“The Hierarchical Structure of Mental Metaphors” by Daniel Casasanto: Summary and Critique

“The Hierarchical Structure of Mental Metaphors” by Daniel Casasanto first appeared in The Cambridge Handbook of the Philosophy of Language Sciences (2015), published by Cambridge University Press.

"The Hierarchical Structure of Mental Metaphors" by Daniel Casasanto: Summary and Critique
Introduction: “The Hierarchical Structure of Mental Metaphors” by Daniel Casasanto

“The Hierarchical Structure of Mental Metaphors” by Daniel Casasanto first appeared in The Cambridge Handbook of the Philosophy of Language Sciences (2015), published by Cambridge University Press. This influential chapter presents the Hierarchical Mental Metaphors Theory (HMMT), a compelling extension of conceptual metaphor theory, offering a dynamic and layered explanation for how humans use spatial structures to conceptualize abstract domains like time, pitch, and emotional valence. Casasanto challenges the previously dominant view that mental metaphors are universal and fixed, arguing instead that they emerge from both universal patterns of embodied experience and language-, culture-, and body-specific influences. By proposing that mental metaphors are organized hierarchically—beginning with broad, often innate or early-learned “superordinate” metaphor families, which are later shaped by individual experiences—Casasanto demonstrates how metaphors can be simultaneously deeply ingrained and remarkably flexible. This nuanced framework significantly impacts literature and literary theory by providing cognitive underpinnings for metaphorical thinking, influencing how we understand meaning-making, interpretation, and the variability of metaphor across cultures, languages, and individuals. HMMT also opens new pathways for analyzing literary texts, offering a scientific grounding for reader-response variability and the embodied basis of metaphorical language.

Summary of “The Hierarchical Structure of Mental Metaphors” by Daniel Casasanto

🔍 Mental Metaphors Are Core to Abstract Thinking

“People think about abstract domains like time and goodness metaphorically. This tendency may be universal.” (Casasanto, p. 46)
🧠 Casasanto distinguishes mental metaphors (non-linguistic mappings) from linguistic metaphors, showing that humans often think metaphorically even without language (Casasanto & Bottini, 2014a) 🌐.


📚 Challenges to Universality and Fixity

“Yet the claims that basic mental metaphors are learned, universal, and fixed are all challenged by experimental data” (p. 47)
🧪 Studies show variability across languages, cultures, and individuals. For instance, newborns already show sensitivity to spatial-numerical mappings, suggesting innateness rather than learning (De Hevia et al., 2014) 👶.


🧭 Hierarchical Mental Metaphors Theory (HMMT)

“Even our most basic mental metaphors are constructed over multiple timescales, on the basis of multiple kinds of experience.” (p. 48)
🌱 HMMT proposes that metaphors exist in superordinate families—universal but flexible—shaped by ongoing cultural, linguistic, and bodily experiences. Different mappings from the same family can become dominant over time 🏗️.


🎵 Pitch as an Example of Language-Specific Variation

“Speakers of height languages…incorporate height information into pitch, whereas thickness-language speakers do the same with thickness.” (p. 51)
🎼 Dutch and Farsi speakers conceptualize pitch differently based on the metaphors common in their native language, and brief training in an unfamiliar metaphor can retrain mental mappings (Dolscheid et al., 2013) 🎧.


👶 Infants Show Both Height–Pitch and Thickness–Pitch Mappings

“Four-month-olds…are sensitive to two of the space–pitch metaphors that are found in languages like Dutch and Farsi.” (p. 53)
👶 Infants possess multiple potential mappings early in life. Language strengthens one metaphor over another, not by creating new ones, but by enhancing the activation frequency of existing ones 🔄.


🕓 Temporal Sequences Are Culturally Structured

“The direction in which events flow…varies systematically across cultures.” (p. 55)
📆 While sagittal time metaphors (past behind, future ahead) may be embodied, lateral metaphors (left–right) depend on orthographic experience. Mirror-reading even reverses mental timelines (Casasanto & Bottini, 2014b) 🔄🕰️.


👐 Emotional Valence Tied to Body Dominance

“Right-handers associate positive ideas with right space…left-handers show the opposite.” (p. 57)
💖 The spatial mapping of good vs. bad follows motor fluency. Right-handed people associate “good” with the right, while left-handed people do the opposite. This holds even against cultural conventions (Casasanto, 2009a) ↔️.


🧤 Motor Experience Can Reverse Valence Mappings

“Participants who had worn the right glove showed the opposite left-is-good bias.” (p. 58)
🧠 Temporary shifts in motor fluency, like wearing a glove on the dominant hand, can alter emotional metaphors in less than 15 minutes—proving their plasticity and dependence on physical experience 🕹️.


🔁 Mental Metaphors Are Flexible Yet Stable

“Dispreferred mappings are weakened but not lost and can be adopted quickly with new experience.” (p. 60)
🧬 Even “unused” metaphors persist in memory, enabling people to switch mappings when context shifts (e.g., new languages, scripts, tools). This dual stability and flexibility is a core insight of HMMT 🌍🧠.


