“Human Identity” by Norman N. Holland: Summary and Critique

“Human Identity” Norman N. Holland, initially published in the prestigious journal Critical Inquiry in 1978, has since become a cornerstone in the fields of literary theory and criticism.

"Human Identity" by Norman N. Holland: Summary and Critique
Introduction: “Human Identity” by Norman N. Holland

“Human Identity” Norman N. Holland, initially published in the prestigious journal Critical Inquiry in 1978, has since become a cornerstone in the fields of literary theory and criticism. Holland’s exploration of the complex interplay between individual identity and the texts we encounter has had a profound and enduring impact on scholarly discourse. His innovative approach, which delves into the psychological dimensions of reading and interpretation, has provided invaluable insights into the ways in which readers engage with literary works to construct their own personal narratives.

Summary of “Human Identity” by Norman N. Holland

Psychoanalysis and the Reformation of Identity

  • Holland discusses the evolution of psychoanalysis in addressing human identity, shifting from Freud’s materialistic psychology to deeper explorations of the self.
    • “Psychoanalysis from its very origins has been profoundly involved in the owning of self.” (p. 451)

Concept of Identity in Erikson and Lichtenstein

  • Holland references Erikson’s “sense of identity,” which includes how individuals perceive themselves and how others perceive them.
    • “Erikson uses the word to mean sense of identity…through all of Eriksonian mutuality.” (p. 451)
  • Lichtenstein’s “primary identity” focuses on early childhood development, emphasizing the meshing of maternal and infant needs as the foundation of identity.
    • “A primary identity: something that develops in each of us in the first year of life…” (p. 452)

Identity as a Dialectic of Sameness and Difference

  • Holland emphasizes the concept of identity as a dynamic balance of sameness and difference, where personal identity remains consistent through life changes.
    • “I am constantly changing, but…there remains a continuing me who is the style that permeates all those changes.” (p. 452)

Theme and Variation: Identity as a Holistic Concept

  • Holland likens identity to a musical theme with variations, where each action is a variation on a core theme of the individual’s life.
    • “Each action is a variation on a theme…which we learn by seeing the theme in its ever-new variations.” (p. 453)

Holistic Reasoning in Psychoanalysis

  • Holistic reasoning in identity focuses on patterns, fit, and meaning rather than strict causality. Freud’s dream analysis is a prime example of this approach.
    • “Holistic explanations…bring out the individuality and wholeness of a system.” (p. 453-454)

Primary Identity vs. Identity Theme

  • Holland distinguishes between “primary identity” (an innate, unconscious sense of self) and “identity theme” (a formulation by others to understand an individual’s personal style).
    • “I can never know your ‘primary identity,’ for it is deeply and unconsciously inside you…[but] I can formulate a constancy in your personal style.” (p. 455)

Identity and Individual Uniqueness

  • Holland argues that identity theory allows us to talk rigorously about unique individuals, merging personal experience with scientific inquiry.
    • “We can talk rigorously about unique individuals, but not impersonally.” (p. 455)

Shaw as a Case Study in Identity

  • Holland uses George Bernard Shaw as a case study, showing how Shaw’s personal identity theme—seeking a “purposeful and fulfilling opposite”—shaped his political and literary work.
    • “Shaw tries either to find or to be a purposeful and fulfilling opposite.” (p. 457)

Identity as a Framework for Understanding Behavior

  • Holland suggests that understanding someone’s identity allows for holistic insights into their life choices, personality, and behaviors, beyond simple cause-effect models.
    • “Identity theory thus extends Freud’s method of dream interpretation…to the whole life of a person.” (p. 454-455)

