“Decolonization: A Brief History of the Word” by Raymond F. Betts, first appeared in the book Beyond Empire and Nation: The Decolonization of African and Asian Societies, 1930s-1970s, edited by Els Bogaerts and Remco Raben and published by Brill in 2012.
Introduction: “Decolonization: A Brief History Of The Word” By Raymond F. Betts
“Decolonization: A Brief History of the Word” by Raymond F. Betts, first appeared in the book Beyond Empire and Nation: The Decolonization of African and Asian Societies, 1930s-1970s, edited by Els Bogaerts and Remco Raben and published by Brill in 2012. This chapter explores the origins, scope, and significance of the term “decolonization,” tracing its evolution from a primarily political phenomenon to a broader concept encompassing cultural, economic, and psychological dimensions. Betts highlights how decolonization, often perceived as an inevitable and volcanic force, reshaped the global order by dismantling European colonial empires and giving rise to new nation-states. He emphasizes the contested nature of the term, noting that while some scholars view it as a negotiated process, others, like Frantz Fanon, argue that it is inherently violent and transformative. Betts also underscores the cultural and intellectual dimensions of decolonization, particularly in literature and postcolonial theory, where figures like Ngũgĩ wa Thiong’o have advocated for the decolonization of the mind and language. As Betts observes, “Decolonization is one of the great themes of our age” (Gifford & Louis, 1982, p. vii, as cited in Betts, 2012), reflecting its enduring relevance in understanding the legacies of colonialism and the struggles for independence and identity in the Global South. This chapter is a vital contribution to the literature on decolonization, offering a comprehensive historical and theoretical framework for analyzing its multifaceted impact on global history and culture.
Summary of “Decolonization: A Brief History Of The Word” By Raymond F. Betts
Origins and Definition of Decolonization:
Decolonization is described as a multifaceted process beginning before WWII and culminating after it, with political, economic, cultural, and psychological dimensions.
It is defined as “the creation of self-governing nation-states” (Hargreaves, 1996:244) and extended by Gardinier (1967) to encompass all elements of the colonial experience.
Early resistance and independence movements are likened to volcanic eruptions, illustrating the force and inevitability of decolonization (Delavignette, 1977:137).
Chronology and Processes of Decolonization:
Two stages: (1) Armed revolts (e.g., Haiti in 1791), (2) Diplomatic negotiations post-WWII, as in the Caribbean (Oostindie & Klinkers, 2004:9).
French scholars like Jean Suret-Canale argue that decolonization was neither voluntary nor planned by colonial powers but a reaction to mounting pressures (Suret-Canale, 1982:476).
Events such as WWII weakened colonial powers economically and politically, accelerating decolonization.
Role of International and Institutional Forces:
The United Nations played a crucial role, especially with the 1960 Declaration on Decolonization, emphasizing that “the process of liberation is irresistible and irreversible.”
Postwar global dynamics, including the decline of European power and opposition from the U.S. and USSR, further pressured colonial powers.
Cultural and Psychological Dimensions:
Decolonization also involved reclaiming cultural identity. Ngũgĩ wa Thiong’o emphasized “decolonizing the mind” by prioritizing indigenous languages and cultural frameworks (Ngũgĩ, 1986).
Literature and arts emerged as tools to critique colonial legacies and reassert cultural autonomy, as argued in The Empire Writes Back (Ashcroft, Griffiths, & Tiffin, 1989).
Economic Legacy and Neocolonialism:
Independence did not equate to economic liberation. Figures like Walter Rodney and Kwame Nkrumah criticized ongoing economic exploitation through neocolonial structures (Rodney, 1974; Nkrumah, 1970).
Dependency theory emerged, critiquing the economic systems that kept former colonies subordinate to global capitalism (Frank, 1979; Amin, 1977).
Persistent Challenges and the Postcolonial Lens:
Decolonization’s outcomes are contested; many former colonies struggled with economic and political instability, exacerbated by global inequalities and internal divisions.
Postcolonial studies, such as Dipesh Chakrabarty’s Provincializing Europe (2000), argue for decentering Eurocentric narratives in understanding global history.
Decolonization in Popular and Academic Discourse:
The term has evolved to encompass broader topics such as cultural and intellectual liberation, often intertwined with postcolonial critiques.
Films like The Battle of Algiers and literature like Fanon’s The Wretched of the Earth reflect the violence and complexities of decolonization (Fanon, 1966).
Aftermath in the Metropoles:
Decolonization led to reverse migration, as former colonial subjects moved to Europe, reshaping cultural and political landscapes. However, this migration also sparked racial tensions (e.g., Enoch Powell’s rhetoric in Britain).
Legacy and Modern Implications:
Decolonization remains relevant, shaping ongoing debates about historical memory, cultural representation, and global inequalities. The past is viewed as “prologue” to current struggles, as illustrated in academic and cultural discussions.
Key Quotes with References:
“Decolonization fundamentally meant the ‘rejection of the civilization of the white man.'” (Delavignette, 1977:131).
“The process of liberation is irresistible and irreversible” (UN Declaration on Decolonization, 1960).
“The colonial order fell to pieces” (Darwin, 1988:4).
“Decolonization is always a violent phenomenon” (Fanon, 1966:29).
“Language and its uses are ‘central to a people’s definition of themselves'” (Ngũgĩ, 1986:4).
“Economic exploitation continued unabated after the European flags were taken down” (Nkrumah, 1970:xi).
“The oppressed and exploited of the earth maintain their defiance: liberty from theft” (Ngũgĩ, 1986:3).
Theoretical Terms/Concepts in “Decolonization: A Brief History Of The Word” By Raymond F. Betts
Theoretical Term/Concept
Description/Definition
Key Authors/References
Decolonization
The process of dismantling colonial empires, leading to the creation of self-governing nation-states. It encompasses political, economic, cultural, and psychological dimensions.
Robert Delavignette, John D. Hargreaves, David Gardinier, Henri Labouret, Jean Suret-Canale
Political Decolonization
The transfer of political power from colonial rulers to indigenous leaders, resulting in the formation of independent nation-states.
John D. Hargreaves, Harold Macmillan, Jean Suret-Canale
Economic Decolonization
The struggle for economic independence and control over resources after political independence. Often linked to critiques of neocolonialism and dependency theory.
Walter Rodney, Kwame Nkrumah, Samir Amin, Andre Gunder Frank
Neocolonialism
The continuation of economic exploitation and control by former colonial powers or transnational corporations after political independence.
Kwame Nkrumah, Frantz Fanon
Dependency Theory
A framework arguing that former colonies remain economically dependent on former colonial powers or global capitalist systems, perpetuating underdevelopment.
Samir Amin, Andre Gunder Frank, Aguibou Y. Yansané
Cultural Decolonization
The process of reclaiming and revitalizing indigenous cultures, languages, and identities that were suppressed or marginalized during colonial rule.
Ngũgĩ wa Thiong’o, Eldred Jones, Bill Ashcroft, Gareth Griffiths, Helen Tiffin
A theoretical framework examining the cultural, political, and social legacies of colonialism and imperialism, often focusing on resistance, identity, and the reclamation of agency by formerly colonized peoples.
Edward Said, Ngũgĩ wa Thiong’o, Partha Chatterjee, David Punter
Violence in Decolonization
The role of violence as a means of achieving liberation from colonial rule, often seen as a necessary and transformative force.
Frantz Fanon, Georges Sorel
Metropolitan Initiative
The idea that decolonization was sometimes driven by the colonial powers themselves, who initiated the process of transferring power due to economic or strategic considerations.
H.M. Kirk-Greene, Gert Oostindie, Inge Klinkers
Globalization and Decolonization
The impact of global economic and cultural forces on decolonized states, often leading to new forms of dependency or integration into the global capitalist system.
Aguibou Y. Yansané, Samir Amin
Substitutive Geography
The reconfiguration of colonial spaces through European exploration, mapping, and naming, which imposed new identities and boundaries on colonized territories.
Joseph Conrad, David Punter
Provincializing Europe
A critique of Eurocentrism that seeks to decenter Europe in global historical narratives and emphasize the perspectives and agency of non-European societies.
Dipesh Chakrabarty
Cultural Bomb
The destructive impact of colonialism on indigenous cultures, languages, and identities, often leading to the internalization of colonial values and the erasure of local traditions.
Ngũgĩ wa Thiong’o
Postcolonial Literature
Literature produced by writers from formerly colonized regions, often addressing themes of identity, resistance, and the legacies of colonialism.
Ngũgĩ wa Thiong’o, Bill Ashcroft, Gareth Griffiths, Helen Tiffin
Immigration and Decolonization
The reverse migration of people from former colonies to the metropoles, leading to cultural exchange, racism, and the reconfiguration of national identities in Europe.
Kristin Ross, Jean-Marie Le Pen, Enoch Powell
Nostalgia and Neo-Colonialism
The romanticization of the colonial past in media and tourism, often reinforcing neo-colonial attitudes and power dynamics.
Peter McLuskie, Kristin Ross
Contribution of “Decolonization: A Brief History Of The Word” By Raymond F. Betts to Literary Theory/Theories
Betts contributes to the broader understanding of postcolonial theory by framing decolonization not just as a political process but also as a cultural and intellectual reawakening.
He explores how decolonization leads to the reevaluation and reformation of cultural norms, which has profound implications for literature. This includes the shift from European literary dominance to a resurgence of indigenous languages and perspectives.
Reference: “Language and its uses are ‘central to a people’s definition of themselves'” (Ngũgĩ wa Thiong’o, 1986:4), illustrating the role of language in postcolonial literary identity.
Decolonizing the Mind (Cultural and Literary Focus):
One of Betts’ significant contributions is the emphasis on the decolonization of the mind, which connects the process of political freedom to intellectual liberation. This directly informs literary theory by highlighting the power of language in shaping postcolonial identities.
He cites Ngũgĩ wa Thiong’o’s work on “decolonizing the mind,” which challenges the use of colonial languages in African literature, thus influencing postcolonial literary theory that advocates for linguistic and cultural reclamation.
Reference: “With Africa at the centre of things, […] things must be seen from the African perspective” (Ngũgĩ, 1986:94), reflecting the push for African voices and perspectives in literature.
Cultural Bomb and Representation in Literature:
Betts also incorporates Ngũgĩ’s concept of the cultural bomb, which is essential to postcolonial literary criticism. This concept emphasizes how colonizers used culture to dominate and erase indigenous identities, and how postcolonial literature works to restore and decolonize these identities.
Reference: “The mind had to be decolonized as well” (Ngũgĩ, 1986), which extends to literary representation where colonial narratives are critiqued and rewritten from the perspective of the formerly colonized.
Interrogation of Colonial Discourse:
Betts contributes to the critique of colonial discourse, a foundational element of postcolonial literary theory. The chapter reflects on how colonial narratives constructed the “Other” and how literature plays a role in subverting these narratives.
The comparison of European and non-European worldviews, highlighted by Dipesh Chakrabarty’s work on “provincializing Europe,” informs the way postcolonial literature questions the supremacy of Western thought in literary traditions.
Reference: “The task of ‘provincializing Europe’ is not one of discarding European thought but of finding ways in which ‘this thought… may be renewed from and for the margins'” (Chakrabarty, 2000:16).
Violence and Liberation in Postcolonial Literature:
The concept of violence in the process of decolonization, as emphasized by Frantz Fanon, finds a place in postcolonial literary theory. Fanon’s view that decolonization involves violence is incorporated into the narrative of liberation in postcolonial literature.
Postcolonial theorists have applied Fanon’s insights to examine how the trauma and violence of colonization are represented in literature, often through narratives of resistance and the reclaiming of agency.
Reference: “Decolonization is always a violent phenomenon” (Fanon, 1966), influencing the literary depiction of violent struggles for independence and self-determination.
Neocolonialism and the Continuing Legacy in Literature:
Betts brings attention to neocolonialism and its literary implications. The idea that colonization’s economic exploitation continued after political independence influences postcolonial narratives about the persistence of colonial legacies.
Postcolonial literature often critiques the ongoing exploitation of former colonies, a topic that is deeply woven into narratives exploring economic and political realities in the post-independence period.
Reference: “Neocolonialism was the ‘worst form of imperialism’ because it assumed no responsibility in the new states it was exploiting” (Nkrumah, 1970), which prompts literary explorations of postcolonial exploitation.
Colonial and Postcolonial Gaze:
Betts discusses the colonial gaze and its transformation in the postcolonial context. In literary theory, this is aligned with how writers from colonized regions reclaim space and power through representation.
The shift in literary depictions of colonized peoples from passive subjects to active agents reflects postcolonial critiques of the “imperial gaze,” a key concept in literary studies.
Reference: “The imperial gaze must be replaced” (Ridley, 1993), urging a critical reassessment of the portrayal of colonized lands and peoples in colonial literature.
Postcolonial Literary Spaces:
Betts highlights the importance of literary spaces in postcolonialism, where the concept of space itself—geographical, social, and cultural—is decolonized through narrative.
Writers from decolonized nations often write against the spatial legacies imposed by colonial powers, reshaping how land and identity are represented.
Reference: “Space itself was changed. Through exploration, invasion and settlement, Europeans recreated the shape and form of the world” (Punter, 2000), influencing how postcolonial writers interrogate and reimagine physical and cultural spaces.
Examples of Critiques Through “Decolonization: A Brief History Of The Word” By Raymond F. Betts
Literary Work
Critique Through Betts’ Concepts
Key Concept(s) Referenced
Things Fall Apart by Chinua Achebe (1958)
Achebe critiques the cultural disintegration caused by colonial rule. Using Betts’ focus on the “cultural bomb” (Ngũgĩ wa Thiong’o), the novel highlights how colonialism eroded Igbo traditions and identity.
Cultural destruction, “Decolonizing the mind” (Ngũgĩ wa Thiong’o)
The Wretched of the Earth by Frantz Fanon (1961)
Fanon’s work aligns with Betts’ discussion of violence as an intrinsic element of decolonization. The book explores how the colonized reclaim agency and dignity through violent resistance.
Violence in decolonization (Fanon, 1966)
Heart of Darkness by Joseph Conrad (1902)
Betts’ discussion of the “imperial gaze” critiques Conrad’s portrayal of Africa as a dark, mysterious place, reflecting colonial attitudes of superiority and erasure of indigenous agency.
Substitutive geography, Imperial gaze
Decolonising the Mind by Ngũgĩ wa Thiong’o (1986)
Ngũgĩ’s argument for writing in indigenous languages is supported by Betts’ analysis of language as central to cultural identity and resistance against colonial cultural domination.
Language and identity, Cultural bomb
Criticism Against “Decolonization: A Brief History Of The Word” By Raymond F. Betts
Eurocentric Perspective:
The work, while comprehensive, tends to focus significantly on the perspectives of European colonial powers, with less emphasis on the voices and agency of the colonized populations.
Critics might argue that it lacks sufficient inclusion of indigenous viewpoints and resistance narratives.
Generalization of Decolonization Processes:
The book often generalizes the processes of decolonization across different regions, potentially overlooking the unique contexts and nuances of individual struggles for independence.
For example, the specific dynamics in Asia, Africa, and the Caribbean may require deeper analysis than is provided.
Underrepresentation of Non-Western Scholarship:
Betts primarily cites Western scholars and theorists, which could limit the diversity of perspectives. Scholars from the Global South, who provide more localized insights, are underrepresented.
Insufficient Attention to Economic Decolonization:
While Betts addresses neocolonialism and dependency theory, critics might argue that the economic dimensions of decolonization are not explored in enough depth, especially the enduring global inequalities stemming from colonial exploitation.
Neglect of Gendered Aspects of Decolonization:
The work largely ignores how decolonization intersected with gender issues, failing to account for the role and experiences of women in independence movements and their postcolonial realities.
Simplification of Cultural Decolonization:
Betts discusses cultural and intellectual decolonization but does not extensively analyze the complexity of reclaiming cultural identity, particularly in regions with hybrid or heavily syncretic cultures.
Limited Engagement with Postcolonial Theory:
Although the book touches on postcolonial themes, it does not deeply engage with foundational postcolonial theorists like Edward Said, Homi Bhabha, or Gayatri Spivak, potentially limiting its theoretical scope.
Minimal Discussion of Long-Term Impacts:
The analysis primarily focuses on the historical period of decolonization without adequately addressing the long-term effects on modern state formation, political instability, and global power dynamics.
Overemphasis on Political Dimensions:
Critics might point out that the work focuses heavily on the political aspects of decolonization while giving less attention to social, environmental, or psychological consequences.
Lack of Intersectionality:
The absence of an intersectional approach might limit the book’s analysis, as it does not explore how race, class, gender, and religion intersected in the decolonization process.
Representative Quotations from “Decolonization: A Brief History Of The Word” By Raymond F. Betts with Explanation
Quotation
Explanation
“They shot up like volcanic lava.” (Delavignette, 1977:137)
This metaphor captures the sudden and powerful emergence of independence movements, likening decolonization to an unstoppable natural force.
“Decolonization fundamentally meant the ‘rejection of the civilization of the white man.'”
Highlights the cultural and ideological rejection of European dominance, emphasizing the psychological and cultural dimensions of decolonization.
“Its central theme was the creation of self-governing nation-states.” (Hargreaves, 1996:244)
Reflects the political core of decolonization, focusing on the formation of new independent states as the primary outcome of the process.
“The winds of change.” (Macmillan, 1960)
This phrase metaphorically represents the inevitability of decolonization, driven by global and historical forces reshaping the post-war world.
“Modern colonization necessarily led fatally to this ineluctable end.” (Labouret, 1952:20)
Suggests that colonial empires carried within them the seeds of their own downfall, making decolonization an unavoidable consequence.
“Things fall apart; the centre cannot hold.” (Yeats, 1921)
Borrowed from W.B. Yeats’ poem, this quotation symbolizes the disintegration of colonial control and the unraveling of established imperial structures.
“Decolonization is always a violent phenomenon.” (Fanon, 1966:29)
Fanon’s assertion underscores the centrality of violence in the process of breaking free from colonial rule, reflecting the physical and psychological struggles involved.
“The process of liberation is irresistible and irreversible.” (UN Declaration on Decolonization)
This statement from the UN’s declaration emphasizes the global consensus on the inevitability and permanence of the decolonization movement.
“Language and its uses are ‘central to a people’s definition of themselves.'” (Ngũgĩ wa Thiong’o)
Highlights the importance of reclaiming indigenous languages in decolonization to restore cultural identity and resist the cultural domination of colonial languages.
“Substitutive geography filled in with European names and political boundaries.” (Conrad, 1983)
Reflects how colonizers imposed their own systems of mapping and naming onto colonized spaces, erasing indigenous identities and cultures in the process.
Suggested Readings: “Decolonization: A Brief History Of The Word” By Raymond F. Betts
BETTS, RAYMOND F. “Decolonization: A Brief History of the Word.” Beyond Empire and Nation: The Decolonization of African and Asian Societies, 1930s-1970s, edited by ELS BOGAERTS and REMCO RABEN, Brill, 2012, pp. 23–38. JSTOR, http://www.jstor.org/stable/10.1163/j.ctt1w8h2zm.5. Accessed 25 Jan. 2025.
Ward, Stuart. “THE EUROPEAN PROVENANCE OF DECOLONIZATION.” Past & Present, no. 230, 2016, pp. 227–60. JSTOR, http://www.jstor.org/stable/44014553. Accessed 25 Jan. 2025.
“Beyond Empire and Nation” by Els Bogaerts and Remco Raben first appeared in the edited volume Beyond Empire and Nation: The Decolonization of African and Asian Societies, 1930s–1970s (Brill, 2012).
Introduction: “Beyond Empire And Nation” by Els Bogaerts And Remco Raben
“Beyond Empire and Nation” by Els Bogaerts and Remco Raben first appeared in the edited volume Beyond Empire and Nation: The Decolonization of African and Asian Societies, 1930s–1970s (Brill, 2012). This work delves into the complexities of decolonization, challenging the conventional portrayal of it as a clear rupture between colonial and postcolonial eras. Instead, the authors propose that decolonization was a process marked by continuities, contradictions, and hybrid identities, reflecting broader societal reorientations rather than abrupt political or cultural shifts. By examining both colonial and postcolonial narratives, they reveal how nationalism often masked uncomfortable realities, such as the persistence of colonial structures and inequalities. Literary voices play a crucial role in uncovering these hidden dimensions, offering nuanced perspectives on identity, memory, and the disillusionment accompanying independence. As Ngũgĩ wa Thiong’o (1986) poignantly argued, “Africa needs back its economy, its politics, its culture, its languages and all its patriotic writers” to fully “decolonize the mind.”
