“Astrophil and Stella 71” by Sir Philip Sidney: A Critical Analysis

“Astrophil and Stella 71” by Sir Philip Sidney first appeared in Astrophil and Stella, a sonnet sequence published posthumously in 1591.

"Astrophil and Stella 71" by Sir Philip Sidney: A Critical Analysis
Introduction: “Astrophil and Stella 71” by Sir Philip Sidney

“Astrophil and Stella 71” by Sir Philip Sidney first appeared in Astrophil and Stella, a sonnet sequence published posthumously in 1591, considered one of the earliest and most influential works in the English Petrarchan tradition. The sonnet explores the tension between physical desire and virtuous love, portraying Stella as an embodiment of idealized beauty and virtue. Sidney uses metaphors such as the “fairest book of nature” and “inward sun” to illustrate Stella’s physical and moral excellence, suggesting that her beauty inspires not only romantic love but also moral improvement in others. The sonnet’s popularity stems from its lyrical eloquence, its philosophical depth in addressing the conflict between reason and desire, and its intricate interplay of Renaissance humanism and romantic idealism. Sidney’s blending of personal emotion with broader ethical considerations makes it a timeless piece of poetic introspection.

Text: “Astrophil and Stella 71” by Sir Philip Sidney

Who will in fairest book of nature know

How virtue may best lodg’d in beauty be,

Let him but learn of love to read in thee,

Stella, those fair lines which true goodness show.

There shall he find all vices’ overthrow,

Not by rude force, but sweetest sovereignty

Of reason, from whose light those night-birds fly;

That inward sun in thine eyes shineth so.

And, not content to be perfection’s heir

Thyself, dost strive all minds that way to move,

Who mark in thee what is in thee most fair.

So while thy beauty draws thy heart to love,

As fast thy virtue bends that love to good:

But “Ah,” Desire still cries, “Give me some food!”

Annotations: “Astrophil and Stella 71” by Sir Philip Sidney
LineAnnotation
Who will in fairest book of nature knowThe poem begins with a metaphor comparing Stella to the “fairest book of nature,” suggesting that her physical beauty reveals moral and natural truths, as if written by nature.
How virtue may best lodg’d in beauty be,This line discusses the harmonious coexistence of virtue and beauty in Stella, implying that her beauty is an outward manifestation of her inner moral excellence.
Let him but learn of love to read in thee,The speaker invites others to study Stella through the lens of love, proposing that understanding love provides insight into virtue and beauty as seen in her.
Stella, those fair lines which true goodness show.Stella’s physical features (“fair lines”) are seen as a reflection of her moral goodness, reinforcing the connection between outward beauty and inner virtue.
There shall he find all vices’ overthrow,The speaker claims that Stella’s presence and influence defeat all forms of vice, not through violence but by the power of her moral character.
Not by rude force, but sweetest sovereigntyThe “sweetest sovereignty” refers to the gentle and persuasive power of reason and virtue, which contrasts with the crude and aggressive methods typically associated with force.
Of reason, from whose light those night-birds fly;Reason is personified as a source of light that drives away darkness and ignorance (symbolized by “night-birds”), emphasizing the enlightening influence of virtue.
That inward sun in thine eyes shineth so.Stella’s eyes are described as an “inward sun,” symbolizing their ability to illuminate and inspire virtue in others while also reflecting her inner moral radiance.
And, not content to be perfection’s heirStella is depicted as striving for more than just personal perfection; she actively seeks to inspire and improve others around her.
Thyself, dost strive all minds that way to move,This line emphasizes Stella’s influence on others, encouraging them to pursue virtue and moral goodness, guided by her example.
Who mark in thee what is in thee most fair.Observers of Stella recognize that her greatest qualities are not just her beauty but the virtue that underpins it, solidifying the connection between physical and moral beauty.
So while thy beauty draws thy heart to love,The speaker acknowledges that Stella’s beauty naturally inspires love, a universal human response to physical attractiveness.
As fast thy virtue bends that love to good:Stella’s virtue redirects the physical attraction she inspires toward moral and virtuous love, elevating desire to something noble.
But “Ah,” Desire still cries, “Give me some food!”The concluding line introduces the speaker’s internal struggle as Desire laments its unmet cravings, representing the tension between physical longing and the pursuit of virtue.
Literary And Poetic Devices: “Astrophil and Stella 71” by Sir Philip Sidney
DeviceExampleExplanation
Alliteration“Who will in fairest book of nature know How virtue may best lodg’d in beauty be,”The repetition of the initial “w” and “b” sounds create a musical quality, emphasizing the beauty described.
Allusion“fairest book of nature”References the concept of nature as a book, a Renaissance idea that nature reveals divine or moral truths.
Antithesis“Not by rude force, but sweetest sovereignty”Contrasts harsh force with gentle sovereignty to emphasize the superior power of reason and virtue.
Apostrophe“Desire still cries, ‘Give me some food!'”Personifies and directly addresses Desire, giving it a voice and emotional depth.
Assonance“Ah, Desire still cries, ‘Give me some food!'”The repetition of vowel sounds (“Ah,” “Desire,” “cries”) adds a plaintive, melodic tone to the conclusion.
Conceit“That inward sun in thine eyes shineth so”Compares Stella’s eyes to an “inward sun,” a metaphor that illustrates her illuminating and inspiring virtue.
End-Stopped Line“Let him but learn of love to read in thee,”The line ends with a natural pause, reinforcing the idea that Stella is a subject of study and admiration.
Enjambment“Who will in fairest book of nature know / How virtue may best lodg’d in beauty be”The sentence flows across lines, mirroring the fluidity of thought and admiration for Stella.
Epiphora“in thee, / Stella, those fair lines which true goodness show.”The repetition of “in thee” emphasizes Stella as the focal point of virtue and beauty.
Hyperbole“There shall he find all vices’ overthrow”Exaggerates Stella’s influence, claiming she can overcome all vices, to highlight her moral perfection.
Imagery“That inward sun in thine eyes shineth so”Creates a vivid image of Stella’s eyes as a source of light and inspiration.
Irony“As fast thy virtue bends that love to good”The speaker admires Stella’s ability to inspire virtue while Desire ironically undermines this ideal.
Metaphor“fairest book of nature”Compares Stella to a book that reveals the secrets of nature, blending physical and moral beauty.
Paradox“Thy beauty draws thy heart to love, / As fast thy virtue bends that love to good”Contrasts physical attraction with moral elevation, presenting love as both a temptation and a pathway to virtue.
Personification“Desire still cries, ‘Give me some food!'”Gives human characteristics to Desire, portraying it as an active and needy force.
Polyptoton“Who mark in thee what is in thee most fair”Repeats the word “thee” to emphasize Stella as the source of virtue and beauty.
Repetition“in thee”The repeated phrase focuses attention on Stella as the embodiment of virtue and beauty.
Rhyme SchemeABBA ABBA CDCD EEThe Petrarchan sonnet structure emphasizes balance and resolution, dividing the poem into problem (octave) and solution (sestet).
Symbolism“That inward sun in thine eyes shineth so”The “inward sun” symbolizes moral enlightenment and Stella’s virtuous character.
Volta“And, not content to be perfection’s heir / Thyself, dost strive”Marks a shift in focus from Stella’s inherent qualities to her active influence on others, a key turn in the sonnet’s argument.
Themes: “Astrophil and Stella 71” by Sir Philip Sidney

