
Introduction: “Metaphor” by Max Black
“Metaphor” by Max Black first appeared in 1954–1955 in the Proceedings of the Aristotelian Society, New Series, Vol. 55, published by Wiley on behalf of the Aristotelian Society. In this foundational article, Black challenged traditional views of metaphor as merely decorative or stylistic devices, arguing instead for a more complex, cognitive function through what he famously termed the “interaction view.” The paper critiques earlier substitution and comparison theories of metaphor—where metaphor is seen either as a stylistic replacement for literal terms or as a condensed simile—and instead proposes that metaphors create meaning by enabling a dynamic interplay between two conceptual domains: the “principal subject” and the “subsidiary subject.” According to Black, a metaphor works by importing a system of “associated commonplaces” from the subsidiary subject and projecting it onto the principal one, reshaping how the latter is perceived and understood. This process not only alters our understanding of the subject at hand but can also redefine the associations attached to the metaphor itself. Black’s work has had profound implications in literary theory, philosophy of language, and cognitive linguistics, especially influencing thinkers like I.A. Richards and later George Lakoff and Mark Johnson. His theory remains pivotal in understanding metaphor not as a mere flourish of language, but as a central mechanism in thought and meaning-making.
Summary of “Metaphor” by Max Black
🔵 1. Rejection of Metaphor as Mere Ornament
Black criticizes the belief that “addiction to metaphor is held to be illicit,” equating metaphorical expression with frivolity or unclear thinking (p. 273).
🔹 “To draw attention to a philosopher’s metaphors is to belittle him—like praising a logician for his beautiful handwriting” (p. 273).
🟡 2. The “Substitution View” of Metaphor Is Inadequate
This outdated view treats a metaphor as a coded or poetic stand-in for a literal equivalent.
🔸 “The meaning of [a metaphor], in its metaphorical occurrence, is just the literal meaning of [its replacement]” (p. 279).
🟢 3. Comparison View Also Falls Short
Metaphors are often falsely treated as elliptical similes: “Richard is a lion” becomes “Richard is like a lion (in being brave)” (p. 284).
🔹 “The metaphor creates the similarity rather than formulates a similarity antecedently existing” (p. 285).
🔴 4. Introduction of the “Interaction View”
Black’s main innovation: metaphors involve interaction between two subject systems—a “principal subject” and a “subsidiary subject.”
🔸 “A metaphorical statement has two distinct subjects—a ‘principal’ subject and a ‘subsidiary’ one” (p. 291).
🔸 “We can say that the principal subject is ‘seen through’ the metaphorical expression” (p. 288).
🟣 5. Metaphor as Conceptual Filter
Like looking through tinted glass: metaphor emphasizes, organizes, and suppresses aspects of the principal subject using the implications of the subsidiary.
🔹 “The metaphor selects, emphasizes, suppresses, and organizes features of the principal subject” (p. 292).
🔹 “The chess vocabulary filters and transforms: it not only selects, it brings forward aspects…that might not be seen at all” (p. 289).
🟤 6. “Associated Commonplaces” Are Central
Metaphors activate culturally shared assumptions or “commonplaces” about the metaphor’s vehicle.
🔸 “To call a man a ‘wolf’ is to evoke the wolf-system of related commonplaces” (p. 288).
🔸 These include ideas like “fierce,” “scavenger,” “hungry,” which shape perception of the man.
⚪ 7. Cognitive Value of Metaphor Surpasses Literal Paraphrase
Metaphors carry insights that paraphrase cannot match. Literal restatements lose the richness and nuance.
🔹 “The literal paraphrase inevitably says too much—and with the wrong emphasis” (p. 293).
🔹 “It fails to give the insight that the metaphor did” (p. 293).
🟥 8. Philosophical and Epistemic Importance of Metaphor
Far from decorative, metaphor is a tool for thought. Black defends its role in serious inquiry:
🔸 “A prohibition against their use would be a wilful and harmful restriction upon our powers of inquiry” (p. 294).
