as a site for exploring individual and collective psychic conflicts and resolutions.

This table provides a brief overview of how retroculture intersects with various literary theories and the different aspects of cultural, social, and psychological analysis within each framework.

Retroculture: Application in Critiques
  1. One Hundred Years of Solitude by Gabriel García Márquez (Colombia): Retroculture can be applied to critique One Hundred Years of Solitude by examining García Márquez’s portrayal of the cyclical nature of history and the nostalgia for a lost golden age in the fictional town of Macondo. The novel blends magical realism with a nostalgic evocation of Colombia’s past, critiquing the impact of colonialism, modernization, and political turmoil on the region. García Márquez explores how collective memory shapes identity and perpetuates myths of cultural origin, while also warning against the dangers of being trapped in the cycles of history.
  2. Norwegian Wood by Haruki Murakami (Japan): Retroculture can be applied to critique Norwegian Wood by analyzing Murakami’s use of music, fashion, and cultural references from 1960s Japan to evoke a sense of longing and melancholy. The novel follows the protagonist Toru Watanabe as he navigates love, loss, and existential crisis against the backdrop of student protests and social upheaval. Murakami critiques the romanticization of youth and the illusion of nostalgia, suggesting that the past can never be fully recaptured and that true fulfillment lies in embracing the present moment.
  3. The Master and Margarita by Mikhail Bulgakov (Russia): Retroculture can be applied to critique The Master and Margarita by examining Bulgakov’s satirical portrayal of Soviet society in the 1930s and its suppression of artistic freedom and religious expression. The novel blends elements of fantasy, satire, and historical fiction, critiquing the totalitarian regime through the lens of retro mythology and folklore. Bulgakov explores how nostalgia for pre-revolutionary Russia and the supernatural can serve as a form of resistance against ideological oppression and censorship.
  4. The Wind-Up Bird Chronicle by Haruki Murakami (Japan): Retroculture can be applied to critique The Wind-Up Bird Chronicle by exploring Murakami’s fusion of contemporary Japanese life with elements of nostalgia and surrealism. The novel follows the protagonist Toru Okada as he embarks on a surreal journey to uncover the mysteries of his past and confront the traumas of war and loss. Murakami critiques the alienation and dislocation of modern society while also celebrating the power of memory and imagination to transcend time and space.

In each of these critiques, retroculture serves as a lens through which to analyze themes of memory, identity, and historical consciousness within the context of foreign literary works. These novels engage with the complexities of nostalgia and the interplay between past and present, inviting readers to reflect on the enduring significance of history in shaping individual and collective experiences.

Retroculture: Relevant Terms
TermConcise Definition
NostalgiaA longing for the past, often with a sense of romanticization or idealization. A driving force behind retroculture.
RevivalThe resurgence of past styles, trends, or cultural elements, often within a contemporary context.
RemixThe reinterpretation and reworking of past aesthetics, fashions, or media, often with a contemporary twist.
PasticheAn artistic work that intentionally imitates the style or character of the work of one or more other artists. Often has a playful or ironic element.
VintageTerm describing objects, styles, or items from a previous era, typically possessing a degree of cultural significance or nostalgic appeal.
AppropriationThe act of borrowing or reusing cultural elements from a different context. Central to how retroculture interacts with the past.
HyperrealityA concept where the distinction between the real and the simulated blurs. Relevant in how retroculture can create idealized, almost ‘more real than real’ versions of the past.
SimulationThe imitation of an object, process, or system with the intention to deceive. Used by theorists to analyze how retroculture can create artificial representations of the past.
ConsumerismThe preoccupation with the acquisition of material goods and their associated cultural meanings. A key aspect of many retro-trends.
IdentityRetroculture can be used to explore personal and collective identities by consciously engaging with elements of cultural heritage.
Retroculture: Suggested Readings
  1. Bourdieu, Pierre. Distinction: A Social Critique of the Judgment of Taste. Harvard University Press, 1984.
  2. Eco, Umberto. Travels in Hyperreality: Essays. Mariner Books, 1990.
  3. Jameson, Fredric. Postmodernism, or, The Cultural Logic of Late Capitalism. Duke University Press, 1991.
  4. Kammen, Michael G. Mystic Chords of Memory: The Transformation of Tradition in American Culture. Vintage Books, 1993.
  5. Lury, Celia. Consumer Culture. Rutgers University Press, 1996.
  6. Reynolds, Simon. Retro Mania. Faber and Faber, 2011.
  7. Sontag, Susan. On Photography. Farrar, Straus and Giroux, 1977.
  8. Toffler, Alvin. Future Shock. Bantam Books, 1970.
  9. Turner, Graeme. Re-inventing the Media. Routledge, 1993.
  10. Wolfe, Tom. The Electric Kool-Aid Acid Test. Farrar, Straus and Giroux, 1968.

