“Lot’s Wife” by Anna Akhmatova: A Critical Analysis

First published in 1924, “Lot’s Wife” by Anna Akhmatova is a poignant and powerful poem that explores the themes of loss, longing, and the human condition.

"Lot's Wife" by Anna Akhmatova: A Critical Analysis
Introduction: “Lot’s Wife” by Anna Akhmatova

First published in 1924, “Lot’s Wife” by Anna Akhmatova is a poignant and powerful poem that explores the themes of loss, longing, and the human condition. The poem is a masterful reinterpretation of the biblical story of Lot’s wife, who is turned into a pillar of salt for looking back at the city of Sodom as it is being destroyed. Akhmatova’s version is a deeply personal and emotional work, characterized by its use of simple yet evocative language, rich imagery, and a haunting musicality. The poem’s central figure is a symbol of nostalgia and the human desire to hold onto what is being lost, and its exploration of the complexities of memory and the pain of separation continue to resonate with readers to this day. Through its beautiful and haunting language, the poem conveys a sense of yearning and melancholy, making it a timeless classic of modern poetry.

Text: “Lot’s Wife” by Anna Akhmatova

And the just man trailed God’s shining agent,

over a black mountain, in his giant track,

while a restless voice kept harrying his woman:

“It’s not too late, you can still look back

at the red towers of your native Sodom,

the square where once you sang, the spinning-shed,

at the empty windows set in the tall house

where sons and daughters blessed your marriage-bed.”

A single glance: a sudden dart of pain

stitching her eyes before she made a sound . . .

Her body flaked into transparent salt,

and her swift legs rooted to the ground.

Who will grieve for this woman? Does she not seem

too insignificant for our concern?

Yet in my heart I never will deny her,

who suffered death because she chose to turn.

Annotations: “Lot’s Wife” by Anna Akhmatova
LineAnnotation
And the just man trailed God’s shining agent,The poem starts by describing Lot, the just man, following God’s agent ( possibly an angel) who is leading him away from Sodom.
over a black mountain, in his giant track,The journey is taking place over a dark and ominous mountain, with the agent’s large footprints leading the way.
while a restless voice kept harrying his woman:Meanwhile, a persistent and anxious voice is urging Lot’s wife to look back at what she is leaving behind.
“It’s not too late, you can still look backThe voice is tempting her to take one last glance at her old life.
at the red towers of your native Sodom,The voice is reminding her of the familiar and beloved landmarks of her hometown, Sodom.
the square where once you sang, the spinning-shed,The voice is evoking memories of happy times in the town square and the spinning shed, where she may have worked or socialized.
at the empty windows set in the tall houseThe voice is pointing out the empty windows of her family home, where her loved ones once lived.
where sons and daughters blessed your marriage-bed.”The voice is reminding her of the happy memories of her children blessing her marriage.
A single glance: a sudden dart of painLot’s wife takes one quick look back, and it causes her a sharp pain.
stitching her eyes before she made a sound . . .The pain is so sudden and intense that it’s as if it has stitched her eyes shut before she can even cry out.
Her body flaked into transparent salt,As punishment for looking back, Lot’s wife is turned into a pillar of salt.
and her swift legs rooted to the ground.Her legs are frozen in place, as if rooted to the ground.
Who will grieve for this woman?The poem asks if anyone will mourn the loss of Lot’s wife.
Does she not seem too insignificant for our concern?The poem questions whether Lot’s wife is too minor a character to be worthy of our sympathy.
Yet in my heart I never will deny her,The speaker asserts that they will always acknowledge and remember Lot’s wife.
who suffered death because she chose to turn.The speaker is highlighting that Lot’s wife’s fate was a result of her own choice to look back.
Literary And Poetic Devices: “Lot’s Wife” by Anna Akhmatova
Literary/Poetic DeviceExample from PoemExplanation
Alliteration” Who will grieve for this woman?”Repetition of consonant sounds at the beginning of words.
Allusion“native Sodom”Reference to a well-known biblical city.
Apostrophe“you can still look back”Addressing Lot’s wife directly, though she is not present.
Assonance“sudden dart of pain”Repetition of vowel sounds within nearby words.
Enjambment“over a black mountain, in his giant track, / while a restlessContinuation of a sentence or phrase across a line break
voice kept harrying his woman”without a pause.
Foreshadowing“It’s not too late, you can still look back”Hinting at future events, in this case, the woman’s fate.
Hyperbole“over a black mountain, in his giant track”Exaggerated description for emphasis or effect.
Imagery“red towers of your native Sodom”Vivid descriptions that appeal to the senses.
IronyThe woman turning into a pillar of salt after being warned notA contrast between what is expected and what actually happens.
to look back
JuxtapositionContrasting the woman’s former life in Sodom with her currentPlacing two contrasting elements side by side.
fate as a pillar of salt
Metaphor“God’s shining agent”A comparison between two unlike things without using “like” or
“as”.
Onomatopoeia“swift legs rooted to the ground”Words that imitate sounds.
Paradox“a restless voice kept harrying his woman: / ‘It’s not tooA statement that seems contradictory but may reveal a deeper
late, you can still look back'”truth.
Personification“her swift legs rooted to the ground”Giving human characteristics to non-human entities.
Repetition“you can still look back”Repeating words or phrases for emphasis or effect.
RhymeInternal rhyme: “Her body flaked into transparent salt” andThe correspondence of sounds at the end of words or lines.
“and her swift legs rooted to the ground”
Simile“Her body flaked into transparent salt”A comparison between two unlike things using “like” or “as”.
Symbolism“transparent salt”The use of symbols to represent ideas or concepts.
Synecdoche“the spinning-shed”A part of something is used to represent the whole thing.
ToneThe tone of regret and empathy towards Lot’s wife’s fateThe author’s attitude or feeling towards the subject.
Themes: “Lot’s Wife” by Anna Akhmatova
  • Theme 1: The Power of Nostalgia
  • The poem explores the theme of nostalgia and the human desire to hold onto the past. Lot’s wife is tempted to look back at the city she is leaving behind, and this single glance ultimately leads to her demise. The voice urging her to “look back” (line 3) appeals to her nostalgia, reminding her of the “red towers of your native Sodom” (line 5) and the “square where once you sang” (line 6). This nostalgia is so powerful that it overcomes her sense of self-preservation, leading her to make the fatal choice to turn back.
  • Theme 2: The Consequences of Choice
  • The poem highlights the consequences of our choices, no matter how small they may seem. Lot’s wife’s decision to look back results in her transformation into a pillar of salt (line 11). This punishment serves as a reminder that our actions have consequences, and that we must be mindful of the choices we make. The poem suggests that even a single glance can have far-reaching and devastating effects.
  • Theme 3: The Human Condition
  • The poem explores the human condition, particularly the universal experience of loss and longing. Lot’s wife’s story becomes a symbol of the human desire to hold onto what is being lost. The speaker’s final lines, “Who will grieve for this woman? / Does she not seem too insignificant for our concern?” (lines 13-14), highlight the universal nature of human suffering and the importance of acknowledging and remembering those who have been lost.
  • Theme 4: Memory and Remembrance
  • The poem explores the theme of memory and remembrance, particularly the importance of remembering and honoring those who have been lost. The speaker’s final lines, “Yet in my heart I never will deny her, / who suffered death because she chose to turn” (lines 15-16), serve as a testament to the enduring power of memory and the importance of acknowledging the past. The poem suggests that even in the face of loss and destruction, memory can serve as a powerful tool for preserving the past and honoring those who have come before us.
Literary Theories and “Lot’s Wife” by Anna Akhmatova
Literary TheoryExplanationApplication to “Lot’s Wife”Critique
Feminist CriticismFocuses on gender roles, power dynamics, and representation of women in literature.Analyzes the portrayal of Lot’s wife and her agency in the poem.While the poem portrays Lot’s wife as a tragic figure, it may be critiqued for reinforcing traditional gender roles, as her agency is limited to her role as a wife and mother.
FormalismEmphasizes close reading of the text, focusing on literary elements such as structure, form, and language.Examines the use of imagery, symbolism, and sound devices in the poem.This approach may overlook the socio-historical context and deeper meanings embedded in the poem’s themes and symbols.
Psychoanalytic CriticismExplores the unconscious desires, motivations, and conflicts of characters and authors.Analyzes the psychological turmoil and inner conflicts of Lot’s wife.Critics might argue that applying psychoanalytic theory to a poem could lead to overly subjective interpretations and neglect the broader cultural and historical context.
Critical Questions about “Lot’s Wife” by Anna Akhmatova
  • Question 1: How does the poem use the figure of Lot’s wife to explore the tension between personal desire and divine authority?
  • The poem uses Lot’s wife to examine the conflict between personal longing and divine command. Lot’s wife is torn between her desire to look back at her hometown and the angel’s warning not to do so (lines 3-4). Her ultimate decision to look back results in her transformation into a pillar of salt, highlighting the consequences of disobeying divine authority. The poem raises questions about the nature of free will and the consequences of following one’s desires, even in the face of divine prohibition.
  • Question 2: How does the poem’s use of imagery and symbolism reinforce its themes of nostalgia, loss, and the human condition?
  • The poem’s imagery and symbolism reinforce its themes of nostalgia, loss, and the human condition. The “red towers of your native Sodom” (line 5) and the “square where once you sang” (line 6) evoke a sense of nostalgia and longing for a lost homeland. The image of Lot’s wife being turned into a “pillar of salt” (line 11) symbolizes the preservation of memory and the consequences of looking back. The “empty windows” (line 8) and “tall house” (line 9) serve as reminders of the loss and abandonment of the past. These images and symbols reinforce the poem’s exploration of the human experience and the universal themes of nostalgia, loss, and remembrance.
  • Question 3: How does the poem’s speaker engage with the story of Lot’s wife, and what does this reveal about the poem’s themes and the speaker’s perspective?
  • The poem’s speaker engages with the story of Lot’s wife in a personal and empathetic way, addressing her directly and reflecting on her fate (lines 13-16). The speaker’s use of rhetorical questions (“Who will grieve for this woman? / Does she not seem too insignificant for our concern?”) reveals a sense of compassion and understanding for Lot’s wife’s situation. The speaker’s perspective highlights the universal nature of human suffering and the importance of remembering and honoring those who have been lost. The speaker’s engagement with the story also raises questions about the role of the narrator in shaping our understanding of the past and the importance of empathy and compassion in human relationships.
Literary Works Similar to “Lot’s Wife” by Anna Akhmatova
  1. “The Waste Land” by T.S. Eliot – Eliot’s poem, akin to “Lot’s Wife,” delves into themes of disillusionment, spiritual desolation, and societal decay. Both employ rich symbolism and vivid imagery to evoke a profound sense of despair and loss.
  2. “Daddy” by Sylvia Plath – Plath’s poem shares themes of identity, trauma, and the struggle for autonomy, echoing the plight of Lot’s wife. Both delve into complex emotions and psychological turmoil, utilizing powerful language and metaphorical imagery.
  3. The Love Song of J. Alfred Prufrock by T.S. Eliot – Another work by Eliot, it reflects on existential angst, alienation, and the passage of time. Like “Lot’s Wife,” it portrays longing and regret, with the protagonist wrestling with existential questions and inner conflicts.
  4. “The Second Coming” by W.B. Yeats – Yeats’ poem explores chaos, destruction, and the collapse of civilization, reminiscent of the biblical narrative in “Lot’s Wife.” Both depict a world in turmoil and evoke foreboding and uncertainty about the future.
  5. Do Not Go Gentle into That Good Night” by Dylan Thomas – This poem shares themes of mortality, defiance, and the struggle against fate, resonating with the tragic fate of Lot’s wife. Both confront the inevitability of death and the human desire to resist or defy it.
Suggested Readings: “Lot’s Wife” by Anna Akhmatova
  • Akhmatova, Anna Andreevna. My half century: selected prose. Northwestern University Press, 1997.
  • Weidle, Wladimir. “Anna Akhmatova: In Memoriam.” (1969): 11-22.
  • Amert, Susan. In a shattered mirror: the later poetry of Anna Akhmatova. Stanford University Press, 1992.
  • Riggins, Elise. “A Single Glance: The Role of the Past in Anna Akhmatova’s “Lot’s Wife”.” The Sigma Tau Delta (2015): 65.
  • Adams, Amy Singleton. “” TURNED TO STONE”: Statues and the Dynamics of Resistance in Akhmatova’s Poetry.” Russian Language Journal/Русский язык 52.171/173 (1998): 81-98.
  • Muchnic, Helen. “Three Inner Emigres: Anna Akhmatova, Osip Mandelshtam, Nikolai Zabolotsky.” The Russian Review 26.1 (1967): 13-25.
  • https://poets.org/poem/lots-wife
Representative Quotations “Lot’s Wife” by Anna Akhmatova
QuotationContextTheoretical Perspectives
“It’s not too late, you can still look back”God’s shining agent urges Lot’s wife to heed the warning and not look back at the destruction of Sodom.Feminist Criticism: Examining the power dynamics and agency of the woman in relation to the male authority figure.
Psychoanalytic Criticism: Analyzing the subconscious desires and motivations behind the woman’s actions.
“A single glance: a sudden dart of pain / stitching her eyes before she made a sound . . .”Lot’s wife defies the warning and looks back, experiencing immediate consequences as her body transforms into salt.Formalism: Focusing on the poem’s imagery and language to explore the impact of the woman’s decision.
Symbolism: Interpreting the transformation into salt as a symbolic representation of her fate and regret.
“Who will grieve for this woman? Does she not seem / too insignificant for our concern?”The narrator questions the woman’s worth and whether she deserves empathy for her tragic fate.Feminist Criticism: Analyzing the societal perception of women’s value and agency.
Psychoanalytic Criticism: Exploring the narrator’s unconscious biases and attitudes towards the woman.
“Yet in my heart I never will deny her, / who suffered death because she chose to turn.”Despite the woman’s perceived insignificance, the narrator expresses empathy and acknowledges her suffering resulting from her decision to turn back.Formalism: Examining the poem’s themes of choice, consequence, and redemption.
Psychoanalytic Criticism: Uncovering the narrator’s internal conflicts and moral judgment.

“The Garden” by Andrew Marvell: A Critical Analysis

“The Garden” by Andrew Marvell, first published in 1681 in a collection of his poems titled “Miscellaneous Poems”, is popular for its exquisite and intricate language, rich imagery, and exploration of themes such as solitude, nature, and the human experience.

"The Garden" by Andrew Marvell: A Critical Analysis
Introduction: “The Garden” by Andrew Marvell

“The Garden” by Andrew Marvell, first published in 1681 in a collection of his poems titled “Miscellaneous Poems”, is popular for its exquisite and intricate language, rich imagery, and exploration of themes such as solitude, nature, and the human experience. The poem’s qualities include its use of clever wordplay, complex metaphorical structures, and a dreamlike atmosphere, which transport the reader to a serene and contemplative state. Through its careful craftsmanship, “The Garden” invites the reader to reflect on the beauty and tranquility of nature, as well as the inner world of the human mind.

Text: “The Garden” by Andrew Marvell

How vainly men themselves amaze

To win the palm, the oak, or bays,

And their uncessant labours see

Crown’d from some single herb or tree,

Whose short and narrow verged shade

Does prudently their toils upbraid;

While all flow’rs and all trees do close

To weave the garlands of repose.

Fair Quiet, have I found thee here,

And Innocence, thy sister dear!

Mistaken long, I sought you then

In busy companies of men;

Your sacred plants, if here below,

Only among the plants will grow.

Society is all but rude,

To this delicious solitude.

No white nor red was ever seen

So am’rous as this lovely green.

Fond lovers, cruel as their flame,

Cut in these trees their mistress’ name;

Little, alas, they know or heed

How far these beauties hers exceed!

Fair trees! wheres’e’er your barks I wound,

No name shall but your own be found.

When we have run our passion’s heat,

Love hither makes his best retreat.

The gods, that mortal beauty chase,

Still in a tree did end their race:

Apollo hunted Daphne so,

Only that she might laurel grow;

And Pan did after Syrinx speed,

Not as a nymph, but for a reed.

What wond’rous life in this I lead!

Ripe apples drop about my head;

The luscious clusters of the vine

Upon my mouth do crush their wine;

The nectarine and curious peach

Into my hands themselves do reach;

Stumbling on melons as I pass,

Ensnar’d with flow’rs, I fall on grass.

Meanwhile the mind, from pleasure less,

Withdraws into its happiness;

The mind, that ocean where each kind

Does straight its own resemblance find,

Yet it creates, transcending these,

Far other worlds, and other seas;

Annihilating all that’s made

To a green thought in a green shade.

Here at the fountain’s sliding foot,

Or at some fruit tree’s mossy root,

Casting the body’s vest aside,

My soul into the boughs does glide;

There like a bird it sits and sings,

Then whets, and combs its silver wings;

And, till prepar’d for longer flight,

Waves in its plumes the various light.

Such was that happy garden-state,

While man there walk’d without a mate;

After a place so pure and sweet,

What other help could yet be meet!

But ‘twas beyond a mortal’s share

To wander solitary there:

Two paradises ‘twere in one

To live in paradise alone.

How well the skillful gard’ner drew

Of flow’rs and herbs this dial new,

Where from above the milder sun

Does through a fragrant zodiac run;

And as it works, th’ industrious bee

Computes its time as well as we.

How could such sweet and wholesome hours

Be reckon’d but with herbs and flow’rs!

