Introduction: “The Trouble with Wilderness: Or, Getting Back to the Wrong Nature” by William Cronon
“The Trouble with Wilderness: Or, Getting Back to the Wrong Nature” by William Cronon first appeared in Environmental History, Vol. 1, No. 1, in January 1996. Published by the Forest History Society and the American Society for Environmental History, the essay offers a groundbreaking critique of the concept of wilderness as it has been traditionally understood in environmental discourse. Cronon argues that wilderness is not a pristine, untouched realm but rather a cultural construct shaped by specific historical moments and human values. His work is significant in literary theory as it deconstructs the romanticized and dualistic perceptions of nature, emphasizing that wilderness is a human invention imbued with cultural ideologies. This perspective encourages readers to reconsider the relationship between humans and the natural world, challenging the false dichotomy between civilization and nature that has long influenced environmentalism. The essay has become a crucial text for environmental historians and scholars in ecocriticism, offering new ways to think about sustainability, human responsibility, and the cultural meanings we attach to nature.
Summary of “The Trouble with Wilderness: Or, Getting Back to the Wrong Nature” by William Cronon
1. Wilderness as a Cultural Construct
- Cronon argues that the idea of wilderness is not an untouched, pristine space but a human creation.
- “Far from being the one place on earth that stands apart from humanity, it is quite profoundly a human creation—indeed, the creation of very particular human cultures at very particular moments in human history.”
- Wilderness is shaped by romanticism and frontier nostalgia, and reflects values that distance humans from nature.
2. Wilderness as a Reflection of Human Desires
- Cronon explains how the concept of wilderness serves as a mirror of human desires, where we project our longings for a purer, untouched world.
- “We too easily imagine that what we behold is Nature when in fact we see the reflection of our own unexamined longings and desires.”
- Wilderness is often seen as the antidote to human civilization, but this perspective obscures its cultural roots.
3. Wilderness and the Frontier Myth
- The essay highlights how wilderness became central to the American frontier myth, symbolizing freedom, rugged individualism, and national identity.
- “Wild country became a place not just of religious redemption but of national renewal, the quintessential location for experiencing what it meant to be an American.”
- The notion of the “vanishing frontier” motivated efforts to preserve wilderness as a monument to America’s past.
4. The Romantic Sublime and Wilderness
- Cronon traces the influence of the sublime in transforming wilderness into a sacred space, where vast landscapes invoke feelings of awe and spiritual reverence.
- “The sublime landscape was where one had more chance than elsewhere to glimpse the face of God.”
- This cultural heritage, inherited from romanticism, still influences how modern environmentalism values wilderness spaces.
5. Wilderness as a Space for the Elite
- Wilderness, historically, became a place for elite recreation, with wealthy urbanites using wilderness as a retreat from the industrial world, while ignoring its role as a lived and worked landscape for indigenous peoples and rural communities.
- “Celebrating wilderness has been an activity mainly for well-to-do city folks. Country people generally know far too much about working the land to regard unworked land as their ideal.”
- This social and economic dimension of wilderness reinforces its status as a space removed from ordinary human life.
6. The Problem of Wilderness Dualism
- Cronon critiques the dualism that separates wilderness from human civilization, where humans are seen as external to nature.
- “Wilderness embodies a dualistic vision in which the human is entirely outside the natural.”
- This way of thinking, Cronon argues, hinders a sustainable and ethical relationship between humans and the environment because it idealizes wilderness as untouched and denigrates human-altered landscapes.
7. Wilderness and Environmentalism’s Blind Spots
- The essay warns that by focusing too much on wilderness, environmentalism overlooks more immediate environmental issues that affect human communities, such as urban pollution or agricultural sustainability.
- “If we set too high a stock on wilderness, too many other corners of the earth become less than natural and too many other people become less than human.”
- Cronon encourages environmentalists to shift from a wilderness-focused ethic to one that integrates humans into nature responsibly.
8. Wilderness as an Escape from Responsibility
- Wilderness often serves as an escape from the human-made world and its consequences, allowing people to evade the responsibilities of managing the environment they live in.
- “The dream of an unworked natural landscape is very much the fantasy of people who have never themselves had to work the land to make a living.”
- Cronon argues for a more holistic view of nature that includes human interaction and responsible stewardship, rather than idealizing a wilderness that excludes people.
9. Wilderness and Indigenous Displacement
- Wilderness preservation, Cronon notes, often comes at the cost of indigenous peoples, who are displaced to create “uninhabited” parks and reserves.
- “The myth of wilderness as ‘virgin,’ uninhabited land had always been especially cruel when seen from the perspective of the Indians who had once called that land home.”
