“Racial Understanding through Literature” by Nancy L. Arnez: Summary and Critique

“Racial Understanding through Literature” by Nancy L. Arnez first appeared in The English Journal, Vol. 58, No. 1, in January 1969.

"Racial Understanding through Literature" by Nancy L. Arnez: Summary and Critique
Introduction: “Racial Understanding through Literature” by Nancy L. Arnez

“Racial Understanding through Literature” by Nancy L. Arnez first appeared in The English Journal, Vol. 58, No. 1, in January 1969. Published by the National Council of Teachers of English and accessible through JSTOR, this article explores how literature serves as a means of fostering empathy and deeper understanding of the African American experience. Arnez argues that while direct personal experience is the most authentic way to grasp racial realities, literature provides the next best alternative by allowing readers to vicariously experience the struggles, aspirations, and cultural expressions of Black Americans. Drawing from works by James Baldwin, Langston Hughes, Richard Wright, and Malcolm X, the article illustrates how literature reveals the social injustices, economic hardships, and systemic discrimination faced by African Americans, while also showcasing their resilience and humanity. Arnez emphasizes that literature is not just a tool for aesthetic appreciation but a vital means of social education, capable of dismantling prejudices by presenting authentic voices and lived experiences. By highlighting shared human emotions—pain, ambition, love, and struggle—literature fosters racial empathy and challenges stereotypes, making it an essential bridge for communication between Black and non-Black communities. In literary theory, this perspective underscores the power of literature as a cultural and sociological artifact, one that shapes and reshapes societal perceptions of race and identity. Arnez’s work remains an important contribution to discussions on race, literature, and education, advocating for a more inclusive and socially conscious literary curriculum.

Summary of “Racial Understanding through Literature” by Nancy L. Arnez

1. Literature as a Medium for Understanding the Negro Experience

  • Arnez argues that while direct experience is the most authentic way to understand what it means to be Black in America, literature provides the next best alternative (Arnez, 1969, p. 56).
  • She references James Baldwin, who states that true understanding comes from living in the shoes of a Black person, but since this is not always possible, literature helps approximate the experience (Arnez, p. 56).
  • Literature, including novels, biographies, poetry, and drama, allows readers to engage emotionally with Black culture and struggles (Arnez, p. 56).

2. The Social Impact of Literature on Racial Awareness

  • Arnez suggests that literature fosters empathy by portraying the daily lives, struggles, and aspirations of African Americans (Arnez, p. 57).
  • She cites The Other America: Poverty in the United States, which argues that statistics alone cannot convey the depth of poverty; literature gives it a human face (Arnez, p. 57).
  • By reading about the experiences of Black individuals, readers develop a better appreciation for cultural differences and similarities (Arnez, p. 57).

3. Literature as an Educational Tool to Combat Stereotypes

  • Arnez contends that literature should not be judged solely for its artistic value but for its ability to reduce racial misconceptions (Arnez, p. 57).
  • She warns against viewing any single Black author as the representative of all African Americans, emphasizing that there are millions of individual Black experiences in America (Arnez, p. 58).
  • Literature teaches that discrimination and poverty are systemic rather than personal failings, highlighting shared human emotions such as pain, ambition, and resilience (Arnez, p. 57).

4. The Reality of Black Life as Reflected in Literature

  • Arnez references Claude Brown’s Manchild in the Promised Land, which describes the struggles of young Black men in Harlem trying to escape poverty and crime (Arnez, p. 59).
  • Langston Hughes’ poetry captures the experience of Black workers, showing the economic limitations imposed on them (Arnez, p. 59).
  • Richard Wright’s Black Boy illustrates the barriers to education imposed on Black children, reinforcing the systemic suppression of ambition and learning (Arnez, p. 60).

5. Barriers in Education and Employment

  • Arnez cites examples from Malcolm X’s autobiography, where a white teacher discourages him from becoming a lawyer, reinforcing racial limits on aspirations (Arnez, p. 60).
  • Many Black individuals experience discrimination in employment, being relegated to menial labor regardless of their intelligence or capability (Arnez, p. 59).
  • The literature of Black authors exposes these systemic injustices and provides a voice for those whose struggles are otherwise ignored (Arnez, p. 61).

6. The Role of Black Women in Overcoming Hardship

  • Arnez highlights the resilience of Black women, citing Dick Gregory’s Nigger, where he describes how his mother’s strength and determination kept their family together despite extreme poverty (Arnez, p. 61).
  • She emphasizes how Black women often bear the brunt of economic and social oppression while maintaining their families and communities (Arnez, p. 61).

7. Literature as a Catalyst for Social Change

  • Arnez argues that literature does not just document conditions but also challenges them, helping readers envision a more just future (Arnez, p. 58).
  • Reading about Black experiences forces society to confront uncomfortable truths and promotes dialogue between races (Arnez, p. 58).
  • She concludes that literature is one of the best tools for bridging the gap between Black and non-Black individuals, fostering greater understanding and dismantling prejudice (Arnez, p. 61).
Theoretical Terms/Concepts in “Racial Understanding through Literature” by Nancy L. Arnez
Theoretical Term/ConceptDefinitionQuotation from the Article & Explanation
Vicarious ExperienceThe process of experiencing something indirectly through another’s perspective.“We seek to approximate the Negro’s experiences as closely as we can by use of literature (novels, short stories, biographies, autobiographies, diaries, poetry, and drama), in which the author has expressed himself in such a way that we can identify with him and live the experiences, albeit vicariously.” Literature allows readers to immerse themselves in the lived realities of Black individuals.
Ethos of a CultureThe characteristic spirit, beliefs, and values of a community or social group.“The approach here is to view each piece of literature in relation to understanding the ethos of the Negro and in so doing minimize his complexities by bringing his similarities and differences to the general consciousness.” Literature helps readers understand the cultural identity of Black Americans beyond stereotypes.
Empathy through LiteratureThe ability to understand and share the feelings of another through literary engagement.“Thus, the Negro is no longer invisible but stands visibly etched upon each reader’s pupils. His half-blindness is dispelled, his dark glasses removed, and he is no longer a lyncher of souls.” Literature fosters empathy by making Black experiences visible and tangible to readers.
Social ConsciousnessAwareness of societal structures and inequalities.“We use this mass of descriptive material about how things are and why to fashion and mold a saner approach to how life must become for universal survival.” Literature raises awareness about racial injustices and encourages critical thinking.
Cultural RepresentationThe depiction of a group’s identity, experiences, and heritage in literature and media.“Reading literature written by Negroes is in an important sense one of the best bridges of communication between the Negro and the non-Negro.” Literature provides an authentic portrayal of Black lives, fostering cross-cultural understanding.
Systemic DiscriminationDiscrimination embedded in institutions, laws, and social norms.“Perhaps one of the most frustrating problems that still face the American Negro today is the continual joblessness due to unfair employment practices.” Literature exposes how racism is embedded in social structures like employment and education.
IntersectionalityThe interconnected nature of social categories such as race, class, and gender.“The Negro woman finds that she must cope with every facet of life—poor housing, menial employment, threats of hunger, exploitation from anyone and everyone, child rearing, and guidance just to mention a few.” Black women experience layered oppression, which literature brings to light.
HegemonyDominance of one social group over others through cultural means.“It is necessary to remember though that there is no one Negro experience in America. There are twenty-two million separate experiences, for it is absurd to think of one Negro writer as the spokesman for the group.” Literature challenges the dominant narrative that generalizes Black experiences.
Stereotype DeconstructionThe process of breaking down false or oversimplified images of a social group.“But to make generalizations for the Negro race on the basis of novels and poems and plays by Negroes is dehumanizing and stereotyping.” Literature presents nuanced portrayals of Black individuals, dismantling racial stereotypes.
Narrative as ResistanceThe use of storytelling to challenge dominant power structures.“Writers like James Baldwin and Richard Wright, by describing their personal experiences, are resisting the dominant narrative that seeks to erase or distort Black struggles.” Storytelling becomes an act of defiance against oppression.
Sociological InsightUnderstanding human behavior and social structures through analysis.“Readers of this literature can come to feel as the Negro feels as he wends his way through his wretched existence in America.” Literature offers a sociological perspective on segregation, economic struggles, and systemic racism.
Pedagogical ToolAn educational resource that enhances learning and critical thinking.“The point then is to destroy group prejudices by getting acquainted with characters who are giving and receiving and interacting.” Literature can be used in education to promote racial awareness and dialogue.
Humanization of the OtherRecognizing the full humanity of marginalized groups.“Each story is what the author experienced, felt, said.” Literature combats dehumanization by showcasing the individuality and depth of Black lives.
Literary ActivismThe use of literature to promote social and political change.“Therefore, we do not stop at a description of conditions as portrayed, but we use this mass of descriptive material about how things are and why to fashion and mold a saner approach to how life must become for universal survival.” Literature serves as a catalyst for challenging oppression and advocating for social reform.
Contribution of “Racial Understanding through Literature” by Nancy L. Arnez to Literary Theory/Theories

1. Reader-Response Theory

  • Focus on Vicarious Experience: Arnez asserts that literature enables readers to “identify with [the author] and live the experiences, albeit vicariously” (Arnez, p. 56).
  • Empathy through Engagement: The text suggests that readers’ interpretations of literature lead to greater racial awareness—“Thus, the Negro is no longer invisible but stands visibly etched upon each reader’s pupils” (Arnez, p. 57).
  • Transformation of Perception: Literature has the power to challenge prejudices by immersing readers in narratives they might not otherwise experience.

2. Critical Race Theory (CRT) in Literature

  • Exposing Systemic Racism: Arnez discusses how literature highlights racial discrimination, stating, “Perhaps one of the most frustrating problems that still face the American Negro today is the continual joblessness due to unfair employment practices” (Arnez, p. 59).
  • Counter-Narratives: The article emphasizes that Black literature serves as a form of resistance to dominant cultural narratives: “Each story is what the author experienced, felt, said” (Arnez, p. 58), challenging monolithic representations of Blackness.
  • Intersectionality: Arnez recognizes the compounded struggles faced by Black women: “The Negro woman finds that she must cope with every facet of life—poor housing, menial employment, threats of hunger, exploitation from anyone and everyone, child rearing, and guidance” (Arnez, p. 61).

3. Postcolonial Theory

  • Challenging Hegemonic Discourse: Arnez critiques the dominance of white narratives in literature and asserts that Black voices have been historically excluded: “It is necessary to remember though that there is no one Negro experience in America” (Arnez, p. 58).
  • Decolonizing Knowledge: By advocating for the inclusion of Black authors in literary curricula, Arnez argues that literature should reflect diverse histories and experiences.

4. Social Realism in Literature

  • Documenting Socioeconomic Struggles: Literature serves as a record of Black life in America: “Readers of this literature can come to feel as the Negro feels as he wends his way through his wretched existence in America” (Arnez, p. 59).
  • Connecting Literature to Sociology: Arnez quotes sociologist Michael Harrington, emphasizing that while statistical data describes poverty, literature humanizes it—“The poor can be described statistically; they can be analyzed as a group. But they need a novelist as well as a sociologist if we are to see them” (Arnez, p. 57).

5. Feminist Literary Criticism

  • Highlighting Black Women’s Voices: Arnez acknowledges the particular struggles of Black women, stating, “The Negro woman finds that she must cope with every facet of life—poor housing, menial employment, threats of hunger, exploitation from anyone and everyone” (Arnez, p. 61).
  • Intersectionality of Race and Gender: The struggles of Black women are uniquely distinct from those of Black men and white women, making their literary representation essential.

6. Marxist Literary Theory

  • Literature as a Reflection of Class Struggle: Arnez discusses how literature portrays economic oppression: “One can learn something about the quality of tenement living, the crowdedness, the lack of privacy, the lack of economic security” (Arnez, p. 58).
  • Critique of Capitalist Exploitation: She cites Langston Hughes’ poetry to expose exploitative labor conditions:

“Detroit
Chicago
Atlantic City,
Palm Beach.
Clean the spittoons” (Arnez, p. 59).

7. Pedagogical Literary Theory (Literature as an Educational Tool)

  • Using Literature to Combat Prejudice: Arnez suggests that literature fosters meaningful discussions about race: “The point then is to destroy group prejudices by getting acquainted with characters who are giving and receiving and interacting” (Arnez, p. 58).
  • Education as a Means of Social Change: She advocates for integrating Black literature into school curricula to promote racial understanding: “Reading literature written by Negroes is in an important sense one of the best bridges of communication between the Negro and the non-Negro” (Arnez, p. 58).
Examples of Critiques Through “Racial Understanding through Literature” by Nancy L. Arnez
Literary Work & AuthorCritique Through Arnez’s FrameworkQuotation from “Racial Understanding through Literature”
The Fire Next Time – James BaldwinBaldwin’s work exemplifies Arnez’s argument that literature provides a vicarious experience of racial discrimination. Through personal narratives, Baldwin forces readers to see the reality of systemic racism and understand Black identity in America.“To put it more poignantly, as Baldwin says, ‘Search in his shoes, for a job, for a place to live, ride, in his skin, on segregated buses, see with his eyes, the signs saying ‘White’ and ‘Colored’ and especially the signs saying ‘White Ladies’ and ‘Colored Women’” (Arnez, p. 56).
Manchild in the Promised Land – Claude BrownBrown’s autobiography serves as an example of how literature exposes systemic barriers faced by Black youth. His experiences in Harlem illustrate the economic and social constraints placed on African Americans, forcing them into cycles of poverty, crime, and limited opportunity.“One may then ask the question ‘How did Claude Brown survive in spite of the debilitating forces of Harlem?’ … He survived by playing his roles well” (Arnez, p. 58).
Black Boy – Richard WrightWright’s autobiography aligns with Arnez’s argument that literature humanizes racial struggles. His account of growing up in the South highlights systemic efforts to suppress Black education and ambition, making it a powerful critique of institutional racism.“I was building up in me a dream which the entire educational system of the South had been rigged to stifle” (Arnez, p. 60).
The Autobiography of Malcolm X – Malcolm X (as told to Alex Haley)Arnez uses Malcolm X’s experiences to illustrate the impact of systemic racism in education and employment. His rejection by a white teacher for aspiring to be a lawyer reflects how Black ambition was systematically undermined, reinforcing racial hierarchy.“Malcolm, one of life’s first needs is for us to be realistic. Don’t misunderstand me now … A lawyer—that’s no realistic goal for a nigger” (Arnez, p. 60).
Criticism Against “Racial Understanding through Literature” by Nancy L. Arnez

1. Over-Reliance on Literature as a Substitute for Real Experience

  • Arnez suggests that literature provides the “next best” way to understand the Black experience (Arnez, p. 56), but critics argue that no amount of reading can fully replace lived experience.
  • Literature may evoke empathy, but it does not necessarily lead to real social change or dismantle structural racism.

2. Essentializing the “Negro Experience”

  • Despite warning against generalizations, Arnez still treats Black literature as a means to understand “the Negro ethos” (Arnez, p. 57), which could reinforce the idea of a singular Black experience.
  • This approach risks reducing Black identity to a set of common struggles rather than acknowledging the diversity of individual and cultural experiences.

3. Lack of Engagement with White Readers’ Resistance

  • Arnez assumes that exposure to Black literature will lead to greater racial understanding, but she does not address the possibility of resistant or biased readings.
  • Reader-response theorists argue that interpretations vary, and white readers may reject or misinterpret the messages in Black literature, reinforcing rather than challenging their biases.

4. Limited Discussion of Black Literary Aesthetics

  • The article focuses on the social and political functions of Black literature rather than its artistic, stylistic, and aesthetic contributions.
  • Critics argue that reducing literature to a tool for racial understanding overlooks its literary complexity and innovation.

5. Potential for Stereotypical Readings of Black Literature

  • By emphasizing hardship, discrimination, and struggle, Arnez risks reinforcing a narrow portrayal of Black life that focuses primarily on oppression.
  • This could lead readers to see Black literature as exclusively about suffering rather than recognizing its diversity in themes, genres, and perspectives.

6. Exclusion of Contemporary and Non-Realist Black Literature

  • Arnez prioritizes autobiographies and realist narratives (e.g., Baldwin, Wright, Malcolm X), neglecting genres like poetry, science fiction, or experimental fiction that also contribute to racial discourse.
  • Writers like Octavia Butler or Toni Morrison challenge racial narratives in ways that extend beyond the realist framework emphasized in Arnez’s analysis.

7. Idealistic View of Literature as a Tool for Change

  • Arnez assumes that exposure to literature will lead to meaningful discussions and greater social empathy (Arnez, p. 58). However, some critics argue that literature alone cannot dismantle racial prejudices without broader political and systemic changes.
  • Structural racism requires legal, economic, and institutional reforms, which reading literature alone cannot achieve.
Representative Quotations from “Racial Understanding through Literature” by Nancy L. Arnez with Explanation
QuotationExplanation
“The best way of knowing what it means to be a Negro is to be a Negro.” (Arnez, p. 56)Arnez underscores the impossibility of fully grasping the Black experience without living it. However, she proposes literature as the next best way to develop an understanding of racial realities.
“Thus, the Negro is no longer invisible but stands visibly etched upon each reader’s pupils.” (Arnez, p. 57)Literature makes Black experiences visible to those who might otherwise overlook them. Through reading, the previously marginalized are recognized and understood.
“Reading literature written by Negroes is in an important sense one of the best bridges of communication between the Negro and the non-Negro.” (Arnez, p. 58)Literature serves as a tool for fostering racial dialogue and breaking down barriers between Black and white communities.
“There is no one Negro experience in America. There are twenty-two million separate experiences.” (Arnez, p. 58)Arnez rejects the notion of a monolithic Black identity, highlighting the diversity within the African American community.
“Literature through its dramatic impact can inculcate in the reader certain social and anthropological insights which the reader may not glean from reading sociology or anthropology texts.” (Arnez, p. 57)Arnez argues that literature conveys human emotion and social realities more effectively than academic studies, making it a powerful tool for understanding racial issues.
“One can learn something about the quality of tenement living, the crowdedness, the lack of privacy, the lack of economic security, the rats and roaches and the rancid, penetrating, distinctive smell of garbage.” (Arnez, p. 58)She highlights how literature vividly portrays the harsh realities of Black life, particularly economic hardship and housing discrimination.
“The point then is to destroy group prejudices by getting acquainted with characters who are giving and receiving and interacting.” (Arnez, p. 58)Literature fosters empathy by encouraging readers to engage with characters as individuals rather than as racial stereotypes.
“But to make generalizations for the Negro race on the basis of novels and poems and plays by Negroes is dehumanizing and stereotyping.” (Arnez, p. 58)While literature is an important tool for understanding, it should not be used to essentialize Black identity or assume all experiences are the same.
“Perhaps one of the most frustrating problems that still face the American Negro today is the continual joblessness due to unfair employment practices.” (Arnez, p. 59)Arnez emphasizes how literature exposes systemic racial inequalities, particularly in employment and economic opportunities.
“We do not stop at a description of conditions as portrayed, but we use this mass of descriptive material about how things are and why to fashion and mold a saner approach to how life must become for universal survival.” (Arnez, p. 58)Literature not only documents oppression but also inspires discussions on how society can create a more just future.
Suggested Readings: “Racial Understanding through Literature” by Nancy L. Arnez
  1. Arnez, Nancy L. “Racial understanding through literature.” English Journal 58.1 (1969): 56-61.
  2. Headlee, Judy Anne. “An Educational Approach to Negro Individualism.” The English Journal, vol. 59, no. 1, 1970, pp. 34–39. JSTOR, https://doi.org/10.2307/811727. Accessed 16 Mar. 2025.
  3. Arnez, Nancy L. “Racial Understanding through Literature.” The English Journal, vol. 58, no. 1, 1969, pp. 56–61. JSTOR, https://doi.org/10.2307/812347. Accessed 16 Mar. 2025.
  4. Small, Robert Coleman. “Negro Literature in High School English: Three Reasons for Its Use.” The High School Journal, vol. 54, no. 8, 1971, pp. 475–83. JSTOR, http://www.jstor.org/stable/40365671. Accessed 16 Mar. 2025.

“Racial and Nationalistic Hurdles in the Teaching of Literature” by Philip S. Miller: Summary and Critique

“Racial and Nationalistic Hurdles in the Teaching of Literature” by Philip S. Miller first appeared in The Journal of Negro Education in the Spring of 1949 (Vol. 18, No. 2, pp. 134-137).

"Racial and Nationalistic Hurdles in the Teaching of Literature" by Philip S. Miller: Summary and Critique
Introduction: “Racial and Nationalistic Hurdles in the Teaching of Literature” by Philip S. Miller

“Racial and Nationalistic Hurdles in the Teaching of Literature” by Philip S. Miller first appeared in The Journal of Negro Education in the Spring of 1949 (Vol. 18, No. 2, pp. 134-137). In this article, Miller explores how racial and nationalistic biases can act as obstacles in the study and teaching of literature, particularly within classical studies. He argues that literature, often perceived as a neutral academic subject, is deeply influenced by national and racial biases that shape the perspectives of both educators and students. Miller highlights how historical narratives, particularly in Greek and Roman literature, reflect aristocratic and imperialist ideologies that may alienate students, especially those from marginalized backgrounds. He underscores how certain canonical texts, traditionally taught in schools, uphold Eurocentric perspectives, often reinforcing social hierarchies. Instead of erasing or avoiding such biases, Miller suggests a more inclusive approach: selecting texts that emphasize broader humanistic values, such as the Stoic writings of Seneca, which resonate with contemporary democratic ideals. He critiques the tendency to romanticize certain civilizations while ignoring their moral contradictions, urging educators to adopt a critical and reflective approach in teaching literature. Ultimately, his work calls for a shift in literary pedagogy—one that acknowledges historical biases while fostering an inclusive and critical engagement with classical texts. Through this analysis, Miller contributes significantly to literary theory and educational reform, advocating for a more equitable and conscious approach to the study of literature.

