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Introduction: âAnecdote of the Jarâ by Wallace Stevens
âAnecdote of the Jarâ by Wallace Stevens was first published in 1919 in The Poetry Journal. It was later included in Stevensâs first collection, Harmonium, published in 1923. The poem, one of Stevensâs most famous and frequently analyzed, is known for its vivid imagery, ambiguous symbolism, and philosophical exploration of the relationship between art and nature. Its precise language and seemingly simple structure belie a complex examination of themes such as order, chaos, and the power of human perception to shape reality.
Text: âAnecdote of the Jarâ by Wallace Stevens
I placed a jar in Tennessee,  Â
And round it was, upon a hill.  Â
It made the slovenly wilderness  Â
Surround that hill.
The wilderness rose up to it,
And sprawled around, no longer wild.
The jar was round upon the ground  Â
And tall and of a port in air.
It took dominion everywhere.  Â
The jar was gray and bare.
It did not give of bird or bush,  Â
Like nothing else in Tennessee.
Annotations: âAnecdote of the Jarâ by Wallace Stevens
Line | Annotation |
I placed a jar in Tennessee, | The speaker begins by stating that they have placed a jar in a specific location, Tennessee, which sets the scene for the rest of the poem. |
And round it was, upon a hill. | The jar is described as being âroundâ and situated âupon a hillâ, which creates a sense of isolation and prominence. |
It made the slovenly wilderness | The presence of the jar has an effect on the surrounding environment, which is described as âslovenly wildernessâ, implying a sense of disorder and neglect. |
Surround that hill. | The wilderness is forced to âsurroundâ the hill, implying a sense of containment and boundaries. |
The wilderness rose up to it, | The wilderness is personified, as if it is actively responding to the presence of the jar by ârising upâ to meet it. |
And sprawled around, no longer wild. | The wilderness has lost its wild and untamed nature, and is now âsprawledâ around the jar in a more subdued and domesticated state. |
The jar was round upon the ground | The jar is again described as âroundâ, emphasizing its shape and presence on the ground. |
And tall and of a port in air. | The jar is also described as âtallâ and having a sense of grandeur or importance, with the phrase âof a port in airâ suggesting a sense of elevation and dignity. |
It took dominion everywhere. | The jar has taken control and dominance over the surrounding environment, implying a sense of power and authority. |
The jar was gray and bare. | The jar is described as being âgrayâ and âbareâ, which creates a sense of simplicity and lack of ornamentation. |
It did not give of bird or bush, | The jar does not provide a habitat or sustenance for natural elements like birds or bushes, emphasizing its artificial and manufactured nature. |
Like nothing else in Tennessee. | The jar is unique and unlike anything else in Tennessee, emphasizing its singular presence and impact on the environment. |
Literary And Poetic Devices: âAnecdote of the Jarâ by Wallace Stevens
Literary Device | Example | Explanation |
1. Metaphor | âI placed a jar in Tennesseeâ | The jar symbolizes human civilization or order imposed on the natural world. |
2. Personification | âIt took dominion everywhereâ | The jar is given human-like qualities of control and authority. |
3. Symbolism | âThe jar was gray and bareâ | The gray and bare jar symbolizes industrialization or the absence of natureâs vibrancy. |
4. Imagery | âAnd round it was, upon a hillâ | Visual imagery evokes the image of a jar placed on a hill. |
5. Alliteration | âThe wilderness rose up to itâ | Repetition of the âwâ sound emphasizes the wild natureâs reaction to the jarâs presence. |
6. Repetition | âAnd sprawled around, no longer wildâ | Repeating âaroundâ emphasizes the transformation of the wilderness due to the jar. |
7. Enjambment | âAnd tall and of a port in airâ | The phrase carries over to the next line, creating a sense of continuity in the description. |
