“Mending Wall” by Robert Frost: Critical Essay

The catchphrase “Good fences make good neighbors” in “Mending Wall” has become associated with Frost, who used it to describe a wall he erected between his orchard and his neighbor’s fields.

“Mending Wall”: Introduction

            The catchphrase “Good fences make good neighbors” in “Mending Wall” has become associated with Frost, who used it to describe a wall he erected between his orchard and his neighbor’s fields. In the poem “Mending Wall,” Robert Frost consistently emphasizes that there is something opposing the wall both have constructed, whether it be hunters or something else. He articulates this notion with the line, “Something there is that doesn’t love a wall” (Lines 1). While Frost doesn’t outright refute his neighbor’s suggestion, his reflections in “Mending Wall” suggest that walls, especially those between individuals and nations, are established to hinder affection or contact between people and serve no other purpose.

“Mending Wall” and Real Walls”

Walls between nations serve to interrupt contact and create an air of mystery about them among other nations. A prominent example is the Great Wall of China, which stands out. Unlike a singular wall, it is comprised of a collection of short walls scattered over an estimated length of approximately 8,850 kilometers or 5,500 miles. Construction was suggested around 200 BCE during the Qin Dynasty, with the primary goal of keeping Mongol nomads away from China. The wall underwent various additions and modifications during different periods, with the latest occurring during the Ming Dynasty in the 14th to 16th century. Constructed from soil, stones, bricks, and incorporating massive boulders at certain locations, the wall also features fortifications and guard posts at intervals of every four miles. This structure is relevant to Frost, as like the Chinese, his friend also visits him, and they both take walks, as he mentioned.

I let my neighbor know beyond the hill;

 And on a day we meet to walk the line

And set the wall between us once again. (Lines 12-14)

The reason is that Frost is outgoing, but his neighbor believes in the adage “good fences make good friends” (Line 45), a sentiment shared by the Chinese, who historically did not engage in open contacts with other nations (Rosenberg). The Great Wall of China stands as a tangible example, preventing China from fostering intimate relationships with any other country until relatively recently.

“Mending Wall” and “The Berlin Wall”

The Berlin Wall also served a similar purpose, keeping Eastern Berliners and Western Berliners separated for over 28 years. It was a physical division of West Berlin from East Germany, constructed on August 31, 1961. Unlike the gradual construction of the Great Wall of China, the Berlin Wall’s creation was rapid and unexpected, mirroring the surprising nature of its eventual destruction. After World War II, the Aallied powers divided Germany into four zones, and Berlin faced a similar fate. However, as relations between the USSR and other powers deteriorated, Berlin also became a focal point for division. On August 31, 1961, amidst rumors of the USSR potentially annexing East Berlin, soldiers and construction workers entered East Berlin in trucks and jeeps just after midnight. While Berliners slept, they swiftly erected a wall with concrete and bricks, creating a barrier that separated people who had lived together for centuries. Stretching around a hundred miles, the Berlin Wall underwent four phases of repair, evolving from a simple fence to a complete wall (Rosenberg). Many families and relationships were severed, prompting several attempts to breach the wall, echoing Frost’s sentiment when he says, “There where it is, we do not need the wall” (Line 24).

“Mending Wall” and Contemporary Era

In the contemporary era, nations no longer rely on physical walls but rather strict regulations, such as the U.S. immigration system, to control the influx of people and individuals. While the means have shifted from visible walls to invisible barriers of laws, rules, and regulations, the underlying purpose remains the same – preventing people from meeting and getting to know each other. In the United States, immigration issues evoke cultural and economic anxieties among locals, fueled by media portrayals that sometimes depict immigrants as an economic burden (Fix and Jeffery). Although the U.S. immigration policy articulates clear goals of promoting family reunification, cultural diversity, and economic homogeneity, it is divided into legal and illegal sections, creating complexities for individuals. Despite immigrants often contributing significantly to the U.S. economy, Frost sees the issue differently. His questioning, “If I could put a notion in his head: / Why do they make good neighbors?” (Lines 29-30), resonates as true in this context. For Frost, the immigration department becomes the barrier to good neighborly relations, preventing families, even those without proper documentation, from uniting and establishing lasting connections.

“Mending Wall”: Conclusion

Frost’s neighbor’s assertion that “good fences make good friends” (Line 45) holds truth, but it is also evident that excessive walling and fencing can foster a biased approach, diminishing affection, reducing contact, and undermining confidence and trust among the public. This sentiment is portrayed by Frost in “Mending Wall.” The Great Wall of China effectively isolated China from the world for an extended period, and the Berlin Wall kept Berliners separated for over 28 years. Similarly, the U.S. immigration policy forces many neighbors to part ways permanently, severing their connections. However, Frost may overlook the political and contextual nuances that surround each instance of walling and fencing. Each structure serves specific requirements and is influenced by the demands of the time. Even in Frost’s poem, the distinction between walling and fencing implies that the U.S. immigration policy, while creating barriers, may not be as severe as the extensive walls erected by Ancient China and the USSR. Frost acknowledges that there are different motivations and timings behind these structures, recognizing that they don’t all carry the same implications.

“Mending Wall”: Works Cited
  1. Fix, Michael E.&  Jeffrey S. Passel. “Immigration and Immigrants: Setting the Record Straight.” 2013. Urban Institute. 16 July 2013  <http://www.urban.org/publications/305184.html>. Accessed 16 July 2023.
  2. Frost, Robert. “Mending Wall.” 18 July 2007. n. d.Writing. <http://writing.upenn.edu/~afilreis/88/frost-mending.html>. Accessed 16 July 2023.
  3. Lentricchia, Frank. “Robert Frost: A Critical Analysis of “Mending Wall”. 28 September 2009. 16 July 2013 <http://studentacademichelp.blogspot.com/2009/09/robert-frost-critical-analysis-of.html>. Accessed 16 July 2023.
  4. Rosenberg, Matt. “The Great Wall of China.” n.d. Geography. <http://geography.about.com/od/specificplacesofinterest/a/greatwall.htm>. Accessed 16 July 2023.
  5. Rosenberg, Jennifer. “The Rise and Fall of The Berlin Wall (2).” n.d. History 1900. <http://history1900s.about.com/od/coldwa1/a/berlinwall_2.htm>. Accessed 16 July 2023.
“Mending Wall”: Relevant Questions
  1. Comparative Analysis: How do the themes and symbolism in Robert Frost’s “Mending Wall” resonate with the construction and implications of the real walls such as the Berlin Wall and the Great Wall of China?
  2. Social and Political Impact: In what ways did the physical walls like the Berlin Wall and the Great Wall of China influence social dynamics and relationships, and how does this align with Frost’s exploration of interpersonal boundaries in “Mending Wall”?
  3. Evolution of Walls: Considering the Berlin Wall’s relatively recent history in comparison to the ancient Great Wall of China, how has the concept and construction of walls evolved over time, and does Frost’s perspective in “Mending Wall” provide insights into the enduring aspects or changing nature of these structures?

“Me and My Song” by Langston Hughes: Special Beauty

“Me and My Song” by Langston Hughes presents a specific beauty. In fact, when it comes to beauty, it seems that it is not limited to symmetry in physical features, color, or makeup.

Introduction to “Me and My Song”

“Me and My Song” by Langston Hughes presents a specific beauty. In fact, when it comes to beauty, it seems that it is not limited to symmetry in physical features, color, or makeup. It lies in the order of words, aesthetics, and musicality. And this proves true in the case of African Americans in the United States, for not only do they have their own sense of beauty and aesthetics, but they also have their music. The sense that they belong to Africa, a continent usually associated with black color, makes African Americans sensitive about their cultural heritage and its beauty, as its richness lies deep “As the black earth” (Line 17) and is gentle and kind (Lines 2, 4). The humanity associated with the black color represents the beauty of African American culture as well as their origin. The poem by Langston Hughes, “Me and My Song,” thus, through metaphorical language, aims to prove that the African American community and its homeland, the African continent, have their own life, music, and beauty.

Literary Devices in “Me and My Song”

In “Me and My Song,” Hughes makes it clear that the metaphor of the body leaving Africa refers to the lives of people being smuggled or sold to other continents while remaining African. The distinction arises in the discrimination they face after leaving their homeland, described as a place filled with black people. Hughes’s argument centers on the significance of the color black, specifically that of African Americans. He draws parallels between this color and the gentleness and kindness of night, employing various similes. The term “Body” (Line 7) indicates a life that is “Strong and black” like iron, even in the face of discrimination in the United States. This aspect of his argument, however, is implicit rather than explicit. The similes draw parallels between their bodies and the continent, both representing humanity in general. The beauty of life lies in this color, symbolizing both African Americans and their homeland, Africa. Yet, the color’s connection to African Americans and their lives suggests a unique music and specificity of beauty. This music is embodied in his song, which also pays homage to Africa.

Perspective on Music in “Me and My Song”

Regarding Hughes’s perspective on the music in the song “Me and My Song,” it holds specific significance for both African Americans and their homeland, Africa. Hughes introduces the term “song” in the thirteenth line, emphasizing how it originated in Africa and what it represents. He employs a powerful metaphor, describing it as a “Deep and mellow song” (Line 15). With “deep and mellow,” Hughes suggests that this song is profound and incomprehensible to those not from Africa, emphasizing its origin (Line 14). Additionally, the term “mellow” (Line 14) alludes to the contrast with the harshness and adversity faced by the African American community in the United States and elsewhere. Notably, Hughes subtly addresses the dichotomy of mellowness and harshness, yet his emphasis remains on highlighting the beauty of the song, its African origin, and its inherent lack of discrimination, prejudice, or hatred towards others. While he personifies Africa as the source of the song, associating it with “dark lips” (Line 23), Hughes underscores the beauty and richness emanating from Africa, likening it to his compatriots (Line 26-27). This personal connection is further emphasized when Hughes refers to “My and My / Song” (Line 33-34), reinforcing his association with African Americans. The distinction lies in the unique beauty of Africans and Africa, which differs from the perspectives of those who discriminate based on color, race, or physical features. Hughes subtly communicates his message, celebrating the beauty and richness of the song and its roots while implicitly challenging discriminatory attitudes.

Beauty in “Me and My Song”

The beauty of African Americans extends beyond their color to encompass their song and land. Hughes, in “Me and My Song,” employs similes and personification to emphasize the beauty of African Americans. The initial simile equates the color black with the gentleness and kindness of the night (Lines 2-5). Despite this equation, the portrayal is not soft or weak; instead, it is depicted as strong, likened to iron (Lines 9-10). This introduces the idea that the beauty of the African land and its people goes beyond mere aesthetics, emphasizing their strength. Moving on to the beauty of their “song” (Line 15), Hughes describes it as both deep and soft (Line 15). He highlights its richness (Line 16) and strength (Line 19), linking this strength directly to the song. Hughes suggests that African Americans are not only characterized by gentleness and kindness but also by strength and melodic qualities. The beauty lies in this multifaceted portrayal of both the people and their homeland. As the poem concludes, Hughes completes his argument by linking people and land to various features and elements of nature, ultimately emphasizing the beauty encapsulated in “Me and my / Song” (Line 33-34). The poem begins with a focus on color and concludes with the word “Song” (Line 34), highlighting an underlying theme of beauty derived from the association of people and their attributes with nature. This cyclical structure reinforces the interconnectedness of various elements and the enduring beauty that stems from this connection.

Conclusion of Critique of “Me and My Song”

In concluding the argument of linking African Americans and their black color with night and the earth, Langston Hughes, in “Me and My Song,” aims to convey that African Americans possess the same human features as others. His adept use of metaphors, similes, and personifications, often repeated throughout the poem, showcases his skill in crafting concise and cryptic sentences. Through this literary technique, Hughes emphasizes that beauty lies in the association of human characteristics with nature and the land from which they originate. Hughes’s sense of beauty goes beyond mere gentleness and kindness; he underscores the strength and melodious, musical qualities inherent in both the people and the land. The repetition of similar metaphors and similes serves to accentuate this multifaceted beauty. By concluding the poem with a focus on himself and the song—his own, that of his people, and his homeland—Hughes underscores the absence of discrimination directed towards them. In essence, Hughes uses his poetic prowess to draw attention to the shared humanity of African Americans, highlighting their unique qualities without succumbing to discriminatory stereotypes. The poem’s repetition and concluding emphasis on the individual and the song underscore the enduring beauty that transcends prejudice and discrimination.

