Tag: poem analysis

Introduction: “The Seafarer” (Anonymous)

“The Seafarer” (Anonymous) first appeared in the 10th century as part of the Exeter Book, a collection of Old English poetry. The poem was later translated by Ezra Pound in 1911, bringing it into the modern literary spotlight. The central themes of “The Seafarer” revolve around the isolation and suffering of the seafaring life, the harshness of nature, and the transient nature of earthly existence. The poem portrays the speaker’s reflection on the bitter hardships faced during voyages across the cold sea, contrasting the fleeting pleasures of life on land with the enduring struggle at sea. One reason for its continued popularity is its exploration of universal themes such as the human longing for adventure, the inevitability of aging, and the pursuit of meaning in a transient world. In the text, the speaker’s journey is both physical and philosophical: “The blade is laid low. / Earthly glory ageth and seareth,” highlighting the impermanence of worldly achievements and the enduring nature of human suffering (Pound, 1911).

Text: “The Seafarer” (Anonymous)

Annotations: “The Seafarer” (Anonymous)

Literary And Poetic Devices: “The Seafarer” (Anonymous)

Themes: “The Seafarer” (Anonymous)

• The Harshness of the Seafaring Life: The poem vividly portrays the seafaring life as harsh and filled with suffering. The speaker reflects on the brutal challenges faced during sea voyages, describing the cold, the isolation, and the physical hardships endured. Phrases like “Coldly afflicted, / My feet were by frost benumbed” and “Hung with hard ice-flakes, where hail-scur flew” emphasize the pain and discomfort caused by extreme weather conditions. The speaker also recounts the emotional toll of the journey, with lines such as “Bitter breast-cares have I abided” and “Dire sea-surge, and there I oft spent / Narrow nightwatch nigh the ship’s head,” highlighting both the physical and mental strain of life at sea. This theme of hardship conveys the struggles of seafarers, and the poem contrasts the difficult, perilous life on the water with the relative ease of life on dry land.
• The Transience of Life and Earthly Glory: A significant theme in “The Seafarer” is the fleeting nature of life and earthly glory. The speaker reflects on the impermanence of human achievements, highlighting how all glory fades with time. In the line “The blade is laid low. / Earthly glory ageth and seareth,” the speaker uses the metaphor of a blade being laid low to signify death, suggesting that no matter how grand one’s earthly accomplishments are, they are ultimately temporary. The speaker’s contemplation of death and the fragility of life is further emphasized by “No man at all going the earth’s gait, / But age fares against him, his face paleth,” where age inevitably takes its toll, leading to the eventual decline of all people. This theme calls attention to the transient nature of wealth, power, and even life itself, urging reflection on what truly lasts.
• The Desire for Adventure and Longing for the Sea: Despite the suffering associated with it, the speaker expresses a strong and uncontrollable desire to continue the life of a seafarer, emphasizing a profound longing for the sea. This is evident in lines such as “My heart’s thought that I on high streams / The salt-wavy tumult traverse alone” and “Yet longing comes upon him to fare forth on the water.” The speaker acknowledges the physical and emotional difficulties of the sea journey, but there is an undeniable call to return to it, driven by a yearning for adventure and freedom. This theme speaks to the human desire to seek out new experiences and challenges, even at the expense of comfort and safety. The imagery of the “whale’s acre” and the “tracks of ocean” further enhances the idea that the sea represents both a physical and spiritual journey, an eternal pull that surpasses the trials it entails.
• The Inevitability of Death: The theme of mortality runs throughout “The Seafarer,” with the speaker often reflecting on the certainty of death and the futility of trying to escape it. Death is depicted as an unavoidable force that comes for all people, regardless of their social status or achievements. Lines like “Disease or oldness or sword-hate / Beats out the breath from doom-gripped body” emphasize how death can come in many forms—whether through illness, age, or violence. The poem also suggests that even the richest and most powerful individuals cannot avoid death, as seen in the line, “There come now no kings nor Cæsars / Nor gold-giving lords like those gone.” This acknowledgment of death’s inevitability highlights the impermanence of earthly existence, leading the speaker to focus on the value of spiritual rather than material wealth. The poem reflects the existential reality that all human lives, no matter how powerful or significant, are ultimately subject to death.

Literary Theories and “The Seafarer” (Anonymous)

Critical Questions about “The Seafarer” (Anonymous)

• What role does the sea play in the speaker’s reflection on life and death?
• In “The Seafarer,” the sea is a central symbol that reflects both the harshness of life and the inevitability of death. The speaker repeatedly describes the physical challenges of the sea journey, such as the cold, the isolation, and the exhaustion, which symbolize the struggle of life itself. However, the sea also represents a space where the speaker confronts existential truths about mortality. The sea’s vastness, unpredictability, and ability to both nurture and destroy make it a powerful metaphor for the journey of life. Lines like “The blade is laid low. / Earthly glory ageth and seareth” suggest that all human glory is as transient as the waves, eventually yielding to death. The sea, therefore, is a reminder that life is fleeting and death is inevitable, but it is also a place of existential reflection, where the speaker contemplates the meaning of his journey despite the hardships. The speaker’s longing for the sea, even in the face of suffering, underscores the sea’s dual role as a symbol of both physical torment and spiritual enlightenment: “Yet longing comes upon him to fare forth on the water.”
• How does the poem address the theme of human isolation and exile?
• Isolation is a recurring theme in “The Seafarer,” as the speaker recounts his personal experience of being far from home and separated from his kin. The harshness of the sea and the cold weather reflect his physical and emotional isolation. In lines such as “Weathered the winter, wretched outcast / Deprived of my kinsmen,” the speaker expresses a sense of being cut off from society and family, further deepened by his lonely journey at sea. This exile seems not only physical but also existential, as the speaker grapples with feelings of detachment and alienation from the world around him. The sea, while a place of beauty and adventure, also represents the loneliness and hardship of human existence. The speaker’s longing to return home is juxtaposed with his recognition of the impossibility of true belonging: “Lest man know not / That he on dry land loveliest liveth,” suggesting that even those who live comfortably on land may not understand the true loneliness of exile. Ultimately, the sea becomes a metaphor for the speaker’s alienation, both from his home and from the world.
• What is the significance of the poem’s meditation on material wealth and worldly achievements?
• Throughout “The Seafarer,” the speaker reflects on the transient nature of earthly wealth and glory. The poem repeatedly underscores the idea that material wealth and power are temporary and insignificant in the face of death. Lines such as “There come now no kings nor Cæsars / Nor gold-giving lords like those gone” express a clear critique of earthly success, suggesting that no amount of wealth or social status can prevent the inevitable decline of life. The speaker contrasts these fleeting worldly concerns with a focus on spiritual and eternal values. In particular, the idea of enduring honor, remembered through deeds, transcends material wealth. The line “The blade is laid low. / Earthly glory ageth and seareth” reinforces the idea that worldly power and glory are destroyed by time and death. By meditating on the futility of wealth and the certainty of death, the speaker emphasizes that true value lies not in material gain, but in spiritual and moral integrity. This theme invites the reader to reflect on the priorities of life and the ultimate futility of earthly achievements.
• How does the poem’s structure contribute to its themes of suffering and transcendence?
• The structure of “The Seafarer” plays a crucial role in reinforcing the poem’s themes of suffering, endurance, and transcendence. The alternating focus between the physical hardships of the sea and the speaker’s deeper philosophical reflections mirrors the speaker’s internal journey. The poem begins with vivid descriptions of the physical pain and suffering endured at sea, with lines like “Coldly afflicted, / My feet were by frost benumbed” capturing the raw, tangible difficulties of life. These harsh images are followed by meditative passages on the fleeting nature of life, death, and glory, such as “The blade is laid low. / Earthly glory ageth and seareth.” This rhythmic alternation between the external and internal, the physical and philosophical, mirrors the speaker’s existential journey. The structure also reflects the cyclical nature of life and death, with the speaker repeatedly returning to themes of longing, suffering, and reflection. By linking these cycles with the metaphor of the sea, the poem suggests that life’s trials are inevitable and cyclical, but through reflection and spiritual awareness, one may transcend the immediate suffering to find a greater, more enduring truth.

Literary Works Similar to “The Seafarer” (Anonymous)

1. “The Wanderer” (Anonymous)
   Both poems explore themes of isolation, hardship, and the fleeting nature of life, reflecting on the emotional and existential struggles of a wandering figure.
2. “The Wife’s Lament” (Anonymous)
   Similar to “The Seafarer,” this poem reflects themes of exile and loss, focusing on the emotional turmoil experienced by an isolated individual longing for connection.
3. “Beowulf” (Anonymous)
   While an epic, “Beowulf” shares with “The Seafarer” a focus on the harshness of the world and the inevitability of death, emphasizing the themes of heroism, struggle, and the transient nature of glory.
4. “The Iliad” by Homer
   Like “The Seafarer,” “The Iliad” contains reflections on mortality, fate, and the fleeting nature of human glory, particularly in the context of war and heroism.
5. “The Odyssey” by Homer
   Similar to “The Seafarer,” “The Odyssey” deals with a long, arduous journey and themes of exile, the struggle against nature, and the desire for home and meaning in the midst of suffering.

Representative Quotations of “The Seafarer” (Anonymous)

Suggested Readings: “The Seafarer” (Anonymous)

1. ORTON, PETER. “The Form and Structure of The Seafarer.” Old English Literature: Critical Essays, edited by R. M. LIUZZA, Yale University Press, 2002, pp. 353–80. JSTOR, http://www.jstor.org/stable/j.ctt1npg1h.21. Accessed 28 Feb. 2025.
2. GOOCH, MICHAEL. “AUTHORITY AND THE AUTHORLESS TEXT: EZRA POUND’S ‘THE SEAFARER.'” Paideuma, vol. 30, no. 1/2, 2001, pp. 167–83. JSTOR, http://www.jstor.org/stable/24726803. Accessed 28 Feb. 2025.
3. Alexander, Michael. “Ezra Pound as Translator.” Translation and Literature, vol. 6, no. 1, 1997, pp. 23–30. JSTOR, http://www.jstor.org/stable/40339757. Accessed 28 Feb. 2025.
4. Calder, Daniel G. “SETTING AND MODE IN ‘THE SEAFARER’ AND ‘THE WANDERER.'” Neuphilologische Mitteilungen, vol. 72, no. 2, 1971, pp. 264–75. JSTOR, http://www.jstor.org/stable/43342631. Accessed 28 Feb. 2025.
5. Gordon, I. L. “Traditional Themes in The Wanderer and The Seafarer.” The Review of English Studies, vol. 5, no. 17, 1954, pp. 1–13. JSTOR, http://www.jstor.org/stable/510874. Accessed 28 Feb. 2025.
6. Staples, Catherine. “Seafarer.” Prairie Schooner, vol. 82, no. 4, 2008, pp. 32–33. JSTOR, http://www.jstor.org/stable/40639666. Accessed 28 Feb. 2025.

Introduction: “The Husband’s Message” (Anonymous)

“The Husband’s Message,” an anonymous Old English poem, first appeared in the Exeter Book around the late 10th century. Translated by Michael R. Burch, the poem conveys a message from a husband to his wife, urging her to fulfill a promise made in the past. It blends themes of loyalty, love, and the passage of time, reflecting the complexities of relationships in a society bound by duty and honor. The husband’s emissary, a ship’s messenger, recounts how the husband has endured trials and hardships but now commands wealth and security. He calls upon his wife to join him, reinforcing their bond. The poem’s enduring popularity lies in its vivid portrayal of enduring love and the fulfillment of promises, as seen in the lines: “He reminds you how, in those distant days, witty words were pledged by you both / in the mead-halls and homesteads.” The poem’s themes resonate with audiences for their universal portrayal of commitment and emotional longing, transcending time and cultural boundaries.

Text: “The Husband’s Message” (Anonymous)

translation/interpretation by Michael R. Burch

See, I unseal myself for your eyes only!
I sprang from a seed to a sapling,
waxed great in a wood,
                           was given knowledge,
was ordered across saltstreams in ships
where I stiffened my spine, standing tall,
till, entering the halls of heroes,
                   I honored my manly Lord.