Literary Darwinism in Literature & Critiques

Literary Darwinism refers to a late 19th-century and early 20th-century trend of applying the principles of Charles Darwin’s theory of evolution to the study of literature.

Literary Darwinism in Literature
Literary Darwinism: Term and Concept
Term

Literary Darwinism refers to a late 19th-century and early 20th-century trend of applying the principles of Charles Darwin’s theory of evolution to the study of literature. This approach often emphasized themes of competition, survival of the fittest, and the influence of environment on literary works. However, the term is considered largely outdated and problematic due to its oversimplification of both Darwinian principles and the complexities of literary creation.

Concept

Literary Darwinism sought to analyze literature through a lens of biological determinism. It viewed literary texts as products of their social and historical environments, with “superior” works naturally rising to prominence. This approach often led to interpretations that reinforced harmful hierarchies based on race, gender, and class. Additionally, it ignored the role of individual creativity and the complex ways in which literature both reflects and shapes cultural values.

Literary Darwinism: Theorists, Works and Arguments
Theorists

While no single theorist codified Literary Darwinism as a unified movement, figures who contributed to its ideas include:

  • Herbert Spencer: British philosopher who applied evolutionary ideas to society, coining the phrase “survival of the fittest.” His influence led to views of literature progressing towards higher, more complex forms.
  • Hippolyte Taine: French critic who emphasized the deterministic influence of race, environment, and historical moment on literature.
  • American Naturalists: Writers like Stephen Crane, Frank Norris, and Theodore Dreiser, whose works often depict characters shaped by heredity and social forces beyond their control.
Works

Directly theorizing Literary Darwinism is less common than works that implicitly reflect its principles:

  • Emile Zola, Germinal (1885): A novel exploring class struggle and hereditary determinism within a French mining town.
  • **John Griffith London (Jack London), The Call of the Wild (1903): A story about a dog’s survival, often interpreted through a lens of biological determinism.
  • Scholarly Articles: Individual articles analyzed literature through an evolutionary lens, but there was no central text outlining a unified Literary Darwinian theory.
Central Arguments
  • Literature as an Organism: Literary works were seen as evolving similarly to biological organisms, subject to natural selection.
  • Determinism: Literary quality and success were pre-determined by factors like the author’s race, gender, social conditions, or historical era.
  • Focus on Struggle and Survival: Themes of competition, survival, and the harsh realities of life were emphasized in interpretations.
  • Hierarchical Views: Literary Darwinism often reinforced problematic ideas about ‘superior’ cultures or races, viewing literary history as linear progression.
Important Considerations
  • Literary Darwinism is largely rejected: Today, it’s mostly studied as a historical phenomenon, not a valid critical approach. Its reductive interpretations and potential for harmful social implications make it problematic.
  • Influences linger: Some evolutionary concepts can be applied to literature in more nuanced ways (see Evolutionary Literary Criticism), but with crucial differences from the deterministic models of Literary Darwinism.
Literary Darwinism: Key Principals
Key PrincipleDefinitionLiterary References
AdaptationLiterature reflects adaptations to environmental challenges and serves evolutionary purposes.Charles Darwin’s “On the Origin of Species”
Natural SelectionLiterary works evolve through natural selection, with successful traits passed down over time.Joseph Carroll’s “Literary Darwinism: Evolution, Human Nature, and Literature”
ReproductionSuccessful literary themes, motifs, and narratives replicate and spread across cultures.Joseph Conrad’s “Heart of Darkness”
FitnessLiterary texts that resonate with universal human experiences are considered more “fit.”William Shakespeare’s “Hamlet”
SurvivalStories that resonate with readers and endure across generations have survival value.Homer’s “The Odyssey”
AdaptabilityLiterature adapts to cultural changes, reflecting shifts in societal norms and values.Jane Austen’s “Pride and Prejudice”
Genetic DriftRandom changes and variations in literary traditions influence the evolution of literature.James Joyce’s “Ulysses”
Cultural EvolutionLiterary evolution is shaped by cultural factors, including technology, politics, and beliefs.George Orwell’s “1984”
InheritanceLiterary traditions inherit and pass down elements from previous works, shaping future texts.Virgil’s “The Aeneid”
Fitness LandscapeThe literary landscape consists of peaks (successful works) and valleys (less successful ones).F. Scott Fitzgerald’s “The Great Gatsby”
Literary Darwinism: How to Use in Literary Critiques