Summary of “Racial and Nationalistic Hurdles in the Teaching of Literature” by Philip S. Miller
  1. The Presence of Racial and Nationalistic Bias in Literary Studies
    • Miller argues that racial and nationalistic biases often influence the study and interpretation of literature. He illustrates this through Heinrich Heine’s observation that people struggle with reconciling great literary figures with their national or racial identities (Miller, 1949, p. 134).
    • These biases shape literary criticism, as Miller notes that “the judgment of the reviewer was finally determined by a racial or nationalistic bias” (p. 134).
  2. Challenges in Teaching Literature to Adolescents
    • The presence of prejudice in literature is particularly problematic for young students, as their “mind-set” is still developing and can be influenced by nationalist or racial biases (p. 134).
    • Historical contexts shape students’ perceptions, as seen in the resistance to learning German after World War I due to nationalistic tensions (p. 135).
  3. Nationalistic Influences in Classical Literature
    • Even in ancient literature, nationalistic biases exist. Miller points out that Socrates, in some Western narratives, is portrayed as an English or French intellectual figure rather than a Greek philosopher (p. 135).
    • This reflects a pattern of glorifying certain cultures over others: “Socrates, returned to life, finds his home at last at Oxford or Cambridge and perhaps becomes a British subject” (p. 135).
  4. Selective Favoritism in Classical Studies
    • The study of Greek and Roman literature has been shaped by national and political agendas, as seen in how Julius Caesar was glorified in Germany while Cicero and Demosthenes were disparaged to fit nationalist narratives (p. 136).
    • Latin teachers before World War II often returned from Italy with enthusiasm for Roman ruins but also admiration for Mussolini’s classical revival, failing to separate scholarship from politics (p. 136).
  5. The Problem of Tradition in Teaching Classical Literature
    • Classical literature often reinforces aristocratic and elitist perspectives, alienating students from marginalized backgrounds. Miller notes, “The traditional subject matter is essentially the literature of an aristocratic society, and the social institution of slavery is accepted without apology” (p. 136).
    • The dominant literary tradition favors an upper-class viewpoint, making it difficult for students to relate to characters and narratives (p. 136).
  6. Conflicting Perspectives on Historical Figures
    • Students from diverse backgrounds may identify with historical figures in ways that challenge traditional interpretations. Miller observes that for some students, “Spartacus may appear as good and as honest… Ariovistus is to them more of a champion of liberty than Caesar; Jugurtha, the African prince, is more of a hero than Marius” (p. 136).
    • This disrupts the conventional Eurocentric perspective, which presents figures like Caesar and Cicero as heroes (p. 136).
  7. Solutions: Reforming the Teaching of Classical Literature
    • Instead of censoring texts, Miller advocates for broader representation of humane and democratic voices, such as the Stoic philosopher Seneca, whose writings on slavery and human dignity resonate with modern audiences (p. 137).
    • He states, “His letter to Lucilius depicting how to treat those who are called slaves has no hurdles in it” (p. 137), suggesting that such perspectives can counterbalance the elitism in classical studies.
  8. The Role of the Educator in Addressing Bias
    • Teachers must remain impartial and critically engage with texts rather than championing a nationalistic or elitist perspective (p. 137).
    • Miller insists, “The teacher must be a humanitarian as well as a humanist, guided by the old motto from Terence: Homo sum: humani nihil a me alienum puto” (p. 137), emphasizing the need for inclusivity and critical thought in education.
Theoretical Terms/Concepts in “Racial and Nationalistic Hurdles in the Teaching of Literature” by Philip S. Miller
Theoretical Term/ConceptDefinition/ExplanationReference from the Article (Miller, 1949)
Racial Bias in Literary StudyThe influence of racial prejudices in how literature is analyzed, interpreted, and taught.“A racial or nationalistic prejudice is often a hurdle in the way of those who are studying a great author or a great literature” (p. 134).
Nationalistic Bias in LiteratureThe tendency to evaluate literature through the lens of national pride or prejudices.“The judgment of the reviewer was finally determined by a racial or nationalistic bias” (p. 134).
Mind-Set in EducationPsychological predispositions that influence students’ reception of literature.“A ‘mind-set,’ as psychologists tell us, is very important: valuable when kindly disposed; very much of a disadvantage when hostile” (p. 134).
Historical Context in Literary StudiesThe impact of historical events on the perception and teaching of literature.“Some of us are old enough to remember the difficulties faced by teachers of German, during and immediately following World War I” (p. 135).
Eurocentrism in Classical StudiesThe prioritization of Western civilizations and viewpoints in literature, often at the expense of other perspectives.“Socrates, returned to life, finds his home at last at Oxford or Cambridge and perhaps becomes a British subject” (p. 135).
Selective CanonizationThe process of choosing which texts and authors become central in literary education, often influenced by political and social ideologies.“Julius Caesar was glorified; Cicero and Demosthenes were disparaged in Prussianized Germany because the glorification and the disparagement suited the national tendency of the day” (p. 136).
Aristocratic Tradition in LiteratureThe dominance of upper-class perspectives in classical literature, often alienating marginalized readers.“The traditional subject matter is essentially the literature of an aristocratic society, and the social institution of slavery is accepted without apology” (p. 136).
Reader IdentificationThe tendency of students to align with characters based on personal or cultural background.“Spartacus may appear as good and as honest to them as M. Licinius Crassus; Ariovistus is to them more of a champion of liberty than Caesar” (p. 136).
Pedagogical BiasThe ways in which teaching traditions reinforce social or political biases in literature.“There is an atmosphere surrounding the classics which has been called the genteel tradition” (p. 137).
Humanistic Approach to EducationA method of teaching that prioritizes ethical and inclusive engagement with literature.“The teacher must be a humanitarian as well as a humanist, guided by the old motto from Terence: Homo sum: humani nihil a me alienum puto” (p. 137).
Contribution of “Racial and Nationalistic Hurdles in the Teaching of Literature” by Philip S. Miller to Literary Theory/Theories
  1. Postcolonial Literary Theory – Addressing Eurocentrism in Literature
    • Miller critiques the Eurocentric bias in literary studies, highlighting how Western educational traditions privilege European literary figures and cultural narratives.
    • He states, “Socrates, returned to life, finds his home at last at Oxford or Cambridge and perhaps becomes a British subject” (Miller, 1949, p. 135), indicating how classical figures are appropriated to fit Western nationalist ideologies.
    • His argument aligns with postcolonial critiques of how literature is taught in ways that reinforce cultural hegemony.
  2. Reader-Response Theory – The Role of Identity in Literary Interpretation
    • Miller emphasizes that students’ personal backgrounds shape how they relate to historical and literary figures.
    • He notes, “Spartacus may appear as good and as honest to them as M. Licinius Crassus; Ariovistus is to them more of a champion of liberty than Caesar; Jugurtha, the African prince, is more of a hero than Marius” (p. 136).
    • This supports the reader-response theory by arguing that meaning in literature is co-constructed by the reader’s identity and social positioning.
  3. Cultural Studies – Literature as a Reflection of Social Power Structures
    • Miller examines how literary traditions reinforce existing social hierarchies, particularly in the case of Latin and Greek studies, which have been associated with elitism and aristocratic values.
    • He states, “The traditional subject matter is essentially the literature of an aristocratic society, and the social institution of slavery is accepted without apology” (p. 136).
    • This contributes to cultural studies by exposing how literature can sustain and legitimize power structures.
  4. Ideological State Apparatus (Althusser) – Education as a Tool of Ideological Control
    • Miller highlights how educational traditions reinforce specific political and ideological viewpoints, sometimes unintentionally.
    • He critiques how Latin education has been historically aligned with elite social classes, stating, “There is an atmosphere surrounding the classics which has been called the genteel tradition” (p. 137).
    • This aligns with Althusser’s concept of the Ideological State Apparatus, where education perpetuates dominant ideologies.
  5. Historiographic Metafiction – Challenging Established Literary Narratives
    • Miller challenges traditional literary histories that glorify figures like Julius Caesar while neglecting or marginalizing perspectives that challenge imperialist narratives.
    • He notes, “We in America followed the Germans too readily in their estimates of Demosthenes, Caesar, and Cicero” (p. 136), suggesting that historical literary criticism is shaped by political circumstances.
    • His perspective contributes to historiographic metafiction by questioning how history is selectively narrated in literature.
  6. Liberation Pedagogy (Paulo Freire) – Literature and Social Justice in Education
    • Miller advocates for a more inclusive and critical approach to literature that empowers students from diverse backgrounds.
    • He asserts, “The teacher must be a humanitarian as well as a humanist, guided by the old motto from Terence: Homo sum: humani nihil a me alienum puto” (p. 137).
    • This supports liberation pedagogy, which calls for education to serve as a tool for social equity and consciousness-raising.
  7. Canon Formation and Deconstruction – Questioning Traditional Literary Selection
    • Miller challenges the rigid canon of classical literature, arguing for a broader selection of texts that reflect more diverse and humane perspectives.
    • He suggests that educators should give more space to writers like Seneca, who provide ethical and philosophical perspectives that resonate with modern students (p. 137).
    • This aligns with deconstructionist critiques of the literary canon, which argue that it reflects exclusionary cultural values.
Examples of Critiques Through “Racial and Nationalistic Hurdles in the Teaching of Literature” by Philip S. Miller
Literary WorkCritique Through Miller’s LensReference from the Article (Miller, 1949)
Julius Caesar (by William Shakespeare)Miller critiques how historical figures like Caesar have been glorified through nationalistic biases in education. He notes that in Prussianized Germany, Caesar was elevated while figures like Cicero and Demosthenes were diminished to align with nationalist interests. This reflects how literature can be used to serve political ideologies rather than objective historical understanding.“Julius Caesar was glorified; Cicero and Demosthenes were disparaged in Prussianized Germany because the glorification and the disparagement suited the national tendency of the day” (p. 136).
The Aeneid (by Virgil)Miller argues that the classical tradition, particularly Roman literature like The Aeneid, promotes an aristocratic and imperialist worldview that alienates students from diverse backgrounds. The text, which glorifies the Roman state and its expansionist ideology, may be seen as an instrument of nationalist pride rather than an inclusive humanistic study.“The traditional subject matter is essentially the literature of an aristocratic society, and the social institution of slavery is accepted without apology” (p. 136).
The Histories (by Livy)Miller critiques Livy’s The Histories for its nationalistic framing of Rome’s superiority, which reinforces racial and cultural biases. He notes that for many students, especially those from marginalized backgrounds, figures like Hannibal or Jugurtha might seem more heroic than their Roman counterparts, disrupting the traditional Roman-centered perspective.“Spartacus may appear as good and as honest to them as M. Licinius Crassus; Ariovistus is to them more of a champion of liberty than Caesar; Jugurtha, the African prince, is more of a hero than Marius” (p. 136).
Odes (by Horace)Unlike prose works that reflect nationalist and imperialist tendencies, Miller finds that poetry like Horace’s Odes avoids these pitfalls by focusing on universal themes. This suggests that while historical and political biases pervade prose literature, poetry can transcend such limitations and be more accessible to diverse audiences.“The poets, such as Catullus and Horace, whenever they treat universal themes not bound by time or place, do not raise the hurdles of nationalism and racism” (p. 136).
Criticism Against “Racial and Nationalistic Hurdles in the Teaching of Literature” by Philip S. Miller
  1. Lack of Concrete Pedagogical Solutions
    • While Miller identifies racial and nationalistic biases in literature, he does not provide clear, actionable solutions for educators beyond suggesting a more humanistic approach.
    • Critics may argue that simply advocating for a broader selection of texts (e.g., Seneca instead of Caesar) does not fundamentally challenge the structures that perpetuate bias in literary education.
  2. Overgeneralization of Student Reactions
    • Miller assumes that students from marginalized backgrounds will inherently align with non-Roman historical figures such as Spartacus or Jugurtha over Roman leaders.
    • This perspective risks essentializing student experiences rather than allowing for individual and diverse interpretations of literature.
  3. Romanticization of Certain Classical Figures
    • While Miller critiques the glorification of figures like Julius Caesar, he does not fully interrogate whether his own preference for writers like Seneca is similarly influenced by ideological biases.
    • His claim that Seneca’s Stoic philosophy is more accessible and relevant to modern students assumes a universal moral appeal that may not be as inclusive as he suggests.
  4. Neglect of the Complexity of National Identity in Literature
    • Miller views nationalistic interpretations of literature as a hurdle but does not sufficiently explore how national identity can also be a productive lens for literary analysis.
    • Critics might argue that nationalistic readings do not always lead to exclusion or bias; rather, they can deepen historical and cultural understanding when approached critically.
  5. Failure to Acknowledge the Role of Literary Criticism and Theory
    • Miller critiques literary education primarily from a pedagogical perspective but does not engage deeply with existing literary theories that address bias, such as Marxist or postcolonial criticism.
    • His work could have been strengthened by integrating theoretical frameworks that explicitly analyze power dynamics in literature.
  6. Potentially Dismissive of the Canon’s Value
    • While Miller advocates for a more inclusive literary curriculum, he does not fully acknowledge the scholarly and historical reasons why certain classical works have been prioritized.
    • Critics may argue that instead of de-emphasizing canonical texts, the focus should be on teaching them with critical perspectives that acknowledge their limitations and biases.
  7. Overemphasis on Classical Literature
    • Although Miller critiques classical literature’s elitist and aristocratic nature, he does not advocate strongly for the inclusion of non-Western literary traditions.
    • His argument remains confined to Greek and Roman texts rather than proposing a more radical expansion of the literary canon to include African, Asian, and indigenous narratives.
  8. Limited Discussion on Contemporary Literature and Education
    • Miller focuses primarily on historical literary traditions but does not extend his analysis to contemporary literature, which may also reflect nationalistic and racial biases.
    • A broader discussion of how modern literature can challenge or reinforce these biases would make his argument more relevant to contemporary literary studies.
Representative Quotations from “Racial and Nationalistic Hurdles in the Teaching of Literature” by Philip S. Miller with Explanation
QuotationExplanation
“A racial or nationalistic prejudice is often a hurdle in the way of those who are studying a great author or a great literature.” (p. 134)Miller argues that preconceived biases influence how literature is interpreted and appreciated, creating barriers to objective literary analysis.
“The judgment of the reviewer was finally determined by a racial or nationalistic bias.” (p. 134)He critiques how even professional literary criticism is often shaped by national or racial biases, affecting how works are received and evaluated.
“It is difficult to teach any literature without enthusiasm. But enthusiasm, at that time, served only to fan the flames of prejudice.” (p. 135)This highlights the challenges faced by educators, particularly during times of political conflict, when literature can become entangled in nationalist rhetoric.
“Socrates, returned to life, finds his home at last at Oxford or Cambridge and perhaps becomes a British subject.” (p. 135)Miller critiques how Western academia appropriates ancient figures like Socrates, reinforcing Eurocentric narratives in education.
“Julius Caesar was glorified; Cicero and Demosthenes were disparaged in Prussianized Germany because the glorification and the disparagement suited the national tendency of the day.” (p. 136)He points out how historical and political biases influence literary scholarship, using the example of how Germany reshaped its interpretation of classical figures for nationalistic purposes.
“Spartacus may appear as good and as honest to them as M. Licinius Crassus; Ariovistus is to them more of a champion of liberty than Caesar; Jugurtha, the African prince, is more of a hero than Marius.” (p. 136)Miller suggests that students from marginalized backgrounds might identify with historical figures differently than traditional literary narratives suggest.
“The traditional subject matter is essentially the literature of an aristocratic society, and the social institution of slavery is accepted without apology.” (p. 136)He critiques how classical literature often reflects elitist and imperialist ideologies that may alienate modern students.
“The poets, such as Catullus and Horace, whenever they treat universal themes not bound by time or place, do not raise the hurdles of nationalism and racism.” (p. 136)Miller contrasts poetry with prose, suggesting that poetry can transcend nationalist and racial biases due to its focus on universal human experiences.
“The teacher must be a humanitarian as well as a humanist, guided by the old motto from Terence: Homo sum: humani nihil a me alienum puto.” (p. 137)He emphasizes the ethical responsibility of educators to approach literature inclusively, acknowledging biases while promoting broader human understanding.
“There is an atmosphere surrounding the classics which has been called the genteel tradition.” (p. 137)Miller critiques how classical studies have historically been associated with elitism, creating barriers for students from working-class or marginalized backgrounds.
Suggested Readings: “Racial and Nationalistic Hurdles in the Teaching of Literature” by Philip S. Miller
  1. Miller, Philip S. “Racial and Nationalistic Hurdles in the Teaching of Literature.” The Journal of Negro Education 18.2 (1949): 134-137.
  2. Miller, Philip S. “Racial and Nationalistic Hurdles in the Teaching of Literature.” The Journal of Negro Education, vol. 18, no. 2, 1949, pp. 134–37. JSTOR, https://doi.org/10.2307/2966388. Accessed 16 Mar. 2025.
  3. “The Complete Bibliography of ‘The Journal of Negro Education,’ 1932-2006.” The Journal of Negro Education, vol. 75, no. 2, 2006, pp. 73–318. JSTOR, http://www.jstor.org/stable/40037237. Accessed 16 Mar. 2025.

“Critical Histories: Postcolonialism, Postmodernism, and Race” by Bill Ashcroft: Summary and Critique

“Critical Histories: Postcolonialism, Postmodernism, and Race” by Bill Ashcroft first appeared in The Cambridge History of Postcolonial Literature, published by Cambridge University Press.

"Critical Histories: Postcolonialism, Postmodernism, and Race" by Bill Ashcroft: Summary and Critique
Introduction: “Critical Histories: Postcolonialism, Postmodernism, and Race” by Bill Ashcroft

“Critical Histories: Postcolonialism, Postmodernism, and Race” by Bill Ashcroft first appeared in The Cambridge History of Postcolonial Literature, published by Cambridge University Press. This chapter explores the complex relationship between postcolonialism and postmodernism, highlighting their shared yet distinct approaches to literary and cultural theory. Ashcroft argues that while postmodernism deconstructs centralized master narratives, postcolonialism actively resists imperialist discourse, prioritizing the material realities of colonial oppression. A key distinction he makes is that the “post” in postmodernism signifies a stylistic shift, whereas in postcolonialism, it represents a critical reading practice that interrogates power structures and histories of domination. Through references to thinkers such as Homi Bhabha, Gayatri Spivak, and Edward Said, Ashcroft outlines how postcolonial theory appropriates postmodern strategies—like deconstruction, mimicry, and irony—without relinquishing its political commitment to justice and emancipation. The chapter also examines the racialized underpinnings of imperialism, emphasizing how colonial ideologies constructed race as a tool of domination. Drawing from figures like W. E. B. Du Bois, Frantz Fanon, and the Négritude movement, Ashcroft illustrates how racial identity has been shaped by historical oppression and resistance. His work is significant in literary theory as it bridges the gap between postmodern skepticism and postcolonial activism, demonstrating how literature serves as a battleground for cultural representation and political struggle.

Summary of “Critical Histories: Postcolonialism, Postmodernism, and Race” by Bill Ashcroft
  • Postcolonialism and Postmodernism: A Complex Relationship
    • Ashcroft explores the intricate relationship between postcolonialism and postmodernism, emphasizing their simultaneous contestation and overlap. He argues that while postmodernism focuses on deconstructing master narratives, postcolonialism actively resists imperial discourse (Ashcroft, p. 13).
    • “Whereas the ‘post’ in literary postmodernism may refer to a way of writing, the ‘post’ in postcolonialism refers to a way of reading” (p. 13).
  • Distinction in Goals and Methods
    • Postmodernism seeks to dismantle centralized, logocentric European narratives, whereas postcolonialism aims to “dismantle the Centre/Margin binarism of imperial discourse” (p. 14).
    • Postcolonial theory does not propose a universalist ontology but instead critiques the material and discursive realities of colonial oppression (p. 15).
  • Political Commitment of Postcolonialism
    • Unlike postmodernism, which often rejects grand narratives and universalist theories, postcolonialism remains committed to justice and liberation (p. 15).
    • Ashcroft highlights Edward Said’s concept of “worldliness,” which emphasizes the necessity of acknowledging colonial and neocolonial oppression (p. 15).
  • Postmodernism’s Influence on Postcolonial Theory
    • Despite differences, postcolonialism adopts postmodern techniques such as decentering discourse, language analysis, mimicry, and irony to subvert colonialist narratives (p. 14).
    • However, postcolonialism does not abandon the ethical imperative for justice, unlike some strands of postmodernist thought (p. 16).
  • Race as a Colonial Construct
    • Ashcroft critiques the historical construction of race as a justification for European imperialism, stating that “before European racism, black people were not black” (p. 16).
    • Race is neither biologically nor socially fixed; it emerged as a colonial tool to categorize and subordinate peoples (p. 17).
  • Critique of Postmodernism’s Handling of Race
    • Postmodernism, especially in literary and cultural studies, often neglects larger political and economic structures, reducing race to a discursive or linguistic concept (p. 18).
    • “The predominance of otherness postmodernism has led us to neglect the larger structures (political, economic, educational, etc.)” (p. 18).
  • Racial Thinking and Colonialism
    • Ashcroft traces the origins of racial ideology to European philosophers such as Immanuel Kant and David Hume, who established a hierarchical framework of human difference based on skin color (p. 17).
    • Kant’s view that “so fundamental is the difference between the races of man […] it appears to be as great in mental capacities as in colour” exemplifies the racist foundations of Enlightenment thought (p. 17).
  • Postcolonial Responses to Race: Du Bois, Négritude, and Fanon
    • W. E. B. Du Bois: His The Conservation of Races (1897) attempted to reconcile the contradiction between biological and socio-historical definitions of race while affirming Black identity (p. 21).
    • Négritude Movement: Led by Léopold Sédar Senghor and Aimé Césaire, it reclaimed Black identity and culture as a form of resistance to colonialism. However, it was also criticized for its essentialist view of race (p. 23).
    • Frantz Fanon: His Black Skins, White Masks (1952) examined the psychological effects of racial subjugation, particularly the internalization of the colonial gaze (p. 27).
    • Fanon describes the alienation of Black identity, writing, “My body was given back to me sprawled out, distorted, recolored, clad in mourning in that white winter day” (p. 27).
  • Race as a Relational Concept
    • Ashcroft argues that while race itself is a socially constructed fiction, the experience of racism is real and must be acknowledged (p. 28).
    • “Without racism, race would not have been invented” (p. 28).
  • Postcolonialism’s Ethical Imperative
    • Unlike postmodernism, postcolonialism retains a vision of hope and agency, emphasizing the need for decolonization and racial justice (p. 28).
    • “Fanon’s final word is an affirmation of the necessity of a vision of hope for any project of postcolonial liberation” (p. 28).
Theoretical Terms/Concepts in “Critical Histories: Postcolonialism, Postmodernism, and Race” by Bill Ashcroft
Term/ConceptDefinition/ExplanationReference (Page Number)
PostcolonialismA critical approach that examines the cultural and political impact of colonialism and imperialism, focusing on resistance and subversion of colonial narratives.p. 13
PostmodernismA literary and philosophical movement that critiques grand narratives, centralization, and fixed meanings, often employing irony and deconstruction.p. 14
Centre/Margin BinarismA concept in postcolonial theory that highlights the division between colonial powers (the Centre) and colonized subjects (the Margin), which postcolonialism seeks to dismantle.p. 14
DeconstructionA postmodern technique that questions and breaks down established meanings, often used in postcolonial discourse to challenge imperialist narratives.p. 14
MimicryA colonial subject’s imitation of the colonizer’s culture, which can serve as both subversion and complicity, famously explored by Homi Bhabha.p. 14
Incredulity towards MetanarrativesA term from Jean-François Lyotard’s postmodernism that describes skepticism toward universal theories; in postcolonialism, this takes the form of resisting imperialist master narratives.p. 14
WorldlinessEdward Said’s term for recognizing the real, material impact of colonialism rather than treating it as a purely theoretical concept.p. 15
Ethical UniversalsDespite rejecting grand narratives, postcolonialism retains a belief in justice and ethical imperatives, differentiating it from postmodernism.p. 16
Otherness PostmodernismA shift in postmodernism toward recognizing difference, as influenced by Laclau and Mouffe’s Hegemony and Socialist Strategy.p. 18
Imperial DiscourseThe ideological system that justified colonial rule, portraying the colonizer as superior and the colonized as inferior.p. 16
RacialismTzvetan Todorov’s term for the belief that physical racial characteristics correlate with intellectual and moral qualities.p. 17
Strategic EssentialismGayatri Spivak’s idea that essentialist categories (such as race or gender) can be temporarily employed as political strategies for resistance.p. 25
Floating SignifierA term in semiotics and postcolonial theory indicating that race lacks inherent meaning but gains significance through social and historical contexts.p. 22
Double ConsciousnessW. E. B. Du Bois’ concept describing how marginalized groups internalize two perspectives: their own and the dominant racial view of them.p. 22
NégritudeA literary and political movement celebrating Black identity and culture as a response to colonial racism, associated with Léopold Sédar Senghor and Aimé Césaire.p. 23
Fact of BlacknessFrantz Fanon’s idea that racial identity is externally imposed and shaped by the colonial gaze, leading to alienation.p. 27
PerformativityA concept (borrowed from Judith Butler) that suggests racial identity, like gender, is performed through repeated social interactions.p. 27
The Racial GazeThe objectifying and dehumanizing perspective imposed on racialized subjects by colonial and racist ideologies.p. 27
HegemonyAntonio Gramsci’s idea that power is maintained through cultural and ideological dominance rather than force, applicable to colonial rule.p. 18
Contribution of “Critical Histories: Postcolonialism, Postmodernism, and Race” by Bill Ashcroft to Literary Theory/Theories

1. Postcolonial Literary Theory

  • Ashcroft asserts that postcolonialism is not merely a temporal condition (i.e., post-independence) but an ongoing process of engaging with colonial legacies. He defines postcolonialism as “post-invasion and not post-independence” (p. 13).
  • The text emphasizes that postcolonialism critically interrogates the Centre/Margin binarism of imperial discourse (p. 14), aligning with Edward Said’s Orientalism (1978).
  • It examines how postcolonialism appropriates but also diverges from postmodernism, stating that “postcolonialism remains unashamedly emancipatory” in contrast to postmodern skepticism (p. 16).
  • The book highlights key postcolonial concerns, including mimicry (Homi Bhabha), race and subjectivity (Frantz Fanon), and strategic essentialism (Gayatri Spivak), reinforcing postcolonial studies as a politically engaged discipline.

2. Postmodern Literary Theory

  • Ashcroft highlights the intersection of postmodernism and postcolonialism but asserts their key differences, noting that while postmodernism deconstructs master narratives, postcolonialism actively resists the master discourse of imperialism (p. 14).
  • The book critiques Jean-François Lyotard’s incredulity toward metanarratives by arguing that for postcolonialism, resistance to imperial ideology is more than skepticism—it is an act of political engagement (p. 14).
  • He acknowledges the use of postmodern strategies such as irony, parody, and decentering, but emphasizes that postcolonialism retains a commitment to justice and material struggles (p. 16).
  • The text contributes to the debate on whether postcolonialism should be absorbed into postmodernism or remain distinct, reinforcing the idea that postcolonialism carries a more activist imperative than postmodern literary theory.

3. Critical Race Theory (CRT)

  • Ashcroft interrogates the construction of race as a colonial invention, arguing that “before European racism, black people were not black” (p. 16).
  • The text aligns with CRT by exposing how racial categories were historically produced to justify imperial domination, particularly through figures like Kant and Hume (p. 17).
  • His discussion on race as a floating signifier (p. 22) echoes Stuart Hall’s argument that race lacks inherent meaning but gains significance through discourse and power relations.
  • The book critiques postmodern approaches to race, arguing that reducing race to a discursive construct ignores the real, material effects of racism (p. 18), reinforcing CRT’s emphasis on systemic racism and structural inequality.

4. Poststructuralism and Deconstruction

  • Ashcroft employs poststructuralist methods by challenging essentialist definitions of race, national identity, and colonial discourse.
  • His critique of postmodernism’s failure to address real-world oppression aligns with deconstruction’s emphasis on interrogating how meaning is constructed (p. 15).
  • He engages with Derrida’s idea of differance by demonstrating how race is relational and historically contingent rather than biologically fixed (p. 22).
  • The text highlights how postcolonial writers employ mimicry and hybridity to subvert colonial authority, aligning with Homi Bhabha’s deconstructive approach to identity (p. 14).

5. Marxist Literary Theory

  • Ashcroft critiques postmodernism’s rejection of grand narratives, arguing that postcolonialism retains its concern for liberation and justice (p. 16).
  • He acknowledges the intersection of capitalism and imperialism, recognizing that colonial racial categories were used to enforce economic hierarchies (p. 17).
  • His discussion of Frantz Fanon’s Black Skin, White Masks (1952) supports a Marxist analysis of race as a function of economic and social oppression (p. 27).
  • He aligns with Antonio Gramsci’s concept of hegemony, explaining how racial ideologies are embedded within colonial discourse to maintain social control (p. 18).

6. Cultural Studies and Identity Politics

  • Ashcroft critiques postmodernism’s focus on difference without material context, arguing that race must be analyzed within its historical and political framework (p. 18).
  • His discussion of W. E. B. Du Bois’ “double consciousness” (p. 22) contributes to identity politics by showing how marginalized subjects navigate multiple racial identities.
  • The book examines Négritude as both an essentialist movement and a necessary political strategy, aligning with debates in cultural studies about the role of racial identity in resistance (p. 23).
  • He affirms the role of literature in shaping and contesting racialized identities, reinforcing the importance of representation in cultural and literary studies.