Now I stand here on this ship’s deck,
an emissary ordered to inform you
of the love my Lord feels for you.
I have no fear forecasting his heart steadfast,
his honor bright, his word true.

He who bade me come carved this letter
and entreats you to recall, clad in your finery,
what you promised each other many years before,
mindful of his treasure-laden promises.

He reminds you how, in those distant days,
witty words were pledged by you both
in the mead-halls and homesteads:
how he would be Lord of the lands
you would inhabit together
while forging a lasting love.
 
Alas, a vendetta drove him far from his feuding tribe,
but now he instructs me to gladly give you notice
that when you hear the returning cuckoo’s cry
cascading down warming coastal cliffs,
come over the sea! Let no man hinder your course.

He earnestly urges you: Out! To sea!
Away to the sea, when the circling gulls
hover over the ship that conveys you to him!

Board the ship that you meet there:
sail away seaward to seek your husband,
over the seagulls’ range,
                          over the paths of foam.
For over the water, he awaits you.

He cannot conceive, he told me,
how any keener joy could comfort his heart,
nor any greater happiness gladden his soul,
than that a generous God should grant you both
to exchange rings, then give gifts to trusty liege-men,
golden armbands inlaid with gems to faithful followers.

The lands are his, his estates among strangers,
his new abode fair and his followers true,
all hardy heroes, since hence he was driven,
shoved off in his ship from these shore in distress,
steered straightway over the saltstreams, sped over the ocean,
a wave-tossed wanderer winging away.

But now the man has overcome his woes,
outpitted his perils, lives in plenty, lacks no luxury,
has a hoard and horses and friends in the mead-halls.

All the wealth of the earth’s great earls
now belongs to my Lord …
                             He only lacks you.

He would have everything within an earl’s having,
if only my Lady will come home to him now,
if only she will do as she swore and honor her vow.

Annotations: “The Husband’s Message” (Anonymous)

Literary And Poetic Devices: “The Husband’s Message” (Anonymous)

Themes: “The Husband’s Message” (Anonymous)

• Love and Loyalty: In “The Husband’s Message,” love and loyalty are central themes, as the husband’s deep affection for his wife motivates the entire narrative. The husband expresses unwavering love, despite the years of separation, and his commitment to her is clear throughout the poem. The message he sends through the emissary is filled with references to promises made in the past and the hope of their fulfillment in the future. The speaker emphasizes the husband’s steadfast love: “I have no fear forecasting his heart steadfast, his honor bright, his word true,” showing that the husband’s feelings remain constant despite the passage of time. His loyalty is not just emotional but also bound by the promises made in their youth, which he wishes to be honored: “He reminds you how, in those distant days, witty words were pledged by you both.” This highlights the endurance of love and loyalty over time and the belief in the sacredness of promises, even as the husband awaits his wife’s return.
• Separation and Reunion: The theme of separation and reunion permeates “The Husband’s Message,” symbolized by the husband’s journey away from his wife and the emissary’s plea for her to return. The poem evokes the physical and emotional distance between the two lovers. The husband’s journey, described with phrases like “shoved off in his ship” and “a wave-tossed wanderer,” represents both literal and metaphorical separation. However, the theme of reunion is equally prominent, with the husband’s call for the wife to return to him: “Board the ship that you meet there: sail away seaward to seek your husband.” The recurring imagery of the sea, such as “when the circling gulls hover over the ship,” symbolizes the journey and the obstacles faced by both the husband and wife, and it underscores the longing for reunion. The reunion represents the fulfillment of promises and a restoration of harmony between them. The husband’s plea, “He only lacks you,” illustrates that despite his material wealth and power, the only thing he truly desires is the return of his wife, thus reinforcing the emotional nature of their separation.
• Promises and Vows: The theme of promises and vows is deeply woven into “The Husband’s Message,” as both the husband and wife made commitments to one another in their past. The husband asks his wife to recall the promises they made “many years before” when they were “clad in your finery.” These words emphasize the binding nature of vows and the emotional weight of promises made in youthful days. The husband’s message also reiterates the mutual promises made to share lands and build a lasting love: “how he would be Lord of the lands you would inhabit together while forging a lasting love.” This theme suggests that vows are not just temporary promises but pledges that span the distance of time and separation. The husband’s request for the wife to honor her vow underscores the importance of fulfilling promises, which in the context of the poem, symbolizes not only personal integrity but also the strength of their relationship. The enduring nature of these vows, despite the years of absence, highlights the theme of commitment that transcends time and hardship.
• Transformation and Success: The theme of transformation is reflected in the husband’s journey from hardship to success in “The Husband’s Message.” Early in the poem, the husband is described as a “wave-tossed wanderer” and someone who was “shoved off in his ship from these shore in distress.” This imagery suggests a past filled with struggle and peril. However, as the poem progresses, it becomes clear that the husband has overcome these difficulties and now lives in wealth and abundance: “he has a hoard and horses and friends in the mead-halls.” The husband’s success is not just material but also social, as he has acquired followers who are loyal to him, reinforcing the idea of his transformation. The message of success is not just about wealth but also about perseverance and the eventual triumph over adversity. The husband’s prosperity is contrasted with his earlier hardships, emphasizing his resilience: “The lands are his, his estates among strangers.” This success, however, is still incomplete without his wife, underscoring the notion that personal fulfillment is tied not just to material gain but to emotional connection and the completion of life’s promises.

Literary Theories and “The Husband’s Message” (Anonymous)

Critical Questions about “The Husband’s Message” (Anonymous)

• How does the speaker’s role as an emissary shape the narrative of “The Husband’s Message”?
• The speaker, acting as an emissary in “The Husband’s Message,” plays a pivotal role in conveying the husband’s emotions and intentions. The fact that the message is delivered through a third party adds layers of complexity to the narrative, creating a sense of distance between the husband and wife, both physically and emotionally. The speaker’s role also enhances the theme of duty, as the emissary is bound by the task of delivering the message with fidelity, emphasizing the husband’s trust in the emissary. The phrase “See, I unseal myself for your eyes only!” reveals the personal and intimate nature of the message, highlighting the speaker’s role in relaying the husband’s love and longing. The reliance on the emissary to deliver a message of love underscores the idea of communication as a form of connection, even when physical presence is unavailable. It also reflects the cultural value placed on intermediaries in times of separation, giving the emissary the unique ability to bridge the gap between the two lovers, despite being a mere vessel for the husband’s emotions.
• What role does nature play in conveying the themes of longing and separation in “The Husband’s Message”?
• Nature plays a significant symbolic role in “The Husband’s Message,” particularly in representing the emotional landscape of separation and the hope for reunion. The recurring references to the sea and natural elements, such as “saltstreams” and “cuckoo’s cry,” are not only literal but also metaphorical, reflecting the emotional turbulence and longing that both the husband and wife experience. The sea, which the husband traverses in his journey, is a central motif symbolizing both physical and emotional separation: “A wave-tossed wanderer winging away” evokes the sense of struggle and uncertainty faced by the husband as he is separated from his wife. The returning cuckoo, whose cry “cascades down warming coastal cliffs,” signals the time for reunion, represents hope and the cyclical nature of seasons, symbolizing the anticipation of return and the emotional relief that it will bring. Nature, thus, is not just a setting in the poem but a reflective mirror to the internal states of the characters, illustrating the deep connection between external events and inner emotions.
• What is the significance of the husband’s transformation from hardship to success in “The Husband’s Message”?
• The husband’s transformation from a “wave-tossed wanderer” to a man who “lacks no luxury” reflects the theme of personal growth and triumph over adversity. The imagery of the husband’s journey, including being “shoved off in his ship from these shore in distress,” indicates a past filled with hardship, suggesting that his current wealth and success are the results of his perseverance. The repetition of phrases like “he has a hoard and horses and friends in the mead-halls” reinforces the idea that his material success is a symbol of his survival and resilience. This transformation underscores a fundamental aspect of the poem: the value of endurance and the rewards that come with overcoming difficulties. However, the husband’s newfound prosperity is incomplete without his wife, as demonstrated by the poignant line, “He only lacks you.” This indicates that true fulfillment, for him, does not lie solely in material wealth but in the emotional connection and fulfillment of promises, thus suggesting that success, while important, is ultimately hollow without love and companionship.
• How does the motif of promises and vows function within the cultural context of “The Husband’s Message”?
• In “The Husband’s Message,” promises and vows function as central structural elements that guide the narrative and highlight the cultural values of loyalty and commitment. The husband constantly reminds the wife of the vows they made “many years before,” invoking a sense of obligation and duty that transcends time and distance. The cultural context of the poem—likely the Viking or Anglo-Saxon period—places a strong emphasis on the importance of honor and the keeping of promises, especially in the context of marriage. The husband’s message is a call to fulfill a vow made in the past, and his persistence is evident in the repeated pleas for the wife to “come over the sea” and honor her commitment. The reminder of their shared promises also signifies that relationships in this context are built on mutual trust and fidelity, and that these promises are sacred and should be honored regardless of the challenges faced. The cultural weight of vows is evident in the husband’s reminder: “He reminds you how, in those distant days, witty words were pledged by you both.” This not only highlights the emotional bond but also the expectation that vows, once made, are meant to be fulfilled, reflecting the serious cultural and social implications of promises in that era.

Literary Works Similar to “The Husband’s Message” (Anonymous)

1. “The Wife’s Lament” (Anonymous)
   Similar to “The Husband’s Message,” this poem explores themes of separation, longing, and emotional pain as the wife reflects on her exile and the lost love with her husband.
2. “The Seafarer” (Anonymous)
   Like “The Husband’s Message,” this poem portrays a journey across the sea and the internal struggles of the narrator, emphasizing themes of isolation, longing, and the emotional pull of home and love.
3. “The Wanderer” (Anonymous)
   This poem, like “The Husband’s Message,” deals with the experience of exile, loss, and yearning for reunion, as the wanderer reflects on his past and the bonds he left behind.
4. “A Valediction: Forbidding Mourning” by John Donne
   Both this poem and “The Husband’s Message” deal with the emotional distance between lovers. Donne’s poem expresses the idea of enduring love despite physical separation, much like the steadfast love in “The Husband’s Message.”
5. “Sonnet 18” by William Shakespeare
   Similar to “The Husband’s Message,” Shakespeare’s sonnet expresses an undying, eternal love, transcending time and physical separation, reinforcing the theme of lasting emotional connection despite absence.

Representative Quotations of “The Husband’s Message” (Anonymous)

Suggested Readings: “The Husband’s Message” (Anonymous)

1. NILES, JOHN D. “The Trick of the Runes in ‘The Husband’s Message.'” Anglo-Saxon England, vol. 32, 2003, pp. 189–223. JSTOR, http://www.jstor.org/stable/44510322. Accessed 28 Feb. 2025.
2. Niles, John D. “The Problem of the Ending of the Wife’s ‘Lament.'” Speculum, vol. 78, no. 4, 2003, pp. 1107–50. JSTOR, http://www.jstor.org/stable/20060924. Accessed 28 Feb. 2025.
3. Kaske, R. E. “A POEM OF THE CROSS IN THE EXETER BOOK: ‘RIDDLE 60’ AND ‘THE HUSBAND’S MESSAGE.'” Traditio, vol. 23, 1967, pp. 41–71. JSTOR, http://www.jstor.org/stable/27830826. Accessed 28 Feb. 2025.
4. RAFFEL, BURTON. “A Woman’s Message and the Husband’s Message.” Prairie Schooner, vol. 32, no. 2, 1958, pp. 125–27. JSTOR, http://www.jstor.org/stable/40626095. Accessed 28 Feb. 2025.
5. Veach, Dan. “The Husband’s Message.” Beowulf and Beyond: Classic Anglo-Saxon Poems, Stories, Sayings, Spells, and Riddles, Lockwood Press, 2021, pp. 39–40. JSTOR, https://doi.org/10.2307/j.ctv1hw3xs9.16. Accessed 28 Feb. 2025.