🌐 Cognitive Diversity and Conceptual Plasticity

“By understanding how mental metaphors are shaped…we can better understand the origins of our thoughts.” (p. 60)
🌟 Casasanto concludes that mental metaphors are fundamental cognitive tools shaped by diverse experiences. Recognizing their variability enhances our understanding of thought, culture, and language as dynamic systems 🔄🌏.

Theoretical Terms/Concepts in “The Hierarchical Structure of Mental Metaphors” by Daniel Casasanto

🔣 TermDefinitionExplanation / Role in ArticleReference & Usage
🧠 Mental MetaphorA mapping between non-linguistic mental representations (e.g., from space to time).Central concept. Distinct from linguistic metaphors; mental metaphors shape how people think about abstract concepts like time, pitch, and emotion.“People often think in ‘mental metaphors’… even when they are not using any metaphorical language.” (p. 46)
🗣️ Linguistic MetaphorA metaphor expressed through language, such as “a long vacation.”Contrasted with mental metaphors. Linguistic metaphors can reinforce mental metaphors over time.“The term ‘mental metaphor’ is used contrastively with ‘linguistic metaphor’…” (p. 46)
🏛️ Hierarchical Mental Metaphors Theory (HMMT)A theory that conceptual metaphors exist in superordinate families, with individual mappings strengthened over time via experience.Casasanto’s main theoretical contribution. Explains both universal origins and individual flexibility in mental metaphor use.“Even our most basic mental metaphors are constructed over multiple timescales…” (p. 48)
🧩 Superordinate Family of MappingsA category of related source–target mappings that share a common structure.Under HMMT, all metaphorical mappings belong to a broader conceptual family (e.g., space–time or space–pitch).“Cross-domain mappings…are members of a superordinate family of mappings.” (p. 48)
⚖️ Competitive Associative LearningA cognitive process where activating one association strengthens it while weakening competitors.Describes how one metaphorical mapping (e.g., “pitch is height”) becomes dominant over others.“Activating a mapping strengthens…and weakens the competing source–target mappings.” (p. 48)
🔄 OverhypothesisA general conceptual rule above specific hypotheses within a metaphor family.Used to describe higher-level abstraction that governs mental metaphor patterns, such as “space maps to time.”“The overhypothesis could be: ‘Progress through time corresponds to change in position along a spatial path.’” (p. 56)
🧬 Core KnowledgeInnate, possibly evolutionarily developed understanding (e.g., of spatial and numerical relations).Explains how infants exhibit metaphorical thinking (space–pitch, space–number) prior to language exposure.“These relationships…could be part of infants’ innate ‘core knowledge’.” (p. 48)
📉 Dispreferred MappingA metaphorical mapping that exists but is not dominant due to lack of reinforcement.Important in explaining flexibility: such mappings can be reactivated later (e.g., via training or new contexts).“Dispreferred mappings…are weakened but not lost.” (p. 60)
🦾 Motor Fluency HypothesisSuggests that ease of action on a body side leads to associating that side with positive valence.Forms the basis for body-specific mental metaphors, e.g., right is good for right-handers.“Greater motor fluency leads to more positive feelings…” (p. 58)
Contribution of “The Hierarchical Structure of Mental Metaphors” by Daniel Casasanto to Literary Theory/Theories

📘 1. Expands Conceptual Metaphor Theory (CMT)

🧩 “People think about abstract domains like time and goodness metaphorically. This tendency may be universal.” (p. 46)

  • 🌐 Casasanto builds on Lakoff & Johnson’s Conceptual Metaphor Theory, which underpins much cognitive literary theory.
  • He advances the theory by showing that metaphorical thinking is not static, but dynamically shaped by cultural, bodily, and linguistic experience.
  • Contribution: Helps literary theorists analyze how metaphor use in texts reflects both universal and idiosyncratic cognitive patterns across cultures and individuals.

🧠 2. Introduces HMMT: A Dynamic Model of Meaning-Making

🪜 “Mental metaphors are constructed over multiple timescales… members of a superordinate family of mappings.” (p. 48)

  • 🔄 The Hierarchical Mental Metaphors Theory (HMMT) introduces plasticity into metaphor use, challenging rigid linguistic determinism.
  • Literary theorists can apply this to interpret reader-response variation and narrative structures influenced by readers’ embodied or cultural metaphor biases.
  • Contribution: Supports reader-centered theories like Reception Theory by explaining why readers interpret metaphors differently.

✍️ 3. Reframes Embodied Literary Cognition

💡 “Mental metaphors can be fundamental to our understanding of abstract domains, yet at the same time remarkably flexible.” (p. 46)

  • Casasanto’s findings back embodied cognition theories in literature (e.g., Scarry, Gibbs).
  • They suggest that reading metaphors activates sensorimotor systems, explaining why metaphors feel viscerally meaningful in literary texts.
  • Contribution: Strengthens Embodied Poetics and Neuroaesthetics, by grounding metaphor in bodily and cultural experience.

