
Introduction: “Nativity” by John Donne
“Nativity” by John Donne first appeared in the early 17th century as part of his collection of Divine Poems, reflecting his deep religious convictions and metaphysical style. The poem contemplates the paradox of the Incarnation, emphasizing the immense power of Christ confined within the vulnerability of human birth. Donne presents the image of divinity “cloistered” in Mary’s womb, highlighting the contrast between divine omnipresence and human limitation. The poem also explores the theme of rejection, as there is “no room” for Christ at the inn, symbolizing the world’s failure to recognize His significance. Through intricate theological reflections, Donne underscores Christ’s humility—how He, who “fills all place,” paradoxically finds Himself without shelter. The reference to the Magi’s journey and Herod’s threat further enriches the poem’s meditation on divine providence and persecution. The poem remains popular for its profound metaphysical conceits and its exploration of the paradox of Christ’s vulnerability and majesty, making it a compelling meditation on the mystery of the Incarnation.
Text: “Nativity” by John Donne
Immensity cloistered in thy dear womb,
Now leaves His well-belov’d imprisonment,
There He hath made Himself to His intent
Weak enough, now into the world to come;
But O, for thee, for Him, hath the inn no room?
Yet lay Him in this stall, and from the Orient,
Stars and wise men will travel to prevent
The effect of Herod’s jealous general doom.
Seest thou, my soul, with thy faith’s eyes, how He
Which fills all place, yet none holds Him, doth lie?
Was not His pity towards thee wondrous high,
That would have need to be pitied by thee?
Kiss Him, and with Him into Egypt go,
With His kind mother, who partakes thy woe.
Annotations: “Nativity” by John Donne
Line from the Poem | Meaning in Simple English | Literary Devices |
Immensity cloistered in thy dear womb, | God, who is infinite, is now confined in Mary’s womb. | Paradox, Metaphor |
Now leaves His well-belov’d imprisonment, | Jesus is now leaving His sacred confinement (Mary’s womb) to be born. | Metaphor, Personification |
There He hath made Himself to His intent | He has chosen to make Himself weak in order to be born as a human. | Paradox, Irony |
Weak enough, now into the world to come; | He has become fragile and enters the world as an infant. | Paradox, Contrast |
But O, for thee, for Him, hath the inn no room? | Even though He is divine, there is no space for Him at the inn. | Rhetorical Question, Irony |
Yet lay Him in this stall, and from the Orient, | He is placed in a manger, but wise men from the East will come. | Imagery, Allusion |
Stars and wise men will travel to prevent | The wise men will journey to prevent Herod’s plan to kill Him. | Allusion, Symbolism |
The effect of Herod’s jealous general doom. | Herod, jealous of the newborn King, wants to kill Him. | Allusion, Irony |
Seest thou, my soul, with thy faith’s eyes, how He | With faith, one can see how the infinite God now lies as a small child. | Apostrophe, Metaphysical Conceit |
Which fills all place, yet none holds Him, doth lie? | He exists everywhere, yet now He lies in a manger, held by none. | Paradox, Antithesis |
Was not His pity towards thee wondrous high, | His love for humanity is great—He chose to be in need of human care. | Hyperbole, Paradox |
That would have need to be pitied by thee? | Even though He is divine, He made Himself vulnerable for humanity. | Paradox, Contrast |
Kiss Him, and with Him into Egypt go, | One should embrace Christ and flee with Him, just as Mary did. | Imperative, Symbolism |
With His kind mother, who partakes thy woe. | Mary shares in Christ’s suffering and protects Him from danger. | Symbolism, Irony |
Literary And Poetic Devices: “Nativity” by John Donne
Literary/Poetic Device | Example from ‘Nativity’ | Explanation |
Allusion | “Stars and wise men will travel to prevent the effect of Herod’s jealous general doom.” | Reference to the biblical story of the wise men and King Herod’s attempt to kill Jesus. |
Apostrophe | “Seest thou, my soul, with thy faith’s eyes, how He…” | Direct address to the poet’s soul as if it were a person who could respond. |