Introduction: “The Wife’s Lament” (Anglo-Saxon Elegy)

“The Wife’s Lament” (Anglo-Saxon Elegy) first appeared in the Exeter Book around the 10th century, a manuscript published by an unknown scribe. The poem, often attributed to an anonymous author, presents a poignant reflection on grief, betrayal, and isolation through the voice of a woman whose husband has disappeared. The main ideas in the poem revolve around the themes of loss, longing, and emotional desolation as the wife recounts her heartache caused by her husband’s departure. The poem’s popularity can be attributed to its universal exploration of human suffering and its depiction of the powerful emotions associated with abandonment and separation. The text itself exemplifies the intensity of the wife’s loneliness and her internal battle with bitterness and unfulfilled love. As she laments, “I wander the ways all alone, under the oaks, around these graven walls” (35–36), the imagery of solitary wandering reinforces her emotional and physical isolation, making the poem resonate with readers across time as a vivid expression of enduring sorrow and the human condition.

Text: “The Wife’s Lament” (Anglo-Saxon Elegy)

She Laments

Oh, I can relate a tale right here, make myself
a map of miseries & trek right across.
I can say as much as you like —
how many gut-wretched nights ground over me
once I was a full-grown woman,
from early days to later nights,
never ever any more than right now. (1–4)

When is it never a struggle, a torment,
this arc of misfortune, mine alone?
It started when my man up and left,
who knows where, from his tribe
across the sleeplessness of waves.
I conceived a care at the dawning of dawn:
where did that man of a man go? (5–8)

Then I ferried myself forth, trying to dole
my part of the deal, a wretch drained of friends,
out a trembling need inside me. (9–10)

So it begins: his family starts scheming
moling up mountains of secret malice
to delve into our division,
make us survive along the widest wound of us —
could they be any more loathsome? —
and I became a longing inside. (11–14)

My love said to shack up in shadowy groves.
I was light in loved ones anyways in these lands,
in the loyalties of allegiance.
Therefore my brain brims with bitterness,
when I had located my likeness in him,
blessed with hard luck, heart-hollow,
painting over his intentions,
plotting the greatest of heists. (15–20)

Masked content, so many times
we swore that nothing but finality itself
could shave us in two, not them, not nothing.
The pivot was not long in coming,
it’s like, what did I hear a poet say once?
“as if it never was…”
that was our partnership. (21–25a)

Must I flag on flogging through feud,
far & near, of my many-beloved?
He was the one who said I should
go live in the woods or something,
sit under an oak-tree, in a gravel pit.
Let’s make it an earthen hall, musty & old,
where I’m all foreaten with longing:
Dales deep darkly, hills hedge me round,
fortresses of sharpness, bramble biting —
can a home be devoid of joy? (25b–32a)

For too many watches the wrathful from-ways
of my lord grabbed hold of me in this place.
Who could I count on? Buried.
Loved in their lives —
all they care about now are their beds. (32b–34)

Then I, when dawn still rumbles,
I wander the ways all alone,
under the oaks, around these graven walls.
There I can sit an endless summer day,
where I can rain me down for my wracking steps,
my collection of woes. So it goes —
never can I, in no wise, catch a break
from my cracking cares, nor this unfolding tear
that grasps me in this my entire life. (35–41)

The young should always keep their heart in check,
their inner kindlings cool, likewise
they must keep their faces frosty,
also the bubbling in their breast,
though crowded with swarming sorrows. (42–45a)

May all of his joys come at his own hand.
May his name be the name of infamy,
a snarl in faraway mouths, so that my good friend
will be sitting under a stony rain-break,
crusted by the gusty storms,
a man crushed at heart, flowing
in his own water, in his tearful timbering. (45b–50a)

That one, yeah, that man of mine
will drag his days under a mighty mind-caring.
He’ll remember every single morning
how full of pleasure was our home.
What woes are theirs who must
weather their worrying for love. (50b–53)

Annotations: “The Wife’s Lament” (Anglo-Saxon Elegy)

Literary And Poetic Devices: “The Wife’s Lament” (Anglo-Saxon Elegy)

Themes: “The Wife’s Lament” (Anglo-Saxon Elegy)

• Grief and Loss: The central theme of “The Wife’s Lament” is grief, particularly the profound sorrow experienced by the wife due to the absence of her husband. She expresses her mourning throughout the poem, emphasizing the depth of her pain and emotional turmoil. The speaker describes how her life has been marked by “gut-wretched nights” (1–4), a metaphor that conveys the intense physical and emotional anguish she endures. Her grief is compounded by the mystery of her husband’s departure, which she refers to as a deep and lasting wound: “Where did that man of a man go?” (5–8). The pain of not knowing where he has gone or why he left intensifies her suffering, and she is left to cope with this uncertainty in solitude. The idea of grief extends beyond the immediate absence of her husband and is reflected in the speaker’s isolation and emotional desolation, as she laments, “I wander the ways all alone” (35–36). This continuous journey of sorrow underscores the theme of unending grief.
• Isolation and Loneliness: The theme of isolation runs throughout the poem, highlighting the speaker’s sense of being alone both emotionally and physically. She begins by recounting her life’s misery and how she has been abandoned by her husband, which leads to her deep loneliness: “I can relate a tale right here, make myself / a map of miseries & trek right across” (1–4). This vivid image of navigating through a map of misery symbolizes the emotional journey the speaker is forced to endure in solitude. Her isolation becomes more apparent when she refers to her physical separation from loved ones, mentioning that she has become “a wretch drained of friends” (9–10), emphasizing the lack of support and companionship in her life. The metaphor of wandering “the ways all alone” (35–36) underlines her loneliness, as she reflects on her estrangement from her family and society. The emotional void left by her husband’s departure amplifies the physical loneliness she feels in her day-to-day existence.
• Betrayal and Deception: The theme of betrayal is explored through the actions of the husband and his family. The speaker’s sense of abandonment is compounded by the sense that his family was actively involved in causing the rupture between them. The wife perceives their actions as malicious, saying, “his family starts scheming / moling up mountains of secret malice” (11–12). This creates an image of hidden, devious actions that have contributed to her suffering. She feels betrayed not only by her husband’s departure but also by the betrayal of trust within the family unit, which makes her feel even more alienated. Furthermore, the wife reflects on how her husband’s promises and their past love now seem hollow: “We swore that nothing but finality itself / could shave us in two” (21–25a). The ironic twist here is that despite their vows, the relationship has been severed by both his disappearance and the betrayal she perceives from his family. This breach of trust is a powerful element of her grief and contributes to the bitterness that permeates the poem.
• Hope and Revenge: Despite the overwhelming sorrow, there is a subtle undercurrent of revenge and the desire for justice in the poem. The wife’s bitterness toward her husband reaches a point where she imagines his future suffering as a form of cosmic justice. She wishes that he will experience a life filled with regret and misfortune: “May his name be the name of infamy, / a snarl in faraway mouths” (45b–50a). This curse suggests that the wife harbors a desire for retribution, wishing that her husband’s life will be marked by as much pain and sorrow as hers has been. Her desire for revenge is not just emotional but also symbolic, representing the urge to restore balance or fairness after experiencing betrayal and suffering. In the final lines, she expresses the hope that her husband will remember their former joy together, but this reflection is tinged with irony as she wishes him to endure the same kind of emotional agony she has experienced: “He’ll remember every single morning / how full of pleasure was our home” (50b–53). This theme of vengeance intertwines with the poem’s exploration of grief, suggesting that while sorrow dominates the speaker’s life, a desire for justice lingers beneath the surface.

Literary Theories and “The Wife’s Lament” (Anglo-Saxon Elegy)

Critical Questions about “The Wife’s Lament” (Anglo-Saxon Elegy)

• What role does the setting play in reflecting the speaker’s emotional state?
• The setting in “The Wife’s Lament” plays a crucial role in mirroring the speaker’s emotional desolation and isolation. The poem’s natural landscape—described as dark, remote, and hostile—symbolizes the speaker’s inner turmoil and grief. Phrases such as “Dales deep darkly, hills hedge me round” (25b–32a) evoke an image of a harsh, unwelcoming environment, underscoring the speaker’s sense of being trapped in her emotional suffering. The setting of “under the oaks, around these graven walls” (35–36) further emphasizes the speaker’s loneliness and emotional imprisonment. The use of nature as a reflection of the speaker’s feelings highlights her separation not just from her husband, but from the world and society, portraying her emotional landscape as barren and unforgiving. The natural world is not a source of comfort or solace but an extension of her grief, amplifying her feelings of abandonment and isolation.
• How does the speaker’s sense of betrayal affect her understanding of love and loyalty?
• The speaker’s sense of betrayal deeply influences her perception of love and loyalty, turning these concepts into sources of bitterness and disillusionment. Initially, love between the speaker and her husband seemed to be grounded in mutual loyalty, as reflected in their promises: “We swore that nothing but finality itself / could shave us in two” (21–25a). However, the betrayal she experiences when her husband abandons her—and the scheming of his family that follows—shatters her idealistic understanding of love. The concept of loyalty, which once seemed unwavering, is exposed as fragile and easily broken by external forces. The speaker expresses this disillusionment when she reflects on how their partnership has collapsed, stating that it feels “as if it never was…” (21–25a), indicating that their vows now seem meaningless in light of her abandonment. This transformation of love from something sacred to a source of pain highlights the depth of her betrayal and the emotional cost of broken promises.
• What is the significance of the speaker’s desire for revenge, and what does it reveal about her emotional state?
• The speaker’s desire for revenge is a critical aspect of her emotional response to the suffering she endures. Although the poem predominantly conveys sorrow and longing, her expression of vengeance reveals the intensity of her emotional distress. She wishes for her husband to experience as much misery as she has, hoping that his name will become one of “infamy” and that he will “sit under a stony rain-break” (45b–50a). This desire for retribution suggests that the speaker is not only grieving her abandonment but is also grappling with feelings of anger and injustice. Her revenge is not merely a wish for punishment but a means of restoring balance to her world, where she has been wronged. This emotional complexity shows that, while grief dominates her experience, anger and a desire for justice are also integral to her emotional state. The speaker’s curse reveals how deeply she feels the betrayal and how this betrayal distorts her perception of love and retribution.
• How does the poem explore the theme of loneliness and its impact on the speaker?
• Loneliness is a pervasive theme in “The Wife’s Lament,” with the speaker repeatedly emphasizing her isolation and emotional emptiness. The poem begins with the speaker’s assertion that she has endured “gut-wretched nights” (1–4), immediately framing her experience as one of prolonged suffering and solitude. She explicitly states, “I wander the ways all alone” (35–36), reinforcing her sense of being abandoned, both physically and emotionally. The poem explores how this loneliness affects her on a profound level, leaving her “heart-hollow” (15–20) and full of longing for a companionship that is no longer present. The wife’s solitude is compounded by her physical separation from others, with no allies to turn to, as seen in her lament, “Who could I count on? Buried” (32b–34). The impact of loneliness is not just emotional; it is physical and existential, as the speaker reflects on the absence of any comfort or support in her life. This isolation shapes her worldview, turning her into a figure whose only solace is in her own grief and bitterness. Through the speaker’s intense loneliness, the poem underscores how isolation can erode one’s sense of self and lead to a desolate emotional state.

Literary Works Similar to “The Wife’s Lament” (Anglo-Saxon Elegy)

1. “The Seafarer” (Anonymous)
   Like “The Wife’s Lament,” this poem explores themes of isolation, longing, and the emotional impact of separation, especially in the context of exile and loneliness.
2. “The Wanderer” (Anonymous)
   Similar to “The Wife’s Lament,” this poem delves into the sorrow and solitude experienced by a lone individual, reflecting on past joys and the deep pain of losing those connections.
3. “The Husband’s Message” (Anonymous)
   Both poems focus on the experience of emotional separation, with “The Husband’s Message” portraying the speaker’s longing and a sense of distance between lovers, akin to the wife’s sorrow in “The Wife’s Lament.”
4. “Fair Elanor” by William Blake
   Much like “The Wife’s Lament,” Blake’s poem portrays the pain of emotional separation and the inner suffering of the speaker, emphasizing feelings of abandonment and longing.
5. “The Raven” by Edgar Allan Poe
   While different in style, “The Raven” shares a thematic similarity with “The Wife’s Lament” in its portrayal of grief, loneliness, and the haunting nature of emotional loss.