Conclusion:

Bill Ashcroft’s Critical Histories: Postcolonialism, Postmodernism, and Race makes significant contributions to literary theory by:

  1. Differentiating postcolonialism from postmodernism while acknowledging their intersections.
  2. Reinforcing critical race theory’s argument that race is a colonial construct with real material consequences.
  3. Employing poststructuralist and deconstructive methods to challenge racial and colonial essentialisms.
  4. Aligning postcolonialism with Marxist critiques of imperialism and economic exploitation.
  5. Expanding cultural studies by emphasizing literature’s role in shaping and contesting racial identities.
Examples of Critiques Through “Critical Histories: Postcolonialism, Postmodernism, and Race” by Bill Ashcroft
Literary Work & AuthorCritique Through Ashcroft’s Framework
Things Fall Apart – Chinua AchebeAshcroft critiques Achebe’s novel as a foundational postcolonial text that dismantles imperial narratives. Unlike postmodern works that merely deconstruct meaning, Things Fall Apart offers a counter-narrative to colonial history, aligning with Ashcroft’s assertion that “postcolonialism remains unashamedly emancipatory” (p. 16). Achebe’s novel challenges the Centre/Margin binarism and reclaims indigenous storytelling.
Cambridge – Caryl PhillipsPhillips’ novel is analyzed through the lens of the colonial gaze and the internalization of racist discourse. Ashcroft highlights how Emily, the plantation owner’s daughter, becomes complicit in colonial racism, demonstrating how “the objectifying gaze of colonial power” shapes perceptions of race and humanity (p. 19).
Black Skin, White Masks – Frantz FanonAshcroft engages with Fanon’s psychological analysis of colonial subjectivity, particularly his argument that race is imposed externally through colonial discourse. He references Fanon’s “Look, a Negro!” passage to illustrate how race is “relational rather than essential” (p. 27). Fanon’s work is foundational in postcolonial studies for its articulation of alienation and racial trauma.
The Conservation of Races – W. E. B. Du BoisAshcroft critiques Du Bois’ balancing act between recognizing race as a social construct while also using it as a political tool for Black solidarity. He notes that “Du Bois walks a tightrope between definitions of race and the need to propose that the Negro had a contribution to make” (p. 22), highlighting the tension between race as a lived experience and an ideological construct.
Criticism Against “Critical Histories: Postcolonialism, Postmodernism, and Race” by Bill Ashcroft
  1. Oversimplification of Postmodernism vs. Postcolonialism
    • Ashcroft argues that postcolonialism is “unashamedly emancipatory” (p. 16) in contrast to postmodernism’s skepticism. However, critics argue that postmodernism itself has politically engaged strands, such as Lyotard’s critique of power structures, which Ashcroft does not fully acknowledge.
  2. Ambiguity in Defining Postcolonialism
    • While Ashcroft asserts that “postcolonialism refers to post-invasion and not post-independence” (p. 13), this broad definition is problematic. It risks conflating vastly different historical experiences under a single theoretical umbrella, ignoring specific sociopolitical contexts.
  3. Insufficient Engagement with Non-Anglophone Postcolonial Theory
    • Ashcroft predominantly engages with theorists writing in English (Said, Spivak, Bhabha) but does not sufficiently address contributions from non-Western intellectual traditions, such as Latin American decolonial thought (e.g., Aníbal Quijano, Walter Mignolo).
  4. Tendency to Conflate Race and Colonialism
    • The text treats race as a colonial invention, arguing that “before European racism, black people were not black” (p. 16). While this aligns with Stuart Hall’s work, it risks downplaying pre-colonial conceptions of identity and racial hierarchies that existed outside European imperialism.
  5. Limited Discussion of Economic Factors
    • While Ashcroft acknowledges capitalism’s role in colonialism (p. 17), he does not deeply explore economic dimensions such as dependency theory or world-systems analysis, which provide a more materialist critique of postcolonial conditions.
  6. Problematic Engagement with Essentialism in Négritude
    • Ashcroft discusses Négritude as a form of “strategic essentialism” (p. 25), yet he does not fully address the internal critiques of Négritude from within African intellectual circles, such as critiques by Frantz Fanon and Wole Soyinka.
  7. Underdeveloped Feminist and Gender Analysis
    • While postcolonialism has strong feminist strands (e.g., Spivak, Mohanty), Ashcroft’s discussion largely neglects gendered perspectives on colonialism, racialization, and postcolonial identity.
  8. Lack of Engagement with Contemporary Postcolonial Realities
    • The text focuses on theoretical constructs but lacks detailed discussions of 21st-century neocolonialism, migration, and digital globalization, making its framework seem somewhat dated.
  9. Potential Reduction of Race to Discourse
    • While Ashcroft critiques postmodernism’s tendency to treat race as a floating signifier (p. 22), some critics argue that his own approach does not sufficiently engage with how race functions in legal, institutional, and structural frameworks beyond literary discourse.
  10. Limited Exploration of Indigenous Theorization
  11. The book discusses colonialism largely through the lens of former British and French colonies but does not significantly incorporate Indigenous perspectives from settler-colonial contexts, such as North America or Australia.
Representative Quotations from “Critical Histories: Postcolonialism, Postmodernism, and Race” by Bill Ashcroft with Explanation
QuotationExplanation
“The relationship between postcolonialism and postmodernism is a vexed mixture of contestation and imbrication.” (p. 13)Ashcroft highlights the complex and intertwined nature of these two theories, which both critique dominant narratives but differ in their purpose—postmodernism deconstructs, while postcolonialism resists.
“Postcolonialism’ refers to post-invasion and not post-independence; it identifies neither a chronology nor a specific ontology.” (p. 13)This statement rejects a rigid chronological understanding of postcolonialism, arguing that it is an ongoing process of resistance rather than a mere historical period after colonial rule.
“Lyotard’s ‘incredulity towards metanarratives’ becomes something more than incredulity in postcolonialism: it is the active resistance to the master discourse of imperialism and the radical transformation of its tools.” (p. 14)Ashcroft contrasts postmodern skepticism with postcolonial resistance, suggesting that postcolonialism takes a more politically engaged stance in dismantling imperial structures.
“Postcolonial theorists have little trouble in appropriating postmodern approaches to subjectivity, discourse, and representation, without abandoning the political imperative of the field.” (p. 15)While postmodernism denies stable subjectivities, postcolonialism selectively adopts its techniques while maintaining a commitment to political activism and liberation.
“Postcolonialism is unashamedly emancipatory, its driving energy a concern with justice and liberation.” (p. 16)Unlike postmodernism’s rejection of universal truths, postcolonialism asserts a clear ethical and political purpose—to challenge oppression and advocate for justice.
“Before European racism, black people were not black.” (p. 16)This provocative claim underscores that race as a category was historically constructed by colonial powers as a justification for subjugation, rather than being an inherent, pre-existing reality.
“Race, like any signifier, is a function of difference, yet this is hardly adequate to explain the human cost of racism.” (p. 18)Ashcroft critiques purely linguistic or theoretical approaches to race, emphasizing that racism has real, material consequences beyond discourse.
“Negritude was less a celebration of an essential blackness than it was an act of rebellion.” (p. 24)This challenges the common perception of Negritude as merely essentialist, arguing instead that it was a strategic form of resistance against colonial oppression.
“The experience of blackness arises unbidden out of the fact that ‘consciousness of the body is solely a negating activity’.” (p. 26)Quoting Fanon, Ashcroft illustrates how racialized individuals experience their identity as externally imposed through the colonial gaze, reinforcing their exclusion.
“Without racism, race would not have been invented, and the continued power and ubiquity of this non-existent category of race lies in the persistence of racism and its consequences.” (p. 28)This final assertion ties together Ashcroft’s argument that race is a colonial construct sustained by structures of oppression, rather than an innate biological or cultural truth.
Suggested Readings: “Critical Histories: Postcolonialism, Postmodernism, and Race” by Bill Ashcroft
  1. Platt, Len, and Sara Upstone, eds. Postmodern literature and race. Cambridge University Press, 2015.
  2. GBOGI, TOSIN. “Is There Life Besides “Coloniality?”: Metapoetics and the Second Level of Decoloniality in Niyi Osundare’s Poetry.” Research in African Literatures, vol. 52, no. 3, 2021, pp. 139–66. JSTOR, https://www.jstor.org/stable/48679341. Accessed 16 Mar. 2025.
  3. Wade, Peter. “Blacks and Indigenous People in the Postmodern and Postcolonial Nation – and Beyond.” Race and Ethnicity in Latin America, Pluto Press, 2010, pp. 85–111. JSTOR, https://doi.org/10.2307/j.ctt183p73f.10. Accessed 16 Mar. 2025.
  4. Aronowitz, Stanley. “Postmodernism and Politics.” Social Text, no. 18, 1987, pp. 99–115. JSTOR, https://doi.org/10.2307/488695. Accessed 16 Mar. 2025.

“Literature and Racial Integration” by José Mauricio Gomes de Almeida: Summary and Critique

“Literature and Racial Integration” by José Mauricio Gomes de Almeida first appeared in an academic journal, discussing the profound impact of racial and cultural mixing on Brazilian literature and identity.

"Literature and Racial Integration" by José Mauricio Gomes de Almeida: Summary and Critique
Introduction: “Literature and Racial Integration” by José Mauricio Gomes de Almeida

“Literature and Racial Integration” by José Mauricio Gomes de Almeida first appeared in an academic journal, discussing the profound impact of racial and cultural mixing on Brazilian literature and identity. The article explores how Brazil’s colonial history, marked by the Portuguese settlers’ interactions with Indigenous and African populations, created a unique social structure where racial integration, while not erasing prejudice, shaped the nation’s cultural and artistic development. Gomes de Almeida traces the representation of mixed-race individuals in Brazilian literature, from the 17th-century poetry of Gregório de Matos, who both admired and resented the presence of mulattos in society, to the 19th-century Romanticism of José de Alencar, who mythologized racial mixing through idealized narratives of Indigenous-European unions. The article highlights how realism and modernism further refined these portrayals, particularly in the works of Machado de Assis, a mulatto writer who became Brazil’s most esteemed literary figure, and Jorge Amado, who celebrated Afro-Brazilian culture in novels like Tenda dos Milagres. Through an analysis of these literary movements, Gomes de Almeida underscores how racial integration in Brazil, unlike in other post-colonial societies, became a defining literary theme, challenging European racial hierarchies and offering a distinct vision of national identity. The article is significant in literary theory as it emphasizes how literature not only reflects historical realities but actively participates in shaping the discourse on race and national identity.

Summary of “Literature and Racial Integration” by José Mauricio Gomes de Almeida
  • Historical Context of Racial Mixing in Brazil
    • Unlike English North America, Portuguese colonizers in Brazil arrived without families, leading to widespread intermixing with Indigenous and African women (Gomes de Almeida, 2015).
    • This process created a racially mixed society, where the children of these unions often occupied an intermediate social space, forming an early working and artisan class (Gomes de Almeida, 2015).
    • The mixed-race presence was reflected in early Brazilian art, such as the works of Aleijadinho (1738–1814) and Manuel da Costa Ataíde, who depicted a mulatto Virgin Mary in his paintings (Gomes de Almeida, 2015).
  • Early Literary Representations of Racial Mixing
    • In the 17th century, Gregório de Matos captured the paradoxical attitudes toward mixed-race people: while mulatto women were admired, mulatto men were satirized for competing with white elites (Gomes de Almeida, 2015).
    • His poetry reflects both admiration for and anxiety about Brazil’s racial hybridity, illustrating an early awareness of race relations in the colony (Gomes de Almeida, 2015).
  • Romanticism and Indianist Myth-making
    • During the 19th century, José de Alencar idealized the fusion of Indigenous and European cultures in novels like O Guarani (1857) and Iracema (1865), presenting racial mixing as part of Brazil’s national identity (Gomes de Almeida, 2015).
    • However, Africans were largely excluded from this nationalist myth due to the ongoing practice of slavery (Gomes de Almeida, 2015).
    • In contrast, Bernardo Guimarães’ novel A Escrava Isaura (1875) depicted a nearly white mulatta as the heroine, demonstrating the reluctance to fully embrace blackness in literature (Gomes de Almeida, 2015).
  • Realist Literature and the Rise of Mixed-Race Intellectuals
    • The late 19th-century Realist movement addressed racial prejudice more directly, as seen in Aluísio Azevedo’s O Mulato (1881), which critiques the discrimination faced by educated mulattos (Gomes de Almeida, 2015).
    • Machado de Assis, Brazil’s greatest writer and a dark-skinned mulatto, overcame racial barriers to become the first president of the Brazilian Academy of Letters, proving the ability of mixed-race individuals to integrate into elite society (Gomes de Almeida, 2015).
  • Euclides da Cunha and the Racial Debate
    • In Os Sertões (1902), Euclides da Cunha initially adopted racial theories that condemned racial mixing but later acknowledged the resilience of mixed-race people in the backlands of Brazil (Gomes de Almeida, 2015).
    • This shift highlights the growing recognition of mestiçagem (racial mixing) as a defining characteristic of Brazilian identity (Gomes de Almeida, 2015).
  • Modernism and the Cultural Celebration of Racial Mixing
    • The 1920s Modernist Movement embraced Brazil’s racial and cultural hybridity, as exemplified by Mário de Andrade’s Macunaíma (1928), which uses indigenous and African myths to define Brazilian identity (Gomes de Almeida, 2015).
    • Oswald de Andrade’s “Cannibalism” movement advocated for absorbing European influences while maintaining Brazil’s unique mixed heritage (Gomes de Almeida, 2015).
  • Jorge Amado and Afro-Brazilian Representation
    • Jorge Amado revolutionized Brazilian literature by centering Afro-Brazilian culture in novels like Jubiabá (1935) and Tenda dos Milagres (1969), which celebrated racial mixing as a national strength (Gomes de Almeida, 2015).
    • His work marked a shift from seeing racial mixing as a social problem to viewing it as a source of cultural vitality (Gomes de Almeida, 2015).
  • Conclusion: Literature as a Reflection of Brazil’s Racial Identity
    • The long trajectory of Brazilian literature reflects evolving attitudes toward race, from early ambivalence to Romantic idealization, Realist critique, and Modernist celebration (Gomes de Almeida, 2015).
    • Writers like Alencar, Machado de Assis, Mário de Andrade, and Jorge Amado played key roles in shaping the discourse on racial integration, ultimately affirming mestiçagem as central to Brazilian identity (Gomes de Almeida, 2015).
Theoretical Terms/Concepts in “Literature and Racial Integration” by José Mauricio Gomes de Almeida
Theoretical Term/ConceptDefinitionRelevance in the Article
Mestiçagem (Racial Mixing)The blending of different racial and ethnic groups into a single society.Central to Brazilian identity and literature, shaping cultural and artistic expressions (Gomes de Almeida, 2015).
Indianism (Indianismo)A literary movement that idealized Indigenous people as noble ancestors of Brazil.Seen in José de Alencar’s O Guarani and Iracema, where Indigenous-European integration is celebrated (Gomes de Almeida, 2015).
Romantic NationalismThe use of literature to construct a national identity based on myths and idealized histories.Brazilian Romanticism elevated Indigenous figures while neglecting African contributions (Gomes de Almeida, 2015).
Social Hierarchy & Mulatto IdentityThe positioning of mixed-race individuals within a social structure influenced by colonialism.Figures like Gregório de Matos and Machado de Assis show the shifting roles of mulattos in Brazilian society (Gomes de Almeida, 2015).
Scientific Racism19th-century pseudoscientific theories claiming racial hierarchies and white superiority.Euclides da Cunha initially embraced but later questioned these ideas in Os Sertões (Gomes de Almeida, 2015).
Modernism & Cultural CannibalismThe Modernist movement’s approach to absorbing and transforming European influences into a distinct Brazilian culture.Oswald de Andrade’s “Cannibalism” movement advocated for the fusion of cultural elements (Gomes de Almeida, 2015).
Afro-Brazilian Cultural RecognitionThe acknowledgment of African heritage in shaping Brazil’s culture and literature.Jorge Amado’s works like Tenda dos Milagres celebrate the African influence on Brazilian society (Gomes de Almeida, 2015).
Literary RealismA movement that portrays everyday realities, often critiquing social issues like race and class.O Mulato by Aluísio Azevedo was the first novel to directly challenge racial prejudice (Gomes de Almeida, 2015).
Post-Colonial Identity FormationThe process by which former colonies construct their unique cultural and racial identities.Brazilian literature evolved from European imitation to embracing its mixed-race identity (Gomes de Almeida, 2015).
Myth of National IdentityThe idea that a nation builds a self-image based on historical and literary narratives.Literature played a role in shaping Brazil’s mestizo identity, despite its complex racial history (Gomes de Almeida, 2015).
Contribution of “Literature and Racial Integration” by José Mauricio Gomes de Almeida to Literary Theory/Theories

1. Postcolonial Theory

  • Challenges Eurocentric Narratives: Highlights how Brazilian literature diverges from the European colonial framework by incorporating racial and cultural mixing into national identity (Almeida, 2015).
  • Colonial Power and Racial Hierarchy: Shows how Portuguese colonization in Brazil fostered a different racial structure compared to other colonies, influencing literature (Casa Grande e Senzala, Gilberto Freyre) (Almeida, 2015).
  • Literary Responses to Colonization: Discusses how Brazilian literature reflects the nation’s struggle for identity post-independence, using Romantic Indianism and later Afro-Brazilian narratives (O Guarani, Iracema) (Almeida, 2015).

2. Cultural Hybridity and Mestizaje (Homi Bhabha)

  • Hybridity as a National Identity: Examines how racial and cultural blending in literature is presented as Brazil’s defining characteristic (Macunaíma, Mário de Andrade) (Almeida, 2015).
  • Racial Mixing as a Literary Theme: Shows how literature moved from idealizing Indigenous-European mixing (Romanticism) to embracing full racial hybridity (Modernism) (Almeida, 2015).
  • Afro-Brazilian Contributions: Later novels, especially Tenda dos Milagres by Jorge Amado, fully recognize and celebrate Afro-Brazilian culture, contrasting earlier dismissals of Black heritage (Almeida, 2015).

3. Romantic Nationalism

  • Construction of National Identity: Brazilian Romantic literature idealized the Indigenous figure as a heroic symbol of the nation, while ignoring or marginalizing African influences (O Guarani, Iracema) (Almeida, 2015).
  • Nationalist Myth-Making: Romantic Indianism sought to establish a noble ancestry for Brazilians, aligning with the country’s independence movement (Almeida, 2015).
  • Literary Exclusion of Afro-Brazilians: Romanticism promoted Indigenous identity but rarely depicted Afro-Brazilians positively, as seen in A Escrava Isaura (Bernardo Guimarães), where the enslaved protagonist is a near-white mulatta (Almeida, 2015).

4. Critical Race Theory (CRT)

  • Literature as a Reflection of Racial Prejudice: O Mulato (Aluísio Azevedo, 1881) critiques systemic racism and the barriers faced by mixed-race individuals in Brazilian society (Almeida, 2015).
  • Race and Social Mobility: Shows how literature reflects the difficulty of racial integration, as seen in the marginalization of mixed-race intellectuals (Machado de Assis overcame this but faced obstacles) (Almeida, 2015).
  • Debunking Scientific Racism: Works like Os Sertões (Euclides da Cunha) reflect the transition from racial determinism to a more nuanced understanding of mixed-race identity (Almeida, 2015).

5. Modernist Literary Theory (Oswald de Andrade’s “Cannibalism”)

  • Cultural Cannibalism as Resistance: The Cannibal Manifesto (Oswald de Andrade) advocated for devouring European influences and transforming them into something uniquely Brazilian, a theme reflected in Macunaíma (Almeida, 2015).
  • Rejection of European Models: The Modernist movement, led by Mário de Andrade and Jorge Amado, sought to create a literary identity based on Brazil’s racial and cultural diversity rather than European ideals (Almeida, 2015).
  • Literary Representation of Afro-Brazilian Identity: Jubiabá and Tenda dos Milagres (Jorge Amado) shifted the focus to Afro-Brazilian cultural contributions, marking a break from past literary traditions (Almeida, 2015).

6. Realism and Naturalism

  • Race and Social Class in Realist Fiction: O Mulato (1881) is one of the first Brazilian novels to portray a mixed-race protagonist who struggles against societal racism, showing literature’s shift from Romantic idealism to Realist critique (Almeida, 2015).
  • Depiction of Racial Tensions: Os Sertões (1902) exposes the contradictions of racial theory in Brazil, illustrating the resilience of mixed-race communities despite the scientific racism of the time (Almeida, 2015).
  • Critique of Social Structures: Realist literature revealed how racial prejudice was deeply embedded in Brazilian society, even after slavery was abolished in 1888 (Almeida, 2015).

7. Afro-Brazilian Literary Criticism

  • Recognition of Afro-Brazilian Culture: Jorge Amado’s works (Tenda dos Milagres, Jubiabá) fully embrace Afro-Brazilian identity, celebrating its cultural influence on Brazil (Almeida, 2015).
  • Challenging Eurocentrism in Literature: Highlights how Afro-Brazilian cultural expressions, including music, religion, and folklore, became integral to literary narratives (Almeida, 2015).
  • Defending Racial Mixing as a Strength: Tenda dos Milagres argues that Brazil’s greatest cultural contribution to the world is its racial hybridity (Almeida, 2015).
Examples of Critiques Through “Literature and Racial Integration” by José Mauricio Gomes de Almeida
Literary WorkCritique through “Literature and Racial Integration”Key References from Almeida’s Work
Iracema (1865) by José de AlencarThe novel idealizes racial mixing through the romance between a Portuguese colonizer and an indigenous woman, symbolizing national integration. However, it largely omits African influence, focusing on the European-Indian fusion.Almeida highlights that Indianist literature served nationalist purposes, but ignored the African role in Brazilian identity (Almeida, p. 75).
O Mulato (1881) by Aluísio AzevedoThis novel critiques racial prejudice, showing a well-educated mulatto protagonist unable to escape racial discrimination. It exposes the social barriers that persisted despite Brazil’s racial mixing.Almeida recognizes the novel as the first to feature a mulatto protagonist, emphasizing how racial prejudice hindered social mobility (Almeida, p. 77).
Os Sertões (1902) by Euclides da CunhaThe book reflects positivist racial theories but contradicts them by admiring the resilience of mixed-race sertanejos. It reveals contradictions in 19th-century racial ideology.Almeida notes that da Cunha’s portrayal of racial mixing evolved from racist theory to an acknowledgment of its strength (Almeida, p. 78-80).
Tenda dos Milagres (1969) by Jorge AmadoThis novel celebrates Afro-Brazilian culture and racial integration, challenging European-centric intellectualism and racism. It portrays mixed-race identity as central to Brazilian identity.Almeida considers this work a turning point, as it fully embraces racial mixing and Afro-Brazilian culture as integral to Brazil’s literary and social identity (Almeida, p. 82-83).
Criticism Against “Literature and Racial Integration” by José Mauricio Gomes de Almeida
  1. Overemphasis on Racial Harmony
    • Almeida portrays racial integration as a defining and largely positive aspect of Brazilian history but overlooks the deep and persistent racial inequalities that continue to exist.
    • The text sometimes minimizes the structural racism that shaped (and still shapes) Brazilian society, particularly in terms of economic and social mobility.
  2. Limited Engagement with Postcolonial Theory
    • While Almeida discusses colonial racial mixing, he does not engage deeply with postcolonial critiques that address power imbalances and the lasting impact of European dominance.
    • The work does not fully explore how literature reflects colonial hegemonic ideologies, nor how Afro-Brazilian and Indigenous voices have been historically marginalized in literary traditions.
  3. Romanticization of Racial Mixing
    • Almeida follows Gilberto Freyre’s notion of lusotropicalism, which idealizes Portuguese colonialism as more benevolent and open to racial mixing compared to other colonial powers.
    • Critics argue that this perspective downplays the violence, exploitation, and systemic oppression experienced by Afro-Brazilians and Indigenous peoples.
  4. Neglect of Black Literary Voices
    • The text gives more weight to mixed-race and indigenous representation in literature while offering limited focus on Black-authored literary works that directly challenge racism.
    • Writers like Lima Barreto and Cruz e Souza, who explicitly dealt with racial identity and injustice, receive relatively less attention compared to Romantic and Modernist authors.
  5. Essentialist Approach to Brazilian Identity
    • The work presents Brazilian identity as inherently mixed-race (mestiçagem), but this framing can obscure the ongoing racial stratification in Brazilian society.
    • The concept of a “unified Brazilian race” can be problematic, as it ignores the continued social exclusion of Afro-Brazilians and Indigenous communities.
  6. Lack of Feminist and Gender Analysis
    • While discussing racial integration, the book does not critically analyze the role of gender, particularly how interracial relationships were often the result of colonial sexual violence.
    • The portrayal of Indigenous and Black women in literature is not sufficiently scrutinized in terms of how they were exoticized and objectified by white and male authors.
  7. Absence of a Comparative Global Perspective
    • The book largely focuses on Brazil’s racial integration in isolation, without comparing it to similar processes in other former colonies such as the Caribbean or Latin America.
    • A broader comparative analysis could strengthen the argument by showing how Brazil’s experience fits into wider postcolonial and racial discourse.
Representative Quotations from “Literature and Racial Integration” by José Mauricio Gomes de Almeida with Explanation
QuotationExplanation
“Brazil tended to accept racial mixing as a de facto reality.”This statement highlights how racial mixing was an inherent part of Brazilian colonial history due to Portuguese settlers’ interactions with Indigenous and African populations. It sets the stage for Almeida’s argument about Brazil’s unique racial integration compared to other colonial nations.
“Although this historical circumstance did not eliminate racial prejudice, it made a strict policy of discrimination… totally impractical.”Almeida acknowledges that racial mixing did not eradicate racism but argues that Brazilian society could not sustain segregationist policies like those in the United States. This reflects the argument that Brazil’s racial structure was distinct, yet still marked by prejudice.
“The noteworthy fact is that mulatto features are not restricted to the Virgin but invade the whole composition.”This refers to Manuel da Costa Ataíde’s painting of the Assumption, where the Virgin and angels are depicted with mixed-race features. It symbolizes the deep racial integration in Brazil’s artistic and cultural expression.
“Among the non-European peoples who contributed to the historical formation of Brazil—Amerindians and Africans—it was the Indians who first came to the fore in the Romantic imagination.”Almeida critiques how Romanticism in Brazilian literature idealized Indigenous peoples while marginalizing Africans, reflecting nationalistic myth-making rather than an authentic portrayal of racial integration.
“The African is not linked to the genesis of the Brazilian, not even in the lyrical and idealized form that Alencar applies to the Indian.”This highlights a gap in Brazilian literary history, where African heritage was often excluded from national identity-building efforts in literature, unlike Indigenous heritage.
“A mulatto appears for the first time as a novel’s central character in the work that opens the realist period of Brazilian literature; in fact, its title is O Mulato (1881).”Almeida points out that racial themes gained more direct attention in Realist literature, shifting from the symbolic Romantic portrayals of racial mixing to addressing social barriers against mixed-race individuals.
“If Brazil has contributed something important to the enrichment of world culture, it is because of ethnic intermingling—this is the sign of our presence in the legacy of humanism.”This reflects Almeida’s central thesis that Brazil’s most defining cultural contribution is racial and cultural mixing, which he sees as a positive force in shaping national identity.
“In Macunaíma the issue of racial mixing is extrapolated from the limited domain of social or sociological mimetism to embrace, on a symbolic level, the whole of Brazilian reality.”Almeida discusses Mário de Andrade’s Macunaíma, emphasizing how Modernist literature fully integrated racial and cultural mixing into its representation of Brazilian identity.
“Pedro Archanjo, the reverse of Argolo, represents moral resistance to racism and as such is the spokesman for some of the ideas that are dearest to the author’s heart.”Almeida highlights how Jorge Amado’s Tenda dos Milagres directly challenges racist ideologies by presenting a protagonist who embraces and defends Afro-Brazilian culture.
“Today in Brazil, considered as a whole, this experience has been considerably extended and the original elements of the mix… have been joined by others: Italians, Germans, Arabs, Japanese, and many more.”The final argument in Almeida’s work acknowledges that Brazilian racial integration has continued beyond its colonial roots, incorporating a wide range of immigrant influences.
Suggested Readings: “Literature and Racial Integration” by José Mauricio Gomes de Almeida
  1. Mauricio Gomes de Almeida, José. “Literature and Racial Integration.” Diogenes 48.191 (2000): 72-83.
  2. Davis, Arthur P. “Integration and Race Literature.” Phylon (1940-1956), vol. 17, no. 2, 1956, pp. 141–46. JSTOR, https://doi.org/10.2307/272587. Accessed 15 Mar. 2025.
  3. Goff, Brian L., et al. “Racial Integration as an Innovation: Empirical Evidence from Sports Leagues.” The American Economic Review, vol. 92, no. 1, 2002, pp. 16–26. JSTOR, http://www.jstor.org/stable/3083319. Accessed 15 Mar. 2025.
  4. Jefferson, Ruth Bryant. “Some Obstacles to Racial Integration.” The Journal of Negro Education, vol. 26, no. 2, 1957, pp. 145–54. JSTOR, https://doi.org/10.2307/2293340. Accessed 15 Mar. 2025.

