
Introduction: “The New Historicism and Marxism” by Tom Lewis
“The New Historicism and Marxism” by Tom Lewis first appeared in the Journal of the Midwest Modern Language Association, Vol. 24, No. 1 (Spring, 1991), in a special issue titled Cultural Studies and New Historicism (pp. 14–23). In this critical essay, Lewis responds to Catherine Gallagher’s influential piece “Marxism and the New Historicism,” offering a powerful Marxist critique of New Historicism’s ideological tendencies and political shortcomings. Central to Lewis’s argument is the contention that New Historicism, rather than representing a genuine advance in politically engaged criticism, reflects a retreat into ironic detachment, academic formalism, and middle-class quietism. He contrasts the revolutionary potential of classical Marxism—which prioritizes working-class agency and structural transformation—with New Historicism’s reluctance to commit to political praxis or revolutionary aims. Lewis challenges the idea that cultural critique alone, devoid of organized political engagement, can meaningfully confront capitalist ideology. He argues that New Historicism has inherited the failures of the New Left, particularly its fragmentation, identity-based politics, and detachment from class struggle. Importantly, the essay underscores the necessity of party organization, historical materialism, and solidarity across oppressed groups as foundational to any emancipatory literary practice. Lewis’s contribution is significant for reasserting the need to link literary theory with real-world social transformation, reaffirming Marxist criticism’s relevance against the backdrop of depoliticized academic trends.
Summary of “The New Historicism and Marxism” by Tom Lewis
🔴 Critique of New Historicism’s Class Position
- 🧩 New Historicism reflects middle-class intellectual detachment: Lewis argues it emerged from the “new middle classes” and expresses a “modernist stance of ironic detachment” after the failures of the 1968 radical wave (p. 14).
- 🕳️ Politically “abstract and paralyzing”: Though nuanced, New Historicism’s politics are seen as ultimately hollow and non-transformative (p. 14).
- 📉 It fails to offer a path to real social change, remaining within the confines of academia.
🟢 Gallagher’s Defense of New Historicism Challenged
- 📖 Catherine Gallagher’s essay “Marxism and the New Historicism” is the focal point of Lewis’s critique. She claims New Historicism continues the legacy of 1960s radicalism, particularly the New Left (p. 14).
- 🚫 Lewis disagrees, arguing that Gallagher “preserves and continues” New Left tendencies while overlooking their failures (p. 14–15).
- 📚 He sees her narrative as a misrepresentation that evades the structural decline of radical activism into academic theory.
🟡 New Left: From Revolution to Radical Chic
- 🎯 Initial successes: The New Left opposed the Vietnam War and supported civil rights and anti-imperialist struggles (p. 15).
- 🏫 Co-opted by academia: Lewis criticizes the transition of radicals into academic roles, noting that they “quickly went from radical to radical chic” (p. 15).
- 🌀 Obsession with theory: The shift from organizing to writing about “Althusser-Lacan-Barthes-Derrida-Foucault” became symptomatic of this detachment (p. 15).
🔵 Feminism and the Limits of Separatism
- 👭 Women’s radical movements were crucial, but fragmented by internal contradictions and identity politics.
- 🔍 Sexism within radical groups: Women faced “virulent sexism and bureaucratic elitism” in groups like SDS (p. 15).
- 🚪 Separatist responses: Groups like Redstockings and New York Radical Feminists emerged, but often led to exclusion and division (p. 15–16).
- 💔 Fragmentation over unity: Debates over lesbianism, men’s involvement, and personal lifestyles led to the movement’s splintering: “Real political differences manifested themselves in supposedly personal disagreements” (p. 17).
- 🔕 Loss of democratic structure: Meetings degenerated into confusion and cliquism, exemplified by Bread and Roses’ Meredith Tax: “The meetings were a total turn-off” (Echols 1989, quoted on p. 17).
🟣 Critique of Identity Politics and “Decentered” Solidarity
- 🧱 Gallagher celebrates the “logic of decentered distribution,” where each group speaks for itself against a system of oppression (p. 17).
- ❗ Lewis argues this leads to political dead ends: “Every oppression presumed that its particular oppression was causally primary” (p. 17).