Representative Quotations of “The Wife’s Lament” (Anglo-Saxon Elegy)

Suggested Readings: “The Wife’s Lament” (Anglo-Saxon Elegy)

1. Bray, Dorothy Ann. “A Woman’s Loss and Lamentation: Heledd’s Song and” The Wife’s Lament”.” Neophilologus 79.1 (1995): 147.
2. Ward, J. A. “‘The Wife’s Lament’: An Interpretation.” The Journal of English and Germanic Philology, vol. 59, no. 1, 1960, pp. 26–33. JSTOR, http://www.jstor.org/stable/27707403. Accessed 24 Feb. 2025.
3. Rissanen, Matti. “THE THEME OF ‘EXILE’ IN ‘THE WIFE’S LAMENT.'” Neuphilologische Mitteilungen, vol. 70, no. 1, 1969, pp. 90–104. JSTOR, http://www.jstor.org/stable/43342501. Accessed 24 Feb. 2025.
4. Stevick, Robert D. “Formal Aspects of ‘The Wife’s Lament.'” The Journal of English and Germanic Philology, vol. 59, no. 1, 1960, pp. 21–25. JSTOR, http://www.jstor.org/stable/27707402. Accessed 24 Feb. 2025.
5. Stevens, Martin. “THE NARRATOR OF ‘THE WIFE’S LAMENT.'” Neuphilologische Mitteilungen, vol. 69, no. 1, 1968, pp. 72–90. JSTOR, http://www.jstor.org/stable/43342401. Accessed 24 Feb. 2025.

Introduction: “The Wife of Usher’s Well” (Traditional English Ballad)

“The Wife of Usher’s Well” (Traditional English Ballad) first appeared in print in the late 18th to early 19th century, most notably included in Francis James Child’s The English and Scottish Popular Ballads (1882–1898). The ballad tells the haunting story of a grieving mother who, upon hearing of the death of her three sons, wishes them back from the dead. Her wish is granted, but they return not as living men but as spirits, bound by the laws of the afterlife. The poem is deeply rooted in themes of grief, the supernatural, and the unbreakable bonds between a mother and her children. The spectral return of the sons, wearing hats made of birch that “grew at the gates o’ Paradise,” signifies their otherworldly nature, emphasizing the eerie and tragic beauty of the tale. The ballad’s popularity endures due to its evocative language, supernatural elements, and emotional depth, encapsulated in lines such as: “The cock doth craw, the day doth daw, / The channerin’ worm doth chide; / Gin we be miss’d out o’ our place, / A sair pain we maun bide.” These lines reflect the sorrowful inevitability of fate—the dead cannot remain among the living, no matter the depth of a mother’s love.

Text: “The Wife of Usher’s Well” (Traditional English Ballad)

There lived a wife at Usher’s Well,
And a wealthy wife was she;
She had three stout and stalwart sons,
And sent them oer the sea.

They hadna been a week from her,
A week but barely ane,
Whan word came to the carline wife
That her three sons were gane.

They hadna been a week from her,
A week but barely three,
Whan word came to the carlin wife
That her sons she’d never see.

‘I wish the wind may never cease,
Nor fashes in the flood,
Till my three sons come hame to me,
In earthly flesh and blood.’

It fell about the Martinmas,
When nights are lang and mirk.
The carline wife’s three sons came hame,
And their hats were o’ the birk.

It neither grew in syke nor ditch,
Nor yet in ony sheugh;
But at the gates o’ Paradise,
That birk grew fair eneugh.

‘Blow up the fire, my maidens,
Bring water from the well;
For a’ my house shall feast this night,
Since my three sons are well.’

And she has made to them a bed,
She’s made it large and wide;
And she’s ta’en her mantle her about,
Sat down at the bed-side.

Up then crew the red, red cock,
And up and crew the gray
The eldest to the youngest said,
‘Tis time we were away.’

The cock he hadna craw’d but once,
And clapp’d his wings at a’,
When the youngest to the eldest said,
‘Brother, we must awa’.

‘The cock doth craw, the day doth daw,
The channerin’ worm doth chide;
Gin we be miss’d out o’ our place,
A sair pain we maun bide.’

‘Lie still, lie still but a little wee while,
Lie still but if we may;
Gin my mother should miss us when she wakes,
She’ll go mad ere it be day.’

‘Fare ye weel, my mother dear!
Fareweel to barn and byre!
And fare ye weel, the bonny lass
That kindles my mother’s fire!’

Annotations: “The Wife of Usher’s Well” (Traditional English Ballad)

Literary And Poetic Devices: “The Wife of Usher’s Well” (Traditional English Ballad)

Themes: “The Wife of Usher’s Well” (Traditional English Ballad)

1. Grief and Mourning: The central theme of “The Wife of Usher’s Well” is the overwhelming grief of a mother who has lost her three sons. Her sorrow is so deep that she refuses to accept their deaths, wishing them back in “earthly flesh and blood.” Her inability to move on reflects the deep emotional suffering of a parent mourning a child. The poem highlights how grief can be all-consuming, as seen in the mother’s desperate plea:

“I wish the wind may never cease,
Nor fashes in the flood,
Till my three sons come hame to me,
In earthly flesh and blood.”

This illustrates that her sorrow is so immense that she wishes nature itself to remain unsettled until her sons return. However, her wish is granted in a way she did not expect, reinforcing the idea that grief distorts reality and can even invite supernatural consequences.

2. The Supernatural and the Afterlife: The poem is steeped in supernatural elements, with the mother’s sons returning from the dead. Their ghostly nature is subtly revealed when they arrive wearing birch hats, described as:

“It neither grew in syke nor ditch,
Nor yet in ony sheugh;
But at the gates o’ Paradise,
That birk grew fair eneugh.”

This suggests that the birch came from the afterlife, symbolizing their connection to the other world. The eerie and sorrowful tone is further enhanced by the idea that they can only stay for a short time. Their departure is inevitable, following the natural law of the afterlife:

“The cock doth craw, the day doth daw,
The channerin’ worm doth chide;
Gin we be miss’d out o’ our place,
A sair pain we maun bide.”

The rooster crowing signifies the transition between night and day, symbolizing the boundary between life and death. This theme reflects traditional folklore beliefs in spirits and the inability of the dead to remain among the living.

3. Fate and the Inevitability of Death: Death in “The Wife of Usher’s Well” is portrayed as final and inescapable, no matter how much the mother wishes to reverse it. The poem suggests that the natural order cannot be changed, and any attempt to do so comes with consequences. The sons themselves understand this better than their mother, as they acknowledge that they cannot stay and must return to the afterlife:

“Brother, we must awa’.”

Their reluctance to remain emphasizes the idea that death is an unchangeable fate, and interfering with it only brings pain. The fact that they return not as living men but as spirits reinforces the tragic reality that death is permanent, and no human wish can truly undo it. The poem serves as a reflection on mortality, showing how those who remain behind struggle to accept the loss of loved ones.

4. Love and Loss: At its heart, the poem explores the deep love between a mother and her children, as well as the sorrow that follows their loss. The mother’s love is evident in her desperate desire to have her sons return, but it is also her love that makes it painful when they must leave again. In their farewell, the sons express their love and longing for what they left behind:

“Fare ye weel, my mother dear!
Fareweel to barn and byre!
And fare ye weel, the bonny lass
That kindles my mother’s fire!”

This farewell is poignant because it acknowledges not only the love of their mother but also the other bonds they had in life, such as home and romantic love. However, love does not override the laws of life and death, and their departure is inevitable. The poem ultimately conveys the message that while love is powerful, it does not grant immortality. The pain of loss is a part of love, and those left behind must find a way to live with it.

Literary Theories and “The Wife of Usher’s Well” (Traditional English Ballad)

Critical Questions about “The Wife of Usher’s Well” (Traditional English Ballad)

1. How does the ballad depict the theme of grief, and what does it suggest about the mother’s response to loss?

The ballad portrays grief as an all-consuming force that disrupts the natural order. The mother’s response to loss is one of deep denial—rather than accepting her sons’ deaths, she invokes supernatural forces in her desperate wish to bring them back:

“I wish the wind may never cease, / Nor fashes in the flood, / Till my three sons come hame to me, / In earthly flesh and blood.”

This wish reflects her inability to cope with reality, highlighting the psychological weight of grief. Her longing is so intense that it seemingly bends the laws of nature, allowing her sons to return, though not in the way she had hoped. However, the ballad ultimately suggests that grief cannot defy fate; the dead cannot remain with the living. The sons acknowledge this as they prepare to leave again, emphasizing that death is irreversible, and clinging to the past only prolongs suffering. The ballad thus presents grief as a force that can drive people to extremes, yet ultimately, the living must let go.

2. What role do supernatural elements play in the ballad, and how do they contribute to its meaning?

The supernatural is central to “The Wife of Usher’s Well,” creating an eerie and tragic atmosphere. The mother’s grief is so powerful that it seems to summon her dead sons back, yet their return is unnatural—they are not truly alive. Their spectral nature is subtly revealed in the imagery of their hats:

“It neither grew in syke nor ditch, / Nor yet in ony sheugh; / But at the gates o’ Paradise, / That birk grew fair eneugh.”

The reference to the birch growing at the gates of Paradise confirms that the sons have not returned as living men, but as spirits. The supernatural serves as both a fulfillment of the mother’s wish and a cruel irony—the sons return, but not as she intended. Furthermore, the ballad adheres to folklore traditions where the dead cannot stay among the living. The rooster crowing at dawn signals their inevitable departure:

“The cock doth craw, the day doth daw, / The channerin’ worm doth chide; / Gin we be miss’d out o’ our place, / A sair pain we maun bide.”

The supernatural elements reinforce the poem’s message about fate and the natural cycle of life and death. No amount of longing or supernatural intervention can alter the ultimate order of the world.

3. What is the significance of the farewell scene, and how does it reflect the ballad’s broader themes?

The farewell scene is deeply poignant, as the sons must leave their mother once again, reinforcing the theme of loss and the inevitability of death. Their departure is neither sudden nor violent but follows an inescapable rule of the afterlife. The sons themselves express sorrow, recognizing that they cannot stay and that their absence will cause their mother more grief:

“Lie still, lie still but a little wee while, / Lie still but if we may; / Gin my mother should miss us when she wakes, / She’ll go mad ere it be day.”

This moment underscores the tragedy of the ballad—not only is the mother suffering, but the sons, too, understand the pain their departure will bring. Their farewell also acknowledges the different aspects of their lost lives, including the love and warmth they once knew:

“Fare ye weel, my mother dear! / Fareweel to barn and byre! / And fare ye weel, the bonny lass / That kindles my mother’s fire!”

The mention of home and romantic love highlights how much they have lost in death. This scene encapsulates the broader themes of love, grief, and the passage of time. Though the mother summoned them back, they cannot remain, reinforcing the idea that while love endures, it cannot overcome the laws of life and death.

4. How does the ballad use nature and imagery to enhance its themes?

Nature plays a symbolic role throughout the ballad, mirroring the mother’s grief and reinforcing the supernatural elements. The mother’s wish that the wind never cease and the floods continue reflects her desire to suspend time and prevent her loss from becoming permanent:

“I wish the wind may never cease, / Nor fashes in the flood.”

This imagery suggests that she wants the world itself to remain in turmoil until her sons return. However, the natural cycle inevitably resumes—just as the rooster’s crow marks the coming of dawn, signaling that the sons must leave. The birch tree imagery further connects nature with the supernatural:

“It neither grew in syke nor ditch, / Nor yet in ony sheugh; / But at the gates o’ Paradise.”

The fact that the birch did not grow in any earthly place but at the gates of Heaven reinforces the idea that the sons belong to the afterlife. Nature, in this ballad, becomes a reflection of human emotions and cosmic order—while grief can momentarily disrupt it, the natural balance always returns, reminding the living that they must move forward.