The Impact of Identity Theory on Psychology

  • Holland concludes by arguing that identity theory transforms our understanding of personality, motivation, and social interaction, providing a comprehensive framework for psychological and cultural analysis.
    • “Identity theory gives us a way of accounting for human individuality within the generalities of species and culture.” (p. 468)
Literary Terms/Concepts in “Human Identity” by Norman N. Holland
Literary Term/ConceptDefinition/ExplanationContext in the Essay
Primary IdentityA foundational sense of self developed in early childhood, particularly through interactions between mother and child.Holland, drawing on Lichtenstein, defines “primary identity” as something formed during the first year of life when an infant’s needs mesh with the mother’s. This identity becomes the core of the individual’s later developments. (p. 452)
Identity ThemeA pattern of consistent traits or behaviors that characterize an individual, recognized by both self and others.Holland uses this concept to describe the continuity within a person’s life. Every action can be seen as a variation of an identity theme, forming a holistic understanding of the individual’s identity. (p. 453)
Sameness and DifferenceThe dialectic relationship where identity is defined both by what remains constant (sameness) and what changes (difference).Holland emphasizes that identity is understood through the interplay of sameness (what stays consistent) and difference (the variations in behavior and experience). This dialectic helps individuals recognize changes within the self. (p. 452)
Theme and VariationA concept borrowed from music, where a theme is repeated with changes (variations) while maintaining a recognizable core.Holland compares identity to a musical theme with variations. Each action is a variation on the individual’s core theme, helping to define the person’s identity across different contexts and life stages. (p. 453)
Holistic ReasoningA method of interpretation that focuses on understanding patterns, fits, and meanings rather than relying solely on cause-effect or predictive models.Holland contrasts this approach with scientific reasoning, using Freud’s dream interpretation as an example. Holistic reasoning allows for a more comprehensive understanding of human identity by examining how various life elements fit into an individual’s identity theme. (p. 454)
Freudian PsychoanalysisA method of psychological analysis that explores unconscious motivations, particularly through techniques like dream interpretation.Holland builds on Freud’s psychoanalytic theory, particularly Freud’s use of free associations and dream analysis to uncover identity themes and explore the relationship between conscious and unconscious desires. (p. 454)
Self and OtherThe relationship between the individual’s perception of themselves (self) and their perception of external individuals or forces (other).Holland discusses how identity is shaped by both self-perception and interactions with others. He stresses the importance of this dynamic in understanding personal identity and how it influences relationships and social contexts. (p. 455)
Relational KnowingA way of understanding individuals that acknowledges the role of personal relationships and subjective experiences in shaping knowledge.Holland argues that true knowledge of a person’s identity cannot be impersonal; it is always influenced by relationships and the interpretive framework of the observer. This concept emphasizes the role of empathy in understanding identity. (p. 455)
Psychoanalytic CriticismA form of literary analysis that interprets texts through psychoanalytic theories, especially those related to unconscious desires, childhood experiences, and identity.As a critic and psychoanalyst, Holland applies psychoanalytic principles to literary interpretation. He emphasizes how understanding an author’s identity and unconscious motivations can illuminate their work. (p. 456)
Identity as Process and ProductThe idea that identity is both a process of continual change and a stable product that remains recognizable over time.Holland explains that identity is dynamic, continuously shaped by new experiences, yet there is a core “product” of identity that persists through these changes. This dual nature allows for the holistic study of identity in psychoanalysis. (p. 466)
Individuum est ineffabileA medieval adage meaning “the individual is ineffable,” implying that unique individuals cannot be fully captured or described by language or science.Holland challenges this idea by suggesting that psychoanalytic techniques allow us to speak rigorously about human uniqueness, even though complete understanding remains elusive. He proposes identity theory as a way to approach this complexity. (p. 451)
Creative EvolutionA term used to describe the idea that human development is not determined by biological or social forces alone but involves purposeful, creative direction by the individual.Holland uses Shaw’s rejection of determinisms like Darwinism and Marxism to highlight how individuals (and by extension, identities) can creatively evolve based on personal choices, rejecting deterministic views of history or biology. (p. 457)
Empathy in PsychoanalysisThe ability to understand and share the feelings of another person, crucial in psychoanalysis for understanding an individual’s identity.Holland emphasizes that understanding identity requires empathy, as one’s perception of another’s identity is influenced by the observer’s own identity and subjective experience. (p. 455)
Identity as a Holistic ConceptThe view that identity encompasses the whole life of a person, integrating personal history, behaviors, beliefs, and external perceptions.Holland advocates for a holistic understanding of identity, where each action or event is seen as part of a broader, coherent pattern that defines the individual. This concept allows psychoanalysts to study individuals in a comprehensive way. (p. 453-454)
Contribution of “Human Identity” by Norman N. Holland to Literary Theory/Theories

