
Introduction: “The Cremation of Sam McGee” by Robert W. Service
“The Cremation of Sam McGee” by Robert W. Service first appeared in 1907 in his poetry collection Songs of a Sourdough. Set against the haunting backdrop of the Yukon during the Klondike Gold Rush, the poem tells a darkly humorous tale of loyalty, extreme cold, and the macabre fulfillment of a dying man’s final wish—to be cremated rather than buried in the frozen ground. Its enduring popularity stems from Service’s vivid storytelling, galloping meter, and ironic twist: Sam McGee, who dreaded the cold even in death, is finally content when incinerated in a furnace. With lines like “Since I left Plumtree, down in Tennessee, it’s the first time I’ve been warm,” the poem skillfully balances grim subject matter with comic relief, capturing the surreal and often harsh reality of frontier life. The opening stanza’s eerie tone—“There are strange things done in the midnight sun…”—invites readers into a world of strange happenings and unforgettable characters, cementing the poem’s place as a classic of narrative verse.
Text: “The Cremation of Sam McGee” by Robert W. Service
There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen queer sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.
Now Sam McGee was from Tennessee, where the cotton blooms and blows.
Why he left his home in the South to roam ’round the Pole, God only knows.
He was always cold, but the land of gold seemed to hold him like a spell;
Though he’d often say in his homely way that “he’d sooner live in hell.”
On a Christmas Day we were mushing our way over the Dawson trail.
Talk of your cold! through the parka’s fold it stabbed like a driven nail.
If our eyes we’d close, then the lashes froze till sometimes we couldn’t see;
It wasn’t much fun, but the only one to whimper was Sam McGee.
And that very night, as we lay packed tight in our robes beneath the snow,
And the dogs were fed, and the stars o’erhead were dancing heel and toe,
He turned to me, and “Cap,” says he, “I’ll cash in this trip, I guess;
And if I do, I’m asking that you won’t refuse my last request.”
Well, he seemed so low that I couldn’t say no; then he says with a sort of moan:
“It’s the cursèd cold, and it’s got right hold till I’m chilled clean through to the bone.
Yet ’tain’t being dead—it’s my awful dread of the icy grave that pains;
So I want you to swear that, foul or fair, you’ll cremate my last remains.”
A pal’s last need is a thing to heed, so I swore I would not fail;
And we started on at the streak of dawn; but God! he looked ghastly pale.
He crouched on the sleigh, and he raved all day of his home in Tennessee;
And before nightfall a corpse was all that was left of Sam McGee.
There wasn’t a breath in that land of death, and I hurried, horror-driven,
With a corpse half hid that I couldn’t get rid, because of a promise given;
It was lashed to the sleigh, and it seemed to say: “You may tax your brawn and brains,
But you promised true, and it’s up to you to cremate those last remains.”
Now a promise made is a debt unpaid, and the trail has its own stern code.
In the days to come, though my lips were dumb, in my heart how I cursed that load.
In the long, long night, by the lone firelight, while the huskies, round in a ring,
Howled out their woes to the homeless snows— O God! how I loathed the thing.
And every day that quiet clay seemed to heavy and heavier grow;
And on I went, though the dogs were spent and the grub was getting low;
The trail was bad, and I felt half mad, but I swore I would not give in;
And I’d often sing to the hateful thing, and it hearkened with a grin.
Till I came to the marge of Lake Lebarge, and a derelict there lay;
It was jammed in the ice, but I saw in a trice it was called the “Alice May.”
And I looked at it, and I thought a bit, and I looked at my frozen chum;
Then “Here,” said I, with a sudden cry, “is my cre-ma-tor-eum.”
Some planks I tore from the cabin floor, and I lit the boiler fire;
Some coal I found that was lying around, and I heaped the fuel higher;
The flames just soared, and the furnace roared—such a blaze you seldom see;
And I burrowed a hole in the glowing coal, and I stuffed in Sam McGee.