Literary Works Similar to “The Wife of Usher’s Well” (Traditional English Ballad)

1. “The Unquiet Grave” (Traditional English Ballad) – This poem, like “The Wife of Usher’s Well,” explores a grieving loved one’s longing for the return of the dead, with supernatural elements as the ghost warns the living that excessive mourning disturbs the peace of the dead.
2. “Edward, Edward” (Traditional Scottish Ballad) – Similar to “The Wife of Usher’s Well,” this ballad features dramatic storytelling and tragic themes, depicting a son’s confession to his mother and the devastating consequences, emphasizing fate and sorrow within a family.
3. “Annabel Lee” by Edgar Allan Poe – Like “The Wife of Usher’s Well,” this poem explores undying grief and the supernatural, as the speaker mourns his lost love and believes their souls remain connected beyond death.
4. “The Rime of the Ancient Mariner” by Samuel Taylor Coleridge – This poem resembles “The Wife of Usher’s Well” in its use of supernatural forces and themes of guilt and fate, both showing that disturbing the natural order leads to inevitable consequences.
5. “La Belle Dame sans Merci” by John Keats – Like “The Wife of Usher’s Well,” this poem blurs the line between life and death, using haunting imagery and supernatural elements to explore love, loss, and fate.

Representative Quotations of “The Wife of Usher’s Well” (Traditional English Ballad)

Suggested Readings: “The Wife of Usher’s Well” (Traditional English Ballad)

1. Bowen, Edwin W. “The Old English Ballad.” The Sewanee Review, vol. 9, no. 3, 1901, pp. 286–95. JSTOR, http://www.jstor.org/stable/27530422. Accessed 21 Feb. 2025.
2. BRONSON, BERTRAND HARRIS. “The Wife of Usher’s Well.” The Traditional Tunes of the Child Ballads, Volume 2, Princeton University Press, 1962, pp. 246–66. JSTOR, http://www.jstor.org/stable/j.ctt183pr9s.28. Accessed 21 Feb. 2025.
3. Bailey, J. O. “What Happens in ‘The Fall of the House of Usher’?” American Literature, vol. 35, no. 4, 1964, pp. 445–66. JSTOR, https://doi.org/10.2307/2923583. Accessed 21 Feb. 2025.

Introduction: “The Twa Sisters” (also known as “The Cruel Sister”)

“The Twa Sisters” (also known as “The Cruel Sister”) first appeared in The Bishopric Garland in 1792 and has been passed down through generations as part of the oral tradition of folk ballads. This haunting tale of sibling rivalry and betrayal is centered around a tragic story where an elder sister pushes her younger sister into a mill-dam, resulting in her drowning. The miller then makes a violin from the drowned sister’s body, using her bones, fingers, and other body parts to create different parts of the instrument, which ultimately plays a melody that reveals the dark truth of her death. The poem’s appeal lies in its dramatic narrative, vivid imagery, and eerie atmosphere. The eerie transformation of the sister’s remains into an instrument of music carries a disturbing yet compelling allure. Its popularity as a textbook folk ballad arises from its tragic yet simple structure, and its ability to captivate with both its moral undercurrent and its blend of mythic and musical elements, as shown in the verse: “What did he doe with her brest-bone? / He made him a violl to play thereupon.” This chilling story, with its supernatural overtones, continues to resonate with audiences as an example of folk artistry intertwined with dark themes.

Text: “The Twa Sisters” (also known as “The Cruel Sister”)

1 THERE were two sisters, they went playing,
With a hie downe done a downe-a
To see their father’s ships come sayling in.
With a hy downe downe a downe-a

2 And when they came unto the sea-brym,
The elder did push the younger in.

3 ‘O sister, O sister, take me by the gowne,
And drawe me up upon the dry ground.’

4 ‘O sister, O sister, that may not bee,
Till salt and oatmeale grow both of a tree.’

5 Somtymes she sanke, somtymes she swam,
Until she came unto the mill-dam.

6 The miller runne hastily downe the cliffe,
And up lie betook her withouten her life.

7 What did he doe with her brest-bone?
He made him a violl to play thereupon.

8 What did lie doe with her fingers so small?
He made him peggs to his violl withall.

9 What did he doe with her nose-ridge?
Unto his violl he made him a bridge.

10 What did he doe with her veynes so blew?
He made him strings to his violl thereto.

11 What did he doe with her eyes so bright?
Upon his violl he played at first sight.

12 What did he doe with her tongue so rough?
Unto the violl it spake enough.

13 What did lie doe with her two shinnes?
Unto the violl they danc’d Moll Syms.

14 Then bespake the treble string,
‘O yonder is my father the king.’

15 Then bespake the second string,
‘O yonder sitts my mother the queen.’

16 And then bespake the strings all three,
‘O yonder is my sister that drowned mee.’

17 ‘Now pay the miller for his payne,
And let him bee gone in the divel’s name.’

Annotations: “The Twa Sisters” (also known as “The Cruel Sister”)

Literary And Poetic Devices: “The Twa Sisters” (also known as “The Cruel Sister”)

Themes: “The Twa Sisters” (also known as “The Cruel Sister”)

• Betrayal and Sibling Rivalry: The central theme of betrayal in “The Twa Sisters” is expressed through the actions of the elder sister, who cruelly pushes the younger sister into the sea. This act of jealousy or malice results in the younger sister’s drowning and symbolizes the destructive consequences of sibling rivalry. The elder sister’s refusal to help her drowning sibling is highlighted when the younger one pleads, “O sister, O sister, take me by the gowne, / And drawe me up upon the dry ground” (Lines 3-4), yet the elder sister coldly replies, “O sister, O sister, that may not bee, / Till salt and oatmeale grow both of a tree” (Lines 9-10), reinforcing her heartless indifference. The elder sister’s actions show the theme of betrayal within a family, as she allows her sibling to perish in the water, setting the stage for the poem’s tragic unfolding.
• Death and Transformation: The theme of death and the eerie transformation of the deceased body is a significant element of the poem. After the younger sister’s tragic death, her body is repurposed by the miller, who turns her remains into a violin, each body part contributing to an instrument of music. The miller “made him a violl to play thereupon” from her breastbone (Line 7), and uses her “fingers so small” to make “peggs to his violl” (Line 8), continuing the disturbing process of turning a lifeless body into something both beautiful and grotesque. The theme of transformation is emphasized as the body of the dead sister, through the miller’s crafting, becomes a vessel for music. This transformation turns death into a macabre form of artistic expression, showcasing a chilling juxtaposition of life and death through the creation of the violin.
• Revenge and Justice: The theme of revenge is prevalent in the poem, particularly in the way the truth of the elder sister’s actions is revealed after her death. The violin, crafted from the younger sister’s remains, becomes an instrument of justice, speaking the truth of the elder sister’s crime. The strings of the violin speak, with one saying, “O yonder is my sister that drowned mee” (Line 34), highlighting the younger sister’s spirit seeking revenge from beyond the grave. The instrument is no longer just an object of music; it becomes a voice for the wronged, accusing the elder sister of her deadly betrayal. The appearance of justice in this form, through the revelation of the truth, transforms the poem into a narrative about the inevitability of retribution. The supernatural element of the violin speaking provides a sense of cosmic justice, where the wrongdoer is exposed, even if the system of earthly justice fails.
• Nature and the Supernatural: The poem intertwines elements of nature and the supernatural, using them to underscore the dark events that unfold. The sea, a powerful natural force, is the setting for the initial act of betrayal, where the elder sister pushes the younger into the water. The description of the younger sister’s struggles in the water, “Somtymes she sanke, somtymes she swam” (Line 11), evokes the power of nature as both a physical and metaphorical force. Furthermore, the supernatural aspect of the poem comes into play when the violin itself becomes an instrument of revelation. The violin’s ability to speak and reveal the truth of the drowning connects the natural world (through the violin’s construction from human remains) to the supernatural (the voice of the deceased speaking through the violin). This fusion of nature and the supernatural highlights the mysterious and dark forces at play, guiding the poem’s eerie atmosphere and enhancing its themes of death, justice, and retribution.

Literary Theories and “The Twa Sisters” (also known as “The Cruel Sister”)

Critical Questions about “The Twa Sisters” (also known as “The Cruel Sister”)

• What does the miller’s transformation of the younger sister’s body into a violin symbolize in “The Twa Sisters”?
• The miller’s transformation of the younger sister’s body into a violin is a powerful symbol that conveys themes of exploitation and the commodification of human life. In “The Twa Sisters,” the miller takes the remains of the drowned sister and uses her body to create an instrument of music. This disturbing transformation can be interpreted as a commentary on how death and suffering are often repurposed for the benefit of others. The act of crafting a violin from her bones, fingers, and veins reflects a process of turning human remains into something aesthetically valuable, yet grotesque. For example, the miller “made him a violl to play thereupon” from her breastbone (Line 7) and “made him peggs to his violl withall” from her fingers (Line 8). This conversion of the body into an instrument is a stark commentary on the exploitation of the dead for artistic or economic gain, suggesting that in both life and death, people are often valued only for what they can provide for others, rather than for their inherent worth.
• What role does the supernatural play in “The Twa Sisters”?
• The supernatural plays a significant role in “The Twa Sisters,” particularly through the speaking violin. The violin, crafted from the deceased sister’s remains, becomes a vessel for revealing the truth of her death and the elder sister’s betrayal. The strings of the violin, which represent parts of the drowned sister’s body, seem to possess a supernatural ability to speak and convey the wrong that has been done. One of the strings says, “O yonder is my sister that drowned mee” (Line 34), giving voice to the silent, voiceless victim. This supernatural element suggests that justice is inevitable, even if it cannot be achieved through earthly means. The poem implies that the wrongs committed in life, especially within the family, will be revealed and accounted for, whether through the physical world or through supernatural means. The voice of the violin, speaking the truth of the younger sister’s death, serves as a powerful reminder that even in death, the victim’s voice can be heard and justice can prevail.
• How does “The Twa Sisters” portray the theme of sibling rivalry?
• Sibling rivalry is a central theme in “The Twa Sisters,” with the elder sister’s jealousy and cruelty leading to the younger sister’s tragic death. The poem begins with the two sisters playing together, yet it quickly becomes clear that a destructive rivalry exists between them. The elder sister’s jealousy is made manifest when she pushes her younger sibling into the sea, despite the younger one’s pleas for help. The younger sister cries out, “O sister, O sister, take me by the gowne, / And drawe me up upon the dry ground” (Lines 3-4), but the elder sister cruelly rejects her, saying it cannot be done until “salt and oatmeale grow both of a tree” (Lines 9-10). This refusal not only highlights the elder sister’s malice but also her desire to rid herself of what she perceives as competition. The rivalry culminates in an irreversible act of violence, emphasizing the destructive potential of jealousy and competition between siblings. The poem portrays sibling rivalry as a force that can, in extreme cases, lead to betrayal, death, and irreversible loss.
• What does the final revelation in “The Twa Sisters” suggest about the inevitability of justice?
• The final revelation in “The Twa Sisters,” when the violin speaks the truth of the younger sister’s death, suggests that justice, though delayed, is inevitable. The violin strings, which are made from the sister’s veins, fingers, and other body parts, act as the instrument through which the truth is revealed. One of the strings says, “O yonder is my sister that drowned mee” (Line 34), and the rest of the strings join in to confirm the crime. This supernatural unveiling of the elder sister’s guilt suggests that, even if justice is not immediately achieved in life, the truth will eventually come to light. The poem uses the speaking violin as a metaphor for the inescapability of retribution—no wrong can go unpunished, and even in death, the victim’s voice can force the wrongdoer to be held accountable. The final lines, “Now pay the miller for his payne, / And let him bee gone in the divel’s name” (Lines 35-36), further indicate that the miller, who played a role in the transformation of the sister’s body, is also implicated in the wrongdoing. The poem suggests that justice is not only an earthly concern but something that transcends the physical realm, offering a cosmic resolution to the tragedy.