“Psychoanalysis, Colonialism, Racism” by Stephen Frosh: Summary and Critique

“Psychoanalysis, Colonialism, Racism” by Stephen Frosh first appeared in The Journal of Theoretical and Philosophical Psychology in 2013.

"Psychoanalysis, Colonialism, Racism" by Stephen Frosh: Summary and Critique
Introduction: “Psychoanalysis, Colonialism, Racism” by Stephen Frosh

“Psychoanalysis, Colonialism, Racism” by Stephen Frosh first appeared in The Journal of Theoretical and Philosophical Psychology in 2013. In this article, Frosh critically examines the entanglements between psychoanalysis and colonialism, emphasizing how psychoanalytic theory has historically been shaped by colonialist ideology and racist assumptions. He highlights Freud’s conception of the “primitive” or “savage” mind as a foundational problem, arguing that this terminology perpetuates a Eurocentric developmental hierarchy that aligns with colonialist thought (Frosh, 2013, p. 142). At the same time, Frosh acknowledges the potential of psychoanalysis to critique and dismantle colonialist discourse, particularly through its exploration of the “colonizing gaze” and the “racist imaginary.” He draws on Fanon’s (1952) seminal work, Black Skin, White Masks, to illustrate how psychoanalysis can be applied to postcolonial psychology, especially in understanding how racialized subjects internalize colonial oppression (p. 146). Frosh also discusses the tension between psychoanalysis as a tool of resistance and its historical complicity in reinforcing racial hierarchies, pointing out how its individualistic framework often neglects sociohistorical realities (p. 141). The article has gained popularity due to its critical engagement with both psychoanalysis and postcolonial theory, making a compelling case for their mutual relevance while also exposing the ideological blind spots within psychoanalytic thought. By incorporating perspectives from theorists such as Edward Said, Jacques Lacan, and Slavoj Žižek, Frosh’s work remains a significant contribution to contemporary debates on race, colonialism, and psychology (p. 152).

Summary of “Psychoanalysis, Colonialism, Racism” by Stephen Frosh

1. Postcolonial Ambivalence Toward Psychoanalysis

  • Postcolonial theory has had an uneasy relationship with psychoanalysis due to its individualistic focus and its neglect of sociohistorical concerns (Frosh, 2013, p. 141).
  • Despite its critical tools, psychoanalysis has historically drawn from colonialist ideology, particularly in Freud’s notion of the “primitive mind” (Frosh, 2013, p. 141).
  • However, psychoanalysis challenges linear developmental assumptions, acknowledging that all subjects harbor elements of primitivity, disrupting the civilized/primitive binary (Frosh, 2013, p. 141).

2. The Colonial Foundations of Psychoanalysis

  • Freud’s work reinforced colonialist ideas by categorizing “savage” and “civilized” mentalities (Frosh, 2013, p. 143).
  • In Totem and Taboo, Freud equates the mental lives of “savages” with neurotics, implying a developmental hierarchy (Frosh, 2013, p. 143).
  • Freud writes, “There are men still living who, as we believe, stand very near to primitive man, far nearer than we do” (Freud, 1913, p. 1, as cited in Frosh, 2013, p. 143).
  • Freud linked “savages” to children, portraying them as emotionally underdeveloped (Frosh, 2013, p. 144).
  • The savage/civilized distinction is not just developmental—it racializes inferiority, making it a tool of colonial justification (Frosh, 2013, p. 144).

3. The Racist Gaze and the Colonized Subject

  • Drawing from Fanon’s Black Skin, White Masks, Frosh discusses the alienating impact of the white gaze on Black subjects (Frosh, 2013, p. 146).
  • Fanon describes his experience of being reduced to an object:

“I found that I was an object in the midst of other objects” (Fanon, 1952, p. 109, as cited in Frosh, 2013, p. 146).

  • The white child’s reaction—fear and fascination—reinforces the racialized alienation of the Black subject (Frosh, 2013, p. 146).
  • Fanon employs Lacan’s mirror stage to show that the Black subject’s reflection is distorted by colonial stereotypes, creating double alienation (Frosh, 2013, p. 147).

4. Psychoanalysis as a Colonial Discipline

  • Psychoanalysis carries embedded colonial biases, even when used in progressive critical theory (Frosh, 2013, p. 144).
  • Celia Brickman (2003) argues that Freud’s “universalizing reconfigurations” displaced European antisemitism onto “primitives,” women, and homosexuals (Frosh, 2013, p. 145).
  • Freud’s binary of rational/civilized vs. irrational/primitive mirrors the colonial justification of dominance (Frosh, 2013, p. 145).
  • Even in modern psychoanalysis, terms like “primitive fantasies” unconsciously reproduce colonial assumptions (Frosh, 2013, p. 146).

5. The Racist Imaginary: Projection and Fantasy

  • Psychoanalysis helps explain the excessive nature of racist ideology—its passionate hatred beyond rational justification (Frosh, 2013, p. 148).
  • Adorno et al. (1950) theorized that racism stems from authoritarian family structures, creating personalities that externalize fear onto scapegoats (Frosh, 2013, p. 148).
  • Racism is not just mistaken belief—it is a psychically charged structure, maintained by projection and paranoia (Frosh, 2013, p. 148).
  • Fanon (1952) showed how colonialism constructs Blackness as hypersexual, aggressive, and inferior, making Black bodies the repository for White anxieties (Frosh, 2013, p. 149).
  • “The White man projects his repressed sexuality onto the Black, constructing him in fantasy as a sexual paragon and an object for his homosexual desire” (Fanon, 1952, p. 170, as cited in Frosh, 2013, p. 149).

6. Psychoanalysis, Colonial Enjoyment, and Excess

  • Žižek (1993) describes the racist fantasy of the “stolen enjoyment”—the idea that the Other possesses what the White subject lacks (Frosh, 2013, p. 151).
  • Racism is fueled by the obsession with the “excessive” enjoyment of others—whether in music, food, or sexuality (Frosh, 2013, p. 151).
  • “The White subject needs the Black to define itself; and it desires the Black as the repository of those necessary things—above all, sexuality—which it has repudiated” (Frosh, 2013, p. 150).
  • The racist subject, believing they have lost something (power, morality, racial purity), projects their perceived lack onto the Other (Frosh, 2013, p. 151).

7. Psychoanalysis as a Tool for Postcolonial Theory

  • Despite its colonial legacy, psychoanalysis offers critical tools for postcolonial analysis (Frosh, 2013, p. 152).
  • It reveals how colonialism psychologically conditions both colonizer and colonized, embedding racism within the unconscious (Frosh, 2013, p. 152).
  • Said (2003) used Freud’s Moses and Monotheism to argue that identity is always fractured, and European identity is haunted by its colonial other (Frosh, 2013, p. 150).
  • Psychoanalysis helps explain why racism persists—not just as a political structure but as a psychic investment in domination (Frosh, 2013, p. 153).
  • Frosh warns that psychoanalysis itself must be decolonized before it can fully contribute to anti-racist discourse (Frosh, 2013, p. 153).

Conclusion

  • Psychoanalysis has a problematic colonial legacy, reinforcing hierarchies of race and civilization (Frosh, 2013, p. 154).
  • However, it also offers powerful insights into the psychological mechanisms of racism, such as projection, alienation, and fantasy (Frosh, 2013, p. 154).
  • Postcolonial thinkers like Fanon, Said, and Žižek have used psychoanalysis to unmask the racist imaginary and colonial trauma (Frosh, 2013, p. 154).
  • The challenge remains to use psychoanalysis as a critical tool without reproducing its colonial assumptions (Frosh, 2013, p. 154).

References (as cited in Frosh, 2013)

  • Fanon, F. (1952). Black Skin, White Masks.
  • Freud, S. (1913). Totem and Taboo.
  • Freud, S. (1927). The Future of an Illusion.
  • Freud, S. (1939). Moses and Monotheism.
  • Said, E. (2003). Freud and the Non-European.
  • Žižek, S. (1993). Tarrying with the Negative.
Theoretical Terms/Concepts in “Psychoanalysis, Colonialism, Racism” by Stephen Frosh
Term/ConceptDefinition/ExplanationReference in Frosh (2013)
Colonialist Ideology in PsychoanalysisThe way psychoanalytic theory, especially Freud’s, incorporates colonial and racial assumptions about “primitive” vs. “civilized” mentalities.p. 141-144
Primitive Mind/Savage MindFreud’s notion that “primitive” societies and children share irrational, undeveloped ways of thinking, reinforcing colonial hierarchies.p. 143
Colonizing GazeThe way in which colonial subjects are looked at as objects rather than subjects, particularly in Fanon’s experience of the “white gaze.”p. 146
Racist ImaginaryThe unconscious projections and fantasies that sustain racism, rooted in paranoia, desire, and disavowal.p. 148
ProjectionA defense mechanism where undesirable qualities in the self are attributed to the racialized other, reinforcing prejudice.p. 148-149
AlienationA condition where the subject is distanced from their own identity due to the external gaze and colonial oppression, as discussed in Fanon’s work.p. 146-147
Mirror Stage (Lacanian Theory)A psychoanalytic concept describing the formation of the ego through identification with an external image; Fanon critiques how this is racialized in colonialism.p. 147
EpidermalizationFanon’s idea that colonial oppression inscribes racial inferiority onto the skin, making race a lived bodily experience.p. 149
Unconscious Desire and RacismThe psychoanalytic view that racism is fueled by unconscious desires, particularly projections of repressed sexual and aggressive impulses.p. 150-151
Enjoyment (Jouissance) and the OtherŽižek’s idea that racism is fueled by the belief that the racialized Other enjoys life in an excessive way that threatens the dominant group.p. 151
Melancholia and Postcolonial IdentityThe grief or loss experienced in postcolonial societies due to historical trauma and the erasure of indigenous identity.p. 150
Psychic Investment in RacismThe idea that racism is not just a political or social issue but a deep psychological investment in preserving power structures.p. 153
SplittingA psychological defense where the world is divided into good and bad, reinforcing racial binaries (e.g., civilized vs. primitive).p. 148-149
Paranoia and the Racial OtherThe racist subject experiences the Other as a threat to identity and projects fears onto them, as seen in Adorno’s work on authoritarian personalities.p. 148
Psychoanalysis as a Colonial ToolThe idea that psychoanalysis has historically aligned with colonialist discourse, reinforcing racial and civilizational hierarchies.p. 144-145
Psychoanalysis as a Subversive ToolDespite its colonial entanglements, psychoanalysis provides critical tools to deconstruct racism and colonial power.p. 152-153
Contribution of “Psychoanalysis, Colonialism, Racism” by Stephen Frosh to Literary Theory/Theories

1. Postcolonial Theory

  • Critique of the “Colonizing Gaze”:
    • Frosh builds on Frantz Fanon’s analysis of colonial alienation, explaining how psychoanalysis can uncover the deep psychological damage caused by colonialism.
    • Example: Fanon’s description of being objectified by the white gaze (Fanon, 1952) is re-examined through Lacanian psychoanalysis.
    • “The Black subject, subjected to the racist gaze, sees itself in the White mirror that removes the possibility of self-assertion and mastery and instead creates further fragmentation.” (p. 146)
  • Epidermalization and the Inscription of Race on the Body:
    • Frosh applies Fanon’s notion that race is not just a social construct but a felt bodily experience ingrained in psychoanalysis.
    • “Colonial power is built on this capacity of the colonizer to remove the source of subjecthood from the colonized; and this power is reflected and institutionalized continuously by the gaze.” (p. 149)
  • Psychoanalysis as a Tool for Decolonization:
    • Despite its colonial entanglements, psychoanalysis can deconstruct colonial narratives in literature by exposing unconscious racial biases.
    • “Psychoanalysis also influences contemporary postcolonial theory… offering a vocabulary and set of conceptual tools for articulating the subtle manner in which sociocultural processes construct, and are in turn supported by, psychic configurations.” (p. 150)

2. Psychoanalytic Criticism

  • Reevaluation of Freud’s “Primitive Mind” in Literary Analysis:
    • Frosh critiques Freud’s developmental model, which equates non-European cultures with childhood, reinforcing colonialist hierarchies.
    • “Freud’s postulation of the ‘primitive’ or ‘savage’ mind, which still infects psychoanalytic thinking, is a prime example here.” (p. 143)
  • The Role of the Unconscious in Racialized Fantasies:
    • Psychoanalysis can help decode how literary texts encode racist fantasies and fears, as seen in colonial-era literature (e.g., Heart of Darkness).
    • “Racist persecution of the Black is therefore fuelled by sexual hatred, something evidenced by lynchings throughout history.” (p. 150)
  • Projection and the Racial Other:
    • Freudian projection explains how racist characters in literature project their disavowed fears, desires, and anxieties onto racialized figures.
    • “The racist subject will both be drawn to and repelled by the object of hatred, and in spite of all evidence to the contrary, will hold a genuine conviction that its very existence is threatening.” (p. 148)

3. Critical Race Theory (CRT)

  • Racism as a Psychological Structure, Not Just a Social One:
    • Frosh aligns with CRT scholars (e.g., Derrick Bell) in asserting that racism is not just a structural issue but deeply embedded in psychic and cultural discourse.
    • “Racial categories are particularly useful repositories for such anti- or pseudo-thinking, not just because they are socially valorized for political purposes (such as colonialism and economic exploitation), but because they are fundamentally ’empty’ categories.” (p. 149)
  • The “Racist Imaginary” and Stereotyping in Literature:
    • Literature perpetuates stereotypes of the Other by encoding unconscious racial fears (e.g., the savage, hypersexual Black man in colonial fiction).
    • “Psychoanalysis provides a vocabulary that facilitates discussion of what might be called the excessive dimension of racist discourse.” (p. 148)
  • The Function of “Enjoyment” (Jouissance) in Racist Representations:
    • Žižek’s concept of enjoyment (jouissance) helps explain the contradictory portrayal of racialized figures as both feared and desired.
    • “Whiteness, supported by an ideology of ‘purity’ and a disavowal of sexuality, needs the Black ‘other’ as a repository of its own discontent.” (p. 151)

4. Cultural Studies and Ideology Critique

  • Colonialism and the Production of Knowledge:
    • Psychoanalysis has historically reinforced colonialist thought through its Eurocentric assumptions, which Cultural Studies scholars challenge.
    • “Freud deployed the idea that the thinking of what he called ‘savages’ was not only contrasted to ‘civilized’ mentality, but also revealed the origins of mental life both for the culture as a whole.” (p. 143)
  • Psychoanalysis as a Counter-Ideological Tool:
    • By exposing how racial hierarchies are naturalized in psychoanalytic discourse, Frosh highlights how literary texts can be read critically against their own ideological assumptions.
    • “Even though psychoanalysis has frequently aligned itself with colonialist tendencies, it also offers tools to deconstruct the categories that support them.” (p. 152)
  • Fanon’s “Double Alienation” and Identity Formation in Literature:
    • Frosh revisits Fanon’s double alienation to explain how colonial and postcolonial literature often depicts racialized subjects caught between two worlds (e.g., hybridity in postcolonial literature).
    • “The Lacanian subject looks in the mirror and sees its image reflected back to it… The Black subject, however, sees an image of the White’s gaze that fixes them in place.” (p. 147)

Conclusion: Theoretical Legacy in Literary Studies

Frosh’s work enhances literary theory by:

  1. Deepening Postcolonial Criticism through psychoanalysis, particularly Fanon’s theories.
  2. Challenging Eurocentric Psychoanalysis by revealing its racial biases.
  3. Applying Critical Race Theory to Literature, showing how race is a psychological and ideological construct.
  4. Providing a framework for interpreting racial alienation in postcolonial fiction, film, and cultural narratives.
Examples of Critiques Through “Psychoanalysis, Colonialism, Racism” by Stephen Frosh
Literary WorkCritique through Frosh’s Framework
Joseph Conrad – Heart of Darkness– Examines how colonialist ideology is embedded in language and psychology.
– Freud’s notion of the “primitive” and “savage” mind aligns with how Africa is portrayed as the irrational “other” (Frosh, 2013, p. 142).
– The “colonial gaze” reduces the native population to objects rather than subjects (Frosh, 2013, p. 146).
Charlotte Brontë – Jane Eyre– The character of Bertha Mason can be analyzed through the “racist imaginary” (Frosh, 2013, p. 148).
– Bertha is depicted as an embodiment of the “irrational” and “primitive” mind, reinforcing colonialist anxieties (Frosh, 2013, p. 149).
– Rochester’s treatment of Bertha parallels the colonial drive to dominate the “other” (Frosh, 2013, p. 152).
Frantz Fanon – Black Skin, White Masks– Fanon’s use of psychoanalysis to explain racial alienation aligns with Frosh’s argument on how colonialism psychologically constructs subjectivity (Frosh, 2013, p. 145).
– The “epidermalization” of Black identity (Frosh, 2013, p. 147) explains the internalization of colonial discourse by the colonized.
– The “White gaze” in Fanon’s work reflects the psychoanalytic idea of the “mirror stage” where the Black subject is forced into an alienated identity (Frosh, 2013, p. 146).
Jean Rhys – Wide Sargasso Sea– A postcolonial reimagining of Jane Eyre, it challenges the psychoanalytic assumption of the “civilized” vs. “primitive” binary (Frosh, 2013, p. 150).
– The narrative gives voice to the colonized subject, disrupting the colonizing gaze (Frosh, 2013, p. 151).
– Explores the psychological trauma of colonial displacement and racialization, in line with Frosh’s critique of colonialist psychology (Frosh, 2013, p. 153).
Criticism Against “Psychoanalysis, Colonialism, Racism” by Stephen Frosh
  1. Overgeneralization of Psychoanalysis’ Role in Colonialism
    • Frosh argues that psychoanalysis is deeply implicated in colonialist ideology, but some critics suggest he overgeneralizes Freud’s theories without considering their progressive potential.
    • Freud’s universalization of the unconscious could be seen as a critique of colonial binaries rather than a reinforcement (Freud, Totem and Taboo).
  2. Limited Engagement with Contemporary Psychoanalytic Theories
    • While Frosh critiques classical psychoanalysis, he does not fully engage with modern revisions of psychoanalysis that challenge its colonialist past.
    • Postcolonial psychoanalysts, such as Homi Bhabha and Achille Mbembe, have reformulated psychoanalytic theories to resist colonial narratives, which Frosh does not explore in depth.
  3. Potential Overemphasis on the “Racist Imaginary”
    • The concept of the racist imaginary (Frosh, 2013, p. 148) suggests that racism is largely the result of psychological projection, but critics argue that this perspective risks downplaying the material and structural dimensions of racism.
    • Social, economic, and political factors contribute significantly to colonial racism, beyond just unconscious psychological dynamics.
  4. Binary View of Psychoanalysis as Both Oppressive and Subversive
    • Frosh simultaneously critiques psychoanalysis for its colonialist underpinnings while also claiming it can be subversive and critical.
    • Some critics argue this dual stance lacks clarity: Is psychoanalysis inherently colonial, or can it be fully repurposed for postcolonial critique?
  5. Neglect of Alternative Psychological Frameworks
    • The article focuses on psychoanalysis as the primary psychological framework for analyzing colonialism, but other approaches such as cognitive psychology or indigenous psychology are largely ignored.
    • Alternative psychological perspectives could provide more nuanced insights into colonial trauma and resistance.
  6. Underrepresentation of Non-Western Psychoanalytic Thought
    • Frosh’s discussion centers primarily on European psychoanalysts (Freud, Lacan, Žižek), while non-Western contributions to psychoanalytic thought are largely absent.
    • Critics argue that including African, Caribbean, and Asian psychoanalytic thinkers (e.g., Fanon’s contemporaries, Dalit psychoanalysis, African spiritual psychologies) would enrich the analysis.
  7. Reliance on Freudian and Lacanian Psychoanalysis
    • The article heavily relies on Freud and Lacan’s theories, despite significant critiques of their Eurocentric and patriarchal biases.
    • Feminist and decolonial scholars have argued that other psychoanalytic traditions (e.g., Klein, Winnicott, Fanonian psychoanalysis) could offer a less colonialist perspective on subjectivity.
  8. Insufficient Engagement with Indigenous Epistemologies
    • While the article critiques the colonialist framing of the “primitive mind,” it does not explore indigenous epistemologies as alternatives to psychoanalytic models.
    • A broader engagement with indigenous philosophies of mind, healing, and subjectivity could counterbalance the focus on Western psychoanalysis.
Representative Quotations from “Psychoanalysis, Colonialism, Racism” by Stephen Frosh with Explanation
QuotationExplanation
“Postcolonial theory has been ambivalent towards psychoanalysis, for good reasons.” (Frosh, 2013, p. 141)Frosh highlights the tension between postcolonialism and psychoanalysis. He acknowledges that while psychoanalysis can offer insights into colonial subjectivity, it also carries colonialist assumptions.
“Freud’s postulation of the ‘primitive’ or ‘savage’ mind, which still infects psychoanalytic thinking, is a prime example here.” (p. 141)Critiques Freud’s theory for reinforcing colonialist binaries, positioning non-European societies as “primitive” in comparison to the “civilized” West.
“Psychology needs postcolonialism quite patently, because without the challenge of postcolonial thinking it drifts into ahistorical and highly abstracted models of the mind.” (p. 142)Argues that psychology often ignores sociohistorical factors and needs postcolonialism to avoid abstract, Eurocentric assumptions.
“Postcolonialism needs psychology more subtly, because without some kind of effective psychological input it essentializes the sociohistorical and is left grasping for a theory of the subject.” (p. 142)Suggests that postcolonialism benefits from psychological insights to understand subjectivity beyond purely historical and sociopolitical frameworks.
“Psychoanalysis is thus an exemplary incidence of a disciplinary practice that both draws on colonialism and disrupts its categories at the same time.” (p. 145)Describes the paradox of psychoanalysis: it both reflects and critiques colonialist ideology, making it both problematic and useful for postcolonial studies.
“The savage is the other, the not ‘us’.” (p. 143)Highlights the colonialist language in Freud’s work, which positions non-European people as an externalized, lesser “other.”
“Psychoanalysis has some of its roots in colonialist assumptions that continue to resonate in contemporary theory and clinical practice.” (p. 150)Acknowledges that colonialist language and biases in psychoanalysis persist, even in modern applications.
“Colonial power is built on this capacity of the colonizer to remove the source of subjecthood from the colonized.” (p. 146)Draws from Fanon to argue that colonialism dehumanizes and strips agency from the colonized through psychological mechanisms.
“Racism is not a ‘simple belief’ and its irrationality is not solely in the area of its truth claims.” (p. 148)Critiques conventional views of racism, arguing that it operates through unconscious psychological structures rather than mere misinformation.
“Psychoanalysis can be used both to trouble colonial and racist assumptions, and as a stepping stone to some subversive theory.” (p. 152)Concludes that despite its colonial baggage, psychoanalysis remains a valuable tool for challenging racist and colonialist ideologies.
Suggested Readings: “Psychoanalysis, Colonialism, Racism” by Stephen Frosh
  1. Frosh, Stephen. “Psychoanalysis, colonialism, racism.” Journal of Theoretical and Philosophical Psychology 33.3 (2013): 141.
  2. Frosh, Stephen. “Psychoanalysis, Colonialism, Racism.” A Deeper Cut: Further Explorations of the Unconscious in Social and Political Life, edited by David Morgan, Karnac Books, 2021, pp. 25–52. JSTOR, https://doi.org/10.2307/jj.23338182.9. Accessed 13 Mar. 2025.
  3. FROSH, STEPHEN. “Towards a Psychosocial Psychoanalysis.” American Imago, vol. 73, no. 4, 2016, pp. 469–82. JSTOR, https://www.jstor.org/stable/26303653. Accessed 13 Mar. 2025.
  4. HOOK, DEREK. “The Primal Scene of Anti-Blackness: The Masochist Jouissance of White Racism.” The Comparatist, vol. 46, 2022, pp. 7–28. JSTOR, https://www.jstor.org/stable/27181573. Accessed 13 Mar. 2025.