Summary of “Beyond Empire And Nation” by Els Bogaerts And Remco Raben
1. History as Political Activity
Writing history is inherently political, often reflecting power dynamics and selective memories (Bogaerts & Raben, 2012, p. 7).
Decolonization narratives tend to align with national frameworks, obscuring hybrid identities and complex continuities from the colonial period.
2. Decolonization as a Rupture and Its Myths
Independence is commonly portrayed as a “clean slate,” yet this oversimplifies ongoing legacies of colonial violence, collaboration, and institutional structures (p. 8).
Nationalist frameworks often encourage “organized amnesia” to obscure the moral ambiguities of decolonization (p. 13).
3. Role of Literature and Arts
Literature and the arts capture the nuanced realities of decolonization better than nationalist histories. For example, Chinua Achebe noted, “Nigerian nationality was…an acquired taste – like cheese” (Achebe, 2009, p. 39).
Writers like Toety Heraty and Ngũgĩ wa Thiong’o highlighted how language and memory play critical roles in shaping postcolonial identities (p. 9).
4. Ambiguities of Postcolonial Identity
Decolonization produced hybrid identities rather than clear-cut cultural or political transformations. Ngũgĩ wa Thiong’o’s decision to write in Gĩkũyũ reflects efforts to reclaim cultural agency (Ngũgĩ, 1986, p. xiv).
The colonized faced challenges reconciling colonial education and local traditions, leading to complex feelings of alienation and “double loyalties” (p. 10).
5. Disillusionment with Independence
Postcolonial states often failed to fulfill the promises of independence, leaving populations discontented (p. 15).
Structural issues like inequality, corruption, and weak governance perpetuated colonial legacies, as noted by Albert Memmi’s “great disillusionment” (Memmi, 2004, p. 17).
6. Histories of the “Unmentioned People”
Literature and films highlight the struggles of marginalized groups often overlooked by historians (p. 11).
Authors such as Saadat Hasan Manto and Ousmane Sembène chronicled the lives of lower-class communities, emphasizing the persistent inequalities after independence (p. 12).
7. Decolonization as a Prolonged Process
Decolonization was not a “light-switch” moment but a protracted and uneven transition, involving negotiations and continuity of colonial frameworks (Cooper, 2005, p. 19).
The persistence of colonial laws and practices blurred the boundaries between colonial and postcolonial eras (p. 16).
8. Broader Reorientations of Society
Decolonization should be seen as part of broader societal transformations, including urbanization, labor mobilization, and modernity (Freund, 2007, p. 65).
These changes were often initiated during colonial rule but shaped by local agency and adaptation (p. 17).
9. Questioning the Concept of Decolonization
The term “decolonization” may oversimplify complex social and political transformations, suggesting a need for more nuanced frameworks of analysis (Wang, 2004, p. 270).
Theoretical Terms/Concepts in “Beyond Empire And Nation” by Els Bogaerts And Remco Raben
Term/Concept
Definition/Explanation
Reference/Example
Organized Amnesia
The deliberate forgetting of colonial legacies and continuities to promote a nationalist narrative of rupture.
Nationalist leaders encouraged forgetting colonial violence and collaborations (p. 13).
Hybrid Identities
Identities formed through the blending of colonial and local cultures, creating complex, often conflicting loyalties.
Toety Heraty’s experience of cultural and linguistic hybridity in Indonesia (p. 9).
Colonized Self
The internalization of colonial values, language, and culture, leading to ambivalence in postcolonial identities.
Described by Ngũgĩ wa Thiong’o and Toety Heraty; colonial languages became part of intellectual expression (p. 10).
Decolonizing the Mind
The process of reclaiming cultural, linguistic, and intellectual agency from colonial influence.
Ngũgĩ wa Thiong’o’s decision to write in Gĩkũyũ instead of English (Ngũgĩ, 1986, p. xiv).
National Rupture
The portrayal of decolonization as a definitive break between colonial and postcolonial eras.
Both colonial and nationalist narratives emphasize a clear “break” (p. 7).
Double Loyalties
The tension experienced by individuals caught between colonial and nationalist allegiances.
Seen in intellectuals like Toety Heraty navigating Dutch and Indonesian cultural landscapes (p. 10).
Critique of Colonial and Nationalist Narratives: The book challenges both colonial and nationalist historiographies for their oversimplified narratives of rupture, offering a more nuanced understanding of hybridity and continuity (Bogaerts & Raben, 2012, p. 7).
Language as a Tool of Colonization: Reflecting Ngũgĩ wa Thiong’o’s concept of decolonizing the mind, the work underscores the political significance of language in shaping postcolonial identities (p. 9).
Cultural Hybridity: The book illustrates how colonial and postcolonial identities are marked by hybridity, complicating clear distinctions between “colonizer” and “colonized” (p. 10).
Ambivalence of Identity: Writers like Toety Heraty and Ngũgĩ wa Thiong’o explore the tension of “double loyalties,” resonating with Bhabha’s idea of ambivalence (p. 9).
Focus on Marginalized Voices: By prioritizing the perspectives of laborers, rural communities, and lower classes, the book contributes to the subaltern studies framework, critiquing the elite-centered nationalist historiography (p. 12).
Everyday Lives in Literature: Authors like Saadat Hasan Manto and Ousmane Sembène use literature to highlight the “people that are never mentioned” in official histories (p. 12).
Amnesia in Postcolonial States: The concept of “organized amnesia” connects to trauma theory by addressing how nations deliberately forget uncomfortable aspects of their colonial pasts (p. 13).
Trauma of Decolonization: The psychological and cultural ruptures of decolonization are explored through the lens of literature and personal narratives (p. 10).
5. Theories of Nationalism (Benedict Anderson)
Nationalism and Forgetting: The book builds on Anderson’s concept of “imagined communities” by discussing how nationalist projects rely on collective forgetting to create a unified identity (Anderson, 1991; Bogaerts & Raben, 2012, p. 14).
Cultural Narratives of Independence: Nationalist historiographies are critiqued for their failure to acknowledge the complexities and inequalities of postcolonial societies (p. 15).
6. Literary Narratives as Historical Interventions
Imaginative Writing as History: The authors highlight how literature and arts serve as alternative historical records, capturing the nuances and contradictions of decolonization that nationalist histories obscure (p. 12).
Chronicling Social Inequalities: Writers like Pramoedya Ananta Toer and Chinua Achebe use literature to document inequalities and social issues tied to the decolonization process (p. 12).
7. Global Decolonization Theory
Decolonization Beyond the Political: The book challenges the narrow political framing of decolonization by emphasizing broader societal and cultural transformations (p. 16).
Continuities in Postcolonial Modernity: It argues that decolonization is better understood as a reorientation of societies rather than a moment of rupture (p. 17).
Examples of Critiques Through “Beyond Empire And Nation” by Els Bogaerts And Remco Raben
Book and Author
Critique through “Beyond Empire and Nation”
Reference
Ngũgĩ wa Thiong’o – “Decolonising the Mind”
Ngũgĩ’s rejection of English as a colonial tool aligns with the book’s emphasis on language as a mechanism of colonial control and resistance.
Bogaerts & Raben, 2012, p. 9
Chinua Achebe – “Things Fall Apart”
Achebe’s portrayal of cultural disintegration critiques colonial disruption, resonating with the book’s exploration of hybrid identities and ambivalence.
Achebe, 2009, p. 39; Bogaerts & Raben, p. 10
Ousmane Sembène – “Les bouts de bois de Dieu”
Highlights struggles of African laborers, illustrating the book’s focus on marginalized voices and postcolonial class inequalities.
Bogaerts & Raben, 2012, p. 12
Saadat Hasan Manto – Partition Stories
Manto’s depiction of Partition reflects the chaos and disillusionment discussed in the book, particularly the failure to fulfill promises of independence.
Bogaerts & Raben, 2012, p. 12
Pramoedya Ananta Toer – “Tales from Jakarta”
Pramoedya’s portrayal of Jakarta’s lower classes critiques the socio-economic inequalities of postcolonial societies, aligning with the book’s arguments.
Bogaerts & Raben, 2012, p. 12
Ngũgĩ wa Thiong’o – “Ngaahika Ndeenda (I Will Marry When I Want)”
The play critiques class oppression and nationalist leadership failures, resonating with the book’s analysis of postcolonial disillusionment and repression.
Bogaerts & Raben, 2012, p. 12
Mongo Beti – “Le pauvre Christ de Bomba”
Critiques the complicity of religion in colonial exploitation, reflecting the book’s focus on colonial continuities in postcolonial societies.
Bogaerts & Raben, 2012, p. 12
Albert Memmi – “Portrait du Colonisé”
Memmi’s concept of postcolonial “great disillusionment” supports the book’s critique of the unfulfilled promises of decolonization.
Memmi, 2004, p. 17; Bogaerts & Raben, p. 15
Chinua Achebe – “The Education of a British-Protected Child”
Achebe’s reflection on colonial education aligns with the book’s critique of the internalization of colonial values and hybridity in identity formation.
A critique of the new Javanese elite’s feudal attitudes, aligning with the book’s emphasis on the continuities of colonial hierarchies in postcolonial contexts.
Bogaerts & Raben, 2012, p. 12
Criticism Against “Beyond Empire And Nation” by Els Bogaerts And Remco Raben
Overemphasis on Continuities: Critics may argue that the book’s focus on the continuities of colonial structures underplays the significance of genuine political and cultural ruptures brought by independence movements.
Limited Scope on Local Agency: While the book highlights hybrid identities, it may not sufficiently explore the depth of local agency and resistance against colonial legacies beyond elite intellectual circles.
Underrepresentation of Regional Diversity: The work provides examples primarily from Indonesia, Africa, and select Asian nations, potentially neglecting the unique decolonization dynamics in regions like the Middle East or Latin America.
Critique of Postcolonial Literature Focus: The heavy reliance on postcolonial literary works may lead to an overgeneralization of the broader decolonization experience, ignoring non-literary forms of cultural and political expression.
Ambiguity in Periodization: The argument that decolonization is an extended process, stretching beyond the formal transfer of power, might be viewed as too abstract, leaving the temporal boundaries of “decolonization” unclear.
Elitist Perspective: The focus on intellectual elites, such as writers and philosophers, could be criticized for sidelining the voices and experiences of the broader population, particularly laborers and rural communities.
Insufficient Attention to Gender: The book does not deeply engage with the gendered aspects of colonialism and decolonization, a gap in its exploration of postcolonial identities.
Fragmented Narrative: Critics might argue that the thematic structure of the book, while comprehensive, sacrifices a cohesive narrative of decolonization, making it less accessible for general readers.
Potential Bias Toward Asian Perspectives: With a strong emphasis on Indonesia and Southeast Asia, some might feel the book disproportionately represents Asian experiences at the expense of African or Caribbean perspectives.
Terminological Ambiguity: The critique of the term “decolonization” as overworked (p. 17) might come across as too academic, failing to propose a practical alternative framework for studying the phenomenon.
Representative Quotations from “Beyond Empire And Nation” by Els Bogaerts And Remco Raben with Explanation
“Writing history is a political activity. Generally speaking, history follows power, and the history of decolonization is no exception to this rule.” (p. 8)
Highlights the inherent biases in historical narratives, emphasizing that both colonizers and colonized construct histories to serve political and ideological ends.
“Decolonization, accompanied by the loss of colonial clout and sometimes as well by military and diplomatic defeat, set in motion a process at times characterized as wilful forgetting or selective memory.” (p. 8)
Explores how both former colonizers and newly independent nations employed deliberate forgetting or selective memory to rewrite histories in ways that suit their political and nationalistic purposes.
“In the newly-founded countries too, a kind of wilful forgetting was at work, sometimes voluntarily, sometimes encouraged by policy.” (p. 8)
Suggests that nationalist leaders in postcolonial states often erased uncomfortable realities, such as collaborations with colonial powers or violent struggles, to create a cohesive national narrative.
“National histories strongly endorse the narrative of decolonization as a clear rupture. But coming into one’s own was less determined and trouble-free than was often assumed.” (p. 9)
Challenges the simplified nationalist trope of decolonization as a clean break, pointing out the complexities, continuities, and contradictions experienced during the transition to independence.
“A dip into the literary output of Africa and Asia produces a wide array of visions based on hopes and dreams, but also on the awkwardness and disillusionment of decolonization.” (p. 9)
Highlights how postcolonial literature captures the ambiguities, struggles, and disappointments of decolonization, providing insights often neglected by political and historical accounts.
“Language was the means of the spiritual subjugation … English was ‘the official vehicle and the magic formula to colonial elitedom.'” (Ngũgĩ wa Thiong’o, as cited on p. 10)
Illustrates how language played a crucial role in cultural and intellectual colonization, and how reclaiming native languages became an act of resistance and identity assertion for postcolonial writers like Ngũgĩ.
“The colonial heritage could not easily be discarded, as much of the changing lifestyles, cultural forms, and the language of modernity had entered under the cloak of colonialism.” (p. 10)
Explains how colonial legacies persisted in postcolonial societies, particularly in cultural practices, education, and governance, creating ambivalence about modernization and independence.
“Literary authors have brought attention to the richly diverse perspectives of the people, often doing this in a much more subversive way than historians.” (p. 11)
Emphasizes the value of literature in giving voice to marginalized perspectives and addressing issues like social inequality and cultural hybridity that mainstream histories often overlook.
“What did those who found themselves decolonized actually get? … Freedom was followed by an increasing sense of discontentment.” (Wang Gungwu, as cited on p. 14)
Critiques the postcolonial reality, arguing that for many ordinary people, independence failed to deliver meaningful improvements in governance, economy, or social justice.
“Colonial states faced increasing difficulties in channelling the mounting complexities … ultimately into a ‘self-destruct’ state, which envisaged and prepared the transition to self-rule.” (p. 17)
Analyzes how the inherent contradictions and pressures within colonial systems led to their eventual collapse and transition to independence, often in ways that maintained existing hierarchies and inequalities.
Suggested Readings: “Beyond Empire And Nation” by Els Bogaerts And Remco Raben
BOGAERTS, ELS, and REMCO RABEN. “Beyond Empire and Nation.” Beyond Empire and Nation: The Decolonization of African and Asian Societies, 1930s-1970s, edited by ELS BOGAERTS and REMCO RABEN, Brill, 2012, pp. 7–22. JSTOR, http://www.jstor.org/stable/10.1163/j.ctt1w8h2zm.4. Accessed 25 Jan. 2025.
COOPER, FREDERICK. “Decolonization and Citizenship: Africa between Empires and a World of Nations.” Beyond Empire and Nation: The Decolonization of African and Asian Societies, 1930s-1970s, edited by ELS BOGAERTS and REMCO RABEN, Brill, 2012, pp. 39–68. JSTOR, http://www.jstor.org/stable/10.1163/j.ctt1w8h2zm.6. Accessed 25 Jan. 2025.
HACK, KARL. “Decolonization and Violence in Southeast Asia: Crises of Identity and Authority.” Beyond Empire and Nation: The Decolonization of African and Asian Societies, 1930s-1970s, edited by ELS BOGAERTS and REMCO RABEN, Brill, 2012, pp. 137–66. JSTOR, http://www.jstor.org/stable/10.1163/j.ctt1w8h2zm.9. Accessed 25 Jan. 2025.
BETTS, RAYMOND F. “Decolonization: A Brief History of the Word.” Beyond Empire and Nation: The Decolonization of African and Asian Societies, 1930s-1970s, edited by ELS BOGAERTS and REMCO RABEN, Brill, 2012, pp. 23–38. JSTOR, http://www.jstor.org/stable/10.1163/j.ctt1w8h2zm.5. Accessed 25 Jan. 2025.
“Decolonizing Trauma Theory: Retrospect and Prospects” by Irene Visser first appeared in Humanities in 2015, offering a pivotal contribution to postcolonial literary theory by challenging Eurocentric assumptions inherent in classical trauma frameworks.
Introduction: “Decolonizing Trauma Theory: Retrospect and Prospects” by Irene Visser
“Decolonizing Trauma Theory: Retrospect and Prospects” by Irene Visser first appeared in Humanities in 2015, offering a pivotal contribution to postcolonial literary theory by challenging Eurocentric assumptions inherent in classical trauma frameworks. Published in the journal’s volume 4 (pp. 250–265), the article underscores the need to expand trauma theory beyond Western Freudian psychoanalysis, emphasizing the inclusion of collective, culturally specific, and historically situated trauma experiences. Visser critiques the “depoliticizing and dehistoricizing tendencies” of dominant trauma theories, which fail to address the prolonged and systemic trauma of colonialism, and calls for an openness to non-Western belief systems and rituals. She highlights the limitations of early trauma theory, which, as Rothberg argued, “remains stuck within Euro-American conceptual and historical frameworks” and calls for transformative methodologies that resonate with the lived realities of postcolonial communities. Visser posits that achieving a truly decolonized trauma theory requires recognizing the curative power of narrative, resilience, and spiritual traditions in healing trauma. As she aptly states, “Openness to non-Western belief systems and their rituals and ceremonies in the engagement with trauma is needed in order to achieve the remaining major objectives of the long-standing project of decolonizing trauma theory.” This article remains essential for understanding the evolving intersections of trauma, culture, and literature in a globalized context.
Summary of “Decolonizing Trauma Theory: Retrospect and Prospects” by Irene Visser
Main Ideas
Need for Decolonization of Trauma Theory:
The article critiques traditional trauma theory, as conceptualized by scholars like Cathy Caruth and others, for its Eurocentric focus, event-based framework, and reliance on Freudian psychoanalysis (Visser, 2015, p. 253).
Trauma theory’s depoliticizing tendencies fail to address the prolonged and systemic trauma of colonialism (p. 254).
Origins of the Decolonization Project:
The call for decolonizing trauma theory dates back to 2008, when Michael Rothberg and others critiqued traditional trauma studies for neglecting the historical, political, and cultural dimensions of colonial and postcolonial traumas (p. 252).
Critique of Eurocentrism:
The traditional model’s focus on isolated, individual trauma is incompatible with the collective and enduring nature of colonial trauma, which spans generations (p. 254).
Early trauma theory’s emphasis on psychoanalysis excludes alternative cultural and spiritual frameworks for understanding trauma.
Rejection of Melancholia as the Sole Lens:
The insistence on melancholia and victimization, rooted in Caruth’s theories, limits the recognition of resilience, activism, and community recovery in postcolonial trauma narratives (p. 257).
The article supports reframing trauma as a process that allows for healing, resistance, and resilience.
Role of Narrative:
Contrary to traditional trauma theory’s emphasis on the inexpressibility of trauma, Visser highlights the therapeutic and empowering potential of narrative in addressing and integrating traumatic experiences (p. 257).
Expansion of Trauma Theory:
The article advocates for incorporating sociological, anthropological, and non-Western perspectives into trauma studies, moving beyond Freudian and deconstructionist frameworks (p. 258).
Collective trauma and indigenous belief systems are emphasized as critical areas for expanding trauma theory.
Inclusion of Spiritual and Cultural Practices:
Indigenous rituals, spirituality, and forgiveness are presented as vital elements of healing from trauma, which traditional trauma theory has largely ignored due to its secular Western bias (p. 261).
New Directions for Research:
The article calls for an inclusive, pluralistic approach that respects non-Western modes of understanding and healing trauma. This includes engaging with indigenous practices and conceptualizing trauma as both collective and historical (p. 263).
Key Contributions of Postcolonial Studies:
Postcolonial trauma studies have been instrumental in challenging dominant trauma theories and emphasizing cultural specificity and historicity (p. 264).
Key Quotations
“Openness to non-Western belief systems and their rituals and ceremonies in the engagement with trauma is needed in order to achieve the remaining major objectives of the long-standing project of decolonizing trauma theory” (Visser, 2015, p. 250).
“Trauma theory’s Eurocentric, event-based conception of trauma distorts the histories it addresses and threatens to reproduce the very Eurocentrism that lies behind those histories” (p. 254).
Theoretical Terms/Concepts in “Decolonizing Trauma Theory: Retrospect and Prospects” by Irene Visser
Theoretical Term/Concept
Explanation
Context in the Article
Eurocentrism in Trauma Theory
Focus on Western, event-based, and individualistic trauma frameworks rooted in Freudian psychoanalysis.
Critiqued for its inability to address the long-term, collective traumas of colonialism and its tendency to marginalize non-Western perspectives (Visser, 2015, p. 254).
Decolonization of Trauma Theory
Efforts to reframe trauma studies to include non-Western, collective, and historically situated experiences.
Central theme of the article; emphasizes moving beyond Eurocentric frameworks to incorporate cultural, spiritual, and historical dimensions of trauma (p. 252).
Event-based Model of Trauma
Trauma conceptualized as a sudden, singular event impacting the individual.