Then I made a hike, for I didn’t like to hear him sizzle so;
And the heavens scowled, and the huskies howled, and the wind began to blow.
It was icy cold, but the hot sweat rolled down my cheeks, and I don’t know why;
And the greasy smoke in an inky cloak went streaking down the sky.
I do not know how long in the snow I wrestled with grisly fear;
But the stars came out and they danced about ere again I ventured near;
I was sick with dread, but I bravely said: “I’ll just take a peep inside.
I guess he’s cooked, and it’s time I looked”; … then the door I opened wide.
And there sat Sam, looking cool and calm, in the heart of the furnace roar;
And he wore a smile you could see a mile, and he said: “Please close that door.
It’s fine in here, but I greatly fear you’ll let in the cold and storm—
Since I left Plumtree, down in Tennessee, it’s the first time I’ve been warm.”
There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen queer sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.
Annotations: “The Cremation of Sam McGee” by Robert W. Service
| Stanza | Explanation (Simple English) | Literary Devices |
| 1 | Strange things happen in the Arctic, but the strangest was the night the narrator cremated Sam McGee. | ❄️ Imagery (Arctic), 😱 Hyperbole; Midnight sun & Northern Lights = eerie, unnatural witnesses; Lake Lebarge = haunting setting |
| 2 | Sam was from warm Tennessee. He hated the cold but couldn’t resist the lure of gold. | 🌡️ Contrast (Tennessee vs Arctic), 😂 Irony, 🎵 Rhyme; Tennessee = warmth and safety, Arctic = hostile unknown |
| 3 | They traveled on Christmas in deadly cold. Sam alone complained. | 🔪 Personification (“cold…stabbed”), 👁️ Vivid Imagery, 😬 Hyperbole; Cold = suffering, Christmas = ironic cheer in misery |
| 4 | Sam, feeling near death, asked the narrator to grant a final request. | 🔮 Foreshadowing, 💬 Dialogue, 🎭 Tone Shift; Snow and stars = silence, fate closing in |
| 5 | Sam feared the icy grave more than death. He wanted to be burned. | 🔥 Irony, 🎶 Assonance, 🔁 Internal Rhyme; Fire = release, Grave = freezing horror |
| 6 | The narrator swore to help. Sam died that same day thinking of home. | 😢 Pathos, 🖼️ Visual Imagery, 😲 Irony; Sleigh = burden, Tennessee = longing |
| 7 | Bound by his promise, the narrator hauled the corpse, haunted by it. | 🔁 Repetition, 💀 Personification, ⚖️ Moral Conflict; Corpse = duty, Trail = heavy conscience |
| 8 | The narrator loathed the body at night. Dogs howled. He was emotionally crushed. | 🌌 Atmosphere, 🐺 Symbolic Imagery, 😖 Dark Mood; Firelight = hope, Huskies = mourners |
| 9 | The journey grew harder. The narrator was exhausted, near madness, but kept going. | 🧠 Psychological Metaphor, 😱 Irony, 😵 Surreal tone; Corpse’s grin = eerie pressure |
| 10 | At Lake Lebarge, he found a boat stuck in ice—perfect for cremation. | 🛶 Setting Imagery, 🧊 Irony, 👁️ Detail Focus; Alice May = eerie salvation |
| 11 | He built a fire, opened the boiler, and placed Sam inside. | 🔊 Onomatopoeia, 🔥 Visual Imagery, 🎵 Rhyme; Boiler = fiery release |
| 12 | Disturbed, he fled into a howling storm, overwhelmed by fear. | 🌫️ Personification, 🌪️ Atmospheric Tension, 😰 Foreshadowing; Smoke = transformation, Wind = dread |
| 13 | He gathered courage and returned to check if Sam had burned. | 🧊 Suspense, 🎭 Dramatic Irony, 🧠 Internal Struggle; Stars = emotional clarity |
| 14 | Shockingly, Sam was sitting up and smiling, happy to finally be warm. | 🎭 Twist Ending, 🤯 Surrealism, 😅 Dark Humor; Fire = comfort, Death = warmth |
Literary And Poetic Devices: “The Cremation of Sam McGee” by Robert W. Service
| Device | Explanation, Example & Symbol |
| 1. Alliteration | 🔤 Repetition of initial consonant sounds in close words. ✍️ “With a corpse half hid that I couldn’t get rid” 🌈 Helps create rhythm and mood. |
| 2. Assonance | 🎶 Repetition of vowel sounds in nearby words. ✍️ “It’s the cursèd cold, and it’s got right hold…” 🌈 Enhances musical quality. |