Annotations: “The Garden” by Andrew Marvell
StanzaAnnotation
1The poem begins by criticizing the pursuit of worldly honors and instead finds solace in the peacefulness of nature.
2The speaker finds quiet and innocence in the garden, away from the hustle and bustle of society.
3The beauty of nature surpasses human creations, and the speaker vows to only carve the trees’ own names, not those of lovers.
4The garden is a place of retreat from passion and worldly pursuits, where even the gods find solace.
5The speaker is enchanted by the abundance of fruit and sensory delights in the garden.
6The mind finds happiness and creates new worlds in the peacefulness of nature.
7The speaker’s soul is freed and takes flight, like a bird, in the garden’s tranquility.
8The garden represents a paradise, where man can exist in harmony with nature, but this state is fleeting and beyond human grasp.
9The garden is a masterpiece of nature, where time is measured by the cycles of plants and herbs, and hours are sweet and
Literary And Poetic Devices: “The Garden” by Andrew Marvell
DeviceExampleExplanation
Alliteration“And Innocence, thy sister dear!”The repetition of initial consonant sounds in neighboring words, creating a musical effect and enhancing the poetic rhythm.
Allusion“Apollo hunted Daphne so, / Only that she might laurel grow”Referring to a well-known mythological story (Apollo and Daphne), which enriches the text by tapping into a reader’s existing knowledge and emotions.
Anaphora“Fair Quiet, have I found thee here, / And Innocence, thy sister dear!”The repetition of a word or phrase at the beginning of successive clauses or verses, emphasizing these concepts and creating a rhythmic pattern.
Assonance“Fair trees! wheres’e’er your barks I wound”The repetition of vowel sounds in nearby words, contributing to the musicality of the verse.
Consonance“Only among the plants will grow”The repetition of consonant sounds within or at the end of nearby words, creating a harmonious effect.
Enjambment“Meanwhile the mind, from pleasure less, / Withdraws into its happiness”The continuation of a sentence without a pause beyond the end of a line or stanza, allowing ideas to flow smoothly and connecting them more closely.
Epistrophe“No name shall but your own be found.”The repetition of a word or phrase at the end of successive clauses or verses, emphasizing these concepts and creating a rhythmic pattern.
Hyperbole“What wond’rous life in this I lead!”Exaggerated statements or claims not meant to be taken literally, enhancing the grandeur or intensity of the poet’s emotions.
Imagery“Ripe apples drop about my head”Vivid and descriptive language that appeals to the senses, allowing readers to visualize and experience the scene more vividly.
Metaphor“The mind, that ocean where each kind / Does straight its own resemblance find”A figure of speech that implies a comparison between two unlike entities, suggesting a similarity between them.
Oxymoron“Fond lovers, cruel as their flame”A combination of contradictory or incongruous words, often used to create a paradoxical effect and highlight contrasts.
Paradox“Two paradises ‘twere in one / To live in paradise alone”A statement that appears self-contradictory or absurd but may reveal a deeper truth or insight, challenging the reader’s understanding.
Personification“The gods, that mortal beauty chase”Attributing human qualities or characteristics to non-human entities, enhancing the reader’s connection to the described elements.
Repetition“And, till prepar’d for longer flight,”The recurrence of words or phrases for emphasis or rhythmic effect, reinforcing key themes or ideas within the poem.
Simile“Like a bird it sits and sings”A figure of speech that compares two unlike things using “like” or “as,” allowing for a vivid and imaginative description.
Symbolism“Annihilating all that’s made / To a green thought in a green shade”The use of symbols to represent abstract ideas or concepts, enriching the text with layers of meaning beyond the literal interpretation.
Synecdoche“How well the skillful gard’ner drew”A figure of speech in which a part is used to represent the whole or vice versa, adding depth and complexity to the description.
Tone“Society is all but rude, / To this delicious solitude.”The attitude or perspective conveyed by the poet towards the subject matter, influencing the emotional response of the reader.
Verbal Irony“Two paradises ‘twere in one”A contrast between what is said and what is meant, often used to create humor, sarcasm, or emphasize a deeper truth.
Visual Imagery“Where from above the milder sun / Does through a fragrant zodiac run”Descriptive language that appeals specifically to the sense of sight, creating vivid mental images for the reader.
Themes: “The Garden” by Andrew Marvell
  1. Theme 1: The Beauty and Solace of Nature: The poem extols the beauty and tranquility of nature, presenting it as a refuge from the chaos and vanity of human pursuits. Marvell writes, “Fair Quiet, have I found thee here, / And Innocence, thy sister dear!” (Stanza 2). The garden is a place where the speaker finds peace and escape from the “busy companies of men” (Stanza 2). The poem is full of vivid descriptions of nature’s beauty, such as “The luscious clusters of the vine / Upon my mouth do crush their wine” (Stanza 5), highlighting the sensory delights of the natural world.
  2. Theme 2: The Transience of Human Ambition: The poem critiques the fleeting nature of human achievements and the futility of seeking lasting fame. Marvell notes, “How vainly men themselves amaze / To win the palm, the oak, or bays” (Stanza 1), suggesting that human endeavors are ultimately empty and short-lived. The speaker observes that even the gods, in their pursuit of beauty, ultimately find solace in nature, as seen in the story of Apollo and Daphne (Stanza 4).
  3. Theme 3: The Power of the Human Mind: The poem celebrates the human mind’s ability to create and find happiness in its own thoughts. Marvell writes, “The mind, that ocean where each kind / Does straight its own resemblance find” (Stanza 6), highlighting the mind’s capacity for self-reflection and creativity. The speaker describes how the mind can “create, transcending these, / Far other worlds, and other seas” (Stanza 6), emphasizing the boundless potential of human imagination.
  4. Theme 4: The Tension between Solitude and Society: The poem explores the tension between the desire for solitude and the need for human connection. The speaker finds solace in the garden’s quiet and innocence (Stanza 2), but also acknowledges that this state is ultimately “beyond a mortal’s share” (Stanza 8). Marvell writes, “Two paradises ’twere in one / To live in paradise alone” (Stanza 8), suggesting that complete solitude is both alluring and impossible for humans.
Literary Theories and Interpretations of “The Garden” by Andrew Marvell
  1. Ecocriticism: Ecocriticism examines literature through the lens of environmental concerns, exploring how nature is depicted and the relationship between humans and their natural surroundings. In “The Garden,” Marvell portrays the garden as a sanctuary of natural beauty and tranquility, highlighting the contrast between the peaceful solitude of nature and the busyness and rudeness of human society. The poem celebrates the harmony and abundance of the natural world, suggesting a deeper connection between the human soul and the environment.

Example: “What wond’rous life in this I lead! / Ripe apples drop about my head”

Interpretation: This line reflects the abundance and vitality of the natural world within the garden. The image of ripe apples falling suggests a bountiful harvest and a sense of abundance, emphasizing the fecundity and richness of nature.

  1. Psychoanalytic Criticism: Psychoanalytic criticism examines literature through the lens of psychology, particularly Freudian concepts such as the unconscious mind, desire, and repression. In “The Garden,” the garden itself can be interpreted as a metaphor for the human psyche, representing a space of introspection, desire, and fulfillment. The speaker’s retreat to the garden symbolizes a desire for solitude and inner peace, away from the complexities and conflicts of the outside world. The garden becomes a site of psychological exploration and self-discovery.

Example: “Meanwhile the mind, from pleasure less, / Withdraws into its happiness”

Interpretation: This line suggests a psychological retreat from external pleasures towards internal happiness. The speaker’s mind seeks solace and contentment within the tranquil confines of the garden, reflecting a desire for introspection and self-awareness.

  1. New Historicism: New Historicism examines literature in the context of historical and cultural influences, considering how texts both reflect and shape the social and political realities of their time. In “The Garden,” Marvell’s depiction of the garden as a refuge from the chaos of society can be seen as a response to the political upheavals of the 17th century in England, including the English Civil War and the Restoration. The poem reflects a longing for stability, order, and harmony amidst the tumult of political and social change.

Example: “Society is all but rude, / To this delicious solitude.”

Interpretation: This line reflects a critique of contemporary society as rude or uncivilized, contrasting it with the tranquility and beauty of the garden. Marvell’s portrayal of the garden as an idyllic retreat can be interpreted as a commentary on the desire for escape from the turbulence of the outside world during a period of political unrest.

Critical Questions about “The Garden” by Andrew Marvell
  • How does Marvell use the motif of the garden to explore themes of solitude and societal critique?
  • Marvell’s poem presents the garden as a symbolic space of solitude and retreat from the busyness and rudeness of society. The speaker finds solace and contentment within the tranquil confines of the garden, away from the chaos and conflicts of the outside world. For example, in lines such as “Society is all but rude, / To this delicious solitude,” Marvell juxtaposes the peace of the garden with the perceived rudeness of society, highlighting the contrast between the two environments. By portraying the garden as an idyllic sanctuary, Marvell critiques the societal norms and values of his time, suggesting that true happiness and fulfillment can be found in solitude and communion with nature.
  • How does Marvell employ classical and mythological allusions to enhance the thematic depth of the poem?
  • Throughout “The Garden,” Marvell incorporates classical and mythological allusions to enrich the thematic and symbolic resonance of the poem. For instance, references to Apollo and Daphne, as well as Pan and Syrinx, evoke classical tales of pursuit and transformation, adding layers of meaning to the speaker’s reflections on love, desire, and the natural world. In lines like “Apollo hunted Daphne so, / Only that she might laurel grow,” Marvell draws parallels between mythological narratives and the speaker’s own experiences within the garden, inviting readers to consider the timeless themes of longing, beauty, and transfiguration.
  • In what ways does Marvell employ poetic devices such as imagery and metaphor to evoke the sensory experience of the garden?
  • Marvell employs a rich array of poetic devices, including imagery and metaphor, to vividly evoke the sensory experience of the garden and immerse readers in its lush beauty. Descriptions such as “Ripe apples drop about my head” appeal to the sense of sight and touch, conjuring images of abundance and ripeness within the natural landscape. Similarly, metaphorical language such as “The mind, that ocean where each kind / Does straight its own resemblance find” invites readers to contemplate the garden as a reflection of the human psyche, with its depths and complexities mirroring the intricacies of the natural world. Through these poetic devices, Marvell creates a multisensory portrait of the garden, inviting readers to engage with its beauty and symbolism on a visceral level.
Literary Works Similar to “The Garden” by Andrew Marvell
  1. To His Coy Mistress” by Andrew Marvell: Marvell’s persuasive poem addresses a hesitant lover, urging them to embrace passion and seize the present moment. It shares thematic concerns with “The Garden” and showcases Marvell’s wit and skillful use of imagery.
  2. “Ode on a Grecian Urn” by John Keats: Keats’ ode explores the timeless beauty captured on an ancient urn, reflecting on the enduring truths of art and the human experience. Like “The Garden,” it employs vivid imagery and rich symbolism to evoke a sense of timelessness and transcendence.
  3. The Love Song of J. Alfred Prufrock” by T.S. Eliot: Eliot’s modernist poem delves into themes of urban alienation, existential angst, and the search for meaning in a fragmented world. It shares thematic concerns with “The Garden” but presents a stark contrast in tone and style.
  4. Lines Composed a Few Miles above Tintern Abbey” by William Wordsworth: Wordsworth’s reflective poem celebrates the transformative power of nature and memory, echoing themes of beauty, time, and spiritual renewal found in “The Garden.” It explores the human connection to the natural world and the capacity of landscape to inspire awe and contemplation.
  5. “The Waste Land” by T.S. Eliot: Eliot’s groundbreaking poem depicts the spiritual desolation of post-World War I Europe and the fragmented nature of modern existence. While tonally different from “The Garden,” it shares thematic concerns about disillusionment and the search for meaning in a troubled world.
Suggested Readings: “The Garden” by Andrew Marvell
  • Pritchard, Allan. “Marvell’s” The Garden”: A Restoration Poem?.” Studies in English Literature, 1500-1900 23.3 (1983): 371-388.
  • Crewe, Jonathan. “The Garden State: Marvell’s Poetics of Enclosure.” Andrew Marvell. Routledge, 2016. 54-71.
  • R⊘ stvig, Maren‐Sofie. “Andrew Marvell’s ‘The Garden’: A hermetic poem.” (1959): 65-76.
  • Netzley, Ryan. “Sameness and the Poetics of Nonrelation: Andrew Marvell’s “The Garden”.” PMLA 132.3 (2017): 580-595.
  • Malcolmson, Cristina. “12. The Garden Enclosed/The Woman Enclosed: Marvell and the Cavalier Poets.” (1994).
  • Chung, Shu-hua. “The English Landscape Garden in Andrew Marvell’s Five Poems.” NCUE Journal of Humanities 5 (2012): 147-162
Representative Quotations “The Garden” by Andrew Marvell
QuotationContextTheoretical Perspective
“How vainly men themselves amaze / To win the palm, the oak, or bays”Marvell critiques human ambition and the pursuit of worldly accolades, suggesting that true fulfillment lies in simpler pleasures and a connection with nature.Ecocriticism: Highlights the contrast between human ambition and the natural world, suggesting that harmony with nature brings greater fulfillment.
“Fair Quiet, have I found thee here, / And Innocence, thy sister dear!”The speaker finds solace and innocence in the tranquility of the garden, contrasting it with the noise and complexity of society.Psychoanalytic Criticism: Reflects a desire for inner peace and simplicity away from societal pressures.
“No white nor red was ever seen / So am’rous as this lovely green”The speaker celebrates the beauty of nature, particularly the lush greenery of the garden, suggesting that it surpasses even the most romanticized human affections.Romanticism: Emphasizes the sublime beauty and power of nature, elevating it above human experiences and emotions.
“What wond’rous life in this I lead! / Ripe apples drop about my head”The speaker revels in the abundance and vitality of the garden, where fruits and flowers abound, offering a sense of abundance and nourishment.New Historicism: Reflects a longing for simplicity and abundance in contrast to the societal upheavals of the time.
“Meanwhile the mind, from pleasure less, / Withdraws into its happiness”The speaker retreats into the tranquility of the mind, finding happiness and contentment within, away from external distractions and pleasures.Existentialism: Suggests a withdrawal from external distractions and a focus on inner peace and happiness.
“Such was that happy garden-state, / While man there walk’d without a mate”The speaker reflects on the innocence and purity of the garden, where man once walked alone without the need for companionship.Feminist Criticism: Raises questions about gender roles and the portrayal of relationships, suggesting that independence and solitude can bring happiness.
“How well the skillful gard’ner drew / Of flow’rs and herbs this dial new”The speaker admires the craftsmanship of the gardener, who designs a sundial from flowers and herbs, suggesting the artistry and ingenuity of humans in harmony with nature.Formalism: Appreciates the craftsmanship and artistry of the poem itself, highlighting the skillful use of imagery and symbolism.

“September Midnight” by Sarah Teasdale: A Critical Analysis

“September Midnight” by Sara Teasdale first appeared in print in 1914, published in the prominent literary magazine Poetry.

"September Midnight" by Sarah Teasdale
Introduction: “September Midnight” by Sarah Teasdale

“September Midnight” by Sara Teasdale first appeared in print in 1914, published in the prominent literary magazine Poetry. The poem offers a poignant meditation on the waning days of summer. Teasdale utilizes vivid imagery to paint a scene bathed in the fading light of an “Indian Summer,” where the chirping birds have been replaced by the “passionless chant” of insects. A sense of melancholic awareness permeates the poem as the speaker contemplates the inevitable arrival of winter. The power of “September Midnight” lies in its masterful use of simple language to evoke a profound sense of nostalgia for the ephemeral warmth of summer.

Text: “September Midnight” by Sarah Teasdale

Lyric night of the lingering Indian Summer,

Shadowy fields that are scentless but full of singing,

Never a bird, but the passionless chant of insects,

Ceaseless, insistent.

The grasshopper’s horn, and far-off, high in the maples,

The wheel of a locust leisurely grinding the silence

Under a moon waning and worn, broken,

Tired with summer.

Let me remember you, voices of little insects,

Weeds in the moonlight, fields that are tangled with asters,

Let me remember, soon will the winter be on us,

Snow-hushed and heavy.

Over my soul murmur your mute benediction,

While I gaze, O fields that rest after harvest,

As those who part look long in the eyes they lean to,

Lest they forget them.