📌 Summary of the Interaction Theory in 7 Points (from p. 291–292)
- Two distinct subjects: principal & subsidiary
- Subjects are systems, not just terms
- Meaning arises from the interaction of systems
- These involve associated implications (commonplaces)
- The metaphor organizes perception
- Involves semantic shifts—sometimes metaphorical
- No universal rule for what makes a metaphor effective
Theoretical Terms/Concepts in “Metaphor” by Max Black
📌 Symbol | 🏷️ Term | 🧠 Explanation |
🔵 Focus | The metaphorical word or phrase used non-literally in a sentence. | “Let us call the word ‘ploughed’ the focus of the metaphor” (p. 276). |
🟡 Frame | The literal part of the sentence/context surrounding the metaphorical focus. | “The remainder of the sentence… the frame” (p. 276). |
🟢 Principal Subject | The main topic of the metaphor—the thing really being talked about. | “A metaphorical statement has two distinct subjects—a ‘principal’ subject and a ‘subsidiary’ one” (p. 291). |
🔴 Subsidiary Subject | The source domain that lends its qualities to describe the principal subject. | “…the principal subject, Man… and the subsidiary subject, Wolf” (p. 287). |
🟣 Interaction View | The core theory: metaphorical meaning arises from the interaction between principal and subsidiary subject systems. | “The meaning is a resultant of their interaction” (p. 286). |
🟤 Associated Commonplaces | The shared cultural assumptions or stereotypes linked to the metaphor’s source term. | “To call a man a ‘wolf’ is to evoke the wolf-system of related commonplaces” (p. 288). |
⚪ Filter/Screen Metaphor | A metaphor acts like a lens or filter, shaping what aspects of the subject are visible or emphasized. | “The metaphor selects, emphasizes, suppresses, and organizes…” (p. 292); “seen through the metaphor…” (p. 288). |
🟥 Catachresis | Use of a metaphor to fill a gap in vocabulary where no literal term exists (e.g. “leg of a table”). | “Metaphor plugs the gaps in… vocabulary… a species of catachresis” (p. 280). |
🟧 Substitution View | A metaphor is merely a replacement for a literal expression. | “…use of that expression in other than its proper or normal sense” (p. 279). |
🟪 Comparison View | A metaphor as a condensed simile, implying likeness between two things. | “The metaphor is a comparison implied in the mere use of a term” (p. 284). |
🔷 Extension of Meaning | Metaphor causes a semantic shift, changing or broadening a word’s meaning. | “The frame… imposes extension of meaning upon the focal word” (p. 286). |
⚫ Semantic vs. Pragmatic | Metaphors involve both semantic content and contextual/pragmatic use, including intention and emotional tone. | “There is… a sense of ‘metaphor’ that belongs to ‘pragmatics’, rather than to ‘semantics'” (p. 278). |
🟩 Metaphor as Cognitive Tool | Metaphor is not decorative; it’s a way of thinking, discovering, and organizing knowledge. | “A powerful metaphor… fails to give the insight that the metaphor did” (p. 293). |
Contribution of “Metaphor” by Max Black to Literary Theory/Theories
🔵 Interaction Theory of Metaphor as Cognitive Process
→ Black’s central claim is that metaphor is not just linguistic ornamentation, but a way of knowing, creating meaning by interaction between subjects.
📚 Structuralism / Cognitive Poetics
📝 “The meaning is a resultant of their interaction” (p. 286).
📝 “Metaphor… selects, emphasizes, suppresses, and organizes features…” (p. 292).
✅ This aligns with structuralist ideas that meaning emerges from relational systems, and anticipates cognitive theories that link language and thought.
🟣 Challenge to Substitution and Comparison Views
→ Black dismantles classical views of metaphor as merely decorative or rhetorical devices (substitutes or comparisons).
📚 Formalism / Classical Rhetoric (critique)
📝 “The metaphorical use of an expression consists… in other than its proper or normal sense” (p. 279).
✅ His rejection of the ornamental view reshapes metaphor as essential to discourse—not an optional flourish, but foundational.
🟢 Introduction of “Associated Commonplaces”
→ Metaphors draw on culturally embedded “commonplaces,” showing that meaning is socially constructed.
📚 Reader-Response Theory / Cultural Criticism
📝 “To call a man a ‘wolf’ is to evoke the wolf-system of related commonplaces” (p. 288).
✅ Meaning depends on the reader’s cultural background, positioning metaphor as interpretively flexible and subjective.
🔴 Metaphor as Semantic Innovation (Meaning Creation)
→ Metaphors don’t just reflect meaning—they create it, often producing insights unavailable in literal language.
📚 Deconstruction / Poststructuralism
📝 “It would be more illuminating… to say that the metaphor creates the similarity than to say that it formulates one” (p. 285).
✅ Undermines stable meaning, supporting poststructuralist ideas of fluid, shifting significations.
🟡 Critique of Rigid Semantics: Emphasis on Pragmatics
→ Meaning is context-bound, tied to speaker intent, tone, occasion, and cannot be dictated solely by linguistic rules.