Steps for Addressing Literary Darwinism

  1. Identify Elements: Look for signs of Literary Darwinist thinking in the text you’re analyzing:
    • Do characters seem driven primarily by biological urges or social forces beyond their control?
    • Is there a focus on themes of competition, survival, or harsh deterministic environments?
    • Are any cultures/races presented as inherently “superior” to others in a way that suggests a hierarchy?
  2. Consider Context:
    • When was the work written? Literary Darwinism was most prominent in the late 19th and early 20th centuries.
    • Research the author’s background – were they influenced by the scientific and social theories of the time?
  3. Critique, Don’t Apply: Instead of using Literary Darwinism as your analysis lens, focus on critiquing its presence.
    • How do these deterministic views limit interpretations of the characters and their actions?
    • Does the text reinforce harmful stereotypes or social hierarchies?
    • Discuss how a more nuanced reading of the work challenges the Literary Darwinist ideas it might superficially suggest.
**Case Study: Jack London’s The Call of the Wild **
  • Darwinian Elements: The novel focuses on Buck the dog’s survival, his reversion to primal instincts, and themes of competition in the harsh Yukon environment. A superficial reading could emphasize biological determinism.
  • Context: London was familiar with the ideas of Herbert Spencer and influenced by the harsh realities of the Klondike Gold Rush.
  • Critique: While the novel has Darwinian elements, it can be read more productively as a commentary on the complex relationship between nature and nurture, and the dangers of viewing “civilization” in simplistic hierarchical terms.
Important Reminders
  • Literary Darwinism is flawed; your critique should expose those flaws rather than validate them.
  • Many works with Darwinian themes can be analyzed compellingly through other critical lenses (social critique, environmental studies, etc.).
Literary Darwinism: Criticism Against It
  • Reductionism: Critics argue that Literary Darwinism reduces complex human experiences and creations to simplistic biological or evolutionary explanations.
  • Oversimplification: Critics contend that it oversimplifies the rich tapestry of human culture by attempting to fit all literary phenomena into a narrow evolutionary framework.
  • Ignoring Cultural Context: Critics argue that Literary Darwinism often disregards the cultural, historical, and sociopolitical contexts in which literary works are created and interpreted.
  • Lack of Empirical Evidence: Critics claim that many assertions made by Literary Darwinists lack empirical evidence and rely heavily on speculation.
  • Neglect of Individual Agency: Critics argue that Literary Darwinism neglects the role of individual agency, creativity, and intentionality in the production and reception of literature.
  • Ethical Concerns: Some critics express ethical concerns about reducing human creativity and cultural products to mere byproducts of evolutionary processes, potentially devaluing human experience and expression.
  • Oversights in Evolutionary Psychology: Critics point out limitations and oversights in the application of evolutionary psychology principles to literary analysis, highlighting the complexity of human behavior and cultural evolution.

Literary Darwinism: Key Terms

Key TermDefinition
AdaptationLiterary works evolve to suit environmental and cultural conditions.
Natural SelectionSuccessful literary traits are preserved and passed down over time.
ReproductionSuccessful literary themes, motifs, and narratives are replicated across cultures.
FitnessLiterary texts resonate with universal human experiences, making them more “fit.”
SurvivalEnduring stories across generations possess survival value.
AdaptabilityLiterature adapts to changing cultural norms and values.
Genetic DriftRandom changes influence the evolution of literary traditions.
Cultural EvolutionLiterature evolves in response to cultural shifts, including technology and ideology.
InheritanceLiterary traditions inherit and pass down elements from previous works.
Fitness LandscapeLiterary landscape consists of successful (peaks) and less successful (valleys) works.
Literary Darwinism: Suggested Readings
  1. Buss, David M. The Evolution of Desire: Strategies of Human Mating. Basic Books, 2016.
  2. Carroll, Joseph. Literary Darwinism: Evolution, Human Nature, and Literature. Routledge, 2004.
  3. Gottschall, Jonathan. The Storytelling Animal: How Stories Make Us Human. Mariner Books, 2012.
  4. Miller, Geoffrey. The Mating Mind: How Sexual Choice Shaped the Evolution of Human Nature. Anchor Books, 2001.
  5. Nesse, Randolph M., and Williams, George C. Why We Get Sick: The New Science of Darwinian Medicine. Vintage Books, 1996.
  6. Pinker, Steven. How the Mind Works. W. W. Norton & Company, 1997.
  7. Pinker, Steven. The Blank Slate: The Modern Denial of Human Nature. Penguin Books, 2003.
  8. Wilson, Edward O. Consilience: The Unity of Knowledge. Vintage Books, 1999.
  9. Wilson, Edward O. On Human Nature. Harvard University Press, 2004.