Annotations: “September Midnight” by Sarah Teasdale
StanzaTextAnnotations
1Lyric night of the lingering Indian Summer,The poet sets the scene of a late summer night, evoking a sense of beauty and nostalgia.
Shadowy fields that are scentless but full of singing,Describes the fields as dark but alive with sound, emphasizing the auditory experience.
Never a bird, but the passionless chant of insects,There are no birds singing; instead, the insects provide a constant, monotonous background noise.
Ceaseless, insistent.Highlights the persistent nature of the insect sounds.
2The grasshopper’s horn, and far-off, high in the maples,Specifics about the sounds, mentioning the grasshopper’s chirp and the distant noise from the maples.
The wheel of a locust leisurely grinding the silenceImagery of a locust’s noise, almost rhythmic, adding to the ambiance of the night.
Under a moon waning and worn, broken,Describes the moon as old and fading, hinting at the passage of time and the approach of autumn.
Tired with summer.Suggests that the moon is weary from the season, possibly mirroring the weariness felt by the poet.
3Let me remember you, voices of little insects,The poet expresses a desire to remember the sounds of the insects, implying their significance in this moment.
Weeds in the moonlight, fields that are tangled with asters,Mentions the visual elements of the scene, highlighting the moonlit weeds and the tangled fields adorned with asters, a type of flower.
Let me remember, soon will the winter be on us,Reiterates the urgency of remembering this moment, as winter, with its silence, is approaching.
Snow-hushed and heavy.Describes the impending winter as quiet and burdensome, contrasting with the lively sounds of the current season.
4Over my soul murmur your mute benediction,The poet metaphorically connects the sounds of the night to a blessing, suggesting a spiritual connection or comfort derived from nature’s sounds.
While I gaze, O fields that rest after harvest,The poet reflects on the harvested fields, finding solace in their quietness after the labor of the season.
As those who part look long in the eyes they lean to,Likens the poet’s gaze to a farewell, suggesting a deep, lingering connection with the scene.
Lest they forget them.Emphasizes the importance of remembering the moment and the feelings it evokes.
Literary And Poetic Devices: “September Midnight” by Sarah Teasdale
DeviceExamplesExplanation
Alliteration“Never a bird, but the passionless chant of insects”Repetition of consonant sounds at the beginning of adjacent or closely connected words.
“The grasshopper’s horn”
“Shadowy fields that are scentless but full of singing”
Allusion“Indian Summer”Reference to a well-known cultural or literary work (in this case, a late period of warm weather).
Assonance“Let me remember you, voices of little insects”Repetition of vowel sounds within nearby words for rhythmic or musical effect.
“Ceaseless, insistent”
Consonance“The grasshopper’s horn”Repetition of consonant sounds within nearby words for rhythmic or lyrical effect.
“Far-off, high in the maples”
Enjambment“The grasshopper’s horn, and far-off, high in the maples,”Continuation of a sentence or phrase without a pause beyond the end of a line or stanza.
Hyperbole“Ceaseless, insistent”Exaggeration for emphasis, highlighting the relentless nature of the insect sounds.
Imagery“Shadowy fields that are scentless but full of singing”Vivid description appealing to the senses, creating a visual and auditory image.
“Weeds in the moonlight, fields that are tangled with asters”
Juxtaposition“Shadowy fields that are scentless but full of singing”Placing contrasting ideas or images side by side to highlight their differences or similarities.
Metaphor“The wheel of a locust leisurely grinding the silence”A direct comparison between two unlike things for poetic effect (the locust’s noise).
“Under a moon waning and worn, broken”
Onomatopoeia“The grasshopper’s horn”Words that imitate the sound they represent, enhancing the auditory experience.
Oxymoron“Snow-hushed and heavy”A combination of contradictory or opposing words for emphasis and heightened effect.
“Moon waning and worn”
Paradox“Under a moon waning and worn”A statement that seems self-contradictory or absurd but may reveal a deeper truth.
Repetition“Let me remember, let me remember”Repeating words or phrases for emphasis, reinforcing the importance of memory in the poem.
“Never a bird, but the passionless chant of insects”
Symbolism“Moon waning and worn”Use of symbols to represent ideas or concepts beyond their literal meaning (e.g., passage of time).
“Weeds in the moonlight, fields that are tangled with asters”
“Indian Summer”
Themes: “September Midnight” by Sarah Teasdale
  1. Waning Summer and the Inevitability of Winter: The poem is steeped in the atmosphere of a late summer night, characterized by the fading light of a “waning and worn” moon. The “shadowy fields” and the replacement of birdsong with the “passionless chant” of insects all hint at the approaching colder season. The speaker’s plea to “Let me remember” emphasizes the desire to hold onto the warmth of summer before the inevitable arrival of “snow-hushed and heavy” winter.
  2. Beauty in the Unsung: The poem finds beauty in the often-overlooked aspects of the natural world. Instead of focusing on the vibrant colors of summer, Teasdale highlights the “scentless” fields and the nighttime chorus of insects. The “grasshopper’s horn” and the “locust” grinding the silence become sources of melancholic charm.
  3. The Power of Memory: The speaker recognizes the fleeting nature of summer and actively seeks to preserve its essence through memory. The plea of “Let me remember” is repeated, emphasizing the importance of holding onto these sensory details before they are replaced by the starkness of winter.
  4. Connection to the Natural World: The poem establishes a deep connection between the speaker and the natural world. The speaker directly addresses the “fields” and the “voices of little insects” as if seeking solace and a “mute benediction” from them. The act of gazing at the fields “that rest after harvest” mirrors the speaker’s own reflection on the passing season.
Literary Theories and “September Midnight” by Sarah Teasdale
Literary TheoryExample from the PoemExplanation
1. New Criticism“Never a bird, but the passionless chant of insects”New Criticism focuses on close reading of the text itself, emphasizing the intrinsic meaning derived from its literary elements. This line highlights the absence of traditional natural imagery (birds) and emphasizes the dominance of insect sounds, inviting readers to analyze the poem’s thematic and symbolic implications within the context of nature.
2. Feminist Theory“Let me remember you, voices of little insects”Feminist theory examines literature through the lens of gender and power dynamics. In this line, the poet’s desire to remember the voices of insects can be interpreted as a metaphor for valuing the voices and experiences of the marginalized or overlooked, reflecting a feminist perspective on the importance of amplifying voices traditionally relegated to the background.
3. Ecocriticism“Shadowy fields that are scentless but full of singing”Ecocriticism explores the relationship between literature and the environment, emphasizing themes of nature, ecology, and human impact. This line juxtaposes the sensory perception of scentless fields with the auditory experience of vibrant insect sounds, prompting reflection on humanity’s connection to the natural world and the ways in which we perceive and interact with our surroundings.
Critical Questions about “September Midnight” by Sarah Teasdale
  • How does Teasdale’s use of imagery contribute to the overall atmosphere and theme of transience in “September Midnight”?
  • Teasdale’s vivid imagery creates a sensory-rich portrayal of the late summer night, evoking a sense of fleeting beauty and the passage of time. For instance, in the line “Under a moon waning and worn, broken, / Tired with summer,” the image of the worn-out moon serves as a powerful symbol of the season’s exhaustion, reinforcing the theme of transition from summer to autumn. Additionally, the contrast between the “shadowy fields” and the “singing” of insects highlights the ephemeral nature of the moment, emphasizing the impermanence of summer’s vitality.
  • How does the absence of traditional natural imagery, such as birdsong, contribute to the thematic depth of the poem?
  • Teasdale’s deliberate omission of birdsong in favor of the “passionless chant of insects” prompts readers to reconsider conventional representations of nature and their symbolic significance. For example, the line “Never a bird, but the passionless chant of insects” challenges traditional pastoral imagery associated with birds as symbols of vitality and freedom. Instead, the prevalence of insect sounds underscores a more nuanced exploration of nature’s complexity and the quieter, less romanticized aspects of the natural world.
  • In what ways does Teasdale’s exploration of memory and anticipation enhance the poem’s emotional resonance? Teasdale’s reflective tone and recurring motif of remembrance imbue the poem with a sense of nostalgia and anticipation for the changing seasons. For instance, the repeated phrase “Let me remember” emphasizes the poet’s desire to hold onto the fleeting moments of late summer before the onset of winter. Furthermore, the line “Let me remember, soon will the winter be on us” foreshadows the impending transition, inviting readers to reflect on the cyclical nature of time and the inevitability of change. This juxtaposition of memory and anticipation heightens the emotional resonance of the poem, inviting readers to contemplate the passage of time and the fleeting nature of life’s experiences.
Literary Works Similar to “September Midnight” by Sarah Teasdale
  1. Stopping by Woods on a Snowy Evening” by Robert Frost: This classic poem by Frost, like “September Midnight,” captures a moment of reflection on the natural world. Both poems use simple language to evoke a sense of peace and quiet contemplation in the face of the changing seasons.
  2. “Ode to a Nightingale” by John Keats: This Keats masterpiece shares Teasdale’s focus on beauty and the fleeting nature of time. Both poems explore the power of sensory details to create a vivid picture and evoke an emotional response.
  3. “To Autumn” by John Keats: Similar to “September Midnight,” this Keats poem celebrates the beauty of a specific season, highlighting the richness and bounty of autumn. Both poems use vivid imagery to capture the essence of the season.
  4. I Wandered Lonely as a Cloud” by William Wordsworth: This famous Wordsworth poem, like Teasdale’s work, finds solace and inspiration in nature. Both poems utilize imagery to capture the speaker’s emotional response to the natural world.
  5. “November Back” by Edna St. Vincent Millay: This Millay poem shares the melancholic tone of “September Midnight” as it reflects on the fading beauty of summer and the inevitability of winter. Both poems capture the bittersweet feeling of transitioning seasons.
Suggested Readings: “September Midnight” by Sarah Teasdale
Representative Quotations “September Midnight” by Sarah Teasdale
QuotationContextTheoretical Concepts
“Lyric night of the lingering Indian Summer,”The poem begins by setting the scene of a late summer night, capturing the essence of a transitional moment between seasons.Imagery: Evokes the sensory experience of the night, setting the tone for the poem.
Seasonal Symbolism: Represents the Indian Summer as a liminal period between summer and autumn.
“Never a bird, but the passionless chant of insects,”The absence of bird sounds is noted, emphasizing the prevalence of insect noises that fill the air instead.Juxtaposition: Contrasts the traditional imagery of birdsong with the less romanticized sounds of insects.
Nature Symbolism: Highlights the significance of insect sounds in the natural environment.
“Let me remember you, voices of little insects,”The poet expresses a desire to remember the sounds of insects, acknowledging their presence and significance in the moment.Memory: Reflects on the importance of memory and nostalgia in capturing fleeting moments. Ecocriticism: Acknowledges the role of insects in the ecosystem and their contribution to the ambiance of the night.
“Let me remember, soon will the winter be on us, Snow-hushed and heavy.”The impending arrival of winter is acknowledged, contrasting the current lively scene with the anticipated silence and weight of snow.Seasonal Transition: Reflects on the cyclical nature of seasons and the inevitable passage of time. Symbolism: Winter symbolizes silence and heaviness, contrasting with the lively atmosphere of late summer.
“Over my soul murmur your mute benediction, While I gaze, O fields that rest after harvest,” “As those who part look long in the eyes they lean to, Lest they forget them.”The poet seeks solace and blessings from the serene landscape of harvested fields, drawing a parallel to the lingering gaze of parting individuals. The need to remember is emphasized, echoing the theme of transience.Spirituality: Conveys a sense of spiritual connection to nature and the universe.
Nostalgia: Reflects on the desire to hold onto fleeting moments before they fade away. Closure: Draws parallels between human relationships and nature’s cycles.

“Youth and Age” by Samuel Taylor Coleridge: A Critical Analysis

“Youth and Age” by Samuel Taylor Coleridge was first published sometime between 1823 and 1832, the exact year being a matter of some debate.

"Youth and Age" by Samuel Taylor Coleridge: A Critical Analysis
Introduction: “Youth and Age” by Samuel Taylor Coleridge

“Youth and Age” by Samuel Taylor Coleridge was first published sometime between 1823 and 1832, the exact year being a matter of some debate. It appeared in his collection “Poems,” a volume that showcased Coleridge’s mastery of various poetic styles and explored themes that would become hallmarks of Romanticism, including the power of nature, the beauty and loss of youth, and the search for meaning in life. The poem itself is a poignant meditation on the passage of time, contrasting the vibrancy and optimism of youth with the introspection and physical limitations of age.

Text: “Youth and Age” by Samuel Taylor Coleridge

Verse, a breeze mid blossoms straying,

Where Hope clung feeding, like a bee—

Both were mine! Life went a-maying

With Nature, Hope, and Poesy,

When I was young!

When I was young?—Ah, woful When!

Ah! for the change ‘twixt Now and Then!

This breathing house not built with hands,

This body that does me grievous wrong,

O’er aery cliffs and glittering sands,

How lightly then it flashed along:—

Like those trim skiffs, unknown of yore,

On winding lakes and rivers wide,

That ask no aid of sail or oar,

That fear no spite of wind or tide!

Nought cared this body for wind or weather

When Youth and I lived in’t together.

Flowers are lovely; Love is flower-like;

Friendship is a sheltering tree;

O! the joys, that came down shower-like,

Of Friendship, Love, and Liberty,

Ere I was old!

Ere I was old? Ah woeful Ere,

Which tells me, Youth’s no longer here!

O Youth! for years so many and sweet,

‘Tis known, that Thou and I were one,

I’ll think it but a fond conceit—

It cannot be that Thou art gone!

Thy vesper-bell hath not yet toll’d:—

And thou wert aye a masker bold!

What strange disguise hast now put on,

To make believe, that thou are gone?

I see these locks in silvery slips,

This drooping gait, this altered size:

But Spring-tide blossoms on thy lips,

And tears take sunshine from thine eyes!

Life is but thought: so think I will

That Youth and I are house-mates still.

Dew-drops are the gems of morning,

But the tears of mournful eve!

Where no hope is, life’s a warning

That only serves to make us grieve,

When we are old:

That only serves to make us grieve

With oft and tedious taking-leave,

Like some poor nigh-related guest,

That may not rudely be dismist;

Yet hath outstay’d his welcome while,

And tells the jest without the smile.