- This removal of native peoples is a reminder of the constructed nature of wilderness as a concept tied to colonial histories.
10. Moving Beyond Wilderness: A New Environmental Ethic
- Cronon calls for an environmental ethic that values all landscapes, not just wilderness, and integrates human and nonhuman worlds.
- “We need an environmental ethic that will tell us as much about using nature as about not using it.”
- He advocates for a “middle ground” where humans and nature coexist in sustainable harmony, without idealizing wilderness as the only authentic form of nature.
Literary Terms/Concepts in “The Trouble with Wilderness: Or, Getting Back to the Wrong Nature” by William Cronon
Literary Term/Concept | Explanation | Reference/Example from the Essay |
Cultural Construct | The idea that wilderness is not an objective reality but a concept created by human culture, shaped by specific historical and cultural contexts. | “Wilderness is quite profoundly a human creation—indeed, the creation of very particular human cultures at very particular moments in human history.” |
Romantic Sublime | A concept from Romantic literature that emphasizes awe, beauty, and terror experienced in the presence of vast natural landscapes, often linked to the divine. | “Sublime landscapes were those rare places on earth where one had more chance than elsewhere to glimpse the face of God.” |
Frontier Myth | A cultural narrative that idealizes the American frontier as a place of rugged individualism, freedom, and national renewal. | “Wild country became a place not just of religious redemption but of national renewal, the quintessential location for experiencing what it meant to be an American.” |
Dualism | The philosophical idea that reality is divided into two opposing entities, such as nature versus civilization, human versus non-human, or fallen versus pristine. | “Wilderness embodies a dualistic vision in which the human is entirely outside the natural.” |
Primitivism | The belief that returning to a simpler, more ‘primitive’ way of life, often associated with nature, can redeem individuals and societies from the corruption of modernity. | “The belief that the best antidote to the ills of an overly refined and civilized modern world was a return to simpler, more primitive living.” |
Myth | A widely held but false or oversimplified belief or idea, often serving as a foundational narrative for a culture or society. | “The myth of wilderness as ‘virgin,’ uninhabited land had always been especially cruel when seen from the perspective of the Indians who had once called that land home.” |
Irony | A contrast between expectation and reality, often highlighting contradictions or unintended consequences. | “The irony, of course, was that in the process wilderness came to reflect the very civilization its devotees sought to escape.” |
Environmental Ethic | A set of moral principles guiding human interaction with the natural world, emphasizing sustainability, conservation, and responsible stewardship. | “We need an environmental ethic that will tell us as much about using nature as about not using it.” |
Pastoral Ideal | A literary concept that idealizes rural life and nature as pure, peaceful, and a refuge from the complexities of urban and industrial life. | “Country people generally know far too much about working the land to regard unworked land as their ideal.” |
Symbolism | The use of symbols to represent ideas or concepts, often conveying deeper meanings beyond the literal. | The wilderness is symbolic of “a flight from history,” representing a desire to escape human responsibility and history’s complexities. It also stands for purity, untouched nature, and a place of moral renewal. |
Nostalgia | A longing for an idealized past, often tied to romanticized notions of simpler, more “authentic” times, such as the frontier or pre-industrial wilderness. | “Nostalgia for a passing frontier way of life inevitably implied ambivalence, if not downright hostility, toward modernity and all that it represented.” |
Deconstruction | A critical approach that seeks to dismantle established ideas and reveal underlying assumptions, often challenging accepted narratives. | Cronon deconstructs the wilderness ideal, showing it to be a product of cultural and historical forces rather than a timeless, pure entity. “The dream of an unworked natural landscape is very much the fantasy of people who have never themselves had to work the land to make a living.” |
Ecocriticism | A field of literary criticism that examines the relationship between literature and the natural environment, questioning how nature is represented in texts. | Cronon’s essay is a foundational text in ecocriticism, questioning the romanticization of wilderness and advocating for a more integrated approach to human-nature relationships. “Wilderness embodies a dualistic vision in which the human is entirely outside the natural.” |
Contribution of “The Trouble with Wilderness: Or, Getting Back to the Wrong Nature” by William Cronon to Literary Theory/Theories
1. Ecocriticism
- Contribution: Cronon’s essay challenges traditional ecocritical views of nature by deconstructing the concept of wilderness. He argues that wilderness is not an untouched, pure entity but a cultural and historical construct. This shifts the focus in ecocriticism from idealizing nature as a separate realm to understanding human-nature relationships in more complex, integrated ways.
