Introduction: The Miller in The Prologue
The Miller in The Prologue is introduced as a boisterous and brawny character, challenging societal norms with his coarse behavior and offering a satirical glimpse into the complexities of medieval life in “The Canterbury Tales.” Chaucer has used a variety of characters with specific idiosyncrasies in his Prologue to The Canterbury Tales. They represent a diverse group of pilgrims embarking on a journey, and their distinct traits could easily be recognized in today’s world through their real physical features and corresponding habits.
Narrator and The Miller in The Prologue
The narrator of the Prologue describes the Miller as “a stout carl for the nones; / Ful byg he was of brawn, and eek of bones” (Chaucer 545-546), indicating his well-built physique and crude nature reminiscent of a common college student. With his red hair, impressive beard, and broad nostrils, the Miller not only reveals his fiery temperament but also a lecherous attitude. Notably skilled in wrestling, the mention of his prowess further emphasizes his strong physique. Despite a wart on his nose and a tuft of hair, suggesting a shamefaced and easily angered nature, it adds a humorous touch as he becomes incensed even over trivial matters.
This impression is reinforced by the description of his nose and mouth, portraying him as a large and irate individual with wide nostrils and a mouth larger than a furnace. Although the physical description alone may not fully capture his character, the subsequent lines, “He was a janglere and a goliardeys, / And that was moost of synne and harlotries” (560-561), reveal that he is not only a loudmouth but also a skilled comedian, weaving tales of sins, adept at stealing and bullying. Furthermore, his awareness of everyday tasks, such as leading the pilgrims out of the city, adds layers to the multifaceted character of the Miller.
Character Traits of The Miller in The Prologue
In portraying the churlish, boorish, and unpretentious Miller, Chaucer offers a genuine glimpse into medieval life, moving beyond the polished depictions of kings and queens. He illustrates that characters like the Miller are not just everyday commoners but individuals prone to mistakes and displaying behaviors akin to the common people of the time. The detailed presentation of his physical characteristics serves as a reflection of his nature, with the wart on his nose ironically symbolizing his lack of shame despite his rustic demeanor. The Miller’s jokes about sins and his unabashed singing further highlight his unapologetic nature. In essence, the Miller emerges as a realistic portrayal of a rustic character—uncivilized but authentically grounded in reality. Consequently, the Miller stands out as a genuine representation among the various characters, embodying different strata of life within the pilgrims’ ensemble.
Works Cited: The Miller in The Prologue
- Kaai, Krystal. “Sympathy and Revolt in The Miller’s Prologue and Tale.” Williams Prize (2010).
- Chaucer, Geoffrey. The Complete Works of Geoffrey Chaucer: The Canterbury tales: text. Vol. 4. Clarendon Press, 1894.
Relevant Questions about The Miller in The Prologue
- How does Chaucer’s portrayal of The Miller in The Prologue contribute to the overall satirical tone of “The Canterbury Tales,” and what societal traits or stereotypes does this character embody?
- In what ways does The Miller’s occupation, behavior, and interactions with other pilgrims provide insights into his personality and social standing as depicted in The Prologue?
- How does Chaucer use The Miller’s physical appearance and mannerisms in The Prologue to convey deeper meanings or satirical commentary on the character’s role within the medieval society presented in “The Canterbury Tales”?