| 3. Atmosphere | 🌫️ The feeling or mood created by a setting. ✍️ “The heavens scowled, and the huskies howled…” 🌈 Builds tension and eeriness. |
| 4. Characterization | 👤 Describing a character’s traits through actions or speech. ✍️ Sam’s complaint: “he’d sooner live in hell” shows his hatred of cold. 🌈 Reveals personality and motives. |
| 5. Contrast | ⚫⚪ Sharp difference between two elements. ✍️ “From Tennessee… to the land of gold” 🌈 Highlights irony and setting shift. |
| 6. Dark Humor | 😅 Comedy in grim or macabre situations. ✍️ Sam smiling in the furnace: “Please close that door…” 🌈 Creates surreal relief. |
| 7. Dialogue | 💬 Direct speech between characters. ✍️ “Cap, says he, I’ll cash in this trip…” 🌈 Personalizes tone and adds realism. |
| 8. Enjambment | ➡️ Continuation of a sentence without a pause beyond line break. ✍️ “On a Christmas Day we were mushing our way / Over the Dawson trail.” 🌈 Aids storytelling flow. |
| 9. Foreshadowing | 🔮 Hinting at future events. ✍️ Sam’s request: “You’ll cremate my last remains.” 🌈 Builds suspense. |
| 10. Frame Narrative | 📜 Story within a story; it begins and ends the same way. ✍️ Opening and closing: “There are strange things done…” 🌈 Creates circular, epic feel. |
| 11. Hyperbole | 😲 Deliberate exaggeration. ✍️ “It stabbed like a driven nail.” 🌈 Emphasizes severity. |
| 12. Imagery | 👁️ Vivid language appealing to the senses. ✍️ “The greasy smoke in an inky cloak went streaking down the sky.” 🌈 Creates visual impact. |
| 13. Internal Conflict | ⚖️ Struggle within a character’s mind. ✍️ The narrator feels guilt and horror over keeping his promise. 🌈 Adds emotional depth. |
| 14. Internal Rhyme | 🎵 Rhyme within a single line. ✍️ “It’s the cursèd cold, and it’s got right hold…” 🌈 Enriches rhythm. |
| 15. Irony | 🙃 Opposite of what’s expected. ✍️ Sam finds warmth only in death: “Since I left Tennessee, it’s the first time I’ve been warm.” 🌈 Adds surprise and humor. |
| 16. Metaphor | 🔁 Direct comparison without “like” or “as”. ✍️ “A promise made is a debt unpaid.” 🌈 Adds weight to moral duty. |
| 17. Mood | 😨 Emotional atmosphere for the reader. ✍️ Cold, fear, mystery dominate: “With a corpse half hid that I couldn’t get rid…” 🌈 Drives emotional tone. |
| 18. Onomatopoeia | 🔊 Sound words that imitate meaning. ✍️ “The furnace roared…” 🌈 Enhances sensory engagement. |
| 19. Personification | 👁️🗨️ Giving human traits to non-human things. ✍️ “The cold stabbed like a driven nail.” 🌈 Intensifies emotion. |
| 20. Twist Ending | 🎭 A surprising, ironic conclusion. ✍️ Sam is alive (or seems to be) in the furnace smiling. 🌈 Leaves reader amazed. |
Themes: “The Cremation of Sam McGee” by Robert W. Service
🔥 Theme 1: Death and the Macabre in “The Cremation of Sam McGee” by Robert W. Service
Death, particularly in its grotesque and unsettling form, looms over “The Cremation of Sam McGee” as both a narrative anchor and thematic undercurrent. Service constructs a grim yet oddly humorous meditation on mortality, beginning with the chilling prelude, “There are strange things done in the midnight sun / By the men who moil for gold,” setting the tone for a tale that mixes fear and absurdity. The macabre dominates through imagery of extreme cold, such as “it’s the cursèd cold… till I’m chilled clean through to the bone,” which makes death feel physical, invasive, and personal. The narrator’s grim journey with a frozen corpse tied to his sleigh intensifies the morbidity, while the shocking twist—Sam sitting up in the furnace and speaking—creates a haunting blend of horror and comedy. Service’s ability to treat death with such bizarre levity, particularly in the lines “Since I left Plumtree… it’s the first time I’ve been warm,” adds a surreal humor that underscores the dark theme, revealing how death in the wilderness becomes both feared and strangely familiar.