- Reference: “Far from being the one place on earth that stands apart from humanity, it is quite profoundly a human creation—indeed, the creation of very particular human cultures at very particular moments in human history.”
- Impact: This challenges the tendency in ecocriticism to romanticize wilderness as a pure, ideal form of nature and calls for a more nuanced understanding of how humans and nature coexist.
2. Postmodernism and Deconstruction
- Contribution: Cronon deconstructs the binary opposition between nature and civilization, revealing how these categories are intertwined and culturally produced rather than natural or timeless. By doing so, he applies postmodernist thought to environmental discourse, questioning essentialist views of nature.
- Reference: “Wilderness embodies a dualistic vision in which the human is entirely outside the natural.”
- Impact: This deconstructive approach aligns with postmodern theories that question absolute categories, showing that the separation of wilderness from humanity is a cultural illusion rather than an inherent truth.
- Contribution: The essay explores the cultural construction of wilderness, showing how it reflects historical moments, national identity, and social class dynamics. Cronon’s analysis of how wilderness has been shaped by cultural values, particularly the American frontier myth, contributes to cultural studies by linking environmental ideals with larger social and historical forces.
- Reference: “Wild country became a place not just of religious redemption but of national renewal, the quintessential location for experiencing what it meant to be an American.”
- Impact: This situates the idea of wilderness within broader cultural narratives, showing how environmental ideals are embedded in national myths and social hierarchies.
- Contribution: Cronon’s critique of wilderness as a space for elite recreation and leisure highlights the class dynamics involved in the creation and preservation of wilderness. He shows how wilderness often excludes the laboring classes and indigenous peoples, reflecting the alienation and class divisions central to Marxist thought.
- Reference: “Celebrating wilderness has been an activity mainly for well-to-do city folks. Country people generally know far too much about working the land to regard unworked land as their ideal.”
- Impact: By focusing on the economic and social contexts of wilderness preservation, Cronon’s essay contributes to a Marxist critique of environmentalism, emphasizing the ways in which class and labor intersect with environmental values.
- Contribution: Cronon’s examination of how indigenous peoples were displaced to create “uninhabited” wilderness spaces contributes to postcolonial theory by showing how wilderness preservation is tied to colonial practices of erasure and displacement. He critiques the romantic notion of wilderness as “virgin land,” which ignores the presence of indigenous populations.
- Reference: “The myth of wilderness as ‘virgin,’ uninhabited land had always been especially cruel when seen from the perspective of the Indians who had once called that land home.”
- Impact: This aligns with postcolonial critiques of how colonial powers erased indigenous histories and cultures in the name of progress or preservation, positioning wilderness preservation as part of a larger colonial legacy.
6. Critical Theory of Nature and Environment
- Contribution: Cronon’s critique of the wilderness ideal as an escape from responsibility contributes to the critical theory of nature, which questions human domination over the natural world. He urges for a more ethical and responsible relationship with nature that integrates human beings rather than separates them from it.
- Reference: “The dream of an unworked natural landscape is very much the fantasy of people who have never themselves had to work the land to make a living.”
- Impact: This critique encourages a rethinking of human-nature relationships that go beyond the simplistic wilderness/civilization binary, contributing to a more holistic and responsible environmental ethic.
7. Gender and Wilderness
- Contribution: Cronon’s analysis touches upon how the wilderness ideal is tied to masculinity, particularly through its association with the rugged individualism of the American frontier. This connection between wilderness and masculine ideals contributes to gender studies by showing how wilderness has been historically constructed as a male domain.
- Reference: “The mythic frontier individualist was almost always masculine in gender: here, in the wilderness, a man could be a real man, the rugged individual he was meant to be.”
- Impact: This reveals how the wilderness ideal reinforces traditional gender roles, positioning it as a space for masculine self-realization, and invites a feminist critique of how wilderness has been gendered in cultural narratives.
8. Environmental Ethics
- Contribution: Cronon argues for an environmental ethic that moves beyond the romanticization of wilderness and instead focuses on how humans can live responsibly within nature. He critiques the view that wilderness is the only “authentic” nature, advocating for an ethic that values all types of landscapes.
- Reference: “We need an environmental ethic that will tell us as much about using nature as about not using it.”
- Impact: Cronon’s work reshapes discussions in environmental ethics by promoting a more integrated and less dualistic relationship between humans and nature, where responsible use is just as important as preservation.