Annotations: “Youth and Age” by Samuel Taylor Coleridge
StanzaAnnotation
Verse, a breeze mid blossoms straying, Where Hope clung feeding, like a bee— Both were mine! Life went a-maying With Nature, Hope, and Poesy, When I was young!The speaker nostalgically recalls the carefree nature of youth, symbolized by a gentle breeze among blossoms, where hope flourished. They reminisce about a time filled with vitality, nature, hope, and poetry.
When I was young?—Ah, woful When! Ah! for the change ‘twixt Now and Then! This breathing house not built with hands, This body that does me grievous wrong, O’er aery cliffs and glittering sands, How lightly then it flashed along:—The speaker expresses sorrow over the passage of time and the transformation from youth to age. They lament the limitations and betrayals of the aging body, contrasting it with the once carefree and agile nature of youth.
Like those trim skiffs, unknown of yore, On winding lakes and rivers wide, That ask no aid of sail or oar, That fear no spite of wind or tide! Nought cared this body for wind or weather When Youth and I lived in’t together.Youth is likened to a small boat effortlessly navigating through life’s challenges. The speaker reflects on the fearlessness and resilience of youth, where the body seemed unaffected by external forces.
Flowers are lovely; Love is flower-like; Friendship is a sheltering tree; O! the joys, that came down shower-like, Of Friendship, Love, and Liberty, Ere I was old!The speaker celebrates the beauty of youth and the joys it brings, comparing them to flowers, love, and the shelter of friendship. They fondly recall the abundance of happiness and freedom experienced in youth.
Ere I was old? Ah woeful Ere, Which tells me, Youth’s no longer here! O Youth! for years so many and sweet, ‘Tis known, that Thou and I were one, I’ll think it but a fond conceit— It cannot be that Thou art gone!The speaker laments the loss of youth, refusing to fully accept its departure. They reminisce about the unity and sweetness of their relationship with youth, expressing disbelief at its absence.
Thy vesper-bell hath not yet toll’d:— And thou wert aye a masker bold! What strange disguise hast now put on, To make believe, that thou are gone? I see these locks in silvery slips, This drooping gait, this altered size:The speaker questions the apparent disappearance of youth, suggesting that it may still be present in disguise. They observe the physical signs of aging but perceive a lingering vitality in the midst of change.
But Spring-tide blossoms on thy lips, And tears take sunshine from thine eyes! Life is but thought: so think I will That Youth and I are house-mates still.Despite the effects of aging, the speaker perceives a youthful essence within themselves. They reflect on the transient nature of life, maintaining a mental connection to their youth, viewing them as enduring companions.
Dew-drops are the gems of morning, But the tears of mournful eve! Where no hope is, life’s a warning That only serves to make us grieve, When we are old:The speaker contrasts the purity of youth with the sorrow of aging, where life becomes a warning in the absence of hope. They acknowledge the grief that accompanies old age, emphasizing the fleeting nature of life.
Literary And Poetic Devices: “Youth and Age” by Samuel Taylor Coleridge
DeviceExample from “Youth and Age”Explanation
Allusion“Life went a-maying” (alluding to the tradition of celebrating May 1st)Reference to a person, place, event, or work of art to create a richer meaning
Amplification“O! the joys, that came down shower-like” (emphasizing the abundance of joys)Extending a detail or idea to emphasize its significance
Analogy“Flowers are lovely; Love is flower-like” (comparing love to a flower)Comparing two things to explain a concept
Anaphora“Ah! for the change…”, “Ah woeful When!”, “Ah woeful Ere” (repeating “Ah” at the start of successive clauses)Repetition of a word or phrase at the beginning of successive clauses
Aphorism“Life is but thought: so think I will” (a general truth)A short, witty statement expressing a general truth
Assonance“sheltering tree”, “silvery slips”Repetition of vowel sounds for a musical effect
Enjambment“When I was young?—Ah, woful When! / Ah! for the change ‘twixt Now and Then!” (sentence continues into the next line without punctuation)Carrying a sentence or phrase over to the next line without a pause
Hyperbole“O! the joys, that came down shower-like” (exaggerating the abundance of joys)Exaggeration for emphasis or effect
Imagery“breathing house not built with hands”, “Spring-tide blossoms on thy lips” (vividly describing a scene)Language that creates vivid sensory experiences for the reader
Irony“Youth’s no longer here!” (contrasting the expected meaning)Conveying a meaning that is opposite of what is explicitly stated
Juxtaposition“Youth and Age” (comparing two contrasting ideas)Placing two or more elements or ideas side by side to compare or contrast them
Metaphor“Life is but thought” (comparing life to a thought)Comparing two things without “like” or “as”
MeterThe poem follows a consistent iambic tetrameter rhythmA regular pattern of stressed and unstressed syllables in a line
Onomatopoeia(none in this poem)Words that imitate the sounds they describe
Oxymoron(none in this poem)Combining two words that are opposite in meaning
Personification“Hope clung feeding, like a bee” (giving hope human-like qualities)Attributing human qualities or characteristics to non-human entities
Repetition“When I was young”, “Ah! woeful When!”, “Ah! woeful Ere” (repeating phrases for emphasis)Repeating words or phrases for emphasis or effect
Rhyme“bliss” and “kiss”, “wide” and “tide” (ending sounds of words that match)Words with identical ending sounds
Simile“Hope clung feeding, like a bee” (comparing hope to a bee using “like”)Comparing two things using “like” or “as”
Symbolism“Fountains, full of life and bliss” (fountains representing abundance and joy)Using objects, colors, or other elements to represent abstract ideas or concepts
Themes: “Youth and Age” by Samuel Taylor Coleridge
  1. Youth and Old Age: The poem is a lamentation of the passing of the poet’s youth and his reluctant acceptance of old age. The poet compares the joys and freedom of his youth with the helplessness and sadness of his old age. In his youth, the poet was full of life and energy, “Life went a-maying / With Nature, Hope, and Poesy” (lines 3-4), but now he feels old and weak, “This breathing house not built with hands, / This body that does me grievous wrong” (lines 5-6). The poet longs for his youth and regrets the passing of time, “When I was young?—Ah, woful When! / Ah! for the change ‘twixt Now and Then!” (lines 1-2).
  2. Nature: The poem portrays the poet’s attraction to nature in his youth and his disconnection from it in old age. The poet describes his youth as a time when he was strong and active and could climb high peaks and run on sandy beaches, “O’er aery cliffs and glittering sands, / How lightly then it flashed along” (lines 9-10). In contrast, in his old age, he feels disconnected from nature and can no longer enjoy its beauty, “Nought cared this body for wind or weather / When Youth and I lived in’t together” (lines 11-12). The poet’s relationship with nature reflects his own growth and decay.
  3. Hope and Hopelessness: The poem shows the poet’s hope and optimism in his youth and his hopelessness and despair in old age. The poet describes how he used to be full of love, joy, and liberty in his youth, “Flowers are lovely; Love is flower-like; / Friendship is a sheltering tree” (lines 13-14), but now he feels weak and helpless, “When I was old? Ah woeful Ere, / Which tells me, Youth’s no longer here!” (lines 17-18). The poet’s hope and optimism have been replaced with despair and hopelessness.
  4. Memory and Nostalgia: The poem expresses the poet’s nostalgia for his youth and his memories of the past. The poet remembers his youth as a time when he could write poetry and enjoy the company of nature, “Dew-drops are the gems of morning, / But the tears of mournful eve!” (lines 25-26). He also remembers the joys of friendship, love, and liberty that he had in abundance when he was young, “O! the joys, that came down shower-like, / Of Friendship, Love, and Liberty” (lines 19-20). The poet is nostalgic for the passing of his youth and the loss of his creative energy, “Life is but thought: so think I will / That Youth and I are house-mates still” (lines 27-28). The poem is a nostalgic reflection on the passing of youth and the fleeting nature of life.
Literary Theories and Interpretations of “Youth and Age” by Samuel Taylor Coleridge
  1. Biographical Interpretation: This approach examines how the poet’s own life experiences might have influenced the poem. Coleridge struggled with various personal and physical afflictions throughout his life, including addiction and illness. “Youth and Age” could reflect his own feelings of nostalgia for his youth and lamentation for the changes brought about by aging. For example, lines such as “This body that does me grievous wrong” and “What strange disguise hast now put on” may allude to Coleridge’s physical ailments and the sense of betrayal he felt from his own body.
  2. Romanticism: Viewing the poem through the lens of Romanticism highlights its emphasis on nature, emotion, and the passage of time. Coleridge, as a prominent Romantic poet, often explored themes related to nature’s beauty, the passage of time, and the power of imagination. In “Youth and Age,” nature is depicted as a source of joy and freedom in youth, but also as a reminder of mortality and loss in old age. For instance, the imagery of “Flowers are lovely; Love is flower-like” and “Dew-drops are the gems of morning” evokes the Romantic fascination with nature’s beauty and its fleeting nature.
  3. Psychoanalytic Criticism: Applying psychoanalytic theory to the poem involves examining the speaker’s psyche and unconscious motivations. The poem can be seen as a reflection of the speaker’s internal struggle to come to terms with aging and the loss of youth. The repeated questioning and denial of aging (“Ere I was old?” and “It cannot be that Thou art gone!”) suggest a psychological resistance to accepting the passage of time. Additionally, the personification of youth as a “masker bold” and the refusal to acknowledge its departure may indicate a subconscious defense mechanism to cope with mortality and the fear of death.
Critical Questions about “Youth and Age” by Samuel Taylor Coleridge
QuestionAnswer
How does the poem portray the contrast between youth and age?The poem portrays the stark contrast between youth and age through the speaker’s nostalgic and melancholic tone. In youth, the speaker was vibrant and full of vitality, “Life went a-maying / With Nature, Hope, and Poesy” (lines 3-4), while in age, the speaker feels burdened by frailty and weakness, lamenting, “This breathing house not built with hands, / This body that does me grievous wrong” (lines 5-6). The speaker yearns for the vigor of youth and mourns the relentless passage of time, “When I was young?—Ah, woful When! / Ah! for the change ‘twixt Now and Then!” (lines 1-2).
How does the poem use nature imagery to convey the speaker’s emotions?The poem employs vivid nature imagery to convey the speaker’s emotions and illustrate his connection with the natural world. In youth, the speaker’s vitality is echoed in nature’s beauty, “O’er aery cliffs and glittering sands, / How lightly then it flashed along” (lines 9-10), whereas in age, the speaker feels estranged from nature, lamenting, “Nought cared this body for wind or weather / When Youth and I lived in’t together” (lines 11-12). The speaker’s relationship with nature serves as a mirror to his own growth and decline.
How does the poem explore the theme of hope and hopelessness?The poem delves into the theme of hope and hopelessness by contrasting the speaker’s experiences in youth and age. In youth, the speaker exudes hope and optimism, celebrating, “Flowers are lovely; Love is flower-like; / Friendship is a sheltering tree” (lines 13-14), but in age, the speaker is enveloped in despair, lamenting, “When I was old? Ah woeful Ere, / Which tells me, Youth’s no longer here!” (lines 17-18). The speaker’s youthful hopefulness has given way to desolation and hopelessness.
How does the poem use memory and nostalgia to convey the speaker’s emotions?The poem utilizes memory and nostalgia to convey the speaker’s emotions and express his longing for days gone by. The speaker reminisces about the joy and creativity of youth, musing, “Dew-drops are the gems of morning, / But the tears of mournful eve!” (lines 25-26), and nostalgically imagines a continued companionship with youth, reflecting, “Life is but thought: so think I will / That Youth and I are house-mates still” (lines 27-28). The speaker’s wistful nostalgia underscores his regret and
Literary Works Similar to “Youth and Age” by Samuel Taylor Coleridge
  1. “Ode to a Nightingale” by John Keats: This poem by John Keats explores the contrast between the fleeting beauty of youth and the enduring power of art. Like “Youth and Age,” it meditates on the transience of life and the longing for an idealized past.
  2. “When You Are Old” by W.B. Yeats: W.B. Yeats’s poem reflects on aging and lost love, addressing the passage of time and the regrets that come with it. It shares a similar melancholic tone with “Youth and Age” and explores the themes of nostalgia and longing for the past.
  3. “To Autumn” by John Keats: Another poem by Keats, “To Autumn,” celebrates the beauty of the season while also contemplating the passage of time and the inevitability of change. It shares with “Youth and Age” a focus on the cycles of nature and the fleeting nature of youth.
  4. The Love Song of J. Alfred Prufrock” by T.S. Eliot: T.S. Eliot’s modernist poem delves into the themes of aging, regret, and the fear of mortality. Like “Youth and Age,” it explores the disillusionment and existential angst that can accompany the process of growing older.
  5. Lines Composed a Few Miles above Tintern Abbey” by William Wordsworth: Wordsworth’s poem reflects on the passage of time and the relationship between nature, memory, and the self. It shares with “Youth and Age” a contemplative tone and explores the theme of memory and its role in shaping our understanding of the past.
Suggested Readings: “Youth and Age” by Samuel Taylor Coleridge
  • Coleridge, Samuel Taylor, et al. Samuel Taylor Coleridge. Oxford: Oxford University Press, 1985.
  • Youngquist, Paul. “Rehabilitating Coleridge: Poetry, Philosophy, Excess.” ELH 66.4 (1999): 885-909.
  • Coleridge, Samuel Taylor. The complete poetical works of Samuel Taylor Coleridge: including poems and versions of poems now published for the first time. Vol. 1. Clarendon Press, 1912.
  • Coleridge, Samuel Taylor. Poetical Works: Including Poems and Versions of Poems Herein Published for the First Time. H. Frowde, 1912.
Representative Quotations “Youth and Age” by Samuel Taylor Coleridge
QuotationContextTheoretical Perspective
“Both were mine! Life went a-maying With Nature, Hope, and Poesy, When I was young!”Coleridge reminisces about the vitality of youth, deeply connected to nature and creativity.Romanticism – Celebrates youth as a time of innocence and inspiration, intertwining human experience with the natural world.
“O’er aery cliffs and glittering sands, How lightly then it flashed along:— Like those trim skiffs, unknown of yore, On winding lakes and rivers wide…”Coleridge vividly recalls the freedom and agility of youth, unburdened by age.Embodiment – Highlights the youthful body as a vessel of experience, agile and effortless in navigating life’s challenges.
“O Youth! for years so many and sweet, ‘Tis known, that Thou and I were one, I’ll think it but a fond conceit— It cannot be that Thou art gone!”Coleridge refuses to accept the loss of youth, clinging to its enduring presence within himself.Identity Continuity – Reflects the psychological defense mechanism of denial, maintaining a sense of selfhood despite aging.
“Life is but thought: so think I will That Youth and I are house-mates still.”Coleridge equates youth with a state of mind, defying the inevitability of physical aging.Phenomenalism – Suggests reality is constructed through subjective perception, allowing for the subjective experience of youthfulness despite age.
“Where no hope is, life’s a warning That only serves to make us grieve, When we are old: That only serves to make us grieve…”Coleridge reflects on the melancholy reality of old age, where hope diminishes and life becomes burdensome.Existentialism – Emphasizes the struggle to find meaning in the face of mortality, confronting the limitations of human existence in old age.

“Design” by Robert Frost: A Critical Analysis

“Design” by Robert Frost, first published in 1936 as part of his collection “A Further Range”, is a masterful exploration of the human experience.

"Design" by Robert Frost: A Critical Analysis
Introduction: “Design” by Robert Frost

“Design” by Robert Frost, first published in 1936 as part of his collection “A Further Range”, is a masterful exploration of the human experience, delving into themes of fate, free will, and the interconnectedness of life. With qualities of concise language, clever imagery, and a nuanced tone, “Design” presents a seemingly simple yet profoundly complex meditation on the nature of existence. The poem’s use of a white moth, a white spider, and a white flower to explore the idea of design in the natural world is a testament to Frost’s skillful craftsmanship, inviting readers to ponder the intricate web of life and our place within it.

Text: “Design” by Robert Frost

I found a dimpled spider, fat and white,
On a white heal-all, holding up a moth
Like a white piece of rigid satin cloth–
Assorted characters of death and blight
Mixed ready to begin the morning right,
Like the ingredients of a witches’ broth–
A snow-drop spider, a flower like a froth,
And dead wings carried like a paper kite.

What had that flower to do with being white,
The wayside blue and innocent heal-all?
What brought the kindred spider to that height,
Then steered the white moth thither in the night?
What but design of darkness to appall?–
If design govern in a thing so small.

Annotations: “Design” by Robert Frost
Text: “Design” by Robert FrostAnnotations
I found a dimpled spider, fat and white,The speaker discovers a spider on a flower, describing it as “fat and white.”
On a white heal-all, holding up a mothThe spider is positioned on a heal-all flower, holding a moth.
Like a white piece of rigid satin cloth–The moth is likened to a piece of white satin cloth.
Assorted characters of death and blightThe scene is described as containing various symbols of death and decay.
Mixed ready to begin the morning right,The imagery suggests a sinister atmosphere preparing for the day ahead.
Like the ingredients of a witches’ broth–The scene is compared to the components of a potion used in witchcraft.
A snow-drop spider, a flower like a froth,Additional elements of the scene are described, including a snow-drop spider and frothy flowers.
And dead wings carried like a paper kite.The image of dead wings being carried is compared to a paper kite.
What had that flower to do with being white,The speaker questions the significance of the flower being white.
The wayside blue and innocent heal-all?The heal-all flower is described as blue and innocent.
What brought the kindred spider to that height,The speaker questions why the spider is on the flower.
Then steered the white moth thither in the night?The speaker wonders what guided the moth to the flower at night.
What but design of darkness to appall?–The poem suggests a sinister purpose behind the arrangement of these elements.
If design govern in a thing so small.The final line reflects on the concept of design or purpose in even the smallest details of nature.