·         Introduction of Identity Theory in Literary Criticism

  • Holland introduces identity theory as a new lens for literary criticism, focusing on how individual identity shapes literary interpretation.
    • “My books apply the concept of identity here developed to literary response.” (p. 451)

·         Holistic Approach to Literary Interpretation

  • Holland argues for a holistic approach to understanding literature, where the entire life and identity of the author and the reader influence the interpretation of a text.
    • “Holistic explanations…bring out the individuality and wholeness of a system.” (p. 454)

·         Psychological Reader-Response Theory

  • Expanding reader-response theory, Holland emphasizes the role of the reader’s identity in the process of interpreting texts, where each reader’s personal psychology and identity shape their unique reading of the same text.
    • “Identity theory gives us a way of accounting for human individuality within the generalities of species and culture.” (p. 468)

·         Integration of Psychoanalysis and Literary Criticism

  • Holland bridges psychoanalytic theory with literary theory, suggesting that literature can be understood through the psychological framework of identity, which encompasses unconscious desires, personal history, and subjective experiences.
    • “Freud’s theory of motivation begins with the pleasure principle, really an ‘unpleasure principle’…humans act to minimize unpleasure.” (p. 468)

·         Challenge to Structuralism and Objective Literary Theories

  • Holland critiques structuralist and objective approaches to literary analysis, asserting that literary interpretation cannot be impersonal or purely scientific because it involves the subjective identities of both the reader and the author.
    • “We can talk rigorously about unique individuals, but not impersonally.” (p. 455)

·         Concept of Identity as Dynamic and Evolving

  • Holland contributes to the notion of identity in literary theory by presenting it as both process and product. This allows for an understanding of identity (and by extension, literature) as something that is continuously shaped and reshaped through interactions with the text.
    • “Identity comprises both process and product, both a conclusion one comes to and a way of continually modifying that conclusion.” (p. 466)

·         Reformation of the Traditional “Author-Centered” Criticism

  • While rejecting rigid author-centered criticism, Holland redefines the relationship between an author’s identity and their work, suggesting that understanding an author’s personal identity theme can enrich literary analysis.
    • “I find I want to put that theme into words, even though I know that any such phrasing must…be inadequate.” (p. 457)

·         Influence of Eriksonian Identity and Psychoanalysis on Literary Theory

  • Holland incorporates Erik Erikson’s concept of identity development into literary theory, suggesting that literature can reflect stages of identity formation in both authors and characters.
    • “Erikson uses the word to mean sense of identity…through all of Eriksonian mutuality.” (p. 451)

·         Shift from Deterministic Interpretations to Creative Interpretations

  • Holland advocates for moving away from deterministic views (e.g., Marxism, Freudian determinism) in literary theory toward a model where the reader and the author engage creatively with the text, using identity as a dynamic force.
    • “Shaw rejected deterministic views like Darwinism…instead, he insisted on Creative Evolution, a purposeful and directed interpretation of life.” (p. 457)

·         Interdisciplinary Approach Combining Psychology, Literature, and Philosophy

  • Holland’s work contributes to literary theory by creating an interdisciplinary framework that integrates psychology, literary analysis, and philosophical questions about the nature of identity, knowledge, and human experience.
    • “The principle of identity re-creation…makes it possible to speak rigorously about individuals, reuniting objective and subjective realities.” (p. 469)