🌏 4. Offers Tools for Cross-Cultural Literary Analysis

🧭 “Mental metaphors can be language-specific, culture-specific, or body-specific…” (p. 48)

  • Casasanto’s research on how language shapes metaphors (e.g., pitch as “high” vs. “thick”) aids Comparative Literature by providing a framework to study how metaphors operate differently in Farsi, Dutch, English, etc.
  • Contribution: Supports Postcolonial Literary Theory and Transcultural Criticism by explaining metaphorical variability across linguistic boundaries.

📚 5. Revitalizes Structuralist & Post-Structuralist Concerns

🧬 “How can they be fundamental…if they can change in a matter of minutes?” (p. 48)

  • HMMT challenges the idea of metaphors as fixed semiotic structures, offering a fluid, memory-network-based view.
  • This bridges Structuralist attention to patterns with Post-Structuralist focus on instability and play of meaning.
  • Contribution: Provides a cognitive underpinning for Derridean différance—mappings are in flux, not fully stable.

🗣️ 6. Provides Insight into Literary Language Evolution

💬 “Each time people use a linguistic metaphor, the corresponding mental metaphor is activated…” (p. 48)

  • This explains how metaphorical language in literature evolves and reshapes cognition itself over time.
  • Contribution: Offers Historical Poetics and Stylistics a model to track how metaphorical patterns in texts shape cultural cognition.

🧤 7. Validates Body-Specific Interpretive Frameworks

“Right-handers associate ‘good’ with the right…left-handers show the opposite.” (p. 57)

  • Literary scholars exploring disability studies, gendered embodiment, or queer theory gain from this perspective that bodily difference affects meaning construction.
  • Contribution: Adds nuance to embodied literary approaches by introducing body-specific metaphor biases.
Examples of Critiques Through “The Hierarchical Structure of Mental Metaphors” by Daniel Casasanto

📘 Work🔍 Metaphorical Mapping🧠 HMMT-Based Critique💡 Theoretical Insight
🕰️ Mrs. Dalloway by Virginia WoolfTime as Space (e.g., “waves of time,” “moving forward”)Woolf’s stream of consciousness maps time as a fluid, spatial experience, resonating with Casasanto’s idea that spatial metaphors scaffold temporal thought.Reflects culture-specific time metaphors (English, left-to-right) and supports reader-response variability through dynamic timelines (p. 55–56).
🦋 The Metamorphosis by Franz KafkaSelf as Form (body as metaphor for identity)Gregor’s transformation illustrates how bodily changes reshape cognition and emotion, aligning with Casasanto’s body-specific metaphors (p. 57).Embodied experience drives conceptual change—bodily distortion = metaphorical shift in social and existential identity.
🎭 Hamlet by William ShakespeareEmotion as Space (e.g., “downcast,” “deep sorrow”)Hamlet’s vacillations between “high hopes” and “low moods” show how valence is spatialized, consistent with Casasanto’s motor fluency hypothesis (p. 58).Highlights embodied cognition in classic literature—right-hand/left-hand imagery becomes metaphorically charged.
🗺️ Things Fall Apart by Chinua AchebeCultural Time as Spatial ProgressionAchebe contrasts linear (colonial) vs. cyclical (Igbo) metaphors of history. Casasanto’s theory explains how readers from different cultures may activate different mappings (p. 56).Validates HMMT’s use in postcolonial analysis—mental metaphors shaped by linguistic and cultural practices.
🎶 Song of Myself by Walt WhitmanSelf as Expansive Space (“I contain multitudes”)Whitman’s language relies on spatial metaphors of self as infinite, layered—matching Casasanto’s idea of flexible metaphor families.Supports embodied poetics: metaphorical “sprawl” represents internal diversity and changing self-concept (p. 48–49).
📖 Beloved by Toni MorrisonMemory as Space (“rememory,” “steps back”)Characters move physically and emotionally through past trauma. The spatialization of time and emotion fits Casasanto’s flexible timeline mappings (p. 53–54).Aligns with trauma theory and HMMT: metaphorical remapping reflects disrupted but reconfigurable timelines.
🌀 To the Lighthouse by Virginia WoolfTime as Flowing Path (“The waves fell; withdrew”)Woolf’s narrative structure aligns with Casasanto’s idea that metaphors of time are nested hypotheses, varying across individuals (p. 56).Offers insight into reader-driven narrative processing, grounded in flexible mental timelines.
🌄 The Waste Land by T.S. EliotDisorientation in Space-TimeThe fragmentation and directionlessness of the poem echo HMMT’s idea of weakened or competing metaphor mappings due to conflicting cultural schemas (p. 59–60).Literary fragmentation = metaphorical instability—supports HMMT’s memory-network competition model.
Criticism Against “The Hierarchical Structure of Mental Metaphors” by Daniel Casasanto

1. Ambiguity Between “Universal” and “Flexible”

Critics argue that the theory struggles to reconcile its claim of universal metaphor families with the radical variability observed across individuals and cultures.