8. Assonance | âThe jar was round upon the groundâ | Repetition of the âouâ sound enhances the description of the jarâs shape and placement. |
9. Allusion | âLike nothing else in Tennesseeâ | Referring to Tennessee suggests uniqueness or singularity, emphasizing the jarâs peculiarity. |
10. Irony | âIt did not give of bird or bushâ | The jar, a symbol of human civilization, contrasts with natureâs typical offerings. |
11. Onomatopoeia | âsprawled aroundâ | The word imitates the sound of something spreading or expanding, adding sensory detail. |
12. Hyperbole | âIt took dominion everywhereâ | Exaggeration emphasizes the jarâs overwhelming influence on its surroundings. |
13. Simile | âLike nothing else in Tennesseeâ | Comparing the jar to nothing else highlights its uniqueness. |
14. Paradox | âThe wilderness rose up to itâ | The wilderness, typically associated with chaos, is described as rising up to the order of the jar. |
15. Synecdoche | âAnd sprawled around, no longer wildâ | âNo longer wildâ represents the entire wildernessâs transformation due to the jar. |
16. Oxymoron | âslovenly wildernessâ | Combining âslovenlyâ (messy) with âwildernessâ (untamed) creates a contradictory image. |
17. Anaphora | âThe jar wasâŠâ (repeated throughout) | Repetition of this phrase at the beginning of several lines emphasizes the jarâs importance. |
18. Metonymy | âIt did not give of bird or bushâ | âBird or bushâ represents natureâs typical offerings, emphasizing what the jar lacks. |
19. Antithesis | âThe jar was gray and bareâ | Contrast between âgray and bareâ and the natural landscape suggests conflict or imbalance. |
20. Epiphany | The transformation of the wilderness | The realization of the transformative power of human intervention in the natural world. |
Themes: âAnecdote of the Jarâ by Wallace Stevens
·      Human Imposition on Nature
- Reference: âI placed a jar in Tennessee, / And round it was, upon a hill.â
- The act of placing a jar on a hill in the wilderness symbolizes human intervention into the natural world. This action suggests the imposition of human order or civilization onto untamed nature. The jarâs presence alters the landscape, transforming the once wild wilderness into a more ordered and controlled environment. This theme highlights humanityâs ability to shape and change the natural world to suit its needs or desires.
·      Conflict Between Civilization and Nature
- Reference: âThe wilderness rose up to it, / And sprawled around, no longer wild.â
- The poem depicts a tension between the jar, representing human civilization, and the wilderness, symbolizing untamed nature. As the wilderness rises up to the jar, it loses its wildness and becomes subdued by human influence. This conflict suggests a struggle between the natural world and human civilization, raising questions about the consequences of human intervention on the environment and the loss of natural beauty.
·      The Power of Symbolism
- Reference: âIt took dominion everywhere.â
- The jarâs symbolic significance extends beyond its physical presence. It takes on a dominant role, exerting control over its surroundings and influencing the landscape. Through its symbolism, the jar becomes a potent force, shaping the environment and altering perceptions of nature. This theme explores the transformative power of symbols and their ability to affect our understanding of the world around us.
·      Alienation from Nature
- Reference: âLike nothing else in Tennessee.â
- The jarâs uniqueness sets it apart from its natural surroundings, emphasizing a sense of alienation from the natural world. While it imposes order and control, it also creates a stark contrast with the organic beauty of the wilderness. This theme highlights the disconnect between humanity and nature, suggesting that our attempts to control or shape the environment may lead to a sense of estrangement or isolation from the natural world.
- These themes enrich the poemâs exploration of humanityâs relationship with nature and the broader implications of human intervention on the environment.