“Me and My Song”: Works Cited

Hughes, Langston, et al. The Collected Works of Langston Hughes: The Poems, 1921-1940. Vol. 1. University of Missouri Press, 2001. Print.

  1. How does Langston Hughes employ metaphors, similes, and personifications in “Me and My Song” to convey a sense of special beauty in the association of human features with nature and land?
  2. In “Me and My Song,” how does Hughes use the repetition of metaphors and similes to emphasize the multifaceted beauty of African Americans, moving beyond stereotypes and discrimination?
  3. What role does the concept of color, particularly the black color, play in Hughes’s depiction of beauty in “Me and My Song,” and how does it contribute to the overall sense of a unique and special beauty associated with African Americans and their homeland?

Historical Revisionism in Literature & Literary Theory

Historical revisionism is a theoretical term that denotes the reinterpretation or reassessment of historical events with the goal of altering or challenging established narratives.

Historical Revisionism: Etymology/Term, Meanings and Concept
Etymology/Term:

The term “historical revisionism” refers to the reinterpretation or reevaluation of historical events, often with the aim of altering or challenging the accepted narrative. While revisionism itself is a neutral term, it can take on different connotations depending on the motivations behind the reevaluation. Historical revisionism can encompass a range of activities, from scholarly reassessment and new discoveries to intentional distortions for political, ideological, or nationalistic purposes. It underscores the dynamic nature of historical understanding and the constant reexamination of the past in light of evolving perspectives and information.

Meanings and Concept:
  • Reevaluation of Events:
    • This revisionism involves the critical reevaluation and reinterpretation of events from the past, considering new evidence, perspectives, or methodologies.
  • Neutral Scholarly Endeavor:
    • In a neutral context, this revisionism can represent a legitimate scholarly pursuit aimed at refining historical narratives based on rigorous research and analysis.
  • Intentional Distortion:
    • However, this revisionism can also take on a negative connotation when it involves intentional distortions, omissions, or manipulations of historical facts to serve specific agendas.
  • Challenge to Established Narratives:
    • It often challenges established historical narratives, encouraging a questioning of widely accepted accounts and fostering a more nuanced understanding of the past.
  • Political or Ideological Motivations:
    • This revisionism may be driven by political, ideological, or nationalistic motivations, seeking to reshape historical narratives to align with particular worldviews or agendas.
  • Controversial and Debated:
    • The concept is often controversial, with debates arising over the legitimacy, intent, and consequences of different revisionist approaches to history.
  • Evolution of Historical Interpretation:
    • This revisionism reflects the ongoing evolution of historical interpretation, acknowledging that our understanding of the past is subject to change based on new perspectives and discoveries.
  • Impact on Collective Memory:
    • The revisionist process can impact collective memory, influencing how societies perceive and remember historical events.
  • Historical Revisionism vs. Denialism:
    • It’s crucial to distinguish between legitimate revisionism and denialism, where the latter involves the outright rejection or denial of established historical facts without credible evidence.
  • Complexity of Historical Truth:
    • The concept underscores the complexity of historical truth, recognizing that the interpretation of events is not fixed and may evolve over time.
Historical Revisionism: Definition of a Theoretical Term

Historical revisionism is a theoretical term that denotes the reinterpretation or reassessment of historical events with the goal of altering or challenging established narratives. While it can encompass legitimate scholarly efforts to refine historical understanding based on new evidence, historical revisionism can also carry negative connotations when driven by intentional distortions, omissions, or political motivations. The concept acknowledges the dynamic nature of historical interpretation, emphasizing the constant reexamination of the past in light of evolving perspectives, discoveries, and the potential influence of ideological or nationalistic agendas.

Historical Revisionism: Theorists, Works and Arguments
  1. Walter Benjamin:
    • Work: Theses on the Philosophy of History.
    • Argument: Benjamin’s reflections challenge conventional historical narratives, emphasizing the need for a critical and dialectical approach to history that questions established interpretations.
  2. Michel Foucault:
    • Work: The Archaeology of Knowledge.
    • Argument: Foucault’s theoretical framework explores how power structures shape historical discourse, highlighting the influence of political and institutional factors on the revisionist process.
  3. Howard Zinn:
    • Work: A People’s History of the United States.
    • Argument: Zinn’s work is a revisionist approach that challenges mainstream historical narratives, providing an alternative perspective that focuses on marginalized voices and social movements.
  4. Fritjof Nansen:
    • Work: Armenia and the Near East.
    • Argument: Nansen’s documentation challenges the conventional narrative surrounding the Armenian Genocide, offering an alternative perspective and contributing to the revisionist discourse on this historical event.
  5. David Irving:
    • Work: Hitler’s War.
    • Argument: Irving’s controversial writings on World War II and Adolf Hitler have been criticized for promoting revisionist theories that downplay Nazi atrocities, sparking debates on the ethical boundaries of historical revisionism.
  6. Deborah Lipstadt:
    • Work: Denying the Holocaust: The Growing Assault on Truth and Memory.
    • Argument: Lipstadt critically engages with Holocaust denial as a form of historical revisionism, examining the motivations, methods, and dangers of distorting historical truths.
  7. Ernst Nolte:
    • Work: The Three Faces of Fascism.
    • Argument: Nolte’s historical interpretations, particularly regarding the concept of a “historical revisionism of the left,” have sparked debates about the boundaries and implications of revising historical narratives.
Historical Revisionism: Major Characteristics
  • Reinterpretation of Events:
    • Literary Reference: In George Orwell’s 1984, the government constantly revises historical records to control the narrative and manipulate the perception of past events.
  • Alternative Perspectives:
    • Literary Reference: Howard Zinn’s A People’s History of the United States offers an alternative perspective, challenging mainstream narratives and providing marginalized voices in American history.
  • Political or Ideological Motivations:
    • Literary Reference: David Irving’s Hitler’s War has been criticized for its ideological motivations, sparking debates about the ethical boundaries of historical revisionism.
  • Selective Omission or Distortion:
    • Literary Reference: In Deborah Lipstadt’s Denying the Holocaust, the author critically engages with the selective omission and distortion of historical facts in Holocaust denial.
  • Challenges to Established Narratives:
    • Literary Reference: Walter Benjamin’s Theses on the Philosophy of History challenges established historical narratives, emphasizing the need for a critical and dialectical approach to history.
  • Impact on Collective Memory:
    • Literary Reference: Gabriel Garcia Marquez’s One Hundred Years of Solitude explores the impact of memory distortion on collective understanding, reflecting the consequences of historical revisionism.
  • Reevaluation of Motivations:
    • Literary Reference: Fritjof Nansen’s Armenia and the Near East reevaluates historical motivations surrounding the Armenian Genocide, contributing to the discourse on this tragic event.
  • Deconstruction of Historical Truth:
    • Literary Reference: Michel Foucault’s The Archaeology of Knowledge deconstructs historical truth, revealing the influence of power structures on the shaping of historical narratives.
  • Ethical Considerations:
    • Literary Reference: Deborah Lipstadt’s Denying the Holocaust explores the ethical considerations surrounding Holocaust denial, highlighting the dangers of manipulating historical truths.
  • Constant Evolution of Interpretation:
    • Literary Reference: Ernst Nolte’s The Three Faces of Fascism reflects the constant evolution of historical interpretation, acknowledging that perspectives on historical events may change over time.
Historical Revisionism: Relevance in Literary Theories
Literary TheoryRelevance to Historical Revisionism
PostmodernismChallenges fixed historical narratives, aligning with the fluid and subjective nature of historical revisionism.
DeconstructionExamines how language constructs historical narratives, contributing to a critical understanding of their revisionist aspects.
Postcolonial TheoryInterrogates how historical revisionism may perpetuate colonial biases and distort the narratives of colonized peoples.
Feminist Literary TheoryHighlights the impact of historical revisionism on gender narratives, revealing how women’s experiences are often marginalized or omitted.
New HistoricismConsiders the interplay between literature and historical context, recognizing the influence of historical revisionism on cultural norms.
Critical Race TheoryExamines how revisionism may reinforce racial hierarchies and silence the experiences of marginalized racial groups.
Cultural StudiesAnalyzes how revisionism shapes cultural identity, emphasizing its role in constructing and reconstructing societal perceptions.
Narrative TheoryExplores the storytelling aspects of revisionism, investigating how narratives are constructed, altered, or challenged.
Queer TheoryConsiders the impact of revisionism on queer narratives, addressing how revisionist histories may influence perceptions of sexuality.
Marxist Literary TheoryExamines the socio-political motivations behind revisionism, exploring how class dynamics may shape the reevaluation of historical events.
Historical Revisionism: Application in Critiques
  1. 1984 by George Orwell:
    • Critique: Orwell’s 1984 explores the manipulation of historical records by the government, illustrating how revisionism is employed as a tool for political control and the shaping of societal perceptions.
  2. A People’s History of the United States by Howard Zinn:
    • Critique: Zinn’s work serves as a form of revisionism, challenging mainstream narratives by providing an alternative perspective that emphasizes the experiences of marginalized voices and social movements.
  3. The God of Small Things by Arundhati Roy:
    • Critique: Roy’s novel critiques revisionism within a postcolonial context, revealing how cultural and social hierarchies contribute to the distortion of historical narratives and the erasure of certain voices.
  4. Denying the Holocaust: The Growing Assault on Truth and Memory by Deborah Lipstadt:
    • Critique: Lipstadt’s work critically engages with Holocaust denial as a form of revisionism, examining the motivations, methods, and dangers of selectively omitting or distorting historical facts.

In each of these literary works, revisionism is a central theme, whether in the context of dystopian fiction, alternative historical narratives, postcolonial critiques, or examinations of denialism. These critiques illuminate the complexities and ethical considerations associated with the reevaluation and reinterpretation of historical events within literature.

Historical Revisionism: Relevant Terms
Similar TermsDefinition
1. ReinterpretationCritical reassessment and reevaluation of historical events.
2. Selective RetellingChoosing specific aspects to emphasize or de-emphasize in a narrative.
3. Historiographical ShiftChanges in the prevailing interpretations and approaches to history.
4. Narrative ReconstructionRebuilding or altering the storytelling structure of historical events.
5. Memory RevisionAdjusting collective or individual memory of past events.
6. Alternative HistoriographyOffering alternative perspectives and interpretations of history.
7. Ideological RewritingAltering historical narratives to align with particular ideologies.
8. Historical RedefinitionRedefining the significance or meaning of specific historical events.
9. Contextual ReevaluationReassessing historical events within the context of changing perspectives.
10. Revisionist DiscourseEngaging in discussions and debates centered around reinterpreting history.
Historical Revisionism: Suggested Readings
  1. Benjamin, Walter. Theses on the Philosophy of History. 1940.
  2. Foucault, Michel. The Archaeology of Knowledge. Vintage, 1972.
  3. Irving, David. Hitler’s War. Focal Point, 1977.
  4. Lipstadt, Deborah. Denying the Holocaust: The Growing Assault on Truth and Memory. Plume, 1993.
  5. Nansen, Fritjof. Armenia and the Near East. Nabu Press, 2010 (Originally published in 1923).
  6. Nolte, Ernst. The Three Faces of Fascism. Mentor, 1966 (Originally published in 1963).
  7. Orwell, George. 1984. Signet Classic, 1949.
  8. Zinn, Howard. A People’s History of the United States. Harper Perennial, 2005 (Originally published in 1980).

Historical Erasure in Literature & Literary Theory

Historical erasure is a theoretical term that denotes the intentional or inadvertent suppression, neglect, or omission of certain historical events, cultures, or contributions, leading to their diminished visibility or even complete exclusion from historical narratives.