- 🚧 He warns that identity politics, as practiced, became an “anti-politics of identity” leading to fragmentation and “apolitical introspection” (Kauffman 1990: 68).
🟠 Cultural Critique Without Class Is Empty
- 🎭 Gallagher favors New Historicism’s view that “culture achieves total control through its very fracturing” (p. 19).
- 🚫 Quietism over resistance: This “seems in itself quietistic,” leading to the belief that resistance is futile (p. 19).
- 📚 Lewis critiques this position as surrendering the possibility of revolutionary literature in favor of academic relativism.
🟤 New Historicism vs. Left Formalism
- 📐 Gallagher distances herself from Althusserian formalism but retains some of its apolitical methods: she critiques the idea that “form itself were revelatory” (p. 18).
- 🧠 Lewis sees New Historicists as combining “a politics of voluntarism with a politics of textualism,” avoiding structural material analysis (p. 18).
- 🎭 Their emphasis on ironic consciousness promotes passivity, not political change.
⚫ Political Cowardice: No Space for Revolution
- 🛑 Gallagher claims critics can’t become political subjects without “an experience of decentered helplessness” (p. 21).
- 📣 Lewis denounces this as academic defeatism. Revolutionary movements have always emerged from those deemed “decentered” by the system.
- 💥 He asserts that refusing to “argue confidently for revolutionary positions” leads to complicity with the status quo (p. 20–21).
🔶 Rebuilding Class-Based Criticism
- 🏗️ Lewis calls for returning to socialist, class-oriented criticism—not postmodern detachment.
- ✊ Key tasks include:
- Challenging Stalinism, Maoism, and Eurocommunism
- Reaffirming the agency of the working class
- Confronting movementism’s limitations
- Re-engaging with Marxist strategies for change (p. 21–22)
- 🧭 A political alternative to liberal reform must be forged through critical, organized activism—not just “signifying practice.”
⚪ Final Warning: Intellectual Elitism and Technocratic Drift
- ⚖️ Lewis warns that post-1968 intellectuals increasingly fantasize about “hegemonic leadership roles” in a future society based on “technocratic expertise” (p. 22).
- 📉 This shift reflects the “abandonment of real politics” in favor of academic careerism and top-down change.
Theoretical Terms/Concepts in “The New Historicism and Marxism” by Tom Lewis
Term / Concept | Explanation | Usage in the Article with In-text Citation |
New Historicism | A literary theory focused on cultural context, discourse, and power. | Lewis critiques it as a mode “best explained in the context of the ‘new middle classes'” that results in “abstract and paralyzing” politics (Lewis, 1991, p. 14). |
Marxism | A theory of class struggle and historical materialism. | Upheld by Lewis as necessary for a politically grounded criticism that maintains revolutionary potential (p. 20). |
Postmodernism | A skeptical, anti-foundational intellectual mode. | Lewis argues New Historicism is actually modernist in disguise, masking elite detachment as postmodernism (p. 18). |
Identity Politics | Political mobilization based on personal or group identity. | Called a “blind alley” that fragments the left: “Each and every oppression presumed that its particular oppression was causally primary” (p. 17). |
Class Struggle | The central conflict between social classes under capitalism. | Gallagher denies its primacy, but Lewis states that New Historicists “know” but deny class struggle because they “love capitalism more than they hate it” (p. 20). |
Voluntarism | Emphasis on individual willpower in theory or action. | Lewis critiques both Althusserianism and New Historicism for combining “a politics of voluntarism with a politics of textualism” (p. 18). |
Textualism | A critical approach centered on close textual analysis at the expense of context. | Criticized as the literary equivalent of economism in theory, detaching literature from real political struggle (p. 18). |
Left Formalism | Marxist-influenced literary formalism, especially Althusserian. | Gallagher critiques it for assuming the subversiveness of form; Lewis calls it “unregenerate” and disconnected from historical agency (p. 18–19). |
Cultural Materialism | A cultural theory emphasizing the material conditions behind texts. | While not named directly, Lewis’s Marxist position contrasts New Historicism’s refusal to ground cultural critique in class and material forces (p. 20). |