Found inadequate for understanding the cumulative, systemic, and collective trauma of colonialism (p. 254).
Collective Trauma
Trauma experienced and shared by groups or communities over extended periods.
Advocated as essential for understanding the effects of colonialism and cultural oppression; highlights the role of literature in narrating collective trauma (p. 258).
Freudian Psychoanalysis
Framework emphasizing individual trauma, melancholia, and repression.
Criticized for its dominance in early trauma theory and its inadequacy for postcolonial contexts (p. 254).
Melancholia vs. Resilience
Melancholia: A fixation on loss and victimization; Resilience: The capacity to recover and resist.
The article advocates shifting the focus from melancholia to resilience, activism, and healing in postcolonial trauma studies (p. 257).
Trauma Narrative
The process of narrating and integrating traumatic experiences.
Highlighted as a curative and empowering tool, in contrast to the inexpressibility emphasized in early trauma theory (p. 257).
Spirituality and Rituals
Cultural and spiritual practices used to address and heal trauma.
Emphasized as critical elements of non-Western trauma frameworks, which are often neglected in dominant theories (p. 261).
Postcolonial Trauma Studies
An interdisciplinary approach to analyzing trauma in the context of colonialism and its aftermath.
Critiques dominant trauma theory for ignoring the historical, cultural, and political dimensions of trauma in colonized and postcolonial societies (p. 252).
The overlapping influences of race, culture, history, and politics on traumatic experiences.
Advocated for a more nuanced understanding of how trauma operates differently across cultures and social contexts (p. 253).
Rethinking Narrative
Moving beyond notions of narrative indeterminacy towards recognizing its therapeutic and integrative potential.
Contrasts Caruth’s focus on inexpressibility with the potential of narrative to enable healing and resilience (p. 257).
Complicity and Guilt
The acknowledgment of internalized colonial ideologies and their impact on communities.
Explored as a dimension of trauma, particularly in postcolonial contexts where individuals and groups may grapple with their participation in hegemonic systems (p. 259).
Sociological Orientation in Trauma
An approach emphasizing the social, cultural, and historical contexts of trauma.
Suggested as a necessary expansion of trauma theory to better understand collective and systemic forms of trauma (p. 258).
Forgiveness as Healing
The role of forgiveness in breaking cycles of violence and facilitating reconciliation.
Proposed as an underexplored but vital aspect of postcolonial trauma theory, seen in works like The Whale Rider (p. 262).
Resilience and Recovery
The capacity of individuals and communities to heal and thrive despite trauma.
Positioned as a counterpoint to the emphasis on victimization and stasis in traditional trauma theory (p. 257).
Contribution of “Decolonizing Trauma Theory: Retrospect and Prospects” by Irene Visser to Literary Theory/Theories
Expansion of Trauma Theory Beyond Eurocentrism
Visser critiques the Eurocentric foundation of traditional trauma theory for its inability to account for non-Western, collective, and historically rooted traumas like colonialism (Visser, 2015, p. 254).
She emphasizes the need for trauma theory to embrace non-Western belief systems, rituals, and cultural practices to achieve inclusivity and address historical injustices (p. 252).
Integration of Collective Trauma into Literary Analysis
By highlighting collective and systemic trauma caused by colonialism, Visser encourages a shift from individualistic and event-based trauma to an understanding of trauma as chronic, cumulative, and culturally mediated (p. 258).
This contribution enriches literary readings of postcolonial texts by focusing on community-oriented and intergenerational traumas.
Critique of Freudian Psychoanalysis in Trauma Studies
Visser challenges the dominance of Freudian psychoanalysis in early trauma theory, particularly its focus on melancholia and victimization, which is inadequate for postcolonial trauma (p. 257).
She advocates for alternatives that incorporate resilience, activism, and healing in the aftermath of trauma (p. 257).
Emphasis on Resilience and Activism in Trauma Narratives
Visser shifts the focus from melancholia to themes of resilience and activism in postcolonial trauma fiction, offering a more empowering framework for interpreting literature (p. 257).
This reframing aligns with the political and ethical goals of postcolonial studies, making trauma theory more dynamic and restorative.
Reevaluation of Narrative in Trauma Theory
The article challenges early trauma theory’s emphasis on the inexpressibility of trauma and its deconstructionist approach to narrative (p. 257).
Visser underscores the curative and integrative power of storytelling, positioning narrative as a key tool for healing and recovery in postcolonial literature (p. 257).
Incorporation of Postcolonial Perspectives in Trauma Studies
By situating trauma within the historical and cultural contexts of colonialism and its aftermath, Visser contributes to a richer and more specific understanding of postcolonial trauma (p. 252).
This approach emphasizes the role of postcolonial fiction in reconstructing histories of trauma and addressing its legacies (p. 258).
Introduction of Spirituality and Rituals in Trauma Theory
Visser brings attention to the neglected role of spirituality, rituals, and indigenous cultural practices in addressing trauma in non-Western contexts (p. 261).
She argues for a decolonized trauma theory that respects and integrates these cultural dimensions into literary analysis.
Connection Between Literature and Collective Healing
The article positions literature as a crucial medium for narrating collective traumas and facilitating processes of healing and resilience (p. 258).
Works by authors like Patricia Grace and Witi Ihimaera illustrate how storytelling and ritual function as tools for cultural survival and recovery from trauma (p. 259).
Focus on Complicity and Guilt in Postcolonial Trauma
Visser explores how postcolonial trauma fiction often addresses themes of complicity, shame, and internalized colonial ideologies (p. 259).
This perspective expands the scope of trauma theory to consider the psychological and cultural complexities of colonial histories.
Advocacy for Theoretical Interdisciplinarity
The article calls for a more interdisciplinary approach to trauma studies, integrating insights from sociology, anthropology, and cultural studies to address collective and systemic trauma (p. 258).
This shift away from deconstructionism and psychoanalysis broadens the applicability of trauma theory to diverse cultural and historical contexts.
Reconceptualization of Forgiveness in Trauma Literature
Visser introduces forgiveness as a transformative element in postcolonial trauma narratives, as seen in The Whale Rider, where forgiveness breaks cycles of violence and facilitates healing (p. 262).
This contribution highlights the importance of non-Western cultural values in rethinking trauma theory.
Challenge to Secularism in Literary Criticism
The article critiques the secular biases of postmodern and poststructuralist literary criticism, which often marginalize spiritual and religious dimensions in non-Western trauma narratives (p. 261).
Visser advocates for a more inclusive theoretical framework that respects diverse cultural and spiritual worldviews (p. 262).
Examples of Critiques Through “Decolonizing Trauma Theory: Retrospect and Prospects” by Irene Visser
Literary Work
Critique through Decolonizing Trauma Theory
Key Concepts/Theoretical Lens Applied
References from the Article
Toni Morrison’s Home (2012)
Explores themes of trauma, resilience, and recovery through the siblings’ experiences of personal and collective racial trauma.
– Resilience and growth after trauma – Healing through storytelling and community – Critique of melancholia-focused trauma theory
“The image of the green bay tree symbolizes growth and healing, despite deep trauma.” (Visser, 2015, p. 257)
Patricia Grace’s Baby No-Eyes
Highlights the cultural survival and empowerment of Māori communities through oral storytelling to address colonial trauma.
– Narrative as curative – Indigenous cultural frameworks for healing – Oral storytelling as a ritual for recovery
“The metaphor of unwinding bandages in the novel symbolizes the healing power of oral narratives, revealing suppressed traumas.” (Visser, 2015, p. 259)
Witi Ihimaera’s The Whale Rider
Depicts forgiveness as a transformative and healing force in Māori culture, breaking cycles of trauma and exclusion.
– Role of forgiveness in trauma recovery – Integration of non-Western rituals and values
“Forgiveness in The Whale Rider is ritually enacted, symbolizing reconciliation and the healing of intergenerational trauma.” (Visser, 2015, p. 262)
Ana Castillo’s So Far from God
Critiques American consumerism and materialism as spiritually empty, contrasting it with Chicano communal rituals for healing.
– Spirituality as a path to resilience – Critique of Western secularism – Postcolonial cultural resistance
“The daughters’ return to traditional Chicano spiritual practices highlights the restorative power of collective rituals.” (Visser, 2015, p. 262)
Toni Morrison’s Beloved
Addresses the intergenerational trauma of slavery and the role of communal rituals in memory and healing.
– Collective trauma – Intersection of historical trauma and narrative recovery – Role of spirituality
While not explicitly mentioned in the article, the framework aligns with Visser’s critique of Eurocentric trauma theory and her focus on communal and historical memory.
Patricia Grace’s Cousins
Examines the shame and guilt of Māori communities internalizing colonial ideologies, using storytelling to reclaim cultural identity.
– Role of complicity and shame in trauma – Reclaiming identity through storytelling
“Grace’s novels present storytelling as a tool for confronting complicity and fostering recovery from internalized colonial trauma.” (Visser, 2015, p. 259)
Renee Linklater’s Decolonizing Trauma Work
Examines indigenous practices for addressing trauma, emphasizing culturally specific strategies for healing.
– Indigenous rituals and spirituality – Critique of Western therapeutic models
“Indigenous practices, such as storytelling and ceremonial healing, challenge the secular dominance of Western trauma theory.” (Visser, 2015, p. 262)
Zakes Mda’s Ways of Dying
Focuses on how communal support and storytelling address the trauma of apartheid in South Africa.
– Collective healing through narrative – Critique of melancholia-focused trauma models
“Trauma narratives in postcolonial South African literature emphasize collective memory and healing.” (Visser, 2015, p. 258)
Criticism Against “Decolonizing Trauma Theory: Retrospect and Prospects” by Irene Visser
Lack of Practical Applications for Non-Western Frameworks
Critics argue that while the article advocates for incorporating non-Western belief systems and rituals, it provides limited guidance on how these frameworks can be systematically integrated into mainstream trauma theory and literary critique.
Reference: Visser highlights the need for openness to non-Western systems but does not delve deeply into their practical application (Visser, 2015, p. 260).
Reliance on Western Theoretical Constructs
Despite critiquing Eurocentric foundations, the article itself heavily references Western theorists like Freud, Caruth, and LaCapra, raising questions about the extent of its departure from these paradigms.
Reference: Visser critiques Freud and Caruth but remains within their intellectual frameworks when discussing key aspects of trauma (Visser, 2015, p. 256).
Limited Exploration of Intersectionality
The theory’s focus on postcolonial and cultural trauma overlooks nuanced intersections of race, gender, class, and sexuality, which are critical to a comprehensive understanding of trauma in literature.
Reference: The article briefly addresses collective trauma but does not extensively engage with intersectional perspectives (Visser, 2015, p. 253).
Overemphasis on Narrative as Curative
Some critics argue that the emphasis on storytelling as a primary means of healing trauma may oversimplify complex psychological and sociocultural processes.
Reference: Visser discusses narrative as empowering but underexplores its limitations in certain contexts (Visser, 2015, p. 259).
Underrepresentation of Contemporary Global Trauma
The examples and critiques focus predominantly on historical colonial trauma and provide limited engagement with contemporary global traumas, such as climate change, refugee crises, or digital colonialism.
Reference: The article mainly discusses colonial trauma and its historical aftermath, with little focus on present-day issues (Visser, 2015, p. 257).
Challenges in Balancing Secular and Spiritual Frameworks
While advocating for recognition of spiritual practices in healing, the article does not adequately address how to reconcile these with secular academic paradigms, leading to potential theoretical tensions.
Reference: Visser calls for decolonizing secular trauma theory but does not fully address how to operationalize this shift (Visser, 2015, p. 261).
Ambiguity in Defining “Decolonization”
The article’s definition of decolonization in trauma theory is broad and lacks specificity, making it challenging to implement in literary critique or other academic disciplines.
Reference: The term “decolonizing” is used extensively but is not clearly operationalized in all contexts (Visser, 2015, p. 252).
Insufficient Critique of Caruthian Theory
Although Visser critiques Cathy Caruth’s emphasis on melancholia and the aporetic nature of trauma, critics suggest that these critiques are repetitive of existing scholarship and do not break significant new ground.
Reference: The article reiterates prior critiques of Caruth without offering entirely novel insights (Visser, 2015, p. 255).
Overgeneralization of Indigenous Practices
Critics contend that grouping diverse indigenous practices under broad terms like “rituals” and “belief systems” risks homogenizing unique cultural and regional differences.
Reference: The call for indigenous perspectives lacks specificity in addressing regional variations (Visser, 2015, p. 260).
Potential Disconnect from Literary Practice
While theoretically rich, the article may struggle to connect its concepts with practical literary analysis for scholars who work with diverse and hybrid texts.
Reference: The theory’s abstract nature poses challenges for its application in concrete literary interpretations (Visser, 2015, p. 254).
Representative Quotations from “Decolonizing Trauma Theory: Retrospect and Prospects” by Irene Visser with Explanation
“Decolonizing trauma theory has been a major project in postcolonial literary scholarship ever since its first sustained engagements with trauma theory.” (p. 250)
This establishes the premise of the article, highlighting the need to reconfigure trauma theory to address the colonial and postcolonial context.
“Turn-of-the-millennium trauma studies has remained stuck within Euro-American conceptual and historical frameworks.” (p. 225)
Critique of Eurocentrism in trauma theory, emphasizing the limitations of Western paradigms in addressing the complexities of colonial trauma.
“Rethink trauma as collective, spatial, and material (instead of individual, temporal, and linguistic).” (p. 228)
Proposes a reorientation of trauma theory to incorporate collective experiences and material histories, diverging from individualistic models.
“Narratives of trauma must not only acknowledge suffering but also emphasize resilience and political activism.” (p. 257)
Highlights the potential of postcolonial narratives to resist passivity and melancholia, focusing instead on recovery and resistance.
“Openness to non-Western belief systems and their rituals and ceremonies in the engagement with trauma is needed.” (p. 250)
Advocates for integrating indigenous and spiritual frameworks in trauma theory to expand its cultural relevance and inclusivity.
“Freudian psychoanalysis limits the engagement with postcolonial trauma by emphasizing stasis and melancholia.” (p. 254)
Critiques Freudian psychoanalysis for its focus on individual and static experiences, contrasting it with the dynamism of postcolonial realities.
“The Eurocentric foundation of trauma theory distorts the histories it addresses and reproduces the very Eurocentrism it seeks to critique.” (p. 227)
A central critique of traditional trauma theory, addressing how its narrow focus perpetuates the exclusion of non-Western experiences.
“Postcolonial fiction demonstrates that resilience and growth are possible in the aftermath of traumatic wounding.” (p. 255)
Highlights the role of literature in representing recovery and healing, emphasizing the transformative potential of narrative.
“Respectful engagement with indigenous modes of addressing trauma would constitute a major step forward.” (p. 260)
Suggests that recognizing indigenous practices is essential to achieving a fully decolonized and inclusive trauma theory.
“Trauma narratives must emphasize a collective memory that connects past and present to foster a renewed social cohesion.” (p. 253)
Reinforces the importance of collective memory and cultural narratives in healing from the enduring effects of colonial trauma.
Suggested Readings: “Decolonizing Trauma Theory: Retrospect and Prospects” by Irene Visser
ONAH, CHIJIOKE. “Decolonizing Trauma Studies: The Recognition-Solidarity Nexus in Uwem Akpan’s Say You’re One of Them.” ALT 41: African Literature in African Languages, edited by Chiji Akọma and Nduka Otiono, Boydell & Brewer, 2023, pp. 132–44. JSTOR, https://doi.org/10.2307/jj.4303807.28. Accessed 23 Jan. 2025.
Lerner, Adam B. “Theorizing Collective Trauma in International Political Economy.” International Studies Review, vol. 21, no. 4, 2019, pp. 549–71. JSTOR, https://www.jstor.org/stable/48557423. Accessed 23 Jan. 2025.
PETERS, ERIN, and CYNTHIA RICHARDS. “Reading Historical Trauma: Moving Backward to Move Forward.” Early Modern Trauma: Europe and the Atlantic World, edited by ERIN PETERS and CYNTHIA RICHARDS, University of Nebraska Press, 2021, pp. 1–28. JSTOR, https://doi.org/10.2307/j.ctv1tbhrhx.5. Accessed 23 Jan. 2025.
“Amoretti: Sonnet 75” by Edmund Spenser first appeared in 1595 as part of the “Amoretti” sonnet sequence, a collection dedicated to chronicling his courtship of Elizabeth Boyle.
Introduction: “Amoretti: Sonnet 75” by Edmund Spenser
“Amoretti: Sonnet 75” by Edmund Spenser first appeared in 1595 as part of the “Amoretti” sonnet sequence, a collection dedicated to chronicling his courtship of Elizabeth Boyle. This poem stands out for its contemplative meditation on the themes of love, immortality, and the transcendent power of poetry. Its popularity as a textbook poem lies in its timeless exploration of human desires for permanence in the face of impermanence. The speaker attempts to immortalize his beloved by writing her name on the sand, only for the waves to wash it away, symbolizing the inevitability of decay: “But came the waves and washed it away.” His beloved challenges his futile efforts, calling them vain: “Vayne man, that doest in vaine assay / A mortall thing so to immortalize.” However, the speaker asserts that poetry can transcend mortality, promising that her virtues and their love will endure through his verse: “My verse your vertues rare shall eternize, / And in the hevens wryte your glorious name.” The poem’s enduring appeal lies in its masterful interplay of ephemeral and eternal, making it a cornerstone of Renaissance love poetry and a compelling study of art’s power to defy time.
Text: “Amoretti: Sonnet 75” by Edmund Spenser
One day I wrote her name upon the strand, But came the waves and washed it away: Agayne I wrote it with a second hand; But came the tyde, and made my paynes his pray. “Vayne man,” sayd she, “that doest in vaine assay A mortall thing so to immortalize; For I my selve shall lyke to this decay, And eke my name bee wyped out lykewize.” “Not so,” quod I; “let baser things devize To dy in dust, but you shall live by fame: My verse your vertues rare shall eternize, And in the hevens wryte your glorious name. Where, when as death shall all the world subdew, Our love shall live, and later life renew.”
Annotations: “Amoretti: Sonnet 75” by Edmund Spenser
The repetition of the “i” sound in “live” and “life” emphasizes the eternal quality of their love.
Themes: “Amoretti: Sonnet 75” by Edmund Spenser
1. Mortality and Impermanence: One of the central themes of the sonnet is the transience of life and human endeavors in the face of time and nature. This is introduced in the opening lines, where the speaker writes his beloved’s name on the sand, only for the waves to wash it away: “One day I wrote her name upon the strand, / But came the waves and washed it away.” The act of writing in the sand symbolizes human attempts to preserve something ephemeral, while the waves and tide represent time and the inevitability of decay. The beloved reinforces this theme when she remarks, “For I my selve shall lyke to this decay, / And eke my name bee wyped out lykewize.” Her acknowledgment of her mortality emphasizes the fleeting nature of human existence, highlighting the natural cycle of life and death.
2. Immortality Through Art: In contrast to the inevitability of decay, the sonnet explores the theme of immortality through the enduring power of poetry. The speaker vehemently rejects the idea that his beloved’s virtues and their love will succumb to time, declaring, “My verse your vertues rare shall eternize, / And in the hevens wryte your glorious name.” Here, he positions his poetic work as a medium that transcends physical decay, promising to immortalize her and their love through verse. By claiming that “Our love shall live, and later life renew,” the speaker suggests that art has the power to overcome mortality, preserving emotions and virtues for future generations. This theme reflects Renaissance ideals of human creativity as a means of achieving immortality.
3. Love’s Eternal Nature: The poem also delves into the timeless nature of true love. While mortality looms over the physical body, the speaker argues that love exists beyond the constraints of time. He boldly asserts, “Not so, quod I; let baser things devize / To dy in dust, but you shall live by fame.” This statement elevates their love to something that surpasses the ordinary and the perishable, suggesting that it will persist even after death. The concluding couplet, “Where, when as death shall all the world subdew, / Our love shall live, and later life renew,” portrays love as a force capable of defying death itself, renewing life and continuing in perpetuity.
4. Conflict Between Human Effort and Nature: Another underlying theme is the tension between human effort and nature’s overpowering forces. The speaker’s repeated attempts to write his beloved’s name on the sand symbolize humanity’s struggle against the inevitable. Despite his efforts, the waves and tide, representing nature’s supremacy, continuously erase his work: “But came the tyde, and made my paynes his pray.” This cyclical conflict highlights the futility of trying to control or halt natural processes, as well as humanity’s desire to leave a mark in a world dominated by impermanence.