1. Virtue and Beauty as Complementary Ideals

In “Astrophil and Stella 71,” Sidney explores the Renaissance ideal of the harmonious coexistence of virtue and beauty. Stella is portrayed as the “fairest book of nature,” a metaphor that suggests her beauty is not merely physical but also a reflection of her inner moral excellence. The poem asserts that true beauty is inseparable from virtue, as seen in the line, “How virtue may best lodg’d in beauty be.” This unity elevates Stella’s character, presenting her as an ideal that transcends superficial attraction. By connecting Stella’s beauty to “true goodness” and describing it as the “inward sun” that illuminates others, Sidney reinforces the idea that outward beauty has its fullest expression when paired with inner moral qualities.


2. The Power of Reason and Moral Influence

Reason and moral enlightenment are central themes in the poem, represented through Stella’s ability to inspire virtue in others. Sidney contrasts the “sweetest sovereignty” of reason with “rude force,” illustrating the idea that true moral power lies in persuasion and illumination rather than coercion. This theme is vividly portrayed in the line, “Of reason, from whose light those night-birds fly,” where reason is depicted as a light that dispels darkness and ignorance. Stella’s influence extends beyond herself, as the speaker acknowledges her active role in guiding “all minds that way to move.” This suggests that Stella’s reason and virtue serve not only as personal qualities but as transformative forces for others.


3. The Conflict Between Desire and Virtue

The sonnet also addresses the tension between physical desire and virtuous love, a central conflict in the speaker’s emotional journey. While Stella’s beauty naturally “draws thy heart to love,” her virtue “bends that love to good,” elevating the speaker’s feelings from mere physical attraction to a higher, moral form of love. However, this idealized view of love is undercut by the voice of Desire in the final line, which laments, “Ah, Desire still cries, ‘Give me some food!'” This plea represents the lingering pull of physical longing, highlighting the struggle to reconcile the demands of the body with the aspirations of the soul. The juxtaposition of these elements reflects a deeply human conflict that resonates across time.