Signifying Practice | A theoretical belief that discourse alone enacts change. | Satirized by Lewis: radicals believed “after the intellectuals had published enough essays… the masses would rise upon cue and seize the television stations!” (p. 15). |
Substitutionalism | Replacing class struggle with another identity as the central axis of critique. | Lewis criticizes New Left and feminist groups that assumed “liberating women has priority above every other idea” (p. 17). |
Decentered Subject | The idea that individuals are fragmented products of discourse and social forces. | Gallagher sees this positively, but Lewis argues it promotes “decentered helplessness” and denies agency (p. 21). |
Revolutionary Agency | The capacity of oppressed groups to change their conditions. | Lewis insists on the working class as the agent of change, accusing New Historicists of political cowardice for refusing to defend revolutionary positions (p. 20–22). |
Western Marxism | Thinkers like Lukács and the Frankfurt School. | Gallagher appeals to their legacy, but Lewis claims she misrepresents them and trivializes their politics (p. 19). |
Technocratic Elitism | Rule or dominance by experts/intellectuals in place of democratic masses. | Critiqued in the article’s conclusion as a fantasy held by post-1968 radicals: “the generation that lost its revolutionary illusions… now secretly fantasizes a hegemonic leadership role” (p. 22). |
Contribution of “The New Historicism and Marxism” by Tom Lewis to Literary Theory/Theories
🔴 📌 Reassertion of Historical Materialism in Literary Criticism (Marxist Theory)
- Lewis defends Marxist theory as essential for restoring the link between literature and material conditions.
- He insists on class struggle as the “crucial contradiction” overlooked by New Historicism, which “knows but denies the primacy of class” (p. 20).
- 📣 Contribution: Re-centers class and political economy as non-negotiable foundations of literary theory, against post-structural detachment.
🟢 📌 Critique of Postmodernism and Cultural Relativism
- While New Historicism claims postmodern lineage, Lewis calls it a disguised form of modernist elitism: “Ultimately modernist in a ‘postmodernist’ guise” (p. 18).
- 📣 Contribution: Challenges the theoretical legitimacy of postmodernism within literary criticism by exposing its depoliticized, academic core.
🟡 📌 Intervention in the Identity Politics Debate (Cultural Theory / Feminist Theory)
- He critiques the fragmentation caused by identity politics, stating it led to “a cycle of fragmentation and diffusion of political energies” (Kauffman 1990:68, cited p. 17).
- 📣 Contribution: Warns that substituting identity for class undermines collective resistance, calling for theories that integrate both identity and class struggle.
🔵 📌 Deconstruction of New Historicism’s Political Claims (New Historicism)
- While acknowledging its influence, Lewis argues that New Historicism’s “ironic detachment” and emphasis on textual multiplicity result in political paralysis (p. 14, 19).
- 📣 Contribution: Exposes New Historicism’s limitations as a literary-political framework, pushing scholars to rethink its revolutionary pretensions.
🟣 📌 Recovery of Revolutionary Criticism (Critical Theory / Praxis-Based Theories)
- Advocates for literary criticism that makes explicit political commitments: “What’s wrong with a political criticism that furthers the struggle for socialism, women’s liberation…?” (p. 20).
- 📣 Contribution: Reorients literary theory toward activism and movement-building, bridging critique and praxis.
🟠 📌 Re-evaluation of Althusserian Formalism (Structuralist Marxism)
- Lewis critiques the “left formalism” of Althusser and Macherey for assuming art’s subversiveness without political grounding (p. 18–19).
- 📣 Contribution: Suggests that even Marxist formalism must be accountable to historical and revolutionary practice, not just structural reading.
🟤 📌 Challenge to the Academic Co-option of Radicalism (Cultural Studies)
- Notes that many radicals “went from radical to radical chic” as academia replaced activism (p. 15).
- 📣 Contribution: Calls on Cultural Studies to re-engage with its political roots, including trade unionism and working-class alliances.
