
Introduction: “The Cow in Apple Time” by Robert Frost
“The Cow in Apple Time” by Robert Frost first appeared in 1916 in his celebrated collection Mountain Interval. The poem humorously yet pointedly explores themes of temptation, natural instinct, rebellion against boundaries, and the consequences of excess. Frost presents a cow who “make[s] no more of a wall than an open gate,” showing her disregard for human-made limits and her impulse-driven desire for the fallen apples. Her indulgence in the “cider syrup” and “windfalls spiked with stubble and worm-eaten” symbolizes how irresistible pleasures can lure one away from duty or discipline. The poem gained popularity for its vivid imagery, its blend of rustic realism and moral insight, and its subtle critique of human folly mirrored in the cow’s behavior. The closing line, “Her udder shrivels and the milk goes dry,” underscores the consequences of overindulgence, giving the poem its ironic moral twist—a signature Frostian move that continues to resonate with readers.
Text: “The Cow in Apple Time” by Robert Frost
Something inspires the only cow of late
To make no more of a wall than an open gate,
And think no more of wall-builders than fools.
Her face is flecked with pomace and she drools
A cider syrup. Having tasted fruit,
She scorns a pasture withering to the root.
She runs from tree to tree where lie and sweeten
The windfalls spiked with stubble and worm-eaten.
She leaves them bitten when she has to fly.
She bellows on a knoll against the sky.
Her udder shrivels and the milk goes dry.
Annotations: “The Cow in Apple Time” by Robert Frost
| Line from the Poem | Simple, Detailed Annotation | Literary Devices |
| 1. “Something inspires the only cow of late” | The cow has recently developed a strange new desire or motivation that is influencing her behaviour. | Personification (cow “inspired”), Foreshadowing |
| 2. “To make no more of a wall than an open gate,” | She no longer treats the wall as a barrier; she behaves as if it’s completely open. | Metaphor (wall vs. gate), Symbolism (boundaries) |
| 3. “And think no more of wall-builders than fools.” | She considers those who built the wall to be foolish, showing her rebellion against control. | Irony, Personification (cow judging humans) |
| 4. “Her face is flecked with pomace and she drools” | Her face is covered with crushed apple pulp, and she is drooling from overeating. | Imagery (visual), Sensory Detail |
| 5. “A cider syrup. Having tasted fruit,” | She has tasted fermenting apples that produce a syrup-like juice, which excites her. | Imagery (taste), Alliteration (cider syrup) |
| 6. “She scorns a pasture withering to the root.” | She rejects the dry pasture; apples are now more appealing than normal grass. | Contrast, Imagery |
| 7. “She runs from tree to tree where lie and sweeten” | She moves quickly between apple trees where fallen apples are becoming sweeter as they rot. | Imagery (movement, taste), Personification (apples “sweeten”) |
| 8. “The windfalls spiked with stubble and worm-eaten.” | The fallen apples are on rough ground and many are worm-infested, yet she still eats them. | Imagery (visual), Compound Adjectives |
| 9. “She leaves them bitten when she has to fly.” | She takes hurried bites and then runs away, suggesting manic or intoxicated behaviour. | Metaphor (“fly” = run fast), Hyperbole |
| 10. “She bellows on a knoll against the sky.” | She stands on a small hill and moos loudly, possibly in distress or drunken excitement. | Imagery (visual + sound), Symbolism (knoll = exposure) |
| 11. “Her udder shrivels and the milk goes dry.” | Because of her unhealthy diet, her body suffers; she can no longer produce milk. | Irony, Symbolism (consequences), Imagery |
Literary And Poetic Devices: “The Cow in Apple Time” by Robert Frost
| Device | Definition | Example from Poem | Explanation |
| 1. Alliteration | Repetition of initial consonant sounds | “cider syrup” | Creates musicality and draws attention to the sweetness that tempts the cow. |
| 2. Assonance | Repetition of vowel sounds | “windfalls spiked with stubble” | Enhances flow and mimics the cow’s hurried movement. |
| 3. Contrast | Juxtaposition of two different ideas | “pasture withering” vs. “sweeten” | Highlights the cow’s rejection of dull pasture for enticing apples. |
| 4. Enjambment | Continuing a sentence without a pause across lines | “Something inspires the only cow of late / To make no more of a wall…” | Reflects the cow’s continuous, unstoppable movement. |
| 5. Foreshadowing | Hinting at future consequences | “Having tasted fruit” | Suggests that indulging in apples will have negative effects later. |
| 6. Hyperbole | Exaggeration for effect | “when she has to fly” | Exaggerates her speed, implying frantic, excited movement. |
| 7. Imagery | Descriptive language appealing to senses | “Her face is flecked with pomace and she drools” | Creates a vivid, sensory image of the cow’s apple-drunk state. |