5. Vanity and Humility: The sonnet reflects on human vanity and the speaker’s defiance of it. The beloved chastises the speaker, calling him a “vayne man” for attempting to immortalize her name in a mortal medium. Her words reveal the futility and arrogance of attempting to control mortality. However, the speaker’s response shifts this perspective, offering poetry as a more profound solution. His assertion that “let baser things devize / To dy in dust” shows his belief that art, unlike the physical world, is not bound by the vanity of fleeting existence but instead has the power to achieve a more meaningful permanence.
6. The Interplay of Realism and Idealism: The dialogue between the speaker and his beloved represents a conflict between realism and idealism. The beloved adopts a realistic perspective, accepting the inevitability of death and the futility of physical preservation: “For I my selve shall lyke to this decay.” In contrast, the speaker embodies idealism, proposing that poetry and love can overcome the boundaries of time and decay. His idealistic vision elevates their love to a spiritual and eternal plane, suggesting that it can “live by fame” and continue in “later life.” This tension enriches the poem, offering both a grounded acknowledgment of mortality and a hopeful vision of transcendence.
7. Renaissance Humanism: The sonnet reflects Renaissance humanist ideals, particularly the belief in the power of human creativity and intellect to transcend limitations. By declaring that his verse will “eternize” his beloved’s virtues and inscribe her “glorious name” in the heavens, the speaker underscores the role of the artist as a creator of lasting beauty and truth. This aligns with the Renaissance emphasis on individual achievement and the potential of art to challenge the transience of life.
Literary Theories and “Amoretti: Sonnet 75” by Edmund Spenser
This approach focuses on the poem’s structure, language, and literary devices without considering external factors like authorial intent or historical context.
The formal use of dialogue between the speaker and his beloved enhances the thematic tension between mortality (“Vayne man”) and immortality (“eternize”). The sonnet’s rhyme scheme (ABAB BCBC CDCD EE) reflects the Spenserian form, reinforcing the poem’s sense of order and timelessness.
While predating the Romantic movement, the poem embodies Romantic themes such as the eternal nature of love and the redemptive power of art and creativity.
The speaker’s declaration, “My verse your vertues rare shall eternize,” reflects the Romantic belief in art’s ability to immortalize human emotions. The imagery of waves washing away the name symbolizes nature’s sublime and uncontrollable power.
This theory focuses on the reader’s interpretation and emotional engagement with the poem, emphasizing how different readers might perceive its message about love and mortality.
Readers may empathize with the speaker’s desire to preserve love against the forces of time, expressed in “Our love shall live, and later life renew.” Others may align with the beloved’s skepticism in “that doest in vaine assay / A mortall thing so to immortalize.”
This theory highlights the Renaissance ideal of human creativity and the belief that individuals can achieve immortality through intellectual and artistic achievements.
The speaker’s assertion, “And in the hevens wryte your glorious name,” exemplifies humanist confidence in poetry’s power to transcend mortality. The celebration of virtues (“My verse your vertues rare”) aligns with Renaissance ideals of celebrating human excellence.
Critical Questions about “Amoretti: Sonnet 75” by Edmund Spenser
1. How does Spenser explore the tension between mortality and immortality in the poem “Amoretti: Sonnet 75”?
Spenser explores the tension between mortality and immortality by juxtaposing the transient nature of human life with the enduring power of art. The opening lines depict the futility of trying to preserve something mortal as the speaker writes his beloved’s name on the sand, only for the waves to wash it away: “But came the waves and washed it away.” This imagery highlights the inevitability of decay, as the beloved herself acknowledges in her reproach: “For I my selve shall lyke to this decay.” However, the speaker challenges this acceptance of mortality by asserting that his poetry will preserve her virtues and their love: “My verse your vertues rare shall eternize.” Through this argument, Spenser presents poetry as a medium that transcends the ephemeral nature of human existence, suggesting that while physical life fades, art can immortalize emotional and spiritual truths.
2. What role does the natural world play in the poem “Amoretti: Sonnet 75″‘s exploration of impermanence?
The natural world is central to the poem’s meditation on impermanence, symbolizing the unstoppable forces of time and decay. The waves and tide are personified as active agents that erase the speaker’s attempts to immortalize his beloved’s name: “But came the tyde, and made my paynes his pray.” This imagery underscores the power of nature to undo human efforts, reflecting its dominance over mortal endeavors. The cyclicality of the tide represents the relentless passage of time, which erodes physical existence and human legacies. Yet, by contrast, the speaker offers art and poetry as a way to counteract nature’s erasure, asserting that the immortalizing power of verse can defy nature’s temporal constraints: “And in the hevens wryte your glorious name.” This duality emphasizes both nature’s inevitability and art’s capacity to transcend it.
3. How does Spenser use dialogue to convey differing perspectives on immortality in “Amoretti: Sonnet 75”?
Spenser employs dialogue between the speaker and his beloved to highlight their contrasting perspectives on immortality. The beloved adopts a realistic, perhaps skeptical view, chastising the speaker for his vain attempts to immortalize her name in the sand: “Vayne man,” sayd she, “that doest in vaine assay / A mortall thing so to immortalize.” Her words reflect a pragmatic understanding of mortality, emphasizing the futility of preserving something inherently transient. In contrast, the speaker offers an idealistic rebuttal, asserting that poetry can immortalize her virtues and preserve their love for eternity: “My verse your vertues rare shall eternize.” This interplay of perspectives enriches the poem by presenting both the acceptance of human limitations and the aspiration to overcome them through creativity and art.
4. In what ways does the poem “Amoretti: Sonnet 75” reflect Renaissance humanist ideals?
The poem reflects Renaissance humanist ideals through its celebration of human creativity and the belief in the transformative power of art. Renaissance humanism emphasized the potential of individuals to achieve greatness and leave lasting legacies through intellectual and artistic pursuits. The speaker’s confidence in the immortalizing power of poetry is a direct expression of this belief: “My verse your vertues rare shall eternize, / And in the hevens wryte your glorious name.” This declaration underscores the humanist notion that art can defy the temporal limitations of the physical world, preserving human virtues and achievements for future generations. Additionally, the emphasis on individual excellence, as seen in the focus on the beloved’s “vertues rare,” aligns with the Renaissance celebration of human potential and individuality. Through this lens, the poem serves as both a personal love declaration and a broader assertion of the enduring value of human creativity.
Literary Works Similar to “Amoretti: Sonnet 75” by Edmund Spenser
“Sonnet 18” by William Shakespeare Similarity: Both poems explore the theme of immortality through poetry, with Shakespeare declaring that his beloved will live eternally through his verse: “So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.”
“Ozymandias” by Percy Bysshe Shelley Similarity: Shelley reflects on the impermanence of human efforts and the power of time, mirroring Spenser’s meditation on the futility of writing in sand and the immortalizing power of art.
“The Canonization” by John Donne Similarity: Donne, like Spenser, elevates the power of love to transcend mortality, asserting that the lovers’ story will be eternalized in poetic legend: “We can die by it, if not live by love, / And if unfit for tombs and hearse, / Our legend be.”
“A Valediction: Forbidding Mourning” by John Donne Similarity: Both poems emphasize the spiritual and eternal nature of love, with Donne asserting that true love is not diminished by physical separation, much like Spenser’s declaration of love surviving death.
Representative Quotations of “Amoretti: Sonnet 75” by Edmund Spenser
Curbet, Joan. “EDMUND SPENSER’S BESTIARY IN THE ‘AMORETTI’ (1595).” Atlantis, vol. 24, no. 2, 2002, pp. 41–58. JSTOR, http://www.jstor.org/stable/41055069. Accessed 23 Jan. 2025.
CUMMINGS, PETER M. “Spenser’s Amoretti as an Allegory of Love.” Texas Studies in Literature and Language, vol. 12, no. 2, 1970, pp. 163–79. JSTOR, http://www.jstor.org/stable/40754092. Accessed 23 Jan. 2025.
“Introduction: Decolonizing Narrative Theory” by Sue J. Kim first appeared in the Journal of Narrative Theory, Volume 42, Number 3, Fall 2012, published by Eastern Michigan University.
Introduction: “Introduction: Decolonzing Narrative Theory” by Sue J. Kim
“Introduction: Decolonizing Narrative Theory” by Sue J. Kim first appeared in the Journal of Narrative Theory, Volume 42, Number 3, Fall 2012, published by Eastern Michigan University. It examines the intersections of narrative theory with ethnic and postcolonial studies, exploring how colonial and racial ideologies shape, and are shaped by, narrative structures. He challenges the predominantly Western and Eurocentric roots of classical narratology, advocating for a “decolonized” approach that acknowledges the historical, cultural, and ideological contexts of narratives. Drawing from theorists like Frantz Fanon, she critiques the universalizing tendencies of traditional narratology, emphasizing the need to interrogate power dynamics and cultural specificities. Kim’s work underscores the importance of reimagining narrative theory not merely as an abstract tool but as one informed by global histories of colonialism and resistance. This contribution is vital for literary theory as it broadens the scope of narratological studies, integrating perspectives from ethnic and postcolonial frameworks to redefine the boundaries of narrative analysis in a globalized world.
Summary of “Introduction: Decolonzing Narrative Theory” by Sue J. Kim
Purpose and Scope of the Issue:
The article explores the relationship between narrative theory and ethnic and postcolonial studies, highlighting the lack of sustained methodological engagement between these fields (Kim, 2012, p. 233).
It critiques the Eurocentric origins of classical narratology and calls for a “decolonization” of narrative methods and frameworks to better account for global histories of colonialism and imperialism (p. 235).
The Concept of Decolonization:
Kim advocates for “decolonizing” not only narrative theory but also academic practices and methodologies to interrogate imperialist discourses shaping both the metropolitan and colonial peripheries (p. 234).
The term “historicizing” was deemed inadequate to address ideological formations rooted in race, colonialism, and capitalism (p. 234).
Critique of Universality in Narrative Theory:
Drawing on Frantz Fanon, Kim critiques the presumption of universality in Western theoretical frameworks, arguing for the need to historicize supposedly universal theories like psychoanalysis and structuralism (p. 235).
Fanon serves as a model for integrating history and ideology into theoretical critiques (p. 236).
Intersection of Narrative Theory and Postcolonial/Ethnic Studies:
Kim identifies two major critiques of narrative theory in relation to postcolonial and ethnic studies:
The claim that postcolonial texts cannot be analyzed using Western-originated narrative theories, which overlooks the historical interplay of imperialism and world systems (p. 236).
The uncritical application of Western narrative theories to minority texts, which perpetuates a critical hierarchy privileging Western universality over local particularity (p. 238).
The structuralist roots of classical narratology, which focus on taxonomies of narrative forms, are critiqued as insufficient to address contextual factors such as race, class, and imperialism (p. 239).
Poststructuralist or “postclassical” narratology, while more open to context, still struggles to integrate ethnic and postcolonial perspectives meaningfully (p. 240).
Proposed Directions for Decolonized Narratology:
Kim emphasizes the need to develop a narratology informed by the material and ideological histories of colonialism and capitalism (p. 240).
Ethnic and postcolonial studies can reshape narrative theory by broadening its scope and addressing overlooked aesthetic and ideological elements (p. 241).
Case Studies and Contributions:
The special issue includes essays addressing topics such as resistant subjectivity in Jessica Hagedorn’s Dogeaters, postcolonial descriptions in V.S. Naipaul’s Guerillas, and “unnatural” narrative techniques in Salman Rushdie’s Midnight’s Children (pp. 241–243).
Conclusion and Future Work:
Kim calls for continued engagement between narratology and ethnic/postcolonial studies, emphasizing the need for interdisciplinary approaches to address global inequities embedded in narrative forms and theories (p. 243).
Theoretical Terms/Concepts in “Introduction: Decolonzing Narrative Theory” by Sue J. Kim
Term/Concept
Definition/Explanation
Reference/Context in Article
Decolonization
The process of challenging and dismantling imperialist frameworks, both in thought and methodology.
Applied to narratology to address the Eurocentric biases inherent in classical narrative theory (Kim, 2012, p. 234).
Narratology
The study of narrative structure and its components, traditionally rooted in European and American literature.
Critiqued for its structuralist origins and exclusion of ethnic and postcolonial contexts (p. 235).
Postclassical Narratology
A later development of narratology incorporating contextual, cultural, and ideological considerations.
Explores feminist, cognitive, and postcolonial dimensions to broaden narrative theory’s scope (p. 240).
Race and Colonialism
Key ideological formations central to postcolonial critique, emphasizing their entanglement with global capitalism.
Identified as crucial for revising narrative theory to reflect material histories (p. 234).
Imperial Discourses
Narratives and ideologies that reinforce and perpetuate colonial and racial hierarchies.
Highlighted as influencing both metropolitan and peripheral cultures, requiring deconstruction (p. 234).
Historicizing
Situating theories and concepts within their historical and material contexts to reveal their ideological underpinnings.
Rejected as insufficient alone; requires integration with race and colonial critique (p. 234).
The dominance of one cultural or ideological perspective over others, often normalized in discourse.
Reflected in the uncritical adoption of Western narrative theory as “universal” (p. 237).
Ideological Formations
Systems of belief that shape and are shaped by social, political, and economic structures.
Central to critiques of narrative theory’s Eurocentric focus and lack of engagement with global histories (p. 234).
Contribution of “Introduction: Decolonzing Narrative Theory” by Sue J. Kim to Literary Theory/Theories
Decolonizing Narrative Studies:
Introduces the concept of decolonizing narrative theory by addressing how classical narratology is deeply rooted in Eurocentric traditions.
Advocates for interrogating and dismantling imperialist frameworks in narratology, aligning it with broader postcolonial and ethnic studies (Kim, 2012, p. 234).
Integration of Postcolonial Critique:
Emphasizes the need for a postcolonial narratology that reflects the historical and material realities of colonialism and its global aftermath.
Critiques Gerald Prince’s notion of “postcolonial narratology” for its failure to engage adequately with postcolonial scholarship and its complexities (p. 237).
Historicizing Theories of Narration:
Argues that narrative theory must move beyond abstract formalism to incorporate historical, cultural, and political contexts.
Uses Frantz Fanon’s critique of psychoanalysis as a model for situating theories within their historical and ideological contexts (p. 235).
Intersection of Race and Narratology:
Highlights the inadequacy of narrative theory to account for race, ethnicity, and colonialism when treated in isolation from economic and political structures.
Demonstrates how race and colonialism are intertwined with global capitalism, influencing both narrative production and interpretation (p. 234).
Critique of Universalism in Narratology:
Challenges the universalist assumptions of classical structuralist narratology, such as those proposed by Gérard Genette, for neglecting the diversity of narrative forms and cultural contexts (p. 239).
Proposes a more pluralistic approach to narrative theory that accounts for diverse global traditions and ideologies (p. 240).
Contextualist Approaches to Narrative:
Advocates for contextualist narratology, which integrates historical, political, and ideological considerations into the analysis of narrative forms (p. 240).
Draws parallels with feminist narratology, which has successfully challenged the exclusion of gender and sexuality from classical narratology (p. 239).
Ethnic Studies as Transformative for Literary Theory:
Positions ethnic studies as essential for reshaping literary theory to include diverse aesthetic forms and critical practices.
Argues that ethnic studies have expanded the understanding of what constitutes a text, making visible previously marginalized aesthetic forms (p. 236).
Engagement with Cognitive Narratology:
Notes the contribution of cognitive studies scholars, such as Frederick Luis Aldama and David Herman, to expanding the purview of narratology.
Suggests that cognitive approaches, while seemingly universal, must also be historicized and contextualized (p. 240).
Reassessing the History vs. Form Divide:
Critiques the long-standing division between formalist and historicist/contextualist approaches in narrative theory.
Proposes a synthesis that recognizes how historical and ideological conditions shape narrative forms and vice versa (p. 240).
Advocating for Interdisciplinary Dialogue:
Calls for more sustained methodological engagement between narratology, ethnic studies, postcolonial studies, and Marxism.
Frames this interdisciplinary dialogue as vital for addressing the complexities of global literature and its socio-political contexts (p. 243).
Examples of Critiques Through “Introduction: Decolonzing Narrative Theory” by Sue J. Kim
Literary Work & Author
Critique Through “Decolonizing Narrative Theory”
Reference in Article
Dogeaters by Jessica Hagedorn
Critiques how the bildungsroman of revolutionary characters is developed at the expense of marginalized minor characters, often associated with abjection and filth.
Misun Dokko’s essay cited on p. 241.
Guerillas by V.S. Naipaul
Analyzes the prioritization of narration over description, highlighting how description is linked to colonialist ideologies. The novel critiques the ideological functions of description.
Toral Gajarawala’s essay cited on p. 241.
Her Virginia Mammy by Charles W. Chesnutt
Explores how Chesnutt subverts the kinship reunion plot by using race and familial ideologies to create tension. The figure of the “mammy” complicates racialized narratives of family and reunion.
Jennifer Riddle Harding’s essay on p. 242.
Things Fall Apart by Chinua Achebe
Highlights how the novel critiques colonial narratives by centering the African experience and exposing the ideological assumptions of Western storytelling traditions.
General application of theory, p. 243.
Criticism Against “Introduction: Decolonzing Narrative Theory” by Sue J. Kim
Insufficient Integration of Postcolonial Scholars:
While the article critiques the exclusion of postcolonial perspectives in narratology, it does not fully engage with foundational postcolonial theorists such as Edward Said, Gayatri Spivak, or Homi Bhabha beyond surface-level references.
Overemphasis on Theory Over Practical Application:
The article focuses heavily on theoretical critique but provides limited practical examples of how a “decolonized” narrative theory might function across a wide range of texts or methodologies.
Ambiguity in Decolonization Framework:
The term “decolonization” is used broadly without clearly defining what it entails in specific academic or literary practices, which may leave readers uncertain about its concrete implications.
Eurocentric Lens of Critique:
Ironically, the critique of Eurocentrism in narratology is itself grounded largely in Western academic traditions, with limited engagement with non-Western critical traditions or frameworks.
Limited Scope of Texts Analyzed:
The examples provided focus primarily on Anglophone and postcolonial texts, which limits the reach of the discussion to other global literatures, particularly non-Anglophone or Indigenous traditions.
Overgeneralization of Classical Narratology:
Classical narratology is critiqued as overly Eurocentric without sufficient acknowledgment of how it has already been revised and expanded in some contemporary studies.
Potential Oversimplification of Race and Colonialism:
The article tends to conflate race, ethnicity, and colonialism as intersecting categories without fully unpacking their unique and often divergent histories and impacts on narrative forms.
Representative Quotations from “Introduction: Decolonzing Narrative Theory” by Sue J. Kim with Explanation
“The concept of decolonizing—not only the world but also our minds and methods—best describes not only the reconsideration of narratology but also imperial discourses.” (p. 234)
Kim advocates for dismantling the Eurocentric ideologies embedded in narrative theory and calls for critical engagement with imperial legacies to reshape both theoretical and methodological approaches.
“Narrative theory, even and particularly in its structuralist origins, arises out of actual narratives.” (p. 237)
This highlights the need for narratology to be historically grounded, challenging the ahistorical tendencies of classical structuralist approaches to narrative theory.
“Postcolonial and ethnic studies undertake the critique of this [postcolonial] world in all its complexity.” (p. 234)
Kim positions ethnic and postcolonial studies as vital for addressing the global and historical complexities shaped by colonial and racial ideologies, urging narratology to incorporate these critiques.
“Classical narratology has traditionally taken European and American literature as its principal examples.” (p. 235)
Kim critiques the limited scope of classical narratology, which often excludes global, non-Western literary traditions, thereby perpetuating Eurocentrism.
“The Genettian categories of duration may very well be perfectly good tools… the problem is the critical hierarchy encoded into theoretical apparatuses.” (p. 238)
This critiques the uncritical application of Western theories to postcolonial texts, which often reinforces systemic inequalities between theoretical frameworks and marginalized narratives.
“White and Western theorists speak the universal, analytical voice, while the minority text is the single instantiation.” (p. 238)
Kim critiques the power imbalance in narrative studies, where Western theories are treated as universal frameworks, relegating postcolonial texts to specific, subordinate examples.
“History is not merely referential for narratives but constitutive of the formation of narratives.” (p. 240)
Emphasizes the inseparable relationship between narrative forms and their historical and ideological contexts, challenging the decontextualized methods of formalist narratology.
“Gender, sexuality, and embodiment—not to mention race, ethnicity, and geographical region—will nevertheless continue to inflect the entire field of narrative.” (p. 240)
Kim insists that these social categories are integral to narrative studies, criticizing their marginalization within structuralist or classical narratology.
“A wide gap still exists between the field(s) of narratology and cultural, ideological, and historical studies of narrative.” (p. 236)
Kim identifies a disconnection between traditional narratology and interdisciplinary approaches like ethnic studies, highlighting the need for deeper methodological engagement.