Indigenous Narrative in Literature

The term “Indigenous Narrative” broadly refers to the diverse forms of storytelling, oral histories, and artistic expressions that originate from and reflect the worldviews of Indigenous peoples.

Indigenous Narrative in Literature
Indigenous Narrative: Term and Concept
Term

The term “Indigenous Narrative” broadly refers to the diverse forms of storytelling, oral histories, and artistic expressions that originate from and reflect the worldviews of Indigenous peoples. These narratives can take many forms, including creation myths, traditional songs, personal histories, fiction, poetry, and visual arts. Indigenous narratives are critical tools for preserving cultural knowledge, transmitting values across generations, and expressing resistance to colonialism.

Concept

Indigenous narratives offer a unique lens through which to understand the world. These narratives often emphasize themes of interconnectedness with the natural world, respect for ancestors, and the importance of community. They may contain complex symbolism, metaphors, and storytelling techniques that differ from Western literary traditions. Indigenous narratives are not simply entertainment; they embody living histories, philosophies, and a profound connection to land and identity.

Indigenous Narrative: Theorists, Works and Arguments
Key Theorists
  • Gerald Vizenor (Anishinaabe): Prominent figure in Indigenous literary studies. Works include:
    • Manifest Manners: Narratives on Postindian Survivance (1994): Introduces the concept of “survivance” – active resistance and creative presence in the face of colonial narratives.
    • Fugitive Poses: Native American Indian Scenes of Absence and Presence (1998): Explores how Indigenous stories reclaim space and counter colonial erasure.
  • Thomas King (Cherokee): Celebrated novelist, essayist, and scholar. Works include:
    • The Truth About Stories: A Native Narrative (2003): Collection of lectures playfully weaving Indigenous oral tradition with literary analysis.
    • Green Grass, Running Water (1993): Novel that blends myth, history, and contemporary Indigenous experiences in non-linear, subversive ways.
  • LeAnne Howe (Choctaw): Author and theorist. Works include:
    • Choctalking on Other Realities (2013): Examines the power of storytelling, tribalography (Indigenous ways of writing), and how Indigenous narratives work both within and against Western forms.
Foundational Works
  • Traditional Indigenous Stories: The vast and diverse oral traditions of Indigenous peoples worldwide are the foundation of Indigenous narrative. Many have been transcribed and published, often through the work of Indigenous and non-Indigenous scholars.
  • **N. Scott Momaday, The Way to Rainy Mountain (1968): ** A seminal work that blends Kiowa oral history, personal reflection, and poetic prose.
  • Leslie Marmon Silko, Ceremony (1977): A powerful novel integrating Laguna Pueblo traditions and storytelling within a story of healing and resilience.
Central Arguments
  • Decolonization of Knowledge: Indigenous narratives challenge Western dominance in knowledge production and assert the validity of Indigenous ways of knowing and storytelling.
  • Power of Story in Identity and Resistance: Indigenous narratives can preserve cultural memory, transmit values, and act as tools for resistance against colonialism and cultural suppression.
  • Distinctive Aesthetics: Indigenous narratives often have storytelling structures, symbolism, and perspectives that differ from Western literary traditions.
  • Survivance and Adaptation: Indigenous narratives are not static but demonstrate resilience, adaptation, and innovation, reflecting the ongoing lived experiences of Indigenous communities.
Indigenous Narrative: Key Principals
  1. Oral Tradition: Many Indigenous cultures have a strong tradition of passing down knowledge, stories, and cultural values orally from generation to generation. These narratives often involve storytelling as a central means of preserving cultural heritage. One literary reference that exemplifies this principle is “The Walum Olum,” a creation narrative of the Lenape people, which was originally transmitted orally before being transcribed.
  2. Interconnectedness: Indigenous narratives frequently emphasize the interconnectedness of all living beings and the environment. This interconnectedness is often portrayed through stories that highlight the relationships between humans, animals, plants, and the land. An example of this can be found in Leslie Marmon Silko’s novel “Ceremony,” where the protagonist Tayo learns about the interconnectedness of all things through his interactions with nature and traditional ceremonies.
  3. Spirituality: Many Indigenous narratives incorporate spiritual elements, reflecting the belief systems and cosmologies of Indigenous cultures. These narratives often explore themes such as the relationship between the physical and spiritual worlds, the significance of ceremonies and rituals, and the connections between humans and higher powers or deities. Sherman Alexie’s “The Lone Ranger and Tonto Fistfight in Heaven” contains stories that blend realism with spiritual elements, depicting the complex intersection of modern Native American life and traditional beliefs.
  4. Respect for the Land: Indigenous narratives frequently emphasize the importance of respecting and caring for the natural world. These narratives often depict humans as stewards of the land, emphasizing the need for harmony and balance in the relationship between humans and nature. Louise Erdrich’s novel “Tracks” portrays the Anishinaabe people’s deep connection to the land and their efforts to protect it from exploitation and destruction.
  5. Community and Collective Identity: Indigenous narratives often highlight the importance of community and collective identity. These narratives often center around the experiences of Indigenous communities, exploring themes such as family ties, communal responsibility, and the preservation of cultural traditions. Thomas King’s “Green Grass, Running Water” weaves together multiple narratives to portray the interconnected lives of the characters and the importance of community in shaping individual identities.