Antithesis | “Which fills all place, yet none holds Him, doth lie?” | Contrasting ideas of omnipresence (God is everywhere) and confinement (He is lying in a manger). |
Assonance | “Now leaves His well-belov’d imprisonment.” | Repetition of vowel sounds, particularly ‘o’ and ‘e’, to create musicality. |
Caesura | “But O, for thee, for Him, hath the inn no room?” | A natural pause in the middle of the line, emphasizing emotion and rhetorical questioning. |
Contrast | “Weak enough, now into the world to come;” | Highlights Christ’s paradoxical state of divine power and human frailty. |
Enjambment | “There He hath made Himself to His intent / Weak enough, now into the world to come.” | The continuation of a sentence without a pause beyond the line, creating a flowing effect. |
Epigram | “Was not His pity towards thee wondrous high, That would have need to be pitied by thee?” | A short, paradoxical statement summarizing Christ’s humility and divine sacrifice. |
Hyperbole | “Was not His pity towards thee wondrous high, That would have need to be pitied by thee?” | Exaggeration of Christ’s humility, portraying Him as needing human compassion. |
Imagery | “Yet lay Him in this stall, and from the Orient, Stars and wise men will travel…” | Vivid description of the nativity scene, engaging the senses of sight and movement. |
Imperative | “Kiss Him, and with Him into Egypt go.” | A command urging the reader to metaphorically embrace Christ and follow His path. |
Irony | “But O, for thee, for Him, hath the inn no room?” | The irony of the divine being unable to find shelter in the world He created. |
Metaphor | “Immensity cloistered in thy dear womb.” | Compares God’s infinite nature to being ‘cloistered’ (enclosed) in Mary’s womb. |
Metaphysical Conceit | “Seest thou, my soul, with thy faith’s eyes, how He…” | An extended metaphor linking faith’s perception to physical sight, characteristic of metaphysical poetry. |
Paradox | “Which fills all place, yet none holds Him, doth lie?” | A contradictory statement expressing the mystery of Christ’s omnipresence and physical vulnerability. |
Personification | “Now leaves His well-belov’d imprisonment.” | Imprisonment is given human-like qualities (as being ‘beloved’). |
Rhetorical Question | “But O, for thee, for Him, hath the inn no room?” | A question that does not expect an answer but emphasizes the rejection of Christ. |
Symbolism | “Kiss Him, and with Him into Egypt go, With His kind mother, who partakes thy woe.” | The flight into Egypt symbolizes Christ’s suffering, exile, and divine protection. |
Synecdoche | “There He hath made Himself to His intent / Weak enough, now into the world to come.” | The part (weakness) represents the whole (Christ’s humanity). |
Themes: “Nativity” by John Donne
- The Paradox of the Incarnation: One of the central themes in “Nativity” by John Donne is the paradox of the Incarnation—the idea that God, who is infinite and all-powerful, has chosen to become a weak and vulnerable human. Donne highlights this contradiction in the opening line: “Immensity cloistered in thy dear womb,” where “immensity” refers to God’s infinite nature, which is paradoxically confined within the womb of the Virgin Mary. This paradox continues with “Which fills all place, yet none holds Him, doth lie?” emphasizing that Christ, who exists everywhere, is now physically present in a specific place, lying in a manger. Donne’s portrayal of Christ’s entrance into the world as both divine and fragile underscores the Christian mystery of God’s humility—choosing to lower Himself to human form to bring salvation.
- Christ’s Rejection by the World: A recurring theme in “Nativity” by John Donne is the world’s rejection of Christ. Despite His divine nature, Christ is born into a world that has no room for Him, symbolized by the famous biblical scene where Mary and Joseph are turned away from the inn. Donne captures this in the rhetorical question: “But O, for thee, for Him, hath the inn no room?” The irony here is that the Creator of the universe finds no place among His own people, reinforcing the broader theological idea that Christ would continue to be rejected throughout His life. This theme extends beyond the nativity scene and foreshadows Christ’s eventual suffering and crucifixion, making it clear that His mission on earth is met with resistance from the very people He came to save.