Literary And Poetic Devices: “Design” by Robert Frost

Literary/Poetic DeviceExampleExplanation
Allusion“witches’ broth”Reference to a potion used in witchcraft, creating an atmosphere of mystery and foreboding.
Assonance“snow-drop spider”The repetition of the “o” sound creates a musical effect and draws attention to the spider’s delicate appearance.
Consonance“ready to begin”Repetition of the “d” sound creates a sense of anticipation and readiness.
Enjambment“On a white heal-all, holding up a moth / Like a white piece of rigid satin cloth–“The continuation of a phrase over line breaks creates a sense of flow and visual continuity.
Hyperbole“Assorted characters of death and blight”Exaggeration to emphasize the unsettling nature of the scene and the presence of death.
Imagery“fat and white spider,” “white moth,” “rigid satin cloth,” “dead wings carried like a paper kite”Vivid descriptions that appeal to the senses, creating a clear mental image of the scene.
IronyThe description of the seemingly innocent scene of a spider on a flower holding a moth contrasts with the underlying sinister tone.The speaker observes a scene that appears innocent but carries dark implications, adding layers of meaning to the poem.
Metaphor“Like the ingredients of a witches’ broth”Comparing the scene to the components of a witch’s potion, emphasizing its eerie quality.
Onomatopoeia“dimpled spider”The word “dimpled” suggests the appearance of the spider, adding texture to the description.
Oxymoron“Assorted characters of death and blight”Combining contradictory terms to emphasize the unsettling nature of the scene.
Paradox“Design of darkness to appall”Contradictory statement emphasizing the sinister intention behind the seemingly natural arrangement.
Personification“What brought the kindred spider to that height”Assigning human-like qualities of relationship to the spider and flower, implying a connection between them.
Repetition“white” is repeated multiple times throughout the poemEmphasizing the significance of the color white in the scene and its associations with purity and death.
Simile“Like a white piece of rigid satin cloth–“Comparing the moth to a piece of cloth, highlighting its appearance and texture.
SymbolismThe spider, moth, and flower symbolize various aspects of nature and death.Each element carries symbolic significance, representing broader themes of life, death, and the natural order.
Synecdoche“dead wings”Using a part to represent the whole, emphasizing the moth’s mortality and fragility.
ToneThe tone of the poem is ominous and contemplative, as the speaker reflects on the dark aspects of nature.The overall mood of the poem is somber and introspective, inviting readers to contemplate the deeper meaning behind the scene.
UnderstatementThe simplicity of the language contrasts with the complexity of the themesThe straightforward language belies the depth of meaning and complexity of the scene, creating a sense of understated unease.
WordplayThe title “Design”The title plays with the idea of intentional arrangement in nature, prompting readers to consider the purpose behind seemingly random occurrences.
Themes: “Design” by Robert Frost
  1. Nature’s Cruelty and Indifference: One prominent theme in “Design” is the portrayal of nature as indifferent and even cruel. Frost presents a scene where a seemingly innocent spider is holding a moth on a flower, creating an image of death and decay. The description of “Assorted characters of death and blight” and the comparison to a “witches’ broth” evoke a sense of darkness and malevolence within the natural world. This theme is reinforced by the speaker’s contemplation of the purpose behind such arrangements, suggesting a design of darkness that appalls. Despite the beauty of the white flower and the delicate moth, their encounter ends in death, highlighting nature’s indifference to life and its relentless cycle of creation and destruction.
  2. The Ambiguity of Design and Purpose: Another theme explored in “Design” is the ambiguity surrounding the concept of design and purpose in nature. The speaker questions the significance of the spider, moth, and flower being brought together in such a manner, suggesting a deliberate arrangement with sinister implications. The repetition of the word “white” and the description of the scene as if it were carefully crafted underscore the idea of design, but the speaker ultimately concludes with uncertainty, pondering whether design governs even in the smallest details of nature. This theme invites readers to consider the complexity of nature and the mysteries that lie beyond human comprehension.
  3. The Duality of Innocence and Malevolence: “Design” also explores the duality between innocence and malevolence, particularly in the context of the natural world. The poem presents seemingly innocent elements—a white flower, a moth, and a spider—yet juxtaposes them in a way that suggests darker undertones. The innocence of the white flower and the delicate moth is contrasted with the predatory nature of the spider, creating a tension between beauty and danger. This theme is reinforced by the description of the moth’s dead wings carried like a paper kite, symbolizing the fragility of life and the inevitability of death. Through this duality, Frost highlights the complexities of nature and the inherent tension between life and death.
  4. Human Reflection on Nature’s Mysteries: Finally, “Design” reflects the human inclination to reflect on the mysteries of nature and seek meaning in seemingly random occurrences. The speaker’s contemplation of the scene—a spider holding a moth on a flower—reveals a desire to understand the underlying purpose or design behind such arrangements. This theme is evident in lines such as “What brought the kindred spider to that height” and “What but design of darkness to appall?,” where the speaker grapples with existential questions about the nature of existence and the role of design in shaping the world. Through this introspection, Frost invites readers to ponder the complexities of the natural world and the limitations of human understanding when confronted with its mysteries.
Literary Theories and Interpretations of “Design” by Robert Frost
TheoryInterpretationExampleExplanation
SymbolismThe poem is rich in symbols that represent death, innocence, and darkness.The spider, moth, and heal-all flower symbolize death, innocence, and purity respectively.Frost uses these symbols to explore the idea of design and intention in nature, questioning whether there is a larger purpose or governing force behind the intricate web of life and death.
NaturalismThe poem presents a bleak and deterministic view of nature, where life and death are intertwined.The “assorted characters of death and blight” and “dead wings carried like a paper kite” illustrate the natural world’s indifference to life.Frost’s poem highlights the natural world’s amoral and unforgiving nature, where life and death coexist and are inescapably linked.
ExistentialismThe poem raises questions about the purpose and meaning of life, encouraging the reader to ponder the existence of a larger design or governing force.The speaker’s rhetorical questions (“What had that flower to do with being white…?”, “What but design of darkness to appall?”) illustrate the search for meaning and purpose.Frost’s poem invites the reader to confront the possibility that there may be no inherent design or purpose in life, leaving us to create our own meaning in an uncertain world.
Critical Questions about “Design” by Robert Frost
  • Question 1: What is the speaker’s attitude towards the natural world, and how does this attitude relate to the concept of “design”?
  • The speaker’s attitude towards the natural world is one of curiosity and skepticism, as evident in the lines “What had that flower to do with being white, / The wayside blue and innocent heal-all?” (Frost 5-6). The speaker seems to be questioning the purpose or intention behind the natural world’s arrangements, implying a sense of detachment or even disillusionment. This attitude is central to the poem’s exploration of “design,” as the speaker wonders whether there is a governing force or intention behind the intricate web of life and death.
  • Question 2: How does the poem’s use of imagery and symbolism contribute to its themes of death, innocence, and design?
  • The poem’s use of imagery and symbolism is crucial in conveying its themes, as seen in the lines “A snow-drop spider, a flower like a froth, / And dead wings carried like a paper kite” (Frost 7-8). The snow-drop spider and heal-all flower symbolize death and innocence, respectively, while the dead wings evoke a sense of fragility and mortality. These images, along with the “dimpled spider” and “white piece of rigid satin cloth” (Frost 1-2), create a vivid and unsettling picture of life and death intertwined, underscoring the speaker’s questions about design and intention.
  • Question 3: What is the significance of the speaker’s final question, “What but design of darkness to appall?” (Frost 14), and how does it relate to the poem’s overall message?
  • The speaker’s final question, “What but design of darkness to appall?” (Frost 14), is a rhetorical one, implying that the natural world’s arrangements may be governed by a “design of darkness” that is beyond human comprehension. This question resonates with the poem’s overall message, suggesting that the natural world is indifferent to human life and that our existence may be subject to forces beyond our control. The use of “appall” also implies a sense of horror or dismay, highlighting the speaker’s ambivalence towards the natural world and its mysterious designs.
Literary Works Similar to “Design” by Robert Frost
  1. “The Second Coming” by W.B. Yeats – This poem delves into themes of chaos, darkness, and the idea of an impending apocalyptic event. Like “Design,” it explores the presence of evil and foreboding in the world.
  2. Ozymandias” by Percy Bysshe Shelley – While not directly addressing the themes of evil or fate, this poem reflects on the transience of power and the inevitable decline of empires. It shares a sense of irony and contemplation about the nature of existence, akin to Frost’s work.
  3. “The Hollow Men” by T.S. Eliot – This poem explores themes of emptiness, disillusionment, and the frailty of human existence. It shares with “Design” a sense of desolation and the presence of malevolent forces.
  4. The Rime of the Ancient Mariner” by Samuel Taylor Coleridge – This epic poem explores themes of sin, redemption, and the supernatural. Like “Design,” it contains elements of darkness and explores the consequences of human actions.
  5. “A Poison Tree” by William Blake – This poem explores the theme of repressed anger and the destructive power of holding onto grudges. It shares with “Design” a sense of darkness and the potential for evil within human nature.
Suggested Readings: “Design” by Robert Frost
Representative Quotations “Design” by Robert Frost
QuotationContext and Theoretical Perspective
“I found a dimpled spider, fat and white, / On a white heal-all, holding up a moth / Like a white piece of rigid satin cloth”The speaker describes a scene where a spider, a heal-all flower, and a moth are juxtaposed. The whiteness of the spider, flower, and moth creates an eerie atmosphere. From a theoretical perspective, this imagery evokes a sense of symbolism, suggesting themes of purity, death, and the interconnectedness of life and death.
“Assorted characters of death and blight / Mixed ready to begin the morning right, / Like the ingredients of a witches’ broth”The speaker observes the scene as if it were a concoction of death and decay, likening it to a witches’ broth. This metaphor emphasizes the ominous nature of the scene. From a theoretical perspective, this imagery could be interpreted through a lens of existentialism, highlighting the randomness and absurdity of existence, where life and death coexist in a chaotic manner.
“What had that flower to do with being white, / The wayside blue and innocent heal-all?”The speaker questions the significance of the white flower (heal-all) in the context of its surroundings. This line reflects on the arbitrary nature of existence and the puzzling coexistence of innocence and death. From a theoretical perspective, this reflects existentialist themes of questioning the meaning and purpose behind seemingly random events in life.
“What brought the kindred spider to that height, / Then steered the white moth thither in the night?”The speaker wonders about the forces or “design” behind the spider’s actions and the moth’s fate. This line suggests a sense of inevitability or predetermined fate, implying that there might be a hidden order or design governing even the smallest occurrences in nature. From a theoretical perspective, this raises questions about determinism versus free will and the existence of a higher power or cosmic order.
“What but design of darkness to appall?– / If design govern in a thing so small.”The speaker concludes by suggesting that the scene is governed by a malevolent “design of darkness.” This final statement underscores the eerie and unsettling nature of the scene, implying that even the smallest details of existence may be orchestrated by sinister forces. From a theoretical perspective, this echoes themes of nihilism, suggesting that life is ultimately governed by forces beyond human comprehension, leading to a sense of existential dread and despair.

“Daystar” by Rita Dove: A Critical Analysis

“Daystar” by Rita Dove, first published in 1995 as part of her collection “Mother Love”is a beautiful and poignant exploration of motherhood, identity, and the search for self.

"Daystar" by Rita Dove: A Critical Analysis
Introduction: “Daystar” by Rita Dove

“Daystar” by Rita Dove, first published in 1995 as part of her collection “Mother Love”is a beautiful and poignant exploration of motherhood, identity, and the search for self. With qualities of lyrical language, rich imagery, and a strong narrative voice, “Daystar” delves into the complexities of a mother’s role and the speaker’s own journey towards self-discovery. The poem’s use of metaphor, particularly the image of the daystar, adds a layer of depth and symbolism, making it a powerful and relatable read.

Text: “Daystar” by Rita Dove

She wanted a little room for thinking;
but she saw diapers steaming on the line,
a doll slumped behind the door.

So she lugged a chair behind the garage
to sit out the children’s naps.

Sometimes there were things to watch –
the pinched armor of a vanished cricket,
a floating maple leaf. Other days
she stared until she was assured
when she closed her eyes
she’d see only her own vivid blood.

She had an hour, at best, before Liza appeared
pouting from the top of the stairs.
And just what was mother doing
out back with the field mice?  Why,

building a palace. Later
that night when Thomas rolled over and
lurched into her, she would open her eyes
and think of the place that was hers
for an hour – where
she was nothing,
pure nothing, in the middle of the day.

Annotations: “Daystar” by Rita Dove
Text: “Daystar” by Rita DoveAnnotations
She wanted a little room for thinking;The speaker desires solitude and space for contemplation.
but she saw diapers steaming on the line,Her domestic responsibilities intrude upon her desire for solitude.
a doll slumped behind the door.Symbolizes the presence of motherhood and its demands.
So she lugged a chair behind the garageShe takes proactive measures to find a space for herself.
to sit out the children’s naps.Utilizing the time when her children are asleep.
Sometimes there were things to watch –She finds solace in observing nature or small details.
the pinched armor of a vanished cricket,Observing mundane or transient aspects of nature.
a floating maple leaf. Other daysNature provides her with moments of contemplation and escape.
she stared until she was assuredReflecting on her own thoughts and existence.
when she closed her eyesSeeking inner peace and clarity.
she’d see only her own vivid blood.Her internal struggles and vitality are emphasized.
She had an hour, at best, before Liza appearedLimited time for her personal space before her daughter interrupts.
pouting from the top of the stairs.Liza’s demeanor indicates annoyance or dissatisfaction.
And just what was mother doingLiza is curious about her mother’s activities.
out back with the field mice? Why,The speaker’s actions seem strange or mysterious to her daughter.
building a palace. LaterThe speaker’s imaginative response to her daughter’s inquiry.
that night when Thomas rolled over andReference to her husband, Thomas.
lurched into her, she would open her eyesInterruption of her thoughts by her husband’s presence.
and think of the place that was hersReturning to her brief moment of solitude.
for an hour – whereHighlighting the significance of her solitary hour.
she was nothing,Emphasizing her escape from the demands of her role as a mother.
pure nothing, in the middle of the day.Finding peace and liberation in solitude during daylight hours.
Literary And Poetic Devices: “Daystar” by Rita Dove
Literary/Poetic DeviceExample from “Daystar”Explanation
Imagery“diapers steaming on the line”Vivid description using sensory details to evoke the scene of domestic life.
Symbolism“a doll slumped behind the door”The doll symbolizes the speaker’s maternal duties and the burden of motherhood.
Metaphor“the pinched armor of a vanished cricket”Describing the exoskeleton of a cricket as armor, suggesting resilience and fragility.
Alliteration“Liza appeared pouting”Repetition of the ‘p’ sound creates a rhythmic effect and emphasizes Liza’s mood.
Simile“pure nothing, in the middle of the day”Comparing the speaker’s state of solitude to “pure nothing” using “like” or “as.”
Personification“a floating maple leaf”Assigning human qualities to a maple leaf, giving it the ability to float as if by its own will.
Irony“building a palace”The speaker’s response to her daughter’s inquiry about her activities is ironic, as she is not literally building a palace but seeking solitude.
Enjambment“building a palace. Later / that night”The continuation of a sentence or phrase across line breaks, creating a sense of flow and continuity.
Repetition“She wanted a little room for thinking”Repeating the phrase emphasizes the speaker’s desire for solitude and reflection.
Allusion“Daystar”Referring to the title of the poem, which alludes to the sun, suggesting both illumination and oppressive heat.
Hyperbole“she’d see only her own vivid blood”Exaggerating the intensity of the speaker’s internal focus and awareness.
Onomatopoeia“diapers steaming”Words that imitate the sound they represent, enhancing the sensory experience of the scene.
Assonance“pouting from the top of the stairs”Repetition of vowel sounds within words, creating a musical effect and drawing attention to Liza’s mood.
Oxymoron“pinched armor”Combining contradictory terms (“pinched” and “armor”) to create a striking image of the cricket’s exoskeleton.
Juxtaposition“So she lugged a chair behind the garage / to sit out the children’s naps.”Placing the speaker’s desire for solitude alongside her maternal duties highlights the tension between the two.
Metonymy“building a palace”Using “palace” to represent the speaker’s mental refuge or inner sanctuary.
Consonance“diapers steaming on the line”Repetition of consonant sounds within words, creating a sense of harmony and rhythm.
Anaphora“Sometimes there were things to watch –”Repetition of the phrase at the beginning of successive lines, emphasizing the speaker’s moments of observation.
Euphemism“Thomas rolled over and lurched into her”Using “rolled over” to describe Thomas’s movement in bed, masking the more intimate action of physical closeness.
Paradox“she was nothing, pure nothing”Contradictory statement emphasizing the speaker’s sense of self-obliteration and liberation in solitude.
Themes: “Daystar” by Rita Dove
  1. The Quest for Solitude and Personal Space: The poem highlights the mother’s longing for a moment of solitude and personal space, away from the demands of motherhood. The opening lines “She wanted a little room for thinking; / but she saw diapers steaming on the line, / a doll slumped behind the door” (lines 1-3) illustrate the contrast between her desire for quiet contemplation and the chaotic reality of her domestic life. The speaker’s actions, like lugging a chair behind the garage, demonstrate her determination to carve out a space for herself, no matter how small.
  2. Motherhood and its Demands: The poem portrays the exhausting and all-consuming nature of motherhood, where the speaker’s time and energy are constantly devoted to her children. The lines “She had an hour, at best, before Liza appeared / pouting from the top of the stairs” (lines 9-10) emphasize the limited window of time the mother has to herself before her child’s needs take priority again. The poem also touches on the societal expectations placed on mothers, as seen in the question “And just what was mother doing / out back with the field mice?” (lines 11-12), implying that a mother’s actions are always subject to scrutiny.
  3. Escapism and the Desire for Freedom: The speaker’s actions in the poem reveal a desire to escape the confines of her domestic life and tap into a sense of freedom. By sitting behind the garage, she creates a temporary escape from her responsibilities, allowing herself to “watch” and “stare” (lines 5 and 7) at the world around her. The image of building a “palace” (line 14) suggests a longing for a grander, more expansive existence beyond the limitations of her current life.
  4. Identity and Self-Discovery: The poem explores the speaker’s search for self and her struggle to maintain a sense of identity outside of her role as a mother. The lines “where / she was nothing, / pure nothing, in the middle of the day” (lines 17-19) suggest a desire to shed the burdens and expectations of motherhood and exist in a state of simplicity and freedom. The speaker’s hour of solitude becomes a moment of self-discovery, where she can reconnect with her own thoughts and desires, unencumbered by the demands of others.
Literary Theories and Interpretations of “Daystar” by Rita Dove
Literary TheoryInterpretationExample from “Daystar”
Feminist CriticismExamining the poem through the lens of feminist theory reveals the struggles of women in balancing domestic responsibilities with personal aspirations. The speaker’s desire for solitude reflects the limitations imposed by traditional gender roles, where women are primarily seen as caregivers and homemakers.The depiction of the speaker finding a secluded spot behind the garage to escape the demands of motherhood highlights the challenges faced by women in finding time for personal reflection and self-care amidst their familial duties.
Psychoanalytic CriticismPsychoanalytic theory can interpret the poem as an exploration of the speaker’s subconscious desires and conflicts. The longing for solitude and the imagery of “building a palace” may symbolize the speaker’s need for autonomy and self-actualization outside of her roles as a wife and mother.The speaker’s inner turmoil and desire for escape are evident in her vivid imagination of a place where she is “nothing, pure nothing,” suggesting a subconscious desire for freedom from societal expectations and domestic constraints.
EcocriticismEcocriticism focuses on the relationship between literature and the environment, interpreting the natural imagery in the poem as symbolic of humanity’s connection to the natural world. The speaker’s moments of contemplation amidst nature reflect a desire for harmony and a respite from the pressures of urban life.The speaker’s observations of nature, such as the “pinched armor of a vanished cricket” and the “floating maple leaf,” highlight the significance of the natural world in providing solace and inspiration, suggesting a longing for a deeper connection to the environment.
Critical Questions about “Daystar” by Rita Dove
  • How does the poem “Daystar” challenge traditional notions of motherhood and domesticity, and what implications does this have for our understanding of gender roles and societal expectations?
  • The poem subverts the idealized image of motherhood by portraying a mother who longs for solitude and freedom, rather than embracing her role as a caregiver. The lines “She wanted a little room for thinking; / but she saw diapers steaming on the line, / a doll slumped behind the door” (lines 1-3) highlight the tension between the mother’s desires and her responsibilities, suggesting that motherhood is not always a fulfilling or empowering experience.
  • In what ways does the poem use the natural world to explore the speaker’s inner life and emotional state, and what symbolic significance do the images of nature hold in the poem?
  • The poem employs natural imagery, such as the “pinched armor of a vanished cricket” and the “floating maple leaf” (lines 6 and 8), to convey the speaker’s feelings of confinement and longing. These images also symbolize the speaker’s desire for freedom and her sense of disconnection from the natural world, highlighting the tension between her inner life and her external circumstances.
  • How does the poem’s use of language and form contribute to its exploration of identity, selfhood, and the search for autonomy, and what role do the poem’s structural divisions and line breaks play in conveying the speaker’s emotional journey?
  • The poem’s use of short, fragmented sentences and stanzas creates a sense of disjointedness and fragmentation, mirroring the speaker’s feelings of disconnection and isolation. The line breaks and structural divisions also emphasize the speaker’s moments of introspection and self-reflection, such as the lines “where / she was nothing, / pure nothing, in the middle of the day” (lines 17-19), which highlight her desire for self-annihilation and rebirth.
Literary Works Similar to “Daystar” by Rita Dove
  1. “The Mother” by Gwendolyn Brooks: This poem explores the complex emotions surrounding motherhood, including the sacrifices and struggles mothers face.
  2. “The Bean Eaters” by Gwendolyn Brooks: While not specifically about motherhood, this poem delves into the quiet, everyday lives of an elderly couple, reflecting on themes of solitude and resilience.
  3. “To My Daughter Leaving Home” by Linda Pastan: This poem captures the bittersweet moment of a mother watching her daughter grow up and leave home, reflecting on the passage of time and the complexities of mother-daughter relationships.
  4. “Birches” by Robert Frost: Although not directly about motherhood, this poem reflects on the desire for escape and renewal, themes that resonate with the speaker’s yearning for solitude in “Daystar.”
  5. “The Lanyard” by Billy Collins: This poem humorously explores the relationship between a mother and her child, reflecting on the ways in which love and gratitude are expressed and received.
Suggested Readings: “Daystar” by Rita Dove
  • Georgoudaki, Ekaterini. “Rita Dove: Crossing Boundaries.” Callaloo 14.2 (1991): 419-433.
  • Righelato, Pat. Understanding Rita Dove. Univ of South Carolina Press, 2006.
  • Wright, LaVonna D. “Breaking Black Boundaries: The Poetry of Rita Dove.” (2020).
  • Richards, Page. “Rita Dove and Backyard Updates.” The Backyard of the US Mansion (2011).
  • McDowell, Robert. “The Assembling Vision of Rita Dove.” Writers and Their Craft: Short Stories & Essays on the Narrative (1991): 294.
Representative Quotations from “Daystar” by Rita Dove
QuotationContextTheoretical Perspective
“She wanted a little room for thinking;”The speaker desires solitude and space for introspection, but is surrounded by domestic responsibilities.Feminist Theory: Highlights the constraints on women’s autonomy and agency in domestic spaces.
“a doll slumped behind the door.”The doll represents the speaker’s lost identity and creativity, relegated to the background.Psychoanalytic Theory: Symbolizes the repression of the speaker’s desires and creative potential.
“She had an hour, at best, before Liza appeared”The speaker has limited time for herself before her child’s needs take priority.Critical Race Theory: Illustrates the oppressive nature of societal expectations on mothers, particularly women of color.
“building a palace.”The speaker creates a mental escape, a “palace” of freedom and autonomy.Postcolonial Theory: Represents the speaker’s resistance to oppressive structures and her desire for self-determination.
“where she was nothing, pure nothing, in the middle of the day.”The speaker finds freedom in anonymity and self-annihilation.Existentialist Theory: Highlights the speaker’s search for authenticity and freedom in a seemingly meaningless world.