Historical Erasure: Etymology/Term, Meanings and Concept
Historical Erasure:

The term “historical erasure” refers to the deliberate or unintentional process of suppressing, omitting, or neglecting the documentation and acknowledgment of certain historical events, cultures, or contributions, thereby diminishing their significance or even rendering them entirely invisible. This phenomenon can occur due to various factors, including political ideologies, cultural biases, or systemic power imbalances. This erasure is a critical concept in discussions about representation and memory, highlighting the importance of recognizing and preserving diverse narratives to construct a more comprehensive understanding of the past.

Meanings and Concept:
  • Selective Amnesia:
    • This erasure involves a form of selective amnesia, where certain events or perspectives are purposefully omitted or marginalized in the construction of historical narratives.
  • Cultural Marginalization:
    • It often entails the marginalization of specific cultures, communities, or historical figures, leading to a skewed representation of the past that perpetuates imbalances in power and recognition.
  • Political Manipulation:
    • This erasure can be a tool of political manipulation, where those in power selectively shape the historical record to serve their agendas, often downplaying or suppressing inconvenient truths.
  • Loss of Identity:
    • Communities subjected to historical erasure may experience a loss of cultural identity, as their contributions and experiences are sidelined or excluded from mainstream historical discourse.
  • Impact on Memory and Perception:
    • The concept underscores how this erasure influences collective memory and public perception, shaping societal attitudes and beliefs about the past.
  • Reclamation Efforts:
    • Recognizing erasure prompts efforts to reclaim and amplify marginalized histories, fostering a more inclusive understanding of the past through initiatives that highlight overlooked narratives.
  • Educational Implications:
    • Within educational contexts, addressing erasure involves revising curricula to incorporate diverse perspectives, challenging Eurocentric biases, and ensuring a more accurate representation of history.
  • Intersectionality:
    • Erasure often intersects with issues of race, gender, and other social categories, exacerbating the marginalization of certain groups and reinforcing systemic inequalities.
  • Public Awareness and Advocacy:
    • Raising public awareness about erasure is crucial for fostering advocacy, encouraging critical examination of historical narratives, and promoting a more inclusive representation of diverse experiences.
Historical Erasure: Definition of a Theoretical Term

Historical erasure is a theoretical term that denotes the intentional or inadvertent suppression, neglect, or omission of certain historical events, cultures, or contributions, leading to their diminished visibility or even complete exclusion from historical narratives. This process often results from political agendas, cultural biases, or power imbalances, shaping the collective memory and perception of the past. Recognizing and addressing historical erasure is crucial for promoting a more inclusive understanding of history by acknowledging and amplifying marginalized voices and experiences.

Historical Erasure: Theorists, Works and Arguments
  1. Michel-Rolph Trouillot:
    • Work: Silencing the Past: Power and the Production of History.
    • Argument: Trouillot explores how power dynamics, silences, and omissions in historical narratives contribute to the erasure of certain voices and events, emphasizing the role of political and cultural influences in shaping historical records.
  2. Edward Said:
    • Work: Orientalism.
    • Argument: Said’s concept of Orientalism addresses how Western perspectives have historically marginalized and distorted the representation of Eastern cultures, contributing to a form of erasure through biased narratives.
  3. Annette Gordon-Reed:
    • Work: The Hemingses of Monticello: An American Family.
    • Argument: Gordon-Reed’s exploration of the Hemings family and their connection to Thomas Jefferson challenges erasure by shedding light on the lives of enslaved individuals who have often been overlooked in traditional historical accounts.
  4. Eduardo Galeano:
    • Work: Open Veins of Latin America.
    • Argument: Galeano’s work critiques the erasure of Latin American voices in the narrative of global economic exploitation, highlighting the impact of colonization and imperialism on the region.
  5. Howard Zinn:
    • Work: A People’s History of the United States.
    • Argument: Zinn argues that mainstream historical narratives often marginalize the experiences of oppressed and marginalized groups, and his work seeks to counteract erasure by presenting a more inclusive account of U.S. history.
  6. Frantz Fanon:
    • Work: The Wretched of the Earth.
    • Argument: Fanon’s exploration of colonialism and its psychological effects underscores how erasure is intertwined with the dehumanization of colonized peoples, emphasizing the importance of decolonizing historical narratives.

These theorists and their works contribute to the understanding of erasure by examining the power structures, biases, and cultural influences that lead to the omission or distortion of certain histories. Their arguments encourage a more critical examination of historical records and an acknowledgment of the voices and experiences that have been marginalized or silenced.

Historical Erasure: Key Characteristics
  • Selective Omission:
    • Literary Reference: In George Orwell’s 1984, the government selectively omits and alters historical records to control the narrative and erase inconvenient truths, illustrating the concept of erasure.
  • Cultural Marginalization:
    • Literary Reference: In Chinua Achebe’s Things Fall Apart, the colonial portrayal of African cultures contributes to their marginalization and distortion, exemplifying how cultural biases perpetuate erasure.
  • Political Manipulation:
    • Literary Reference: In Ray Bradbury’s Fahrenheit 451, the government’s manipulation of historical narratives serves as a tool for political control, showcasing how erasure can be wielded for ideological purposes.
  • Loss of Identity:
    • Literary Reference: Toni Morrison’s Beloved explores the impact of slavery on identity, demonstrating how erasure can lead to the loss of cultural and individual identities through systemic oppression.
  • Impact on Memory and Perception:
    • Literary Reference: In Gabriel Garcia Marquez’s One Hundred Years of Solitude, the Buendía family experiences the distortion of collective memory, reflecting how erasure influences the perception of reality over generations.
  • Reclamation Efforts:
    • Literary Reference: In Isabel Allende’s The House of the Spirits, the characters engage in efforts to reclaim their family’s history, illustrating the importance of actively countering erasure through acknowledgment and documentation.
  • Educational Implications:
    • Literary Reference: The protagonist in Malala Yousafzai’s memoir, I Am Malala, highlights the significance of inclusive education to counteract erasure, emphasizing the power of knowledge in challenging dominant narratives.
  • Intersectionality:
    • Literary Reference: Chimamanda Ngozi Adichie’s Americanah explores how erasure intersects with issues of race, gender, and identity, showcasing the complexity of marginalized experiences within a broader historical context.
  • Public Awareness and Advocacy:
    • Literary Reference: In Arundhati Roy’s The God of Small Things, the characters navigate the societal implications of erasure, emphasizing the need for public awareness and advocacy to address the consequences of distorted narratives.
  • Perpetuation of Inequality:
    • Literary Reference: In James Baldwin’s Go Tell It on the Mountain, the narrative reflects how erasure contributes to the perpetuation of inequality, particularly concerning race and religion, within a societal framework.
Historical Erasure: Relevance in Literary Theories
Literary TheoryRelevance to Historical Erasure
Postcolonial TheoryExamines the impact of colonialism on literature and culture, addressing how historical erasure perpetuates the marginalization of colonized voices and narratives.
Feminist Literary TheoryFocuses on gender roles and representation, highlighting how historical erasure often sidelines the contributions and experiences of women in literature and society.
Critical Race TheoryExplores how racial identities and power dynamics influence literature, revealing how erasure contributes to the silencing of certain racial groups and their narratives.
Cultural StudiesAnalyzes the production and reception of cultural texts, emphasizing how historical erasure influences the construction of cultural identities and shapes societal perceptions.
Narrative TheoryExamines the structure and function of narratives, revealing how historical erasure impacts the storytelling process by selectively omitting or distorting certain elements.
DeconstructionQuestions binary oppositions and challenges fixed meanings, allowing for an examination of how historical erasure operates within language and discourse.
Historical CriticismEvaluates the historical context of literary works, acknowledging how historical erasure within the texts reflects broader societal trends and biases.
Queer TheoryExplores how sexuality is represented in literature, addressing how historical erasure may affect the visibility and recognition of queer narratives.
Reader-Response TheoryConsiders how readers interpret texts, recognizing that erasure can shape readers’ perceptions and influence their engagement with literature.
New HistoricismExamines the interplay between literature and historical context, revealing how erasure contributes to the shaping of cultural and literary norms.
Historical Erasure: Application in Critiques
  1. Beloved by Toni Morrison:
    • Critique: Morrison’s Beloved critiques erasure through the lens of slavery’s impact on identity. The erasure of individual and cultural histories of the characters in the aftermath of slavery underscores how systemic oppression can lead to the loss of identity and the distortion of historical narratives.
  2. Things Fall Apart by Chinua Achebe:
    • Critique: Achebe’s novel critiques erasure by examining the impact of colonialism on African cultures. The representation of African societies through a colonial lens contributes to the erasure of indigenous perspectives, revealing how biased historical narratives perpetuate cultural marginalization.
  3. The God of Small Things by Arundhati Roy:
    • Critique: Roy’s work critiques erasure within a postcolonial context, exploring the consequences of cultural and social hierarchies. The narrative reveals how historical erasure perpetuates inequality by suppressing certain narratives and reinforcing oppressive structures within the Indian societal framework.
  4. One Hundred Years of Solitude by Gabriel Garcia Marquez:
    • Critique: Marquez’s novel critiques erasure by portraying the cyclical nature of memory distortion over generations. The Buendía family’s experiences highlight how historical erasure impacts collective memory, leading to the repetition of skewed narratives and a distorted understanding of the past.
Historical Erasure: Relevant Terms
Terms for Historical ErasureDefinition
1. Selective AmnesiaDeliberate forgetting of specific historical facts.
2. Cultural WhitewashingMinimizing cultural diversity in historical portrayal.
3. Narrative ExclusionOmission of specific narratives from historical accounts.
4. Memory DistortionAlteration of historical memory to fit certain narratives.
5. Systemic SilencingStructural suppression of certain historical voices.
6. Historical RevisionismReevaluation or reinterpretation to alter historical narratives.
7. Cultural AmnesiaSocietal forgetfulness of cultural heritage.
8. Identity ErosionGradual loss of cultural or individual identity due to neglect.
9. Omission BiasUnconscious exclusion of historical details influenced by biases.
10. Erasure of Indigenous KnowledgeDisregard or suppression of traditional knowledge.
Historical Erasure: Suggested Readings
  1. Fanon, Frantz. The Wretched of the Earth. Grove Press, 2004.
  2. Galeano, Eduardo. Open Veins of Latin America: Five Centuries of the Pillage of a Continent. Monthly Review Press, 1997.
  3. Morrison, Toni. Beloved. Vintage, 2004.
  4. Orwell, George. 1984. Signet Classic, 1961.
  5. Roy, Arundhati. The God of Small Things. Random House, 1997.
  6. Said, Edward. Orientalism. Vintage, 1979.
  7. Trouillot, Michel-Rolph. Silencing the Past: Power and the Production of History. Beacon Press, 2015.
  8. Yousafzai, Malala. I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban. Little, Brown and Company, 2013.
  9. Zinn, Howard. A People’s History of the United States. Harper Perennial Modern Classics, 2015.

Hauntology in Literature & Literary Theory

Hauntology explores the idea that the past is not entirely gone but continues to linger as spectral “ghosts” in the present, influencing cultural, social, and philosophical discourse.

Hauntology: Etymology/Term, Meanings and Concept
Etymology/Term:

The term “hauntology” combines “haunt” and “ontology.” Coined by French philosopher Jacques Derrida in the 1990s, it is a play on the words, merging the concept of haunting with ontology, which deals with the nature of being and existence. Hauntology delves into the persistent influence of the past on the present, emphasizing the spectral and lingering aspects of history that continue to shape contemporary thought and culture.