| 8. Irony | A contrast between expectation and reality | “Her udder shrivels and the milk goes dry” | Irony lies in fruit meant to nourish instead ruining her milk. |
| 9. Metaphor | Comparison without using “like” or “as” | “no more of a wall than an open gate” | Shows she sees barriers as meaningless, reflecting rebellion. |
| 10. Onomatopoeia | Words that imitate sounds | “bellows” | Conveys the loud, distressed sound the cow makes. |
| 11. Oxymoron | Two opposite ideas joined | “worm-eaten sweeten” (sweet fruit but spoiled) | Shows the contradiction of appealing yet rotten apples. |
| 12. Personification | Giving human qualities to non-humans | “Something inspires the cow” | The cow is depicted as having motives and opinions. |
| 13. Repetition | Reuse of words or sounds for emphasis | “tree to tree” | Emphasises restless, compulsive movement. |
| 14. Sensory Imagery (Taste) | Imagery appealing to sense of taste | “A cider syrup” | Shows the intoxicating sweetness of fermented apples. |
| 15. Sensory Imagery (Sight) | Imagery appealing to sight | “Her face… flecked with pomace” | Shows the messiness of her overindulgence. |
| 16. Symbolism | Using an object to represent an idea | The apples | Symbolise temptation, indulgence, and moral failing. |
| 17. Tone | The poet’s attitude toward the subject | Playful yet cautionary tone | Frost humorously shows the cow’s folly but warns of consequences. |
| 18. Visual Imagery | Descriptive language that appeals to the eyes | “on a knoll against the sky” | Creates a dramatic silhouette of the cow’s distress. |
| 19. Vivid Verbs | Strong action words for emphasis | “scorns,” “bellows,” “shrivels” | Add energy and drama to the cow’s changing behaviour. |
| 20. Zoomorphism (Reverse) | Giving animalistic qualities to objects/actions | The cow treating humans as “fools” | Shows reversal of roles—human actions are judged by an animal. |
Themes: “The Cow in Apple Time” by Robert Frost
1. Theme of Temptation and Desire
In Robert Frost’s poem “The Cow in Apple Time,” the theme of temptation and overpowering desire appears vividly through the cow’s sudden fascination with fallen apples. Once she “having tasted fruit,” her ordinary pasture no longer satisfies her, and she eagerly pursues the sweetness of the apples that “lie and sweeten” beneath the trees. Her desire becomes so intense that she treats the boundary wall as “no more… than an open gate,” showing how temptation dissolves rational limits. Even the rotten, “worm-eaten” apples attract her, symbolizing the seductive pull of harmful pleasures. Frost uses the cow’s uncontrollable craving to illustrate a universal human weakness: how easily one abandons moderation when confronted with irresistible delights.
2. Theme of Rebellion Against Boundaries
In Robert Frost’s poem “The Cow in Apple Time,” another important theme is rebellion against imposed boundaries and restrictions. Driven by her newfound desire, the cow disregards the farmer’s authority and the structures meant to confine her. She treats the wall as though it were “an open gate,” and she “think[s] no more of wall-builders than fools,” displaying her complete rejection of control. Her restless motion “from tree to tree” reflects an almost frantic assertion of freedom, a refusal to accept limitations when they conflict with instinct. Frost uses the cow’s defiance to reveal a broader human tendency to resist rules when they constrain personal impulses or desires.
3. Theme of Excess and Consequence
In Robert Frost’s poem “The Cow in Apple Time,” the theme of excess and its inevitable consequences develops through the cow’s uncontrolled indulgence. Drawn to the intoxicating “cider syrup,” she abandons healthy eating habits and consumes every fallen apple she can find—even those “spiked with stubble and worm-eaten.” This excitement quickly turns destructive, culminating in the poem’s ironic final image: “Her udder shrivels and the milk goes dry.” Frost emphasizes that overindulgence, even in seemingly harmless pleasures, leads to decline and loss. The cow’s frantic behaviour, leaving apples “bitten” as she “has to fly,” mirrors addiction, demonstrating how pleasure without restraint transforms into self-destructive excess.
4. Theme of Nature’s Instinct Versus Human Control
In Robert Frost’s poem “The Cow in Apple Time,” the tension between natural instinct and human control becomes a prominent theme. The cow’s actions are guided entirely by instinct rather than by the farmer’s rules or expectations. She dismisses the purpose of the wall, treating it as insignificant, and considers the “wall-builders” irrelevant to her desires. Frost contrasts the “pasture withering to the root” (representing human management) with the wild apples that “sweeten” naturally on the ground, highlighting the conflict between controlled environments and instinct-driven behaviour. Through the cow’s disregard for boundaries, Frost suggests that nature’s impulses often overpower human attempts to impose order.