“Solomon Grundy”: A Nursery Rhyme

“Solomon Grundy” is a traditional nursery rhyme character in American folklore, originating from a 19th-century poem.

"Solomon Grundy": A Nursery Rhyme
Introduction: “Solomon Grundy”

“Solomon Grundy” is a traditional nursery rhyme character in American folklore, originating from a 19th-century poem. He is depicted as an undead creature, born on a Monday, living for a short time, and dying on a Saturday. This enigmatic figure has become a cultural icon, symbolizing the cycle of life and death, and the power of oral tradition in folklore.

Text: “Solomon Grundy”

Solomon Grundy,
Born on a Monday,
Christened on Tuesday,
Married on Wednesday,
Took ill on Thursday,
Grew worse on Friday,
Died on Saturday,
Buried on Sunday.
That was the end,
Of Solomon Grundy

Annotations: “Solomon Grundy” by Anonymous
LineAnnotations
Solomon Grundy,The introduction of the titular character, Solomon Grundy, sets the stage for the poem’s narrative.
Born on a Monday,Provides the birth day of Solomon Grundy, establishing a chronological sequence for his life events.
Christened on Tuesday,Indicates the day Solomon Grundy was baptized, following his birth.
Married on Wednesday,Describes Solomon Grundy’s wedding day, continuing the progression of his life.
Took ill on Thursday,Marks the beginning of Solomon Grundy’s decline in health, introducing a turning point in the narrative.
Grew worse on Friday,Highlights the worsening condition of Solomon Grundy’s illness, leading towards an inevitable conclusion.
Died on Saturday,Specifies the day of Solomon Grundy’s death, bringing his life to its conclusion.
Buried on Sunday.Concludes Solomon Grundy’s life cycle with his burial, completing the narrative arc.
That was the end,Reflects on the finality of Solomon Grundy’s life, indicating the closure of his story.
Of Solomon GrundyReiterates the name of the character and signals the conclusion of the poem.
Literary And Poetic Devices: “Solomon Grundy”
DeviceExampleExplanation
Assonance“Took ill on Thursday”The repetition of the vowel sound in “Took” and “Thursday” creates a musical quality and enhances the poem’s rhythm.
Caesura“Solomon Grundy,”The comma after “Solomon Grundy” creates a pause, adding emphasis to the introduction of the character and setting the tone.
Consonance“Born on a Monday”The repetition of the consonant sound “n” in “born” and “Monday” creates a harmonious effect and reinforces the day of the week.
Enjambment“Died on Saturday, Buried on Sunday”The continuation of the sentence from one line to the next (“Saturday, Buried on Sunday”) without a pause enhances the flow of the poem.
Hyperbole“That was the end”The statement exaggerates the finality of Solomon Grundy’s life, emphasizing the irreversibility of death.
Imagery“Grew worse on Friday”The phrase evokes a vivid image of Solomon Grundy’s deteriorating health, allowing readers to visualize his decline.
Irony“Born on a Monday”It’s ironic that Solomon Grundy’s life begins on a Monday, a day associated with new beginnings, yet his life ends tragically.
Metaphor“Married on Wednesday”The metaphor compares Solomon Grundy’s marriage to the day Wednesday, suggesting that his union occurred swiftly or abruptly.
Onomatopoeia“Took ill on Thursday”The word “ill” imitates the sound of discomfort or sickness, enhancing the reader’s understanding of Solomon Grundy’s condition.
Oxymoron“That was the end”The phrase combines contradictory terms (“end” and “was”), highlighting the finality of Solomon Grundy’s life.
Paradox“That was the end”The statement appears contradictory because an “end” typically implies finality, yet it also suggests the beginning of something new.
Personification“Grew worse on Friday”Assigning human characteristics (growth) to Solomon Grundy’s illness (Friday) enhances the poem’s imagery and emotional impact.
Repetition“Solomon Grundy”The repeated use of the character’s name throughout the poem reinforces his identity and serves as a structural device.
Rhyme“Married on Wednesday”The words “Wednesday” and “wed” rhyme, creating a musical quality and enhancing the poem’s rhythm.
Simile“Christened on Tuesday”The simile compares Solomon Grundy’s baptism to the day Tuesday, suggesting a connection between the two events.
Symbolism“Buried on Sunday”Sunday traditionally represents the end of the week and is associated with rest or religious observance, symbolizing the conclusion of life.
Synecdoche“That was the end”The word “end” represents the entirety of Solomon Grundy’s life, emphasizing the finality of his existence.
Tone“That was the end”The statement carries a somber and conclusive tone, reflecting the inevitability of death and the poem’s overarching theme.
Verbal Irony“Married on Wednesday”While weddings are typically joyous occasions, the fact that Solomon Grundy’s marriage occurred swiftly on a weekday adds a sense of irony.
Themes: “Solomon Grundy”
  • Theme 1: The Cycle of Life: The poem “Solomon Grundy” explores the theme of the cycle of life, tracing the protagonist’s journey from birth to death. The rhyme succinctly covers the significant events of Solomon Grundy’s life, from being “Born on a Monday” to being “Buried on Sunday” (lines 1 and 8). This cycle is a universal human experience, and the poem’s use of a week’s duration highlights the brevity and fragility of life.
  • Theme 2: Fate and Inevitability: The poem also explores the theme of fate and inevitability, suggesting that Solomon Grundy’s life was predetermined. The use of specific days of the week for each event creates a sense of inexorable progression, implying that his life was always headed towards its tragic conclusion. The line “That was the end, / Of Solomon Grundy” (lines 9-10) drives home the sense of finality and the impossibility of escape.
  • Theme 3: The Passage of Time: The poem examines the theme of the passage of time, using the days of the week to mark the swift progression of Solomon Grundy’s life. The rhyme moves rapidly from birth to death, emphasizing the fleeting nature of human existence. The line “Grew worse on Friday, / Died on Saturday” (lines 6-7) highlights the speed at which life can deteriorate and come to an end.
  • Theme 4: Mortality and the Human Condition: Finally, the poem confronts the theme of mortality and the human condition, presenting a stark and unvarnished portrayal of life’s fragility. Solomon Grundy’s story serves as a reminder that death is an inevitable part of human experience, and that life can change irreparably in a short span. The poem’s simplicity and directness drive home this message, leaving the reader to ponder the transience of human existence.
Literary Theories and Interpretations of “Solomon Grundy”
Literary TheoryInterpretationReference from the Poem
StructuralismThe poem’s use of a repetitive structure (each line starting with a day of the week) creates a sense of inevitability and fate, emphasizing the idea that Solomon Grundy’s life was predetermined.“Born on a Monday, / Christened on Tuesday, / Married on Wednesday, / …” (lines 1-3)
SymbolismThe days of the week can be seen as symbols for the stages of life, with Monday representing birth, Wednesday representing maturity, and Saturday representing death.“Took ill on Thursday, / Grew worse on Friday, / Died on Saturday” (lines 5-7)
ExistentialismThe poem’s portrayal of Solomon Grundy’s brief and unfulfilling life can be seen as a commentary on the absurdity and meaninglessness of human existence.“That was the end, / Of Solomon Grundy” (lines 9-10)
Critical Questions about “Solomon Grundy”
  • How does the structured repetition of days of the week contribute to the thematic development of the poem?
  • The poem follows the pattern of Solomon Grundy’s life events occurring on each day of the week, from his birth on Monday to his burial on Sunday. This structured repetition creates a sense of inevitability and cyclical nature, highlighting the passage of time and the universal experience of life’s milestones. It also emphasizes the fleeting nature of existence and the inevitability of mortality, as each day brings Solomon Grundy closer to his ultimate fate.
  • What significance do the life events of Solomon Grundy hold within the context of the poem’s themes?
  • Each life event depicted in the poem, such as Solomon Grundy’s birth, baptism, marriage, illness, and death, symbolizes a stage in the journey of life. These events serve as metaphors for the human experience, reflecting themes of birth, growth, love, suffering, and mortality. For example, Solomon Grundy’s rapid progression from birth to death in the span of a week underscores the brevity and unpredictability of life, prompting readers to contemplate the nature of existence and the passage of time.
  • How does the poem’s conclusion contribute to its overall impact and interpretation?
  • The concluding lines “That was the end, Of Solomon Grundy” mark the finality of Solomon Grundy’s life and the closure of the poem. This conclusion leaves readers with a sense of contemplation and reflection on the transience of life and the inevitability of death. It underscores the poem’s thematic exploration of mortality and the human condition, inviting readers to consider the legacy and significance of one’s life in the face of mortality.
Literary Works Similar to “Solomon Grundy”
  1. “Richard Cory” by Edwin Arlington Robinson: This poem tells the story of a wealthy and respected man named Richard Cory who, despite his apparent success, takes his own life. Similar to “Solomon Grundy,” it explores the theme of the unpredictability of life and the contrast between outward appearances and inner turmoil.
  2. The Love Song of J. Alfred Prufrock” by T.S. Eliot: “The Love Song of J. Alfred Prufrock” is a modernist poem that follows the internal monologue of the protagonist, Prufrock, as he reflects on his life and experiences. Like “Solomon Grundy,” it delves into themes of mortality, existential angst, and the passage of time.
  3. Do Not Go Gentle into That Good Night” by Dylan Thomas: This villanelle by Dylan Thomas passionately urges the reader to resist death and fight against the dying of the light. While tonally different from “Solomon Grundy,” it shares a thematic exploration of mortality and the inevitability of death.
  4. Ozymandias” by Percy Bysshe Shelley: “Ozymandias” is a sonnet that explores the fleeting nature of power and legacy. Like “Solomon Grundy,” it reflects on the passage of time and the eventual demise of even the most powerful figures, emphasizing the transience of human achievement.
  5. Because I could not stop for Death” by Emily Dickinson: In this poem, Death is personified as a gentleman who takes the speaker on a carriage ride through various stages of life and eventually to eternity. Similar to “Solomon Grundy,” it contemplates the inevitability of death and the journey towards the afterlife.
Suggested Readings: “Solomon Grundy”
  • Symons, Julian. The End of Solomon Grundy. House of Stratus, 2011.
  • Jorgensen, Brian. “Solomon Rex and Solomon Grundy.” Journal of Education 175.3 (1993): 65-84.
  • Tierney, Stephen. “Solomon Grundy Does Constitutional Change: The Smith Commission Timetable to Transform the Scottish Parliament.” (2014).
  • Taylor, Archer. “The Nursery Rhyme of Solomon Grundy.” Journal of American Folklore (1956): 356-356.
Representative Quotations “Solomon Grundy”
QuotationContextTheoretical Perspective
“Born on a Monday”Opening line, introducing Solomon Grundy’s birthStructuralism: Highlights the repetitive structure of the poem, emphasizing the inevitability of Solomon Grundy’s life events.
“Took ill on Thursday, / Grew worse on Friday”Describing Solomon Grundy’s declineSymbolism: Thursday and Friday can be seen as symbols for the decline and deterioration of life, highlighting the poem’s exploration of mortality.
“Died on Saturday”Announcing Solomon Grundy’s deathExistentialism: Emphasizes the finality and absurdity of death, underscoring the poem’s existential themes.
“Buried on Sunday”Concluding Solomon Grundy’s life cycleCyclical Nature of Life: Sunday, the day of rest, marks the end of Solomon Grundy’s life, suggesting a cyclical nature to human existence.
“That was the end, / Of Solomon Grundy”Final lines, summarizing Solomon Grundy’s lifeAbsurdism: Highlights the brevity and meaninglessness of Solomon Grundy’s life, underscoring the poem’s absurdist themes.

“Row, Row, Row Your Boat”: A Nursery Rhyme

“Row, Row, Row Your Boat” is a timeless and iconic children’s song that has been delighting kids and adults alike for generations.

"Row, Row, Row Your Boat": A Nursery Rhyme
Introduction: “Row, Row, Row Your Boat”

“Row, Row, Row Your Boat” is a timeless and iconic children’s song that has been delighting kids and adults alike for generations. With its gentle melody and soothing lyrics, this classic ditty has become a staple of childhood, evoking images of peaceful streams, lazy summer days, and the simple joys of life. First published in the 1850s, this beloved song has undergone many variations and adaptations, yet its core message of serenity and contentment remains unchanged, continuing to captivate audiences around the world.

Text: “Row, Row, Row Your Boat”

Row, row, row your boat
Gently up the creek
If you see a little mouse
Don’t forget to squeak!

Row, row, row your boat
Gently down the stream
If you see a crocodile
Don’t forget to scream!

Row, row, row your boat
Gently to the shore
If you see a lion
Don’t forget to roar!