- Divine Providence and the Role of the Magi: The theme of divine providence is also significant in “Nativity” by John Donne, particularly through the role of the wise men from the East. Donne references their journey with the line: “Stars and wise men will travel to prevent / The effect of Herod’s jealous general doom.” This suggests that God, in His omniscience, has already arranged for Christ to be protected, despite Herod’s violent intentions. The journey of the Magi symbolizes the recognition of Christ’s kingship by the Gentiles, contrasting with the rejection He faces from His own people. Their presence also signifies that God’s plan of salvation extends beyond Israel, reinforcing the idea that Christ’s birth is a universal event that impacts all of humanity.
- Christ’s Humility and Human Suffering: A key theme in “Nativity” by John Donne is Christ’s humility and willingness to share in human suffering. Donne portrays this through lines such as “Was not His pity towards thee wondrous high, That would have need to be pitied by thee?” Here, Donne expresses astonishment that the all-powerful God would choose to be in a position of vulnerability, needing human compassion and care. This paradoxical idea—of Christ needing to be “pitied”—reflects Christian teachings on the Incarnation: Christ willingly becomes weak and experiences the full range of human suffering to offer salvation. The final lines, “Kiss Him, and with Him into Egypt go, With His kind mother, who partakes thy woe,” emphasize that Christ and Mary both partake in the suffering of humanity, as they must flee to Egypt to escape persecution. Through this theme, Donne reinforces the theological idea that Christ not only understands human pain but actively participates in it to bring redemption.
Literary Theories and “Nativity” by John Donne
Literary Theory | Application to “Nativity” by John Donne | References from the Poem |
New Criticism (Formalism) | This theory focuses on the poem’s structure, language, and literary devices. Donne’s use of paradox, imagery, and irony creates a deep meditation on the Incarnation. The poem’s tight structure and metaphysical conceits highlight its meaning without needing historical or authorial context. | “Immensity cloistered in thy dear womb,” (paradox); “Which fills all place, yet none holds Him, doth lie?” (antithesis); “But O, for thee, for Him, hath the inn no room?” (irony) |
Historical/Biographical Criticism | This theory examines the poem in the context of Donne’s life and religious beliefs. As a poet who converted from Catholicism to Anglicanism, Donne frequently explored Christian theological themes. His reflections on Christ’s birth, rejection, and suffering could stem from his own struggles with faith and society. | “Kiss Him, and with Him into Egypt go, With His kind mother, who partakes thy woe.” (Biblical allusion to Mary and Jesus fleeing persecution, paralleling Donne’s own experiences of religious tension) |
Theological (Christian) Criticism | A theological reading of the poem views it as a meditation on the mystery of the Incarnation and Christ’s humility. The poem emphasizes God’s sacrifice, divine providence, and the fulfillment of prophecy. Donne’s focus on Christ’s vulnerability highlights the central Christian doctrine of God becoming human to bring salvation. | “Was not His pity towards thee wondrous high, That would have need to be pitied by thee?” (the paradox of divine humility); “Stars and wise men will travel to prevent / The effect of Herod’s jealous general doom.” (divine intervention in salvation history) |
Postcolonial Criticism | This theory explores themes of power, exile, and marginalization in the poem. Christ is depicted as an outsider rejected by society, mirroring colonial subjects who were displaced and oppressed. The flight into Egypt can be read as a symbol of exile and displacement, themes relevant to postcolonial discourse. | “But O, for thee, for Him, hath the inn no room?” (rejection and marginalization); “Kiss Him, and with Him into Egypt go,” (exile as a recurring theme in salvation history) |
Critical Questions about “Nativity” by John Donne
- How does John Donne use paradox in “Nativity” to emphasize the mystery of the Incarnation?