·         Empathy as a Critical Tool in Literary Analysis

  • Holland emphasizes the importance of empathy in literary criticism, where understanding the identity of the author, characters, and even readers themselves requires a subjective and empathetic approach.
    • “Any formulation of an identity theme will…be a function both of the you I see and of my way of seeing—my identity as well as yours.” (p. 455)
Examples of Critiques Through “Human Identity” by Norman N. Holland
Literary WorkCritique Through “Human Identity”Application of Holland’s Identity Theory
“Hamlet” by William ShakespeareHamlet’s indecision and actions are viewed as expressions of his conflicted identity, shaped by the trauma of his father’s death and his complicated relationship with his mother. Hamlet’s identity theme revolves around vengeance, loyalty, and moral hesitation.Holland’s theory would suggest that Hamlet’s identity is a dynamic balance between his internal struggles (sameness) and his external actions (differences). Each action is a variation of his core identity theme of ethical dilemmas and self-doubt.
“The Great Gatsby” by F. Scott FitzgeraldGatsby’s relentless pursuit of wealth and social status represents his identity theme, which is driven by his desire to recreate an idealized version of himself and his past love for Daisy. His self-creation reflects a primary identity shaped by longing and loss.Holland would argue that Gatsby’s identity is continuously recreated through his dreams of wealth and status. His theme is the contrast between his self-perception and the reality of his unattainable desires. His identity is defined by his need to reconcile these differences.
“Jane Eyre” by Charlotte BrontëJane’s journey of self-discovery is driven by her search for autonomy and moral integrity. Her identity theme revolves around the tension between social expectations and personal desires, as well as the need for love and self-respect.Holland’s theory would interpret Jane Eyre’s identity as a theme with variations—her choices reflect her consistent need to maintain self-respect while navigating social constraints. Each relationship and experience she encounters is a variation on this identity theme.
“A Portrait of the Artist as a Young Man” by James JoyceStephen Dedalus’s development as an artist is an exploration of his evolving identity. His search for independence and artistic expression mirrors his primary identity, formed through conflicts with family, religion, and nationalism.Through Holland’s lens, Stephen’s identity is a process of re-creation, constantly evolving as he interacts with different aspects of his environment. His identity theme involves breaking free from societal constraints to realize his artistic self. Each decision and artistic endeavor represents a variation on this core theme.
Criticism Against “Human Identity” by Norman N. Holland

Overemphasis on Subjectivity

  • Critics argue that Holland’s focus on the subjective identity of the reader and author can lead to overly personal interpretations, which may undermine more objective or shared understandings of a text.
    • “Interpretation becomes overly personal, dependent on individual psychology, rather than universal literary merit.”

Neglect of Structural and Formalist Approaches

  • Holland’s theory largely dismisses structuralism, formalism, and other more scientific approaches to literary analysis, which emphasize the text itself rather than the reader’s identity.
    • “Holland’s approach shifts too much focus from the text to the reader’s psychological framework, neglecting structural elements critical to literary form.”

Lack of Predictive Power

  • One critique of identity theory is that it lacks predictive power, meaning it cannot anticipate how readers will interpret texts or how identity themes will manifest in new contexts.
    • “Identity theory cannot predict reader responses, making it less useful for broad literary analysis or theory-building.”

Inconsistency in Defining Identity

  • Critics point out that Holland’s definition of identity is broad and fluid, making it difficult to establish a clear, consistent understanding of how identity functions in literary interpretation.
    • “Holland’s concept of identity is too vague, leading to inconsistencies in application across different texts and readers.”

Potential to Oversimplify Complex Texts

  • By focusing heavily on identity themes, there is a risk that Holland’s theory might oversimplify complex literary works, reducing them to reflections of personal identity rather than exploring their deeper literary, cultural, or historical significance.
    • “Complex texts can be reduced to mere reflections of identity, overlooking broader social, historical, or thematic layers.”

Limited Engagement with Broader Social and Cultural Contexts

  • Holland’s identity theory is often critiqued for focusing more on the individual’s psychological experience, potentially ignoring the broader social, political, or cultural contexts that influence literature and its reception.
    • “By prioritizing individual psychology, Holland downplays the importance of collective cultural and social influences on literary works.”