“The question of postcolonial narratology is not about narratology as applied to or derived from postcolonial texts, but how the history of colonialism shapes narratology.” (p. 238)
This shifts the focus from the application of theories to postcolonial texts to how the histories of colonialism fundamentally transform the theoretical premises of narratology itself.
Suggested Readings: “Introduction: Decolonzing Narrative Theory” by Sue J. Kim
Hopkins, A. G. “Rethinking Decolonization.” Past & Present, no. 200, 2008, pp. 211–47. JSTOR, http://www.jstor.org/stable/25096724. Accessed 23 Jan. 2025.
BETTS, RAYMOND F. “Decolonization: A Brief History of the Word.” Beyond Empire and Nation: The Decolonization of African and Asian Societies, 1930s-1970s, edited by ELS BOGAERTS and REMCO RABEN, Brill, 2012, pp. 23–38. JSTOR, http://www.jstor.org/stable/10.1163/j.ctt1w8h2zm.5. Accessed 23 Jan. 2025.
“Decolonizing the University: New Directions” by Achille Joseph Mbembe first appeared in Arts & Humanities in Higher Education in 2016 (Vol. 15, Issue 1, pp. 29–45).
Introduction: “Decolonizing The University: New Directions ” by Achille Joseph Mbembe
“Decolonizing the University: New Directions” by Achille Joseph Mbembe first appeared in Arts & Humanities in Higher Education in 2016 (Vol. 15, Issue 1, pp. 29–45). It critically examines the constraints on decolonization initiatives within universities, emphasizing the pervasive influence of neoliberalism on higher education. In fact, Mbembe interrogates whether decolonization is synonymous with Africanization, positing that decolonization involves more than symbolic gestures, such as renaming buildings or removing statues. While, it demands the transformation of epistemological foundations and institutional frameworks rooted in Eurocentric and colonial ideologies, Mbembe also argues, “to decolonize implies breaking the cycle that tends to turn students into customers and consumers,” highlighting the commodification of education under neoliberal policies.
The article is significant in literary theory and broader humanities discourse because it bridges postcolonial thought with critical university studies. By invoking thinkers like Frantz Fanon and Ngugi wa Thiong’o, Mbembe calls for a re-centering of African epistemologies and the creation of a “pluriversal” space of knowledge production that transcends the Eurocentric academic canon. Through its incisive critique and practical orientation, the article provides a roadmap for reimagining the university as a space of intellectual and social liberation, resonating profoundly with contemporary debates on decolonization in education and society.
Summary of “Decolonizing The University: New Directions ” by Achille Joseph Mbembe
Critique of Colonial and Neoliberal Structures in Universities
Mbembe identifies universities as spaces dominated by Eurocentric and colonial legacies that perpetuate exclusion and inequality. He critiques the “Westernized” epistemic canon that “attributes truth only to the Western way of knowledge production” (p. 32).
He highlights how neoliberalism commodifies education, turning students into “consumers of vendible educational commodities” and replacing the pursuit of knowledge with the pursuit of market-oriented credentials (p. 30).
Democratizing Access and Belonging
Decolonization involves addressing systemic barriers to access and creating inclusive spaces where marginalized groups feel they belong: “Access is not simply about demographic representation; it is about the ability to inhabit a space as a home” (p. 30).
He critiques South Africa’s low investment in higher education, calling its 0.6% of GDP expenditure “an embarrassment” (p. 30).
The removal of colonial symbols, such as statues, is critical for addressing “states of humiliation” faced by Black students: “The figures they represent are figures of people who truly believed that to be Black was a liability” (p. 30).
He also emphasizes the importance of physical and intellectual infrastructure, calling apartheid-era campus architecture “not conducive to breathing” (p. 30).
Decolonizing Knowledge Production
Mbembe advocates for a pluriversal approach to knowledge that values diverse epistemic traditions, moving beyond the “hegemonic notion of knowledge production” rooted in Eurocentric frameworks (p. 32).
Decolonization requires challenging the detachment of knowledge from lived experience: “Western epistemic traditions… claim detachment of the known from the knower” (p. 32).
Curriculum and Language
Curriculum reform is essential to center African perspectives and knowledge systems: “The African university of tomorrow will be multilingual… teaching in African languages such as Swahili, isiZulu, and Yoruba” (p. 35).
He draws on Ngugi wa Thiong’o’s idea of “re-centering” African identity, arguing for education that begins with Africa as its focal point (p. 34).
Critique of Bureaucratization
Universities are increasingly governed by “business principles and statistical accountancy,” which Mbembe views as barriers to intellectual freedom. Faculty are burdened by administrative tasks and assessment metrics, reducing their focus on the “preservation of the intellect” (p. 30).
Globalization and Knowledge Mobility
He critiques the influence of global capitalism on higher education, highlighting the “denationalization” of universities into entities serving transnational elites (p. 36).
Mbembe proposes creating “diasporic intellectual networks” and fostering African academic connections to counter the dominance of Eurocentric models (p. 41).
Decolonization as an Intellectual Project
Decolonization, for Mbembe, is a deeply intellectual endeavor requiring the development of “radically new concepts” to address contemporary challenges (p. 31). He calls for rethinking the university itself, questioning whether it remains a viable institution for decolonized knowledge (p. 36).
Theoretical Terms/Concepts in “Decolonizing The University: New Directions ” by Achille Joseph Mbembe
Theoretical Term/Concept
Explanation
Reference from the Article
Decolonization
The process of dismantling colonial structures, ideologies, and epistemologies in institutions.
“The task before us is to give content to this call… institutions must undergo a process of decolonization” (p. 32).
Africanization
A historical and political project that often focused on reclaiming African identity and autonomy.
“To decolonize was the same thing as ‘to Africanize’… part of a nation-building project” (p. 33).
Westernized Universities
Universities rooted in Eurocentric models of knowledge production that marginalize other epistemologies.
“They are local instantiations of a dominant academic model based on a Eurocentric epistemic canon” (p. 32).
Mbembe expands postcolonial thought by addressing the legacy of colonialism in knowledge production and institutional structures, emphasizing the need for decolonization of the academic canon: “A Eurocentric canon… disregards other epistemic traditions and portrays colonialism as a normal form of social relations” (p. 32).
He connects postcolonialism to institutional practices, arguing for a shift from colonial legacies to inclusive frameworks: “Decolonization requires dismantling the symbols, curricula, and knowledge systems inherited from colonialism” (p. 30).
Critical Theory
The article critiques neoliberalism’s commodification of education, resonating with critical theory’s focus on the intersection of culture and capitalism: “Students have become consumers of vendible educational commodities… substituting free pursuit of knowledge for the pursuit of credits” (p. 30).
Mbembe questions the bureaucratic and market-driven restructuring of universities, which aligns with critical theory’s critique of systemic rationalization and control.
Mbembe’s work is a cornerstone in decolonial theory, addressing the need to disrupt epistemic coloniality and reimagine knowledge: “To decolonize the university is to reform it with the aim of creating a less provincial and more open critical cosmopolitan pluriversalism” (p. 36).
He introduces the concept of the pluriversity, advocating for a plurality of knowledge systems rather than the dominance of Eurocentric epistemology: “A pluriversity is… a process of knowledge production open to epistemic diversity” (p. 36).
By engaging with the Anthropocene, Mbembe extends literary theory into posthumanist frameworks, rethinking the human in relation to non-human entities and the environment: “We have entered an entirely new deep, geological time, that of the Anthropocene… the dualistic partitions of mind from bodies or nature from culture can no longer hold” (p. 42).
The article explores the intersection of race, class, and access to knowledge, connecting to theories of intersectionality: “The doors of higher learning should be widely opened… access is not simply demographic but about creating a sense of belonging” (p. 30).
Mbembe’s critique of racialized exclusion in academia highlights the need for structural reforms to address historical and systemic inequities.
Mbembe’s focus on memory versus history aligns with reader-response theory’s emphasis on interpretation and subjectivity in engaging with texts: “Memory is the way in which we put history to rest, especially histories of suffering, trauma, and victimization” (p. 30).
The article’s critique of the global restructuring of universities as market-driven institutions engages with theories of globalization and their impact on world literature: “A global restructuring of higher education… links universities to transnational flows and knowledge markets” (p. 37).
Ngugi wa Thiong’o’s Decolonizing Framework
Building on Ngugi’s work (Decolonizing the Mind), Mbembe advocates for curriculum reform that centers African languages and epistemologies: “Crucial in this regard was the need to teach African languages… The African university of tomorrow will be multilingual” (p. 35).
Examples of Critiques Through “Decolonizing The University: New Directions ” by Achille Joseph Mbembe
Literary Work
Critique Through Mbembe’s Framework
Relevant Concept from Mbembe’s Work
Heart of Darkness by Joseph Conrad
Critiques Conrad’s portrayal of Africa as a “dark” and “savage” land, reflecting Eurocentric epistemic dominance and racial hierarchies.
“A Eurocentric canon… portrays colonialism as a normal form of social relations” (p. 32).
Advocates for reading African spaces as rich epistemic sites rather than sites of primitiveness or absence.
“Decolonization requires dismantling epistemologies that dismiss alternative traditions of knowledge” (p. 32).
Things Fall Apart by Chinua Achebe
Highlights Achebe’s reclamation of African voices and critique of colonial narratives but notes the need for broader epistemic inclusion.
“Africa must be placed in the center… not an appendix or satellite of other countries and literatures” (p. 34).
Suggests that Achebe’s use of Igbo proverbs and cultural contexts embodies the process of “re-centering Africa.”
“A decolonized university in Africa should put African languages at the center of its teaching” (p. 35).
Wide Sargasso Sea by Jean Rhys
Critiques the Eurocentric framing of the Caribbean in the colonial gaze and highlights the suppression of indigenous knowledge systems.
“Western epistemic traditions… disregard other epistemic traditions” (p. 32).
Calls for a pluriversal reading that includes Caribbean perspectives and epistemologies in literary interpretations.
“A pluriversity… embraces a horizontal strategy of openness to dialogue among different epistemic traditions” (p. 36).
The Tempest by William Shakespeare
Examines the depiction of Caliban as a symbol of colonial subjugation and epistemic erasure, critiquing Prospero’s hegemonic control.
“Colonialism… generates discursive practices that make it difficult to think outside of its frames” (p. 32).
Advocates for reinterpreting Caliban’s resistance as an act of reclaiming agency and indigenous knowledge.
“To decolonize is to foreground intellectual traditions repressed by hegemonic knowledge systems” (p. 32).
Criticism Against “Decolonizing The University: New Directions ” by Achille Joseph Mbembe
Critics may argue that Mbembe overgeneralizes the dominance of Eurocentric epistemologies, overlooking instances where non-Western knowledge systems have been integrated or valued in modern academia.
Ambiguity in Defining Decolonization
While Mbembe calls for decolonization, some critics may point out a lack of clarity or concrete steps on how to achieve this transformation, particularly in diverse institutional contexts.
For instance, his call for a “pluriversity” may be critiqued as idealistic without providing a practical framework for implementation (p. 36).
Insufficient Engagement with Practical Constraints
The article may be critiqued for insufficiently addressing practical challenges, such as funding, administrative resistance, and global competition, which hinder decolonization efforts.
Mbembe’s critique of neoliberalism could be seen as ignoring the reality that market-driven approaches often sustain higher education systems.
Potential Romanticization of African Epistemologies
Some critics might argue that Mbembe’s focus on re-centering African knowledge risks romanticizing certain traditions without critically engaging with their limitations or contradictions.
For instance, the assertion that “Africa has to be placed in the center” (p. 34) might be seen as overly simplistic in the context of global interconnectedness.
Neglect of Internal Inequalities within African Contexts
The article may be critiqued for insufficiently addressing the internal inequalities in Africa, such as ethnic or class disparities, that can affect the feasibility of decolonization within universities.
Overgeneralization of Neoliberal Critique
While Mbembe critiques the commodification of education, some might argue that this critique does not account for the potential benefits of globalized education, such as increased access and mobility.
Reliance on Abstract Terminology
Mbembe’s use of theoretical and abstract language, such as “pluriversalism” and “epistemic coloniality,” might be critiqued for being inaccessible to broader audiences or policymakers who need to enact change.
Underestimation of Globalization’s Complexities
The critique of globalization as primarily detrimental to universities might be seen as reductive, ignoring the ways in which globalization has fostered cross-cultural academic exchanges and collaborations.
Limited Focus on Non-African Decolonization Movements
The article focuses heavily on African contexts and may be critiqued for not sufficiently engaging with decolonization movements in other parts of the world, such as Asia or Latin America.
Representative Quotations from “Decolonizing The University: New Directions ” by Achille Joseph Mbembe with Explanation
“History is not the same thing as memory. Memory is the way in which we put history to rest.”
Mbembe distinguishes between history and memory, highlighting the importance of resolving historical trauma through memory work. This suggests the necessity of acknowledging and reconciling colonial histories in order to move forward.
“The decolonization of buildings is not a frivolous issue.”
This emphasizes the significance of physical and symbolic spaces in universities, such as renaming buildings and removing colonial statues, to create a more inclusive and non-hostile environment for marginalized groups.
“A Eurocentric canon… disregards other epistemic traditions.”
Mbembe critiques the dominance of Eurocentric knowledge systems in academia, arguing that these marginalize and devalue non-Western ways of knowing, perpetuating epistemic colonialism.
“We need to decolonize the systems of access and management insofar as they have turned higher education into a marketable product.”
This critiques the neoliberal commodification of education, where universities prioritize profits and rankings over intellectual freedom and the democratization of access.
“The aim of higher education is to encourage students to develop their own intellectual and moral lives as independent individuals.”
Mbembe underscores the transformative potential of education as fostering intellectual independence, as opposed to being reduced to a transactional pursuit of degrees for economic gains.
“At the end of the decolonizing process, we will no longer have a university. We will have a pluriversity.”
This introduces the concept of a “pluriversity,” a space embracing epistemic diversity and rejecting the universalizing Eurocentric model, emphasizing dialogue among multiple knowledge systems.
“Decolonization is not an event… but an ongoing process of ‘seeing ourselves clearly.’”
This statement highlights the iterative nature of decolonization, which involves continuous reflection and re-examination of power structures and identity in academia and society.
“Western epistemic traditions claim detachment of the known from the knower.”
Mbembe critiques the Western tradition of objectivity, arguing that it falsely separates knowledge from its context and creator, ignoring the relational and situated nature of knowledge.
“There is something profoundly wrong when syllabuses designed to meet the needs of colonialism and Apartheid should continue well into the liberation era.”
This points to the need for curriculum reform, addressing the persistence of colonial legacies in the content and structure of academic programs.
“Non-racialism is truly about radical sharing and universal inclusion.”
Mbembe argues that the ultimate goal of decolonization is not only to dismantle racial hierarchies but also to foster an inclusive, shared humanity that transcends market-driven individualism and fosters collective well-being.
Suggested Readings: “Decolonizing The University: New Directions ” by Achille Joseph Mbembe
“Decolonizing Global Theories Today” by Malini Johar Schueller first appeared in Interventions: International Journal of Postcolonial Studies in 2009.
Introduction: “Decolonizing Global Theories Today” by Malini Johar Schueller
“Decolonizing Global Theories Today” by Malini Johar Schueller first appeared in Interventions: International Journal of Postcolonial Studies in 2009. This pivotal essay critiques the universalizing tendencies of contemporary global theories, as exemplified by theorists such as Hardt, Negri, Agamben, and Butler. Schueller argues that these theories, despite their radical intents, often replicate the Eurocentrism and colonial logic they seek to dismantle. She underscores the ethical imperative to resist and decolonize such frameworks, emphasizing that “global theories can operate as colonizing forces which it is our ethical task to resist.” The essay holds profound significance in literary and cultural theory for challenging the dominance of Western-centric paradigms and advocating for a more nuanced, context-sensitive approach that acknowledges colonial difference. It provides a critical lens for examining the intersections of postcolonial critique, sovereignty, and the ongoing impacts of globalization.
Summary of “Decolonizing Global Theories Today” by Malini Johar Schueller
1. The Postcolonial Critique of Global Theories
Schueller critiques contemporary global theories by Hardt, Negri, Agamben, and Butler, arguing they mirror colonial tendencies through universalization. These theories, despite revolutionary intentions, often overlook colonial differences and fail to adequately challenge Western parochialism, perpetuating Eurocentric frameworks (Schueller, 2009, p. 236).
2. Hardt and Negri’s Empire: Eurocentrism in Global Sovereignty
In Empire, Hardt and Negri describe globalization as an inevitable and irresistible force that eliminates distinctions between imperialism and sovereignty. Schueller identifies the Eurocentric bias in their framing, which overlooks the complexities of colonial histories and relegates anti-colonial struggles to the past (p. 238).
Schueller critiques their neglect of material inequalities, particularly their overemphasis on the internet and migration from South to North, disregarding the South-South dynamics and resource inequalities (p. 240).
3. Agamben’s ‘Bare Life’ and Colonial Exclusion
Agamben’s bare life concept, central to his theory of sovereignty, is critiqued for ignoring the role of colonialism in shaping biopolitical power. Schueller highlights how his omission of colonial perspectives results in theories of modern sovereignty that fail to account for racial hierarchies and colonial violence (p. 241).
She examines the term “Muselmann” in Holocaust literature, arguing that its deployment by Agamben uncritically perpetuates Orientalist stereotypes and fails to address the racialized exclusions underlying modern political systems (p. 243).
4. Butler’s Vulnerability: The Problematic Universality
Butler’s Precarious Life offers a framework for ethical subjectivity rooted in shared human vulnerability. Schueller, however, critiques the homogenization of vulnerability, arguing that Butler’s model inadequately addresses systemic inequalities and racialized power dynamics (p. 246).
While Butler’s theory emphasizes relationality and mutual recognition, Schueller insists that this framework risks erasing the historical and structural specificities of colonial oppression (p. 248).
5. The World Social Forum: Challenges in Global Resistance
Schueller critiques the World Social Forum (WSF) for its Eurocentric tendencies and failure to address issues like colonialism and racial oppression within its anti-globalization rhetoric. The WSF’s reluctance to confront imperialism and settler colonialism demonstrates how global resistance movements can replicate exclusions similar to those they oppose (p. 251).
6. The Need for Decolonizing Global Theories
Schueller concludes by urging vigilance against imperial tendencies in global theoretical projects. She advocates for a decolonized framework that resists universalizing narratives and centers the specificities of colonial histories and ongoing power asymmetries (p. 253).
She emphasizes that the process of decolonizing theory must be continual and reflexive, constantly challenging its own complicity in neo-colonial paradigms (p. 254).
Theoretical Terms/Concepts in “Decolonizing Global Theories Today” by Malini Johar Schueller
The tendency to create overarching theories that claim to apply to all contexts and peoples, often rooted in Eurocentric traditions.
Schueller critiques global theories by Hardt, Negri, Agamben, and Butler for replicating colonial universalism and marginalizing non-Western perspectives.
Colonial Difference
The persistent structuring of knowledge, power, and identity through the binaries of colonizer/colonized and West/non-West.
Schueller emphasizes the need for global theories to recognize and address the colonial difference that shapes modernity and global power structures.
Empire
A concept from Hardt and Negri describing a decentralized, non-territorial global sovereignty that replaces traditional imperialism.
Schueller critiques this concept for ignoring the material realities of neo-imperialism, resource extraction, and ongoing colonial violence.
Bare Life
Agamben’s term for a state of human existence stripped of rights and reduced to mere biological survival.
Schueller critiques Agamben’s lack of attention to colonial histories in theorizing bare life and points out the Orientalism embedded in his use of the term “Muselmann.”
Sovereignty
The authority to govern and the power to define who is included or excluded from political life.
Schueller critiques Agamben’s focus on Western sovereignty and biopolitics, arguing it neglects the colonial roots of these mechanisms.
Vulnerability
Butler’s concept of shared human fragility as a basis for ethical relationships and political community.
Schueller critiques Butler’s notion of vulnerability for universalizing experiences of suffering and ignoring systemic inequalities tied to race and colonialism.
Global Assemblage
A framework emphasizing localized interactions of global forms with situated political and cultural contexts.
Schueller endorses Ong and Collier’s concept of global assemblage as an alternative to universalizing global theories, allowing for specificity and situatedness.
Postcolonial Unease
The discomfort with universalizing theories due to their resemblance to colonial knowledge production.
Schueller highlights this unease in critiquing contemporary global theories, which often reproduce colonial logics.
World Social Forum (WSF)
A global movement aimed at resisting neoliberal globalization and promoting an alternative world order.
Schueller critiques the WSF for its Eurocentrism, neglect of colonialism, and exclusion of racial and indigenous struggles.