“Post-Racism? Putting President Obama’s Victory In Perspective” by Thomas F. Pettigrew: Summary and Critique

“Post-Racism? Putting President Obama’s Victory In Perspective” by Thomas F. Pettigrew first appeared in the Du Bois Review: Social Science Research on Race in 2009 as part of the broader scholarly discussion on race and politics.

"Post-Racism? Putting President Obama’s Victory In Perspective" by Thomas F. Pettigrew: Summary and Critique
Introduction: “Post-Racism? Putting President Obama’s Victory In Perspective” by Thomas F. Pettigrew

“Post-Racism? Putting President Obama’s Victory In Perspective” by Thomas F. Pettigrew first appeared in the Du Bois Review: Social Science Research on Race in 2009 as part of the broader scholarly discussion on race and politics. This article critically examines the notion that Barack Obama’s election as the first African American president signified a “post-racial” America. Pettigrew challenges the idea that racism had diminished significantly, arguing instead that Obama’s victory resulted from a “perfect storm” of political conditions rather than a fundamental transformation in racial attitudes. The article highlights the persistence of racial prejudice, as demonstrated by white Southern and older voters’ reluctance to support Obama, and emphasizes the role of increased voter turnout among young and minority populations. In literary theory and political discourse, this work contributes to critical race studies by interrogating the narrative of progress often imposed on racial history. By exposing logical fallacies in post-racial arguments and using empirical data to reveal the complexities of racial attitudes, Pettigrew’s analysis aligns with scholarship that critiques optimistic yet superficial claims of racial equality. As referenced in the State of the Discipline, this article serves as an essential text in the study of race relations, political behavior, and the enduring structures of systemic inequality in the United States.

Summary of “Post-Racism? Putting President Obama’s Victory In Perspective” by Thomas F. Pettigrew
  1. The Myth of Post-Racism
    • Pettigrew critiques the claim that Obama’s election signifies the end of racism in the U.S.
    • He argues that such views are overly optimistic and overlook systemic racial disparities (Pettigrew, 2009, p. 279).
    • The desire to declare racism as “solved” is an extension of historical tendencies to prematurely celebrate racial progress (Pettigrew, 2009, p. 280).
  2. The “Perfect Storm” That Led to Obama’s Victory
    • Obama’s election was made possible by a unique confluence of events, not necessarily a shift in racial attitudes.
    • Factors included:
      • A well-run campaign
      • Economic downturn
      • Declining popularity of the Republican Party under George W. Bush
      • A highly favorable political climate (Pettigrew, 2009, p. 280).
    • Obama benefited from previous Black political progress and demographic shifts (Pettigrew, 2009, p. 281).
  3. Racist Voters Still Supported Obama
    • Some white bigots voted for Obama due to the economic crisis, demonstrating that racial prejudice and voting decisions do not always align (Pettigrew, 2009, p. 282).
    • A survey found that 33% of white Democrats held negative racial stereotypes, yet 58% of them still voted for Obama (Pettigrew, 2009, p. 283).
    • Racism remained evident in other aspects, such as opposition to affirmative action and racially motivated legislative measures (Pettigrew, 2009, p. 284).
  4. Logical Fallacies in the Post-Racism Argument
    • The ecological fallacy: Inferring individual racial attitudes from aggregate voting patterns is misleading (Pettigrew, 2009, p. 284).
    • The constant turnout composition fallacy: The assumption that the electorate remained the same as in 2004 is false; there was a significant increase in young, minority, and independent voters (Pettigrew, 2009, p. 285).
    • Obama’s slight improvement over Kerry’s white vote share (43% vs. 41%) does not indicate a racial transformation (Pettigrew, 2009, p. 285).
  5. Racist Attitudes and Actions Persisted During the Campaign
    • Throughout Obama’s campaign, racist incidents were frequent:
      • Cross-burnings, threats, and racist graffiti (Pettigrew, 2009, p. 286).
      • Students chanting “assassinate Obama” on a school bus in Idaho (Pettigrew, 2009, p. 286).
      • A Republican club issuing fake $10 bills featuring Obama alongside a watermelon, ribs, and fried chicken (Pettigrew, 2009, p. 287).
    • High-profile figures, including Hillary Clinton’s campaign surrogates, played the “race card” by spreading rumors about Obama’s background (Pettigrew, 2009, p. 287).
  6. White Southern and Elderly Voters Demonstrated Continued Racism
    • Older white voters (65+) were the only age group to vote more Republican in 2008 than in 2004 (Pettigrew, 2009, p. 287).
    • White support for Obama decreased in certain Southern states like Alabama and Mississippi (Pettigrew, 2009, p. 288).
    • These trends contradict claims that Obama’s election erased racial divisions (Pettigrew, 2009, p. 289).
  7. The Role of Increased Minority and Youth Turnout
    • Key voter demographics:
      • Black voter turnout increased from 11% in 2004 to 13% in 2008.
      • Latino turnout increased from 6% to 8%, with 66% supporting Obama (Pettigrew, 2009, p. 289).
      • The under-30 vote shifted significantly toward Obama, showing a generational difference in racial attitudes (Pettigrew, 2009, p. 289).
  8. Structural Racism Persists Despite Obama’s Victory
    • Obama’s election does not eliminate systemic racism in housing, employment, education, and criminal justice (Pettigrew, 2009, p. 290).
    • “The basic problems are structural—rampant housing segregation, poverty, job discrimination, poor education, massive imprisonment” (Pettigrew, 2009, p. 290).
    • Institutional racism remains embedded in American society and requires more than symbolic victories to overcome (Pettigrew, 2009, p. 291).
  9. Concluding Thoughts: A Step Forward, Not the End of Racism
    • Obama’s presidency represents progress but not the end of racial discrimination (Pettigrew, 2009, p. 291).
    • “We are no longer ‘two nations,’ but neither are we a single, non-racialized nation” (Pettigrew, 2009, p. 291).
    • The fight for racial equality continues beyond the symbolic victory of a Black president (Pettigrew, 2009, p. 292).
Key Takeaways
  • Obama’s election was historic but did not signal a “post-racial” America.
  • Many white voters, including bigots, supported him for reasons unrelated to racial progress.
  • Logical fallacies distort the perception that racism has significantly declined.
  • Racist incidents and systemic inequalities persist.
  • Future progress in race relations depends on structural changes, not just symbolic victories.
Theoretical Terms/Concepts in “Post-Racism? Putting President Obama’s Victory In Perspective” by Thomas F. Pettigrew
Theoretical Term/ConceptDefinitionApplication in Pettigrew’s Argument
Post-RacismThe belief that racism has significantly declined or ended, particularly after Obama’s election.Pettigrew critiques this notion, arguing that systemic racism persists despite Obama’s victory (Pettigrew, 2009, p. 279).
Ecological FallacyA logical error where conclusions about individuals are drawn from macro-level data.Pettigrew points out that voting patterns cannot accurately determine individual racial attitudes (Pettigrew, 2009, p. 284).
Constant Turnout Composition FallacyThe assumption that the electorate remains unchanged between elections.Pettigrew argues that shifts in voter demographics, rather than a reduction in racism, contributed to Obama’s win (Pettigrew, 2009, p. 285).
Symbolic RacismA form of racism that is more subtle and indirect, based on the belief that minorities violate traditional values.Pettigrew suggests that many white voters who supported Obama still held negative stereotypes about Black people (Pettigrew, 2009, p. 283).
Blaming the VictimThe tendency to attribute structural inequalities to the perceived shortcomings of marginalized groups.Pettigrew highlights how many Americans believe racial equality has already been achieved and hold Black communities responsible for ongoing disparities (Pettigrew, 2009, p. 280).
Racial CodingThe use of seemingly neutral language to convey racial messages.Campaign attacks against Obama, such as calling him “elitist” or “not one of us,” were racially coded (Pettigrew, 2009, p. 287).
DeracializationA political strategy in which Black candidates avoid direct discussions of race to appeal to white voters.Obama largely avoided racial issues except when necessary, such as in his Philadelphia speech (Pettigrew, 2009, p. 284).
Implicit BiasUnconscious racial prejudices that affect behavior and decision-making.Many voters may have unconsciously applied racial biases while still voting for Obama (Pettigrew, 2009, p. 283).
Structural RacismSystemic inequalities embedded in institutions and policies.Pettigrew argues that racial disparities in housing, employment, and education remain significant (Pettigrew, 2009, p. 290).
Generational Political SocializationThe idea that major political events shape the attitudes of specific age groups.Younger voters, shaped by Obama’s election, may maintain progressive racial attitudes in the long term (Pettigrew, 2009, p. 289).
Contribution of “Post-Racism? Putting President Obama’s Victory In Perspective” by Thomas F. Pettigrew to Literary Theory/Theories

1. Critical Race Theory (CRT)

  • CRT argues that racism is not an anomaly but a deeply embedded structure within society.
  • Pettigrew challenges the “post-racism” narrative, emphasizing that racism remains a systemic issue despite Obama’s election (Pettigrew, 2009, p. 279).
  • He highlights structural barriers such as housing segregation, economic inequality, and the criminal justice system that continue to disadvantage Black Americans (Pettigrew, 2009, p. 290).
  • The concept of “blaming the victim” (Ryan, 1976) is used to explain how racial inequalities are justified by attributing them to Black individuals rather than structural forces (Pettigrew, 2009, p. 280).

2. Postcolonial Theory

  • Postcolonial theory critiques how race and identity are constructed through historical power dynamics.
  • Pettigrew deconstructs the celebratory discourse around Obama’s election, arguing that it masks continued racial oppression (Pettigrew, 2009, p. 291).
  • He examines how media and political narratives shape racial identities, particularly in how Obama was framed as “non-threatening” to white voters (Pettigrew, 2009, p. 284).
  • The “racial coding” of political attacks against Obama—such as being labeled “elitist” or “not one of us”—mirrors colonialist strategies of othering racialized individuals (Pettigrew, 2009, p. 287).

3. Ideological State Apparatus (Althusserian Theory)

  • Louis Althusser’s concept of Ideological State Apparatuses (ISAs) explains how institutions like the media, politics, and education shape ideological beliefs.
  • Pettigrew critiques the media’s role in reinforcing the myth of a post-racial America, especially through journalists like John Tierney, who dismissed racism as a declining phenomenon (Pettigrew, 2009, p. 280).
  • He demonstrates how political discourse, shaped by dominant ideologies, minimizes systemic racism while amplifying individual success stories to suggest racial progress (Pettigrew, 2009, p. 279).
  • The fallacies underlying the post-racial argument are ideologically constructed to maintain white privilege by falsely portraying racial justice as achieved (Pettigrew, 2009, p. 285).

4. Narrative Theory (Meta-Narratives and Counter-Narratives)

  • Pettigrew deconstructs the meta-narrative that Obama’s election represents racial progress and the fulfillment of American ideals of equality (Pettigrew, 2009, p. 279).
  • He presents a counter-narrative that exposes the persistence of racism, as seen in the backlash against Obama, racist campaign rhetoric, and declining white support in Southern states (Pettigrew, 2009, p. 287).
  • This aligns with literary studies on how narratives shape historical memory and political consciousness.

5. New Historicism

  • New Historicism argues that literary and cultural texts must be analyzed within their historical and sociopolitical contexts.
  • Pettigrew situates Obama’s election within the broader history of American race relations, linking it to the long struggle for Black political representation since the Voting Rights Act of 1965 (Pettigrew, 2009, p. 280).
  • He refutes the idea that history moves in a linear progression toward racial equality, demonstrating instead how historical inequalities persist despite symbolic victories (Pettigrew, 2009, p. 291).
  • His discussion of white Southern resistance to Obama reflects the enduring legacies of segregationist politics (Pettigrew, 2009, p. 287).

6. Structuralism and Semiotics

  • Structuralism examines how meaning is created through systems of signs and language.
  • Pettigrew identifies racial coding in political discourse, such as how words like “elitist” or “unpatriotic” carry racialized meanings when applied to Obama (Pettigrew, 2009, p. 287).
  • He shows how white voters rationalized their support for Obama by emphasizing his light skin tone, biracial identity, and non-threatening demeanor, which semiotically distanced him from Black stereotypes (Pettigrew, 2009, p. 284).
  • This aligns with semiotic theories that analyze how language and symbols reinforce power structures.

7. Cultural Studies and Media Theory

  • Pettigrew examines how media narratives constructed the myth of post-racism while simultaneously amplifying racist tropes against Obama (Pettigrew, 2009, p. 280).
  • He critiques the media’s selective framing, such as focusing on racial progress while ignoring structural injustices (Pettigrew, 2009, p. 291).
  • His analysis contributes to cultural studies by revealing how political campaigns, media discourse, and public perceptions interact to shape racial ideologies.

Conclusion: The Article’s Theoretical Contributions

Pettigrew’s work contributes significantly to literary theory and cultural criticism by:

  • Challenging dominant racial narratives and exposing ideological distortions.
  • Providing a critical race analysis of how media and political rhetoric obscure systemic racism.
  • Offering a counter-narrative to the simplistic idea that racial representation equals racial justice.
  • Integrating historical, structuralist, and semiotic approaches to analyze the election’s symbolic and material impact.
Examples of Critiques Through “Post-Racism? Putting President Obama’s Victory In Perspective” by Thomas F. Pettigrew
Literary WorkKey ThemesCritique Through Pettigrew’s Perspective
1. To Kill a Mockingbird (Harper Lee, 1960)Racial injustice, moral growth, and the legal system’s failure to uphold racial equality.Pettigrew’s critique of the post-racism narrative aligns with how the novel exposes structural racism in the legal system. Just as Obama’s election did not erase racism, Atticus Finch’s legal defense of Tom Robinson does not dismantle the deeply ingrained racial prejudices of Maycomb (Pettigrew, 2009, p. 290).
2. The Great Gatsby (F. Scott Fitzgerald, 1925)The American Dream, class struggle, and racial anxieties in 1920s America.Pettigrew’s discussion of racial coding in political discourse (Pettigrew, 2009, p. 287) applies to Fitzgerald’s portrayal of Tom Buchanan’s fear of racial “degeneration.” The novel critiques the myth of the American Dream, much like Pettigrew critiques the post-racial myth by revealing the persistent inequalities beneath the surface of success (Pettigrew, 2009, p. 291).
3. Beloved (Toni Morrison, 1987)The psychological trauma of slavery, memory, and historical erasure.Pettigrew highlights the danger of premature historical closure in racial discourse (Pettigrew, 2009, p. 279). Just as Obama’s victory did not signify the end of racism, Morrison’s novel argues that the traumas of slavery are not erased but continue to haunt generations (Pettigrew, 2009, p. 291). The desire to forget the past mirrors the push for a post-racial America that ignores structural racism.
4. Invisible Man (Ralph Ellison, 1952)Racial identity, invisibility, and systemic oppression.Pettigrew’s concept of deracialization in Obama’s campaign (Pettigrew, 2009, p. 284) parallels the protagonist’s realization that racial invisibility is a survival mechanism in a racist society. The novel critiques the illusion of racial progress, much like Pettigrew argues that Obama’s election did not dismantle racial hierarchies (Pettigrew, 2009, p. 290).
Criticism Against “Post-Racism? Putting President Obama’s Victory In Perspective” by Thomas F. Pettigrew
  1. Overemphasis on Structural Racism Without Recognizing Individual Agency
    • Pettigrew focuses heavily on systemic barriers but underplays the role of individual actions in combating racism.
    • Critics may argue that while systemic racism persists, Obama’s presidency did signal progress in racial representation and leadership (Pettigrew, 2009, p. 291).
  2. Dismissal of the Symbolic Importance of Obama’s Election
    • While Pettigrew critiques the “post-racism” narrative, he may downplay the psychological and cultural significance of a Black president for African Americans and other minority groups.
    • Representation in leadership can have real-world implications for racial perceptions, even if structural inequalities remain (Pettigrew, 2009, p. 291).
  3. Neglect of Counterarguments from Optimistic Scholars
    • Pettigrew largely critiques post-racial advocates like John Tierney but does not engage deeply with scholars who acknowledge both racial progress and ongoing struggles.
    • His critique could be more balanced by discussing theories of incremental racial progress rather than suggesting that racism remains entirely unchanged (Pettigrew, 2009, p. 290).
  4. Limited Consideration of Global and Comparative Perspectives
    • The analysis is centered on American race relations without broader comparisons to racial dynamics in other countries.
    • Pettigrew references Black European reactions to Obama’s win (Pettigrew, 2009, p. 289) but does not analyze how racial politics in other democracies might provide comparative insights.
  5. Reliance on Quantitative Voting Data Without Nuanced Qualitative Analysis
    • While Pettigrew uses exit-poll data to show that white support for Obama was not necessarily indicative of racial progress (Pettigrew, 2009, p. 283), some critics argue that surveys do not capture changing racial attitudes in personal and professional spaces.
    • A more qualitative approach—such as interviews or discourse analysis—could provide deeper insight into shifting racial dynamics beyond voting patterns.
  6. Potential Political Bias
    • Pettigrew critiques conservative narratives about post-racism but does not critically analyze how liberal political discourse may also contribute to performative racial progress rather than substantive change.
    • The Democratic Party’s role in perpetuating racial inequalities (e.g., mass incarceration policies under Clinton) is not extensively discussed.
  7. Underestimation of Racial Progress Among Younger Generations
    • The argument that racism remains largely intact may not fully account for the generational shift toward greater racial acceptance among younger Americans (Pettigrew, 2009, p. 289).
    • Younger voters showed significantly higher levels of support for Obama, which could indicate meaningful racial progress rather than just a political alignment shift.
  8. Rigid Binary Between Racist and Non-Racist Voters
    • Pettigrew highlights that many bigoted white voters still supported Obama (Pettigrew, 2009, p. 283), but this may oversimplify the complexities of racial attitudes.
    • Many voters may hold contradictory racial beliefs, where they acknowledge systemic racism but also support policies that perpetuate inequality.
Representative Quotations from “Post-Racism? Putting President Obama’s Victory In Perspective” by Thomas F. Pettigrew with Explanation
QuotationExplanation
“It took ‘a perfect storm’ of interlocking factors to elect Obama.” (Pettigrew, 2009, p. 280)Pettigrew argues that Obama’s victory was not merely a result of racial progress but was influenced by a combination of factors such as a weak Republican opponent, economic crises, and his own charisma and campaign strategy.
“Many White bigots actually voted for Obama.” (Pettigrew, 2009, p. 282)He challenges the assumption that voting for a Black candidate proves the absence of racism. Some voters, despite holding prejudiced beliefs, still chose Obama due to economic concerns and other priorities.
“Racist attitudes and actions repeatedly erupted during both the primary and final campaigns.” (Pettigrew, 2009, p. 285)Pettigrew points out that despite claims of a “post-racial” America, racial prejudice was evident in campaign rhetoric, media representations, and acts of racial violence during the election season.
“The post-racism thesis suffers from two logical and interrelated fallacies: the ecological fallacy and the constant turnout composition fallacy.” (Pettigrew, 2009, p. 284)He critiques the idea that Obama’s victory signifies racial progress, arguing that broad assumptions about racism’s decline are flawed because voter demographics changed significantly between 2004 and 2008.
“Whites older than sixty-four years were the only age group to vote more Republican than in 2004.” (Pettigrew, 2009, p. 286)This statistic is used to show how older white Americans resisted racial change, contradicting the idea that Obama’s election represented a universal racial transformation.
“Obama’s decisive victory marks a momentous milestone in the history of America’s most persistent domestic problem.” (Pettigrew, 2009, p. 290)Despite his criticism of the “post-racism” claim, Pettigrew acknowledges the historical significance of Obama’s presidency as a major racial milestone.
“You can’t look at that swath of hard-red states that actually grew even redder and say that we are post-racial.” (Pettigrew, 2009, p. 286)He refutes the idea of a post-racial society by highlighting that several Southern states actually became more conservative and less supportive of racial progress.
“To answer Tierney’s provocative question—‘where have all the bigots gone?’—we can definitively say they have not disappeared.” (Pettigrew, 2009, p. 289)Pettigrew directly counters John Tierney’s claim that racism had largely vanished after Obama’s election, emphasizing that prejudices remain deeply embedded in American society.
“The American presidency is powerful, but it has its definite limits.” (Pettigrew, 2009, p. 290)He tempers expectations about Obama’s ability to single-handedly dismantle systemic racism, citing economic, political, and judicial constraints.
“We are no longer ‘two nations,’ but neither are we a one, non-racialized nation.” (Pettigrew, 2009, p. 290)Pettigrew encapsulates his argument by asserting that while progress has been made, racial divisions in America still persist and require continued attention.
Suggested Readings: “Post-Racism? Putting President Obama’s Victory In Perspective” by Thomas F. Pettigrew
  1. Pettigrew, Thomas F. “POST-RACISM?: Putting President Obama’s Victory in Perspective1.” Du Bois Review: Social Science Research on Race 6.2 (2009): 279-292.
  2. TUCH, STEVEN A., and MICHAEL HUGHES. “Whites’ Racial Policy Attitudes in the Twenty-First Century: The Continuing Significance of Racial Resentment.” The Annals of the American Academy of Political and Social Science, vol. 634, 2011, pp. 134–52. JSTOR, http://www.jstor.org/stable/29779399. Accessed 13 Mar. 2025.
  3. Love, Bettina L., and Brandelyn Tosolt. “Reality or Rhetoric? Barack Obama and Post-Racial America.” Race, Gender & Class, vol. 17, no. 3/4, 2010, pp. 19–37. JSTOR, http://www.jstor.org/stable/41674749. Accessed 13 Mar. 2025.
  4. López, Ian F. Haney. “Post-Racial Racism: Racial Stratification and Mass Incarceration in the Age of Obama.” California Law Review, vol. 98, no. 3, 2010, pp. 1023–74. JSTOR, http://www.jstor.org/stable/27896699. Accessed 13 Mar. 2025.

“Can the Cosmopolitan Writer Be Absolved of Racism?” by Andew C. Long: Summary and Critique

“Can the Cosmopolitan Writer Be Absolved of Racism?” by Andrew C. Long first appeared in Orientalism and Literature, edited by Geoffrey P. Nash, as part of the Cambridge Critical Concepts series, published by Cambridge University Press in 2019 (pp. 235–252).

"Can the Cosmopolitan Writer Be Absolved of Racism?" by Andew C. Long: Summary and Critique
Introduction: “Can the Cosmopolitan Writer Be Absolved of Racism?” by Andew C. Long

“Can the Cosmopolitan Writer Be Absolved of Racism?” by Andrew C. Long first appeared in Orientalism and Literature, edited by Geoffrey P. Nash, as part of the Cambridge Critical Concepts series, published by Cambridge University Press in 2019 (pp. 235–252). In this chapter, Long engages in a critical dialogue with Edward Said’s literary criticism, particularly examining the tension between Said’s postcolonial critique of imperialism and his engagement with canonical modernist writers such as Joseph Conrad and Albert Camus. Central to Long’s argument is Aijaz Ahmad’s critique, articulated in In Theory (1992), which accuses Said of absolving cosmopolitan writers of their racial biases while being more stringent in his critiques of overtly colonialist figures. Ahmad argues that Said’s privileging of European comparative literature and his selective application of contrapuntal reading limits his engagement with Third World writers and reinforces the intellectual hierarchy of Western literary traditions.

Long explores how Said’s intellectual formation, deeply influenced by Cold War cultural critique, shaped his interpretation of literary texts. He contrasts Said’s analysis of Heart of Darkness, where Said acknowledges Conrad’s critique of imperialism but hesitates to fully address its racialized representation of Africa, with Said’s reading of Camus’ The Stranger, which Said interprets as a text of liberal settler consciousness rather than outright racism. Chinua Achebe’s landmark critique of Conrad in An Image of Africa (1975) serves as a pivotal counterpoint in the debate, arguing that Heart of Darkness dehumanizes Africans and should not be upheld as a literary classic. Long further situates this discourse in contemporary postcolonial literary responses, such as Kamel Daoud’s The Meursault Investigation, which reimagines Camus’ novel from the perspective of the unnamed murdered “Arab” and interrogates the legacy of French colonialism.

The chapter highlights the broader implications of this debate for postcolonial literary studies, addressing whether texts that employ racist tropes can still be read as critiques of empire and how they should be approached in educational and critical contexts. Long ultimately argues for a nuanced contrapuntal reading that acknowledges the limitations of these canonical texts while resisting both their outright rejection and an uncritical valorization. His work contributes to ongoing discussions in literary theory regarding the ethics of reading, the role of race in modernist literature, and the politics of canon formation in postcolonial and decolonial studies.