⚫ 📌 Redefining the Role of the Intellectual (Public Intellectualism / Theory & Politics)
- Warns against technocratic elitism: “The generation that lost its revolutionary illusions… fantasizes a hegemonic leadership role in the future society” (p. 22).
- 📣 Contribution: Urges literary theorists to act as participants, not managers of social transformation.
🔶 📌 Restatement of Collective Agency in Theory (Radical Humanism / Political Literary Theory)
- Rejects the idea that “decentered subjects” cannot change the world, noting they have—through revolutions, movements, and uprisings (p. 21).
- 📣 Contribution: Defends a critical humanism rooted in collective agency, challenging the fatalism of structuralist/poststructuralist models.
Examples of Critiques Through “The New Historicism and Marxism” by Tom Lewis
Literary Work | New Historicist Approach (Critiqued by Lewis) | Marxist Re-interpretation (As Advocated by Lewis) |
William Shakespeare’s The Tempest | Focuses on colonial discourse and power through language and performance; emphasizes ambiguity and irony. | Lewis would emphasize Prospero’s domination as reflecting emergent capitalist power and colonial exploitation, calling for revolutionary critique. |
Charlotte Perkins Gilman’s The Yellow Wallpaper | Seen as a fragmented subject negotiating medical discourse and gender roles in 19th-century America. | A Marxist lens would highlight patriarchal control tied to bourgeois domestic ideology, showing how women’s labor is confined and exploited. |
George Orwell’s 1984 | Interpreted as a post-structural meditation on surveillance, signification, and discourse. | Lewis’s framework would stress state repression as a product of totalitarian capitalism, urging critique of class surveillance and alienation. |
Toni Morrison’s Beloved | Explored through memory, trauma, and discursive constructions of identity in racial history. | A Marxist critique would analyze how slavery functioned as economic exploitation, tying racial oppression to capitalist accumulation and labor value. |
🔍 Methodological Note:
These reinterpretations reflect Tom Lewis’s call to:
- Reject the ironic detachment of New Historicism.
- Restore class struggle, material conditions, and revolutionary potential to literary analysis.
- Treat literature not just as “signifying practice” but as part of historical and ideological struggle (Lewis, 1991, pp. 18–22).
Criticism Against “The New Historicism and Marxism” by Tom Lewis
🔴 🧱 Overreliance on Class as the Primary Analytical Lens
- Critics might argue that Lewis’s unwavering focus on class struggle ignores the intersectionality of race, gender, sexuality, and identity.
- His Marxist insistence on economic determinism may overlook the complexities of cultural production and subjective experience in literature.
🟡 🔍 Reductionism Toward New Historicism
- Lewis presents a monolithic and often dismissive portrayal of New Historicist critics.
- He underplays the nuanced, historicized readings of power and ideology offered by New Historicists like Stephen Greenblatt and Catherine Gallagher.
🟢 🎭 Mischaracterization of Postmodernism and Irony
- His critique that New Historicism promotes “ironic detachment” (p. 14) could be seen as oversimplified.
- Postmodern irony, in many readings, serves as resistance, not apathy—contrary to Lewis’s claim that it “paralyzes” political engagement.
🔵 📚 Dismissal of Identity Politics as Fragmentation
- Critics might reject Lewis’s claim that identity politics leads to “a cycle of fragmentation” (p. 17).
- This view undermines the political realities of marginalized groups, suggesting that their struggles are distractions from the “main” class struggle.
🟣 📏 Dogmatic Marxist Framework
- Lewis’s tone at times is rigidly ideological, favoring Leninist class politics as the only legitimate form of literary-political analysis.
- This could alienate scholars who seek more pluralistic or hybrid theoretical approaches (e.g., combining feminism, postcolonial theory, or queer theory with Marxism).
🟤 📉 Neglect of Institutional Realities in Academia
- Lewis critiques New Left academics for entering the academy, yet offers no practical alternative for how intellectuals should function in institutional spaces.
- His dismissal of academic work as “radical chic” (p. 15) may seem cynical and dismissive of genuine pedagogical labor.
⚫ 🎯 Lack of Engagement with Evolving New Historicism
- By 1991, New Historicism had already diversified. Lewis does not sufficiently engage newer or more politically committed variations of the approach.
