Etymology of Anapest
The term “anapest” comes from the Greek word “anapaistos,” which means “struck back.” It refers to the rhythmic pattern of the device. It consists of two short syllables followed by a long one. It is commonly used in poetry and verse.
Meanings of Anapest
Anapest is a metrical foot in poetry that consists of two unstressed syllables followed by one stressed syllable, creating a “da-da-DUM” rhythm. It is commonly used in English verse and is often associated with a sense of speed or momentum.
Anapestic meter is frequently used in limericks, comic verse, and children’s poetry, as well as in longer forms such as epic poetry. The use of anapests can create a lively and energetic rhythm that can add to the overall tone and mood of a poem.
Anapest in Grammar
Grammatically, “anapest” is a singular noun. It has a regular plural form “anapests.” It is not typically used as a verb. Instead, it is used to describe a metrical foot in poetry or verse that consists of two unstressed syllables followed by one stressed syllable, as in the line “Twas the NIGHT before CHRISTmas, and ALL through the HOUSE.”
Definition of Literary Device of Anapest
Anapest is a metrical foot in poetry that consists of two unstressed syllables followed by one stressed syllable, creating a “da-da-DUM” rhythm. It is a rhythmic pattern commonly used in English verse, where it is associated with a sense of speed, liveliness, and momentum.
Literary Examples of Anapest
- From “The Village Blacksmith” by Henry Wadsworth Longfellow.
- “Under the spreading chestnut tree / The village smithy stands”
- The anapestic meter reflects the hard work and physical labor of the blacksmith.
- From “The Charge of the Light Brigade” by Alfred, Lord Tennyson.
- “Half a league, half a league, / Half a league onward”
- The anapestic meter creates a sense of momentum and urgency, emphasizing the bravery and courage of the soldiers.
- From “Hiawatha’s Childhood” by Henry Wadsworth Longfellow.
- “And the ripples of the river / On its soft and sandy shore”
- The anapestic meter creates a sense of movement and flow, reflecting the gentle rhythms of nature.
- From “The Bells” by Edgar Allan Poe.
- “How they tinkle, tinkle, tinkle, / In the icy air of night”
- The anapestic meter creates a sense of excitement and energy, emphasizing the sound and movement of the bells.
- From “The Passionate Shepherd to His Love” by Christopher Marlowe.
- “Come live with me and be my love, / And we will all the pleasures prove”
- The anapestic meter creates a playful, lighthearted rhythm that emphasizes the poem’s romantic and seductive tone.
- From “The Walrus and the Carpenter” by Lewis Carroll.
- “The time has come,” the Walrus said, / “To talk of many things”
- The anapestic meter creates a sense of liveliness and energy, reflecting the whimsical and surreal nature of Carroll’s writing.
Explanation: Anapestic meter is a rhythmic pattern that uses two unstressed syllables followed by a stressed syllable. In each of these examples, the use of an anapestic meter creates a specific rhythmic pattern that emphasizes certain words and phrases, creating a sense of motion, energy, or excitement.
How to Create Anapests
To create anapests, follow these steps:
- Understand the structure of an anapest: An anapest is a metrical foot consisting of three syllables, with the stress falling on the final syllable. The pattern is unstressed-unstressed-stressed (UU/S).
- Choose words with the correct syllabic structure: Look for words with three syllables, where the first two syllables are unstressed and the third syllable is stressed. For example, “un-der-stand” and “re-peat-edly” both have anapestic meter.
- Write lines using anapestic meter: Arrange your chosen words into lines that follow the anapestic meter. For example, “The cat in the hat / sat on the mat” contains two anapestic feet.
- Vary the rhythm for effect: While anapestic meter has a specific structure, you can vary the rhythm within a poem to create different effects. For example, you might include lines with anapestic meter alongside lines with other metrical patterns to create a more varied, dynamic poem.
- Read and revise your work: As with any form of writing, it’s important to read and revise your work to ensure that the anapests fit smoothly into the overall flow and structure of the poem. Pay attention to the sound and rhythm of the lines, and make adjustments as needed to create the desired effect.
Benefits of Using Anapests
There are several benefits to using anapests in poetry or other forms of creative writing:
- Rhythm and flow: Anapests can create a distinct rhythm and flow that can make a poem more musical and enjoyable to read or listen to. This can help to draw readers in and keep them engaged with the work.
- Emphasis: Anapests can be used to emphasize certain words or phrases within a poem, drawing attention to key themes or ideas. This can help to add depth and meaning to the work.
- Creativity: The structure of anapests can be challenging to work with, but it can also be a source of creativity and inspiration. By experimenting with anapestic meter, writers can create new sounds and rhythms that can add to the overall impact of their work.
- Memorability: Anapests can make a poem more memorable by creating a catchy and distinctive rhythm. This can help readers to remember and appreciate the work over time.
- Historical context: Anapests have a long history in poetry, dating back to ancient Greek and Latin verse. By using anapests in their own work, writers can connect with this rich literary tradition and create works that are both contemporary and timeless.
Literary Device of Anapest in Literary Theory
- New Criticism: New Criticism emerged in the early 20th century, emphasizing close reading and analysis of literary texts. In this approach, anapests might be seen as one of many tools a poet might use to create meaning within a poem. As a literary critic, Cleanth Brooks, wrote in “The Language of Paradox,” meanings a poem shows have structure and content as the fundamental elements. Therefore, anapests, with their distinctive rhythm and sound, can be a powerful part of a poem’s structure, contributing to its overall meaning and impact.
- Reader-Response Theory: Reader-Response Theory, which emerged in the 1970s and 1980s, focused on the role of the reader in interpreting and creating meaning from a literary text. In this approach, the use of anapests might be seen as a way for the poet to engage the reader, inviting them into the poem’s world and drawing them into its meaning. As a literary critic, Wolfgang Iser, wrote in “The Implied Reader,” the reader is an active participant in the reading process. Therefore, anapests, with their distinctive rhythm and sound, can be one way in which the poet invites the reader to participate in the creation of meaning within a poem.
Suggested Readings
- Rothman, David J., and Susan Delaney Spear. “Triple Meters: Dactyls and Anapests.” Learning the Secrets of English Verse: The Keys to the Treasure Chest. Cham: Springer International Publishing, 2022. 91-105.
- Frye, Northrop. “The Archetypes of Literature.” In Anatomy of Criticism: Four Essays, Princeton University Press, 1957, pp. 79-126. Vendler, Helen. The Music of What Happens: Poems, Poets, Critics. Harvard University Press, 1988.
You may also read: