“Love’s Philosophy” by Percy Bysshe Shelley: A Critical Analysis

“Love’s Philosophy” by Percy Bysshe Shelley was first published in 1819, though it wasn’t included in a collection until after his death in 1824.

"Love's Philosophy" by Percy Bysshe Shelley: A Critical Analysis
Introduction: “Love’s Philosophy” by Percy Bysshe Shelley

“Love’s Philosophy” by Percy Bysshe Shelley was first published in 1819, though it wasn’t included in a collection until after his death in 1824. The poem is a short, lyrical piece that exemplifies the Romantic themes Shelley was known for. It uses vivid imagery from nature to explore the concept of love, questioning why the unity found in the natural world seems absent in human relationships. The simple rhyme scheme and short stanzas belie the poem’s depth, leaving a lasting impression with its call for a more connected and loving world.

Text: “Love’s Philosophy” by Percy Bysshe Shelley

The fountains mingle with the river

   And the rivers with the ocean,

The winds of heaven mix for ever

   With a sweet emotion;

Nothing in the world is single;

   All things by a law divine

In one spirit meet and mingle.

   Why not I with thine?—

See the mountains kiss high heaven

   And the waves clasp one another;

No sister-flower would be forgiven

   If it disdained its brother;

And the sunlight clasps the earth

   And the moonbeams kiss the sea:

What is all this sweet work worth

   If thou kiss not me?