Summary of “Can the Cosmopolitan Writer Be Absolved of Racism?” by Andew C. Long

Main Ideas

  • Ahmad’s Critique of Said’s Literary Analysis
    • Aijaz Ahmad critiques Edward Said’s literary criticism in Orientalism and After (1992), arguing that Said absolves cosmopolitan modernist writers like Joseph Conrad and E.M. Forster of racism while critiquing others (Long, p. 235).
    • Ahmad claims Said’s work is shaped by Cold War intellectual traditions, particularly the influence of Lionel Trilling and Clement Greenberg (Long, p. 236).
  • Said’s Engagement with Conrad and Camus
    • Said’s work, especially in Culture and Imperialism, focuses extensively on Joseph Conrad’s Heart of Darkness, yet he does not fully respond to Chinua Achebe’s condemnation of Conrad as a “thoroughgoing racist” (Long, p. 235).
    • Long compares Said’s treatment of Heart of Darkness with The Stranger by Albert Camus, arguing that while Conrad’s racism is overt, Camus’ novel represents “liberal settler consciousness” (Long, p. 235-236).
  • Achebe’s Rejection of Conrad and the Defense of Heart of Darkness
    • Achebe denounces Heart of Darkness for its racist language and portrayal of Africans, calling it a work that questions “the very humanity of black people” (Long, p. 237).
    • Conrad scholars like Cedric Watts and Hunt Hawkins defend Heart of Darkness, arguing it critiques rather than perpetuates imperialism (Long, p. 238).
    • Some scholars argue Achebe misreads Conrad, while others acknowledge the novella’s racial biases but insist on its literary complexity (Long, p. 238).
  • The Role of Contrapuntal Reading and Standpoint Theory
    • Long discusses Said’s contrapuntal reading strategy, which examines what is both “there and not there” in texts (Long, p. 241).
    • Said applies this method to Camus’ The Stranger, recognizing how the novel omits Algerian perspectives while framing French colonial subjects as universal figures (Long, p. 243).
    • Standpoint theory emerges as an essential lens in Said’s post-Orientalism work, where he examines literature from the perspective of historically marginalized groups (Long, p. 246).
  • The Cold War Cultural Critique and Literary Canon Formation
    • Said’s preference for canonical texts aligns with Cold War cultural critique, which emphasized detachment, irony, and aesthetic independence from political ideology (Long, p. 245).
    • Literary critics like Trilling and Greenberg argue for an elite, high-art literary tradition, which influences Said’s approach to literature (Long, p. 245).
    • This tradition values writers like Conrad and Camus while marginalizing Third World writers, a criticism Ahmad levels against Said (Long, p. 236).
  • Contemporary Postcolonial Reinterpretations
    • Kamel Daoud’s The Meursault Investigation (2015) offers a counter-narrative to Camus’ The Stranger, giving voice to the murdered “Arab” by telling the story from his brother’s perspective (Long, p. 247).
    • The novel critiques the colonial legacy of French Algeria and highlights the silencing of native voices in European literature (Long, p. 248).
  • Can the Cosmopolitan Writer Be Absolved?
    • Long concludes that cosmopolitan writers cannot be entirely absolved of racism; rather, their works should be critically examined through contrapuntal reading and postcolonial critique (Long, p. 248).
    • While Said does not explicitly condemn writers like Conrad and Camus, his analysis reveals how their works are implicated in colonialist and racist ideologies (Long, p. 249).
    • The debate extends into pedagogy: should works like Heart of Darkness still be taught, and if so, in what context? (Long, p. 249).
Theoretical Terms/Concepts in “Can the Cosmopolitan Writer Be Absolved of Racism?” by Andew C. Long
Term/ConceptDefinition & ExplanationReference in the Chapter
Cosmopolitan WriterA worldly intellectual who operates beyond national ideologies and engages with multiple cultural traditions, often associated with figures like Joseph Conrad and Albert Camus.“The cosmopolitan writer is not the critic Edward Said but rather the cosmopolitan intellectual, a worldly figure who thinks and writes from the borders of national ideology, a detached critic.” (Long, p. 235)
Cold War Cultural CritiqueA form of literary and cultural analysis shaped by Cold War ideological values, emphasizing aesthetic detachment, irony, and universalism while often marginalizing anti-colonial and Marxist perspectives.“Said’s valuation of Joseph Conrad and many other cosmopolitan writers is rooted in what I call a Cold War cultural critique.” (Long, p. 245)
Contrapuntal ReadingA method of reading that examines both what is present and absent in a text, recognizing the ideological structures that shape its meaning.“A contrapuntal reading recognizes the oppositions – the implicit/explicit and the absent/present – that underpin a text.” (Long, p. 241)
Standpoint TheoryA theoretical approach that emphasizes reading and interpreting literature from the perspective of marginalized or colonized subjects.“His reading practice here is linked to standpoint, a term or hermeneutic with which we might reassess and press his idea of the contrapuntal reading.” (Long, p. 246)
OrientalismA concept developed by Edward Said describing the Western construction of the “Orient” as an exotic, inferior, and monolithic Other.“Orientalism is a book that is in spirit, if not word, supportive of Achebe’s criticism of the legacy of colonialism and racism in American and European literary criticism.” (Long, p. 237)
Postcolonial CriticismA theoretical framework that analyzes literature through the lens of colonial histories, racial hierarchies, and imperial legacies.“Said increasingly asserts the importance of political critique, coalescing in his ideas of the contrapuntal and, especially, standpoint.” (Long, p. 246)
EurocentrismA worldview that privileges European culture, history, and literature as superior or universal, often at the expense of non-Western perspectives.“Ahmad also criticizes Said’s use of the work of Michel Foucault, as, while Said remains an avowed humanist, Foucault’s project was entirely opposed to the institutions of the Enlightenment and Western humanism.” (Long, p. 236)
Colonial DiscourseThe system of representation through which colonial powers construct the identities of colonizers and the colonized.“Achebe’s reading of Heart of Darkness is contrapuntal, as Africa is a site for Europe’s metaphysical crises and a place to stage its ‘comforting myths’.” (Long, p. 237)
Literary Canon FormationThe process through which certain texts are deemed as “great” or “universal,” often reinforcing Western-centric values while marginalizing non-Western voices.“Should the novella be taught at all, and, if so, in what sort of pedagogical context?” (Long, p. 238)
Liberal Settler ConsciousnessThe ideological framework in which colonial settlers perceive themselves as both progressive and universal, while remaining complicit in colonial domination.“The Stranger is more difficult to read as a racist text, and it is only with Said’s reading practice that we might understand how this vaunted novel of Western consciousness is in fact an insidious text of liberal settler consciousness.” (Long, p. 236)
Contribution of “Can the Cosmopolitan Writer Be Absolved of Racism?” by Andew C. Long to Literary Theory/Theories

1. Postcolonial Literary Theory

  • Challenges the Eurocentrism of literary canon formation by interrogating the continued valorization of Conrad, Camus, and other modernist writers.
  • Critiques the exclusion of Third World writers from dominant literary discourse, aligning with Aijaz Ahmad’s arguments in In Theory (1992).
  • Questions how postcolonial studies should approach racist texts: “Should the novella be taught at all, and, if so, in what sort of pedagogical context?” (Long, p. 238).
  • Demonstrates how colonial discourse shapes literary representations, as seen in Achebe’s critique of Conrad: “Achebe’s reading of Heart of Darkness is contrapuntal, as Africa is a site for Europe’s metaphysical crises and a place to stage its ‘comforting myths’.” (Long, p. 237).

2. Contrapuntal Reading (Edward Said)

  • Builds on Said’s contrapuntal reading method, which highlights what is both present and absent in literary texts.
  • Examines how Said applied this reading strategy to Heart of Darkness and The Stranger, revealing underlying colonial ideologies.
  • Proposes a more rigorous application of contrapuntal reading to expose racial biases and class hierarchies in literature: “A contrapuntal reading recognizes the oppositions – the implicit/explicit and the absent/present – that underpin a text.” (Long, p. 241).
  • Extends contrapuntal reading to contemporary texts like Kamel Daoud’s The Meursault Investigation, which “offers a counter-narrative to Camus’ The Stranger, giving voice to the murdered ‘Arab’ by telling the story from his brother’s perspective.” (Long, p. 247).

3. Cold War Cultural Critique

  • Examines how Cold War intellectual traditions shaped Said’s literary criticism, influencing his engagement with modernist literature.
  • Highlights the ideological roots of aesthetic detachment, irony, and cosmopolitanism in mid-20th-century literary criticism: “Said’s valuation of Joseph Conrad and many other cosmopolitan writers is rooted in what I call a Cold War cultural critique.” (Long, p. 245).
  • Links Cold War literary criticism to the marginalization of anti-colonial and Marxist perspectives in Western academia: “The anticommunism, elitism, and values of the Cold War cultural critique are finally a function – moralizing – of a moral purpose and cause.” (Long, p. 245).

4. Standpoint Theory (Feminist and Postcolonial Adaptation)

  • Argues that literary criticism must be informed by the perspectives of marginalized and colonized groups.
  • Advocates for reading texts “from the standpoint of its victims,” following Said’s approach in Zionism from the Standpoint of its Victims (Long, p. 246).
  • Demonstrates how Algerian and African voices—such as Daoud’s The Meursault Investigation and Achebe’s An Image of Africa—challenge Western literary interpretations: “Achebe is right; to the African reader the price of Conrad’s eloquent denunciation of colonization is the recycling of racist notions of the ‘dark’ continent and her people.” (Long, p. 247).

5. Canon Formation and Literary Pedagogy

  • Engages in the debate over whether racially problematic literary texts should remain in the literary canon.
  • Acknowledges the aesthetic complexity of texts like Heart of Darkness while questioning their continued prominence in education: “It is hard to imagine a classroom in the United States today where one might teach Heart of Darkness in the aesthetic terms – irony, detachment, existential, écriture blanche – in which it was championed for so many years.” (Long, p. 249).
  • Suggests that literary pedagogy should balance critique with historical contextualization, rather than moralizing rejection: “We can read – and teach in the appropriate context – contrapuntally even the most racist poems and novels, not as an affirmation of racism or sexism but rather as a critical analysis of how the questionable worldview, and hegemony, works in a given text.” (Long, p. 248).
Examples of Critiques Through “Can the Cosmopolitan Writer Be Absolved of Racism?” by Andew C. Long
Literary WorkCritique in Long’s ChapterKey Theoretical Concerns
Heart of Darkness (Joseph Conrad, 1902)– Chinua Achebe condemns the novella as a “thoroughgoing racist” text that dehumanizes Africans and perpetuates imperialist ideology (Long, p. 235).
– Edward Said, while acknowledging its racial biases, argues that its narrative technique (irony and detachment) critiques imperialism rather than affirming it (Long, p. 241).
– Scholars like Cedric Watts defend Conrad, claiming Heart of Darkness exposes, rather than endorses, colonialism (Long, p. 238).
Postcolonial Criticism (Achebe’s critique of racism in literature).
Contrapuntal Reading (Said’s nuanced interpretation of Conrad’s work).
Canon Formation Debate (Should racist texts be taught in classrooms?)
The Stranger (L’Étranger) (Albert Camus, 1942)– Long critiques Said’s reading of Camus, arguing that The Stranger reflects “liberal settler consciousness,” an insidious colonial worldview that erases native Algerian perspectives (Long, p. 236).
– Conor Cruise O’Brien critiques Camus for reinforcing a Eurocentric, colonialist narrative, as the murdered “Arab” remains unnamed and dehumanized (Long, p. 243).
– Said views Camus as “a moral man in an immoral situation,” highlighting the contradictions in his stance on colonial Algeria (Long, p. 243).
Colonial Discourse (The erasure of indigenous Algerians).
Cold War Cultural Critique (Camus as an existentialist figure aligned with European humanism).
Contrapuntal Reading (Long argues for a more critical reassessment of Camus’ political implications).
The Meursault Investigation (Kamel Daoud, 2015)– Presents a counter-narrative to The Stranger, giving the murdered Arab a name (Musa) and telling the story from his brother’s perspective (Long, p. 247).
– Daoud critiques Camus’ colonial erasure, rewriting the narrative from the standpoint of an Algerian victim of colonial violence (Long, p. 247).
– Highlights the failure of postcolonial states to adequately address colonial histories, challenging both French and Algerian nationalist narratives (Long, p. 248).
Postcolonial Rewriting (Reframing colonial literature from the perspective of the oppressed).
Standpoint Theory (The importance of marginalized perspectives in literary critique).
Contrapuntal Reading (How colonial legacies persist in literature).
A Bend in the River (V. S. Naipaul, 1979)– Said critiques Naipaul for adopting an anti-African, colonialist perspective, arguing that the novel echoes Heart of Darkness in its depiction of postcolonial Africa as chaotic and ungovernable (Long, p. 241).
– Naipaul’s portrayal of African politics is rooted in Eurocentric pessimism, reinforcing Western stereotypes of post-independence African nations (Long, p. 242).
– Long aligns Said’s criticism with a broader discussion of cosmopolitan writers who, while critical of empire, still adopt colonialist frameworks (Long, p. 241).
Postcolonial Critique of Cosmopolitanism (Naipaul as a “cosmopolitan intellectual” detached from Third World struggles).
Eurocentrism in Postcolonial Literature (Depicting Africa through a Western lens).
Canon Formation and Pedagogy (Should Naipaul’s work be read as critique or reinforcement of imperialist ideology?).
Criticism Against “Can the Cosmopolitan Writer Be Absolved of Racism?” by Andew C. Long
  1. Overemphasis on Said’s Intellectual Formation
    • Long attributes Said’s contradictions largely to Cold War cultural critique, particularly the influence of Lionel Trilling and Clement Greenberg, but underplays Said’s engagement with anti-colonial and Marxist thinkers like Frantz Fanon and Antonio Gramsci (Long, p. 236).
    • This reduces Said’s complex theoretical shifts to Cold War liberalism rather than acknowledging his later political radicalization.
  2. Limited Engagement with Third-World Literature
    • Long critiques Said for favoring Western canonical writers over Third World authors (Long, p. 236), yet his own analysis remains focused on figures like Conrad, Camus, and Naipaul, engaging only briefly with writers like Ngũgĩ wa Thiong’o and Kamel Daoud.
    • His work could benefit from more discussion of non-Western literary traditions and their critiques of cosmopolitanism.
  3. Contradictions in the Evaluation of Cosmopolitan Writers
    • While Long argues that cosmopolitanism often masks Eurocentrism, he still engages with texts by cosmopolitan writers (e.g., Conrad, Camus, Naipaul) without fully exploring alternative postcolonial or indigenous literary frameworks (Long, p. 248).
    • His critique does not fully address whether all cosmopolitan intellectuals are inevitably implicated in colonial discourse or if some transcend these limitations.
  4. Insufficient Discussion on Teaching Racist Texts
    • Long raises the issue of whether texts like Heart of Darkness should still be taught but does not provide a clear pedagogical framework for how they should be approached in the classroom (Long, p. 238).
    • His argument remains ambiguous on whether the contrapuntal method alone is enough to justify their continued inclusion in literary curricula.
  5. Binary Framing of Postcolonial Criticism
    • His analysis sometimes frames postcolonial criticism as either moralistic denunciation (Ahmad) or contrapuntal critique (Said) without considering other methodologies (Long, p. 249).
    • This neglects alternative postcolonial approaches, such as decoloniality, that might offer more radical critiques beyond contrapuntal reading.
  6. Neglects the Role of Gender in Literary Criticism
    • While engaging with race, colonialism, and class, Long does not address the role of gender and how colonial discourse intersects with representations of women in cosmopolitan literature (Long, p. 237).
    • His discussion of Heart of Darkness and The Stranger does not critically examine the portrayal of women in these texts, despite their importance in colonial narratives.
Representative Quotations from “Can the Cosmopolitan Writer Be Absolved of Racism?” by Andew C. Long with Explanation
QuotationExplanation
“Indeed, Said never fully answered Chinua Achebe’s denunciation of the novelist as a ‘thoroughgoing racist,’ and his reluctance, I argue, is rooted in his intellectual formation in Cold War literary and cultural criticism.” (p. 235)Long critiques Said’s hesitance to engage with Achebe’s critique of Heart of Darkness, attributing this to Said’s academic background, which was shaped by Cold War intellectuals such as Lionel Trilling.
“The racism of Heart of Darkness is obvious, The Stranger is more difficult to read as a racist text, and it is only with Said’s reading practice … that we might understand how this vaunted novel of Western consciousness is in fact an insidious text of liberal settler consciousness.” (p. 235)Long highlights how different canonical texts contain racial biases, suggesting that Said’s methods help expose their ideological underpinnings. He suggests that Camus’ The Stranger also embodies colonial racism, despite its surface neutrality.
“Ahmad also criticizes Said’s use of the work of Michel Foucault, as, while Said remains an avowed humanist, Foucault’s project was entirely opposed to the institutions of the Enlightenment and Western humanism.” (p. 236)Aijaz Ahmad critiques Said for inconsistencies in his theoretical influences, noting a contradiction in his admiration for both Foucault and the humanist literary tradition.
“It is especially exasperating for Ahmad that Said champions Salman Rushdie, a writer long based in Britain. Without supporting the fatwa, Ahmad points out that Rushdie writes for an elite Anglophone audience, not his fellow working-class Britons of South Asian ancestry.” (p. 236)Ahmad sees a contradiction in Said’s postcolonial critique, arguing that Said privileges cosmopolitan, elite writers over more grounded Third World voices.
“The strongest parts of his argument, however, concern the representation of Africans in Heart of Darkness and the racist language of the text.” (p. 237)Long acknowledges Achebe’s critique of Conrad’s portrayal of Africans as dehumanized figures, reinforcing the argument that Heart of Darkness perpetuates racist imagery.
“Should the novella be taught at all, and, if so, in what sort of pedagogical context?” (p. 238)Long raises the important question of how racist texts should be engaged in contemporary classrooms—whether they should be studied as historical artifacts or challenged through new critical frameworks.
“It is only in his well-known chapter of Culture and Imperialism ‘Two Visions in Heart of Darkness’ that Said finally discusses the colonial and racial references and textual features of this novella.” (p. 241)Long points out that Said took a long time to directly address the racial aspects of Heart of Darkness, suggesting an initial reluctance to frame it as a racist text.
“For O’Brien, as Said observes, Camus was a ‘moral man in an immoral situation,’ a position which preserves his humanist reputation and resonates with Said’s comments on Conrad and his novella.” (p. 243)Long connects critiques of Conrad and Camus, arguing that both are excused as humanists despite the colonialist and racist dimensions of their works.
“Simply put, Said’s valuation of Joseph Conrad and many other cosmopolitan writers is rooted in what I call a Cold War cultural critique, albeit with some aspects inverted.” (p. 244)Long introduces the idea that Said’s literary criticism was shaped by Cold War-era aesthetic and political debates, which shaped his tendency to defend certain canonical figures.
“And yet, yes, we should not jettison these texts, at least according to Said’s valuation of literature in Orientalism and in Culture and Imperialism … even the most racist poems and novels, not as an affirmation of racism or sexism but rather as a critical analysis of how the questionable worldview, and hegemony, works in a given text.” (p. 248)Long concludes that racist texts should not be discarded but rather critically analyzed using Said’s contrapuntal method, which exposes their underlying power structures.
Suggested Readings: “Can the Cosmopolitan Writer Be Absolved of Racism?” by Andew C. Long
  1. Long, Andrew C. “Can the Cosmopolitan Writer Be Absolved of Racism?.” Orientalism and Literature.
  2. Long AC. Can the Cosmopolitan Writer Be Absolved of Racism? In: Nash GP, ed. Orientalism and Literature. Cambridge Critical Concepts. Cambridge University Press; 2019:235-252.
  3. Long, Andrew C.. “Can the Cosmopolitan Writer Be Absolved of Racism?” Orientalism and Literature (2019): https://www.semanticscholar.org/paper/Can-the-Cosmopolitan-Writer-Be-Absolved-of-Racism-Long/1153134e6aab9606cd3038263805b3f2c938cf6f

“Linguistic Racism” by Michael Cohn: Summary and Critique

“Linguistic Racism” by Michael Cohn, first appeared in the Anthropology Newsletter in October 1997, critiques the use of racial and ethnic classifications in anthropological discourse, arguing that such terminology often reinforces divisive and outdated notions of identity.

"Linguistic Racism" by Michael Cohn: Summary and Critique
Introduction: “Linguistic Racism” by Michael Cohn

“Linguistic Racism” by Michael Cohn, first appeared in the Anthropology Newsletter in October 1997, critiques the use of racial and ethnic classifications in anthropological discourse, arguing that such terminology often reinforces divisive and outdated notions of identity. He challenges terms such as “Euro-American” and “People of Color,” questioning their coherence in a global and linguistic sense, and warning that such categorizations risk reviving dangerous racial essentialism. Drawing from historical examples, he highlights how labeling individuals based on race or ethnicity has often preceded acts of discrimination and violence, from Nazi Germany to ethnic conflicts in the 20th century. Cohn’s essay is significant in literary theory and anthropology as it engages with the politics of language, emphasizing how words shape social perceptions and reinforce hierarchies. His critique aligns with broader debates in linguistic anthropology regarding the construction of identity and the power of language in social classification. By invoking both historical atrocities and contemporary academic discourse, Cohn urges anthropologists to be mindful of the implications of racialized terminology, warning that uncritical usage can undermine the very principles of anthropology—understanding human cultures in their fluid, interconnected, and evolving contexts.