  • 🌍 If metaphors are universal (as claimed), why are they so easily reversible in minutes (e.g., with mirrored orthography)?
  • ❓ The line between innate mappings and learned cultural variants is sometimes blurred in HMMT, leading to theoretical ambiguity.

🧪 2. Overreliance on Laboratory Evidence

Many of the cited experiments use artificial settings and brief interventions that may not reflect natural cognitive behavior in real-world contexts.

  • 🧫 For example, spatial interference tasks with tones and shapes may oversimplify how people process metaphor in language, art, or literature.
  • Critics suggest HMMT may not fully explain deep metaphorical reasoning in complex, real-life scenarios like literature or politics.

🧠 3. Neglects Social and Power Structures

While HMMT accounts for body, language, and culture, it underplays the role of ideology, power, and discourse in shaping metaphors.

  • ⚖️ Critics from poststructuralist and postcolonial perspectives argue that metaphors are not just cognitive, but also political and rhetorical tools.
  • HMMT lacks engagement with theories from Foucault, Butler, or Bourdieu regarding language, identity, and control.

📏 4. Limited Scope of Metaphor Domains

The theory focuses mostly on space-based metaphors (e.g., time, pitch, valence), ignoring rich metaphorical domains like morality, love, or nationhood.

  • 💘 Metaphors like “love is war” or “the nation is a body” involve emotionally and socially charged concepts that go beyond space–domain mappings.
  • HMMT’s hierarchy model might not apply cleanly to multi-domain metaphors or culturally embedded conceptual blends.

🔁 5. Circularity in Evidence and Explanation

Some scholars argue that HMMT explains metaphor flexibility by invoking metaphor flexibility, creating a tautology.

  • 🔄 If all metaphor changes can be explained by metaphor competition, the theory may be unfalsifiable without more predictive power.
  • The model risks retrospective explanation rather than offering testable forecasts of metaphor use across populations.

🔤 6. Language Bias in “Universal” Claims

Critics point out that most empirical studies cited (Dutch, English, Farsi) reflect Indo-European language systems, leaving global linguistic diversity underexplored.

  • 🌐 No substantial data from tonal languages (e.g., Chinese), sign languages, or indigenous oral traditions.
  • Claims of universality may be premature or Western-centric.

Representative Quotations from “The Hierarchical Structure of Mental Metaphors” by Daniel Casasanto with Explanation

🔵 1.
Quotation:

“People think about abstract domains like time and goodness metaphorically. This tendency may be universal.”
Explanation:
This sets the foundation of the chapter, asserting that metaphor is not merely a linguistic device, but a cognitive universal shaping how humans understand complex, abstract domains through more tangible ones like space.


🟢 2.
Quotation:

“Mental metaphors are mappings between non-linguistic representations in a source domain and a target domain that is typically more abstract.”
Explanation:
Here, Casasanto distinguishes mental metaphors from linguistic metaphors, stressing that such mappings occur without language, in our internal thought processes.


🟣 3.
Quotation:

“The specific mappings that get used most frequently or automatically can vary across individuals and groups.”
Explanation:
This illustrates how individual experience, culture, and language can shape which mental metaphors dominate, despite their shared foundational structure.


🔴 4.
Quotation:

“Even our most basic mental metaphors are constructed over multiple timescales, on the basis of multiple kinds of experience.”
Explanation:
Casasanto argues against static universality, proposing that metaphor development is hierarchical and dynamic, adapting over time through layered experiential inputs.


🟡 5.
Quotation:

“Activating a mapping strengthens this source–target association and… weakens the competing source–target mappings in the same family.”
Explanation:
This reveals how competitive associative learning guides which metaphors become dominant, explaining both their entrenchment and malleability.


🟤 6.
Quotation:

“It may be a human universal to conceptualize these domains in terms of space… but the particulars… vary across groups.”
Explanation:
A critical point for cognitive diversity: while spatial metaphors may be universal scaffolds, their expression is culturally and bodily specific.


🔶 7.
Quotation:

“Speakers of thickness languages like Farsi come to rely on multidimensional spatial schemas more strongly than vertical spatial schemas.”
Explanation:
An empirical insight showing how language experience determines spatial representation in mental metaphors—an example of linguistic relativity at work.


🔷 8.
Quotation:

“Participants did not abandon a spatial mapping of time; rather they rapidly adopted a different mental timeline.”
Explanation:
Illustrates the flexibility of metaphorical thinking. Even entrenched metaphors can be reversed or replaced with new experience, often within minutes.