4. The Role of Love as a Moral Teacher

Love is presented as a means of moral and intellectual growth, a theme that reflects the Petrarchan tradition. The speaker urges others to “learn of love to read in thee,” suggesting that love, when directed at a virtuous and beautiful figure like Stella, can become a source of enlightenment. Stella’s “fair lines” are depicted as a text that reveals “true goodness,” making her a living lesson in virtue. This perspective elevates love from a mere emotion to an educational and transformative experience, rooted in admiration for moral beauty. By presenting love as a force that “bends… love to good,” Sidney implies that it has the potential to refine character and inspire virtuous action, making it a powerful and uplifting theme in the poem.

Literary Theories and “Astrophil and Stella 71” by Sir Philip Sidney
Literary TheoryApplication to “Astrophil and Stella 71”References from the Poem
Renaissance HumanismRenaissance humanism emphasizes the potential for moral and intellectual growth through the study of beauty, virtue, and reason. Sidney reflects this in his depiction of Stella as an ideal figure whose beauty inspires moral improvement and enlightenment.“Let him but learn of love to read in thee” and “Of reason, from whose light those night-birds fly.”
Feminist Literary CriticismThis theory can be applied to analyze the representation of Stella, exploring her role as an object of male admiration and as an agent of moral influence. The tension between her passive depiction as “perfection’s heir” and her active role in inspiring virtue raises questions about gender dynamics.“Thyself, dost strive all minds that way to move” and “As fast thy virtue bends that love to good.”
Psychoanalytic TheoryThis theory delves into the internal conflict within the speaker, who struggles between the id (Desire’s physical longing) and the superego (Stella’s virtue). The final line reveals an unresolved tension, providing insight into the speaker’s psyche.“Ah, Desire still cries, ‘Give me some food!'” and “So while thy beauty draws thy heart to love, / As fast thy virtue bends that love to good.”
Critical Questions about “Astrophil and Stella 71” by Sir Philip Sidney

1. How does Sidney portray the relationship between virtue and beauty in the poem?

In “Astrophil and Stella 71,” Sidney presents virtue and beauty as inseparable qualities that coexist in Stella. Her beauty, described as the “fairest book of nature,” is not merely physical but also a reflection of her moral goodness. The speaker emphasizes that Stella’s beauty embodies “true goodness” and serves as an ideal for others to follow. This unity elevates her character, making her a symbol of both physical attraction and moral enlightenment. The metaphor of the “inward sun” in her eyes further reinforces the idea that her beauty illuminates and inspires virtue in others. Sidney’s portrayal aligns with Renaissance ideals, where outward beauty was believed to mirror inner moral perfection.


2. What role does reason play in the sonnet?

Reason is depicted as a powerful force that combats ignorance and vice in the sonnet. The speaker describes reason as a light “from whose light those night-birds fly,” symbolizing its ability to dispel darkness and negative influences. This aligns with Stella’s virtue, which acts as a guiding force for others, moving their minds toward moral improvement. By contrasting “rude force” with the “sweetest sovereignty” of reason, Sidney highlights its gentle yet transformative power. Through this portrayal, the poem underscores the importance of rationality and virtue in guiding human behavior, particularly in the context of love and admiration.


3. How does the poem address the tension between desire and virtue?

The sonnet vividly captures the tension between the speaker’s physical desire and the moral aspirations inspired by Stella. While her beauty “draws thy heart to love,” her virtue redirects that love “to good,” elevating the speaker’s feelings from mere physical attraction to a higher, moral plane. However, this ideal is undercut by the voice of Desire in the concluding line: “Ah, Desire still cries, ‘Give me some food!'” This lament reflects the speaker’s unresolved struggle between the baser instincts of physical longing and the higher ideals of virtuous love. Sidney’s exploration of this conflict adds depth to the sonnet, illustrating the complexity of human emotion.


4. How does the poem reflect Renaissance ideals of love and morality?

The sonnet encapsulates Renaissance ideals by framing love as a pathway to moral and intellectual growth. Stella is portrayed as an idealized figure whose beauty and virtue inspire others to pursue higher values. The speaker urges others to “learn of love to read in thee,” presenting love as a moral teacher. This reflects the Renaissance belief in the educational and transformative power of admiration for a virtuous and beautiful individual. Furthermore, Stella’s “sweetest sovereignty” of reason overcomes vice and darkness, aligning with the period’s emphasis on the harmony of reason, virtue, and love. Sidney’s integration of these ideals creates a multidimensional depiction of love that transcends mere physical attraction.