Literary Theories and âAnecdote of the Jarâ by Wallace Stevens
Literary Theory | Application to âAnecdote of the Jarâ | References from the Poem | Critique |
Imperialism and Colonialism | The jar represents the imposition of human order on the natural world, echoing the colonialist impulse to dominate and control. | âI placed a jar in Tennesseeâ (line 1), âIt took dominion everywhereâ (line 9) | The poem critiques the idea of human dominance over nature, highlighting the jarâs artificial presence in the wilderness. |
Structuralism and Symbolism | The jar serves as a symbol for the human desire to impose meaning and structure on the world, while the wilderness represents the untamed and unstructured natural world. | âThe jar was round upon the groundâ (line 7), âThe wilderness rose up to itâ (line 5) | The poem explores the tension between the human need for structure and the natural worldâs resistance to it. |
Modernism and the Crisis of Representation | The poemâs use of imagery and symbolism challenges traditional notions of representation and meaning, reflecting the modernist crisis of representation. | âIt did not give of bird or bushâ (line 11), âLike nothing else in Tennesseeâ (line 12) | The poemâs abstract and enigmatic language critiques the idea of direct representation, instead emphasizing the complexity and ambiguity of human experience. |
Critical Questions about âAnecdote of the Jarâ by Wallace Stevens
- Question 1: What is the significance of the jarâs placement in Tennessee?
- The jarâs placement in Tennessee is significant because it represents the imposition of human order on the natural world. The speakerâs action of placing the jar in the wilderness is an act of dominance and control, highlighting the human desire to impose meaning and structure on the world. (âI placed a jar in Tennesseeâ (line 1), âIt took dominion everywhereâ (line 9)). This act also raises questions about the relationship between nature and human-made objects, and how they interact and influence each other.
- Question 2: How does the poem explore the tension between nature and human-made objects?
- The poem explores the tension between nature and human-made objects through the contrast between the jar and the wilderness. The jar, with its perfect roundness and grayness, represents human order and control, while the wilderness, with its slovenly and sprawling nature, represents the untamed and unstructured natural world. (âThe jar was round upon the groundâ (line 7), âThe wilderness rose up to itâ (line 5)). This tension highlights the complex relationship between human-made objects and the natural world, and how they shape and influence each other.
- Question 3: What is the significance of the jarâs description as âgray and bareâ?
- The jarâs description as âgray and bareâ is significant because it highlights the jarâs lack of ornamentation and its simplicity. This simplicity contrasts with the complexity and richness of the natural world, emphasizing the jarâs artificial and manufactured nature. (âThe jar was gray and bareâ (line 10)). This description also raises questions about the relationship between beauty and simplicity, and how human-made objects can be beautiful in their simplicity.
- Question 4: How does the poemâs use of imagery and symbolism contribute to its themes and meanings?
- The poemâs use of imagery and symbolism contributes to its themes and meanings by creating a rich and complex world that explores the relationship between nature and human-made objects. The jar and the wilderness are used as symbols to represent human order and the natural world, respectively, and the imagery of the poem creates a vivid picture of their interaction. (âThe jar was round upon the groundâ (line 7), âThe wilderness rose up to itâ (line 5)). This use of imagery and symbolism allows the poem to explore complex themes and ideas in a condensed and powerful way.
Topics, Questions, and Thesis Statement about âAnecdote of the Jarâ by Wallace Stevens
Topic | Question | Thesis Statement |
1. Nature vs. Civilization | How does the jar symbolize the conflict between nature and civilization? | In âAnecdote of the Jar,â Wallace Stevens explores the tension between the natural world and human civilization through the symbolism of a simple jar placed in the wilderness. |
2. Symbolism of the Jar | What is the significance of the jarâs presence in the wilderness? | The jar in âAnecdote of the Jarâ serves as a powerful symbol of human intervention and its impact on the natural environment, highlighting themes of order, control, and transformation. |
3. Perception of Wilderness | How does the jar alter the perception of the wilderness? | By juxtaposing the jar with the untamed wilderness, Stevens challenges traditional notions of natural beauty and raises questions about humanityâs role in shaping our understanding of the environment. |
4. The Power of Human Imagination | What does the jar represent in terms of human creativity and imagination? | Through the anecdote of the jar, Stevens explores the transformative power of human imagination, demonstrating how a simple object can change our perception of the world around us and assert dominance over nature. |
Literary Works Similar to âAnecdote of the Jarâ by Wallace Stevens
1.    âThe Red Wheelbarrowâ by William Carlos Williams: This poem, like âAnecdote of the Jar,â focuses on the significance of everyday objects in shaping our perception of the world. Just as Stevens explores the transformative power of a simple jar, Williams celebrates the beauty and importance of a red wheelbarrow in the context of rural life.