9.
Quotation:

“The fluent region of space is good.”
Explanation:
From the theory of bodily relativity, this quote links motor fluency to valence, showing that bodily asymmetries shape ethical and emotional judgments.


10.
Quotation:

“By seeking to understand common mechanisms… we can better understand the origins of our thoughts, the extent of cognitive diversity, and the dynamism of our mental lives.”
Explanation:
This concluding statement encapsulates the purpose of HMMT: to account for shared cognitive architecture while explaining its adaptive diversity.

Suggested Readings: “The Hierarchical Structure of Mental Metaphors” by Daniel Casasanto
  1. Casasanto, Daniel. “The hierarchical structure of mental metaphors.” Metaphor: Embodied cognition and discourse (2017): 46-61.
  2. Gärdenfors, Peter. “Mental Representation, Conceptual Spaces and Metaphors.” Synthese, vol. 106, no. 1, 1996, pp. 21–47. JSTOR, http://www.jstor.org/stable/20117475. Accessed 14 Apr. 2025.
  3. Tilford, Nicole L. “Complex Metaphors.” Sensing World, Sensing Wisdom: The Cognitive Foundation of Biblical Metaphors, Society of Biblical Literature, 2017, pp. 173–98. JSTOR, https://doi.org/10.2307/j.ctt1p0vjz8.13. Accessed 14 Apr. 2025.
  4. Fienup-Riordan, Ann. “Metaphors of Conversion, Metaphors of Change.” Arctic Anthropology, vol. 34, no. 1, 1997, pp. 102–16. JSTOR, http://www.jstor.org/stable/40316427. Accessed 14 Apr. 2025.

“Metaphor” by Max Black: Summary and Critique

“Metaphor” by Max Black first appeared in 1954–1955 in the Proceedings of the Aristotelian Society, New Series, Vol. 55, published by Wiley on behalf of the Aristotelian Society.

"Metaphor" by Max Black: Summary and Critique
Introduction: “Metaphor” by Max Black

“Metaphor” by Max Black first appeared in 1954–1955 in the Proceedings of the Aristotelian Society, New Series, Vol. 55, published by Wiley on behalf of the Aristotelian Society. In this foundational article, Black challenged traditional views of metaphor as merely decorative or stylistic devices, arguing instead for a more complex, cognitive function through what he famously termed the “interaction view.” The paper critiques earlier substitution and comparison theories of metaphor—where metaphor is seen either as a stylistic replacement for literal terms or as a condensed simile—and instead proposes that metaphors create meaning by enabling a dynamic interplay between two conceptual domains: the “principal subject” and the “subsidiary subject.” According to Black, a metaphor works by importing a system of “associated commonplaces” from the subsidiary subject and projecting it onto the principal one, reshaping how the latter is perceived and understood. This process not only alters our understanding of the subject at hand but can also redefine the associations attached to the metaphor itself. Black’s work has had profound implications in literary theory, philosophy of language, and cognitive linguistics, especially influencing thinkers like I.A. Richards and later George Lakoff and Mark Johnson. His theory remains pivotal in understanding metaphor not as a mere flourish of language, but as a central mechanism in thought and meaning-making.

Summary of “Metaphor” by Max Black

🔵 1. Rejection of Metaphor as Mere Ornament

Black criticizes the belief that “addiction to metaphor is held to be illicit,” equating metaphorical expression with frivolity or unclear thinking (p. 273).
🔹 “To draw attention to a philosopher’s metaphors is to belittle him—like praising a logician for his beautiful handwriting” (p. 273).


🟡 2. The “Substitution View” of Metaphor Is Inadequate

This outdated view treats a metaphor as a coded or poetic stand-in for a literal equivalent.
🔸 “The meaning of [a metaphor], in its metaphorical occurrence, is just the literal meaning of [its replacement]” (p. 279).


🟢 3. Comparison View Also Falls Short

Metaphors are often falsely treated as elliptical similes: “Richard is a lion” becomes “Richard is like a lion (in being brave)” (p. 284).
🔹 “The metaphor creates the similarity rather than formulates a similarity antecedently existing” (p. 285).


🔴 4. Introduction of the “Interaction View”

Black’s main innovation: metaphors involve interaction between two subject systems—a “principal subject” and a “subsidiary subject.”
🔸 “A metaphorical statement has two distinct subjects—a ‘principal’ subject and a ‘subsidiary’ one” (p. 291).
🔸 “We can say that the principal subject is ‘seen through’ the metaphorical expression” (p. 288).


🟣 5. Metaphor as Conceptual Filter

Like looking through tinted glass: metaphor emphasizes, organizes, and suppresses aspects of the principal subject using the implications of the subsidiary.
🔹 “The metaphor selects, emphasizes, suppresses, and organizes features of the principal subject” (p. 292).
🔹 “The chess vocabulary filters and transforms: it not only selects, it brings forward aspects…that might not be seen at all” (p. 289).