Meanings and Concept:
  • Temporal Ghosts: Hauntology explores the idea that the past is not entirely gone but continues to linger as spectral “ghosts” in the present, influencing cultural, social, and philosophical discourse.
  • Cultural Memory and Nostalgia: It involves an examination of cultural artifacts, memories, and nostalgia, highlighting how they haunt our collective consciousness and shape our understanding of identity and time.
  • Lost Futures: Hauntology often reflects on unrealized or abandoned futures, examining the dreams and aspirations that were left unrealized, leaving a haunting imprint on the present.
  • Dystopian Aesthetics: In cultural and artistic contexts, hauntology is associated with a certain aesthetic that draws from dystopian visions and explores the eerie, uncanny, and nostalgic aspects of contemporary culture.
  • Deconstruction of Certainties: Derrida’s hauntological approach challenges traditional notions of certainty and stability in philosophy, urging a reconsideration of fixed meanings and structures in the context of the ever-present specters of the past.
Hauntology: Definition of a Theoretical Term

Hauntology is a theoretical term coined by philosopher Jacques Derrida, amalgamating “haunt” and “ontology.” It refers to a concept that explores the persistent influence of the past on the present, emphasizing the spectral nature of historical remnants that continue to shape contemporary culture and thought. Hauntology challenges traditional notions of linear time and fixed meanings, encouraging an examination of the lingering, ghostly traces of history in our understanding of existence.

Hauntology: Theorists, Works, and Arguments
Theorists:
  1. Jacques Derrida: The French philosopher who coined the term hauntology, Derrida’s works such as “Specters of Marx” explore the haunting nature of the past, emphasizing its impact on the present.
  2. Mark Fisher: A contemporary cultural theorist, Fisher extensively wrote about hauntology in the context of popular culture and modernity. His influential work, “Ghosts of My Life,” delves into the concept, discussing its implications for music, film, and contemporary society.
Works:
  1. “Specters of Marx” by Jacques Derrida: In this seminal work, Derrida examines the spectral quality of Marxism and capitalism, introducing the concept of hauntology as a way to understand the persistent presence of historical ideologies in the post-Cold War era.
  2. “Ghosts of My Life” by Mark Fisher: Fisher’s book explores hauntology in the realm of popular culture, discussing how the specters of the past haunt contemporary music, film, and literature, influencing our collective consciousness.
  3. “The Condemned of Altona” by Jean-Paul Sartre: Though not explicitly hauntological, Sartre’s play is often referenced in discussions of hauntology. It deals with the haunting impact of history on individuals and their perception of reality.
Arguments:
  1. Temporal Dislocation: Hauntology argues that time is not a linear progression but is haunted by the past, challenging conventional notions of history and temporality.
  2. Cultural Memory and Nostalgia: The concept asserts that cultural artifacts, memories, and nostalgia for lost futures have a lingering influence on contemporary culture, shaping identity and societal perspectives.
  3. Deconstruction of Certainties: Hauntology, rooted in Derridean deconstruction, argues for the reexamination and destabilization of fixed meanings and structures, emphasizing the fluid and spectral nature of language and existence.
Hauntology: Major Characteristics
Major Characteristics:
  • Temporal Disjunction: Hauntology involves a disruption of linear time, highlighting the coexistence of past and present. This characteristic challenges conventional notions of historical progression.
  • Spectral Presence: The concept emphasizes the lingering influence of the past as spectral entities or “ghosts” that continue to shape contemporary culture, thought, and identity.
  • Cultural Nostalgia: Hauntology often explores the theme of cultural nostalgia, where past cultural artifacts, memories, and lost futures evoke a sense of yearning or mourning for what once was or could have been.
  • Dystopian Aesthetics: In literature and art, hauntology is associated with a dystopian aesthetic, capturing the eerie and uncanny aspects of the present influenced by historical specters.
  • Deconstruction of Certainty: Rooted in Derridean philosophy, hauntology involves the deconstruction of fixed meanings and structures, urging a reevaluation of established concepts and challenging the stability of language and knowledge.
Literary Examples:
  • “Ghost Dance” by Sherman Alexie: This short story delves into the haunted history of Native Americans and explores how the past continues to affect the present, manifesting as a spectral dance that connects generations.
  • “Beloved” by Toni Morrison: Morrison’s novel features the haunting presence of a murdered child, Beloved, whose spectral existence represents the unresolved trauma of slavery and its impact on the characters’ lives.
  • “The Road” by Cormac McCarthy: In this post-apocalyptic novel, the remnants of a devastated world serve as spectral traces of a lost civilization, haunting the characters as they navigate a desolate landscape.
  • “Never Let Me Go” by Kazuo Ishiguro: Ishiguro’s novel presents a dystopian world where cloned individuals grapple with the haunting reality of their predetermined fates, exploring themes of identity, memory, and the consequences of scientific advancements.
Hauntology: Relevance in Literary Theories
Literary TheoryRelevance of Hauntology
PostmodernismHauntology challenges linear narratives and temporal structures, aligning with postmodern tendencies to deconstruct traditional notions of time and history.
DeconstructionismRooted in Derridean philosophy, hauntology inherently aligns with deconstructionism by emphasizing the fluid and spectral nature of language, disrupting fixed meanings and inviting reinterpretation.
Cultural StudiesIn cultural studies, hauntology is relevant in analyzing the impact of cultural nostalgia and the persistent influence of the past on contemporary identities, shaping cultural expressions and societal perspectives.
Feminist CriticismHauntology can be applied in feminist criticism to explore how the ghosts of patriarchy and historical injustices continue to haunt and shape gender relations, challenging traditional power dynamics.
PostcolonialismHauntology is pertinent in postcolonial literature, revealing how the ghosts of colonial history linger in the present, influencing the cultural, social, and political landscapes of formerly colonized societies.
Critical TheoryCritical theorists may find hauntology valuable in examining how the unresolved traumas and specters of history contribute to the construction and deconstruction of societal norms, ideologies, and power structures.
Hauntology: Application in Critiques
  1. Beloved by Toni Morrison:
    • Hauntology in Trauma: Morrison’s Beloved intricately employs hauntological elements to critique the trauma of slavery. The spectral presence of Beloved represents the unresolved history haunting the characters. The past, in the form of the ghostly child, disrupts the characters’ present lives, illustrating the enduring impact of slavery on their identities.
  2. Never Let Me Go by Kazuo Ishiguro:
    • Dystopian Hauntology: Ishiguro’s Never Let Me Go integrates hauntology to critique a dystopian world shaped by scientific advancements. The clones’ predetermined fate and the haunting reality of their existence evoke a sense of lost futures. Hauntology becomes a tool for critiquing the ethical implications of manipulating human life and the consequences of unchecked technological progress.
  3. The Great Gatsby by F. Scott Fitzgerald:
    • Hauntology of the American Dream: Fitzgerald’s The Great Gatsby can be critiqued through a hauntological lens to explore the haunting of the American Dream. Gatsby’s relentless pursuit of an idealized past, represented by Daisy, is haunted by the impossibility of recreating or reclaiming what has been lost. The novel critiques the illusionary nature of the American Dream and the lingering specters of unattainable aspirations.
  4. One Hundred Years of Solitude by Gabriel Garcia Marquez:
    • Historical Hauntology in Magical Realism: Marquez’s work can be critiqued through hauntology by examining the magical realist elements as specters of history. The novel’s fantastical events and the Buendía family’s cyclical experiences can be seen as the haunting repetition of history in Latin America. Hauntology becomes a lens for critiquing the impact of colonialism, political instability, and the cyclical nature of historical patterns in the region.

In each of these literary works, hauntology offers a critical perspective that goes beyond a traditional analysis, allowing for an exploration of the spectral and lingering aspects of history, trauma, and societal ideals.

Hauntology: Relevant Terms
TermDefinition
1. SpectralityQuality of being ghostly, indicating lingering past presence.
2. PalimpsestManuscript with layers of overwritten text, symbolizing historical depth.
3. Phantom LimbSensation of a missing limb, metaphorically denotes traces of the past.
4. ResidueRemnants or traces, akin to the lingering influence of the past.
5. EphemeralTransient or fleeting, reflecting the temporary nature of cultural phenomena.
6. EchoReflection or repetition, symbolizing the reverberation of historical ideas.
7. VestigesTraces of something no longer present, aligning with hauntology’s focus.
8. LiminalityState of being on the threshold, describing blurred past and present.
9. HolographThree-dimensional image, metaphorically suggesting a multidimensional past.
10. EmanationFlowing out, conceptually linked to historical influences in the present.
Hauntology: Suggested Readings
  1. Derrida, Jacques. Specters of Marx: The State of the Debt, the Work of Mourning, and the New International. Translated by Peggy Kamuf, Routledge, 1994.
  2. Fisher, Mark. Ghosts of My Life: Writings on Depression, Hauntology, and Lost Futures. Zero Books, 2014.
  3. Freud, Sigmund. The Uncanny. Translated by David McLintock, Penguin Books, 2003.
  4. Ishiguro, Kazuo. Never Let Me Go. Vintage Books, 2005.
  5. Morrison, Toni. Beloved. Alfred A. Knopf, 1987.
  6. Sartre, Jean-Paul. The Condemned of Altona. Translated by Sylvia and George Leeson, Vintage, 1995.

Globalism in Literature  & Literary Theory

Globalism is a theoretical term that denotes the interconnectedness and interdependence of nations on a global scale.

Globalism: Etymology/Term, Meanings, and Concept
Etymology/Term:

The term “globalism” derives from the root word “global,” which is a variation of “globe,” emphasizing worldwide or planetary scope. It gained prominence in the late 20th century as increased interconnectedness and interdependence between nations became more evident.

Meanings and Concept:
Meaning/ConceptDescription
Economic GlobalismRefers to the interconnectedness of economies on a global scale, involving international trade, investments, and the free flow of capital across borders.
Political GlobalismInvolves the idea of global governance, where international organizations and institutions play a significant role in addressing global challenges, transcending national boundaries.
Cultural GlobalismEncompasses the exchange and blending of cultures worldwide, facilitated by communication technologies, migration, and global media.
Environmental GlobalismAddresses global environmental challenges, emphasizing collective responsibility and cooperation to address issues like climate change and biodiversity loss.
Technological GlobalismRelates to the global diffusion and impact of technology, fostering connectivity and shared advancements across borders.

Globalism, therefore, encapsulates the idea of a world where nations are interconnected economically, politically, culturally, environmentally, and technologically, emphasizing the need for collaborative efforts to address shared challenges and opportunities on a global scale.

Globalism: Definition of a Theoretical Term

Globalism is a theoretical term that denotes the interconnectedness and interdependence of nations on a global scale. It encompasses economic, political, cultural, environmental, and technological dimensions, reflecting the increasing integration of societies across borders. As a theoretical framework, globalism emphasizes the need for international cooperation and collective action to address shared challenges and opportunities in an increasingly interconnected world.

Globalism: Theorists, Works and Arguments
TheoristWorkArgument
Thomas FriedmanThe World is Flat (2005)Friedman argues that globalization, driven by technology and interconnectedness, has leveled the playing field, making the world more interconnected and competitive.
Anthony GiddensRunaway World (1999)Giddens discusses the impact of globalization on modern societies, emphasizing its influence on politics, culture, and individual lives.
Manfred StegerGlobalization: A Very Short Introduction (2003)Steger provides a comprehensive overview of globalization, exploring its economic, political, and cultural dimensions while addressing its impact on inequality and cultural homogenization.
Joseph StiglitzGlobalization and Its Discontents (2002)Stiglitz critiques certain aspects of globalization, particularly its effects on developing nations, arguing for a more inclusive and equitable approach to global economic integration.
Samuel P. HuntingtonThe Clash of Civilizations and the Remaking of World Order (1996)Huntington’s thesis suggests that future conflicts will be rooted in cultural and civilizational differences rather than ideological or economic factors, posing challenges to a harmonious globalized world.
David HeldGlobal Covenant: The Social Democratic Alternative to the Washington Consensus (2004)Held advocates for a more socially responsible and inclusive approach to globalization, proposing alternatives to the dominant neoliberal economic policies.
Globalism: Major Characteristics
  • Interconnectedness:
    • Example: In Arundhati Roy’s “The God of Small Things,” the narrative weaves through interconnected lives in a small Indian town, portraying how local events resonate globally.
  • Cultural Hybridity:
  • In Zadie Smith’s novel “White Teeth,” the characters navigate the intricate landscape of cultural hybridity in post-colonial London. The Iqbal and Jones families, with roots in Bangladesh and Jamaica respectively, grapple with their unique identities against the backdrop of a diverse and evolving society.
    • Economic Interdependence:
    • Example: John Lanchester’s “Capital” delves into the lives of diverse characters in London, interconnected by the global economic system and the 2008 financial crisis.
  • Technological Integration:
    • Example: Dave Eggers’ “The Circle” portrays a dystopian world where advanced technology connects people globally, raising ethical questions about privacy and societal control.
  • Political Globalization:
    • Example: Don DeLillo’s “Cosmopolis” follows a wealthy asset manager’s surreal journey through New York City, exploring the impact of global events on individual lives.
  • Environmental Awareness:
    • Example: Barbara Kingsolver’s “Flight Behavior” addresses global warming and environmental changes through the migration of monarch butterflies, connecting local and global ecosystems.
  • Multinational Characters:
    • Example: Khaled Hosseini’s “The Kite Runner” unfolds against the backdrop of Afghanistan but features characters with connections to various global locations, reflecting migration patterns.
  • Global Governance:
    • Example: Ian McEwan’s “Saturday” delves into the life of a neurosurgeon in London, intertwining personal challenges with global issues like terrorism and geopolitical tensions.