Literary Works Similar to “The Twa Sisters” (also known as “The Cruel Sister”)

1. “The Rime of the Ancient Mariner” by Samuel Taylor Coleridge
   Similarity: Both poems feature supernatural elements, including the presence of guilt and retribution, as well as the theme of nature’s power over human actions.
2. “The Wife of Usher’s Well” (Traditional Ballad)
   Similarity: Like “The Twa Sisters,” this ballad revolves around family tragedy and the eerie involvement of supernatural forces, with spirits returning to reveal the truth.
3. “La Belle Dame sans Merci” by John Keats
   Similarity: Both poems deal with themes of betrayal and death, where the consequences of unrequited love or jealousy result in the destruction of a victim.
4. “The Ballad of Sir Patrick Spens” (Traditional Ballad)
   Similarity: Similar to “The Twa Sisters,” this ballad portrays a tragic fate brought on by human actions, exploring themes of death, betrayal, and the destructive consequences of fate.
5. “Tam Lin” (Traditional Scottish Ballad)
   Similarity: Like “The Twa Sisters,” this poem involves supernatural elements and explores the theme of sacrifice and the mysterious powers of nature, often linked to love and betrayal.

Representative Quotations of “The Twa Sisters” (also known as “The Cruel Sister”)

Suggested Readings: “The Twa Sisters” (also known as “The Cruel Sister”)

1. Niles, John Jacob, et al. “The Twa Sisters (Child No. 10).” The Ballad Book of John Jacob Niles, University Press of Kentucky, 2000, pp. 47–54. JSTOR, http://www.jstor.org/stable/j.ctt130jnj1.12. Accessed 23 Feb. 2025.
2. Taylor, Archer. “The English, Scottish, and American Versions of the ‘Twa Sisters.'” The Journal of American Folklore, vol. 42, no. 165, 1929, pp. 238–46. JSTOR, https://doi.org/10.2307/535038. Accessed 23 Feb. 2025.
3. Parker, Harbison. “‘The Twa Sisters’. Going Which Way?” The Journal of American Folklore, vol. 64, no. 254, 1951, pp. 347–60. JSTOR, https://doi.org/10.2307/537003. Accessed 23 Feb. 2025.
4. Philipose, Lily. “The Twa Sisters: A Santal Folktale Variant of the Ballad.” Folklore, vol. 101, no. 2, 1990, pp. 169–77. JSTOR, http://www.jstor.org/stable/1260320. Accessed 23 Feb. 2025.

Introduction: “The Twa Corbies” (Traditional Ballad)

“The Twa Corbies” (Traditional Ballad) first appeared in 1783 in Minstrelsy of the Scottish Border, a collection compiled by Sir Walter Scott. The ballad’s main ideas revolve around two ravens discussing where to feast on the body of a slain knight. The knight’s hound and hawk have abandoned him, and his lady has taken another lover, leaving his corpse unguarded. The ravens plan to make a meal of his remains, even using his golden hair to line their nest. The ballad’s macabre theme of death and betrayal is paired with the cold indifference of nature, reflected in the ravens’ casual conversation about their grim feast. Its popularity as a textbook ballad stems from its simple, direct narrative style, vivid imagery, and the way it explores the stark realities of death and abandonment. As a piece of folklore, the ballad captivates with its bleak, yet starkly poetic portrayal of the human condition, making it an essential example of the traditional ballad form.

Text: “The Twa Corbies” (Traditional Ballad)

As I was walking all alane,
I heard twa corbies making a mane;
The tane unto the t’other say,
‘Where sall we gang and dine to-day?’

‘In behint yon auld fail dyke,
I wot there lies a new-slain knight;
And naebody kens that he lies there,
But his hawk, his hound, and his lady fair.

‘His hound is to the hunting gane,
His hawk, to fetch the wild-fowl hame,
His lady’s ta’en another mate,
So we may mak our dinner sweet.

‘Ye’ll sit on his white hause-bane,
And I’ll pike out his bonny blue een.
Wi’ ae lock o’ his gowden hair,
We’ll theek our nest when it grows bare.

‘Mony a ane for him makes mane,
But nane sall ken whare he is gane:
O’er his white banes, when they are bare,
The wind sall blaw for evermair.’

Annotations: “The Twa Corbies” (Traditional Ballad)

Literary And Poetic Devices: “The Twa Corbies” (Traditional Ballad)

Themes: “The Twa Corbies” (Traditional Ballad)

• Death and Abandonment: One of the central themes of “The Twa Corbies” (Traditional Ballad) is death and the isolation that accompanies it. The knight, who has been slain, is left alone and forgotten by those who should care for him. His hound has gone hunting, his hawk is fetching wildfowl, and his lady has taken another lover. The poem starkly illustrates how death leads to abandonment, not only by loved ones but also by the creatures that were once loyal to him. This theme is underscored by the chilling fact that the only beings that still take any interest in the knight are two crows, who are preparing to feast on his body. As the poem says, “naebody kens that he lies there, / But his hawk, his hound, and his lady fair,” suggesting the profound loneliness of death. The knight’s abandonment by all other figures emphasizes the theme of death as an isolating, unceremonious event.
• Nature’s Indifference: Another prominent theme in “The Twa Corbies” (Traditional Ballad) is nature’s indifference to human suffering and death. In the poem, the crows speak without emotion or remorse as they discuss where they will dine on the knight’s remains. Nature is presented as a force that is unaffected by human emotions or struggles. The crows, who symbolize nature’s opportunistic side, talk matter-of-factly about their feast, with no regard for the knight’s fate or the grief of those who might have cared for him. The line, “The wind sall blaw for evermair,” reinforces the idea that, in death, the knight becomes part of an indifferent natural world, with the elements continuing their cycles regardless of human life. This theme portrays nature as both a life-giver and a taker, unmoved by human experiences of love, loyalty, and loss.
• Betrayal: Betrayal is a crucial theme explored in “The Twa Corbies” (Traditional Ballad). The knight’s lady, who should have been by his side, has instead chosen another mate, leaving him to die alone. The crows, in their conversation, reveal this cold betrayal: “His lady’s ta’en another mate.” This reflects the brutal abandonment of the knight not only by those who should have protected him but also by someone he trusted. The lady’s act of betrayal amplifies the harshness of the knight’s fate, illustrating the emotional and social consequences of human disloyalty. This theme of betrayal is also mirrored in the natural world, where loyalty is absent, and survival depends on opportunism and self-interest, as seen in the crows’ indifference to the knight’s death.
• The Cycle of Life and Death: The theme of the cyclical nature of life and death is evident throughout “The Twa Corbies” (Traditional Ballad), particularly in the crows’ use of the knight’s body to build their nest. “Wi’ ae lock o’ his gowden hair, / We’ll theek our nest when it grows bare.” This act represents the continuation of life through death. The knight’s remains, once symbols of life and human achievement, are now material for the crows to use for their own survival. This cycle is inevitable and indifferent, as death serves as a means for new life to emerge, much like the crows’ nest built from the knight’s hair. The poem highlights that death is not an end but rather a transition to something else, and nature continues its cycle, untroubled by the specific events or lives that pass through it. This theme suggests a bleak acceptance of the inevitability of death, where all things return to nature and are repurposed for the continuation of life.

Literary Theories and “The Twa Corbies” (Traditional Ballad)

Critical Questions about “The Twa Corbies” (Traditional Ballad)

1. What is the significance of the knight’s abandonment by his companions in “The Twa Corbies”?
   The knight’s abandonment by his hound, hawk, and lady is crucial to understanding the theme of isolation in the ballad. The poem starkly contrasts the knight’s previous life, where he was presumably loved and cared for, with his grim fate in death. The abandonment by his hound and hawk, who go on their own separate paths of survival (“His hound is to the hunting gane, / His hawk, to fetch the wild-fowl hame”), underscores the idea that even loyal animals, once bound by duty, will abandon their master when death strikes. The final act of betrayal by his lady, who “ta’en another mate,” adds another layer of abandonment, suggesting that even love can be transient in the face of death. The knight is left entirely alone, with no one to mourn him or tend to his body, symbolizing the ultimate solitude that comes with death.
2. How does “The Twa Corbies” reflect the natural world’s indifference to human suffering?
   “The Twa Corbies” portrays nature as indifferent to human suffering and death, a perspective that highlights the brutality of existence. The crows, symbols of nature’s opportunistic side, discuss their feast on the knight’s body with no remorse or emotional attachment. Their casual conversation reveals the coldness with which they approach death: “Where sall we gang and dine to-day?” and “We’ll theek our nest when it grows bare.” These lines reflect nature’s indifferent attitude toward death, where survival and continuation of life take precedence. The wind’s eternal blowing over the knight’s bones, “The wind sall blaw for evermair,” further exemplifies how nature moves on unceasingly, regardless of human loss. The poem suggests that human suffering and death are inconsequential to the natural world, which continues its cycle of life and decay.
3. What role does betrayal play in the ballad, and how is it represented?
   Betrayal is a central theme in “The Twa Corbies,” particularly in the knight’s abandonment by his lady. The knight’s lady, who should have remained faithful, has instead “ta’en another mate,” a cruel act of infidelity that leaves the knight abandoned and unavenged. This betrayal, while not explicitly stated in the poem, is implied as a harsh reality of life, showing that loyalty and commitment are fragile in times of crisis. The lady’s disloyalty amplifies the tragic loneliness of the knight’s death, contrasting sharply with the supposed love and loyalty he once received. The crows themselves, while not human agents of betrayal, serve as a symbol of nature’s opportunism, feeding off the knight’s remains without any remorse or guilt, suggesting that betrayal and abandonment are themes that transcend human relationships and pervade the natural world as well.
4. What does the imagery of the knight’s body being used by the crows symbolize in the poem?
   The imagery of the crows using the knight’s body for their nest in “The Twa Corbies” symbolizes the cyclical nature of life and death. The crows, creatures of nature, take what they need from the knight’s remains, using his golden hair to line their nest: “Wi’ ae lock o’ his gowden hair, / We’ll theek our nest when it grows bare.” This act of repurposing the knight’s body for their own survival represents how death is a part of the larger natural cycle, where all things are eventually recycled into the ecosystem. The knight’s hair, once a part of his living identity, is now used for something as mundane as nest-building, reinforcing the idea that death serves as a transition to something else. This transformation of the knight’s body into a part of nature’s continuous cycle suggests the inevitable, impartial process of life and death, where human bodies become part of the environment that sustains other life.

Literary Works Similar to “The Twa Corbies” (Traditional Ballad)

1. “The Raven” by Edgar Allan Poe
   Similar to “The Twa Corbies,” both poems explore death, abandonment, and the presence of birds (ravens and crows) as symbols of mortality and the inescapable cycle of life and death.
2. “The Ballad of Reading Gaol” by Oscar Wilde
   Like “The Twa Corbies,” this ballad reflects on themes of death, isolation, and the harsh realities of human existence, underscored by the emotional detachment of nature and society.
3. “The Lament of the Border Widow” (Anonymous)
   Similar to “The Twa Corbies,” this poem focuses on abandonment, grief, and loss, with a strong connection to death and the sense of being forsaken by loved ones.
4. “The Deserted Village” by Oliver Goldsmith
   Both poems convey a sense of abandonment, though “The Deserted Village” focuses on the destruction of a village and its inhabitants, while “The Twa Corbies” examines personal betrayal and death.
5. “The Highwayman” by Alfred Noyes
   Similar to “The Twa Corbies,” “The Highwayman” portrays themes of love, betrayal, and death, where the knight’s tragic fate mirrors the untimely demise of characters in both ballads.

Representative Quotations of “The Twa Corbies” (Traditional Ballad)

Suggested Readings: “The Twa Corbies” (Traditional Ballad)

1. Montgomerie, William. “‘The Twa Corbies’.” The Review of English Studies 6.23 (1955): 227-232.
2. Hamer, Douglas. “‘The Twa Corbies.'” The Review of English Studies, vol. 23, no. 92, 1947, pp. 354–55. JSTOR, http://www.jstor.org/stable/509679. Accessed 22 Feb. 2025.
3. Montgomerie, William. “‘The Twa Corbies.'” The Review of English Studies, vol. 6, no. 23, 1955, pp. 227–32. JSTOR, http://www.jstor.org/stable/511203. Accessed 22 Feb. 2025.
4. BAGLOW, JOHN. “Twa Corbies.” Murmuration: Marianne’s Book, vol. 78, McGill-Queen’s University Press, 2023, pp. 56–56. JSTOR, https://doi.org/10.2307/jj.6879734.53. Accessed 22 Feb. 2025.
5. Coffin, Tristram P. “‘Mary Hamilton’ and the Anglo-American Ballad as an Art Form.” The Journal of American Folklore, vol. 70, no. 277, 1957, pp. 208–14. JSTOR, https://doi.org/10.2307/538318. Accessed 22 Feb. 2025.