🟤 6. “Associated Commonplaces” Are Central

Metaphors activate culturally shared assumptions or “commonplaces” about the metaphor’s vehicle.
🔸 “To call a man a ‘wolf’ is to evoke the wolf-system of related commonplaces” (p. 288).
🔸 These include ideas like “fierce,” “scavenger,” “hungry,” which shape perception of the man.


7. Cognitive Value of Metaphor Surpasses Literal Paraphrase

Metaphors carry insights that paraphrase cannot match. Literal restatements lose the richness and nuance.
🔹 “The literal paraphrase inevitably says too much—and with the wrong emphasis” (p. 293).
🔹 “It fails to give the insight that the metaphor did” (p. 293).


🟥 8. Philosophical and Epistemic Importance of Metaphor

Far from decorative, metaphor is a tool for thought. Black defends its role in serious inquiry:
🔸 “A prohibition against their use would be a wilful and harmful restriction upon our powers of inquiry” (p. 294).


📌 Summary of the Interaction Theory in 7 Points (from p. 291–292)

  1. Two distinct subjects: principal & subsidiary
  2. Subjects are systems, not just terms
  3. Meaning arises from the interaction of systems
  4. These involve associated implications (commonplaces)
  5. The metaphor organizes perception
  6. Involves semantic shifts—sometimes metaphorical
  7. No universal rule for what makes a metaphor effective
Theoretical Terms/Concepts in “Metaphor” by Max Black
📌 Symbol🏷️ Term🧠 Explanation
🔵 FocusThe metaphorical word or phrase used non-literally in a sentence.“Let us call the word ‘ploughed’ the focus of the metaphor” (p. 276).
🟡 FrameThe literal part of the sentence/context surrounding the metaphorical focus.“The remainder of the sentence… the frame” (p. 276).
🟢 Principal SubjectThe main topic of the metaphor—the thing really being talked about.“A metaphorical statement has two distinct subjects—a ‘principal’ subject and a ‘subsidiary’ one” (p. 291).
🔴 Subsidiary SubjectThe source domain that lends its qualities to describe the principal subject.“…the principal subject, Man… and the subsidiary subject, Wolf” (p. 287).
🟣 Interaction ViewThe core theory: metaphorical meaning arises from the interaction between principal and subsidiary subject systems.“The meaning is a resultant of their interaction” (p. 286).
🟤 Associated CommonplacesThe shared cultural assumptions or stereotypes linked to the metaphor’s source term.“To call a man a ‘wolf’ is to evoke the wolf-system of related commonplaces” (p. 288).
Filter/Screen MetaphorA metaphor acts like a lens or filter, shaping what aspects of the subject are visible or emphasized.“The metaphor selects, emphasizes, suppresses, and organizes…” (p. 292); “seen through the metaphor…” (p. 288).
🟥 CatachresisUse of a metaphor to fill a gap in vocabulary where no literal term exists (e.g. “leg of a table”).“Metaphor plugs the gaps in… vocabulary… a species of catachresis” (p. 280).
🟧 Substitution ViewA metaphor is merely a replacement for a literal expression.“…use of that expression in other than its proper or normal sense” (p. 279).
🟪 Comparison ViewA metaphor as a condensed simile, implying likeness between two things.“The metaphor is a comparison implied in the mere use of a term” (p. 284).
🔷 Extension of MeaningMetaphor causes a semantic shift, changing or broadening a word’s meaning.“The frame… imposes extension of meaning upon the focal word” (p. 286).
Semantic vs. PragmaticMetaphors involve both semantic content and contextual/pragmatic use, including intention and emotional tone.“There is… a sense of ‘metaphor’ that belongs to ‘pragmatics’, rather than to ‘semantics'” (p. 278).
🟩 Metaphor as Cognitive ToolMetaphor is not decorative; it’s a way of thinking, discovering, and organizing knowledge.“A powerful metaphor… fails to give the insight that the metaphor did” (p. 293).
Contribution of “Metaphor” by Max Black to Literary Theory/Theories

🔵 Interaction Theory of Metaphor as Cognitive Process
→ Black’s central claim is that metaphor is not just linguistic ornamentation, but a way of knowing, creating meaning by interaction between subjects.
📚 Structuralism / Cognitive Poetics
📝 “The meaning is a resultant of their interaction” (p. 286).
📝 “Metaphor… selects, emphasizes, suppresses, and organizes features…” (p. 292).
This aligns with structuralist ideas that meaning emerges from relational systems, and anticipates cognitive theories that link language and thought.


🟣 Challenge to Substitution and Comparison Views
→ Black dismantles classical views of metaphor as merely decorative or rhetorical devices (substitutes or comparisons).
📚 Formalism / Classical Rhetoric (critique)
📝 “The metaphorical use of an expression consists… in other than its proper or normal sense” (p. 279).
✅ His rejection of the ornamental view reshapes metaphor as essential to discourse—not an optional flourish, but foundational.