- His critique is largely based on a selective reading of Gallagher, without fully addressing scholars like Jameson or Greenblatt’s later work.
🔶 🤝 Missed Opportunity for Theoretical Synthesis
- Lewis insists on a clear division between Marxism and New Historicism, but misses chances for synthesis, such as integrating discourse analysis into historical materialism.
- Critics might argue that bridging rather than polarizing these traditions could be more productive.
Representative Quotations from “The New Historicism and Marxism” by Tom Lewis with Explanation
Quotation | Explanation |
1. “New historicism is best explained in the context of the ‘new middle classes’ and the generalization of a modernist stance of ironic detachment after 1968.” (p. 14) | Lewis critiques New Historicism as a product of a post-1968 intellectual class that retreated into irony and cultural abstraction rather than revolutionary politics. |
2. “They quickly went from radical to radical chic.” (p. 15) | Describes how 1960s radicals became absorbed into academia, losing their political edge and becoming part of a depoliticized professional class. |
3. “This contraction [of New Left practice] was often justified by appeal to what may qualify as the New Left’s most colossal failure of analysis: namely, its romanticizing of the Chinese cultural revolution.” (p. 15) | Lewis critiques how leftist intellectuals prioritized theory (especially structuralist and post-structuralist theory) over grounded political activism. |
4. “The feminist movement was therefore diffused and splintered: because of its legacy from the movements; because of its avoidance of political argument; and because of its orientation on personal lifestyles.” (p. 16) | He criticizes the feminist movement’s internal divisions and its drift toward lifestyle politics and separatism instead of collective class struggle. |
5. “Gallagher’s argument thus ‘knows’ but denies the primacy of class struggle.” (p. 20) | Lewis accuses New Historicism, via Gallagher, of implicitly acknowledging but refusing to embrace class-based politics and revolution. |
6. “Left-wing critics would concede that new historicists often read the right texts and ask the right questions, but they complain that such readings yield the wrong answers.” (p. 19) | Highlights how New Historicists raise significant issues but ultimately defuse them by avoiding commitment to radical outcomes. |
7. “New historicists sign on as collaborationists.” (p. 19) | A stark condemnation—Lewis argues that New Historicism, by downplaying literature’s subversive potential, aligns with the dominant culture rather than challenging it. |
8. “What’s wrong with an explicitly political criticism that says… ‘I have nonetheless decided to persuade you… in some small way [to] further the struggle for socialism, women’s liberation, an end to racism, etc.’?” (p. 20) | Lewis advocates for political criticism that openly pursues radical social goals, rejecting neutrality or detachment. |
9. “The effort of this criticism has been to trace the creation of modern subjectivity in the necessary failures of the effort to produce a stable subject.” (p. 21) | He critiques New Historicism’s notion of the fractured subject, implying it fosters political passivity by denying agency and coherent identity. |
10. “The generation that lost its revolutionary illusions… now secretly fantasizes a hegemonic leadership role in the future society on the basis of their knowledge and technocratic expertise.” (p. 22) | He accuses post-1968 intellectuals of abandoning revolution in favor of elitist visions of top-down transformation led by academics and professionals. |
Suggested Readings: “The New Historicism and Marxism” by Tom Lewis
- Lewis, Tom. “The New Historicism and Marxism.” The Journal of the Midwest Modern Language Association 24.1 (1991): 14-23.
- Lewis, Tom. “The New Historicism and Marxism.” The Journal of the Midwest Modern Language Association, vol. 24, no. 1, 1991, pp. 14–23. JSTOR, https://doi.org/10.2307/1315022. Accessed 31 Mar. 2025.
- O’DAIR, SHARON. “Marx Manqué: A Brief History of Marxist Shakespeare Criticism in North America, ca. 1980–ca. 2000.” Shakespeare in the World of Communism and Socialism, edited by Irena R. Makaryk and Joseph G. Price, University of Toronto Press, 2006, pp. 349–74. JSTOR, http://www.jstor.org/stable/10.3138/j.ctt5hjxh9.28. Accessed 31 Mar. 2025.