Introduction: “The Ballad of Sir Patrick Spens”

“The Ballad of Sir Patrick Spens” first appeared in the 19th century as part of the Minstrelsy of the Scottish Border (1802–1803) by Sir Walter Scott. This ballad has been a staple in English and Scottish literary traditions due to its vivid storytelling, dramatic tension, and strong emotional appeal. The main ideas revolve around the tragic tale of Sir Patrick Spens, a skilled sailor tasked with bringing the Norwegian princess back to Scotland, only to face a fatal storm due to the King’s poor timing. The themes of duty, fate, and the consequences of decisions resonate with readers. The ballad’s popularity as a textbook piece can be attributed to its dramatic structure, straightforward narrative, and the moral undertones it carries about the perilous outcomes of political decisions. As the text states: “The King sits in Dunfermline town, / Drinking the blood-red wine; / ‘O where shall I get a skeely skipper / To sail this ship or mine?'” This sets the stage for a tragedy that explores human vulnerability against the forces of nature, making it an enduring and educational piece.

Text: “The Ballad of Sir Patrick Spens”

The King sits in Dunfermline town,
Drinking the blood-red wine;
“O where shall I get a skeely skipper
To sail this ship or mine?”

Then up and spake an eldern knight,
Sat at the King’s right knee:
“Sir Patrick Spens is the best sailor
That ever sailed the sea.”

The King has written a broad letter,
And sealed it with his hand,
And sent it to Sir Patrick Spens,
Was walking on the strand.

“To Noroway, to Noroway,
To Noroway o’er the foam;
The King’s daughter of Noroway,
‘Tis thou must fetch her home.”

The first line that Sir Patrick read,
A loud laugh laughed he;
The next line that Sir Patrick read,
The tear blinded his ee.

“O who is this has done this deed,
Has told the King of me,
To send us out at this time of the year,
To sail upon the sea?

“Be it wind, be it wet, be it hail, be it sleet,
Our ship must sail the foam;
The king’s daughter of Noroway,
‘Tis we must fetch her home.”

They hoisted their sails on Monenday morn,
With all the speed they may;
And they have landed in Noroway
Upon a Wodensday

They had not been a week, a week,
In Noroway but twae,
When that the lords of Noroway
Began aloud to say, –

“Ye Scottishmen spend all our King’s gowd,
And all our Queenis fee.”
“Ye lie, ye lie, ye liars loud!
So loud I hear ye lie.

“For I brought as much of the white monie
As gane my men and me,
And a half-fou of the good red gowd
Out o’er the sea with me.

“Make ready, make ready, my merry men all,
Our good ship sails the morn.”
“Now, ever alack, my master dear
I fear a deadly storm.

“I saw the new moon late yestreen
With the old moon in her arm;
And if we go to sea, master,
I fear we’ll come to harm.”

They had not sailed a league, a league,
A league but barely three,
When the lift grew dark, and the wind blew loud,
And gurly grew the sea.

The ankers brake and the top-masts lap,
It was such a deadly storm;
And the waves came o’er the broken ship
Till all her sides were torn.

“O where will I get a good sailor
Will take my helm in hand,
Till I get up to the tall top-mast
To see if I can spy land?”

“O here am I, a sailor good,
Will take the helm in hand,
Till you go up to the tall top-mast,
But I fear you’ll ne’er spy land.”

He had not gone a step, a step,
A step but barely ane,
When a bolt flew out of the good ship’s side,
And the salt sea came in.

“Go fetch a web of the silken cloth,
Another of the twine,
And wap them into our good ship’s side,
And let not the sea come in.”

They fetched a web of the silken cloth,
Another of the twine,
And they wapp’d them into the good ship’s side,
But still the sea came in.

O loth, both, were our good Scots lords
To wet their cork-heel’d shoon,
But long ere all the play was play’d
They wet their hats aboon.

And many was the feather-bed
That fluttered on the foam;
And many was the good lord’s son
That never more came home.

The ladies wrang their fingers white,
The maidens tore their heair,
All for the sake of their true loves,
For them they’ll see nae mair.

O lang, lang may the maidens sit
With their gold combs in their hair,
All waiting for their own dear loves,
For them they’ll see nae mair.

O forty miles of Aberdeen,
‘Tis fifty fathoms deep;
And there lies good Sir Patrick Spens,
With the Scots lords at his feet.

Annotations: “The Ballad of Sir Patrick Spens”

Literary And Poetic Devices: “The Ballad of Sir Patrick Spens”

Themes: “The Ballad of Sir Patrick Spens”

• Fate and Inevitability: The theme of fate and inevitability is central to “The Ballad of Sir Patrick Spens,” as the tragic events unfold despite Sir Patrick’s awareness of the impending danger. Sir Patrick, a skilled sailor, laughs at first when he reads the King’s letter, but upon reading the second line, his reaction shifts to one of sorrow: “The next line that Sir Patrick read, / The tear blinded his ee” (Stanza 5). His premonition of doom is foreshadowed, especially as he questions, “O who is this has done this deed, / Has told the King of me, / To send us out at this time of the year” (Stanza 6). The timing of the journey, during a stormy season, indicates that his fate is sealed by forces beyond his control. Despite his warning and the ominous signs, such as the sailor’s prediction of a deadly storm (“Now, ever alack, my master dear / I fear a deadly storm”—Stanza 13), the ship sets sail, and their fate becomes inevitable. The tragic conclusion, where Sir Patrick and the lords perish at sea, underscores the theme that fate cannot be avoided, no matter how hard one tries to change it.
• The Consequences of Political Decisions: Another theme explored in the ballad is the tragic consequences of political decisions, specifically those made by the King. The King orders the perilous journey without considering the timing or the dangers involved. His decision directly leads to the deaths of Sir Patrick Spens and his crew. In the opening stanza, the King, in search of a “skeely skipper” (Stanza 1), unknowingly sets a course that leads to tragedy. The King’s haste in sending the sailors to fetch his daughter from Norway is evident in the lines: “To Noroway, to Noroway, / To Noroway o’er the foam; / The King’s daughter of Noroway, / ‘Tis thou must fetch her home” (Stanza 4). The King’s failure to recognize the dangers of sending a ship during such a stormy time—”To send us out at this time of the year, / To sail upon the sea?” (Stanza 6)—demonstrates the recklessness often associated with political leadership. His actions, driven by duty and perhaps a desire to uphold royal authority, lead to irreversible loss and serve as a reminder of how political decisions can have devastating consequences for the common people who must carry them out.
• The Power of Nature: The poem vividly portrays the power of nature and its ability to overwhelm human strength and skill. Despite Sir Patrick’s expertise and the crew’s determination, the storm proves insurmountable. The sailors’ struggle with the storm is described in powerful terms: “The ankers brake and the top-masts lap, / It was such a deadly storm” (Stanza 16). The imagery of “the waves came o’er the broken ship / Till all her sides were torn” (Stanza 16) emphasizes the might of the sea, which destroys the ship and seals the crew’s fate. Nature, in this ballad, is an uncontrollable force that no amount of skill or preparation can overcome. The sailors’ attempts to save the ship, such as when they try to seal the hull with “a web of the silken cloth” (Stanza 19), ultimately fail, symbolizing the futility of human effort against the immense power of nature. This theme is reinforced throughout the ballad as the sailors are helpless against the elements, illustrating the uncontrollable and often destructive forces of nature that dominate human existence.
• Loyalty and Duty: Loyalty and duty are key themes in “The Ballad of Sir Patrick Spens,” as Sir Patrick and his crew remain committed to their mission, even in the face of overwhelming danger. Sir Patrick’s sense of duty to the King is unwavering, as shown in his response to the King’s order: “Be it wind, be it wet, be it hail, be it sleet, / Our ship must sail the foam” (Stanza 7). Despite his personal forewarnings and the ominous signs of the storm, Sir Patrick remains steadfast, demonstrating his loyalty to his sovereign. This commitment to duty is shared by his men, who follow him into perilous waters, suggesting a collective sense of loyalty and responsibility. The crew’s loyalty is further highlighted by their actions as they attempt to keep the ship afloat and continue the journey. However, the tragic end of the ballad, where many “good lord’s sons” never return, underscores the ultimate sacrifice made in the name of duty and loyalty (Stanza 23). In this sense, the ballad portrays how loyalty to one’s duty—whether to a monarch, a cause, or comrades—can lead to personal loss and tragedy.

Literary Theories and “The Ballad of Sir Patrick Spens”

Critical Questions about “The Ballad of Sir Patrick Spens”

• What is the significance of the King’s role in the tragedy?
• The King’s role in “The Ballad of Sir Patrick Spens” is pivotal in driving the tragic events that unfold. He commands Sir Patrick Spens to sail to Norway to fetch the King’s daughter, without considering the dangers posed by the time of year and the stormy conditions. The King’s actions are a reflection of political authority making decisions that have little regard for the lives of the common people who carry them out. The poem highlights this recklessness with lines such as, “To Noroway, to Noroway, / To Noroway o’er the foam; / The King’s daughter of Noroway, / ‘Tis thou must fetch her home” (Stanza 4), where the King’s order sets the sailors on a doomed path. His failure to anticipate the consequences of his command ultimately leads to the deaths of Sir Patrick and his crew, underscoring the theme of how political decisions can have devastating consequences.
• How does the poem explore the theme of fate and inevitability?
• The poem strongly conveys the theme of fate and inevitability through the unavoidable tragic outcome that befalls Sir Patrick Spens and his crew. Despite the sailor’s warnings and Sir Patrick’s initial reluctance, the ship sails regardless, symbolizing the idea that some events are beyond human control. Sir Patrick’s reaction to the King’s letter, first laughing and then crying, indicates his recognition of the inevitable fate: “The next line that Sir Patrick read, / The tear blinded his ee” (Stanza 5). The sailors are helpless in the face of the storm, and their efforts to save the ship fail, highlighting the futility of resistance against predetermined fate. The tragic ending—where the sailors, including Sir Patrick, die at sea—emphasizes that fate cannot be avoided, no matter how much one may try to change it.
• What does the ballad suggest about loyalty and duty?
• Loyalty and duty are central themes in the ballad, particularly in the characters of Sir Patrick and his crew. Sir Patrick Spens exemplifies loyalty to his monarch, as he dutifully undertakes the perilous journey despite his reservations about the danger. His sense of duty is reflected in the line, “Be it wind, be it wet, be it hail, be it sleet, / Our ship must sail the foam” (Stanza 7). His crew shows similar devotion, continuing the mission despite the overwhelming odds and warnings of a storm. This sense of duty is contrasted with the tragic end, where many sailors—including those “good lord’s sons”—never return home (Stanza 23). The ballad paints a picture of how loyalty and commitment to duty, especially in the service of others or in obedience to authority, can come at a great personal cost.
• How does the poem represent the power of nature?
• The power of nature is depicted as an uncontrollable, destructive force in “The Ballad of Sir Patrick Spens.” Despite the crew’s best efforts and Sir Patrick’s leadership, nature overwhelms them. The storm is described in vivid and ominous terms: “The ankers brake and the top-masts lap, / It was such a deadly storm” (Stanza 16). The image of “the waves came o’er the broken ship / Till all her sides were torn” (Stanza 16) symbolizes nature’s power to destroy human efforts and force. Even when the crew attempts to repair the ship with “a web of the silken cloth” (Stanza 19), the sea continues to invade, demonstrating the futility of human intervention against nature’s might. This relentless storm underscores the theme that nature, particularly the sea, is an overwhelming force that humanity cannot control, no matter how skilled or prepared they are.