Neo-Enlightenment Humanism
A resurgence of universalist appeals to common humanity that overlook historical and structural inequalities.
Schueller warns that contemporary global theories risk falling into neo-Enlightenment humanism, perpetuating Western dominance.
Polyversality
Eisenstein’s alternative to universality, emphasizing multiple, diverse connections without erasing differences.
Schueller uses this concept to propose a more inclusive approach to global theory that resists the universalizing tendencies of Western frameworks.
Decolonization of Theory
The process of dismantling Eurocentric and imperialist structures within theoretical frameworks.
Schueller advocates for this as an ongoing, reflexive practice essential to creating truly global and equitable theories.
Contribution of “Decolonizing Global Theories Today” by Malini Johar Schueller to Literary Theory/Theories
Critique of Universalism in Contemporary Theory:
Schueller identifies the resurgence of universalist paradigms in global theories by scholars such as Hardt, Negri, Agamben, and Butler. She argues these theories replicate colonial-era universalism, marginalizing non-Western epistemologies (“like the tradition of colonial knowledge production, universalizing, albeit in different ways”).
This critique contributes to postcolonial literary theory by interrogating the Eurocentric assumptions embedded in many global frameworks and narratives (p. 236).
Intersection of Postcolonial Studies and Globalization Theories:
Schueller highlights how globalization theories often erase the material realities of colonialism and neo-imperialism. This perspective broadens the postcolonial critique of modern global power systems (“colonial difference continues to be central in knowledge construction, particularly in theory”).
This intersection provides a framework for analyzing global cultural texts, focusing on colonial histories and their lingering effects on sovereignty and resistance (p. 237).
Challenging Agamben’s Concept of Bare Life:
Schueller critiques Agamben’s Homo Sacer for its lack of attention to colonialism and the racialized construction of sovereignty and bare life (“we need to move not only from prison to camp but also from prison and camp to colony”).
This challenge contributes to theories of biopolitics by advocating for a decolonial lens that accounts for how racialized bodies are marked as bare life in colonial and postcolonial contexts (p. 242).
Reevaluation of Judith Butler’s Vulnerability:
While recognizing Butler’s contributions to feminist and ethical theories, Schueller critiques the universalization of vulnerability as an ethical foundation. She argues this concept ignores structural inequalities tied to colonial and racial histories (“some vulnerabilities are more vulnerable than others”).
This critique informs feminist and intersectional theories, encouraging a more situated understanding of ethics and relationality (p. 248).
Decolonization as an Ongoing Theoretical Practice:
Schueller emphasizes the necessity of continually decolonizing theoretical frameworks, asserting that colonial logics persist in contemporary global theories (“Decolonizing theory, if it has to mean anything, must be a continual process, a dialectical one of critique and self-critique”).
This contribution enriches postcolonial and critical theories by positioning decolonization as a reflexive and evolving methodology (p. 252).
Critique of the World Social Forum’s Universalist Logic:
Schueller critiques the WSF for neglecting issues of colonialism, race, and indigeneity, highlighting the limitations of its universalizing anti-capitalist agenda (“Whose global resistance and for whom are questions we should continue to raise”).
This critique contributes to cultural studies and theories of global resistance by emphasizing the importance of intersectional approaches to global justice movements (p. 250).
Advocacy for Polyversality and Ambiguous Universality:
Drawing on theorists like Zillah Eisenstein and Etienne Balibar, Schueller advocates for alternatives to universalism, such as polyversality and ambiguous universality. These concepts promote multiplicity and situatedness in theory (“all of us have local histories, but only for some of us can those local histories become global designs”).
This contribution provides tools for literary and cultural theorists to engage with global frameworks while avoiding imperialist and Eurocentric tendencies (p. 253).
Colonial Difference as Central to Modernity:
Schueller underscores the role of colonial difference in shaping modernity and contemporary theoretical frameworks (“the racial fracture at the heart of modernity, is alive and well today”).
This insight advances postcolonial theory by affirming the inseparability of modern global structures and colonial histories (p. 249).
Critical Engagement with Enlightenment Humanism:
Schueller critiques the neo-Enlightenment humanism embedded in contemporary theories, which often obscures historical inequalities under the guise of universalism (“a new humanism that doesn’t recognize the ongoing unequal history of humanism is susceptible…to forms of neo-Enlightenment humanism”).
This critique informs literary theory by challenging the assumptions underlying global literary narratives and theoretical frameworks (p. 248).
Examples of Critiques Through “Decolonizing Global Theories Today” by Malini Johar Schueller
Literary Work
Theoretical Lens from Schueller
Critique Example
Key Reference
Joseph Conrad’s Heart of Darkness
Critique of universalist narratives as tools of colonial knowledge production.
Conrad’s portrayal of Africa as the “dark continent” reflects Eurocentric universalism, erasing the particularities of African cultures and histories.
Universalizing narratives of control and resistance critiqued through colonial difference.
Orwell’s depiction of totalitarianism neglects colonial contexts of domination, where similar mechanisms of surveillance and control were already operational.
“Empire…ignores colonial violence and occupation” (p. 237)
Margaret Atwood’s The Handmaid’s Tale
Gendered vulnerability critiqued for erasing racial and colonial histories of oppression.
The novel universalizes women’s oppression but overlooks how colonial and racialized bodies have historically faced compounded vulnerabilities.
“Some vulnerabilities are more vulnerable than others” (p. 248)
Criticism Against “Decolonizing Global Theories Today” by Malini Johar Schueller
Overgeneralization of Global Theories as Eurocentric Schueller critiques global theories like Hardt and Negri’s Empire or Butler’s vulnerability frameworks as inherently Eurocentric but does not fully engage with the nuances or attempts by these theorists to address power imbalances and imperialism.
Limited Engagement with Non-Western Theorists The essay critiques Western-centric universalism but does not sufficiently draw from non-Western thinkers or frameworks to illustrate alternative models of theorizing global resistance.
Ambiguity in Operationalizing “Decolonization” While Schueller emphasizes the need to decolonize theory continually, the essay lacks concrete strategies or examples of how this process might be systematically implemented in global academic or activist frameworks.
Simplistic Dismissal of Universalism Schueller’s rejection of universalist theories risks overlooking their potential to foster solidarity and shared ethical principles across global struggles, which might weaken her critique.
Potential Overshadowing of Intersectionality Although Schueller discusses the importance of particular striations like race and colonial difference, the emphasis on colonial critique sometimes sidelines the equally crucial dimensions of gender, class, and intersectionality.
Undermining the Practical Utility of Global Theories By critiquing global movements like the World Social Forum for their Eurocentric tendencies, Schueller risks undermining the pragmatic value of such platforms in creating tangible networks for global resistance.
Excessive Focus on Western Academia The analysis heavily centers on Western intellectual traditions and their critiques, leaving less room for exploring how non-Western or indigenous movements theorize resistance and power.
Limited Consideration of Temporal Evolution Schueller’s critique does not adequately acknowledge how contemporary global theories have evolved since their inception to incorporate critiques of Eurocentrism and address colonial legacies.
Selective Application of Postcolonial Theories The essay applies postcolonial critiques to universal theories without equally interrogating how some postcolonial frameworks might inadvertently reinforce binaries or cultural essentialisms.
Representative Quotations from “Decolonizing Global Theories Today” by Malini Johar Schueller with Explanation
“Such theories confront us with a postcolonial unease because they are, like the tradition of colonial knowledge production, universalizing.”
Schueller critiques contemporary global theories for perpetuating the same universalizing tendencies as colonial frameworks.
“Colonial difference continues to be central in knowledge construction, particularly in theory.”
Highlights the persistence of colonial constructs within contemporary theoretical frameworks.
“What I call global theories can operate as colonizing forces which it is our ethical task to resist, to decolonize.”
Advocates for the ethical imperative to critically engage and dismantle the colonial underpinnings of global theories.
“Hardt and Negri write: ‘Empire is materializing before our very eyes.'”
Criticizes the deterministic language used in Empire, arguing that it erases particularities and colonial histories.
“This figure of bare life, concocted out of Orientalism, becomes the justification for conditions of indefinite detention, occupation, and ethnic cleansing.”
Schueller critiques Agamben’s concept of bare life for its reliance on Orientalist tropes to explain sovereignty.
“Judith Butler’s purpose in Precarious Life is to theorize an ethics of interdependence as the basis for a world without violence.”
Explains Butler’s attempt to conceptualize vulnerability as a basis for ethical and political community post-9/11.
“Recognition involves more than simply validation, but rather an opportunity for growth.”
Reflects Schueller’s nuanced critique of Butler’s theories on recognition, while emphasizing the role of inequality.
“The WSF presents itself as a global resistance movement, but we should be vigilant about what constitutes the global and what gets left out.”
Critiques the World Social Forum for its neglect of issues like race, colonialism, and indigenous struggles in its rhetoric.
“Cultural colonialism continues to reinvent itself in ways that are unpredictable, non-synchronous, non-linear, and unfamiliar.”
Acknowledges the ongoing and evolving nature of cultural colonialism despite decolonization efforts.
“Decolonizing theory, if it has to mean anything, must be a continual process, a dialectical one of critique and self-critique.”
Advocates for perpetual self-reflection and vigilance in theory to avoid re-inscribing colonial logics.
Suggested Readings: “Decolonizing Global Theories Today” by Malini Johar Schueller
Lawrence, Bonita, and Enakshi Dua. “Decolonizing Antiracism.” Social Justice, vol. 32, no. 4 (102), 2005, pp. 120–43. JSTOR, http://www.jstor.org/stable/29768340. Accessed 19 Jan. 2025.
Millan, Anna, and Ali Can Yildirim. “Decolonizing Theories of Global Justice.” Decolonizing Enlightenment: Transnational Justice, Human Rights and Democracy in a Postcolonial World, edited by Nikita Dhawan, 1st ed., Verlag Barbara Budrich, 2014, pp. 195–208. JSTOR, https://doi.org/10.2307/j.ctvddzsf3.11. Accessed 19 Jan. 2025.
Kim, Sue J. “Introduction: Decolonizing Narrative Theory.” Journal of Narrative Theory, vol. 42, no. 3, 2012, pp. 233–47. JSTOR, http://www.jstor.org/stable/24484772. Accessed 19 Jan. 2025.
“Decolonizing Culture: Toward a Theory for Postcolonial Women’s Texts” by Ketu H. Katrak first appeared in MFS Modern Fiction Studies, Volume 35, Number 1, Spring 1989, published by Johns Hopkins University Press.
Introduction: “Decolonizing Culture: Toward a Theory for Postcolonial Women’s Texts” by Ketu H. Katrak
“Decolonizing Culture: Toward a Theory for Postcolonial Women’s Texts” by Ketu H. Katrak first appeared in MFS Modern Fiction Studies, Volume 35, Number 1, Spring 1989, published by Johns Hopkins University Press. In this seminal work, Katrak critiques the Eurocentric dominance in literary theory and underscores the need for theoretical frameworks that emerge from and address the realities of postcolonial societies, particularly focusing on women writers. Katrak argues for a historically situated approach that incorporates Frantz Fanon’s and Mahatma Gandhi’s perspectives on decolonization, while challenging their limitations regarding gender. Central to her thesis is the idea that postcolonial theory must resist intellectual hegemony and act as a strategy for social change, integrating women’s voices and cultural expressions often excluded from traditional academic discourse. Katrak writes, “We need to find theoretical models that will challenge what Chandra Mohanty aptly calls ‘a discursive colonization,'” calling for inclusivity and resistance in literary criticism. This article remains pivotal in discussions on decolonizing literary spaces and elevating the intersection of postcolonial and feminist thought.
Summary of “Decolonizing Culture: Toward a Theory for Postcolonial Women’s Texts” by Ketu H. Katrak
Postcolonial literature and theory must embrace social responsibility to challenge the dominance of Eurocentric frameworks. Writers often address societal issues, while theorists frequently fail to do so (Katrak, p. 157).
Theory should act as a “strategy,” combining intellectual critique with practical applications that inspire social change (p. 158).
2. Critique of Western Theoretical Dominance
Postcolonial theory is often misappropriated by Western academia, which uses non-Western texts to support Western intellectual paradigms (p. 158).
The dismissal of postcolonial theoretical contributions as “not theoretical enough” perpetuates colonial intellectual dominance (p. 159).
Fredric Jameson’s concept of “Third World literature as national allegory” is critiqued for its reductive assumptions about non-Western texts, prioritizing Eurocentric interpretations (p. 160).
3. Decolonizing Theoretical Approaches
The work proposes an alternative theoretical model that incorporates the writings of postcolonial women to challenge patriarchal and colonialist narratives (p. 161).
A shift from Western theoretical gymnastics to historically grounded, culturally relevant approaches is essential (p. 159).
4. Insights from Fanon and Gandhi
Frantz Fanon’s advocacy for violent decolonization underscores its transformative power but fails to fully address the intersection of racism and sexism in colonial contexts (p. 161).
Gandhi’s nonviolent strategies mobilized women but reinforced regressive gender norms by framing women’s roles as sacrificial and passive (p. 162).
Both approaches are limited in addressing women’s liberation, particularly from patriarchal precolonial structures (p. 163).
5. Women’s Cultural Productions
Women’s involvement in decolonization has often been relegated to national causes, ignoring their unique struggles against patriarchal oppression (p. 164).
Postcolonial women writers address dual oppressions: colonialism and patriarchy, challenging societal norms through creative expressions (p. 165).
6. Violence in Postcolonial Contexts
Colonization perpetrates multi-dimensional violence—physical, cultural, linguistic, and psychic—on the colonized (p. 168).
Postcolonial writers subvert the English language, transforming it into a tool of resistance and cultural reclamation (p. 169).
7. Oral Traditions and Narrative Resistance
Women writers leverage oral traditions and storytelling to challenge both colonial and patriarchal structures (p. 170).
Figures like Ni in Jamaican folklore exemplify resistance and empowerment, forming the basis for collective action (p. 174).
8. Language as a Site of Struggle
Language is a cultural tool that carries the values and worldviews of a society. Postcolonial writers often “violate” the colonial language to reclaim identity and assert resistance (p. 169).
African and Caribbean writers have made radical revisions to the English language to reflect indigenous realities (p. 172).
9. Critique of Gandhi’s Ahistorical Approach
Gandhi’s reliance on moral and religious philosophies resulted in the glorification of regressive traditions that continued to oppress women post-independence (p. 165).
His universalizing tendencies neglected the specific historical and cultural contexts of women’s oppression (p. 166).
10. Sistren Collective: A Case Study
The Sistren Collective in Jamaica exemplifies the reclamation of cultural identity through theater and storytelling in “patwah,” a form of Creole English. Their work resists neocolonialism and highlights women’s struggles (p. 174).
Sistren’s use of oral testimony bridges the gap between oral and written traditions, empowering working-class women (p. 175).
Theoretical Terms/Concepts in “Decolonizing Culture: Toward a Theory for Postcolonial Women’s Texts” by Ketu H. Katrak
Theoretical Concept/Term
Description
Reference
Social Responsibility in Theory
Theory should align with the struggles of postcolonial writers and their societies to promote social change.
Katrak, p. 157
Decolonization of Theory
Dismantling Eurocentric frameworks that dominate postcolonial studies and marginalize indigenous theoretical contributions.
Katrak, p. 159
Discursive Colonization
The perpetuation of colonial hierarchies within academic analysis of postcolonial texts.
Chandra Mohanty, p. 160
Appropriation of Texts
Using postcolonial texts as raw material for intellectual production while dismissing their theoretical contributions.
A critique of Fredric Jameson’s idea that all third-world literature is necessarily allegorical, overlooking dimensions like gender, class, and ethnicity.
Katrak, p. 160
Violence and Decolonization
Frantz Fanon’s theory that decolonization is inherently violent, addressing physical, cultural, and linguistic domination.
Fanon, p. 162
Bourgeois Elite
Postcolonial elites often maintain colonial power structures post-independence, undermining radical change.
Fanon, p. 164
Nonviolence and Gender
Gandhi’s nonviolence reinforced women’s subordination by idealizing their roles as passive and sacrificial.
Katrak, p. 162
Linguistic Violence
Colonization’s imposition of the oppressor’s language as a means of cultural domination.
Katrak, p. 168
Oral Traditions as Resistance
Women writers use oral traditions to reclaim indigenous storytelling methods and challenge colonial and patriarchal oppression.
Katrak, p. 170
Language as Culture
Ngugi wa Thiong’o’s concept that language is integral to cultural identity and resistance, shaping perceptions of self and community.
Ngugi, p. 169
Women’s Double Oppression
Postcolonial women confront dual oppressions from colonialism and patriarchy, such as dowry practices and political marginalization.
Katrak, p. 165
Literature of Combat
Fanon’s idea that literature shapes national consciousness and promotes social responsibility, evolving from addressing colonizers to empowering indigenous audiences.
Fanon, p. 171
Nation Language
Edward Kamau Brathwaite’s concept of a subversive, hybrid language that challenges colonial norms, as seen in Sistren’s use of “patwah.”
Brathwaite, p. 175
Cultural Resistance
Postcolonial cultural productions, such as drama, storytelling, and rituals, serve as tools of resistance against neocolonial tendencies and women’s oppression.
Katrak, p. 174
Tradition and Patriarchy
Gandhi’s ahistorical view of tradition reinforced patriarchal norms, while women writers critically examine and reinterpret these traditions within historical and cultural contexts.
Katrak, p. 166
Empowerment Through Testimony
Women writers draw on oral testimony and storytelling to challenge stereotypes, critique patriarchy, and create collective political consciousness.
Sistren Collective, p. 176
Contribution of “Decolonizing Culture: Toward a Theory for Postcolonial Women’s Texts” by Ketu H. Katrak to Literary Theory/Theories
Contribution: Katrak critiques the Eurocentric dominance in postcolonial studies, advocating for the inclusion of indigenous theoretical frameworks and voices of postcolonial writers. She emphasizes that theory must serve as a tool for resistance and liberation.
Example: Katrak critiques the appropriation of postcolonial texts by Western academia, where postcolonial works are often treated as raw material for theoretical production without due recognition of their inherent theoretical contributions (Katrak, p. 158).
Theoretical Implication: Encourages a shift from theory as an abstract academic exercise to theory as praxis, rooted in the lived realities of postcolonial societies.
2. Feminist Postcolonial Theory
Contribution: The essay foregrounds the intersectionality of gender and colonialism, illustrating how women’s oppression in postcolonial societies is shaped by both colonial and patriarchal structures.
Example: Katrak critiques Frantz Fanon and Mohandas Gandhi for neglecting gender issues in their theories of decolonization, pointing out that women were often mobilized for national struggles but relegated to subordinate roles post-independence (Katrak, p. 162).
Theoretical Implication: Develops a feminist postcolonial framework that critiques patriarchal traditions and advocates for gender-sensitive approaches to decolonization.
3. Decolonizing Literary Criticism
Contribution: Katrak calls for a decolonization of literary criticism by challenging the hegemony of Western theoretical models, such as Fredric Jameson’s reductive concept of “national allegory,” which homogenizes third-world literature (Katrak, p. 160).
Example: She argues that indigenous concepts like oral traditions, local histories, and cultural practices should inform the study of postcolonial texts rather than using Eurocentric frameworks to validate their worth (Katrak, p. 169).
Theoretical Implication: Encourages the use of culturally relevant frameworks in analyzing postcolonial texts, moving beyond reductive generalizations.
4. Language and Power in Postcolonial Theory
Contribution: Katrak emphasizes linguistic violence as a tool of colonialism and the subversive potential of postcolonial writers’ reclamation and transformation of the colonizer’s language.
Example: Drawing on Ngugi wa Thiong’o’s concept of language as culture, Katrak illustrates how writers like the Sistren Collective use “patwah” to resist linguistic domination and reclaim cultural identity (Katrak, p. 175).
Theoretical Implication: Highlights the role of language as both a site of colonial oppression and a medium for cultural resistance in postcolonial literature.
5. Intersection of Cultural Production and Politics
Contribution: The essay integrates cultural resistance into literary theory by showing how postcolonial writers and artists use traditional forms—such as oral storytelling, rituals, and drama—as tools of decolonization.
Example: Katrak examines how the Sistren Collective’s work challenges the boundaries of “literary” and “non-literary” forms, using oral testimonies and folk traditions to address contemporary social and political issues (Katrak, p. 174).
Theoretical Implication: Expands the scope of literary theory to include non-canonical and oral forms of cultural production, emphasizing their relevance to political resistance.
6. Feminist Revision of Postcolonial Traditions
Contribution: Katrak critiques the glorification of patriarchal traditions in postcolonial societies, arguing for their critical reinterpretation within feminist and historical contexts.