🤝 Theme 2: Loyalty and the Burden of Promise in “The Cremation of Sam McGee” by Robert W. Service
The powerful theme of loyalty under extreme conditions drives the emotional engine of “The Cremation of Sam McGee”, where a man’s promise becomes a moral and psychological burden. When Sam begs, “you’ll cremate my last remains,” the narrator consents without realizing the depth of hardship this pledge will demand. Service presents loyalty not as a noble abstraction but as an exhausting obligation, binding the narrator to a grim mission across a frozen wasteland. This duty is reinforced by the line, “Now a promise made is a debt unpaid, and the trail has its own stern code,” evoking an almost sacred code among frontiersmen. As the narrator hauls the corpse over brutal terrain, plagued by hunger, isolation, and dread, the act of loyalty becomes a form of suffering, highlighting how devotion can transform into torment. In this portrayal, Service suggests that keeping one’s word—though often idealized—is a harrowing path, especially when made in a world as ruthless and indifferent as the Arctic.
🧊 Theme 3: Nature’s Indifference and Human Vulnerability in “The Cremation of Sam McGee” by Robert W. Service
In “The Cremation of Sam McGee”, nature emerges not as a majestic or benevolent force but as a silent and unfeeling power that dwarfs human concerns. The harsh Arctic is not merely a setting; it is an active presence, characterized by cold that “stabbed like a driven nail” and skies that “scowled.” These descriptions strip the landscape of warmth or sympathy, reinforcing the vulnerability of men like Sam, who left the comfort of Tennessee only to freeze in a land where “there wasn’t a breath in that land of death.” The repeated references to endless snow, frozen trails, and howling dogs intensify this sense of isolation and helplessness. The poem conveys that nature offers no meaning or mercy—only trial—and it is within this blank, uncaring environment that human emotions like fear, loyalty, and grief must play out. Ultimately, Service uses this theme to highlight how fragile human life is when pitted against the vast, unforgiving wilderness.
😱 Theme 4: The Surreal and Absurd in “The Cremation of Sam McGee” by Robert W. Service
A defining element of “The Cremation of Sam McGee” is its blending of the surreal and the absurd, which transforms a tale of death and duty into something comically eerie. The situation itself—hauling a dead friend across the Yukon to burn him in an abandoned steamer—is bizarre enough, but it is the poem’s concluding moment that fully embraces the absurd: “There sat Sam, looking cool and calm… ‘Since I left Plumtree… it’s the first time I’ve been warm.'” This line subverts the logic of death and returns the character to life in a way that is both amusing and disturbing. The poem’s sing-song rhythm and playful rhymes contrast sharply with its grim subject matter, enhancing the surreal effect. Furthermore, the narrator’s psychological unraveling—talking to the corpse, imagining its responses, and dreading its presence—suggests a blurred line between reality and hallucination. In mixing the grotesque with the comic, Service evokes the absurdity of human efforts to make sense of mortality, especially in a world where fire becomes comfort, and death smiles back.