🟢 Introduction of “Associated Commonplaces”
→ Metaphors draw on culturally embedded “commonplaces,” showing that meaning is socially constructed.
📚 Reader-Response Theory / Cultural Criticism
📝 “To call a man a ‘wolf’ is to evoke the wolf-system of related commonplaces” (p. 288).
Meaning depends on the reader’s cultural background, positioning metaphor as interpretively flexible and subjective.


🔴 Metaphor as Semantic Innovation (Meaning Creation)
→ Metaphors don’t just reflect meaning—they create it, often producing insights unavailable in literal language.
📚 Deconstruction / Poststructuralism
📝 “It would be more illuminating… to say that the metaphor creates the similarity than to say that it formulates one” (p. 285).
Undermines stable meaning, supporting poststructuralist ideas of fluid, shifting significations.


🟡 Critique of Rigid Semantics: Emphasis on Pragmatics
→ Meaning is context-bound, tied to speaker intent, tone, occasion, and cannot be dictated solely by linguistic rules.
📚 Pragmatics / Speech Act Theory
📝 “We must not expect the ‘rules of language’ to be of much help…” (p. 278).
📝 “Recognition and interpretation… may require attention to the particular circumstances of its utterance” (p. 277).
✅ Helps literary theorists see how language performs, not just represents, meaning.


🟤 Metaphor as Epistemological Lens
→ Like a lens or screen, metaphor highlights and conceals—framing perception.
📚 Phenomenology / Hermeneutics
📝 “The metaphor acts as a screen… seen through the metaphor” (p. 288).
✅ Reinforces Heideggerian or Gadamerian notions that language discloses the world, not neutrally reflects it.


🟠 Valuation of Metaphor in Philosophy and Literature
→ Argues that metaphor is not a fallacy or simplification but a philosophically legitimate tool for inquiry and reflection.
📚 Philosophy of Language / Literary Philosophy
📝 “Metaphors are dangerous—and perhaps especially so in philosophy. But a prohibition… would be a harmful restriction…” (p. 294).
Elevates metaphor from literary fringe to central in philosophical analysis.


🟣 Bridging Literary Criticism and Analytic Philosophy
→ Black borrows from literary critics to address philosophers’ neglect of metaphor.
📚 Interdisciplinary Literary Theory
📝 “Since philosophers… have so neglected the subject, I must get what help I can from the literary critics” (p. 273).
✅ Encourages cross-disciplinary dialogue, anticipating literary philosophy and analytic aesthetics.


Summary of Key Theories Influenced
TheoryInfluence Type
StructuralismInteraction view of meaning systems
Cognitive PoeticsMetaphor as mental model
PoststructuralismDestabilization of literal meaning
Reader-Response TheoryCultural commonplaces and interpretation
Speech Act TheoryContextual meaning creation
HermeneuticsLanguage as disclosure
Analytic AestheticsLegitimization of metaphor in philosophy
Examples of Critiques Through “Metaphor” by Max Black
📘 Literary Work Key Metaphor🧠 Critique Using Max Black’s Theory🧩 Relevant Concepts
🔵 George Orwell – Animal Farm“All animals are equal, but some are more equal than others.”The metaphor of “animals” functions as the subsidiary subject that transfers a system of political oppression and hierarchy onto the principal subject—governance and ideology. It organizes meaning beyond decoration.🔁 Interaction View
🟤 Associated Commonplaces
🔴 Principal/Subsidiary Subjects
🟣 Toni Morrison – BelovedThe ghost of Sethe’s daughter as trauma personifiedThe ghost metaphor evokes haunting as a system of inherited trauma and repressed memory. It reshapes the reader’s understanding of slavery’s psychological afterlife, working as a semantic filter for the narrative.🔁 Interaction View
🟤 Associated Commonplaces
🟣 Filter/Screen
🟢 William Blake – The Tyger“Tyger Tyger, burning bright…”The metaphorical “burning” constructs the tiger as a fusion of beauty, danger, and divine creation. The metaphor transforms a natural image into a vehicle for metaphysical awe and questioning.🔵 Focus & Frame
🟠 Semantic Innovation
🔁 Interaction View
🔴 William Shakespeare – Macbeth“Life’s but a walking shadow…”Life is metaphorically filtered through the idea of a “shadow”—empty, ephemeral, and ghost-like. This metaphor highlights nihilism, shaping the audience’s perception of futility and illusion.🔁 Interaction View
🟤 Associated Commonplaces
🔴 Principal/Subsidiary Subjects
Criticism Against “Metaphor” by Max Black

🔺 Vagueness in the “System of Associated Commonplaces”
Black relies heavily on culturally shared assumptions (commonplaces), but critics argue these are not clearly defined or universally shared, making interpretation subjective and unstable.
➡️ “The metaphor works by applying to the principal subject a system of ‘associated implications’…” (Black, 1955, p. 292)

🔻 Potential for Infinite Regress
Critics note that if metaphors themselves contain metaphorical implications (as Black suggests), each metaphor could contain layers of others, leading to an endless chain of interpretation.
➡️ “The primary metaphor…has been analyzed into a set of subordinate metaphors…” (p. 290)

⚠️ Underdeveloped Cognitive Framework
Black touches on the cognitive impact of metaphors but doesn’t fully explore their psychological or neurological processing, leaving a gap that later scholars (e.g., Lakoff & Johnson) attempted to fill.