Literary Works Similar to “Astrophil and Stella 71” by Sir Philip Sidney
  1. “Sonnet 18” by William Shakespeare
    Similarity: Like Sidney’s poem, Shakespeare celebrates the beloved’s beauty and connects it to timeless virtues, emphasizing the lasting impact of true beauty and love.
  2. “Sonnet 75” by Edmund Spenser (from Amoretti)
    Similarity: Spenser explores the idea of immortalizing love through poetry, much like Sidney elevates Stella’s beauty and virtue as eternal ideals.
  3. “Sonnet 130” by William Shakespeare
    Similarity: Both poems juxtapose physical beauty with deeper qualities, though Shakespeare uses a more subversive and ironic tone compared to Sidney’s idealization of Stella.
  4. “Whoso List to Hunt” by Sir Thomas Wyatt
    Similarity: Wyatt’s depiction of unattainable love parallels Sidney’s tension between desire and virtue, highlighting the speaker’s inner conflict and admiration for the beloved.
  5. “Loving in Truth” by Sir Philip Sidney (from Astrophil and Stella)
    Similarity: This introductory sonnet from the same sequence shares the theme of love as an inspiration for poetic creation and moral reflection, focusing on the beloved’s influence.
Representative Quotations of “Astrophil and Stella 71” by Sir Philip Sidney
QuotationContextTheoretical Perspective
“Who will in fairest book of nature know”Introduces the idea of Stella as a metaphorical “book of nature,” a source of knowledge about virtue and beauty.Renaissance Humanism: Highlights the Renaissance belief in nature and beauty as expressions of divine truth.
“How virtue may best lodg’d in beauty be”Connects physical beauty with moral virtue, portraying Stella as the perfect union of both qualities.Aesthetic Philosophy: Reflects the Platonic ideal that external beauty mirrors inner moral goodness.
“Let him but learn of love to read in thee”Suggests that love can be an educational force, allowing the admirer to understand deeper truths by observing Stella.Didacticism: Frames love as a means of moral and intellectual improvement.
“Stella, those fair lines which true goodness show.”Emphasizes Stella’s outward beauty as a reflection of her inner virtue, linking her physical appearance to her moral character.Feminist Literary Criticism: Examines how Stella is idealized as a passive model of virtue for others to emulate.
“There shall he find all vices’ overthrow”Claims that Stella’s virtue and reason are powerful enough to defeat vice, offering moral guidance through her example.Moral Philosophy: Explores the concept of virtue as an active force for overcoming evil.
“Not by rude force, but sweetest sovereignty”Highlights the persuasive power of virtue and reason, which triumphs over vice through gentle and rational means.Rationalism: Underscores the Renaissance belief in the supremacy of reason over brute strength or passion.
“That inward sun in thine eyes shineth so.”Compares Stella’s eyes to a sun that illuminates and inspires virtue, symbolizing her moral radiance.Symbolism: Uses light as a metaphor for enlightenment and moral clarity.
“Thyself, dost strive all minds that way to move”Depicts Stella as an active influence, inspiring others to pursue virtue by observing her exemplary qualities.Agency and Influence: Suggests Stella’s role as a moral guide, challenging passive representations of women.
“So while thy beauty draws thy heart to love”Acknowledges that Stella’s beauty naturally inspires love, reflecting the human response to physical attraction.Psychological Criticism: Explores the emotional impact of beauty on the observer.
“But ‘Ah,’ Desire still cries, ‘Give me some food!'”Concludes the sonnet with a conflict between reason and physical longing, as Desire laments its unfulfilled cravings.Psychoanalytic Theory: Highlights the tension between the id (Desire) and the superego (moral aspirations).
Suggested Readings: “Astrophil and Stella 71” by Sir Philip Sidney
  1. Prendergast, Maria Teresa Micaela. Ruptured closure: Sir Philip Sidney and the poetics of contradiction. University of Virginia, 1990.
  2. LANHAM, RICHARD A. “Astrophil and Stella: Pure and Impure Persuasion.” English Literary Renaissance, vol. 2, no. 1, 1972, pp. 100–15. JSTOR, http://www.jstor.org/stable/43447032. Accessed 12 Dec. 2024.
  3. Strycharski, Andrew. “Literacy, Education, and Affect in ‘Astrophil and Stella.’” Studies in English Literature, 1500-1900, vol. 48, no. 1, 2008, pp. 45–63. JSTOR, http://www.jstor.org/stable/40071321. Accessed 12 Dec. 2024.
  4. Kinney, Clare R. “Reframing Astrophil’s” sad steps”: The Reception History of Astrophil and Stella 31 and Sidney’s Poetics.” Sidney Journal 39.2 (2021): 87-96.
  5. Scanlon, James J. “Sidney’s Astrophil and Stella: ‘See What It Is to Love’ Sensually!” Studies in English Literature, 1500-1900, vol. 16, no. 1, 1976, pp. 65–74. JSTOR, https://doi.org/10.2307/449855. Accessed 12 Dec. 2024.

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