📚 Pragmatics / Speech Act Theory
📝 “We must not expect the ‘rules of language’ to be of much help…” (p. 278).
📝 “Recognition and interpretation… may require attention to the particular circumstances of its utterance” (p. 277).
✅ Helps literary theorists see how language performs, not just represents, meaning.
🟤 Metaphor as Epistemological Lens
→ Like a lens or screen, metaphor highlights and conceals—framing perception.
📚 Phenomenology / Hermeneutics
📝 “The metaphor acts as a screen… seen through the metaphor” (p. 288).
✅ Reinforces Heideggerian or Gadamerian notions that language discloses the world, not neutrally reflects it.
🟠 Valuation of Metaphor in Philosophy and Literature
→ Argues that metaphor is not a fallacy or simplification but a philosophically legitimate tool for inquiry and reflection.
📚 Philosophy of Language / Literary Philosophy
📝 “Metaphors are dangerous—and perhaps especially so in philosophy. But a prohibition… would be a harmful restriction…” (p. 294).
✅ Elevates metaphor from literary fringe to central in philosophical analysis.
🟣 Bridging Literary Criticism and Analytic Philosophy
→ Black borrows from literary critics to address philosophers’ neglect of metaphor.
📚 Interdisciplinary Literary Theory
📝 “Since philosophers… have so neglected the subject, I must get what help I can from the literary critics” (p. 273).
✅ Encourages cross-disciplinary dialogue, anticipating literary philosophy and analytic aesthetics.
✅ Summary of Key Theories Influenced
Theory | Influence Type |
Structuralism | Interaction view of meaning systems |
Cognitive Poetics | Metaphor as mental model |
Poststructuralism | Destabilization of literal meaning |
Reader-Response Theory | Cultural commonplaces and interpretation |
Speech Act Theory | Contextual meaning creation |
Hermeneutics | Language as disclosure |
Analytic Aesthetics | Legitimization of metaphor in philosophy |
Examples of Critiques Through “Metaphor” by Max Black
📘 Literary Work | ✨ Key Metaphor | 🧠 Critique Using Max Black’s Theory | 🧩 Relevant Concepts |
🔵 George Orwell – Animal Farm | “All animals are equal, but some are more equal than others.” | The metaphor of “animals” functions as the subsidiary subject that transfers a system of political oppression and hierarchy onto the principal subject—governance and ideology. It organizes meaning beyond decoration. | 🔁 Interaction View 🟤 Associated Commonplaces 🔴 Principal/Subsidiary Subjects |
🟣 Toni Morrison – Beloved | The ghost of Sethe’s daughter as trauma personified | The ghost metaphor evokes haunting as a system of inherited trauma and repressed memory. It reshapes the reader’s understanding of slavery’s psychological afterlife, working as a semantic filter for the narrative. | 🔁 Interaction View 🟤 Associated Commonplaces 🟣 Filter/Screen |
🟢 William Blake – The Tyger | “Tyger Tyger, burning bright…” | The metaphorical “burning” constructs the tiger as a fusion of beauty, danger, and divine creation. The metaphor transforms a natural image into a vehicle for metaphysical awe and questioning. | 🔵 Focus & Frame 🟠 Semantic Innovation 🔁 Interaction View |
🔴 William Shakespeare – Macbeth | “Life’s but a walking shadow…” | Life is metaphorically filtered through the idea of a “shadow”—empty, ephemeral, and ghost-like. This metaphor highlights nihilism, shaping the audience’s perception of futility and illusion. | 🔁 Interaction View 🟤 Associated Commonplaces 🔴 Principal/Subsidiary Subjects |
Criticism Against “Metaphor” by Max Black
🔺 Vagueness in the “System of Associated Commonplaces”
Black relies heavily on culturally shared assumptions (commonplaces), but critics argue these are not clearly defined or universally shared, making interpretation subjective and unstable.
➡️ “The metaphor works by applying to the principal subject a system of ‘associated implications’…” (Black, 1955, p. 292)
🔻 Potential for Infinite Regress
Critics note that if metaphors themselves contain metaphorical implications (as Black suggests), each metaphor could contain layers of others, leading to an endless chain of interpretation.
➡️ “The primary metaphor…has been analyzed into a set of subordinate metaphors…” (p. 290)
⚠️ Underdeveloped Cognitive Framework
Black touches on the cognitive impact of metaphors but doesn’t fully explore their psychological or neurological processing, leaving a gap that later scholars (e.g., Lakoff & Johnson) attempted to fill.