Annotations: “Row, Row, Row Your Boat”
LineAnnotation
1“Row, row, row your boat” – This line serves as the main refrain of the song, emphasizing the action of rowing.
2“Gently up the creek” – Describes the gentle motion of rowing the boat upstream in a peaceful manner.
3“If you see a little mouse” – Introduces a playful element, suggesting the possibility of encountering a mouse while rowing.
4“Don’t forget to squeak!” – Playfully encourages the reader to mimic the sound of a mouse by squeaking.
5“Row, row, row your boat” – Repeats the main refrain, reinforcing the central theme of rowing.
6“Gently down the stream” – Describes the calm movement of rowing the boat downstream with the flow of the stream.
7“If you see a crocodile” – Adds a sense of adventure by suggesting the possibility of encountering a crocodile.
8“Don’t forget to scream!” – Playfully suggests reacting with a scream if one encounters a crocodile, adding humor to the verse.
9“Row, row, row your boat” – Recurrence of the refrain, maintaining the rhythmic structure of the song.
10“Gently to the shore” – Indicates the gentle approach of rowing the boat towards the safety of the shore.
11“If you see a lion” – Introduces another adventurous element, imagining the possibility of encountering a lion.
12“Don’t forget to roar!” – Encourages the reader to participate by roaring like a lion, adding an interactive and fun aspect to the verse.
Literary And Poetic Devices: “Row, Row, Row Your Boat”.
  1. Alliteration: Repetition of initial consonant sounds, e.g., “row, row, row”.
  2. Assonance: Repetition of vowel sounds, e.g., “gently up the creek”.
  3. Hyperbole: Exaggeration for emphasis, e.g., “don’t forget to squeak” (one might not actually squeak at a mouse).
  4. Imagery: Vivid descriptions of sensory experiences, e.g., “little mouse”, “crocodile”, “lion”.
  5. Irony: Contrast between expected and actual events, e.g., screaming at a crocodile (not a typical response).
  6. Meter: Pattern of stressed and unstressed syllables, e.g., “Row, row, row your boat” (trochaic meter).
  7. Onomatopoeia: Words imitating sounds they describe, e.g., “squeak”, “scream”, “roar”.
  8. Personification: Attributing human qualities to non-human entities, e.g., “don’t forget to squeak” (as if the speaker is addressing the boat).
  9. Refrain: Repeated phrase or line, e.g., “Row, row, row your boat”.
  10. Repetition: Repeated words or phrases, e.g., “row, row, row”, “don’t forget to”.
  11. Rhyme: End rhymes, e.g., “creek” and “squeak”, “stream” and “scream”.
  12. Satire: Humorous critique of human behavior, e.g., the absurdity of screaming at a crocodile.
  13. Simile: Comparing two unlike things, e.g., “gently up the creek” (comparing boat to a gentle movement).
  14. Symbolism: Using objects to represent abstract ideas, e.g., boat and water may symbolize life’s journey.
  15. Wordplay: Using words in a playful or clever way, e.g., “don’t forget to squeak” (using a mouse’s sound to create humor).
Themes: “Row, Row, Row Your Boat”
  • Theme 1: Life’s Journey
    The poem explores the idea of life’s journey, using the boat and water as metaphors. The speaker encourages the reader to “row, row, row” their boat, suggesting a sense of progress and movement through life’s challenges. The gentle and peaceful tone of the poem suggests a smooth and serene journey, with the speaker urging the reader to enjoy the ride.
  • Theme 2: Humor and Whimsy
    The poem uses humor and whimsy to create a playful tone, with the speaker instructing the reader to “squeak” at a mouse and “scream” at a crocodile. These absurd responses to encountering wildlife add a lighthearted and comedic touch to the poem, making it a delightful and entertaining read.
  • Theme 3: Courage and Resilience
    The poem also explores the themes of courage and resilience, as the speaker encourages the reader to face their fears and overcome obstacles. The image of the boat navigating through the water, despite encountering a crocodile, suggests a sense of determination and bravery. The speaker’s urging to “row, row, row” despite challenges suggests a resilience and perseverance in the face of adversity.
  • Theme 4: Imagination and Creativity
    Finally, the poem celebrates the power of imagination and creativity, using vivid imagery and fantastical scenarios to create a sense of wonder and enchantment. The speaker’s use of imaginative language, such as “gently up the creek” and “little mouse”, creates a sense of fantasy and play, encouraging the reader to engage their imagination and creativity.
Literary Theories and “Row, Row, Row Your Boat”
  1. New Criticism (Formalist Theory): New Criticism emphasizes close reading of the text itself, focusing on literary devices, structure, and themes within the work. In “Row Row Row Your Boat,” the repetition of the phrase “Row, row, row your boat” serves as a structural element, reinforcing the central theme of perseverance and journeying through life’s challenges. Each stanza presents a new encounter with animals along the way, creating a playful and rhythmic narrative. Additionally, the use of imperative verbs (“squeak,” “scream,” “roar”) encourages reader participation and engagement with the text.
  2. Reader-Response Theory: Reader-Response Theory focuses on the role of the reader in interpreting and creating meaning from a text. In “Row Row Row Your Boat,” readers may interpret the encounters with the mouse, crocodile, and lion as metaphors for different obstacles or dangers one might encounter in life’s journey. The reader’s personal experiences and cultural background may influence how they perceive these encounters and the overall message of the poem. For example, someone who fears the unknown may see the crocodile as representing danger, while someone else may interpret it as symbolizing resilience or bravery.
  3. Psychoanalytic Criticism: Psychoanalytic Criticism explores the unconscious motivations and desires of characters or authors within a literary work. In “Row Row Row Your Boat,” one could apply this theory to analyze the underlying themes of fear and courage. The encounters with the mouse, crocodile, and lion may represent the protagonist’s internal struggles or fears as they navigate life’s journey. For instance, the mouse could symbolize innocence and vulnerability, the crocodile could symbolize primal instincts or hidden dangers, and the lion could symbolize strength and assertiveness. By confronting and overcoming these symbolic challenges, the protagonist demonstrates psychological growth and resilience.
Critical Questions about “Row, Row, Row Your Boat”
  • How does the repetition of the refrain contribute to the poem’s meaning and structure?
  • The repetition of the refrain “Row, row, row your boat” serves as a structural and thematic anchor throughout the poem. It establishes a rhythmic pattern that mirrors the action of rowing and reinforces the central theme of perseverance and progression. Each repetition acts as a refrain, linking the stanzas together and emphasizing the continuous journey depicted in the poem. For example, in the first stanza, the repetition creates a sense of rhythm and movement as the boat is gently rowed “up the creek.” Similarly, in the second stanza, the refrain is repeated as the boat is rowed “down the stream,” maintaining the rhythmic flow of the poem.
  • What role do the encounters with different animals play in the thematic development of the poem?
  • The encounters with the mouse, crocodile, and lion serve as symbolic challenges or obstacles encountered along life’s journey, contributing to the thematic development of the poem. Each animal encounter presents a different scenario requiring a specific response, adding depth to the exploration of courage and resilience. For instance, the encounter with the mouse encourages playfulness and spontaneity, as indicated by the instruction to “squeak.” In contrast, the encounter with the crocodile introduces a sense of danger or threat, prompting the reader to “scream” in response. Finally, the encounter with the lion highlights the need for assertiveness and strength, as exemplified by the instruction to “roar.”
  • How does the poem invite reader engagement and participation through its interactive elements?
  • The poem actively engages the reader through its use of imperative verbs and playful instructions, inviting participation and interaction with the text. By prompting readers to imagine themselves in the scenario and respond accordingly, the poem fosters a sense of immersion and agency. For example, the instruction to “squeak” when encountering the mouse encourages readers to actively engage their imaginations and vocalize the sound of a mouse. Similarly, the instructions to “scream” and “roar” in response to the crocodile and lion, respectively, prompt readers to express emotions and reactions, further enhancing their involvement in the narrative.
Literary Works Similar to “Row, Row, Row Your Boat”
  1. “The Owl and the Pussy-Cat” by Edward Lear: This poem follows the whimsical journey of an owl and a pussy-cat as they set sail in a pea-green boat to get married. Like “Row Row Row Your Boat,” it features repetitive phrases and a lighthearted tone, creating a delightful and memorable narrative.
  2. “Wynken, Blynken, and Nod” by Eugene Field: “Wynken, Blynken, and Nod” tells the story of three children sailing off to a magical land in a wooden shoe, guided by the stars. With its dreamy imagery and rhythmic cadence, this poem shares a sense of adventure and imagination akin to “Row Row Row Your Boat.”
  3. “The Quangle Wangle’s Hat” by Edward Lear: Another poem by Edward Lear, “The Quangle Wangle’s Hat” is a nonsensical and imaginative piece featuring fantastical creatures and vivid imagery. Its playful language and whimsical tone evoke a similar sense of wonder and joy as “Row Row Row Your Boat.”
  4. Jabberwocky” by Lewis Carroll: “Jabberwocky” is a famous poem from Carroll’s novel “Through the Looking-Glass,” featuring invented words and nonsensical language. While more complex in its language, it shares a similar sense of playful whimsy and imaginative storytelling with “Row Row Row Your Boat.”
  5. The Highwayman” by Alfred Noyes: “The Highwayman” is a narrative poem that tells the story of a highwayman’s love for a landlord’s daughter and his tragic fate. While tonally different from “Row Row Row Your Boat,” it shares themes of adventure, romance, and the journey through life’s challenges. Its rhythmic and evocative language makes it a compelling read akin to the playful spirit of the nursery rhyme.
Suggested Readings: “Row, Row, Row Your Boat”
  • Niland, Amanda. “‘Row, row, row your boat’: singing, identity and belonging in a nursery.” International Journal of Early Years Education 23.1 (2015): 4-16.
  • Mulcahy, Rory, and Edwina Luck. “Row! Row! Row your boat! Transformative value cocreation and codestruction in elite and Olympic rowers.” Journal of Sport Management 34.4 (2020): 354-366.
  • Garner, Daisy. “Row, row, row your boat: A peak inside club rowing team.” UWIRE Text (2020): 1-1.
Representative Quotations “Row, Row, Row Your Boat”
QuotationContextLiterary Theoretical Perspective
“Row, row, row your boat”The opening line, setting the tone and theme of the poem.Structuralism: The repetition of “row” creates a structural pattern, emphasizing the rhythm and unity of the poem.
“Gently up the creek”The speaker describes the boat’s movement, creating a peaceful atmosphere.Romanticism: The use of “gently” and “creek” creates a vivid image of a serene and idyllic natural setting, characteristic of Romantic poetry.
“If you see a little mouse / Don’t forget to squeak!”The speaker instructs the reader to respond to a mouse, adding humor and whimsy.Absurdism: The absurd response to a mouse creates a playful and nonsensical tone, characteristic of Absurdist literature.
“If you see a crocodile / Don’t forget to scream!”The speaker instructs the reader to respond to a crocodile, highlighting courage and resilience.Symbolism: The crocodile may symbolize a fearsome obstacle, and the speaker’s instruction to scream represents the need to confront and overcome challenges.
“Row, row, row your boat / Gently to the shore”The final lines, emphasizing the journey’s end and the importance of perseverance.Journey Motif: The boat’s journey represents a common literary motif, symbolizing life’s journey and the importance of persistence and determination.

“Lizzie Borden Took an Ax”: A Critical Analysis

“Lizzie Borden Took an Ax” is a traditional nursery rhyme that emerged in the United States in the late 19th century.

"Lizzie Borden Took an Ax": A Critical Analysis
Introduction: “Lizzie Borden Took an Ax”

“Lizzie Borden Took an Ax” is a traditional nursery rhyme that emerged in the United States in the late 19th century. The rhyme is based on the true story of Lizzie Borden, who was accused of murdering her parents with an ax in 1892. The rhyme’s usage is widespread, having been passed down through generations, and is often recited or sung with hand-clapping games. Its qualities include a catchy melody, simple language, and a haunting, repetitive structure, making it a memorable and enduring part of American folklore. Despite its dark inspiration, the rhyme has become a cultural phenomenon, symbolizing the public’s fascination with true crime stories and the power of oral tradition.

Text: “Lizzie Borden Took an Ax”

Lizzie Borden took an ax

And gave her mother forty whacks,

And when she saw what she had done,

She gave her father forty-one.

Annotations: “Lizzie Borden Took an Ax”
LineAnalysis
“Lizzie Borden took an ax”This line introduces the main subject of the nursery rhyme, Lizzie Borden, and sets the scene for the violent act that is to follow.
“And gave her mother forty whacks”The imagery here suggests that Lizzie Borden used an ax to brutally murder her mother, delivering forty blows. The term “whacks” emphasizes the violent nature of the act.
“And when she saw what she had done”This line implies that Lizzie Borden realized the consequences of her actions after murdering her mother, indicating a moment of realization or shock.
“She gave her father forty-one”Following the pattern established in the previous line, Lizzie Borden proceeds to kill her father with even more blows, adding one more to the count, totaling forty-one.
Literary And Poetic Devices: “Lizzie Borden Took an Ax”
DeviceDescription
AlliterationThe repetition of consonant sounds in close proximity, as seen in ” She gave her father forty-one ” which creates a rhythmic and memorable effect.
HyperboleHyperbole is evident in the exaggerated number of blows inflicted by Lizzie Borden: “forty whacks” on her mother and “forty-one” on her father. This amplifies the gruesome nature of the murders, emphasizing their shocking brutality.
ImageryVivid mental images are evoked, particularly in the descriptions of violence using the ax, contributing to the dark and unsettling tone of the nursery rhyme.
PersonificationThe ax is given agency and action, as if it is capable of making conscious decisions, in the phrase “Lizzie Borden took an ax.” This personification adds a sinister quality to the object, heightening its role in the violent acts depicted.
RepetitionThe repetition of the word “forty” emphasizes the number of blows delivered by Lizzie Borden, intensifying the horror of the murders.
RhymeThe rhyme scheme is AABB, with each pair of lines ending in words that sound similar (e.g., “ax” and “whacks,” “done” and “one”). This regular rhyme scheme contributes to the nursery rhyme’s sing-song quality, making it easier to remember while also reinforcing its macabre subject matter.
SymbolismThe ax serves as a symbol of violence and death throughout the nursery rhyme, representing Lizzie Borden’s murderous intentions and actions. Its repeated mention underscores its significance in the narrative, heightening its impact on the reader.
Themes: “Lizzie Borden Took an Ax”
  • Theme 1: Violence and Aggression: The poem explores the theme of violence and aggression through the brutal actions of Lizzie Borden. The repetition of “forty whacks” and “forty-one” emphasizes the severity and intensity of the violence, creating a sense of shock and horror (lines 2 and 4). The use of an ax as a weapon also adds to the brutality and suddenness of the act. This theme is significant because it highlights the destructive nature of human behavior and the devastating consequences of unchecked aggression.
  • Theme 2: Family Dynamics and Dysfunction: The poem also explores the theme of family dynamics and dysfunction through the relationship between Lizzie and her parents. The fact that Lizzie attacks both her mother and father suggests a deep-seated anger and resentment towards her family (lines 1 and 3). The violence may be seen as a manifestation of the emotional turmoil and tension within the family. This theme is significant because it highlights the complexities and challenges of family relationships and the potential consequences of unresolved conflicts.
  • Theme 3: Madness and the Unreliability of Narrators: The poem’s tone and language suggest a sense of madness and unreliability, raising questions about the narrator’s perspective and Lizzie’s motivations. The use of a nursery rhyme-like structure and rhyme scheme creates a sense of playfulness and innocence, which contrasts with the brutality of the actions described (lines 1-4). This contrast may imply that the narrator is unreliable or that Lizzie’s actions were driven by a disturbed mind. This theme is significant because it highlights the complexity of human psychology and the potential for unexpected violence and madness to erupt in seemingly ordinary lives.
Literary Theories and Interpretations of “Lizzie Borden Took an Ax”
Literary TheoryInterpretationReference from the Poem
SymbolismThe ax and whacks are symbols that represent the criminality of Lizzie Borden’s actions.“Lizzie Borden took an ax / And gave her mother forty whacks”
IronyThe poem’s use of a nursery rhyme structure and rhyme scheme creates a sense of irony, as the subject matter is dark and violent.“And when she saw what she had done, / She gave her father forty-one”
Feminist TheoryThe poem can be seen as a commentary on the societal expectations placed on women, as Lizzie Borden’s actions are seen as a rebellion against her patriarchal family structure.“Lizzie Borden took an ax / And gave her mother forty whacks”
Critical Questions about “Lizzie Borden Took an Ax”
  • How does the nursery rhyme “Lizzie Borden Took an Ax” employ symbolism to convey its themes of violence and guilt?
  • The repeated mention of the ax throughout the poem serves as a powerful symbol of both physical violence and psychological turmoil. The line “Lizzie Borden took an ax” not only introduces the instrument used in the murders but also symbolizes Lizzie’s agency and intent to commit the heinous acts. Additionally, the phrase “forty whacks” and “forty-one” symbolize the excessive brutality of the murders, indicating the depth of the violence inflicted upon Lizzie’s victims. Through these symbols, the poem explores themes of guilt, as Lizzie is depicted as both the perpetrator and the one who must confront the consequences of her actions, as evidenced by the line “And when she saw what she had done.” Thus, symbolism in the poem not only enriches its imagery but also deepens its exploration of complex themes.
  • How does the use of repetition contribute to the ominous tone of “Lizzie Borden Took an Ax”?
  • The repetition of the word “forty” throughout the poem intensifies the sense of dread and horror surrounding the murders committed by Lizzie Borden. The phrase “forty whacks” emphasizes the sheer brutality of the violence inflicted upon Lizzie’s mother, while the subsequent “forty-one” adds an even more sinister dimension to the narrative. This repetition not only underscores the gruesome nature of the crimes but also creates a rhythmic cadence that amplifies the poem’s ominous atmosphere. By repeating the number of blows delivered by Lizzie, the poem accentuates the chilling reality of the murders and leaves a lasting impact on the reader, reinforcing the sense of foreboding that pervades the narrative.
  • How does the nursery rhyme “Lizzie Borden Took an Ax” challenge traditional notions of innocence and childhood?
  • Despite its simplistic language and sing-song rhythm, the poem delves into dark and disturbing subject matter, blurring the lines between innocence and guilt. By centering the narrative around a young woman who commits violent acts, the poem subverts expectations of childhood innocence and highlights the capacity for evil within individuals, regardless of age. The juxtaposition of the nursery rhyme’s familiar structure with its macabre content creates a sense of unease, forcing readers to confront the darker aspects of human nature. Through its portrayal of Lizzie Borden’s crimes, the poem challenges conventional depictions of innocence in childhood literature and prompts reflection on the complexities of morality and human behavior.
Literary Works Similar to “Lizzie Borden Took an Ax”
  1. “Here We Go Round the Mulberry Bush” – a rhyme and children’s circle game.
  2. “London Bridge is Falling Down” – this could be about a Viking attack in 1014, the difficulties associated with building the bridge, or even the burial of children under the bridge.
  3. “Ring a Ring o’ Roses” – is usually interpreted as an allusion to the Black Death and the symptoms associated with the illness.
  4. “Three Blind Mice” – a nursery rhyme and musical round.
  5. “Mary, Mary, Quite Contrary” – a nursery rhyme about Mary, Queen of Scots, and the beheading of her husband.
Suggested Readings: “Lizzie Borden Took an Ax”
  • Miner, Madonne. ““Lizzie Borden took an ax”: Enacting blood relations.” Text and Performance Quarterly 6.2 (1986): 10-21.
  • Schofield, Ann. “Lizzie Borden took an axe: history, feminism and American culture.” American Studies 34.1 (1993): 91-103.
  • Annissa, Fitri. “Feminist Analysis of Lizzie Borden and Her Ambivalence in ‘Lizzie Borden Took An Ax’(2014) and ‘The Lizzie Borden Chronicles’(2015).”
  • Herde, Gayle W. LIZZIE BORDEN TOOK AN AX AND GAVE HER LAWYER FORTY WHACKS: A GENERIC ANALYSIS OF THE CLOSING ARGUMENT FOR. Diss. University of Colorado at Denver, 1998.
Representative Quotations “Lizzie Borden Took an Ax”
QuotationContextTheoretical Perspective
“Lizzie Borden took an ax”The opening line of the poem, introducing the main character and weapon.Feminist Theory: Lizzie Borden’s actions can be seen as a rebellion against patriarchal society.
“And gave her mother forty whacks”Lizzie’s violent act against her mother, emphasizing the severity of the crime.Psychoanalytic Theory: Lizzie’s actions may be seen as a manifestation of unconscious desires and repressed emotions.
“And when she saw what she had done”Lizzie’s realization of her actions, potentially indicating remorse or shock.Guilt and Shame Theory: Lizzie’s actions may be driven by feelings of guilt and shame, leading to a cycle of violence.
“She gave her father forty-one”Lizzie’s continued violence against her father, potentially indicating a desire for revenge or control.Patriarchal Violence Theory: Lizzie’s actions may be seen as a response to the patriarchal violence and oppression she experienced in her family.

“New Day’s Lyric” by Amanda Gorman: A Critical Analysis

“New Day’s Lyric” by “Amanda Gorman was first published in late 2021, and not tied to a specific collection but rather released independently.

"New Day's Lyric" by Amanda Gorman: A Critical Analysis
Introduction: “New Day’s Lyric” by Amanda Gorman

“New Day’s Lyric” by “Amanda Gorman was first published in late 2021, and not tied to a specific collection but rather released independently. The poem explores hope and transformation, urging readers to move beyond past hardships and embrace the possibilities of a new year (or a new beginning). It’s a powerful testament to unity and collective action, leaving readers with a sense of optimism and a call to courageously face the uncharted future.

Text: “New Day’s Lyric” by Amanda Gorman

May this be the day

We come together.

Mourning, we come to mend,

Withered, we come to weather,

Torn, we come to tend,

Battered, we come to better.