Literary Theories and “The Cow in Apple Time” by Robert Frost
| Literary Theory | How the Theory Applies | References from the Poem |
| 1. New Criticism | New Criticism focuses on the poem itself—its structure, imagery, irony, and internal unity—without external context. Frost’s poem creates a tight, self-contained narrative where images of rot, sweetness, and decay form an organic whole. The ironic ending (the cow’s dried milk) gives the poem unity: temptation → indulgence → collapse. | Imagery: “Her face is flecked with pomace”; Irony: “Her udder shrivels and the milk goes dry”; Structure: the shift from excitement to consequence. |
| 2. Psychoanalytic Theory | The cow represents unconscious desire overpowering rational control—similar to Freud’s concept of the id dominating the ego. Her cravings lead her to disregard boundaries (“no more of a wall than an open gate”) as she compulsively chases pleasure. The frantic running and drooling evoke addiction-like behaviour, suggesting uncontrolled impulses. | Desire: “Having tasted fruit”; Rebellion against restraint: “think no more of wall-builders than fools”; Compulsion: “She runs from tree to tree.” |
| 3. Ecocriticism | Ecocriticism explores the relationship between humans, animals, and the environment. Frost highlights how human attempts to control nature (walls, pastures) conflict with natural instinct. The cow chooses wild apples over the “pasture withering to the root,” showing nature’s rejection of human-designed order. The poem also critiques agricultural control and the unintended consequences of human–animal interaction. | Nature vs. human boundary: “make no more of a wall than an open gate”; Natural abundance vs. cultivation: “windfalls spiked with stubble and worm-eaten.” |
| 4. Moral / Didactic Criticism | The poem conveys a moral lesson about excess, indulgence, and consequence. Frost frames the cow’s pleasure-seeking behaviour as a warning: indulging in sweet, intoxicating temptations leads to harm. The final line delivers the moral outcome—physical decline due to overconsumption. Frost uses the cow as a symbolic figure teaching readers about moderation. | Temptation: “A cider syrup”; Excess: “She leaves them bitten when she has to fly”; Consequence: “Her udder shrivels and the milk goes dry.” |
Critical Questions about “The Cow in Apple Time” by Robert Frost
1. How does Frost use the cow’s behaviour to explore the theme of temptation in the poem?
In Robert Frost’s poem “The Cow in Apple Time,” the cow’s behaviour becomes a symbolic reflection of how temptation disrupts natural discipline. The moment she tastes the sweetness of the apples—described as “A cider syrup”—her behaviour shifts from calm grazing to reckless indulgence. Instead of valuing her usual “pasture withering to the root,” she abandons duty for immediate gratification. Frost highlights how temptation distorts judgment: the cow no longer sees the protective wall as a barrier but “no more… than an open gate,” showing how desire collapses rational boundaries. Her frantic movement “from tree to tree” suggests that temptation does not satisfy but instead intensifies hunger. Through this portrayal, Frost illustrates the universal idea that once desire takes hold, it becomes difficult to return to moderation.
2. What does the poem suggest about the consequences of excess and overindulgence?
In Robert Frost’s poem “The Cow in Apple Time,” the consequences of excess are depicted through the cow’s physical deterioration after consuming too many rotten apples. Her indulgence in the intoxicating fruit begins with pleasure—her face “flecked with pomace” and mouth dripping “cider syrup”—but quickly turns harmful. Frost captures this shift through stark imagery: after overeating the “worm-eaten” and “spiked” windfalls, the cow’s body fails her. The final line, “Her udder shrivels and the milk goes dry,” delivers the poem’s moral punch, showing that uncontrolled pleasure leads to loss rather than fulfillment. This decline reflects a universal warning: excess brings immediate satisfaction but long-term damage, whether for a cow or a human being. Frost uses the cow’s fate as a cautionary example of how indulgence can undo one’s natural productivity and health.
3. How does the poem portray the conflict between nature’s instincts and human authority?
In Robert Frost’s poem “The Cow in Apple Time,” the conflict between natural instinct and human authority is vividly represented through the cow’s disregard for the farmer’s boundaries. Frost shows that the cow’s instincts overpower the structures humans create: she treats the wall as merely “an open gate,” dismissing the farmer’s effort to restrict her. Her contempt for authority surfaces explicitly when she “think[s] no more of wall-builders than fools,” aligning nature with autonomy and humans with misguided control. Instead of staying in the controlled pasture—“withering to the root”—she chooses the wild, unpredictable environment where apples “lie and sweeten.” Frost suggests that human systems cannot fully contain the impulses of the natural world. The cow becomes a symbol of nature’s independence, reminding readers that instinct often surpasses imposed order.