🟠 Neglect of Audience Diversity
Black assumes a reader who shares cultural knowledge. But in multicultural or global contexts, the same metaphor can evoke vastly different associations, limiting the theory’s universality.
➡️ “A metaphor that works in one society may seem preposterous in another…” (p. 287)

🔹 Ambiguity Between Focus and Frame
While innovative, the distinction between “focus” and “frame” can be blurry in complex texts, making it difficult to apply consistently, especially in layered literary metaphors.
➡️ “Let us call the word ‘ploughed’ the focus of the metaphor, and the remainder of the sentence…the frame.” (p. 276)

🚫 Dismissal of Other Metaphor Types
Some critics argue that Black’s elevation of interaction metaphors inadvertently dismisses valid uses of substitution and comparison metaphors, especially in rhetorical or poetic traditions.

🟣 Not Empirically Testable
The theory is largely philosophical and interpretive, lacking empirical methods or linguistic models that could verify or falsify its claims in practice.

Representative Quotations from “Metaphor” by Max Black with Explanation
SymbolQuotation (from the article)Explanation
🌟“When we use a metaphor we have two thoughts of different things active together and supported by a single word, or phrase, whose meaning is a resultant of their interaction.”This is the core idea of Black’s “interaction theory,” emphasizing that metaphor blends two domains to produce a unique, integrated meaning.
🔍“To call a sentence an instance of metaphor is to say something about its meaning, not about its orthography, its phonetic pattern, or its grammatical form.”Black highlights that metaphor is a matter of semantics (meaning), not surface linguistic features, challenging purely formalist approaches.
🧩“Understanding a metaphor is like deciphering a code or unravelling a riddle.”This underscores the interpretive complexity of metaphor, often requiring deep contextual understanding and creative inference.
🔁“The metaphor selects, emphasizes, suppresses, and organizes features of the principal subject by implying statements about it that normally apply to the subsidiary subject.”Black explains how metaphor shapes perception by transferring associative features from one concept to another.
🎭“We must not forget that the metaphor makes the wolf seem more human than he otherwise would.”He reminds us that metaphor not only transforms the subject but also reframes the metaphorical source in the process.
🔧“Metaphors can be supported by specially constructed systems of implications, as well as by accepted commonplaces; they can be made to measure and need not be reach-me-downs.”Black differentiates between conventional and innovative metaphors, asserting that new metaphors can be creatively built.
🎼“The implications of a metaphor are like the overtones of a musical chord; to attach too much ‘weight’ to them is like trying to make the overtones sound as loud as the main notes.”This analogy highlights the nuanced, layered nature of metaphorical implications and the importance of interpretive balance.
🧭“The rules of our language determine that some expressions must count as metaphors; and a speaker can no more change this than he can legislate that ‘cow’ shall mean the same as ‘sheep’.”Black stresses that metaphor has objective recognition within language norms, not just subjective usage.
⚖️“There is, in general, no simple ‘ground’ for the necessary shifts of meaning; no blanket reason why some metaphors work and others fail.”This calls attention to the unpredictability and contextual sensitivity of metaphorical success.
🔮“Metaphor is not a substitute for a formal comparison or any other kind of literal statement, but has its own distinctive capacities and achievements.”Black rejects the substitution theory, asserting metaphor’s unique cognitive and rhetorical power.
Suggested Readings: “Metaphor” by Max Black
  1. BLACK, Max. “More about Metaphor.” Dialectica, vol. 31, no. 3/4, 1977, pp. 431–57. JSTOR, http://www.jstor.org/stable/42969757. Accessed 14 Apr. 2025.
  2. DONOGHUE, DENIS. “The Motive for Metaphor.” The Hudson Review, vol. 65, no. 4, 2013, pp. 543–61. JSTOR, http://www.jstor.org/stable/43489263. Accessed 14 Apr. 2025.
  3. Sobolev, Dennis. “Metaphor Revisited.” New Literary History, vol. 39, no. 4, 2008, pp. 903–29. JSTOR, http://www.jstor.org/stable/20533122. Accessed 14 Apr. 2025.
  4. Gibbs, Raymond W. “When Is Metaphor? The Idea of Understanding in Theories of Metaphor.” Poetics Today, vol. 13, no. 4, 1992, pp. 575–606. JSTOR, https://doi.org/10.2307/1773290. Accessed 14 Apr. 2025.