Literary Theories and “The Cremation of Sam McGee” by Robert W. Service
| Theory | Application to the Poem | Supporting Text & Interpretation |
| 🧠 1. Psychological Criticism (Freudian/Jungian) | Explores the narrator’s mental state and subconscious conflict as he grapples with guilt, fear, and the uncanny. The corpse represents his repressed anxiety and death drive. | ✍️ “With a corpse half hid that I couldn’t get rid, because of a promise given” — The dead body symbolizes an unresolved emotional burden. The final hallucination of Sam smiling in the furnace suggests a psychic breakdown or cathartic release. |
| 🏔️ 2. Ecocriticism | Highlights how the natural world (the Arctic) is depicted as hostile, indifferent, and dominating. Nature is not romanticized but shown as a brutal, shaping force. | ✍️ “Talk of your cold! through the parka’s fold it stabbed like a driven nail” — Nature is a violent presence, unresponsive to human suffering. The Yukon landscape imposes limits on physical and moral endurance. |
| 📜 3. Formalism / New Criticism | Focuses on the poem’s structure, rhyme, meter, and use of repetition to create irony and balance. The circular opening and closing underscore narrative unity. | ✍️ “There are strange things done in the midnight sun…” — This repeated stanza acts as a frame, giving the poem symmetry. The rhyme scheme and rhythm create a deceptively light tone that contrasts the macabre content. |
| 🤝 4. Moral / Philosophical Criticism | Examines the ethical tension between promise-keeping, personal sacrifice, and the weight of moral duty in harsh conditions. | ✍️ “A pal’s last need is a thing to heed, so I swore I would not fail” — The narrator’s sense of obligation drives the plot, turning moral choice into personal torment. The poem questions whether duty must be honored at any cost. |
Critical Questions about “The Cremation of Sam McGee” by Robert W. Service
| ❓ Question | 📖 Expanded Answer with Textual References |
| 🔥 Q1: How does Robert W. Service use irony to shape the tone of “The Cremation of Sam McGee”? | “The Cremation of Sam McGee” by Robert W. Service uses irony not as a minor element but as the central force behind its strange and haunting tone. From Sam’s ironic relief in death—“Since I left Plumtree… it’s the first time I’ve been warm”—to the narrator’s grim ordeal in fulfilling a promise, irony generates both discomfort and amusement. The poem juxtaposes a bouncy rhyme scheme with morbid subject matter, creating a surreal, ironic contrast that keeps readers emotionally off-balance. |
| 🧊 Q2: In what ways does the Arctic setting in “The Cremation of Sam McGee” function as more than just a backdrop? | In “The Cremation of Sam McGee”, the Arctic is more than a setting; it is a harsh, dominating presence. It creates the crisis, shapes the characters’ responses, and represents both physical and psychological danger. Phrases like “the cold stabbed like a driven nail” and “the land of death” personify the environment as a hostile force. The setting symbolizes isolation, mortality, and man’s fragility. |
| ⚰️ Q3: What does the poem suggest about human responses to death and the rituals surrounding it? | “The Cremation of Sam McGee” presents death as both a personal fear and a cultural practice subject to change in extreme conditions. Sam’s dread of burial in ice—“I want you to swear… you’ll cremate my last remains”—reflects the psychological dimension of death rituals. The narrator’s solo cremation in a derelict boat is both absurd and moving, showing how death rites can be shaped by fear, honor, and circumstance. |
| 😱 Q4: How does the poem blur the line between reality and hallucination, and what effect does this have on the reader? | In “The Cremation of Sam McGee”, the narrator’s mental state becomes increasingly unstable, culminating in a surreal twist: Sam speaking from inside the furnace. Moments like “I’d often sing to the hateful thing, and it hearkened with a grin” suggest a descent into hallucination. This blurring of real and imagined heightens the eerie, gothic tone and leaves the reader questioning what truly happened. |
Literary Works Similar to “The Cremation of Sam McGee” by Robert W. Service
🪵 • “The Shooting of Dan McGrew” by Robert W. Service
Also by Service, this poem shares the Yukon setting, dark humor, and vivid storytelling of rugged frontier life, combining danger, death, and irony in a ballad form.