These literary examples illustrate how globalism manifests in various forms within literature, capturing the complexities of interconnected societies, cultural exchange, economic ties, technological advancements, and the influence of global events on individual experiences.

Globalism: Relevance in Literary Theories
Literary TheoryRelevance to Globalism
PostcolonialismExamines the effects of colonial history on literature, often exploring how global power dynamics and cultural encounters shape narratives. Examples include Chinua Achebe’s “Things Fall Apart.”
World LiteratureEmphasizes the study of literature beyond national or cultural boundaries, recognizing the interconnectedness of literary works globally. Example: Haruki Murakami’s “Norwegian Wood.”
TransnationalismFocuses on literature that transcends national borders, reflecting the movement of people, ideas, and cultures across the globe. Example: Jhumpa Lahiri’s “The Namesake.”
Global NarrativesExplores narratives that address universal themes and experiences, emphasizing shared human stories that resonate across diverse cultures. Example: Chimamanda Ngozi Adichie’s “Half of a Yellow Sun.”
CosmopolitanismConsiders literature that embodies a cosmopolitan worldview, emphasizing a sense of shared humanity and cultural openness. Example: Kazuo Ishiguro’s “Never Let Me Go.”
Environmental LiteratureExamines literature that addresses global environmental issues, highlighting the interconnectedness between human societies and the natural world. Example: Amitav Ghosh’s “The Great Derangement.”
PostmodernismChallenges traditional boundaries and categories, reflecting the fragmentation and complexity of the globalized world. Example: Italo Calvino’s “If on a winter’s night a traveler.”
Globalism: Application in Critiques
  1. Things Fall Apart by Chinua Achebe:
    • Global Critique: Achebe’s novel critiques the impact of colonialism on African societies, highlighting the global power dynamics that led to cultural disruptions and the loss of traditional values. It engages with global themes of imperialism and cultural clash, emphasizing the interconnectedness of different parts of the world during the colonial era.
  2. Norwegian Wood by Haruki Murakami:
    • Global Critique: Murakami’s work explores the experiences of Japanese characters in a global context, incorporating Western cultural influences. It reflects the interconnectedness of cultures and the universality of themes like love and loss, contributing to the global discourse on contemporary relationships and existentialism.
  3. The Namesake by Jhumpa Lahiri:
    • Global Critique: Lahiri’s novel explores the challenges faced by immigrants and their descendants, highlighting the transnational nature of identity. The narrative reflects the impact of global migration patterns, offering a nuanced perspective on cultural hybridity and the interconnected lives of characters with ties to multiple countries.
  4. Half of a Yellow Sun by Chimamanda Ngozi Adichie:
    • Global Critique: Adichie’s novel provides a global perspective on the Nigerian-Biafran War, addressing the impact of political decisions on individuals and communities. It engages with global narratives of conflict, postcolonial struggles, and the human cost of war, contributing to a broader conversation on the consequences of political decisions in a globalized world.

In each critique, the lens of globalism allows for an examination of how these literary works transcend national boundaries, engage with cultural intersections, and contribute to a broader understanding of shared human experiences within the context of a globalized world.

Globalism: Relevant Terms
TermDefinition
1. InternationalismCooperation between nations.
2. TransnationalismInteractions beyond national borders.
3. CosmopolitanismGlobal perspective, emphasizing a single human community.
4. GlobalizationIncreasing interconnectedness worldwide.
5. World System TheoryAnalysis of global economic positions.
6. International IntegrationNations coming together through agreements.
7. InterdependenceMutual reliance between nations.
8. Global CitizenshipResponsibilities beyond national borders.
9. MultilateralismCooperation involving multiple nations.
10. Global VillageWorld seen as a closely interconnected community.
Globalism: Suggested Readings
  1. Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. University of Minnesota Press, 1996.
  2. Friedman, Thomas L. The Lexus and the Olive Tree: Understanding Globalization. Anchor Books, 2000.
  3. Held, David. Global Transformations: Politics, Economics, and Culture. Stanford University Press, 1999.
  4. Rodrik, Dani. The Globalization Paradox: Democracy and the Future of the World Economy. W.W. Norton & Company, 2011.
  5. Roy, Arundhati. Globalization and Discontents: Essays on the New Mobility of People and Money. Haymarket Books, 2002.
  6. Sassen, Saskia. Cities in a World Economy. Sage Publications, 2006.
  7. Stiglitz, Joseph E. Globalization and Its Discontents Revisited: Anti-Globalization in the Era of Trump. W.W. Norton & Company, 2017.
  8. Steger, Manfred B. Globalization: A Very Short Introduction. Oxford University Press, 2003.
  9. Waters, Malcolm. Globalization. Routledge, 2015.

Gender Neutrality in Literature & Literary Theory

Gender neutrality is a theoretical term referring to the absence of gender-specific distinctions or biases, aiming to create an inclusive environment that does not favor any particular gender identity.

Gender Neutrality: Etymology/Term, Meanings and Concept
Etymology/Term:

The term “gender neutrality” emerged in the late 20th century, with its roots in the broader social movements advocating for equality and inclusivity. It is a linguistic and cultural concept aimed at avoiding bias or discrimination based on gender, challenging traditional gender norms, and fostering an environment that is inclusive and respectful of diverse gender identities.

Meanings and Concept:
  • Linguistic Inclusivity: Gender-neutral language seeks to use terms that do not specify gender, providing alternatives to traditional gendered pronouns and titles. This aims to ensure that communication is inclusive of all genders and does not reinforce stereotypes.
  • Social Equality: Gender neutrality extends beyond language, advocating for equal rights and opportunities for individuals of all gender identities. It challenges societal norms and promotes a more equitable and just society by dismantling gender-based expectations and discrimination.
  • Inclusive Spaces: Creating gender-neutral spaces means designing environments that are comfortable and accessible to people of any gender identity. This can include restrooms, changing facilities, and other public spaces that traditionally segregate based on gender.
  • Recognition of Non-Binary Identities: Gender neutrality recognizes and validates non-binary and genderqueer identities, acknowledging that the spectrum of gender goes beyond the traditional binary of male and female. This promotes understanding and acceptance of diverse gender expressions.
  • Policy and Legislation: Gender-neutral policies and legislation aim to eliminate discrimination based on gender, ensuring that laws and regulations treat individuals fairly, regardless of their gender identity. This involves reevaluating existing legal frameworks to be more inclusive and just.
  • Education and Awareness: Promoting gender neutrality involves raising awareness about the diversity of gender identities and expressions. Education plays a crucial role in challenging stereotypes, biases, and fostering a more accepting society that respects individual choices regarding gender.
Gender Neutrality: Definition of a Theoretical Term

Gender neutrality is a theoretical term referring to the absence of gender-specific distinctions or biases, aiming to create an inclusive environment that does not favor any particular gender identity. It encompasses linguistic practices, social policies, and cultural norms designed to treat individuals without regard to traditional gender roles or expectations. The concept seeks to challenge and dismantle binary notions of gender, fostering a more egalitarian and diverse society.

Gender Neutrality: Theorists, Works and Arguments
TheoristWorksKey Arguments
Judith ButlerGender Trouble, Bodies That MatterArgues that gender is performative, challenging the idea of a fixed or inherent gender identity. Emphasizes the fluidity and socially constructed nature of gender roles.
Simone de BeauvoirThe Second SexExplores the social construction of gender and the ways in which women have been historically oppressed. Advocates for women’s liberation and challenges traditional gender norms.
Judith LorberGender Inequality: Feminist TheoriesDiscusses the social construction of gender, arguing that gender is a product of socialization and that it perpetuates inequality. Emphasizes the need to challenge and transform existing gender norms.
Anne Fausto-SterlingSexing the BodyCritiques the binary concept of sex, highlighting the biological diversity in human bodies. Argues for a more nuanced understanding of sex and challenges the simplistic categorization of individuals into male or female.
Michael WarnerThe Trouble with NormalExamines the construction of normative gender and sexuality. Advocates for a more inclusive and diverse understanding of sexuality, challenging the societal insistence on rigid norms.
Raewyn ConnellGender and PowerExplores the dynamics of gender relations and the intersectionality of gender with other social structures. Discusses how power operates within gender systems and the need for transformative social change.
Gender Neutrality: Major Characteristics

1. Linguistic Innovation:

  • Example: Ursula K. Le Guin’s “The Left Hand of Darkness” challenges traditional gender language by portraying an androgynous society where individuals are neither distinctly male nor female.

2. Non-Binary Representation:

  • Example: In Jeff VanderMeer’s “Annihilation,” the protagonist’s gender is intentionally left ambiguous, emphasizing a narrative that transcends traditional gender roles.

3. Subversion of Gender Norms:

  • Example: Virginia Woolf’s “Orlando” defies gender expectations as the protagonist undergoes a gender transformation across centuries, questioning the stability and rigidity of gender identities.

4. Inclusive Narratives:

  • Example: N.K. Jemisin’s “The Fifth Season” features a diverse cast of characters with fluid gender identities, contributing to a narrative that challenges societal norms and fosters inclusivity.

5. Intersectionality:

  • Example: Chimamanda Ngozi Adichie’s “Half of a Yellow Sun” explores gender in the context of war, demonstrating how gender experiences intersect with other aspects of identity during a tumultuous historical period.

6. Critique of Gender Binaries:

  • Example: Jeffrey Eugenides’ “Middlesex” challenges binary notions of gender by portraying a protagonist with an intersex condition, highlighting the limitations of rigid gender categorizations.

7. Exploration of Identity Fluidity:

  • Example: Ali Smith’s “How to Be Both” delves into the fluidity of identity, including gender, as it weaves together two interconnected stories that challenge fixed notions of self and gender.

These literary examples showcase how authors use their works to explore and promote gender neutrality through various themes and narrative techniques.

Gender Neutrality: Relevance in Literary Theories
Literary TheoryRelevance to Gender Neutrality in Literature
Feminist Literary TheoryExamines how literature reflects and perpetuates gender inequalities; explores ways in which gender-neutral narratives can challenge and subvert traditional patriarchal norms.
Queer TheoryFocuses on breaking down binary distinctions and norms related to sexuality and gender; encourages the exploration of non-normative gender identities and relationships in literature.
Postcolonial TheoryInvestigates the intersectionality of gender with colonial histories and power structures; explores how gender neutrality in literature can challenge colonial constructs and amplify marginalized voices.
Postmodernist Literary TheoryQuestions grand narratives and challenges fixed identities; embraces the fluidity of language and identity, making it receptive to literature that explores and disrupts traditional gender norms.
Critical Disability StudiesConsiders the intersection of gender with disability; explores how literature can contribute to understanding and representing diverse gender experiences, including those with disabilities.
New Criticism/FormalismTraditionally less focused on sociocultural contexts, but the evolution of these theories may involve analyzing how gender-neutral literature impacts the formal aspects of literary works.