🟠 Neglect of Audience Diversity
Black assumes a reader who shares cultural knowledge. But in multicultural or global contexts, the same metaphor can evoke vastly different associations, limiting the theory’s universality.
➡️ “A metaphor that works in one society may seem preposterous in another…” (p. 287)
🔹 Ambiguity Between Focus and Frame
While innovative, the distinction between “focus” and “frame” can be blurry in complex texts, making it difficult to apply consistently, especially in layered literary metaphors.
➡️ “Let us call the word ‘ploughed’ the focus of the metaphor, and the remainder of the sentence…the frame.” (p. 276)
🚫 Dismissal of Other Metaphor Types
Some critics argue that Black’s elevation of interaction metaphors inadvertently dismisses valid uses of substitution and comparison metaphors, especially in rhetorical or poetic traditions.
🟣 Not Empirically Testable
The theory is largely philosophical and interpretive, lacking empirical methods or linguistic models that could verify or falsify its claims in practice.
Representative Quotations from “Metaphor” by Max Black with Explanation
Symbol | Quotation (from the article) | Explanation |
🌟 | “When we use a metaphor we have two thoughts of different things active together and supported by a single word, or phrase, whose meaning is a resultant of their interaction.” | This is the core idea of Black’s “interaction theory,” emphasizing that metaphor blends two domains to produce a unique, integrated meaning. |
🔍 | “To call a sentence an instance of metaphor is to say something about its meaning, not about its orthography, its phonetic pattern, or its grammatical form.” | Black highlights that metaphor is a matter of semantics (meaning), not surface linguistic features, challenging purely formalist approaches. |
🧩 | “Understanding a metaphor is like deciphering a code or unravelling a riddle.” | This underscores the interpretive complexity of metaphor, often requiring deep contextual understanding and creative inference. |
🔁 | “The metaphor selects, emphasizes, suppresses, and organizes features of the principal subject by implying statements about it that normally apply to the subsidiary subject.” | Black explains how metaphor shapes perception by transferring associative features from one concept to another. |
🎭 | “We must not forget that the metaphor makes the wolf seem more human than he otherwise would.” | He reminds us that metaphor not only transforms the subject but also reframes the metaphorical source in the process. |
🔧 | “Metaphors can be supported by specially constructed systems of implications, as well as by accepted commonplaces; they can be made to measure and need not be reach-me-downs.” | Black differentiates between conventional and innovative metaphors, asserting that new metaphors can be creatively built. |
🎼 | “The implications of a metaphor are like the overtones of a musical chord; to attach too much ‘weight’ to them is like trying to make the overtones sound as loud as the main notes.” | This analogy highlights the nuanced, layered nature of metaphorical implications and the importance of interpretive balance. |
🧭 | “The rules of our language determine that some expressions must count as metaphors; and a speaker can no more change this than he can legislate that ‘cow’ shall mean the same as ‘sheep’.” | Black stresses that metaphor has objective recognition within language norms, not just subjective usage. |
⚖️ | “There is, in general, no simple ‘ground’ for the necessary shifts of meaning; no blanket reason why some metaphors work and others fail.” | This calls attention to the unpredictability and contextual sensitivity of metaphorical success. |
🔮 | “Metaphor is not a substitute for a formal comparison or any other kind of literal statement, but has its own distinctive capacities and achievements.” | Black rejects the substitution theory, asserting metaphor’s unique cognitive and rhetorical power. |
Suggested Readings: “Metaphor” by Max Black
- BLACK, Max. “More about Metaphor.” Dialectica, vol. 31, no. 3/4, 1977, pp. 431–57. JSTOR, http://www.jstor.org/stable/42969757. Accessed 14 Apr. 2025.
- DONOGHUE, DENIS. “The Motive for Metaphor.” The Hudson Review, vol. 65, no. 4, 2013, pp. 543–61. JSTOR, http://www.jstor.org/stable/43489263. Accessed 14 Apr. 2025.
- Sobolev, Dennis. “Metaphor Revisited.” New Literary History, vol. 39, no. 4, 2008, pp. 903–29. JSTOR, http://www.jstor.org/stable/20533122. Accessed 14 Apr. 2025.
- Gibbs, Raymond W. “When Is Metaphor? The Idea of Understanding in Theories of Metaphor.” Poetics Today, vol. 13, no. 4, 1992, pp. 575–606. JSTOR, https://doi.org/10.2307/1773290. Accessed 14 Apr. 2025.