⚰️ • “Annabel Lee” by Edgar Allan Poe
Poe’s narrative of death and devotion, though romantic, mirrors Sam McGee’s macabre tone and obsession with the treatment of the dead, set against a haunting natural backdrop.
🌨️ • “Stopping by Woods on a Snowy Evening” by Robert Frost
While more reflective and quiet, Frost’s poem echoes the theme of isolation in a cold, indifferent landscape and the pull between duty and the lure of rest or death.
💀 • “The Raven” by Edgar Allan Poe
Though stylistically different, Poe’s use of rhythm, repetition, and surreal imagery to portray grief and possible madness aligns closely with the eerie tone and psychological unraveling in Service’s poem.
Representative Quotations of “The Cremation of Sam McGee” by Robert W. Service
| 🔖 Quotation | 📘 Contextual Interpretation | 🧠 Theoretical Perspective |
| “There are strange things done in the midnight sun / By the men who moil for gold;” | Introduces a mysterious and surreal tone, framing the tale as one of bizarre frontier lore. | 🎭 Formalism – Focuses on rhyme, repetition, and ballad structure. |
| “Now Sam McGee was from Tennessee, where the cotton blooms and blows.” | Emphasizes Sam’s Southern roots and discomfort in the Arctic, foreshadowing his fate. | 🌿 Ecocriticism – Examines tension between environment and identity. |
| “He’d sooner live in hell.” | Hyperbolically expresses Sam’s hatred of the cold, ironically fulfilled in cremation. | 🙃 Irony (New Criticism) – Explores reversal of death and comfort. |
| “It’s the cursèd cold, and it’s got right hold till I’m chilled clean through to the bone.” | Vividly conveys physical and emotional suffering in the Arctic’s harsh grip. | 🧠 Psychological Criticism – Reveals subconscious fear and anxiety. |
| “A pal’s last need is a thing to heed, so I swore I would not fail;” | Shows deep loyalty and the emotional burden of keeping a deathbed promise. | ⚖️ Moral Criticism – Discusses duty, loyalty, and ethical responsibility. |
| “There wasn’t a breath in that land of death, and I hurried, horror-driven,” | The lifeless Arctic intensifies fear and urgency in carrying the corpse. | ❄️ Ecocriticism – Depicts nature as indifferent and hostile. |
| “Now a promise made is a debt unpaid, and the trail has its own stern code.” | Highlights the unwritten moral rules of frontier life and personal honor. | 👥 Cultural Criticism – Analyzes societal norms in masculine frontier culture. |
| “I felt half mad, but I swore I would not give in;” | Reflects the narrator’s internal struggle and near psychological collapse. | 🧠 Psychological Criticism – Explores mental strain from moral obligation. |
| “Then I made a hike, for I didn’t like to hear him sizzle so;” | Uses dark humor to describe the surreal horror of cremating a friend. | 😅 Postmodern Humor – Blends absurdity with grotesque realism. |
| “It’s the first time I’ve been warm.” | A chilling twist where Sam finds comfort in death through fire, defying logic. | 🔥 Surrealism / Irony – Merges fantasy and reality to upend expectations. |
Suggested Readings: “The Cremation of Sam McGee” by Robert W. Service
- Griffin, Sara. Peabody Journal of Education, vol. 47, no. 3, 1969, pp. 188–188. JSTOR, http://www.jstor.org/stable/1491937. Accessed 29 July 2025.
- Lipson, Greta Barclay. The Cremation of Sam McGee: Two Sides to Every Story. Teaching and Learning Company, 2008.
- “ROBERT W. SERVICE.” The Public Health Journal, vol. 6, no. 9, 1915, pp. 455–60. JSTOR, http://www.jstor.org/stable/41997763. Accessed 29 July 2025.