Tethered by this year of yearning,

We are learning

That though we weren’t ready for this,

We have been readied by it.

We steadily vow that no matter

How we are weighed down,

We must always pave a way forward.

This hope is our door, our portal.

Even if we never get back to normal,

Someday we can venture beyond it,

To leave the known and take the first steps.

So let us not return to what was normal,

But reach toward what is next.

What was cursed, we will cure.

What was plagued, we will prove pure.

Where we tend to argue, we will try to agree,

Those fortunes we forswore, now the future we foresee,

Where we weren’t aware, we’re now awake;

Those moments we missed

Are now these moments we make,

The moments we meet,

And our hearts, once altogether beaten,

Now all together beat.

Come, look up with kindness yet,

For even solace can be sourced from sorrow.

We remember, not just for the sake of yesterday,

But to take on tomorrow.

We heed this old spirit,

In a New Day’s lyric,

In our hearts, we hear it:

For auld lang syne, my dear,

For auld lang syne.

Be bold, sang Time this year,

Be bold, sang Time,

For when you honor yesterday,

Tomorrow ye will find.

Know what we’ve fought

Need not be forgot nor for none.

It defines us, binds us as one,

Come over, join this day just begun.

For wherever we come together,

We will forever overcome.

Annotations: “New Day’s Lyric” by Amanda Gorman
TextAnnotations
May this be the daySetting the tone for hope and renewal, invoking the possibility of a fresh start.
We come together.Emphasizing unity and solidarity in facing challenges.
Mourning, we come to mend,Acknowledging past hardships and losses while seeking healing and restoration.
Withered, we come to weather,Describing resilience in enduring difficult circumstances.
Torn, we come to tend,Conveying a commitment to nurturing and repairing what has been damaged or divided.
Battered, we come to better.Expressing the determination to emerge stronger and improved from adversity.
Tethered by this year of yearning,Reflecting on the collective longing and longing experienced during a challenging period.
We are learningHighlighting the process of growth and adaptation amid adversity.
That though we weren’t ready for this,Recognizing the unpreparedness for the challenges faced.
We have been readied by it.Acknowledging the transformative impact of adversity in preparing individuals for the future.
We steadily vow that no matterCommitting to resilience and persistence regardless of obstacles.
How we are weighed down,Acknowledging the burdens and challenges faced.
We must always pave a way forward.Emphasizing the importance of progress and moving ahead despite difficulties.
This hope is our door, our portal.Describing hope as a gateway to a better future.
Even if we never get back to normal,Acknowledging the possibility of a new normalcy rather than a return to the past.
Someday we can venture beyond it,Encouraging exploration and growth beyond current limitations.
To leave the known and take the first steps.Embracing change and embarking on new journeys.
So let us not return to what was normal,Rejecting the idea of reverting to previous conditions.
But reach toward what is next.Advocating for progress and forward-thinking.
What was cursed, we will cure.Promising to overcome challenges and adversities.
What was plagued, we will prove pure.Committing to transform negativity into positivity and purity.
Where we tend to argue, we will try to agree,Emphasizing the importance of cooperation and harmony in resolving conflicts.
Those fortunes we forswore, now the future we foresee,Recognizing a shift in priorities and perspectives towards a brighter future.
Where we weren’t aware, we’re now awake;Acknowledging newfound awareness and consciousness.
Those moments we missedReflecting on missed opportunities and experiences.
Are now these moments we make,Embracing the present and actively creating meaningful experiences.
The moments we meet,Celebrating connections and encounters.
And our hearts, once altogether beaten,Describing resilience and unity in overcoming challenges.
Now all together beat.Signifying strength and solidarity.
Come, look up with kindness yet,Encouraging optimism and compassion in the face of difficulties.
For even solace can be sourced from sorrow.Recognizing the potential for comfort and growth even in times of sadness.
We remember, not just for the sake of yesterday,Emphasizing the importance of learning from the past.
But to take on tomorrow.Highlighting the role of past experiences in shaping future actions and decisions.
We heed this old spirit,Acknowledging the wisdom and resilience of previous generations.
In a New Day’s lyric,Embracing renewal and possibility in a new era.
In our hearts, we hear it:Signifying the internalization of hope and inspiration.
For auld lang syne, my dear,Referencing the traditional Scottish song about friendship and remembrance.
For auld lang syne.Expressing the enduring nature of connections and memories.
Be bold, sang Time this year,Encouraging courage and boldness in facing the future.
Be bold, sang Time,Reinforcing the call to action and resilience in the passage of time.
For when you honor yesterday,Recognizing the importance of acknowledging and learning from the past.
Tomorrow ye will find.Emphasizing the potential for growth and progress in the future.
Know what we’ve foughtAcknowledging past struggles and challenges.
Need not be forgot nor for none.Emphasizing the importance of remembering and learning from past experiences.
It defines us, binds us as one,Highlighting the role of shared experiences in uniting communities.
Come over, join this day just begun.Inviting participation and engagement in the ongoing journey of renewal and growth.
For wherever we come together,Recognizing the strength and resilience found in unity.
We will forever overcome.Affirming the belief in overcoming obstacles and challenges as a united community.
Literary And Poetic Devices: “New Day’s Lyric” by Amanda Gorman
  1. Metaphor: Comparing the challenges of the year to being tethered by a yearning.
  2. Alliteration: “We steadily vow that no matter / How we are weighed down.”
  3. Repetition: Repeating “We come” emphasizes unity and solidarity.
  4. Anaphora: “What was cursed, we will cure. / What was plagued, we will prove pure.”
  5. Imagery: “Withered, we come to weather, / Torn, we come to tend” paints vivid pictures of resilience.
  6. Personification: Time is personified, reaching toward the future with “But reach toward what is next.”
  7. Symbolism: “This hope is our door, our portal.” Hope symbolizes a gateway to a better future.
  8. Assonance: “Where we tend to argue, we will try to agree.” The repeated ‘e’ sound adds musicality.
  9. Consonance: “Those fortunes we forswore, now the future we foresee.” The repeated ‘s’ sound enhances the poem’s rhythm.
  10. Enjambment: “We remember, not just for the sake of yesterday, / But to take on tomorrow.” Thoughts flow continuously across lines.
  11. Onomatopoeia: “Now all together beat.” The word ‘beat’ imitates the sound of a heart.
  12. Oxymoron: “Even solace can be sourced from sorrow.” Contrasting comfort and sadness.
  13. Hyperbole: “For auld lang syne.” The phrase exaggerates an everlasting connection beyond time.
  14. Irony: “Where we weren’t aware, we’re now awake.” Contrasting states of consciousness.
  15. Euphemism: “Battered, we come to better.” Softening the harshness of ‘battered’.
  16. Allusion: “For auld lang syne.” Referring to the traditional Scottish song about friendship and remembrance.
  17. Simile: “Come, look up with kindness yet.” Comparing kindness to a positive action.
  18. Parallelism: “Be bold, sang Time this year, / Be bold, sang Time.” Repeating for emphasis.
  19. Antithesis: “For when you honor yesterday, / Tomorrow ye will find.” Contrasting past and future actions.
  20. Juxtaposition: “What was cursed, we will cure. / What was plagued, we will prove pure.” Contrasting ideas side by side.
Themes: “New Day’s Lyric” by Amanda Gorman
  1. Resilience and Unity: Amanda Gorman’s “New Day’s Lyric” resonates with the theme of resilience and unity amidst adversity. Through the imagery of coming together despite being torn, withered, and battered, Gorman emphasizes the collective strength found in unity. The repetition of “we come” reinforces the idea of communal solidarity, regardless of individual struggles. Gorman highlights the transformative power of shared experiences, suggesting that although the challenges may have been unexpected, they have ultimately prepared and united us. This theme of resilience and unity is encapsulated in the line “For wherever we come together, we will forever overcome,” emphasizing the enduring strength found in communal support and solidarity.
  2. Hope and Transformation: In “New Day’s Lyric,” Amanda Gorman explores the theme of hope and transformation, emphasizing the potential for growth and renewal even in the face of adversity. Gorman portrays hope as a guiding force, symbolized by the metaphorical door or portal to a better future. She encourages embracing change and moving forward, rather than simply returning to a pre-existing state. The lines “Even if we never get back to normal, Someday we can venture beyond it,” suggest a hopeful outlook towards the future, rooted in the belief that positive transformation is possible. Gorman’s emphasis on curing what was cursed and proving purity where there was once plague underscores the theme of hope and transformation, highlighting the capacity for change and renewal.
  3. Reflection and Progress: Reflecting on the past to pave the way for progress is a central theme in Amanda Gorman’s “New Day’s Lyric.” Gorman emphasizes the importance of acknowledging and learning from past experiences, both individually and collectively, in order to move forward. The poem encourages introspection and self-awareness, suggesting that moments of hardship have the potential to become opportunities for growth and development. By recognizing the mistakes and missed opportunities of the past, individuals can actively shape a better future. Gorman’s call to “heed this old spirit, In a New Day’s lyric,” underscores the theme of reflection and progress, urging listeners to honor the past while embracing the possibilities of the future.
  4. Perseverance and Hope: Throughout “New Day’s Lyric,” Amanda Gorman celebrates the themes of perseverance and hope, emphasizing the resilience of the human spirit in the face of adversity. The poem acknowledges the challenges and hardships endured, but also highlights the determination to overcome and thrive. Gorman’s imagery of hearts beating together and the repeated emphasis on coming together despite difficulties underscores the theme of perseverance and hope. The closing lines, “Know what we’ve fought Need not be forgot nor for none. It defines us, binds us as one,” encapsulate the idea that through perseverance and solidarity, individuals can overcome obstacles and create a brighter future.
Literary Theories and Interpretations of “New Day’s Lyric” by Amanda Gorman
Literary TheoryInterpretationReferences from the Poem
1. New Historicism“New Day’s Lyric” can be interpreted through the lens of New Historicism, which examines literary texts in the context of historical and cultural factors. Gorman’s poem reflects the collective experiences and struggles of a community during a specific period, likely referring to the challenges faced during the COVID-19 pandemic. By acknowledging the hardships and transformations of this era, Gorman creates a poetic narrative that captures the zeitgeist of the time, offering insights into societal resilience and unity.– References to collective experiences and struggles: “Mourning, we come to mend,” “Withered, we come to weather,” “Torn, we come to tend,” “Battered, we come to better.” – Emphasis on learning from past experiences: “That though we weren’t ready for this, We have been readied by it.” – Reflection on the past and its impact on the present: “We remember, not just for the sake of yesterday, But to take on tomorrow.”
2. Feminist CriticismA feminist interpretation of “New Day’s Lyric” could focus on the empowerment of marginalized voices and the celebration of collective strength. Gorman’s poem emphasizes the resilience and unity of individuals coming together to confront adversity, which can be seen as a feminist act of solidarity. The repeated use of “we” highlights the importance of community and collaboration, echoing feminist principles of collective action and support. Additionally, Gorman’s portrayal of hope and transformation can be viewed through a feminist lens, as it reflects the agency and resilience of individuals facing systemic challenges.– Celebration of collective strength: “We come together,” “Our hearts, once altogether beaten, Now all together beat.” – Emphasis on solidarity and collaboration: “For wherever we come together, We will forever overcome.” – Portrayal of hope and agency: “Even if we never get back to normal, Someday we can venture beyond it,” “What was cursed, we will cure.”
3. EcocriticismThrough an ecocritical lens, “New Day’s Lyric” can be interpreted as a reflection on humanity’s relationship with nature and the environment. While the poem primarily addresses human resilience in the face of adversity, it also contains subtle references to ecological themes. Gorman’s emphasis on transformation and renewal can be extended to include the concept of ecological regeneration and sustainability. The poem’s call to “tend” and “better” suggests a responsibility to care for both ourselves and the natural world, highlighting the interconnectedness of human and environmental well-being.– Implicit references to nature and renewal: “We steadily vow that no matter How we are weighed down, We must always pave a way forward.” – Emphasis on caring for the environment: “What was cursed, we will cure,” “Where we tend to argue, we will try to agree.” – Recognition of interconnectedness: “For wherever we come together, We will forever overcome.”
Critical Questions about “New Day’s Lyric” by Amanda Gorman
  • Question 1: What is the central theme of the poem, and how does the speaker convey a sense of unity and collective action?
  • Answer: The central theme of the poem is the idea of coming together and moving forward in the face of adversity. The speaker emphasizes the importance of unity and perseverance in overcoming challenges, as seen in lines such as “May this be the day / We come together” and “We steadily vow that no matter / How we are weighed down, / We must always pave a way forward” (Gorman 1-4). The use of the word “we” throughout the poem creates a sense of inclusivity and shared experience, emphasizing that the speaker is not alone in their struggles or hopes. The repetition of phrases like “we come” and “we will” also reinforces the idea of collective action and shared responsibility.
  • Question 2: How does the speaker view the concept of “normal” in the poem, and what implications does this have for the reader?
  • Answer: The speaker suggests that returning to what was considered “normal” before is not desirable or possible. Instead, they encourage the reader to “reach toward what is next” and to “venture beyond” what is familiar (Gorman 17-18). This indicates a desire for progress and growth, rather than a return to the status quo. By rejecting the idea of returning to “normal,” the speaker implies that the past is not something to be romanticized or clung to, but rather something to be learned from and built upon. This message encourages the reader to embrace change and look towards the future with hope and optimism.
  • Question 3: What role does memory play in the poem, and how does the speaker use it to inspire action?
  • Answer: Memory is presented as a source of strength and inspiration in the poem. The speaker notes that “We remember, not just for the sake of yesterday, / But to take on tomorrow” (Gorman 29-30). This suggests that remembering the past is essential for moving forward and building a better future. The speaker also uses memory to honor the struggles and hardships of the past, acknowledging that “what we’ve fought / Need not be forgot nor for none” (Gorman 35-36). By remembering and learning from the past, the speaker encourages the reader to use those experiences to inform and motivate their actions in the present and future.
  • Question 4: What message does the poem convey about the power of collective action, and how does it relate to the idea of a “new day”?
  • Answer: The poem emphasizes the idea that when people come together, they can overcome even the most daunting challenges. The speaker declares, “For wherever we come together, / We will forever overcome” (Gorman 39-40). This message highlights the importance of unity, solidarity, and collective action in achieving positive change. The idea of a “new day” represents a fresh start and a chance for renewal, and the speaker suggests that this new beginning is only possible through collective action and a shared commitment to moving forward. By emphasizing the power of collective action, the speaker encourages the reader to work together towards a brighter future.
Literary Works Similar to “New Day’s Lyric” by Amanda Gorman
  1. “Still I Rise” by Maya Angelou: Maya Angelou’s “Still I Rise” celebrates resilience, strength, and the ability to overcome adversity. Like “New Day’s Lyric,” it emphasizes the power of resilience and determination in the face of challenges.
  2. “The Hill We Climb” by Amanda Gorman: Another poem by Amanda Gorman, “The Hill We Climb,” shares thematic similarities with “New Day’s Lyric.” Both poems explore themes of resilience, unity, and hope in the face of adversity.
  3. “Invictus” by William Ernest Henley: “Invictus” by William Ernest Henley is a classic poem that celebrates the indomitable human spirit in the face of adversity. Like “New Day’s Lyric,” it emphasizes the power of perseverance and resilience.
  4. I, Too” by Langston Hughes: Langston Hughes’s “I, Too” speaks to the resilience and hope of marginalized communities, much like the themes explored in “New Day’s Lyric.” Both poems emphasize the importance of unity and overcoming oppression.
  5. “If We Must Die” by Claude McKay: Claude McKay’s “If We Must Die” is a powerful poem that speaks to the strength and resilience of individuals facing oppression and adversity. Similar to “New Day’s Lyric,” it emphasizes the importance of unity and perseverance in the face of hardship.
Suggested Readings: “New Day’s Lyric” by Amanda Gorman
  • Gorman, Amanda. The Hill We Climb: An Inaugural Poem for the Country. Viking, 2021.
  • Assad, Hafizh, and Devi Hellystia. “Personification in Call Us What We Carry Poems by Amanda Gorman 2021.” J-Lalite: Journal of English Studies 3.2 (2022): 174-181.
  • Uremović, Mia. America Through Its Inaugural Poems. Diss. University of Zagreb. Faculty of Humanities and Social Sciences. Department of English language and literature, 2021.
  • Morton, Ayo Mariama. “Lifting as We Climb: Amanda Gorman and Womanist Vernacular Discourse at the 2021 Presidential Inauguration.” Journal for the History of Rhetoric 25.1 (2022): 83-95.
  • https://www.theamandagorman.com/
Representative Quotations “New Day’s Lyric” by Amanda Gorman
QuotationContextTheoretical Perspectives
“May this be the day / We come together.”The opening lines of the poem, setting the tone for unity and collective action.Social Identity Theory: The speaker emphasizes the importance of shared identity and collective action.
“We steadily vow that no matter / How we are weighed down, / We must always pave a way forward.”The speaker emphasizes perseverance and progress despite adversity.Resilience Theory: The speaker highlights the ability to bounce back from challenges and find a way forward.
“This hope is our door, our portal. / Even if we never get back to normal, / Someday we can venture beyond it, / To leave the known and take the first steps.”The speaker describes hope as a catalyst for progress and growth.Hope Theory: The speaker emphasizes the role of hope in motivating action and achieving positive change.
“What was cursed, we will cure. / What was plagued, we will prove pure.”The speaker describes the transformation of past struggles into opportunities for growth and redemption.Trauma-Informed Care: The speaker acknowledges the impact of past traumas and emphasizes the possibility of healing and transformation.
“For wherever we come together, / We will forever overcome.”The final lines of the poem, emphasizing the power of collective action and unity.Collective Efficacy: The speaker highlights the idea that together, individuals can achieve more than alone, and that collective action leads to success.