Difficulty in Empirical Validation

  • Critics argue that Holland’s identity theory is difficult to empirically validate or refute, since it relies on subjective experiences and interpretations, making it challenging to test in a rigorous academic framework.
    • “The theory’s reliance on subjective interpretation makes it hard to empirically verify or challenge through academic methods.”

Suggested Readings: “Human Identity” by Norman N. Holland

  1. Holland, Norman N. “Human Identity.” Critical Inquiry, vol. 4, no. 3, 1978, pp. 451–69. JSTOR, http://www.jstor.org/stable/1343069. Accessed 25 Sept. 2024.
  2. Gardiner, Judith Kegan. “On Female Identity and Writing by Women.” Critical Inquiry, vol. 8, no. 2, 1981, pp. 347–61. JSTOR, http://www.jstor.org/stable/1343167. Accessed 25 Sept. 2024.
  3. Holland, Norman N., and Leona F. Sherman. “Gothic Possibilities.” New Literary History, vol. 8, no. 2, 1977, pp. 279–94. JSTOR, https://doi.org/10.2307/468522. Accessed 25 Sept. 2024.
  4. Pagan, Nicholas O. “In Memoriam: Norman N. Holland, 1927–2017.” PMLA, vol. 133, no. 5, 2018, pp. 1268–70. JSTOR, http://www.jstor.org/stable/45179458. Accessed 25 Sept. 2024.
Representative Quotations from “Human Identity” by Norman N. Holland with Explanation
QuotationExplanation
“What is me? What is not-me? What am I responsible for?” (p. 451)Holland explores the core questions of identity, focusing on the boundaries between self and external forces. This inquiry underpins his exploration of how identity shapes our perception of responsibility, actions, and personal style.
“Identity refers to the whole pattern of sameness within change which is a human life.” (p. 452)This quote encapsulates Holland’s view that identity is the persistent pattern of self that remains even as a person undergoes changes. It highlights the dialectical relationship between constancy (sameness) and transformation (change).
“Each action is a variation on a theme which we learn by seeing the theme in its ever-new variations.” (p. 453)Holland likens identity to a musical theme with variations, emphasizing that identity is not static but expressed differently through each action. This metaphor illustrates the dynamic and evolving nature of personal identity.
“We can talk rigorously about unique individuals, but not impersonally.” (p. 455)This statement highlights Holland’s belief that true understanding of an individual’s identity requires personal involvement and empathy. He argues that analysis of identity cannot be detached or objective, as it is inherently subjective.
“Holistic explanations come in terms of ‘fit,’ similarity, pattern, or meaning. Hence, they do not predict.” (p. 454)Holland contrasts holistic reasoning with scientific methods, noting that identity cannot be understood through cause-effect relationships or prediction. Instead, identity is recognized through patterns and fits, resisting reductive analysis.
“I can never know your ‘primary identity,’ for it is deeply and unconsciously inside you.” (p. 455)Holland emphasizes that an individual’s primary identity is inaccessible to others because it is formed unconsciously in early life. This points to the intrinsic limits of psychoanalytic interpretation of identity, highlighting its complexity.
“Identity theory gives us a way of accounting for human individuality within the generalities of species and culture.” (p. 468)This quote illustrates Holland’s contribution to literary theory, where identity theory provides a framework for understanding human individuality within broader cultural and social contexts, making identity a central concept in literary analysis.
“The ultimate use of ‘identity’ is to change the paradigm through which we construe the world.” (p. 468)Holland argues that identity theory challenges traditional paradigms, particularly the division between subjective and objective knowledge, offering a new framework for understanding both literature and human behavior.
“In understanding someone’s cognition, we must understand what he is trying to do, and why.” (p. 468)Holland stresses the importance of understanding motivation and intent in analyzing cognition and behavior. This approach aligns with his broader theory that identity shapes perception, decision-making, and literary interpretation.
“All our knowing, even the most scientific, has become relational.” (p. 455)Holland argues that even scientific knowledge is influenced by human identity and relationships, challenging the notion of objective, impersonal knowledge. This reflects his view that all understanding is mediated by personal and subjective experience.

Leave a Reply

Your email address will not be published. Required fields are marked *