Example: She critiques Gandhi’s idealization of women’s suffering and sacrifice in the nationalist movement, arguing that it reinforced regressive norms rather than challenging them (Katrak, p. 166).
Theoretical Implication: Advocates for feminist reinterpretations of cultural traditions to address gender-based oppression in postcolonial societies.
7. Literature as Resistance
Contribution: Katrak builds on Fanon’s idea of literature as a tool for national consciousness, emphasizing that postcolonial literature must engage with social and political realities to foster collective resistance.
Example: She describes how postcolonial writers transform Western literary forms, such as the novel and drama, to reflect indigenous concerns and challenge colonial legacies (Katrak, p. 171).
Theoretical Implication: Positions literature as an active participant in the decolonization process, blurring the boundaries between aesthetics and activism.
8. Critique of Hegemony in Theory
Contribution: Katrak critiques the intellectual hegemony of Western academia, which often excludes or marginalizes the theoretical contributions of postcolonial writers.
Example: She highlights how postcolonial essays, interviews, and other cultural productions are often dismissed as “not theoretical enough” by Western standards (Katrak, p. 158).
Theoretical Implication: Calls for a more inclusive literary theory that values diverse epistemologies and resists intellectual colonization.
Examples of Critiques Through “Decolonizing Culture: Toward a Theory for Postcolonial Women’s Texts” by Ketu H. Katrak
Literary Work
Critique Using Katrak’s Framework
Relevant Concepts
Ngugi wa Thiong’o’s A Grain of Wheat*
Colonial Violence and Cultural Alienation: Examines how colonial violence alienates individuals and disrupts communal relationships. Postcolonial resistance in the novel aligns with Katrak’s idea of decolonizing culture by reclaiming indigenous identity.
– Linguistic and Cultural Violence – Resistance through Literature
Buchi Emecheta’s The Joys of Motherhood
Gender and Postcolonial Oppression: Highlights the double oppression faced by women, as shown in the protagonist’s struggle between patriarchal traditions and colonial economic systems. Reflects Katrak’s emphasis on gender-sensitive decolonization.
– Intersection of Gender and Colonialism – Critique of Patriarchal Traditions
Jean Rhys’ Wide Sargasso Sea
Colonizer’s Language as a Tool for Resistance: Discusses the protagonist’s alienation and identity struggle as a result of colonial domination. Katrak’s critique of linguistic violence and reclaiming cultural identity can be applied.
– Linguistic Violence and Alienation – Cultural Resistance through Literature
Ama Ata Aidoo’s No Sweetness Here
Decolonizing Traditional Forms: Explores the use of oral storytelling and local traditions to critique the socioeconomic inequalities faced by postcolonial women. Reflects Katrak’s discussion on revising literary forms for decolonization.
– Oral Traditions as Resistance – Critique of Socioeconomic Inequality in Postcolonial Societies
Explanation of Concepts:
Linguistic and Cultural Violence: The use of the colonizer’s language to suppress indigenous identity.
Resistance through Literature: Postcolonial writers reclaim culture and identity through transformed literary forms.
Intersection of Gender and Colonialism: Women’s dual oppression under colonial and patriarchal systems.
Oral Traditions as Resistance: Using indigenous oral forms to challenge Western literary traditions.
Criticism Against “Decolonizing Culture: Toward a Theory for Postcolonial Women’s Texts” by Ketu H. Katrak
Overemphasis on Western Theoretical Hegemony
Critics argue that Katrak focuses excessively on the dominance of Western academia, potentially neglecting the contributions of non-Western theorists who also engage with postcolonial literature.
Limited Exploration of Intersectionality
While Katrak discusses the intersection of gender and colonialism, some suggest that the analysis does not sufficiently address other dimensions of identity, such as class, ethnicity, and sexuality, within postcolonial contexts.
Generalization of “Postcolonial Women’s Experience”
The text is critiqued for homogenizing the experiences of women across diverse postcolonial societies, potentially ignoring region-specific nuances and localized histories.
Neglect of Male Contributions in Postcolonial Discourse
Katrak’s focus on women writers and their struggles may overlook the collaborative dynamics between male and female writers in challenging colonial and patriarchal structures.
Idealization of Indigenous Traditions
Some critics feel Katrak romanticizes indigenous traditions and oral forms without fully critiquing the patriarchal and exclusionary practices embedded in many pre-colonial cultures.
Selective Application of Fanon and Gandhi
Katrak’s interpretation of Fanon’s advocacy for violence and Gandhi’s nonviolent strategies has been criticized for being selectively applied, which may simplify their complex theoretical and political frameworks.
Insufficient Engagement with Contemporary Feminist Theory
Critics suggest that the essay does not engage deeply with evolving feminist theories, particularly transnational feminism, which might have provided a more dynamic lens for analyzing postcolonial women’s texts.
Reliance on Existing Western Academic Frameworks
Although the text advocates for resisting Eurocentric models, some argue that it still operates within the confines of Western literary theory and academic discourse, limiting its ability to propose alternative theoretical paradigms.
Representative Quotations from “Decolonizing Culture: Toward a Theory for Postcolonial Women’s Texts” by Ketu H. Katrak with Explanation
Quotation
Explanation
“Social responsibility must be the basis of any theorizing on postcolonial literature as well as the root of the creative work of the writers themselves.”
Emphasizes the need for critics and writers to be socially engaged and accountable, particularly in the postcolonial context, bridging theory and praxis.
“The increasing phenomenon of using postcolonial texts as raw material for the theory producers and consumers of Western academia.”
Critiques the appropriation of postcolonial literature for Western academic purposes, where the texts serve Western intellectual agendas rather than being interpreted within their cultural contexts.
“Women writers confront these sexist structures that persist in postcolonial societies.”
Highlights the dual oppression faced by postcolonial women due to both colonial and patriarchal systems, a recurring theme in postcolonial feminist discourse.
“Fanon’s concept that ‘decolonization is always a violent phenomenon’ is useful for an analysis of how the English language is ‘violated’ from its standard usage.”
Draws parallels between Fanon’s notion of physical decolonization and linguistic decolonization, where postcolonial writers subvert colonial languages to assert cultural identity.
“Gandhi’s nonviolence ironically reinforced the most regressive aspects of female subordination.”
Critiques Gandhi’s nonviolent ideology for unintentionally perpetuating patriarchal norms, despite mobilizing women in political struggles.
“The intellectual traps in such theoretical gymnastics are many: for instance, a questioning of the canon and a simultaneous appropriating and tokenizing of postcolonial literary texts.”
Warns against the risks of using Western theoretical frameworks that may inadvertently reinforce the hegemony they seek to critique.
“Women writers are presenting a new kind of content in their writings—issues which challenge patriarchy and capitalism—and new forms that can carry the weight of these concerns.”
Acknowledges the innovative contributions of postcolonial women writers in both themes and literary forms, transforming traditional genres.
“Ngugi wa Thiong’o provides a working definition of culture…as the sum of their art, their science, and all their social institutions, including their systems of belief and rituals.”
Draws on Ngugi’s definition to argue that cultural decolonization requires reclaiming and redefining indigenous systems of expression and belief.
“Postcolonial writers’ uses of the English language explore the many ways of ‘cursing’ the colonizer through the use of his own tongue.”
Illustrates how postcolonial authors subvert colonial languages to reclaim agency and critique colonial ideologies.
“Fanon’s analysis enables us to problematize Gandhi’s ‘success’ at leading a mass movement for independence in India.”
Demonstrates how Fanon’s theories offer a critical lens to evaluate Gandhi’s strategies, particularly in addressing systemic inequalities post-independence.
Suggested Readings: “Decolonizing Culture: Toward a Theory for Postcolonial Women’s Texts” by Ketu H. Katrak
Kim, Sue J. “Introduction: Decolonizing Narrative Theory.” Journal of Narrative Theory, vol. 42, no. 3, 2012, pp. 233–47. JSTOR, http://www.jstor.org/stable/24484772. Accessed 19 Jan. 2025.
Go, Julian. “For a Postcolonial Sociology.” Theory and Society, vol. 42, no. 1, 2013, pp. 25–55. JSTOR, http://www.jstor.org/stable/23362893. Accessed 19 Jan. 2025.
De, Esha Niyogi. “Decolonizing Universality: Postcolonial Theory and the Quandary of Ethical Agency.” Diacritics, vol. 32, no. 2, 2002, pp. 42–59. JSTOR, http://www.jstor.org/stable/1566286. Accessed 19 Jan. 2025.
Nichols, Jennifer J. “‘Poor Visitor’: Mobility as/of Voice in Jamaica Kincaid’s ‘Lucy.'” MELUS, vol. 34, no. 4, 2009, pp. 187–207. JSTOR, http://www.jstor.org/stable/20618106. Accessed 19 Jan. 2025.
“Decolonizing Critical Theory” by Bruce Baum first appeared in 2015 in the journal Constellations (Volume 22, Issue 3).
Introduction: “Decolonizing Critical Theory” by Bruce Baum
“Decolonizing Critical Theory” by Bruce Baum first appeared in 2015 in the journal Constellations (Volume 22, Issue 3). The article critically examines the emancipatory aspirations of the Frankfurt School’s Critical Theory, as envisioned by Horkheimer and Adorno, in addressing class, racism, and colonialism. While the Frankfurt School made significant strides in analyzing modern domination, Baum critiques their Eurocentric focus, which largely neglected colonial racism and anti-colonial struggles. Drawing on thinkers like Edward Said, Frantz Fanon, and Lucius Outlaw, Baum argues for an expansion of Critical Theory to address the global interplay of racism and capitalism, emphasizing that colonial and racial domination are integral to understanding modernity. A pivotal insight from the article highlights Horkheimer’s assertion: “As true as it is that one can understand anti-Semitism only from our society, as true it appears to me to become that by now society itself can be properly understood only through Antisemitism.” Baum contends that this framework should extend to all forms of racism, calling for a decolonization of Critical Theory that integrates both historical and contemporary struggles against racial and colonial oppression. This work holds importance in literary theory by urging a reorientation of critical frameworks to inclusively confront race, identity, and colonial histories as essential elements of social critique.
Summary of “Decolonizing Critical Theory” by Bruce Baum
Introduction to Critical Theory and Its Limitations
Critical Theory of the Frankfurt School aimed for a “truly human society” free of domination (Horkheimer & Adorno) but initially focused on class-based inequalities within capitalist societies (p. 421).
Edward Said critiqued the Frankfurt School for neglecting racism, colonialism, and anti-imperialist resistance (p. 421). Baum contends this critique is valid but overstated.
Horkheimer and Adorno on Racism
Early Frankfurt School theorists primarily analyzed social domination generally rather than racial issues (p. 421).
By the 1930s–40s, Horkheimer and Adorno focused on European anti-Semitism, linking it to capitalism’s structural inequalities but failed to adequately address colonial racism (p. 422).
Anti-Semitism was analyzed as integral to capitalism but not reducible to class issues (p. 423). They highlighted the interplay between class and race, showing how racial ideologies diverted working-class frustrations from capitalist elites to minorities.
Strengths and Limitations of Their Analysis
Capitalism and Racial Ideologies:
Racial ideologies like anti-Semitism masked class domination and preserved capitalism by scapegoating minorities, such as Jews (p. 423).
Their psychoanalytic lens illuminated racism’s psychological mechanisms but neglected how racism intersected with colonialism and non-European identities (p. 424).
Racial Schema:
Horkheimer and Adorno proposed a triadic racial schema: the dominant group (e.g., Aryans), those “kept in place” (e.g., Blacks), and those eradicated (e.g., Jews) (p. 424).
They acknowledged links between European racism and global patterns of domination but failed to expand beyond European contexts (p. 424–425).
They analyzed racism through the lens of mimesis, showing how fear of difference fueled false projections that mischaracterized racial minorities (p. 425).
This psychological framework clarified how racism suppressed autonomy and distorted recognition of differences (p. 426).
Baum advocates for revising Critical Theory to address colonialism and global racism:
Frantz Fanon critiqued Eurocentric Marxism, emphasizing the centrality of race in colonialism and capitalism (p. 427).
Axel Honneth’s theory of recognition supports understanding racism as a recognition order that shapes social stratification (p. 428).
Decolonizing Critical Theory means reformulating it to understand modern capitalist societies as fundamentally shaped by racialized inequalities (p. 429).
Toward a New Critical Theory of Racism
Race, Class, and Status:
Racialized status and class are intertwined yet distinct, shaping economic and social hierarchies (p. 429).
Modern capitalism created racialized hierarchies through colonialism, slavery, and exclusionary labor markets (p. 430).
Recognition and Identity:
Racialized identities are both modes of domination and sources of meaning. A critical theory must balance anti-racism with recognition of cultural identities (p. 431).
Historical Injustice:
Addressing racism requires confronting historical injustices, such as slavery and colonial exploitation, through critical reflection and reparative justice (p. 432).
Civic Education and Memory:
Following Adorno, Baum emphasizes the importance of “working through the past” to prevent historical amnesia and cultivate reflective engagement with racism’s legacies (p. 433).
Conclusion
Decolonizing Critical Theory involves expanding its analytical scope to incorporate colonial and racial histories, thus addressing modern societies as inherently shaped by intertwined racial and class inequalities (p. 434).
A dual approach is needed: genealogical analysis of domination and a hermeneutic understanding of lived racial identities to promote justice and reconciliation (p. 434).
Theoretical Terms/Concepts in “Decolonizing Critical Theory” by Bruce Baum
Challenges the Eurocentric focus of Frankfurt School Critical Theory, particularly its neglect of colonial racism and anti-colonial resistance (p. 421).
Proposes a broader, historically attuned framework for understanding racial hierarchies and their cultural representations (p. 427).
Intersection of Race and Class in Modernity:
Highlights the interplay between capitalism and racial domination, emphasizing how class and race intersect in literary and cultural narratives (p. 424).
Draws on Frantz Fanon’s critique to “stretch Marxian analysis” to address the colonial dimensions of exploitation and oppression (p. 427).
Critique of Enlightenment Ideals in Literature:
Analyzes how instrumental rationality, a hallmark of Enlightenment thought, appears as both a tool for human emancipation and a mechanism for domination in cultural and literary contexts (p. 423).
Provides insights into how literature reflects the double-edged nature of Enlightenment values, including their role in sustaining colonial ideologies (p. 425).
Application of Mimesis to Representation of Difference:
Uses Adorno and Horkheimer’s concept of mimesis to explain how literature can both represent and distort cultural and racial differences (p. 425).
Suggests that regressive mimesis, rooted in false projection, informs racist stereotypes and tropes in literary texts (p. 426).
The Politics of Recognition in Literature:
Introduces Axel Honneth’s concept of recognition to analyze how literature portrays the struggles of marginalized groups for acknowledgment and equality (p. 428).
Explores how literature can reflect and challenge societal recognition orders, particularly those tied to race and identity (p. 431).
Historical Injustice and Literary Memory:
Engages Adorno’s concept of “working through the past” to examine how literature confronts historical injustices, including slavery, colonialism, and the Holocaust (p. 433).
Highlights literature’s role in preserving memory and addressing the effacement of historical injustices in capitalist societies (p. 432).
Triadic Racial Schema in Narrative Structure:
Proposes a triadic racial schema (dominant group, subordinate group, and exterminated group) as a lens for analyzing racial dynamics in literature and narrative structures (p. 424).
Encourages re-evaluating literary depictions of racial hierarchies within global and historical contexts (p. 428).
Decolonizing the Canon:
Advocates for revisiting and decolonizing traditional literary canons to include narratives that address colonial racism and global injustices (p. 427).
Highlights the importance of incorporating voices and perspectives from racialized and colonized identities into critical and literary theory (p. 431).
Suggests combining genealogical and hermeneutic approaches to interpret racialized identities as both cultural constructs and sources of meaning in literary texts (p. 431).
Encourages a dual reading of literature that considers both historical constructions of identity and lived experiences of race (p. 431).
Emphasis on Reconciliation and Difference:
Draws on Adorno’s vision of an emancipated society to suggest that literature should reconcile differences rather than erase them, promoting respect for diverse identities and histories (p. 426).
Examples of Critiques Through “Decolonizing Critical Theory” by Bruce Baum
Literary Work
Theoretical Lens from Baum
Critique Example
Heart of Darkness by Joseph Conrad
– Critique of Eurocentrism – Colonial racism and capitalist domination
Explores how Conrad’s depiction of Africa reflects colonial ideologies and Eurocentric perspectives, portraying Africa as a site of barbarism to justify European domination (Baum, p. 424). Challenges the racial schema of colonizer/colonized.
Things Fall Apart by Chinua Achebe
– Hermeneutics of racialized identity – Postcolonial recognition
Analyzes the struggle of Igbo society against the imposition of colonial ideologies. Explores the lived experience of racialized identities and their cultural meaning in resisting colonial domination (Baum, p. 428).
Beloved by Toni Morrison
– Historical injustice and working through the past – Racial trauma in capitalist modernity
Examines how Morrison’s narrative confronts the legacy of slavery, highlighting the importance of historical memory and addressing intergenerational trauma linked to racial injustice (Baum, p. 433).
The Tempest by William Shakespeare
– Colonial racism and early modern capitalist structures – Mimesis and representation of difference
Uses Baum’s insights to analyze Caliban as a racialized figure representing colonial subjects. Examines how the text reflects early colonial ideologies and constructs racial difference to justify domination (Baum, p. 425).
Criticism Against “Decolonizing Critical Theory” by Bruce Baum
Eurocentric Focus of the Frankfurt School
Despite Baum’s attempt to recover the critical potential of Frankfurt School theories, critics may argue that the school’s foundational Eurocentrism remains a limitation (Baum, p. 424).
The reliance on Horkheimer and Adorno’s theories may perpetuate a Western bias, failing to fully engage with non-European epistemologies.
Insufficient Engagement with Non-European Thinkers
While Baum draws on figures like Fanon and Outlaw, the work might not sufficiently integrate perspectives from other decolonial theorists, particularly from Asia, Latin America, or Indigenous traditions (Baum, p. 427).
Overemphasis on Historical Racism
Critics may argue that the focus on historical racism and colonialism limits its applicability to contemporary forms of racial injustice and intersectional oppression in globalized contexts (Baum, p. 431).
Abstract Theoretical Framework
Baum’s reliance on abstract concepts like “mimesis” and “recognition” may make the work less accessible for activists and practitioners seeking concrete strategies for combating racism and colonialism (Baum, p. 425).
Neglect of Gender and Intersectionality
While Baum acknowledges intersecting forms of oppression, the work could be critiqued for not giving enough prominence to gender, sexuality, or other axes of identity beyond race and class (Baum, p. 428).
Limited Engagement with Non-Western Literary Traditions
The framework focuses on critiquing Western modernity but offers limited tools for analyzing non-Western texts or cultural traditions (Baum, p. 426).
Dependency on Psychoanalytic Concepts
The use of psychoanalysis, particularly in Adorno’s work, could be critiqued for being outdated or incompatible with contemporary critiques of race and colonialism (Baum, p. 430).
Representative Quotations from “Decolonizing Critical Theory” by Bruce Baum with Explanation
“The critical theorists’ account of racism was Eurocentric and too narrowly focused on anti-Semitism.”
Highlights the Frankfurt School’s limitations in addressing global racial and colonial dynamics beyond European contexts, emphasizing the need for decolonizing their framework.
“Critical Theory itself needs to be decolonized.”
Advocates for expanding Critical Theory by integrating perspectives that address colonialism, racism, and global inequality in modern society.
“Modern capitalism has never been one-dimensionally class-divided… racialized status hierarchies are integral.”
Connects Marxist analysis to racialized hierarchies, showing how capitalism’s inequalities are shaped by race, not just class.
“For the Nazis, ‘the blacks must be kept in their place, but the Jews must be wiped from the face of the earth.’”
Demonstrates Horkheimer and Adorno’s limited but provocative racial schema, suggesting a hierarchy of racial oppression within Nazism and raising questions about its global relevance.
“Modern racism can be comprehended adequately only through a critical examination of modern capitalist society.”
Baum reformulates Horkheimer’s analysis, connecting the development of racism with the structures and ideologies of modern capitalism.
“Colonialism and imperialism have not settled their debt to us once they have withdrawn their flag and their police.”
Echoes Fanon’s assertion of the ongoing impact of colonialism, emphasizing the need for reparative justice and a thorough critique of colonial legacies.
“Horkheimer and Adorno failed to appreciate how racism, including colonial racism, has been a formative feature.”
Critiques the Frankfurt School for neglecting the historical centrality of colonialism and racism in shaping global modernity and capitalist development.
“An emancipated society… would not be a unitary state, but the reconciliation of differences.”