These literary theories provide lenses through which scholars analyze and appreciate the relevance of gender neutrality in literature. They encourage exploration of diverse gender experiences, challenge traditional norms, and contribute to a more inclusive and nuanced understanding of gender in literary works.

Gender Neutrality: Application in Critiques
  1. The Left Hand of Darkness by Ursula K. Le Guin:
    • Application of Gender Neutrality: Le Guin challenges conventional gender language by presenting an androgynous society where individuals can become either gender during their monthly cycle. This critique would explore how the absence of fixed gender norms in the narrative contributes to a broader discussion of gender neutrality, inviting readers to reconsider traditional binary perspectives.
  2. Middlesex by Jeffrey Eugenides:
    • Application of Gender Neutrality: Eugenides’ novel delves into the life of a protagonist with an intersex condition, challenging the binary notions of male and female. A critique could examine how the narrative contributes to the deconstruction of gender binaries, emphasizing the importance of acknowledging and respecting diverse gender identities.
  3. Orlando by Virginia Woolf:
    • Application of Gender Neutrality: Woolf’s exploration of gender fluidity through centuries challenges societal expectations. A critique would analyze how the novel subverts traditional gender norms, emphasizing the malleability of gender identity and its potential to transcend cultural and historical constraints.
  4. The Fifth Season by N.K. Jemisin:
    • Application of Gender Neutrality: Jemisin’s work features a diverse cast with fluid gender identities in a world where traditional gender roles are not strictly adhered to. A critique might explore how the novel contributes to a more inclusive representation of gender, showcasing the importance of diverse perspectives and experiences in literature.

In each critique, the focus would be on how the respective literary work engages with or challenges gender norms, contributes to the discourse on gender neutrality, and promotes a more inclusive understanding of gender identities.

Gender Neutrality: Relevant Terms
TermsSimilarity to Gender Neutrality
Queer TheoryChallenges and deconstructs binary norms related to gender and sexuality.
Postcolonial TheoryExplores the intersectionality of gender with colonial histories and power structures.
Critical Disability StudiesExamines how societal norms impact the representation of gender and disability in literature.
Postmodernist Literary TheoryEmbraces fluidity in language and identity, resonating with gender-neutral narrative styles.
Feminist Literary TheoryAnalyzes gender roles and inequalities, aligning with the goal of dismantling gender norms.
New Criticism/FormalismFocuses on the internal structure of a text, providing a framework for analyzing gender-neutral narratives.
DeconstructionQuestions fixed meanings and hierarchies, aligning with the destabilization of gender binaries.
Identity PoliticsExamines how social identities, including gender, influence power dynamics and representation.
Cultural StudiesInvestigates how cultural practices and beliefs shape and are shaped by gender expressions.
IntersectionalityExplores the interconnected nature of social categories, including gender, in literary analysis.
Gender Neutrality: Suggested Readings
  1. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. Routledge, 1990.
  2. Fausto-Sterling, Anne. Sexing the Body: Gender Politics and the Construction of Sexuality. Basic Books, 2000.
  3. Jemisin, N.K. The Fifth Season. Orbit, 2015.
  4. Le Guin, Ursula K. The Left Hand of Darkness. Ace Books, 1969.
  5. Lorber, Judith. Gender Inequality: Feminist Theories and Politics. Oxford University Press, 2005.
  6. Smith, Ali. How to Be Both. Pantheon Books, 2014.
  7. Eugenides, Jeffrey. Middlesex. Picador, 2002.
  8. VanderMeer, Jeff. Annihilation. Farrar, Straus and Giroux, 2014.
  9. Woolf, Virginia. Orlando. Harcourt, 1928.
  10. Adichie, Chimamanda Ngozi. Half of a Yellow Sun. Anchor Books, 2006.

Fluid Gender Identity in Literature & Theory

Fluid gender identity is a theoretical term within gender studies that describes a dynamic and non-binary understanding of gender.

Term, Meanings and Concept
Fluid Gender Identity:

The term “fluid gender identity” refers to an understanding of gender that transcends traditional binary classifications, allowing for a dynamic and flexible experience of one’s gender. Individuals with a fluid identity may feel that their gender expression, feelings, or identification exist on a spectrum, unconfined by the conventional categories of male or female. This concept acknowledges the variability and complexity of gender, emphasizing that it can change over time or resist easy categorization.

Meanings and Concept:
  • Non-Binary Expression: Fluid identity often involves a rejection of the strict binary of male and female, allowing individuals to express and embody gender in ways that may encompass both, neither, or fluctuate between the two.
  • Flexibility and Change: The concept recognizes that gender identity is not fixed and may evolve or shift over time. Individuals with a fluid identity may experience changes in how they perceive and express their gender.
  • Personal Autonomy: Fluid identity emphasizes the autonomy of individuals to define and articulate their own gender, challenging societal norms and expectations regarding fixed gender roles.
  • Intersectionality: Fluid identity takes into account the intersectionality of gender with other aspects of identity, such as race, sexuality, and culture, recognizing that these intersections contribute to the complexity of one’s gender experience.
  • Inclusivity and Acceptance: It promotes a more inclusive and accepting understanding of gender diversity, acknowledging and respecting the validity of various gender expressions beyond the binary framework.
  • Challenges to Gender Norms: Individuals with fluid identities may challenge traditional gender norms, contributing to broader conversations about the fluidity and expansiveness of gender as a social construct.
  • Cultural Variances: The concept recognizes that perceptions of gender fluidity may vary across different cultures and societies, acknowledging that cultural contexts play a role in shaping understandings of gender diversity.

Fluid identity, therefore, encompasses a nuanced and evolving understanding of gender, allowing individuals the freedom to navigate and express their gender in ways that reflect their unique experiences and self-perceptions.

Fluid Gender Identity: Definition of a Theoretical Term

Fluid gender identity is a theoretical term within gender studies that describes a dynamic and non-binary understanding of gender. It goes beyond the conventional binary model of male and female, acknowledging that individuals may experience their gender in ways that are flexible, changeable, and may not conform to societal expectations. This concept emphasizes the fluidity and diversity of gender expressions, allowing individuals the autonomy to define and express their gender identity beyond traditional norms.

Fluid Gender Identity: Theorists, Works and Arguments
Theorists:
  1. Judith Butler: In her influential work “Gender Trouble,” Butler challenges the binary construction of gender and introduces the concept of performativity, suggesting that gender is a repeated performance that contributes to its fluid and socially constructed nature.
  2. Kate Bornstein: Bornstein, in works like “Gender Outlaw,” explores the complexities of gender identity and advocates for a more inclusive understanding that goes beyond binary categories, providing insights into the experiences of individuals with fluid identities.
  3. Sandy Stone: Stone, in her essay “The Empire Strikes Back: A Posttranssexual Manifesto,” discusses the fluidity of gender and challenges traditional narratives around transgender identity, arguing for a broader understanding that includes non-binary and fluid gender expressions.
Works:
  1. “Gender Trouble” by Judith Butler (1990): In this groundbreaking work, Butler critiques fixed notions of gender identities and argues for the performative nature of gender, contributing to the theoretical foundation for understanding fluid identities.
  2. “Gender Outlaw” by Kate Bornstein (1994): Bornstein’s work challenges the societal norms surrounding gender and introduces readers to the diverse experiences of individuals who navigate fluid gender identities, encouraging a reevaluation of traditional gender categories.
  3. “The Empire Strikes Back: A Posttranssexual Manifesto” by Sandy Stone (1987): Stone’s essay challenges the medical and cultural discourse on transgender identity, advocating for a more expansive understanding of gender that includes fluid and non-binary expressions.
Arguments:
  1. Performativity of Gender: Drawing from Butler’s work, theorists argue that gender is performative and socially constructed, emphasizing the fluid and changeable nature of gender expressions that go beyond fixed categories.
  2. Inclusivity and Recognition: Theorists and activists argue for the recognition and inclusivity of fluid identities in legal, medical, and societal frameworks, challenging systems that often reinforce binary norms.
  3. Destigmatization and Liberation: Advocates of fluid identity argue for the destigmatization of non-binary and genderqueer identities, aiming for a society that liberates individuals from restrictive gender norms and expectations.
  4. Intersectionality: Theorists emphasize the intersectionality of fluid gender identities, acknowledging the impact of other social factors such as race, ethnicity, and sexuality on the experiences of individuals with diverse gender expressions.
Fluid Gender Identity: Major Characteristics
  1. Non-Binary Expression: Individuals with fluid identities may reject or transcend the conventional binary categories of male and female, allowing for a diverse range of gender expressions that exist along a spectrum.
  2. Flexibility and Change: One of the defining characteristics is the recognition that gender identity is not fixed. It can be fluid, allowing individuals the freedom to explore and express different facets of their gender identity over time.
  3. Personal Autonomy: Fluid identities emphasizes the autonomy of individuals in defining and articulating their own gender. It underscores the importance of self-identification and personal understanding, challenging external expectations and norms.
  4. Intersectionality: The concept acknowledges that gender identity intersects with other aspects of identity, such as race, ethnicity, sexuality, and socioeconomic factors. This intersectionality contributes to the complexity of an individual’s experience of gender.
  5. Inclusivity and Acceptance: Fluid identity promotes a more inclusive and accepting understanding of gender diversity. It recognizes and respects various gender expressions beyond the binary framework, fostering an environment that embraces diversity.
  6. Challenges to Gender Norms: Individuals with fluid gender identities may actively challenge traditional gender norms and expectations. This can involve resisting societal pressures to conform to rigid gender roles and advocating for a more expansive understanding of gender.
  7. Cultural Variances: The concept recognizes that perceptions of gender fluidity may vary across different cultures and societies. Cultural contexts play a significant role in shaping understandings of gender diversity and fluidity.
  8. Intersection of Gender and Sexuality: Fluid identity often acknowledges the interplay between gender and sexuality. Individuals may navigate their gender identity in relation to their sexual orientation, challenging binary assumptions about both.
  9. Fluidity in Expression: Fluid identity allows for a range of gender expressions that may encompass aspects traditionally associated with both masculinity and femininity or exist outside these categories altogether.
  10. Community and Visibility: The characteristics of fluid identity are often fostered within communities that provide support and understanding. Increased visibility and representation contribute to challenging stigmas and misconceptions surrounding gender fluidity.
Fluid Identity: Relevance in Literary Theories
Literary TheoryRelevance
Queer TheoryIn queer theory, fluid identity is central to understanding the spectrum of gender expressions and challenging heteronormative and binary assumptions. Literary works may explore characters and narratives that defy conventional gender categories.
Feminist Literary TheoryFluid identity intersects with feminist literary theory in exploring how gender is socially constructed and challenging patriarchal norms. Literary analyses may focus on characters who navigate fluid gender identities as a form of resistance against traditional gender roles.
Postcolonial TheoryIn postcolonial literature, fluid identity can be a tool for challenging colonial impositions of gender norms. Narratives may depict characters navigating fluid gender identities as they resist Eurocentric expectations, contributing to a decolonized understanding of gender.
Disability StudiesThe intersection of fluid identity and disability studies in literature explores the unique experiences of individuals with diverse gender identities and disabilities. Literary works may depict characters challenging societal expectations related to both gender and ability.
Marxist Literary TheoryFluid identity intersects with Marxist theory as characters navigate the societal implications of their gender expressions. Literary analyses may explore how class structures intersect with gender fluidity and contribute to the critique of capitalist norms in literature.
Psychoanalytic Literary TheoryIn psychoanalytic literary theory, fluid identity may be explored in relation to characters’ psychological experiences and the impact of societal norms on individual identity. Literary works may delve into characters’ internal conflicts and self-discovery regarding gender identity.
Ecofeminist Literary TheoryEcofeminist literature may engage with fluid identity as characters navigate their relationship with the environment and challenge gendered notions of nature. Literary analyses may explore how fluid gender identities intersect with ecological themes in literature.
Critical Race TheoryThe intersection of fluid identity and critical race theory in literature addresses how race, ethnicity, and gender intersect. Literary works may portray characters challenging racialized gender norms, contributing to discussions on the intersectionality of identity in literature.
Disability StudiesThe intersection of fluid identity and disability studies in literature explores the unique experiences of individuals with diverse gender identities and disabilities. Literary works may depict characters challenging societal expectations related to both gender and ability.
New CriticismWhile New Criticism focuses on formal elements, fluid identity can be analyzed within the context of character development, symbolism, and narrative structure. Literary analyses may explore how the fluidity of gender identity contributes to the overall meaning of a literary work.
Fluid Gender Identity: Application in Critiques
  1. Orlando by Virginia Woolf

In Woolf’s “Orlando,” the protagonist experiences a fluid identity that transcends time and societal expectations. Critics may analyze how Orlando’s ability to shift between genders challenges traditional notions of identity and contributes to a broader exploration of the fluidity of gender roles throughout history.