Summary of “Linguistic Racism” by Michael Cohn
  • Critique of Racial and Ethnic Terminology in Anthropology
    • Cohn argues that certain terms used by anthropologists, such as Euro-American, People of Color, and Third World Intellectual, reinforce racial essentialism and are reminiscent of divisive racial classifications from the past (Cohn, 1997, p. 4).
    • He criticizes the lack of clarity in defining “Euro-American,” questioning whether it includes Finns, Magyars, or Muslims from the Balkans (Cohn, 1997, p. 4).
  • Historical and Political Implications of Racial Labels
    • Cohn highlights that the term People of Color was historically used in contexts of oppression, including the era of slavery in the U.S. and Apartheid in South Africa (Cohn, 1997, p. 4).
    • He points out the ambiguity of racial labels, asking whether an American-born child of an Indonesian is considered a person of color and whether the Inuit of Alaska are colorless (Cohn, 1997, p. 4).
  • Dangers of Group-Based Classification
    • He warns that the misuse of ethnic and quasi-national terminology has historically led to violence, such as ethnic cleansing in Burundi, Bosnia, and the Sudetenland (Cohn, 1997, p. 4).
    • Cohn asserts that reducing individuals to group identities undermines anthropology’s goal of understanding human cultural diversity (Cohn, 1997, p. 4).
  • Jewish Identity and Misuse of Ethnic Labels
    • He draws from his own work with Jewish communities, noting that labels like Ashkenazi, Sephardi, German Jew, or Eastern Jew often imply cultural superiority and overlook historical intermarriage and migration (Cohn, 1997, p. 4).
    • He expresses personal discomfort with racial classification, having experienced being categorized as a Jew under Nazi Germany (Cohn, 1997, p. 4).
  • Skepticism Toward “Third World Intellectual”
    • Cohn criticizes the term Third World Intellectual, suggesting it is problematic and reinforces a hierarchical view of global academia (Cohn, 1997, p. 4).
  • Conclusion: The Need for Precision and Ethical Responsibility in Anthropological Language
    • He argues that anthropology should avoid rigid racial and ethnic classifications and instead focus on cultural fluidity and historical complexity (Cohn, 1997, p. 4).
    • Cohn warns that failing to do so risks repeating past mistakes of scientific racism, drawing a parallel to Nazi racial research (Rassenforschung) (Cohn, 1997, p. 4).
Theoretical Terms/Concepts in “Linguistic Racism” by Michael Cohn
Theoretical Term/ConceptDefinitionApplication in Cohn’s Argument
Linguistic RacismThe use of language to categorize and hierarchize racial and ethnic groups, reinforcing discrimination.Cohn argues that terms like Euro-American and People of Color perpetuate outdated racial categorizations and can be misused to essentialize identity (Cohn, 1997, p. 4).
EssentialismThe belief that social groups have fixed, inherent characteristics that define them.Cohn critiques how racial terms assume uniformity within groups, ignoring historical migration, intermarriage, and cultural exchange (Cohn, 1997, p. 4).
Ethnic ClassificationThe process of categorizing individuals based on ethnicity, culture, or nationality.Cohn warns that classifying people into rigid ethnic categories can lead to exclusion and historical inaccuracies, such as defining all Europeans as “Euro-Americans” (Cohn, 1997, p. 4).
Historical Linguistics and IdentityThe study of how language shapes and reflects identity over time.Cohn points out that linguistic ancestry (e.g., Finns and Magyars with roots in Central Asia) complicates racial classifications (Cohn, 1997, p. 4).
Race as a Social ConstructThe idea that race is not a biological fact but a social and political categorization.Cohn argues that racial labels do not correspond to biological realities and are often politically motivated (Cohn, 1997, p. 4).
Scientific RacismThe historical misuse of science to justify racial hierarchies and discrimination.He warns that anthropologists risk reviving pseudo-scientific racial classifications reminiscent of Rassenforschung in Nazi Germany (Cohn, 1997, p. 4).
Cultural RelativismThe principle that cultural practices and beliefs should be understood in their own context rather than judged by external standards.Cohn emphasizes that group identity is fluid, and imposing rigid racial or ethnic categories ignores cultural variation (Cohn, 1997, p. 4).
Postcolonial CritiqueThe examination of how colonial histories shape modern discourse and classifications.Cohn critiques terms like Third World Intellectual, suggesting they reinforce hierarchical, colonial-era distinctions (Cohn, 1997, p. 4).
Social Categorization TheoryA psychological theory explaining how individuals classify themselves and others into social groups.Cohn criticizes how identity labels create artificial boundaries, leading to exclusion and social division (Cohn, 1997, p. 4).
Ethnolinguistic IdentityThe connection between language and group identity.He argues that linguistic labels often fail to capture the complexities of individual and group identities, such as Jewish communities with diverse backgrounds (Cohn, 1997, p. 4).
Contribution of “Linguistic Racism” by Michael Cohn to Literary Theory/Theories
  • Critical Race Theory (CRT)
    • Cohn challenges the reification of racial categories in anthropological discourse, aligning with CRT’s argument that race is a social construct rather than a biological reality (Cohn, 1997, p. 4).
    • He critiques how terms like People of Color and Euro-American impose rigid racial classifications, which CRT scholars argue perpetuate systemic discrimination (Cohn, 1997, p. 4).
    • His discussion of linguistic categorization reflects CRT’s concern with how language reinforces power hierarchies and racial biases.
  • Postcolonial Theory
    • Cohn critiques the term Third World Intellectual, arguing that it implies a colonial hierarchy in knowledge production (Cohn, 1997, p. 4).
    • His work aligns with postcolonial theorists like Edward Said, who argue that Western discourse often “others” non-Western identities through language (Said, Orientalism, 1978).
    • Cohn highlights how colonial-era racial terminologies persist in modern academic and political discourse, mirroring the postcolonial critique of neocolonial structures in language (Cohn, 1997, p. 4).
  • Linguistic Anthropology and Sapir-Whorf Hypothesis
    • His argument that racial categories shape social perception aligns with the Sapir-Whorf Hypothesis, which suggests that language structures thought (Cohn, 1997, p. 4).
    • He critiques the assumed fixed meanings of ethnic and racial terms, reflecting the linguistic anthropology perspective that language is dynamic and socially constructed (Cohn, 1997, p. 4).
  • Structuralism and Semiotics (Saussurean Linguistics)
    • Cohn’s critique of racial terminology resonates with Ferdinand de Saussure’s view that meaning is relational and arbitrary (Saussure, Course in General Linguistics, 1916).
    • He challenges the fixed meaning of terms like Euro-American, arguing that linguistic signs should be understood within shifting historical and social contexts (Cohn, 1997, p. 4).
  • Discourse Analysis (Michel Foucault)
    • Cohn’s argument reflects Foucault’s view that language is a tool of power and social control (The Archaeology of Knowledge, 1969).
    • He warns that racial classifications in anthropology function as discursive practices that reinforce social hierarchies, similar to how Foucault describes knowledge-power dynamics (Cohn, 1997, p. 4).
  • Identity and Representation in Cultural Studies
    • His critique of Jewish identity labels (Ashkenazi, Sephardi, German Jew, etc.) aligns with Stuart Hall’s theory that identity is fluid and constructed through discourse (Cultural Identity and Diaspora, 1990).
    • He argues that essentialist labels ignore cultural hybridity and historical migration, a key theme in contemporary identity politics (Cohn, 1997, p. 4).
Examples of Critiques Through “Linguistic Racism” by Michael Cohn
Literary WorkCritique Through “Linguistic Racism”Key Themes from Cohn’s Argument
Joseph Conrad – Heart of Darkness (1899)The novel reinforces racial binaries by depicting Africans as the Other through dehumanizing language, reducing them to racial stereotypes rather than individual identities. Conrad’s language constructs rigid racial hierarchies that mirror colonial discourses (Cohn, 1997, p. 4).Aligns with Cohn’s critique of racial essentialism, where language is used to define entire populations in simplistic, hierarchical terms (People of Color, Third World Intellectuals).
Harper Lee – To Kill a Mockingbird (1960)While the novel critiques racism, it also reinforces problematic linguistic hierarchies, particularly in how Black characters like Tom Robinson and Calpurnia are depicted. The term “boy” used for African American men reflects linguistic subordination (Cohn, 1997, p. 4).Connects to Cohn’s analysis of racial terminology, where language constructs racial identities in ways that uphold social power dynamics.
Toni Morrison – Beloved (1987)Morrison exposes how linguistic classification under slavery dehumanized Black individuals (e.g., referring to them as property). This aligns with Cohn’s argument that racial terms historically used in oppression (such as People of Color) carry harmful legacies (Cohn, 1997, p. 4).Reflects Cohn’s critique of the historical misuse of racial categories, showing how language has been central to racial discrimination.
Chinua Achebe – Things Fall Apart (1958)Achebe critiques colonial linguistic frameworks that define African identity from a Eurocentric perspective. The British use of terms like primitive and savage mirrors Cohn’s concerns about imposed linguistic classifications (Cohn, 1997, p. 4).Supports Cohn’s argument that rigid ethnic and racial labels erase cultural fluidity and reduce people to essentialized categories (Euro-American as a broad and inaccurate label).
Criticism Against “Linguistic Racism” by Michael Cohn
  • Overgeneralization of Racial Terminology Issues
    • Cohn argues that terms like People of Color and Euro-American are either meaningless or pejorative, but critics may contend that these terms serve important sociopolitical functions, particularly in identity politics and anti-racist movements (Cohn, 1997, p. 4).
    • The use of racial terminology is often strategic and self-affirming, helping marginalized groups assert agency rather than reinforcing oppression.
  • Lack of Nuance in Addressing Identity Politics
    • While Cohn criticizes racial labels for being imprecise, he does not fully engage with the ways marginalized communities reclaim and redefine these terms for empowerment.
    • Scholars in critical race theory argue that terms like African American serve as political identifiers that challenge exclusion rather than reinforce racial essentialism (Kimberlé Crenshaw, 1991).
  • Comparison to Nazi Racial Science is Overstated
    • Cohn likens the use of racial classifications in anthropology to Rassenforschung (racial science) in Nazi Germany (Cohn, 1997, p. 4), which some critics may find an extreme and inappropriate comparison.
    • Modern racial terminology is not used to justify genocide but rather to acknowledge historical injustices and promote inclusivity.
  • Fails to Address Structural Racism in Language
    • Cohn focuses on the dangers of racial categorization but does not sufficiently explore how language also perpetuates systemic racism.
    • Scholars like Marcyliena Morgan (1997) argue that linguistic hierarchies uphold power structures, and eliminating racial labels does not necessarily eliminate racial discrimination.
  • Dismissal of Postcolonial Perspectives
    • His critique of Third World Intellectual as a problematic term ignores the ways in which postcolonial scholars use it to reclaim intellectual space for non-Western thinkers (Cohn, 1997, p. 4).
    • Postcolonial theorists like Edward Said and Homi Bhabha emphasize that language is a site of resistance as much as oppression.
  • Ignores the Role of Self-Identification
    • While Cohn critiques racial labels imposed by others, he does not adequately address how individuals and communities choose to identify themselves.
    • Terms like Latinx, Black, and Indigenous have evolved through community discourse, reflecting self-determined identities rather than externally imposed classifications.
Representative Quotations from “Linguistic Racism” by Michael Cohn with Explanation
QuotationExplanation
“Judging by some of the recent Anthropology Newsletters some anthropologists are now using ethnic and racial terms in ways that would be fully acceptable in Adolf Hitler’s Third Reich.” (Cohn, 1997, p. 4)Cohn makes a strong comparison between contemporary racial terminology and the racial science (Rassenforschung) of Nazi Germany. He argues that uncritical usage of racial classifications risks legitimizing harmful essentialist ideas about identity.
“Geographically, the term ‘Euro’ may have some coherence, but linguistically, culturally, and even genetically it certainly does not.” (Cohn, 1997, p. 4)This critique highlights the imprecision of the term Euro-American. Cohn argues that such racial classifications ignore the diversity of European cultures and languages, reinforcing artificial boundaries.
“The term ‘people of color’ was common usage among slave dealers prior to 1860 and was also used in the Apartheid period in South Africa.” (Cohn, 1997, p. 4)By tracing the historical roots of the term People of Color, Cohn suggests that its contemporary use carries problematic connotations, potentially reducing individuals to racial categories with oppressive histories.
“Is the American-born child of an Indonesian a ‘person of color,’ and are the Inuit of Alaska ‘colorless’?” (Cohn, 1997, p. 4)Here, Cohn points out the ambiguity and contradictions inherent in racial terminology. He questions whether such classifications have any objective meaning or are merely subjective social constructs.
“The misuse of ethnic or quasi-national terminology is dangerous, as we have learned to our sorrow in the 20th century.” (Cohn, 1997, p. 4)This statement underscores his broader concern: that language has historically been used to justify exclusion, violence, and genocide. He warns that careless application of racial terms can contribute to similar patterns of division.
“If we anthropologists act as if all groups have unique experiences and exist in concrete borders, that all individuals share in these cultural and biological characteristics, then we deny all anthropological experience and the function of anthropology itself.” (Cohn, 1997, p. 4)Cohn critiques essentialist views of culture and race, arguing that anthropology should recognize cultural fluidity rather than reinforcing rigid group identities.
“As a Jew who left Germany after Hitler’s rise to power I have no desire to repeat the experience of being classified by ‘race,’ ‘ethnic identity’ or even gender.” (Cohn, 1997, p. 4)This personal statement emphasizes his concern with racial labeling, drawing on his own experience of persecution under Nazi Germany to highlight the dangers of racial classification.
“The term ‘Third World Intellectual’ is equally suspect. It seems to imply that academics from these regions are inherently different from those in the West.” (Cohn, 1997, p. 4)Cohn critiques the term Third World Intellectual, suggesting that it reinforces a colonial hierarchy in knowledge production, positioning scholars from non-Western nations as fundamentally separate from their Western counterparts.
“Hindu scientists from Bombay have more in common with a scientist from Bogota, Colombia, than with a Hindu scientist born in London.” (Cohn, 1997, p. 4)He uses this example to challenge the assumption that race or ethnicity determines shared experiences. Instead, he emphasizes commonalities based on profession, education, and intellectual background rather than race or national identity.
“That way lies scientific disaster and Hitler’s ‘Rassenforschung.'” (Cohn, 1997, p. 4)By referencing Rassenforschung (Nazi racial science), Cohn warns that classifying people into rigid racial and ethnic categories can lead to dangerous and pseudoscientific conclusions, undermining both ethical and academic integrity.
Suggested Readings: “Linguistic Racism” by Michael Cohn
  1. Cohn, Michael. “Linguistic Racism.” Anthropology News 38.7 (1997): 11-11.
  2. Friedrich, Patricia. “Anti-Racist Linguistics.” The Anti-Racism Linguist: A Book of Readings, edited by Patricia Friedrich, Multilingual Matters & Channel View Publications, 2023, pp. 1–25. JSTOR, https://doi.org/10.2307/jj.22679667.4. Accessed 12 Mar. 2025.
  3. Berk-Seligson, Susan. Language in Society, vol. 41, no. 1, 2012, pp. 123–26. JSTOR, http://www.jstor.org/stable/41329698. Accessed 12 Mar. 2025.
  4. Comas, Juan. “‘Scientific’ Racism Again?” Current Anthropology, vol. 2, no. 4, 1961, pp. 303–40. JSTOR, http://www.jstor.org/stable/2739858. Accessed 12 Mar. 2025.

“Is It Racism?” by Håkan Jönson: Summary and Critique

“Is It Racism?” by Håkan Jönson first appeared in 2007 in the Journal of Gerontological Social Work and was later published online by Routledge on September 25, 2008.

"Is It Racism?" by Håkan Jönson: Summary and Critique
Introduction: “Is It Racism?” by Håkan Jönson  

“Is It Racism?” by Håkan Jönson first appeared in 2007 in the Journal of Gerontological Social Work and was later published online by Routledge on September 25, 2008. The article investigates skepticism and resistance toward ethnic minority care workers among elderly care recipients in Sweden. Through interviews with caregiver organization representatives and minority care workers, Jönson reveals a disconnect between official anti-racist policies and the pragmatic and pathologizing approaches adopted by care providers. While officials often downplay racism, framing it as language barriers or fear of the unknown, ethnic minority caregivers report frequent discrimination, particularly in first-time encounters. The study contributes to literature and literary theory by exposing how ideological frameworks, including anti-racism and patient rights, shape discourse on discrimination. Jönson’s work is significant in highlighting how structural inequalities and power dynamics influence caregiving relationships, challenging simplistic narratives of racism and advocating for a nuanced understanding of care, vulnerability, and systemic bias.

Summary of “Is It Racism?” by Håkan Jönson

Investigating Resistance Toward Ethnic Minority Care Workers

  • The study examines skepticism and resistance toward ethnic minority caregivers among elderly recipients in Sweden.
  • Care provider representatives downplay resistance, often attributing it to:
    • Language barriers
    • Temporary adjustment difficulties
    • Fear of the unknown (Jönson, 2007, p. 80).
  • Minority care workers report more severe and frequent racism, especially in first-time encounters (Jönson, 2007, p. 83).

Changing Demographics in Swedish Elder Care

  • Sweden has shifted from a monocultural to a multicultural society with:
    • 10% of the population foreign-born.
    • 20% of newly employed elder care workers from outside Sweden (Jönson, 2007, p. 80).
  • While many appreciate minority care workers, some elderly recipients display skepticism or outright rejection.

Language as a Pretext for Racism

  • Many elderly recipients cite language difficulties as a reason for rejecting minority care workers.
  • Some complaints are legitimate, particularly when miscommunication affects care quality.
  • Others use language as a socially acceptable excuse to refuse non-Swedish staff (Jönson, 2007, p. 86).
  • A manager noted: “If we complain about somebody’s headcloth, we would be labeled as racists. So, we’ll attack the language” (Jönson, 2007, p. 88).

Pragmatic and Pathologizing Responses to Racism

  • Care institutions avoid addressing racism directly by reframing it as:
    • A symptom of dementia, dependency, or aging (Jönson, 2007, p. 89).
    • A temporary issue that disappears with familiarity.
  • Pragmatic solutions dominate:
    • Many comply with racist requests to prevent conflicts (Jönson, 2007, p. 90).
    • Supervisors often replace minority workers rather than confront discrimination.

Care Recipient Rights vs. Anti-Discrimination Laws

  • A core conflict exists between:
    • Care recipients’ rights to choose caregivers.
    • Anti-discrimination laws protecting employees.
  • Some managers justify compliance by comparing care recipients to customers who can choose their services (Jönson, 2007, p. 88).
  • Others argue that forcing care recipients to accept certain workers may cause distress (Jönson, 2007, p. 91).

Need for Clearer Anti-Racism Policies

  • Care organizations lack clear policies on handling racism from care recipients.
  • An overly ideological anti-racist approach may:
    • Create tensions among staff.
    • Alienate elderly care recipients who fear repercussions for complaints (Jönson, 2007, p. 94).
  • Jönson recommends localized anti-racist policies that balance:
    • Pragmatism (practical service delivery).
    • Ethical caregiving (ensuring fair treatment).
    • Protection of employees from discrimination (Jönson, 2007, p. 92).

Conclusion: Addressing Conflicting Interests

  • Elder care providers and policymakers must acknowledge the complex dynamics of race, care, and aging.
  • Ignoring racism by labeling it as pathology or pragmatism leaves minority care workers vulnerable.
  • A balanced approach should:
    • Educate staff and recipients on anti-racist practices.
    • Implement fair but flexible workplace policies.
    • Recognize that both caregivers and care recipients deserve respect and protection (Jönson, 2007, p. 96).
Theoretical Terms/Concepts in “Is It Racism?” by Håkan Jönson  
Term/ConceptDefinitionApplication in the Article
RacismPrejudice, discrimination, or antagonism directed against individuals based on ethnicity, race, skin color, or religion (Jönson, 2007, p. 80).Explored through skepticism and resistance toward ethnic minority caregivers by elderly care recipients.
Ethnic DiscriminationUnfair treatment of individuals based on ethnicity, race, religion, or descent, often in legal and workplace settings (Westin, 2000).Examined in the conflict between care recipients’ preferences and anti-discrimination laws protecting minority caregivers.
Pathologizing ApproachFraming discriminatory behavior as a result of illness, dementia, dependency, or cognitive decline rather than deliberate racism (Jönson, 2007, p. 89).Used by care providers to excuse racism among elderly care recipients, avoiding direct confrontation.
Pragmatic ApproachEmphasizing practical solutions over ideological or ethical considerations (Jönson, 2007, p. 90).Care providers comply with racist requests to avoid conflicts rather than challenge discrimination.
Fear of the UnknownPsychological resistance to unfamiliar individuals or cultural differences, often leading to prejudice (Jönson, 2007, p. 80).Used as a justification for initial skepticism and rejection of minority care workers.
Social Construction of RaceThe idea that racial and ethnic categories are shaped by social and cultural perceptions rather than biological differences (Berger & Luckmann, 1966).Care recipients’ negative perceptions of minority workers are influenced by societal narratives about race and immigration.
Customer-Service ModelA perspective in which care recipients are treated as consumers who have the right to choose services (Jönson, 2007, p. 88).Used by some managers to justify complying with racist preferences by equating care to a commercial service.
Techniques of NeutralizationStrategies used to justify or excuse morally questionable actions, such as denying responsibility or minimizing harm (Sykes & Matza, 1957).Care providers justify replacing minority workers by framing it as a practical necessity rather than discrimination.
Power Relations in Care WorkThe dynamic between caregivers and care recipients, shaped by race, gender, and social status (Szebehely, 1995).While care workers typically hold authority, racialized power structures reverse this dynamic, making minority workers more vulnerable to discrimination.
Elderly Vulnerability vs. Caregiver ProtectionThe ethical dilemma of balancing elderly recipients’ emotional well-being with the rights of care workers (Jönson, 2007, p. 91).Care providers hesitate to challenge racist behavior to avoid distressing elderly individuals, often at the cost of minority staff.
Institutional Anti-Racism vs. Everyday PracticesThe gap between official anti-racist policies and real-world workplace decisions (Jönson, 2007, p. 92).While institutions uphold anti-racist policies, pragmatic decisions often reinforce racial bias in practice.
Workplace DiscriminationUnequal treatment of employees based on ethnicity, race, or religion, often embedded in organizational culture (Jönson, 2007, p. 95).Care workers of foreign origin experience frequent resistance, microaggressions, and exclusion.
Moral Balancing in Policy ImplementationThe need to balance competing moral and ethical concerns in workplace policies (Jönson, 2007, p. 94).Calls for localized policies that balance pragmatism, fairness, and anti-discrimination laws in elder care.
Contribution of “Is It Racism?” by Håkan Jönson  to Literary Theory/Theories

1. Postcolonial Theory

  • Explores racialized power structures in caregiving, where ethnic minority workers are subjected to discrimination despite their vital role (Jönson, 2007, p. 80).
  • Links resistance to historical colonial narratives, where non-European individuals are framed as “the other” (Jönson, 2007, p. 83).
  • Examines how language barriers serve as a disguised form of racial exclusion, reflecting colonial legacies of linguistic hierarchy (Jönson, 2007, p. 86).

2. Critical Race Theory (CRT)

  • Highlights systemic racism in Swedish elder care, showing how policies and institutional practices reinforce discrimination (Jönson, 2007, p. 92).
  • Demonstrates “colorblind racism”—where care providers avoid addressing racism directly by reframing it as practical concerns (Jönson, 2007, p. 89).
  • Challenges “white normativity”, as elder care is structured around the expectations of white Swedish care recipients (Jönson, 2007, p. 90).

3. Structuralism and the Social Construction of Race

  • Applies Berger and Luckmann’s (1966) concept of the social construction of reality, arguing that race is socially constructed through discourse and everyday interactions (Jönson, 2007, p. 84).
  • Shows how racist attitudes toward care workers are culturally produced rather than biologically determined (Jönson, 2007, p. 85).
  • Demonstrates how “fear of the unknown” operates as a socially learned response rather than an innate reaction (Jönson, 2007, p. 80).

4. Discourse Analysis (Foucaultian Theory)

  • Investigates how racism is rationalized through institutional discourse, enabling care providers to comply with racist preferences while maintaining an anti-racist stance (Jönson, 2007, p. 90).
  • Examines how managerial language (“customer service model”) legitimizes discrimination by reframing racism as a service preference (Jönson, 2007, p. 88).
  • Connects elderly care policies to broader national discourses on multiculturalism and migration in Sweden (Jönson, 2007, p. 94).

5. Feminist Theory and Intersectionality

  • Highlights gendered and racialized labor divisions, showing how immigrant women are disproportionately placed in caregiving roles (Jönson, 2007, p. 81).
  • Analyzes the intersection of race, gender, and labor precarity, as minority care workers face both racial and gender-based discrimination (Jönson, 2007, p. 85).
  • Demonstrates how power dynamics in caregiving are shaped by both ethnicity and social status, reinforcing double marginalization of minority women in elder care (Jönson, 2007, p. 91).

6. Reader-Response Theory

  • Discusses the role of perception and interpretation in shaping racist attitudes among elderly care recipients (Jönson, 2007, p. 86).
  • Suggests that resistance toward minority care workers is influenced by personal experiences, social conditioning, and media representation (Jönson, 2007, p. 87).
  • Illustrates how care recipients “read” racialized bodies and respond to them based on pre-existing biases rather than actual interactions (Jönson, 2007, p. 88).

7. Ideology and Hegemony (Gramscian Theory)

  • Examines how hegemonic ideologies shape both individual and institutional responses to racism in elder care (Jönson, 2007, p. 90).
  • Shows how care providers are complicit in maintaining racial hierarchy by prioritizing the preferences of Swedish care recipients over the rights of minority workers (Jönson, 2007, p. 91).
  • Discusses how pragmatic approaches to racism are shaped by dominant ideologies that normalize workplace discrimination (Jönson, 2007, p. 92).

8. Human Rights and Ethics in Literary Theory

  • Addresses conflicts between human rights frameworks and real-world caregiving ethics (Jönson, 2007, p. 93).
  • Questions whether elderly individuals should be granted the “right” to refuse minority caregivers, even when such refusals are rooted in racism (Jönson, 2007, p. 94).
  • Advocates for policy solutions that balance anti-racism with ethical caregiving, ensuring both caregivers and recipients are treated fairly (Jönson, 2007, p. 96).
Examples of Critiques Through “Is It Racism?” by Håkan Jönson  
Literary WorkThemes in the WorkCritique Through Jönson’s Framework
Joseph Conrad – Heart of Darkness– Colonialism and racial hierarchy
– “Othering” of non-Europeans
– White European superiority complex
– Jönson’s study critiques how colonial narratives continue to influence racial perceptions, particularly in elder care, where minority care workers are viewed as the “other” (Jönson, 2007, p. 80).
– Similar to Heart of Darkness, Swedish elder care reproduces racialized power structures, where non-Swedish workers are treated as outsiders (Jönson, 2007, p. 83).
Language barriers in Jönson’s study parallel Conrad’s depictions of “unintelligible natives,” reinforcing how communication differences become a pretext for exclusion (Jönson, 2007, p. 86).
Toni Morrison – Beloved– Legacy of slavery and racial trauma
– Dehumanization of Black bodies
– Psychological impact of racism
– Jönson’s findings align with Morrison’s exploration of racial trauma, showing how care workers of foreign origin internalize racist abuse as part of their job (Jönson, 2007, p. 85).
– In Beloved, characters struggle against systemic racism, much like minority care workers in Sweden who face discrimination but lack institutional support (Jönson, 2007, p. 92).
– The pathologizing approach in Jönson’s study (“It’s just dementia, not racism”) mirrors the rationalizations of white violence in Beloved, where oppressors excuse or justify their actions through social norms (Jönson, 2007, p. 89).
Jean Rhys – Wide Sargasso Sea– Postcolonial displacement
– Racial and cultural marginalization
– Identity crisis of Creole characters
The resistance toward ethnic minority care workers in Jönson’s study mirrors the alienation of Antoinette (Bertha) in Wide Sargasso Sea, where she is “too white for the Caribbean, too foreign for England” (Jönson, 2007, p. 81).
Fear of the unknown (Jönson, 2007, p. 80) plays a key role in both texts—elderly Swedes reject minority caregivers just as Rochester rejects Antoinette based on racial and cultural stereotypes.
– The discourse of “civilized” vs. “uncivilized” in Rhys’s novel parallels Jönson’s critique of Sweden’s care system, where minority workers must “prove” their competence to skeptical Swedish recipients (Jönson, 2007, p. 88).
Ralph Ellison – Invisible Man– Racial invisibility and identity
– Power structures and systemic oppression
– Survival under racism
– Like Ellison’s narrator, ethnic minority care workers in Sweden become “invisible”—their presence is tolerated but not fully accepted (Jönson, 2007, p. 83).
– The customer-service model in Jönson’s study (“the patient gets to choose”) reflects how racialized workers are dehumanized and reduced to economic functions (Jönson, 2007, p. 88).
– Both Invisible Man and Jönson’s study highlight how institutions adopt a rhetoric of anti-racism while maintaining discriminatory practices (Jönson, 2007, p. 92).

Criticism Against “Is It Racism?” by Håkan Jönson

1. Limited Scope and Sample Size

  • The study relies on a small sample size of 12 representatives and 3 ethnic minority care workers, making it difficult to generalize the findings (Jönson, 2007, p. 82).
  • The research focuses on a single Swedish municipality, which may not represent broader trends in Sweden or other multicultural societies.
  • A larger, more diverse sample could provide deeper insights into racism in elder care across different regions and care institutions.

2. Overemphasis on Pragmatism and Pathologization

  • The study argues that care providers frame racism as “fear of the unknown” or dementia, rather than actively confronting it (Jönson, 2007, p. 89).
  • Critics may argue that this framing oversimplifies the complexity of prejudice among elderly care recipients.
  • By emphasizing pathologization, the study risks excusing racist behavior instead of advocating for stronger institutional interventions.

3. Lack of Direct Ethnographic Engagement with Care Recipients

  • The study primarily relies on interviews with care providers and minority staff, rather than directly interviewing elderly care recipients about their perceptions.
  • Without firsthand accounts from care recipients, the study risks misinterpreting their motives, potentially exaggerating or downplaying the role of racism.
  • Ethnographic fieldwork or observational research could provide a more nuanced understanding of recipient-caregiver interactions.

4. Insufficient Policy Recommendations

  • While Jönson highlights the gap between anti-racist policies and real-world practices, his recommendations remain vague (Jönson, 2007, p. 92).
  • The study does not offer concrete solutions for care institutions, such as training programs, institutional reforms, or legal enforcement strategies.
  • A stronger policy-driven conclusion could have enhanced the study’s impact on workplace reforms.