- John Donne’s “Nativity” is rich in paradoxes, a key characteristic of his metaphysical poetry. The most striking paradox in the poem is the idea that an infinite God can be confined within the womb of a human mother: “Immensity cloistered in thy dear womb.” Here, Donne contrasts God’s boundlessness with the physical limitations of a mother’s womb, emphasizing the mystery of the Incarnation. Another paradox appears in “Which fills all place, yet none holds Him, doth lie?” highlighting the contradiction of Christ’s omnipresence while lying helplessly in a manger. These paradoxes not only create intellectual depth but also reinforce Christian theology, which holds that God humbled Himself to become human. By using paradox, Donne compels the reader to reflect on the divine mystery of Christ’s birth, a theme central to Christian thought.
- What is the significance of rejection in “Nativity,” and how does Donne highlight it?
- A major theme in “Nativity” is the rejection of Christ by the world, despite His divine nature. Donne highlights this rejection through the rhetorical question: “But O, for thee, for Him, hath the inn no room?” This line alludes to the biblical account of Mary and Joseph being turned away from shelter, symbolizing the world’s failure to recognize Christ’s significance. The phrase “no room” metaphorically represents humanity’s unwillingness to accept God. This theme extends beyond Christ’s birth, foreshadowing the rejection He will face throughout His life, culminating in the crucifixion. The poem challenges readers to consider how Christ, though the Savior, was denied even basic hospitality. Donne’s use of irony—where the Creator of the world finds no place in it—reinforces the notion that divine grace is often unrecognized and unappreciated.
- How does Donne contrast divine power and human weakness in “Nativity”?
- In “Nativity”, Donne frequently juxtaposes Christ’s divine power with His chosen human weakness. The line “There He hath made Himself to His intent / Weak enough, now into the world to come;” explicitly states that Christ willingly becomes weak to enter the world. The word “intent” suggests that this was a deliberate choice, aligning with Christian doctrine that Christ humbled Himself for the sake of humanity’s salvation. Donne also presents Christ as paradoxically needing pity: “Was not His pity towards thee wondrous high, That would have need to be pitied by thee?” This line reverses the usual power dynamic, presenting God as someone who requires compassion, despite being the ultimate source of mercy. These contrasts emphasize the theological idea that true strength is found in humility, reinforcing the Christian belief in Christ’s redemptive suffering.
- How does Donne use imagery in “Nativity” to highlight Christ’s role in salvation history?
- Donne employs vivid imagery in “Nativity” to emphasize Christ’s place in salvation history. The reference to the wise men—“Stars and wise men will travel to prevent / The effect of Herod’s jealous general doom.”—creates a dynamic picture of the biblical Magi journeying to honor Christ. The phrase “Herod’s jealous general doom” encapsulates the historical threat against Christ’s life, foreshadowing the suffering and persecution He will endure. Another striking image is “Kiss Him, and with Him into Egypt go, / With His kind mother, who partakes thy woe.” This depicts Mary and Jesus fleeing to Egypt, an event that links Christ to the Old Testament narrative of Israel’s exile. By incorporating these images, Donne presents Christ’s birth not just as a singular moment but as part of a divine plan that stretches across history, reinforcing His role as the Savior of all humanity.
Literary Works Similar to “Nativity” by John Donne
- “On the Morning of Christ’s Nativity” by John Milton – Like Donne’s “Nativity”, Milton’s poem explores the paradox of Christ’s incarnation, emphasizing His divine power and humility through grand, metaphysical imagery.
- “A Hymn on the Nativity of My Savior” by Ben Jonson – This poem, like Donne’s, reflects on the significance of Christ’s birth, using lyrical praise and theological reflection on divine love and human redemption.
- “Hymn to the Nativity” by Richard Crashaw – Similar to Donne’s metaphysical style, this poem presents Christ’s birth with elaborate imagery, contrasting divine majesty with earthly humility.