Literary Works Similar to “The Ballad of Sir Patrick Spens”

1. “The Rime of the Ancient Mariner” by Samuel Taylor Coleridge
   Like “The Ballad of Sir Patrick Spens,” this ballad explores the consequences of human actions on the sea, with a focus on the destructive power of nature and the tragic fate of sailors.
2. “The Wreck of the Hesperus” by Henry Wadsworth Longfellow
   This poem shares thematic similarities with “The Ballad of Sir Patrick Spens,” as both deal with sailors battling a storm at sea, where the consequences of their journey are catastrophic.
3. “La Belle Dame sans Merci” by John Keats
   Though not a sea voyage, this poem explores themes of doom and tragic fate similar to “The Ballad of Sir Patrick Spens,” where the knight is led to his downfall by an enigmatic, otherworldly force.
4. “The Highwayman” by Alfred Noyes
   Both poems are ballads that revolve around a tragic fate, with “The Highwayman” featuring the destructive consequences of love and duty, much like “The Ballad of Sir Patrick Spens” involves loyalty and a fatal journey.

Representative Quotations of “The Ballad of Sir Patrick Spens

Suggested Readings: “The Ballad of Sir Patrick Spens

1. Walker, Alicia W. “HERBERT HOWELLS’S SIR PATRICK SPENS.” The Choral Journal 53.3 (2012): 26.
2. Niles, John Jacob, et al. “Sir Patrick Spens (Child No. 58).” The Ballad Book of John Jacob Niles, University Press of Kentucky, 2000, pp. 132–36. JSTOR, http://www.jstor.org/stable/j.ctt130jnj1.30. Accessed 23 Feb. 2025.
3. Simmons, James. “Foreman’s Estimates.” Fortnight, no. 250, 1987, pp. 21–21. JSTOR, http://www.jstor.org/stable/25551151. Accessed 23 Feb. 2025.

Introduction: “Barbara Frietchie” by John Greenleaf Whittier

“Barbara Frietchie” by John Greenleaf Whittier, first appeared in 1863 as part of his poetry collection Poems, celebrates the courage and patriotism of Barbara Frietchie, a real historical figure, during the American Civil War. In the poem, she defies the Confederate troops under General Stonewall Jackson by waving the Union flag in the face of their march through Frederick, Maryland. The main ideas focus on themes of loyalty, bravery, and the enduring spirit of freedom. Barbara, despite her old age, takes a stand for her country’s flag, an act that leads to a moment of reflection and respect from the Confederate leader. The poem’s popularity stems from its powerful depiction of individual heroism and its symbolism of loyalty to the Union cause. The striking moment where Barbara challenges the enemy with the words, “Shoot, if you must, this old gray head, / But spare your country’s flag,” epitomizes her unwavering devotion to the Union, which resonates deeply with readers, especially during times of national conflict.

Text: “Barbara Frietchie” by John Greenleaf Whittier

Annotations: “Barbara Frietchie” by John Greenleaf Whittier

Literary And Poetic Devices: “Barbara Frietchie” by John Greenleaf Whittier

Themes: “Barbara Frietchie” by John Greenleaf Whittier

• Loyalty and Patriotism: The theme of loyalty and patriotism is central to “Barbara Frietchie,” as it highlights Barbara’s unwavering dedication to the Union cause during the Civil War. Despite being an elderly woman of eighty years, Barbara defies the Confederate army by displaying the Union flag after it has been taken down by the rebels. Her act of defiance symbolizes her loyalty to her country, and her courage reflects the patriotic spirit of the Union during a time of division. The moment when Barbara says, “Shoot, if you must, this old gray head, / But spare your country’s flag,” demonstrates the depth of her patriotism, as she is willing to sacrifice her own life to protect the flag that represents the freedom and unity of the Union (Whittier, lines 41-42). The flag serves not only as a symbol of national identity but also of the spirit of resistance and loyalty that Barbara embodies in the face of overwhelming opposition.
• Courage and Heroism: Barbara Frietchie’s bravery in the face of danger is a key theme that stands out in Whittier’s poem. Her courage is emphasized through her actions as she rises to protect the Union flag despite her age and the threat of Confederate soldiers under Stonewall Jackson. Whittier depicts Barbara as “Bravest of all in Frederick town” (line 21), showing that, although others may have cowered in fear, she chose to stand for what she believed was right. Her act of taking the flag into her own hands, even after it was shot at and torn by rifle blasts, is a heroic gesture that symbolizes her resilience and strength. When she proclaims, “Shoot, if you must, this old gray head, / But spare your country’s flag,” (lines 41-42), Barbara displays not just courage but also a fierce sense of honor, prioritizing the ideals of the Union over her own safety.
• Honor and Respect: The poem also explores the theme of honor, particularly in the interaction between Barbara Frietchie and General Stonewall Jackson. When Barbara displays the flag, Jackson, who represents the Confederate army, is initially poised to kill her, yet his actions are tempered by a sense of respect for her courage. Whittier writes, “A shade of sadness, a blush of shame, / Over the face of the leader came” (lines 31-32), capturing the internal conflict Jackson experiences as he realizes the nobility of Barbara’s act. Despite being the leader of the enemy, Jackson recognizes her honor and noble cause. This moment of introspection in the Confederate leader is significant, as it emphasizes the power of personal conviction and the respect it can inspire, even in the most unlikely of places. Jackson’s eventual command, “Who touches a hair of yon gray head / Dies like a dog! March on!” (lines 33-34), reflects his acknowledgment of Barbara’s bravery, showing that honor can transcend the boundaries of war and political ideology.
• The Endurance of the Union: The theme of the endurance of the Union is symbolized through the Union flag that Barbara defends. Throughout the poem, the flag stands as a representation of hope, resilience, and the enduring spirit of the Union cause. Despite being shot at and torn, the flag continues to wave above the heads of the Confederate soldiers, symbolizing the persistence of the Union in the face of adversity. Whittier writes, “All day long that free flag tost / Over the heads of the rebel host” (lines 51-52), indicating the flag’s steadfast presence even in the heart of enemy territory. The Union flag’s resilience throughout the day, as it “rose and fell / On the loyal winds that loved it well” (lines 53-54), represents the ongoing fight for freedom and unity. The final lines of the poem, “Over Barbara Frietchie’s grave / Flag of Freedom and Union, wave!” (lines 63-64), reinforce the idea that the ideals of the Union—freedom, unity, and justice—will endure long after the war is over, with Barbara’s grave serving as a lasting symbol of that endurance.

Literary Theories and “Barbara Frietchie” by John Greenleaf Whittier

Critical Questions about “Barbara Frietchie” by John Greenleaf Whittier

• What does Barbara Frietchie symbolize in “Barbara Frietchie” by John Greenleaf Whittier?
• Barbara Frietchie symbolizes loyalty, patriotism, and defiance in “Barbara Frietchie” by John Greenleaf Whittier. Her unwavering commitment to the Union cause during the Civil War is shown when she courageously displays the Union flag in the face of Confederate soldiers. Despite her old age and the danger to her life, she chooses to protect the flag over her own safety, representing the enduring spirit of the Union and the fight for freedom. This act of defiance is captured in her famous words, “Shoot, if you must, this old gray head, / But spare your country’s flag” (Whittier, lines 41-42). Barbara becomes a symbol of individual bravery and the power of standing firm in one’s beliefs, even when faced with overwhelming opposition.
• How does Whittier depict the relationship between Barbara Frietchie and Stonewall Jackson in “Barbara Frietchie”?
• The relationship between Barbara Frietchie and Stonewall Jackson is complex and layered with respect and internal conflict in “Barbara Frietchie” by John Greenleaf Whittier. While Jackson initially commands his soldiers to fire on her, his response changes after witnessing her courage. The moment Barbara risks her life to protect the flag, Jackson is moved by her bravery and says, “Who touches a hair of yon gray head / Dies like a dog! March on!” (Whittier, lines 33-34). Jackson’s shift in attitude, from commanding her death to respecting her defiance, illustrates a moment of introspection and recognition of her noble cause, even though they are on opposite sides of the war. This interaction highlights the tension between duty and honor in the context of war.
• What role does the Union flag play in “Barbara Frietchie” by John Greenleaf Whittier?
• The Union flag in “Barbara Frietchie” by John Greenleaf Whittier acts as a powerful symbol of freedom, unity, and national identity. It represents the ideals of the Union cause, which Barbara is determined to defend. Even when the flag is shot at and torn, it continues to fly, symbolizing resilience and the enduring fight for justice. Whittier writes, “All day long that free flag tost / Over the heads of the rebel host” (lines 51-52), showing that, despite the Confederate presence, the flag remains a symbol of hope and resistance. The flag is ultimately associated with victory, as seen in the closing lines: “Over Barbara Frietchie’s grave / Flag of Freedom and Union, wave!” (lines 63-64), marking its eternal connection to the values it represents.
• How does “Barbara Frietchie” by John Greenleaf Whittier reflect the moral and emotional impact of war?
• Barbara Frietchie by John Greenleaf Whittier highlights both the moral and emotional consequences of war through the portrayal of Barbara’s defiance and Jackson’s emotional response. While the poem depicts the violent reality of war, it also reflects the transformative power of individual acts of bravery. Barbara’s courage challenges the enemy’s resolve, evoking a sense of respect and shame in Jackson, which is evident in the lines: “A shade of sadness, a blush of shame, / Over the face of the leader came” (Whittier, lines 31-32). This emotional response emphasizes the human cost of war and the possibility for compassion even in moments of conflict. Through Barbara’s act and Jackson’s subsequent reaction, the poem underscores how personal integrity and heroism can transcend the brutality of war, suggesting that moral victories are still possible in times of great violence.

Literary Works Similar to “Barbara Frietchie” by John Greenleaf Whittier

1. “The Battle Hymn of the Republic“ by Julia Ward Howe
   This poem similarly reflects the themes of patriotism and national unity during the Civil War, celebrating the Union’s moral and spiritual cause.
2. “O Captain! My Captain!” by Walt Whitman
   Whitman’s poem shares a sense of reverence for a figure of national significance, just as “Barbara Frietchie” venerates the spirit of the Union cause and individual sacrifice.
3. “The Raven“ by Edgar Allan Poe
   While thematically different, both poems evoke intense emotions and explore human resilience in the face of overwhelming circumstances.
4. “The Charge of the Light Brigade“ by Alfred Lord Tennyson
   This poem and “Barbara Frietchie” both depict heroic acts of bravery and loyalty in the context of war, symbolizing honor through self-sacrifice.
5. “I Hear America Singing“ by Walt Whitman
   Similar to Whittier’s work, Whitman’s poem celebrates individual contributions to the collective identity, focusing on unity and patriotism.

Representative Quotations of “Barbara Frietchie” by John Greenleaf Whittier

Suggested Readings: “Barbara Frietchie” by John Greenleaf Whittier

1. Taylor, C. Marshall. “John Greenleaf Whittier. Friend and Defender of Freedom. A Narrative Biography.” Bulletin of Friends’ Historical Association 38.1 (1949): 44-44.
2. BLANCK, JACOB, and MICHAEL WINSHIP, editors. “JOHN GREENLEAF WHITTIER 1807–1892.” Bibliography of American Literature, Volume 9: Edward Noyes Westcott to Elinor Wylie, Yale University Press, 1991, pp. 104–280. JSTOR, https://doi.org/10.2307/j.ctt1xp3njk.14. Accessed 22 Feb. 2025.
3. Whittier, John Greenleaf, 1807-1892. National Lyrics by John Greenleaf Whittier. 1865. JSTOR, https://jstor.org/stable/community.35434377. Accessed 22 Feb. 2025.
4. Wendell, Barrett. “John Greenleaf Whittier.” Proceedings of the American Academy of Arts and Sciences, vol. 28, 1892, pp. 357–88. JSTOR, http://www.jstor.org/stable/20020535. Accessed 22 Feb. 2025.
5. Sherbo, Arthur. “John Greenleaf Whittier in ‘The Critic’, 1881-1892.” Studies in Bibliography, vol. 43, 1990, pp. 222–38. JSTOR, http://www.jstor.org/stable/40371930. Accessed 22 Feb. 2025.