Reflects Adorno’s vision of a society where differences are respected without hierarchy, contrasting with the homogenizing tendencies of oppressive regimes.
“The task of overcoming racist degradation… is integrally linked with the goal of undoing the conditions that foster prejudice.”
Emphasizes that systemic racism must be addressed by dismantling political and economic systems that perpetuate inequality.
“Historical racial injustice demands acknowledgement, but no reparations could fully compensate for the damage done.”
Acknowledges the profound harm caused by systemic racism and colonialism while advocating for reparative justice as a step toward reconciliation.
Suggested Readings: “Decolonizing Critical Theory” by Bruce Baum
Baum, Bruce. “On the Political Sociology of Intersectional Equality and Difference: Insights from Axel Honneth’s Recognition Theory.” Social Theory and Practice, vol. 48, no. 2, 2022, pp. 197–234. JSTOR, https://www.jstor.org/stable/48747299. Accessed 17 Jan. 2025.
Morgan, Marcia, 1970-. The Affect of Dissident Language and Aesthetic Emancipation at the Margins: A Possible Dialogue between Theodor W. Adorno and Julia Kristeva. no. 1, 2016, pp. 167–91. JSTOR, https://jstor.org/stable/community.31637736. Accessed 17 Jan. 2025.
MILLS, CHARLES W. “CRITICIZING CRITICAL THEORY.” Critical Theory in Critical Times: Transforming the Global Political and Economic Order, edited by PENELOPE DEUTSCHER and CRISTINA LAFONT, Columbia University Press, 2017, pp. 233–50. JSTOR, http://www.jstor.org/stable/10.7312/deut18150.15. Accessed 17 Jan. 2025.
Kim, Sue J. “Introduction: Decolonizing Narrative Theory.” Journal of Narrative Theory, vol. 42, no. 3, 2012, pp. 233–47. JSTOR, http://www.jstor.org/stable/24484772. Accessed 17 Jan. 2025.
“Coloniality Is Far from Over, and So Must Be Decoloniality” by Walter D. Mignolo first appeared in the journal Afterall in 2017.
Introduction: “Coloniality Is Far from Over, and So Must Be Decoloniality” by Walter D. Mignolo
“Coloniality Is Far from Over, and So Must Be Decoloniality” by Walter D. Mignolo first appeared in the journal Afterall in 2017. This essay examines the enduring structures of coloniality that pervade global power, knowledge, and existence, arguing for a necessary and active process of decoloniality to challenge and delink from these paradigms. Mignolo engages with the concept of the Colonial Matrix of Power (CMP), a framework that has shaped global hierarchies since the sixteenth century and evolved through various ideological mutations, from Christianity to secular liberalism and neoliberal globalism. He asserts the importance of delinking from Western epistemological dichotomies and re-existing on terms rooted in local histories and legacies. Central to this process is the rejection of the homogenizing tendencies of Western modernity and the affirmation of pluriversality. As Mignolo writes, “Decoloniality operates on pluri-versality and truth and not in uni-versality and truth.” The article’s significance in literature and literary theory lies in its critique of modernity’s universalizing narratives and its call for epistemic disobedience, offering tools for rethinking identity, agency, and resistance in a postcolonial and global context.
Summary of “Coloniality Is Far from Over, and So Must Be Decoloniality” by Walter D. Mignolo
Main Ideas:
1. Coloniality as a Persistent Structure
Definition of Coloniality: Mignolo explains that coloniality refers to the pervasive and long-lasting “Colonial Matrix of Power” (CMP), a global structure managing knowledge, power, and being since the 16th century (p. 39).
Continuity through Mutations: From Christianity to secularism, liberalism, and neoliberalism, the CMP continuously adapted to maintain Western dominance (p. 39).
Key Quotation: “The CMP controls and touches upon all aspects and trajectories of our lives” (p. 39).
2. Delinking and Re-Existing
Delinking as Resistance: Mignolo advocates for delinking from the imposed dichotomies of Western modernity—such as the knower/known or subject/object—to create new modes of existence (p. 43).
Re-Existence Beyond Resistance: Re-existing is presented as more than resisting; it involves reclaiming one’s histories and legacies to construct independent frameworks of existence (p. 44).
Key Quotation: “Re-existing depends on the place of the individual in the local histories disavowed, diminished, and demonized in the narratives of Western modernity” (p. 44).
3. The Limits of Modernity and Universalism
Critique of Universalism: The narrative of universal progress, inherent in modernity, is identified as a tool for sustaining the CMP (p. 40).
Pluriversality vs. Universality: Decoloniality operates on pluriversality—recognizing diverse modes of existence—rather than imposing singular truths or solutions (p. 44).
Key Quotation: “Decoloniality operates on pluri-versality and truth and not in uni-versality and truth” (p. 44).
Interplay between Indigeneity and Decoloniality: Mignolo discusses how indigeneity often takes precedence for some over decoloniality, yet the two remain interconnected. Indigenous struggles for land and dignity inherently challenge the CMP (p. 43).
Relevance of Local Histories: He emphasizes the importance of learning from indigenous peoples and their methods of resisting Western modernity (p. 43).
Key Quotation: “What is relevant is an understanding of the trust of diverse projects around the world…delinking from modernity/coloniality to relink with their own memories and legacies” (p. 45).
5. The Role of Decolonial Thinking
Epistemic Disobedience: Mignolo proposes a form of civil and epistemic disobedience to reject the dichotomies and classifications imposed by the West (p. 43).
Challenges to Modern Knowledge: He questions the primacy of Western rationality and emphasizes the role of emotion and sensing in knowledge creation (p. 43).
Key Quotation: “Decolonial thinking strives to delink itself from the imposed dichotomies articulated in the West, namely the knower and the known, the subject and the object” (p. 43).
6. Decoloniality as a Pluralistic Political Project
Rejecting a Master Plan: Decoloniality is not a singular framework or a universal design; it is a political project rooted in the specific needs and histories of diverse communities (p. 44).
Examples of Decolonial Struggles: Mignolo cites the Bandung Conference, Afro-Caribbean movements, and indigenous struggles as emblematic of decoloniality in practice (p. 45).
Key Quotation: “There cannot be one and only one decolonial master plan—it would be far too modern, too Eurocentric, too provincial, and still too universal” (p. 44).
7. The Global Implications of Decoloniality
Global Decolonial Responses: Mignolo identifies the rise of de-westernization efforts (e.g., China, Russia, Iran) as part of a broader rejection of neoliberal globalization and Western dominance (p. 40).
Interconnection of Struggles: Decoloniality connects diverse global movements resisting Western narratives and seeking autonomy in defining their futures (p. 45).
Key Quotation: “Today decoloniality is everywhere; it is a connector between hundreds, perhaps thousands, of organized responses delinking from modernity and Western civilization” (p. 45).
Theoretical Terms/Concepts in “Coloniality Is Far from Over, and So Must Be Decoloniality” by Walter D. Mignolo
Theoretical Term/Concept
Definition
Significance
Coloniality
A structure of power, control, and knowledge that emerged with colonialism and persists in various forms today.
Highlights how colonial hierarchies and logic continue to shape global systems of power and identity.
Colonial Matrix of Power (CMP)
A framework managing knowledge, power, and being, comprising domains such as economy, authority, and epistemology.
Serves as the core structure sustaining coloniality and its global influence across multiple dimensions.
Delinking
The act of separating from Western epistemologies, narratives, and imposed dichotomies.
Represents a necessary step to resist and disrupt coloniality and create new, autonomous modes of existence.
Re-Existence
A process of reclaiming local histories, legacies, and ways of life to establish autonomous identities and practices.
Goes beyond resistance by focusing on rebuilding and affirming modes of living disconnected from colonial frameworks.
Pluriversality
A concept opposing universalism, emphasizing diverse and multiple ways of knowing and existing.
Challenges the imposition of singular truths or systems, promoting a more inclusive, multi-dimensional worldview.
Western Modernity
A historical and ideological project rooted in rationality, universalism, and progress, intertwined with coloniality.
Frames the epistemological and ontological dominance imposed through colonial processes, which decoloniality seeks to dismantle.
Epistemic Disobedience
The rejection of Western knowledge systems and the development of alternative frameworks based on marginalized perspectives.
Encourages the creation of knowledge systems rooted in local and indigenous traditions, rejecting imposed Western hierarchies of knowing.
Indigeneity
Identity and practice tied to original inhabitants of a land, often contrasted with imposed colonial identities.
Central to resisting colonial power and asserting autonomy through cultural and historical affirmation.
Modernity/Coloniality
A dual concept where modernity (progress, rationality) is inseparable from coloniality (exploitation, domination).
Reveals the darker side of modernity as a project that relies on colonial hierarchies and exploitation.
Dewesternization
Efforts by non-Western countries to resist Western influence and assert political, economic, and cultural autonomy.
Highlights geopolitical shifts challenging the dominance of neoliberal globalization and Western-centric systems.
Civil and Epistemic Disobedience
Forms of resistance that involve rejecting established Western norms and knowledge systems in favor of alternative ones.
Provides tools for challenging dominant narratives and reclaiming autonomy in decision-making and knowledge production.
Disobedient Conservatism
The act of preserving cultural, historical, and epistemic legacies that challenge colonial impositions.
Serves as a strategy to protect and revitalize local traditions and knowledge systems within the decolonial project.
Geopolitics of Knowledge
The recognition that knowledge production is influenced by geographic and cultural positions, often dominated by the West.
Challenges the notion of universal knowledge by asserting the importance of local and marginalized perspectives.
Aesthesis
A form of sensing and experiencing the world beyond rationality, emphasizing emotion and embodiment in knowledge.
Contrasts with Western rationalism, offering a decolonial way of perceiving and understanding reality.
Contribution of “Coloniality Is Far from Over, and So Must Be Decoloniality” by Walter D. Mignolo to Literary Theory/Theories
Critique of Modernity/Coloniality Duality: Mignolo extends postcolonial discourse by demonstrating how modernity and coloniality are inseparable. He challenges the idea of modernity as purely progressive, emphasizing its reliance on colonial exploitation and epistemic domination (p. 39).
Relevance: Deepens the understanding of colonial legacies in literary texts, especially in analyzing how narratives of progress often conceal histories of exploitation.
Reference: “Modernity and coloniality are two sides of the same coin; the former could not exist without the latter” (p. 40).
Pluriversality as a Framework: Mignolo advocates for pluriversality instead of universality in interpreting literature and culture, enabling the recognition of diverse voices and perspectives marginalized by Western-centric frameworks (p. 44).
Relevance: Encourages the inclusion of non-Western epistemologies and narratives in literary analysis, challenging Eurocentric literary canons.
Reference: “Decoloniality operates on pluri-versality and truth and not in uni-versality and truth” (p. 44).
Epistemic Foundations of Racism: Mignolo highlights how colonial epistemologies created racial hierarchies that persist in literature and cultural representations (p. 41).
Relevance: Offers tools for analyzing racialized characters and themes, revealing how literature often perpetuates or resists epistemic racism.
Reference: “Racism is created by an epistemic classification, not by the representation of existing racial differences between human beings” (p. 41).
4. Feminist and Intersectional Theories
Geopolitics of the Body: The essay integrates insights from figures like Gloria Anzaldúa, emphasizing how coloniality intersects with gender, race, and sexuality (p. 43).
Relevance: Enriches feminist literary theory by focusing on the experiences of marginalized bodies, particularly in texts addressing race, gender, and colonial legacies.
Reference: “The geopolitics of racialized and sexualized bodies operates in the borderlines of Western epistemology” (p. 43).
Deconstruction of Dichotomies: Mignolo deconstructs Western epistemological binaries (e.g., knower/known, subject/object), calling for a more fluid understanding of identity and knowledge (p. 43).
Relevance: Aligns with poststructuralist approaches to destabilize fixed categories in literary texts, opening space for alternative interpretations.
Reference: “Decolonial thinking strives to delink itself from the imposed dichotomies articulated in the West” (p. 43).
Delinking and Relinking: The essay’s emphasis on delinking from Western narratives and relinking with local histories contributes to cultural studies by advocating for the recovery of suppressed traditions (p. 44).
Relevance: Encourages cultural studies scholars to examine how literature and media can foster cultural resilience against colonial legacies.
Reference: “Delinking from modernity/coloniality allows us to relink with the legacies we want to preserve” (p. 44).
7. Indigenous Studies
Prioritization of Indigeneity: Mignolo centers indigeneity as a vital framework for resistance, critiquing the Western imposition of identities (p. 43).
Relevance: Offers theoretical tools to analyze indigenous literature, focusing on how it resists colonial erasure and asserts alternative epistemologies.
Reference: “The act of rebuilding indigeneity implies decolonial delinking from settlers’ control of lives” (p. 43).
Examples of Critiques Through “Coloniality Is Far from Over, and So Must Be Decoloniality” by Walter D. Mignolo
Literary Work
Critique Through Mignolo’s Framework
Key Concepts from Mignolo
Joseph Conrad’s Heart of Darkness (1899)
– Exposes the coloniality of knowledge in the narrative, which frames Africa as a space of darkness and Europeans as bearers of civilization.
– Colonial Matrix of Power: The text reinforces the Western civilizing mission while dehumanizing African spaces (p. 39).
– Challenges the binary of “civilized vs. savage,” delinking from the Eurocentric gaze.
– Delinking and Relinking: Calls for a re-reading that centers African perspectives and critiques the imposed colonial framework (p. 44).
Chinua Achebe’s Things Fall Apart (1958)
– Highlights how the novel delinks from colonial narratives by centering Igbo culture and its disruption by colonial forces.
– Re-Existence: Achebe’s work exemplifies how local histories and legacies challenge colonial erasure (p. 44).
– Critiques Western universalism by presenting a complex, autonomous Igbo society prior to colonial intervention.
– Pluriversality: The novel rejects Eurocentric universality, advocating for the acknowledgment of multiple epistemologies (p. 44).
Toni Morrison’s Beloved (1987)
– Examines the novel’s critique of racialized bodies and the dehumanizing legacy of slavery as a facet of the CMP.
– Geopolitics of the Body: Morrison’s focus on the physical and emotional trauma of enslavement reflects the racialization of bodies (p. 43).
– Highlights Morrison’s use of memory and history to delink from colonial narratives that erased the humanity of enslaved peoples.
– Epistemic Disobedience: The novel reclaims the narrative agency of enslaved individuals, resisting colonial epistemologies (p. 43).
Gloria Anzaldúa’s Borderlands/La Frontera (1987)
– Explores the text’s emphasis on hybridity and the border as a site of resistance against colonial definitions of identity.
– Analyzes Anzaldúa’s call for epistemic disobedience by reclaiming indigenous and feminist ways of knowing.
– Delinking: Challenges imposed dichotomies of race, gender, and sexuality to propose alternative modes of existence (p. 43).
Criticism Against “Coloniality Is Far from Over, and So Must Be Decoloniality” by Walter D. Mignolo
1. Overgeneralization of Western Modernity
Mignolo’s critique often treats “Western modernity” as a monolithic entity, overlooking its internal diversity and contradictions.
Critics argue that by framing all aspects of modernity as tied to coloniality, he neglects alternative modernities and progressive movements within the West.
2. Ambiguity in Pluriversality
While Mignolo champions “pluriversality,” some critics contend that the concept lacks clarity in implementation, especially regarding how to balance diverse, conflicting perspectives without creating new hierarchies.
The idea of “pluriversality” may seem utopian and difficult to operationalize in practical or institutional settings.
3. Neglect of Material and Structural Challenges
Critics point out that Mignolo emphasizes epistemic and cultural delinking but provides limited guidance on addressing the material and structural inequalities perpetuated by coloniality.
The framework risks becoming overly theoretical, failing to engage with the economic and political dimensions of decolonial struggles.
4. Reliance on Dichotomies
Mignolo critiques Western dichotomies (e.g., subject/object, knower/known) but arguably creates new binaries, such as Western/Non-Western and modernity/decoloniality, which may oversimplify complex relationships.
This reliance on oppositional framing may undermine the nuanced, intersectional approach required for analyzing global colonial dynamics.
5. Limited Engagement with Indigenous and Local Specificities
Although Mignolo draws on indigeneity as a central concept, critics argue that his approach risks universalizing decoloniality, potentially overshadowing specific indigenous voices and contexts.
His external perspective as a scholar analyzing indigeneity may inadvertently perpetuate a hierarchical relationship.
6. Insufficient Attention to Global Interconnections
Some critics claim that Mignolo’s focus on delinking may underestimate the extent to which global interdependence, including collaborations across cultures, can be transformative rather than purely oppressive.
The call to delink may be impractical in a deeply interconnected global system where engagement and negotiation are necessary.
7. Lack of Concrete Strategies
Mignolo’s theoretical propositions, such as delinking and re-existing, are criticized for being abstract, leaving readers with limited actionable steps for implementing decoloniality.
Critics seek more detailed methodologies or practical frameworks to accompany his philosophical ideas.
Representative Quotations from “Coloniality Is Far from Over, and So Must Be Decoloniality” by Walter D. Mignolo with Explanation
“The Colonial Matrix of Power controls and touches upon all aspects and trajectories of our lives.” (p. 39)
This highlights the pervasive influence of coloniality across social, political, cultural, and economic domains, serving as the backbone of modern global power structures.
“Modernity and coloniality are two sides of the same coin; the former could not exist without the latter.” (p. 40)
Mignolo critiques the narrative of modernity as progress, revealing its reliance on colonial exploitation and epistemic domination, a central theme in decolonial thought.
“Decoloniality operates on pluri-versality and truth and not in uni-versality and truth.” (p. 44)
He emphasizes the need for diverse perspectives and the rejection of universalist claims, advocating for a world in which multiple epistemologies coexist.
“Re-existing is something other than resisting. If you resist, you are trapped in the rules of the game others created.” (p. 44)
Mignolo differentiates between mere opposition to coloniality and the active creation of autonomous frameworks for living, emphasizing the transformative power of re-existence.
“Decolonial thinking strives to delink itself from the imposed dichotomies articulated in the West, namely the knower and the known, the subject and the object.” (p. 43)
He critiques the epistemological binaries of Western thought, calling for alternative frameworks that value local knowledge and lived experiences.
“Indigeneity is an indigenous identity particular to an individual who sees him/herself as belonging to a specific group with roots dating prior to 1492.” (p. 44)
This situates indigeneity as a central concept in resistance against colonial frameworks, emphasizing historical continuity and cultural affirmation.
“The global westernizing project collapsed at the beginning of the twenty-first century… People begin to re-exist.” (p. 40)
He identifies a shift away from Western dominance, marking the rise of decolonial and de-westernization projects globally, reflecting broader geopolitical changes.
“What is relevant is an understanding of the trust of diverse projects around the world that are not initiated by the state, corporations, or banks.” (p. 44)
Mignolo underscores the grassroots nature of decolonial projects, emphasizing their independence from dominant global institutions and their localized, community-driven character.
“Racism is created by an epistemic classification, not by the representation of existing racial differences between human beings.” (p. 41)
This reveals how colonial epistemologies constructed racial categories to sustain hierarchical systems of power, offering a critical lens for analyzing racism in literature and history.
“There cannot be one and only one decolonial master plan—it would be far too modern, too Eurocentric, too provincial, too limited and still too universal.” (p. 44)
He rejects the imposition of a singular decolonial approach, advocating for flexible and context-specific strategies that honor the diversity of local histories and needs.
Suggested Readings: “Coloniality Is Far from Over, and So Must Be Decoloniality” by Walter D. Mignolo
Mignolo, Walter D. “Coloniality is far from over, and so must be decoloniality.” Afterall: A journal of art, context and enquiry 43.1 (2017): 38-45.
Mignolo, Walter D., and Wanda Nanibush. “Thinking and Engaging with the Decolonial: A Conversation Between Walter D. Mignolo and Wanda Nanibush.” Afterall: A Journal of Art, Context and Enquiry, vol. 45, 2018, pp. 24–29. JSTOR, https://www.jstor.org/stable/26558001. Accessed 17 Jan. 2025.
Mignolo, Walter D. “Decoloniality and Phenomenology: The Geopolitics of Knowing and Epistemic/Ontological Colonial Differences.” The Journal of Speculative Philosophy, vol. 32, no. 3, 2018, pp. 360–87. JSTOR, https://doi.org/10.5325/jspecphil.32.3.0360. Accessed 17 Jan. 2025.
MIGNOLO, WALTER D., and CATHERINE E. WALSH. “The Conceptual Triad: Modernity/Coloniality/Decoloniality.” On Decoloniality: Concepts, Analytics, Praxis, Duke University Press, 2018, pp. 135–52. JSTOR, https://doi.org/10.2307/j.ctv11g9616.11. Accessed 17 Jan. 2025.