Annotations: “Love’s Philosophy” by Percy Bysshe Shelley
LineAnnotation
The fountains mingle with the riverPersonification: Fountains are presented as if they have agency, “mingling” with the river.
And the rivers with the oceanImagery: Creates a picture of natural elements merging.
The winds of heaven mix for everPersonification and Imagery: Winds are given human-like action (“mix”) and described as having a constant (“for ever”) and pleasant (“sweet”) emotion.
With a sweet emotionMetaphor: Compares the mixing of winds to an emotion.
Nothing in the world is singleTheme: Introduces the central idea of connection in nature.
All things by a law divineTheme: Suggests a divine force or natural order that unites everything.
In one spirit meet and mingleImagery and Theme: Creates a picture of unity and connection using the verb “mingle” again.
Why not I with thine?Rhetorical Question: Speaker asks why humans shouldn’t follow the same pattern of unity seen in nature. (“thine” refers to the beloved’s)
See the mountains kiss high heavenPersonification and Imagery: Mountains are given human-like action (“kiss”) and shown connecting with the sky (“high heaven”).
And the waves clasp one anotherPersonification and Imagery: Waves are given human-like action (“clasp”) and shown connecting with each other.
No sister-flower would be forgivenHyperbole: Exaggerates the importance of flowers uniting, suggesting it’s a moral failing to not do so.
If it disdained its brotherPersonification: Flowers are given human emotions (“disdained”).
And the sunlight clasps the earthPersonification and Imagery: Sunlight is given human-like action (“clasps”) and shown connecting with the earth.
And the moonbeams kiss the seaPersonification and Imagery: Moonbeams are given human-like action (“kiss”) and shown connecting with the sea.
What is all this sweet work worthRhetorical Question: Questions the value of the beauty and connection in nature if the speaker cannot experience the same with their beloved.
If thou kiss not me?Direct Address: Speaker directly addresses their beloved, emphasizing their desire for connection.
Literary And Poetic Devices: “Love’s Philosophy” by Percy Bysshe Shelley
DeviceExampleExplanation
Allusion“law divine”Reference to a higher power or divine law
Analogy“Why not I with thine?”Comparison between two things to make a point
Apostrophe“Why not I with thine?”Addressing a person or entity not present
Assonance“meet and mingle”Repetition of vowel sounds for musical effect
Enjambment“The winds of heaven mix for ever / With a sweet emotion;”Carrying a sentence or phrase over to the next line without punctuation
Hyperbole“No sister-flower would be forgiven”Exaggeration for emphasis
Imagery“See the mountains kiss high heaven”Vivid description of sensory experiences
Metaphor“The fountains mingle with the river”Comparison between two things without “like” or “as”
MeterEntire poemRegular pattern of stressed and unstressed syllables
Personification“the winds of heaven mix”Attributing human qualities to non-human entities
Repetition“mingle”, “meet”, “kiss”Repeating words or phrases for emphasis
Rhyme“heaven”/”emotion”Identical sounds in words at the end of lines
SimileNone
Symbolism“rivers”, “ocean”, “mountains”Using objects to represent abstract ideas
Synecdoche“the earth”Using a part to represent the whole
ToneEntire poemThe poet’s attitude or feeling
Themes: “Love’s Philosophy” by Percy Bysshe Shelley
  • Theme 1: Unity and Harmony:The poem explores the idea of unity and harmony in nature, suggesting that everything is interconnected and interdependent. Shelley writes, “The fountains mingle with the river / And the rivers with the ocean” (lines 1-2), and “Nothing in the world is single; / All things by a law divine / In one spirit meet and mingle” (lines 5-7). This theme highlights the idea that love is a natural and essential part of the universe, and that it unites all things.
  • Theme 2: Love as a Natural Force: The poem portrays love as a powerful and natural force that drives all living things to connect with each other. Shelley uses imagery and metaphor to illustrate this idea, writing, “See the mountains kiss high heaven / And the waves clasp one another” (lines 9-10). He also asks, “What is all this sweet work worth / If thou kiss not me?” (lines 15-16), emphasizing the importance of love in making life meaningful.
  • Theme 3: Longing and Desire: The poem expresses a deep longing and desire for love and connection. Shelley addresses his beloved, asking why they should not be together, given the natural unity and harmony of all things. He writes, “Why not I with thine?” (line 8), and “What is all this sweet work worth / If thou kiss not me?” (lines 15-16). This theme highlights the intensity of the speaker’s emotions and their yearning for love.
  • Theme 4: The Transcendence of Love: Finally, the poem suggests that love transcends the boundaries of the physical world and is a spiritual force that connects all things. Shelley writes, “In one spirit meet and mingle” (line 7), implying that love is a spiritual unity that goes beyond physical separation. This theme is reinforced by the poem’s emphasis on the natural world and the speaker’s longing for a love that is not limited by physical constraints.
Literary Theories and “Love’s Philosophy” by Percy Bysshe Shelley
Literary TheoryRelation to “Love’s Philosophy”Reference from PoemCritique
RomanticismThe poem explores the beauty and wonder of the natural world, emphasizing the interconnectedness of all things and the importance of love and relationships.“The fountains mingle with the river / And the rivers with the ocean” (lines 1-2)Shelley’s use of natural imagery and emphasis on emotion and intuition are hallmarks of Romanticism, but the poem’s focus on love and relationships also sets it apart from other Romantic works.
New HistoricismThe poem reflects the cultural and historical context in which it was written, including the rise of industrialization and the changing values of the time.“Nothing in the world is single; / All things by a law divine / In one spirit meet and mingle” (lines 5-7)While the poem does reflect the cultural values of its time, its focus on love and relationships also makes it a timeless and universal work. New Historicist critics might argue that the poem’s themes are too narrow and individualistic.