  • Stone Butch Blues by Leslie Feinberg

Feinberg’s novel “Stone Butch Blues” explores the fluidity of gender identity within the context of the butch lesbian experience. Critics may examine how the protagonist, Jess Goldberg, navigates a complex gender landscape, providing insights into the intersections of gender identity, sexuality, and societal expectations.

  • Middlesex by Jeffrey Eugenides

In Eugenides’s “Middlesex,” the protagonist, Cal/Callie, grapples with a complex gender identities that goes beyond the binary. Critics may explore how the narrative challenges traditional norms and contributes to discussions about the interplay between genetics, environment, and personal identity in shaping one’s gender experience.

  • Trumpet by Jackie Kay

“Trumpet” by Jackie Kay revolves around the revelation of a jazz musician’s fluid identity after their death. Critics may analyze how the novel delves into the impact of societal expectations, family dynamics, and the media on the understanding of gender identity, exploring themes of acceptance and authenticity.

In these literary works, fluid identity serves as a central theme, allowing for critiques that delve into the complexities, challenges, and societal implications of navigating gender beyond binary norms. The characters’ experiences contribute to a broader conversation about the fluid and dynamic nature of gender identity within literature.

Fluid Gender Identity: Relevant Terms
Similar TermsBrief Description
GenderqueerIdentity outside the traditional gender binary.
Non-BinaryRejects the classification of gender as exclusively male or female.
Gender NonconformingDoes not conform to societal expectations of gender expression.
GenderfluidExperiences a fluid or changing gender identity.
AgenderIdentifies as having no specific gender or rejects gender altogether.
BigenderIdentifies with two distinct gender identities.
Two-SpiritA term used by some Indigenous cultures to describe a person embodying both masculine and feminine qualities.
Demiboy/DemigirlPartially, but not wholly, identifies with a certain gender.
AndrogynousDisplays characteristics traditionally associated with both genders.
NeutroisIdentifies with a neutral or genderless identity.
Fluid Gender Identity: Suggested Readings
  1. Bornstein, Kate. Gender Outlaw: On Men, Women, and the Rest of Us. Vintage, 1995.
  2. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. Routledge, 1990.
  3. Feinberg, Leslie. Stone Butch Blues. Alyson Books, 1993.
  4. Eugenides, Jeffrey. Middlesex. Picador, 2002.
  5. Kay, Jackie. Trumpet. Vintage, 1998.
  6. Woolf, Virginia. Orlando: A Biography. Oxford University Press, 2008.

Fatalism in Literature & Literary Theory

Fatalism is a theoretical term rooted in the philosophical concept that posits the inevitability and preordained nature of events, suggesting that outcomes are predetermined and independent of human will or intervention.

Fatalism: Etymology, Meanings and Concept
Etymology/Term:

The term “fatalism” stems from the Latin word “fatum,” meaning “fate” or “that which has been spoken.” Fatalism is a philosophical concept that conveys the belief in an inevitable outcome or destiny predetermined by external forces, often independent of human will or choice. Rooted in the idea that events are preordained and unalterable, fatalism explores the notion of a fixed course of events shaping individual lives and the broader unfolding of history.

Meanings and Concept:
  • Predetermined Destiny: Fatalism posits that events, including personal destinies, are predetermined and unavoidable, irrespective of human actions.
  • Lack of Free Will: Central to fatalism is the notion that individuals have limited or no control over the unfolding of events, as they are bound by an inexorable course set by external forces.
  • Passive Acceptance: Fatalism often involves a passive acceptance of outcomes, as individuals may resign themselves to their fate, considering any attempt to alter events as futile.
  • Deterministic Outlook: It reflects a deterministic worldview, asserting that every event, no matter how minute or significant, follows a predetermined path.
  • Different from Determinism: While fatalism shares similarities with determinism, it differs in that fatalism does not necessarily imply a chain of causation; rather, it emphasizes the inevitability of outcomes.
  • Cultural and Religious Implications: Fatalistic beliefs are found in various cultures and religions, influencing perspectives on life events, death, and the acceptance of circumstances beyond human control.
  • Existential Critique: Existentialist philosophy often critiques fatalism, advocating for individual agency, freedom, and the responsibility to create meaning in the face of an uncertain and sometimes seemingly indifferent universe.

Fatalism encapsulates a worldview where events are predestined and individuals navigate their lives within the constraints of a predetermined destiny, prompting philosophical inquiries into free will, agency, and the nature of human existence.

Fatalism: Definition of a Theoretical Term

Fatalism is a theoretical term rooted in the philosophical concept that posits the inevitability and preordained nature of events, suggesting that outcomes are predetermined and independent of human will or intervention. It implies a belief system wherein individuals accept a lack of control over their destinies, perceiving events as fated and unalterable. Fatalism contrasts with notions of free will and agency, presenting a worldview characterized by a passive acknowledgment of an inescapable and predetermined course of events.

Fatalism: Theorists, Works and Arguments

Theorists:

  1. Boethius (480-524 CE): Boethius, a Roman philosopher, is known for his work “The Consolation of Philosophy,” where he engages with the concept of fatalism, discussing the relationship between divine foreknowledge and human free will.
  2. Thomas Hobbes (1588-1679): Hobbes, in works like “Leviathan,” explored political philosophy and introduced elements of determinism, contributing to discussions on fatalism by considering the impact of deterministic principles on societal structure.
  3. David Hume (1711-1776): Hume, a Scottish philosopher, touched on fatalistic ideas in his philosophical inquiries, particularly in discussions about causation and the limitations of human understanding in works such as “A Treatise of Human Nature.”
  4. Isaiah Berlin (1909-1997): Berlin, a political theorist, discussed the concept of historical determinism, a form of fatalism, in his essay “Historical Inevitability,” examining the idea that historical events follow an inevitable and predetermined course.

Works:

  1. “The Consolation of Philosophy” by Boethius (524 CE): Boethius engages with fatalistic themes in this influential work, discussing the relationship between divine providence and human free will.
  2. “Leviathan” by Thomas Hobbes (1651): While primarily a work of political philosophy, Hobbes explores deterministic elements that contribute to discussions on fatalism, especially in relation to the nature of government and social contracts.
  3. “A Treatise of Human Nature” by David Hume (1739): Hume’s exploration of causation and his skepticism regarding human knowledge indirectly touch upon fatalistic ideas, challenging conventional notions of cause and effect.
  4. “Historical Inevitability” by Isaiah Berlin (1954): In this essay, Berlin critiques the idea of historical determinism, a form of fatalism, by examining the belief that historical events are predetermined and follow an inevitable course.

Arguments:

  1. Divine Foreknowledge vs. Free Will: Some theorists, like Boethius, delve into the compatibility of divine foreknowledge and human free will, exploring whether a predetermined destiny is reconcilable with individual agency.
  2. Political Determinism: Fatalistic ideas are applied to political philosophy by thinkers such as Hobbes, who considers the deterministic nature of political structures and their impact on societal organization.
  3. Skepticism and Causation: Hume’s works contribute to discussions on fatalism by introducing skepticism about the human understanding of causation, challenging assumptions about the predictability of events.
  4. Critique of Historical Determinism: Berlin’s arguments involve a critique of historical determinism, highlighting the dangers of fatalistic thinking in the context of understanding and interpreting historical events.

Fatalism: Major Characteristics

  1. Inevitability of Events: Fatalism is characterized by the belief that events are predetermined and inevitable, suggesting that outcomes are fated to occur regardless of human actions or interventions.

Example: In a fatalistic worldview, an individual might believe that certain life events, such as the timing of one’s death or major life decisions, are predestined and cannot be altered.

  • Passive Acceptance: Fatalism often involves a passive acceptance of one’s destiny without attempting to change or influence the course of events. Individuals may resign themselves to the idea that their actions have little impact on predetermined outcomes.

Example: A fatalistic attitude might lead someone to accept setbacks or challenges without actively seeking solutions, attributing everything to fate.

  • Limited Human Agency: Fatalism diminishes the role of human agency, suggesting that individuals have limited or no control over the events that shape their lives. It challenges the idea of free will and emphasizes the overriding influence of external forces.

Example: A fatalistic perspective might lead someone to believe that their efforts to achieve certain goals are futile, as external factors will ultimately determine the outcome.

  • Deterministic Worldview: Fatalism aligns with a deterministic worldview, positing that every event, regardless of its scale, follows a predetermined path. It implies a lack of randomness or chance in the unfolding of events.

Example: In a fatalistic perspective, even seemingly random events, such as chance encounters or accidents, are viewed as part of a predetermined course.

  • Cultural and Religious Influence: Fatalistic beliefs can be influenced by cultural and religious factors, shaping individuals’ perspectives on destiny, life events, and the acceptance of circumstances beyond human control.

Example: Some religious traditions may incorporate fatalistic elements, suggesting that certain life events are part of a divine plan that individuals should accept without resistance.

  • Existential Critique: Existentialist philosophy often critiques fatalism, highlighting the tension between passive acceptance and the existential responsibility to create meaning in the face of uncertainty.

Example: Existentialist literature and philosophy, such as Jean-Paul Sartre’s works, may present characters who resist fatalistic thinking and actively engage in shaping their own destinies.

Fatalism: Relevance in Literary Theories

Literary TheoryRelevance of Fatalism
ExistentialismFatalism is often critiqued within existentialist literature, as existentialism emphasizes individual agency and the creation of meaning in a seemingly indifferent universe. Characters may resist fatalistic thinking, engaging in active decision-making and shaping their own destinies.
NaturalismIn naturalistic literature, fatalism may be depicted as a deterministic force, shaping characters’ lives and outcomes. Naturalistic works often explore how external influences, beyond individual control, impact the trajectories of characters’ lives, aligning with fatalistic themes.
TragedyFatalism plays a significant role in tragic literature, where characters’ destinies are often preordained, leading to inevitable and often tragic outcomes. The fatalistic elements heighten the sense of inevitability and contribute to the emotional impact of the narrative.
Gothic LiteratureIn Gothic literature, fatalism can manifest in themes of doom, destiny, and supernatural forces that control characters’ fates. The genre often explores the tension between human agency and the mysterious, fate-like elements that govern the narrative.
Absurdist LiteratureFatalism is a theme in absurdist literature, where characters may grapple with the absurdity of life and the futility of their actions in the face of predetermined outcomes. Absurdist works often highlight the tension between individual striving and the indifferent universe.
Modernist LiteratureIn modernist literature, fatalism may be explored as a response to the uncertainties of the modern world. Characters may confront predetermined destinies, reflecting the broader sense of disillusionment and loss of control that emerged in the aftermath of World War I and societal upheavals.

Fatalism: Application in Critiques

  1. Oedipus Rex by Sophocles

In the critique of “Oedipus Rex,” the theme of fatalism is prevalent as Oedipus, despite his efforts to escape his prophesied destiny, inadvertently fulfills the prophecy of killing his father and marrying his mother. Critics may explore how Oedipus’s tragic downfall exemplifies the inescapable nature of fate, emphasizing the futility of human resistance against preordained outcomes.

  • Tess of the d’Urbervilles by Thomas Hardy

In Hardy’s “Tess of the d’Urbervilles,” fatalism is woven into the narrative as Tess experiences a series of tragic events beyond her control. Critics may examine how societal expectations, class structures, and external circumstances shape Tess’s fate, emphasizing the deterministic elements that contribute to her tragic destiny.