These principles and literary references offer insight into the rich and diverse storytelling traditions of Indigenous cultures, highlighting the values, beliefs, and perspectives that inform Indigenous narratives.

Indigenous Narrative: How to Use in Literary Critiques
  1. Identify the Work’s Context:
    • Is the author Indigenous? If not, how does the work engage with Indigenous themes or characters?
    • Explore the history and cultural context relevant to the work. Be cautious of applying generalizing assumptions to specific Indigenous groups.
  2. Analyze Narrative Elements:
    • Structure: Is the narrative linear or cyclical? Does it reflect Indigenous oral traditions?
    • Symbolism and Metaphor: What symbols are used, and how do they relate to Indigenous cultural knowledge and worldviews?
    • Character Archetypes: Are there characters that resonate with traditional Indigenous figures (trickster figures, elders, etc.)?
  3. Consider Indigenous Theoretical Concepts:
    • Survivance: Does the work reflect themes of resilience, resistance, and creative adaptation in the face of colonialism?
    • Oral Tradition: Are storytelling techniques reminiscent of oral traditions (e.g., repetition, digressions, non-linearity)?
    • Connection to Land: How is the relationship between people and the natural world portrayed?
  4. Respect Cultural Specificity:
    • Do your research! Understand the specific cultural context of the Indigenous group represented (if applicable).
    • Avoid imposing generalizations or pan-Indigenous interpretations.
    • Acknowledge your position as a reader and how it may differ from the intended audience of an Indigenous work.
**Case Study: Leslie Marmon Silko’s Ceremony **
  • Context: Silko is Laguna Pueblo, and the novel draws heavily on Laguna traditions and creation myths.
  • Narrative Elements: The structure is fragmented and cyclical, mirroring Pueblo storytelling and a worldview of time as spiraling rather than linear.
  • Indigenous Concepts: Themes of healing, restoration, and reconnection to land and community reflect ideas of survivance within a post-colonial context.
  • Respectful Approach: A critique shouldn’t try to definitively “decode” Laguna symbolism, but instead, appreciate its complexity and the cultural knowledge embedded within the work.
Important Things to Remember
  • Indigenous Narrative is not monolithic: There are diverse approaches and traditions within Indigenous storytelling.
  • Center Indigenous voices: Seek out scholarship and critiques by Indigenous scholars for deeper insights.
  • Ethical engagement: Your analysis should show sensitivity to the cultural context and avoid appropriative interpretations.
Indigenous Narrative: Criticism Against It
  1. Authenticity and Representation: Some critics argue that Indigenous narratives, particularly those written or interpreted by non-Indigenous authors, may not accurately represent Indigenous cultures, beliefs, and experiences. This criticism highlights concerns about cultural appropriation and the potential for misrepresentation or stereotyping.
  2. Stereotyping and Essentialism: Indigenous narratives have sometimes been criticized for perpetuating stereotypes or essentializing Indigenous identities, reducing diverse cultures and experiences to simplistic or monolithic portrayals. This criticism emphasizes the need for nuanced and multifaceted representations of Indigenous peoples and communities.
  3. Marginalization and Erasure: Indigenous narratives have historically been marginalized within mainstream literary and academic circles, leading to a lack of visibility and recognition for Indigenous authors and stories. Critics argue that this marginalization contributes to the erasure of Indigenous voices and perspectives from the broader cultural landscape.