Examples of Critiques Through “The Trouble with Wilderness: Or, Getting Back to the Wrong Nature” by William Cronon
Literary Work | Critique Through Cronon’s Framework | Key Concept from Cronon |
Henry David Thoreau’s Walden | Thoreau romanticizes nature as a place of spiritual and moral purity, portraying it as an antidote to civilization. Cronon would critique this view by arguing that Thoreau’s experience of wilderness is shaped by cultural values, particularly the notion that wilderness is a separate realm from humanity, leading to a problematic idealization of nature. | Cultural Construct and Dualism: Thoreau treats nature as pure and separate from human life, which reinforces a problematic wilderness/civilization divide. |
Jack London’s The Call of the Wild | London’s novel romanticizes the wilderness as a testing ground for masculinity, where the protagonist, a domesticated dog, returns to a “primal” state in the wild. Cronon might argue that London’s portrayal reflects the myth of the frontier, which idealizes wilderness as a space for rugged individualism and male self-realization, ignoring its cultural and historical constructs. | Frontier Myth and Masculinity: The wilderness is a culturally constructed space where London emphasizes masculine ideals of strength and survival. |
James Fenimore Cooper’s The Last of the Mohicans | Cooper’s novel portrays the wilderness as a vast, untamed landscape where heroic white characters struggle to survive and protect their values. Cronon would critique this as perpetuating the myth of the “virgin” wilderness, overlooking the indigenous presence in these lands and their displacement by colonialism, as well as reinforcing a dualism between civilization and nature. | Colonialism and Myth of the Virgin Land: The narrative ignores indigenous history and participation in the landscape, presenting the wilderness as untouched. |
Mary Shelley’s Frankenstein | Shelley’s depiction of the sublime in nature, particularly in the icy, remote settings where Victor Frankenstein confronts his creation, mirrors romantic notions of wilderness as a space for reflection and confrontation with the divine. Cronon would critique this as reflecting the romantic sublime, which idealizes wilderness as a space of awe and moral testing, distanced from everyday human life. | Romantic Sublime and Dualism: The novel uses wilderness as a distant, sublime space of awe and moral struggle, reinforcing the separation of nature from society. |
Criticism Against “The Trouble with Wilderness: Or, Getting Back to the Wrong Nature” by William Cronon
1. Oversimplification of Environmentalism
- Some critics argue that Cronon oversimplifies the motivations and goals of environmentalists by suggesting that their views on wilderness are uniformly romantic and idealized. Environmentalism is a broad movement with diverse perspectives on nature and conservation.
2. Undermining Conservation Efforts
- By critiquing the idea of wilderness as a cultural construct, Cronon risks undermining efforts to protect natural areas. His argument could be seen as providing ammunition for those who oppose conservation, as it questions the very concept of preserving wilderness for its intrinsic value.
3. Ignoring the Practical Importance of Wilderness
- Cronon’s focus on the cultural construction of wilderness might be seen as neglecting the practical ecological importance of preserving large tracts of wilderness. Critics may argue that wilderness areas play a crucial role in biodiversity and ecosystem services, which are vital for environmental sustainability regardless of their cultural framing.
4. Cultural Relativism
- Some critics may view Cronon’s argument as excessively relativistic, implying that since wilderness is a cultural construct, it lacks objective value. This could lead to a dismissal of wilderness protection as a subjective or arbitrary goal, which may weaken efforts to safeguard natural spaces.
5. Downplaying Aesthetic and Spiritual Values of Wilderness
- Cronon’s critique of the romanticization of wilderness might be seen as downplaying the legitimate aesthetic and spiritual values that people derive from wild spaces. For many, wilderness offers a sense of peace, beauty, and connection to something larger than themselves, which are significant aspects of the human experience.
6. Overemphasis on Human-Nature Integration
- Critics might argue that Cronon’s call for integrating human activity into natural landscapes overlooks the importance of maintaining areas where human impact is minimal. While sustainability is important, some argue that certain ecosystems require minimal human interaction to function properly and that wilderness areas should remain protected from human intervention.
7. Risk of Anthropocentrism
- Cronon’s argument could be interpreted as anthropocentric, as it focuses on how humans culturally construct wilderness and emphasizes the need for humans to take responsibility for nature. Some critics might argue that this viewpoint continues to center human concerns and may neglect the intrinsic rights or value of nonhuman species and ecosystems.
8. Limited Applicability to Global Environmental Issues
- Cronon’s analysis is primarily focused on the American concept of wilderness, which may limit its applicability to global environmental issues. Critics may point out that his argument is less relevant to countries where wilderness and natural landscapes are framed differently, and where the historical and cultural context differs significantly from that of the United States.