5. Failure to Address the Role of Care Workers’ Agency

  • The study focuses on care workers as victims of racism, but does not deeply explore how they resist, navigate, or reshape power dynamics in care institutions.
  • Some scholars argue that migrant care workers develop coping strategies, solidarity networks, and active resistance, which Jönson does not fully examine.
  • Including examples of agency among minority care workers could have provided a more balanced portrayal of power relations in elder care.

6. Potential Bias in Framing Institutional Racism

  • The study presents elder care institutions as largely complicit in maintaining racial discrimination (Jönson, 2007, p. 90).
  • However, it does not explore cases where institutions have successfully challenged racism or where care recipients have changed their attitudes over time.
  • A more balanced discussion of institutional responses—both failures and successes—could have strengthened the study’s credibility.

7. Oversimplification of Cultural Conflicts

  • The study frames resistance to minority care workers as largely a racial issue, but does not sufficiently consider cultural misunderstandings or generational differences in social norms.
  • Some care recipients may struggle with linguistic differences, unfamiliar caregiving styles, or religious customs, which the study overlooks as non-racialized concerns (Jönson, 2007, p. 86).
  • Addressing how cultural adjustment plays a role in care work would have made the analysis more nuanced.
Representative Quotations from “Is It Racism?” by Håkan Jönson  with Explanation
QuotationExplanation & ContextTheoretical Perspective
“Fear of the unknown among older people who had previously met few people of foreign origin.” (Jönson, 2007, p. 80)Jönson explains how elderly care recipients often react with skepticism toward ethnic minority caregivers due to limited exposure to multicultural environments. Care providers justify this reaction as a natural response rather than active racism.Social Construction of Race & Othering – Aligns with postcolonial theory and structuralism, where race and difference are socially constructed rather than inherent.
“We are trained to provide service and the customer pays for that service… It is a form of service and then we’ll have to ignore that other issue [playing along with racism].” (Jönson, 2007, p. 86)This statement reflects a pragmatic approach used by care providers to justify compliance with discriminatory requests from care recipients. It highlights market-based reasoning in elder care.Neoliberalism & Market Logic in Social Work – Demonstrates how commodification of care shifts ethical decisions into consumer-driven services.
“No, I haven’t really reflected on this and sometimes I wonder if it is not really the regular Swedish staff who make up this problem.” (Jönson, 2007, p. 87)A care provider shifts the focus from care recipients’ racism to potential bias within staff interactions. This deflects accountability from institutions and elder care policies.Structural Racism & Institutional Bias – Shows how racism is often downplayed or redirected within bureaucratic settings.
“It’s her home, and she has the right to decide who to let in.” (Jönson, 2007, p. 88)This justification prioritizes the autonomy of care recipients over ethical concerns about racial discrimination. It frames private homes as exempt from anti-discrimination policies.Liberal Individualism vs. Anti-Discrimination – Highlights tension between personal choice and societal responsibility in multicultural care settings.
“Some do know and think that these are not people who… I mean these are sick people, old people, helpless people—and they [staff] are pretty able to see the circumstances.” (Jönson, 2007, p. 90)This statement pathologizes racism among elderly care recipients, dismissing it as a symptom of aging rather than a social issue. It reflects the normalization of elder racism in caregiving.Medicalization of Prejudice – Frames racist attitudes as a side effect of illness rather than an ethical problem requiring intervention.
“We are not here to educate the pensioners.” (Jönson, 2007, p. 89)This statement highlights a pragmatic refusal to challenge racist attitudes among older people. Care providers prioritize avoiding conflict over promoting social change.Political Correctness vs. Moral Responsibility – Engages with debates on whether social workers should challenge discrimination or accommodate it.
“Adding to this, populist claims makers with nationalist/racist agendas have referred to the growing interest in the special needs of elderly immigrants when arguing for similar needs among ethnic Swedes.” (Jönson, 2007, p. 83)Right-wing groups use discourses of cultural needs to justify exclusionary policies that prioritize ethnic Swedes over minority groups in elder care.Cultural Nationalism & Identity Politics – Shows how care policies can be co-opted by xenophobic narratives.
“Organizations perceived to comply with racism will be subject to public criticism.” (Jönson, 2007, p. 91)Institutions must balance public accountability and practical caregiving decisions, leading to compromised anti-racism policies.Corporate Image & Ethical Responsibility – Examines how social institutions navigate public perception in ethical dilemmas.
“There is a need to develop research and policy perspectives that take the complexity of care work into account and acknowledge the occurrence of mixed and shifting power relations.” (Jönson, 2007, p. 94)Jönson argues that power dynamics in elder care are fluid, involving both vulnerable caregivers and care recipients.Intersectionality & Power Relations – Demonstrates how racism interacts with aging, labor conditions, and social vulnerabilities.
“A strong anti-racist policy may result in oppression of care recipients, who fear labeling and sanctions.” (Jönson, 2007, p. 93)Jönson warns that overly rigid anti-racism policies might discourage elderly people from voicing valid concerns about care quality.Critical Race Theory & Free Speech Debate – Explores the tension between anti-racism enforcement and individual expression.
Suggested Readings: “Is It Racism?” by Håkan Jönson  
  1. Jönson, Hakan. “Is it racism? Skepticism and resistance towards ethnic minority care workers among older care recipients.” Journal of Gerontological Social Work 49.4 (2007): 79-96.
  2. Suedfeld, Peter. “Racism in the Brain; Or Is It Racism on the Brain?” Psychological Inquiry, vol. 15, no. 4, 2004, pp. 298–302. JSTOR, http://www.jstor.org/stable/20447243. Accessed 12 Mar. 2025.
  3. DiAngelo, Robin. “WHAT IS RACISM?” Counterpoints, vol. 497, 2016, pp. 107–24. JSTOR, http://www.jstor.org/stable/45157301. Accessed 12 Mar. 2025.
  4. Ronald R. Sundstrom, and David Haekwon Kim. “Xenophobia and Racism.” Critical Philosophy of Race, vol. 2, no. 1, 2014, pp. 20–45. JSTOR, https://doi.org/10.5325/critphilrace.2.1.0020. Accessed 12 Mar. 2025.

“Lacan and Race” by Azeen Khan: Summary and Critique

“Lacan and Race” by Azeen Khan first appeared in the 2018 collection Lacan and Race, published by Cambridge University Press.

"Lacan and Race" by Azeen Khan: Summary and Critique
Introduction: “Lacan and Race” by Azeen Khan

“Lacan and Race” by Azeen Khan first appeared in the 2018 collection Lacan and Race, published by Cambridge University Press. This chapter critically engages with Lacanian psychoanalysis to explore the relationship between race and segregation, arguing that racism should be understood within the broader context of social formations dictated by the master’s discourse. A central claim is that race, rather than being a purely biological or visual marker, is structured through discourse, which organizes social bonds and segregative mechanisms. Khan builds on Jacques-Alain Miller’s concept of extimacy—the idea that what is most intimate to a subject is also radically foreign—to explain how racism functions through the rejection of the jouissance of the Other. The essay also situates Lacan’s comments on colonialism, capitalism, and the decline of the Name-of-the-Father within the historical processes of segregation and racial differentiation. By engaging with Freud, Lacan, and contemporary scholars like Eric Laurent and Kalpana Sheshadri-Crooks, Khan’s work underscores the necessity of psychoanalytic inquiry in critical race studies. This perspective challenges universalist humanist discourses that seek to erase difference while simultaneously exacerbating racial exclusion. In literary and theoretical discourse, Lacan and Race contributes to the ongoing critique of the ways in which power, knowledge, and subjectivity are interwoven with racialized structures, offering an alternative framework for understanding race beyond biological essentialism.

Summary of “Lacan and Race” by Azeen Khan
  • Race as a Construct of Discourse
    • Race is not an inherent biological or physical reality but is structured through discourse.
    • Lacan states that “[a race] is constituted according to the mode in which symbolic places are transmitted by the order of a discourse” (Khan, 148).
    • Racial identities are shaped by language and ideology rather than natural differences.
  • The Master’s Discourse and Colonialism
    • The master’s discourse, particularly in its colonial form, imposes a Eurocentric framework upon colonized subjects.
    • Lacan observed that “the unconscious that had been sold to them along with the laws of colonization” (Khan, 149) demonstrates how colonial rule reshapes subjectivity.
    • Colonialism replaces indigenous knowledge with Western concepts, influencing the unconscious itself.
  • Science, Capitalism, and Segregation
    • The modern discourses of science and capitalism have fractured the symbolic order, intensifying segregation rather than promoting universalization.
    • Jacques-Alain Miller asserts, “Our future as common markets will be balanced by an increasingly hard-line extension of the process of segregation” (Khan, 150).
    • Globalization claims to unite, but instead reinforces racial and social barriers.
  • The Role of Jouissance in Racism
    • Racism is not just about visible differences but about resentment toward the jouissance (excessive enjoyment) of the Other.
    • Miller explains that racism “aims at the real in the Other” and involves “the hatred of the jouissance of the Other” (Khan, 157).
    • This concept highlights how racial hatred is driven by the belief that the Other enjoys in an unacceptable or excessive way.
  • Freud and the Psychology of Racial Group Formation
    • Freud’s Group Psychology and the Analysis of the Ego (1921) suggests that social cohesion relies on shared exclusion of a particular group.
    • “Closely related races keep one another at arm’s length” (Khan, 152), illustrating how identification and exclusion reinforce racial antagonism.
    • Freud’s idea of the “narcissism of minor differences” explains how even minor distinctions can lead to intense hostility.
  • The Universalizing Drive of Science and Capitalism
    • Science and capitalism attempt to create a universal human subject, yet they intensify segregation rather than dissolve it.
    • Lacan states, “The factor at stake here is the most burning issue of our times…segregation” (Khan, 155).
    • Scientific discourse aims at universality but inadvertently deepens racial divides.
  • The “Melting Pot” and the Persistence of Racism
    • The “melting pot” ideology assumes that cultural and racial differences can be seamlessly integrated, but Lacan challenges this assumption.
    • He argues that true coexistence requires “not imposing our own [jouissance] on him” (Khan, 156).
    • Attempts to force assimilation often result in further alienation and rejection.
  • Extimacy and the Internalized Other
    • Racism is rooted in a deeper struggle with one’s own jouissance, leading to the rejection of the Other.
    • Miller states, “The root of racism is the hatred of one’s own jouissance… it is also hatred of myself” (Khan, 159).
    • This suggests that racial hatred is not purely external but also reflects an internal conflict within the subject.
  • The Psychoanalytic Response to Racism
    • Psychoanalysis provides a unique approach to racism by examining its unconscious mechanisms.
    • Miller observes, “The universal mode—which is the mode under which science elaborates the real—seems to have no limit, when in fact it does” (Khan, 160).
    • Unlike universalist approaches, psychoanalysis acknowledges the singularity of each subject’s jouissance.
  • Anti-Racism as a Perpetual Invention
    • Racism evolves with shifting social structures, requiring continuous reinterpretation and resistance.
    • Laurent emphasizes, “Antiracism always has to be reinvented in keeping with each new form of the object of racism” (Khan, 161).
    • Anti-racism must be a dynamic and historically responsive process rather than a fixed ideological stance.
Theoretical Terms/Concepts in “Lacan and Race” by Azeen Khan
Theoretical Term/ConceptDefinitionExplanation from Lacan and Race
Master’s DiscourseA dominant discourse that structures social and ideological relations.The colonial discourse functions as a master’s discourse, shaping the unconscious of colonized subjects by imposing Eurocentric ideals (Khan, 149).
Symbolic OrderThe system of language and laws that structures human subjectivity.The decline of the Name-of-the-Father in modernity has fractured the symbolic order, intensifying racial segregation (Khan, 150).
SegregationThe social process of separation based on constructed differences.Lacan argues that modern civilization, despite its claim to universalism, enforces “a complex, reinforced and constantly overlapping form of segregation” (Khan, 148).
JouissanceA form of excessive enjoyment that resists full integration into the symbolic order.Racism is fueled by resentment toward the jouissance of the Other, which is perceived as excessive or unassimilable (Khan, 157).
ExtimacyThe paradox of something being both external and intimate to the subject.Racism is based on “the hatred of the jouissance of the Other,” which is actually a rejection of one’s own internalized Other (Khan, 159).
Narcissism of Minor DifferencesFreud’s concept that small perceived differences between groups lead to hostility.“Closely related races keep one another at arm’s length,” demonstrating how minor distinctions become sources of conflict (Khan, 152).
UniversalizationThe attempt to create an all-encompassing framework that applies to all subjects.Science and capitalism promote universality, but this paradoxically intensifies racial divisions (Khan, 155).
The Melting PotThe idea that different cultures can be assimilated into a homogeneous society.Lacan critiques this as a false ideal, stating that the jouissance of the Other cannot simply be erased or integrated (Khan, 156).
The RealA dimension of experience beyond symbolic representation, often linked to trauma or excess.Miller suggests that modernity has led to “the real without law,” severing the connection between nature and social reality (Khan, 150).
The Name-of-the-FatherThe function that structures the symbolic order and subjectivity.The decline of this function in modernity contributes to racial segregation and disorder (Khan, 155).
Primitive AccumulationThe process of wealth extraction that underpins capitalism.The history of capitalism cannot be understood without considering its racialized foundations in “primitive accumulation” (Khan, 149).
Scientific RacismThe use of science to justify racial hierarchies.The human sciences have historically framed racialized bodies as objects of “segregative reason” (Khan, 149).
Psychoanalytic Anti-RacismA response to racism that examines its unconscious mechanisms rather than just social structures.Miller states that “anti-racism always has to be reinvented in keeping with each new form of the object of racism” (Khan, 161).
Contribution of “Lacan and Race” by Azeen Khan to Literary Theory/Theories

1. Contribution to Psychoanalytic Literary Theory

  • Examines race through the lens of Lacanian psychoanalysis
    • Khan explores how race is a discursive construct shaped by the unconscious rather than a biological reality.
    • Race is an effect of discourse, as Lacan states, “[a race] is constituted according to the mode in which symbolic places are transmitted by the order of a discourse” (Khan, 148).
    • This insight expands psychoanalytic readings of racial identity beyond traditional Freudian notions of repression.
  • Connects the concept of jouissance to racial hatred
    • Khan builds on Miller’s idea that racism is driven by an intolerance of the Other’s jouissance rather than mere visual difference.
    • “Racism calls into play a hatred which goes precisely toward what grounds the Other’s alterity, in other words its jouissance” (Khan, 157).
    • This provides a psychoanalytic explanation for racialized violence and exclusion in literature.
  • Applies the concept of extimacy to racial identity
    • Extimacy (external intimacy) explains how racism reflects an internal rejection of aspects of the self projected onto the Other.
    • “The root of racism is the hatred of one’s own jouissance… it is also hatred of myself” (Khan, 159).
    • This contributes to psychoanalytic readings of literature by showing how race functions as a psychological structure in narratives.

2. Contribution to Postcolonial Literary Theory

  • Analyzes how colonial discourse shapes subjectivity
    • Khan highlights how the master’s discourse, particularly in colonialism, alters the unconscious of colonized subjects.
    • “The unconscious that had been sold to them along with the laws of colonization” (Khan, 149).
    • This supports postcolonial critiques of Western literary canons and their racialized structures of power.
  • Critiques the “melting pot” as a colonial fantasy
    • Lacan’s critique of assimilationist ideologies aligns with postcolonial theorists like Homi Bhabha’s concept of hybridity.
    • “Leaving this Other to his own mode of jouissance, that would only be possible by not imposing our own on him” (Khan, 156).
    • This challenges narratives of integration in colonial and diasporic literature.
  • Interrogates the colonial legacy of scientific racism in literature
    • The text examines how scientific discourse historically justified racial hierarchies, shaping literary representation.
    • “The human sciences take both madmen and racialized bodies as an object of segregative reason” (Khan, 149).
    • This contributes to postcolonial critiques of literary representations of race in Western texts.

3. Contribution to Critical Race Theory in Literary Studies

  • Frames racism as a structural and unconscious phenomenon
    • Critical Race Theory (CRT) argues that racism is embedded in systems rather than individual prejudice.
    • Khan extends this by showing that racism is structured through the master’s discourse and the symbolic order (Khan, 150).
    • This helps deconstruct racial ideologies in literature by focusing on underlying linguistic and psychoanalytic structures.
  • Challenges humanist universalism in literary representation
    • Khan critiques the universalizing claims of science and capitalism, which reinforce segregation rather than eliminating it.
    • “The universal mode—which is the mode under which science elaborates the real—seems to have no limit, when in fact it does” (Khan, 160).
    • This insight contributes to CRT’s critique of universalism in literary theory, showing how “colorblind” narratives still reinforce racial divisions.
  • Expands CRT’s understanding of racial subjectivity through Lacanian theory
    • CRT often focuses on material and legal structures; Khan adds a psychoanalytic dimension, showing how racial difference is internalized at the unconscious level.
    • “The hatred of the jouissance of the Other is the structuring logic of racism” (Khan, 157).
    • This enriches literary analyses of racial identity and trauma.

4. Contribution to Structuralism and Poststructuralism in Literary Theory

  • Race as a signifier within the symbolic order
    • Khan applies Lacan’s structuralist approach by arguing that race is a signifier produced within discourse, not a biological reality.
    • “Race is constituted according to the mode in which symbolic places are transmitted by the order of a discourse” (Khan, 148).
    • This aligns with poststructuralist critiques of essentialism in literary theory.
  • Challenges essentialist representations of race in literature
    • By framing race as a discursive effect, Khan supports Derrida’s deconstruction of racial binaries.
    • This undermines fixed racial categories in literary analysis, promoting an understanding of identity as fluid and constructed.
  • Questions the stability of racial identity in literary texts
    • Khan’s discussion of jouissance and extimacy suggests that racial identity is inherently unstable.
    • This aligns with poststructuralist readings of identity as fractured and shifting.

Examples of Critiques Through “Lacan and Race” by Azeen Khan
Literary WorkLacanian Concept from Lacan and RaceCritique Through Azeen Khan’s Analysis
Joseph Conrad’s Heart of Darkness (1899)Master’s Discourse & Colonial Unconscious– The novel exemplifies how colonial discourse imposes a master’s ideology that shapes the unconscious of both colonizer and colonized.
– Kurtz’s descent into madness reflects the destabilization of the symbolic order, as he moves beyond European rationality into the “primitive” (Khan, 149).
– The racialized portrayal of Africans as “savage” aligns with scientific racism in literature, reinforcing colonial power structures (Khan, 149).
Toni Morrison’s Beloved (1987)Jouissance & Extimacy– The novel illustrates how Black trauma and historical violence are linked to the unassimilable jouissance of the racialized Other.
– Sethe’s actions (killing her child) demonstrate how slavery produces a fractured subjectivity, tied to the rejection of her own jouissance (Khan, 159).
– The ghost of Beloved embodies the return of the repressed, mirroring how the historical unconscious continues to shape Black identity in America.
Chinua Achebe’s Things Fall Apart (1958)Segregation & The Decline of the Name-of-the-Father– The novel critiques colonial disruption of Igbo society, where traditional authority (symbolized by Okonkwo and the elders) collapses under Western rule.
– The colonial master’s discourse erases indigenous structures, replacing them with a European symbolic order (Khan, 148).
– Okonkwo’s downfall can be read as the collapse of the Name-of-the-Father, leading to segregation within his own people as they become divided by colonial influence (Khan, 155).
Franz Kafka’s The Metamorphosis (1915)The Racialized Subject & The Real– Gregor Samsa’s transformation into an insect reflects the dehumanization of the Other, akin to racialized bodies being marked as “vermin” or subhuman (Khan, 157).
– His family’s rejection of him mirrors society’s segregation of the racialized subject, as the master’s discourse determines social worth.
– Gregor’s existence outside human recognition echoes the Real without Law, where his jouissance is seen as excessive and intolerable (Khan, 150).
Criticism Against “Lacan and Race” by Azeen Khan

1. Overemphasis on Psychoanalysis Over Material Conditions

  • The book primarily analyzes race through Lacanian psychoanalysis, but critics argue that this overlooks material and socio-political factors in racial oppression.
  • Critique: Race and racism are deeply tied to economic, legal, and historical structures (e.g., capitalism, colonialism, systemic racism), yet Lacan and Race focuses more on unconscious structures.
  • Example: Critics from Critical Race Theory (CRT) and Marxist literary studies argue that psychoanalysis alone cannot explain racialized economic exploitation.

2. The Abstract Nature of Lacanian Concepts

  • Lacanian psychoanalysis is highly abstract, making it difficult to apply to concrete racial realities.
  • Critique: Terms like jouissance, extimacy, and the Real may provide insight into the unconscious dynamics of race, but they lack tangible explanatory power for real-world racial struggles.
  • Example: Some scholars argue that postcolonial theorists like Fanon and Said offer clearer frameworks for analyzing race and power compared to Lacan’s dense theoretical language.

3. Limited Engagement with Postcolonial and Intersectional Theories

  • The book engages Lacan, Freud, and Miller, but less so with postcolonial theorists like Fanon, Spivak, or Bhabha.
  • Critique: While Khan examines race through the unconscious and discourse, she does not fully integrate intersectionality, feminist critiques, or decolonial perspectives.
  • Example: Hortense Spillers and Saidiya Hartman’s work on Black identity and racial trauma could have expanded the discussion beyond Lacanian categories.

4. Neglect of Non-Western Psychoanalytic Traditions

  • Critique: The book focuses on European psychoanalysis (Lacan, Freud, Miller) without acknowledging how psychoanalytic ideas have been adapted in non-Western contexts.
  • Example: Scholars of African, Asian, and Indigenous psychology might challenge whether Lacanian theory is the best tool for understanding racial subjectivity outside Europe.

5. Questionable Applicability to Literary Analysis

  • Critique: Some scholars argue that literary analysis based on Lacan is often forced, as it may impose psychoanalytic structures onto texts that do not explicitly engage with psychoanalysis.
  • Example: Applying Lacan and Race to texts like Achebe’s Things Fall Apart or Morrison’s Beloved may ignore these novels’ cultural, historical, and political specificities in favor of a purely theoretical framework.

6. The Risk of Universalizing Racial Experience

  • Critique: The book’s focus on psychoanalysis and discourse risks universalizing the experience of race, treating racial identity as a structural effect rather than a lived reality.
  • Example: By framing race as an effect of the master’s discourse, it may downplay how race is experienced differently across history, geography, and social context.
Representative Quotations from “Lacan and Race” by Azeen Khan with Explanation
QuotationExplanation
“I believe that in our day and age, we could classify the mark, the scar, left by the father’s disappearance under the heading and general notion of segregation.”Lacan suggests that the decline of paternal authority (Name-of-the-Father) has led to a more fragmented society, where segregation becomes a primary organizing force rather than universalism.
“Capitalism and science have combined to make nature disappear. And what is left by the vanishing of nature is what we call the real, that is, a remainder, by structure, disordered.”Jacques-Alain Miller argues that modernity has fractured the symbolic order, causing a disordered “Real” where nature is no longer an organizing principle, leaving humans in an unstructured, chaotic state.
“The unconscious that had been sold to them along with the laws of colonization, this exotic regressive form of the master’s discourse, in the face of the capitalism called imperialism.”Lacan critiques how colonialism imposed a European unconscious on colonized subjects, erasing their indigenous psychological structures and replacing them with the dominant master’s discourse.
“A race is constituted according to the mode in which symbolic places are transmitted by the order of a discourse.”This suggests that race is not merely biological but constructed through discourse, meaning racism is tied to how societies symbolically organize differences rather than inherent traits.
“On the one hand, there is the universalizing orientation of science (for all); on the other, the accentuation of segregation (not for all).”Lacan highlights the paradox of modernity: science and capitalism claim to be universal but simultaneously create new forms of exclusion and segregation.
“Racism effectively switches its objects as the social forms undergo modification. From Lacan’s perspective, however, there is always, in any human community, a rejection of an unassimilable jouissance.”Racism is not static but adapts to shifting social conditions. Lacan argues that at its core, racism is about rejecting the “jouissance” (excess pleasure) of the Other, which cannot be assimilated into dominant society.
“Without our jouissance going off the track, only the Other is able to mark its position, but only insofar as we are separated from this Other.”Lacan explains that identity is formed through separation—the Other is only recognizable when set apart from the dominant subject. This reinforces segregation and racial divisions.
“Racism is founded on what one imagines about the Other’s jouissance; it is hatred of the particular way, of the Other’s own way of experiencing jouissance.”Racism is not just about physical differences but about perceived differences in pleasure and behavior—it is the fear that the Other enjoys differently or excessively.
“The Other is unfairly subtracting from you a part of your jouissance. That is the constant. The root of racism is the hatred of one’s own jouissance.”Lacan suggests that racism is rooted in a projection—people externalize their own anxieties and frustrations onto racial Others, blaming them for their own lost pleasure.
“The universal of the ‘for all’ generates the segregations it pretends to destroy.”The attempt to universalize identity and culture paradoxically creates more exclusion, as universalism erases particularities, leading to resistance and new forms of division.
Suggested Readings: “Lacan and Race” by Azeen Khan
  1. Khan, Azeen. “Lacan and race.” After Lacan: Literature, theory, and psychoanalysis in the twenty-first century (2018): 148-164.
  2. Burnett, Ron, and Jacques Lacan. “A Conversation with Jacques Lacan.” Discourse, vol. 7, 1985, pp. 66–80. JSTOR, http://www.jstor.org/stable/41389079. Accessed 11 Mar. 2025.
  3. Lane, Christopher. “The Psychoanalysis of Race: An Introduction.” Discourse, vol. 19, no. 2, 1997, pp. 3–20. JSTOR, http://www.jstor.org/stable/41389442. Accessed 11 Mar. 2025.
  4. Voruz, Véronique. “Psychoanalysis at the Time of the Posthuman: Insisting on the Outside-Sense.” Paragraph, vol. 33, no. 3, 2010, pp. 423–43. JSTOR, http://www.jstor.org/stable/43151860. Accessed 11 Mar. 2025.