4. How does Frost use irony to shape the reader’s understanding of the poem’s message?
In Robert Frost’s poem “The Cow in Apple Time,” irony plays a central role in revealing the poem’s deeper message about desire and consequence. At first, the cow’s discovery of apples seems like a joyful liberation—she finds sweetness, abundance, and excitement beyond the dull pasture. The imagery of her running wildly, tasting fruit, and dripping “cider syrup” suggests exhilaration. Yet this pleasure is deceptive: the apples are “worm-eaten,” and the joy turns to pain. The ultimate irony arrives in the closing line, “Her udder shrivels and the milk goes dry,” transforming what seemed like a feast into a form of self-destruction. Frost uses this ironic reversal to remind readers that what feels desirable or freeing in the moment may carry hidden costs. The cow’s fate becomes an ironic moral: the sweetest temptations often bring the bitterest consequences.
Literary Works Similar to “The Cow in Apple Time” by Robert Frost
- “Birches” by Robert Frost — Similar because it explores the tension between natural instinct and human restraint, just as the cow rebels against boundaries.
- “Mending Wall” by Robert Frost — Shares Frost’s recurring theme of questioning boundaries and human attempts to control nature.
- “The Runaway” by Robert Frost — Like the cow, the young colt behaves instinctively and impulsively, showing nature’s unpredictability.
- “The Tuft of Flowers” by Robert Frost — Similar in its use of rural imagery and the relationship between humans, animals, and natural environment.
- “The Oxen” by Thomas Hardy — Resonates through its pastoral setting and reflection on human–animal symbolism within a moral or reflective framework.
Representative Quotations of “The Cow in Apple Time” by Robert Frost
| Quotation | Reference to the Context | Theoretical Perspective |
| 1. “Something inspires the only cow of late” | Describes the sudden inner impulse driving the cow toward forbidden apples. | Psychoanalytic Theory (Id-driven impulse) |
| 2. “To make no more of a wall than an open gate” | Shows the cow ignoring human-imposed boundaries in pursuit of desire. | New Criticism (Symbolism of boundaries) |
| 3. “And think no more of wall-builders than fools.” | The cow mocks human authority, rejecting the logic behind agricultural control. | Ecocriticism (Nature resisting human order) |
| 4. “Her face is flecked with pomace and she drools” | Presents vivid sensory imagery showing her gluttonous indulgence. | Formalism (Imagery revealing character) |
| 5. “A cider syrup. Having tasted fruit,” | Signals the intoxicating sweetness of fermented apples that changes her behaviour. | Moral Criticism (Temptation leading to downfall) |
| 6. “She scorns a pasture withering to the root.” | Her natural diet loses value after tasting the sweetness of apples. | Psychoanalytic Theory (Shift from need to desire) |
| 7. “She runs from tree to tree where lie and sweeten” | Shows frantic, uncontrolled movement symbolizing addiction-like behaviour. | Reader-Response (Reader interprets frenzy as excess) |
| 8. “The windfalls spiked with stubble and worm-eaten.” | Emphasizes that she doesn’t discriminate between healthy and rotten apples. | Marxist Criticism (Consumption beyond utility) |
| 9. “She leaves them bitten when she has to fly.” | Illustrates compulsive sampling—never satisfied, always seeking more. | Psychoanalytic Theory (Repetition compulsion) |
| 10. “Her udder shrivels and the milk goes dry.” | The final, ironic outcome showing physical damage from overindulgence. | New Criticism (Irony revealing the poem’s moral unity) |
Suggested Readings: “The Cow in Apple Time” by Robert Frost
- Frost, Robert. Collected Poems of Robert Frost. Henry Holt and Company, 1930.
- Hoffman, Tyler B. Robert Frost and the Politics of Poetry. University Press of New England, 2001.
- Smith, Virginia F. “Frost on the Apple.” Interdisciplinary Studies in Literature and Environment, vol. 23, no. 4, 2016, pp. 677–93. JSTOR, https://www.jstor.org/stable/26569711. Accessed 20 Nov. 2025.
- Cook, Reginald L. “Robert Frost’s Asides on His Poetry.” American Literature, vol. 19, no. 4, 1948, pp. 351–59. JSTOR, https://doi.org/10.2307/2921488. Accessed 20 Nov. 2025.
- Knepper, Steven. “Political Foundations in ‘Mending Wall.’” The Robert Frost Review, no. 23/24, 2013, pp. 54–69. JSTOR, http://www.jstor.org/stable/43897302. Accessed 20 Nov. 2025.
- “The Cow in Apple Time.” Poetry Foundation, https://www.poetryfoundation.org/poems/44267/the-cow-in-apple-time.
- “The Cow in Apple Time.” Poets.org, https://poets.org/poem/cow-apple-time.