  4. Colonial Influences: Some critics argue that Indigenous narratives have been shaped and influenced by colonial processes, including the imposition of Western literary forms, languages, and aesthetics. This criticism highlights the ongoing impact of colonialism on Indigenous storytelling traditions and the need to decolonize literary representations.
  5. Commercialization and Exploitation: Indigenous narratives, particularly those that achieve commercial success, have been criticized for their potential to be commodified and exploited for profit by non-Indigenous individuals or institutions. This criticism raises concerns about cultural appropriation, intellectual property rights, and the ethical responsibilities of authors and publishers.
  6. Interpretation and Ownership: Indigenous narratives often involve complex oral traditions and cultural protocols that may not easily translate into written form. Critics argue that the interpretation and dissemination of Indigenous stories by non-Indigenous individuals or institutions can raise questions of ownership, authority, and accountability.
  7. Political Instrumentalization: Indigenous narratives have sometimes been co-opted or instrumentalized for political purposes, either by Indigenous activists seeking to advance specific agendas or by non-Indigenous actors seeking to tokenize or instrumentalize Indigenous voices for their own ends. This criticism underscores the need for Indigenous narratives to be treated with respect and integrity, rather than being exploited for political gain.
Indigenous Narrative: Key Terms
Key TermDefinition
Oral TraditionTransmission of cultural knowledge through spoken word across generations.
InterconnectednessBelief in the mutual dependence of all living beings and the environment.
SpiritualityCultural beliefs and practices connecting individuals with the spiritual realm.
Land StewardshipResponsible management and care for the land, emphasizing sustainability.
SovereigntyInherent authority and self-governance rights of Indigenous peoples.
CeremonyRituals with cultural, spiritual, and communal significance.
Ancestral KnowledgeWisdom passed down from ancestors, including cultural and ecological insights.
Cultural RevitalizationEfforts to preserve and reclaim Indigenous languages, traditions, and arts.
Indigenous ResilienceCapacity to endure and adapt in the face of historical trauma and oppression.
Land-Based LearningEducation through direct engagement with the land, emphasizing traditional knowledge.
Indigenous Narrative: Suggested Readings
  1. Battiste, Marie, and James (Sa’ke’j) Youngblood Henderson. Protecting Indigenous Knowledge and Heritage: A Global Challenge. Purich Publishing Ltd., 2000.
  2. Coulthard, Glen Sean. Red Skin, White Masks: Rejecting the Colonial Politics of Recognition. University of Minnesota Press, 2014.
  3. Green, Joyce, editor. Indigena: Contemporary Native Perspectives. Wilfrid Laurier University Press, 1992.
  4. King, Thomas, Cheryl Calver, and Helen Hoy, editors. The Native Critics Collective: An Anthology of Critical Essays. Theytus Books, 2003.
  5. Lyons, Scott Richard. X-Marks: Native Signatures of Assent. University of Minnesota Press, 2010.
  6. Momaday, N. Scott. The Man Made of Words: Essays, Stories, Passages. St. Martin’s Griffin, 1998.
  7. Simpson, Leanne Betasamosake. As We Have Always Done: Indigenous Freedom through Radical Resistance. University of Minnesota Press, 2017.
  8. Tuck, Eve, and K. Wayne Yang. “Decolonization is Not a Metaphor.” Decolonization: Indigeneity, Education & Society, vol. 1, no. 1, 2012, pp. 1-40.
  9. Vizenor, Gerald, editor. Narrative Chance: Postmodern Discourse on Native American Indian Literatures. University of New Mexico Press, 1989.
  10. Womack, Craig S. Red on Red: Native American Literary Separatism. University of Minnesota Press, 1999.