9. Idealizing the “Middle Ground”
- Some may argue that Cronon’s advocacy for a “middle ground” between human use and wilderness preservation is overly idealistic and difficult to achieve in practice. Balancing human needs with environmental protection is complex, and critics may question whether this middle ground can be realistically implemented without significant trade-offs or conflicts.
Representative Quotations from “The Trouble with Wilderness: Or, Getting Back to the Wrong Nature” by William Cronon with Explanation
Quotation | Explanation |
1. “Wilderness is quite profoundly a human creation—indeed, the creation of very particular human cultures at very particular moments in human history.” | Cronon asserts that wilderness is not an untouched natural reality, but a cultural and historical construct. This challenges the romantic ideal of wilderness as pure and untouched by human influence. |
2. “The more one knows of its peculiar history, the more one realizes that wilderness is not quite what it seems.” | This statement introduces Cronon’s critique of the wilderness concept, suggesting that the historical context behind wilderness reveals its artificial nature and its connections to human culture and ideology. |
3. “Far from being the one place on earth that stands apart from humanity, it is quite profoundly a human creation.” | Cronon emphasizes that wilderness is a product of human thought and cultural narratives, rather than a place free from human influence. This challenges the idea of wilderness as inherently separate from human civilization. |
4. “The dream of an unworked natural landscape is very much the fantasy of people who have never themselves had to work the land to make a living.” | Cronon critiques the idealization of wilderness, arguing that it often comes from people who are disconnected from the practical realities of working the land. This reflects a privileged perspective that ignores the lived experiences of rural and indigenous people. |
5. “Wilderness hides its unnaturalness behind a mask that is all the more beguiling because it seems so natural.” | This quote illustrates how wilderness is presented as a natural, pure space, but is actually a constructed idea that obscures its cultural and historical origins. |
6. “By the end of the nineteenth century, the wastelands that had once seemed worthless had for some people come to seem almost beyond price.” | Cronon discusses how wilderness, once seen as dangerous or desolate, became valuable and even sacred in the eyes of the American public, reflecting a cultural shift driven by romanticism and the frontier myth. |
7. “The removal of Indians to create an ‘uninhabited wilderness’—uninhabited as never before in the human history of the place—reminds us how invented wilderness really is.” | Cronon highlights the erasure of indigenous peoples in the creation of the American wilderness ideal, critiquing the myth of the “virgin” wilderness that denies the historical presence of native populations. |
8. “Wilderness embodies a dualistic vision in which the human is entirely outside the natural.” | This quote critiques the dualism inherent in the concept of wilderness, where nature is seen as separate and opposite to human existence, reinforcing a harmful disconnect between humans and the natural world. |
9. “We need an environmental ethic that will tell us as much about using nature as about not using it.” | Cronon calls for a more nuanced environmental ethic that balances the sustainable use of nature with conservation, rather than focusing solely on preservation or wilderness as untouched space. |
10. “The frontier myth celebrated a rugged individualism in which wilderness became a symbol of American identity.” | Cronon connects the cultural construction of wilderness to the American frontier myth, showing how wilderness became a symbol of national identity and masculine self-reliance, reinforcing the ideal of the rugged individual. |
Suggested Readings: “The Trouble with Wilderness: Or, Getting Back to the Wrong Nature” by William Cronon
- Cronon, William. “The Trouble with Wilderness: Or, Getting Back to the Wrong Nature.” Environmental History, vol. 1, no. 1, 1996, pp. 7–28. JSTOR, https://doi.org/10.2307/3985059. Accessed 12 Oct. 2024.
- Lekan, Thomas. “A ‘Noble Prospect’: Tourism, Heimat, and Conservation on the Rhine, 1880–1914.” The Journal of Modern History, vol. 81, no. 4, 2009, pp. 824–58. JSTOR, https://doi.org/10.1086/605487. Accessed 12 Oct. 2024.
- Graef, Dana J. “Wildness.” Anthropocene Unseen: A Lexicon, edited by Cymene Howe and Anand Pandian, Punctum Books, 2020, pp. 523–27. JSTOR, https://doi.org/10.2307/j.ctv11hptbw.88. Accessed 12 Oct. 2024.
- Cronon, William. “A Place for Stories: Nature, History, and Narrative.” The Journal of American History, vol. 78, no. 4, 1992, pp. 1347–76. JSTOR, https://doi.org/10.2307/2079346. Accessed 12 Oct. 2024.
- Cronon, William. “Revisiting the Vanishing Frontier: The Legacy of Frederick Jackson Turner.” The Western Historical Quarterly, vol. 18, no. 2, 1987, pp. 157–76. JSTOR, https://doi.org/10.2307/969581. Accessed 12 Oct. 2024.