- “The Burning Babe” by Robert Southwell – Both Donne and Southwell use paradox and religious devotion to illustrate Christ’s incarnation, depicting divine love in an intense, almost mystical manner.
- “Upon Christ His Birth” by Giles Fletcher – Like Donne, Fletcher uses rich metaphors and theological reflections to explore the incarnation, highlighting the contrast between Christ’s divinity and His earthly vulnerability.
Representative Quotations of “Nativity” by John Donne
Quotation | Context | Theoretical Perspective |
“Immensity cloistered in thy dear womb,” | Donne presents the paradox of the infinite God confined within Mary’s womb, emphasizing the mystery of the Incarnation. | New Criticism (Formalism) – Focuses on the paradox and compact imagery highlighting the contradiction of divine omnipresence and human limitation. |
“Now leaves His well-belov’d imprisonment,” | Christ’s birth is framed as a departure from imprisonment, suggesting both physical confinement and divine sacrifice. | Theological Criticism – Reflects Christian doctrine that Christ willingly took human form to redeem humanity. |
“But O, for thee, for Him, hath the inn no room?” | A rhetorical question lamenting the world’s rejection of Christ at His birth. | Postcolonial Criticism – Interprets Christ’s rejection as symbolic of marginalized and displaced individuals. |
“Weak enough, now into the world to come;” | Highlights the paradox of Christ’s self-imposed weakness as part of His divine mission. | Christian Theology – Aligns with the doctrine of kenosis (self-emptying of divine power). |
“Stars and wise men will travel to prevent / The effect of Herod’s jealous general doom.” | Describes the role of the Magi and divine intervention in protecting Christ from Herod’s threat. | Historical Criticism – Connects the poem to biblical prophecy and historical fears of political disruption caused by Christ’s birth. |
“Which fills all place, yet none holds Him, doth lie?” | The paradox of Christ’s omnipresence and physical vulnerability. | Metaphysical Poetry Perspective – Uses contrast and contradiction to provoke intellectual and spiritual reflection. |
“Was not His pity towards thee wondrous high, / That would have need to be pitied by thee?” | Reverses power dynamics, showing Christ as both merciful and in need of human compassion. | Reader-Response Criticism – Invites the audience to emotionally engage with the idea of divine humility. |
“Kiss Him, and with Him into Egypt go,” | Calls for devotion and identification with Christ’s exile. | Postcolonial & Migration Studies – Frames Christ as an exile, connecting to themes of displacement and persecution. |
“With His kind mother, who partakes thy woe.” | Highlights Mary’s suffering alongside Christ, reinforcing her role in salvation history. | Feminist Criticism – Examines Mary’s role in Christian theology as a figure of both obedience and suffering. |
“The effect of Herod’s jealous general doom.” | Describes Herod’s fear of losing power and his intent to destroy Christ. | Political Criticism – Views Christ’s birth as a moment of political upheaval and divine resistance against earthly authority. |
Suggested Readings: “Nativity” by John Donne
- Sledge, Linda Ching. THE NATIVITY IN ENGLISH POETRY. City University of New York, 1976.
- Elsky, Martin. “John Donne’s ‘La Corona’: Spatiality and Mannerist Painting.” Modern Language Studies, vol. 13, no. 2, 1983, pp. 3–11. JSTOR, https://doi.org/10.2307/3194482. Accessed 18 Mar. 2025.
- ANDERSON, DAVID K. “Internal Images: John Donne and the English Iconoclast Controversy.” Renaissance and Reformation / Renaissance et Réforme, vol. 26, no. 2, 2002, pp. 23–42. JSTOR, http://www.jstor.org/stable/43445397. Accessed 18 Mar. 2025.
- Skouen, Tina. “The Rhetoric of Passion in Donne’s Holy Sonnets.” Rhetorica: A Journal of the History of Rhetoric, vol. 27, no. 2, 2009, pp. 159–88. JSTOR, https://doi.org/10.1525/rh.2009.27.2.159. Accessed 18 Mar. 2025.