2.    âThirteen Ways of Looking at a Blackbirdâ by Wallace Stevens: Another poem by Wallace Stevens, âThirteen Ways of Looking at a Blackbird,â shares thematic similarities with âAnecdote of the Jar.â Both poems use imagery and symbolism to explore the relationship between humanity and the natural world, albeit through different lenses.
3.    âA Noiseless Patient Spiderâ by Walt Whitman: Walt Whitmanâs poem âA Noiseless Patient Spiderâ delves into themes of isolation, connection, and the human experience. While it differs in subject matter from âAnecdote of the Jar,â it shares a focus on the individualâs relationship with their surroundings and the search for meaning in the universe.
4.    âThe Road Not Takenâ by Robert Frost: Robert Frostâs âThe Road Not Takenâ explores themes of choice, uncertainty, and the passage of time. Like âAnecdote of the Jar,â it invites readers to contemplate the significance of decisions and their impact on the course of oneâs life.
5.    âStopping by Woods on a Snowy Eveningâ by Robert Frost: Another poem by Robert Frost, âStopping by Woods on a Snowy Evening,â shares with âAnecdote of the Jarâ a focus on nature and human interaction with the natural world. Both poems evoke a sense of wonder and contemplation through their vivid imagery and evocative language.
Suggested Readings: âAnecdote of the Jarâ by Wallace Stevens
Books:
- Bloom, Harold. Wallace Stevens: The Poems of our Climate. Ithaca: Cornell University Press, 1977. Print.
- Doggett, Frank. Wallace Stevens: The Making of Harmonium. Princeton: Princeton University Press, 1980. Print.
Articles:
- Vendler, Helen. âThe Sausage Maker.â The New Yorker, 29 Nov. 1993, pp. 140-146. Print.
- Longenbach, James. âThe World of Anecdote of the Jar.â The Wallace Stevens Journal, vol. 19, no. 1, Spring 1995, pp. 44-55. Print.
Weblinks:
- âAnecdote of the Jar.â Modern American Poetry, modernamericanpoetry.org/poem/anecdote-of-the-jar. Accessed 14 May 2024.
- âWallace Stevens.â Poetry Foundation, poetryfoundation.org/poets/wallace-stevens. Accessed 14 May 2024.
Representative Quotations from âAnecdote of the Jarâ by Wallace Stevens
Quotation | Context | Theoretical Perspective |
âI placed a jar in Tennesseeâ (line 1) | The speaker begins by stating their action of placing a jar in a specific location. | Imperialism and Colonialism: The speakerâs action represents the imposition of human order on the natural world, echoing the colonialist impulse to dominate and control. |
âThe wilderness rose up to itâ (line 5) | The wilderness responds to the presence of the jar by rising up to meet it. | Structuralism and Symbolism: The wilderness represents the untamed and unstructured natural world, while the jar serves as a symbol for human order and control. |
âThe jar was round upon the groundâ (line 7) | The jar is described as being round and situated on the ground. | Modernism and the Crisis of Representation: The jarâs roundness and presence on the ground create a sense of simplicity and clarity, challenging traditional notions of representation and meaning. |
âIt took dominion everywhereâ (line 9) | The jar has taken control and dominance over the surrounding environment. | Postcolonialism and Power Dynamics: The jarâs dominance represents the power dynamics between human-made objects and the natural world, highlighting the tension between control and submission. |
âIt did not give of bird or bushâ (line 11) | The jar does not provide a habitat or sustenance for natural elements like birds or bushes. | Ecocriticism and Environmentalism: The jarâs lack of connection to the natural world highlights the disconnection between human-made objects and the environment, emphasizing the need for a more sustainable relationship. |