  • Chronicle of a Death Foretold by Gabriel Garcia Marquez

In Marquez’s “Chronicle of a Death Foretold,” the title itself suggests a fatalistic theme. Critics may analyze how the predetermined nature of Santiago Nasar’s death influences the narrative structure and character interactions. The novel explores the inevitability of the tragic event, with the community’s awareness and inability to prevent the outcome serving as a commentary on fatalism.

  • The Stranger by Albert Camus

In Camus’s “The Stranger,” the protagonist, Meursault, embodies an existential critique of fatalism. Critics may highlight Meursault’s passive acceptance of events and the consequences of his actions as indicative of fatalistic themes. However, existentialist elements in the novel challenge traditional fatalistic notions, emphasizing individual agency and responsibility in the face of an indifferent universe.

Fatalism: Relevant Terms

Similar TermsBrief Description
DeterminismEvents are predetermined, unfolding according to causation.
PredestinationDivine predetermining of individual fates.
InevitabilityQuality of being unavoidable, suggesting a lack of free will.
PredeterminismEvents are decided in advance, leading to their inevitability.
NecessitarianismEvents unfold out of necessity, eliminating alternative outcomes.
DestinyPredetermined and inevitable course of events.
Deterministic UniverseFixed, unchanging universe with predetermined laws and outcomes.
KismetUrdu/Punjabi/Hindi term for fate, events seen as predetermined.
DoomImpending fate or calamity, associated with an unavoidable outcome.
ProvidenceProtective care or guidance of a higher power influencing events.

Fatalism: Suggested Readings

  1. Camus, Albert. The Stranger. Vintage, 1989.
  2. Hardy, Thomas. Tess of the d’Urbervilles. Penguin Classics, 2003.
  3. Marquez, Gabriel Garcia. Chronicle of a Death Foretold. Vintage, 2003.
  4. Sophocles. Oedipus Rex. Translated by F. Storr, Project Gutenberg, 2008.
  5. Boethius. The Consolation of Philosophy. Translated by H. R. James, Dover Publications, 2001.
  6. Hobbes, Thomas. Leviathan. Oxford University Press, 2008.
  7. Hume, David. A Treatise of Human Nature. Oxford University Press, 2000.
  8. Tolstoy, Leo. War and Peace. Penguin Classics, 2005.
  9. Heidegger, Martin. Being and Time. Harper & Row, 1962.

Theory of Parody in Literature

The theory of parody encompasses the examination of the underlying mechanisms, purposes, and cultural implications of this artistic practice.

Theory of Parody: Term, Definition and Concept
Theory of Parody:

Parody in theory of pardoy refers to a form of creative expression that intentionally imitates and mocks the style, conventions, or content of another work, usually for comedic effect. It involves a deliberate exaggeration or distortion of the original work’s characteristics, often with the aim of satirizing or commenting on the source material. The theory of parody encompasses the examination of the underlying mechanisms, purposes, and cultural implications of this artistic practice.

Definition:
  • Imitative Expression: Parody involves the creation of an imitative work that mimics the recognizable features of the original.
  • Mocking Tone: A crucial element of parody is the use of a mocking or satirical tone, intending to entertain or critique.
  • Exaggeration and Distortion: Parodies often employ exaggeration and distortion of the original elements to highlight and emphasize specific traits or flaws.
  • Cultural Commentary: Beyond humor, parody serves as a tool for cultural commentary, offering insights and reflections on societal norms, trends, and values.
  • Creative Transformation: While parody relies on imitation, it also involves a creative transformation of the source material to produce a distinct and unique work.
Concept:
  • Artistic Satire: Parody functions as a form of artistic satire, using humor and imitation to comment on various aspects of culture, literature, or other forms of media.
  • Fair Use and Copyright: The concept of parody is often discussed in the context of fair use in copyright law, as it raises questions about the balance between artistic freedom and intellectual property rights.
  • Cultural Resonance: Successful parodies resonate with the cultural awareness of the audience, drawing on shared knowledge and references to enhance the impact of the satire.
  • Genre Play: Parody frequently involves playing with established genres, conventions, or tropes, subverting expectations and providing a fresh perspective on familiar themes.
  • Intertextuality: Parodies rely on intertextuality, connecting with the audience’s familiarity with the original work to create layers of meaning and significance.
Theory of Parody: Theorists, Works and Arguments
TheoristNotable WorksKey Arguments
Mikhail BakhtinN/ABakhtin’s concept of “carnival” and “dialogism” contributes to understanding how parody can subvert and challenge dominant cultural norms.
Linda HutcheonA Theory of Parody: The Teachings of Twentieth-Century Art FormsHutcheon explores the role of parody in postmodern culture, emphasizing its subversive potential and its impact on the creation of new meaning.
Simon DentithParodyDentith examines the historical development of parody, its literary forms, and its relationship with satire, irony, and other modes of humor.
Jonathan GrayShow Sold Separately: Promos, Spoilers, and Other Media ParatextsGray focuses on paratextual elements in media, arguing that promotional materials and spoilers can function as forms of parody.
Henri BergsonLaughter: An Essay on the Meaning of the ComicBergson’s theories on laughter and comedy provide insights into the psychological aspects of humor, which can be relevant to the understanding of parody.
Fredric JamesonPostmodernism, or, The Cultural Logic of Late CapitalismJameson discusses parody within the context of postmodernism, exploring how it reflects the fragmented nature of contemporary culture.
Theory of Parody: Key Principles
  • Imitative Creativity:
    • Literary Reference: In Don Quixote by Miguel de Cervantes, the protagonist’s misguided attempts at chivalry often serve as a humorous parody of romanticized knightly ideals.
  • Mocking Tone:
    • Literary Reference: The satirical tone of Jonathan Swift’s A Modest Proposal parodies the callousness of British attitudes toward the Irish, using irony to criticize societal injustices.
  • Exaggeration and Distortion:
    • Literary Reference: Lewis Carroll’s Alice’s Adventures in Wonderland employs exaggeration and distortion to parody the rigid social norms and nonsensical aspects of Victorian society.
  • Cultural Commentary:
    • Literary Reference: George Orwell’s Animal Farm is a political parody that uses animals to satirize the Russian Revolution and explore broader themes of power and corruption.
  • Creative Transformation:
    • Literary Reference: Pride and Prejudice and Zombies by Seth Grahame-Smith creatively transforms Jane Austen’s classic novel, adding a zombie apocalypse element as a humorous and parodic twist.
  • Artistic Satire:
    • Literary Reference: Oscar Wilde’s The Importance of Being Earnest satirizes Victorian society’s obsession with social manners and trivialities through witty dialogue and absurd situations.
  • Fair Use and Copyright:
    • Literary Reference: The character of Holden Caulfield in J.D. Salinger’s The Catcher in the Rye has been parodied in various works, raising questions about the boundaries of literary homage and copyright.
  • Cultural Resonance:
    • Literary Reference: Terry Pratchett’s Discworld series parodies various fantasy tropes, connecting with readers familiar with the genre while offering a humorous and insightful commentary on societal issues.
  • Genre Play:
    • Literary Reference: Jane Austen’s Northanger Abbey playfully parodies Gothic novels of the time, highlighting the absurdity of the genre’s conventions through the experiences of its naive protagonist.
  • Intertextuality:
    • Literary Reference: James Joyce’s Ulysses is rich in intertextuality, incorporating references and parodies of various literary styles, making it a challenging yet rewarding exploration of modernist literature.
Theory of Parody: Application in Critiques
  1. Don Quixote by Miguel de Cervantes:
    • Parody is evident in Cervantes’ masterpiece as he skillfully mocks the conventions of chivalric romances through the misadventures of Don Quixote. The imitative creativity employed by Cervantes sheds light on the absurdity of idealized knightly pursuits, offering a satirical commentary on the societal norms of his time.
  2. A Modest Proposal by Jonathan Swift:
    • Swift’s use of a mocking tone in “A Modest Proposal” is a prime example of how parody can be a powerful tool for social critique. Through the exaggerated suggestion of using infants for economic gain, Swift parodies the heartless attitudes of the British ruling class towards the impoverished Irish, providing a scathing commentary on colonial exploitation.
  3. Pride and Prejudice and Zombies by Seth Grahame-Smith:
    • Grahame-Smith’s creative transformation of Jane Austen’s classic in “Pride and Prejudice and Zombies” demonstrates the principle of parody through genre play. The addition of a zombie apocalypse element serves as a humorous exaggeration, satirizing societal expectations while offering a fresh and entertaining perspective on the original work.
  4. Animal Farm by George Orwell:
    • Orwell’s “Animal Farm” serves as a powerful example of how parody can be utilized for cultural commentary. By using animals to represent political figures and events of the Russian Revolution, Orwell parodies the historical narrative, exposing the corruption and power struggles within a satirical framework that resonates with a broader audience.

Each of these literary works showcases the diverse applications of the theory of parody, from critiquing societal norms and political structures to creatively transforming genres and commenting on cultural expectations.

Theory of Parody: Criticism Against It
  1. Lack of Originality:
    • Critics argue that parody, by its nature of imitation and exaggeration, may lack genuine originality. The reliance on existing works for inspiration might be seen as a limitation, as it may not contribute significantly to the creation of entirely new and innovative artistic expressions.
  2. Risk of Trivialization:
    • Parody runs the risk of trivializing serious subjects or diluting the impact of important issues. Using humor and satire in parody can sometimes undermine the gravity of the themes being addressed, leading to a perception that certain topics are not treated with the seriousness they deserve.
  3. Potential for Misinterpretation:
    • The satirical nature of parody can be misunderstood, leading to misinterpretations or the reinforcement of stereotypes. Audiences may not always discern the intended critique, and the parody might inadvertently contribute to perpetuating harmful ideas or misconceptions.
  4. Cultural Insensitivity:
    • Critics argue that some parodies, especially those involving cultural elements, may be culturally insensitive or offensive. Misappropriation and misrepresentation can occur when parodying certain cultural, religious, or ethnic aspects, leading to accusations of disrespect or cultural appropriation.
  5. Overemphasis on Humor:
    • The strong association of parody with humor can overshadow its potential for serious cultural and political commentary. Some argue that the focus on entertaining elements may distract from the underlying messages or critiques embedded in the parody.
  6. Erosion of Meaning:
    • In cases where parody becomes too prevalent, there is a concern that it might contribute to the erosion of the meaning and significance of original works. Constant reinterpretation and distortion may dilute the impact and depth of the source material over time.
  7. Legal and Ethical Issues:
    • The theory of parody intersects with legal and ethical considerations, especially regarding copyright infringement. Determining the boundaries of fair use and the potential for financial harm to original creators can be contentious, leading to legal disputes and debates over intellectual property.

While these criticisms highlight potential drawbacks, it’s important to note that the effectiveness and ethical implications of parody often depend on the skill of the creator, the context in which it is presented, and the audience’s interpretation. Despite criticism, parody remains a dynamic and influential form of artistic expression.

Theory of Parody: Terms Used in It
Literary TermDefinition (Parody Context)
SatireHumorous criticism to mock vices.
IronyOpposite intended meaning.
ExaggerationIntentional overstatement.
AllusionIndirect reference for meaning.
MimicryImitating for comedic effect.
BurlesqueExaggerated imitation, lowbrow.
CaricatureExaggeration for humor.
IntertextualityConnection to other texts.
MetafictionSelf-aware narrative.
IncongruityCreating humor through the unexpected.
Theory of Parody: Suggested Readings
  1. Hutcheon, Linda. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. University of Illinois Press, 2000.
  2. Jameson, Fredric. Postmodernism, or, The Cultural Logic of Late Capitalism. Duke University Press, 1991.
  3. Kant, Immanuel. “The Critique of Judgment.” Critique of Judgment. Translated by Werner S. Pluhar, Hackett Publishing Company, 1987.
  4. Swift, Jonathan. Gulliver’s Travels. Edited by Robert Demaria Jr., Norton Critical Edition, W. W. Norton & Company, 2012.