Psychoanalytic TheoryThe speaker’s longing for love and connection can be seen as a manifestation of the human desire for union with the divine, or with the universal unconscious.“Why not I with thine?— / See the mountains kiss high heaven” (lines 8-9)Psychoanalytic critics might argue that the speaker’s desire for love is a displacement of a deeper desire for union with the divine, but this reading might overlook the poem’s emphasis on human connection and relationships.
Critical Questions about “Love’s Philosophy” by Percy Bysshe Shelley
  • Question 1: How does the speaker view the natural world in relation to love and relationships?
  • The speaker of the poem sees the natural world as a reflection of the interconnectedness of all things, and uses this imagery to argue for the importance of love and relationships. The lines “The fountains mingle with the river / And the rivers with the ocean” (lines 1-2) and “Nothing in the world is single; / All things by a law divine / In one spirit meet and mingle” (lines 5-7) suggest that the speaker believes love is a natural and essential part of the universe.
  • Question 2: What is the speaker’s attitude towards the beloved, and how does this attitude relate to the poem’s themes?
  • The speaker’s attitude towards the beloved is one of longing and desire, as seen in the lines “Why not I with thine?” (line 8) and “What is all this sweet work worth / If thou kiss not me?” (lines 15-16). This attitude reinforces the poem’s themes of love and interconnectedness, as the speaker sees the beloved as a necessary part of their own existence.
  • Question 3: How does Shelley use literary devices to convey the speaker’s emotions and ideas?
  • Shelley uses a range of literary devices, including metaphor (comparing natural phenomena to love), personification (giving natural objects human-like qualities), and rhetorical questions (asking questions for emphasis rather than answer). For example, the lines “See the mountains kiss high heaven / And the waves clasp one another” (lines 9-10) use metaphor and personification to convey the speaker’s desire for love.
  • Question 4: What is the significance of the poem’s final line, “What is all this sweet work worth / If thou kiss not me?”
  • The final line of the poem emphasizes the speaker’s belief that without love, all the beauty and wonder of the natural world is meaningless. This line reinforces the poem’s themes of love and interconnectedness, and suggests that the speaker sees love as the ultimate purpose and goal of human existence.
Literary Works Similar to “Love’s Philosophy” by Percy Bysshe Shelley
  1. “She Walks in Beauty” by Lord Byron: This poem, by Shelley’s contemporary, shares the Romantic focus on nature and ideal beauty. It compares a woman to a radiant vision amidst a natural setting, using rich imagery to convey the speaker’s admiration.
  2. “To the Evening Star” by William Blake: This poem celebrates the beauty and mystery of nature, specifically the evening star. Similar to “Love’s Philosophy,” it uses imagery from the natural world to evoke a sense of wonder and longing.
  3. “Where the Bee Sucks” by William Shakespeare: This lyrical poem from Shakespeare’s play The Tempest celebrates the beauty and fleeting nature of love. It compares love to a bee gathering nectar from a flower, reflecting a similar bittersweet tone found in “Love’s Philosophy.”
  4. “A Slumber Did My Spirit Seal” by William Wordsworth: This poem explores the transformative power of love and loss. The speaker reflects on a past love, comparing it to a dream and highlighting the enduring impression it has left. This resonates with the speaker’s desire for a deeper connection in “Love’s Philosophy.”
  5. How Do I Love Thee?” by Elizabeth Barrett Browning (Sonnet 43): This sonnet, previously mentioned, remains a strong choice. It celebrates the depth and complexity of love, using metaphors to express the all-encompassing nature of love – a theme shared with “Love’s Philosophy.”
Suggested Readings: “Love’s Philosophy” by Percy Bysshe Shelley
  1. Holmes, Richard. Shelley: The Pursuit. Harper Perennial, 2000.
  2. Curran, Stuart. Percy Bysshe Shelley and the Romantic Poets. Routledge, 2000.
  3. The Poetry Foundation: Percy Bysshe Shelley: Love’s Philosophy
Representative Quotations of “Love’s Philosophy” by Percy Bysshe Shelley
QuotationContextTheoretical Perspective
“The fountains mingle with the river / And the rivers with the ocean”The poem’s opening lines, setting the tone for the exploration of unity and interconnectedness in nature.Romanticism: emphasizing the beauty and wonder of the natural world.
“Nothing in the world is single; / All things by a law divine / In one spirit meet and mingle”The speaker argues that everything in the world is connected and interdependent.New Historicism: reflecting the cultural values of the time, including the rise of industrialization and the changing understanding of the natural world.
“Why not I with thine?— / See the mountains kiss high heaven”The speaker longs for love and connection, comparing it to the natural world.Psychoanalytic Theory: the speaker’s desire for love is a manifestation of the human desire for union with the divine or the universal unconscious.
“And the sunlight clasps the earth / And the moonbeams kiss the sea”The speaker continues to use natural imagery to describe the interconnectedness of all things.Feminist Theory: the use of gendered language and imagery (e.g. “clasps”, “kiss”) reinforces traditional gender roles and stereotypes.
“What is all this sweet work worth / If thou kiss not me?”The speaker asks the beloved if all the beauty and wonder of the natural world is meaningless without love.Marxist Theory: the speaker’s emphasis on love and relationships over material wealth and power reflects a bourgeois ideology that prioritizes individual happiness over collective well-being.

“Life is but a Dream” by Lewis Carroll: A Critical Analysis

“Life is but a Dream” by Lewis Carroll was first published in 1872 in his fantastical children’s novel, Through the Looking-Glass, and What Alice Found There.

"Life is but a Dream" by Lewis Carroll: A Critical Analysis
Introduction: “Life is but a Dream” by Lewis Carroll

“Life is but a Dream” by Lewis Carroll was first published in 1872 in his fantastical children’s novel, Through the Looking-Glass, and What Alice Found There. The poem reflects the whimsical and philosophical themes present throughout the novel. It ponders the fleeting nature of existence, questioning if life itself is merely a dream that fades upon waking.

Text: “Life is but a Dream” by Lewis Carroll

A boat, beneath a sunny sky

Lingering onward dreamily

In an evening of July

Children three that nestle near,

Eager eye and willing ear,

Pleased a simple tale to hear

Long has paled that sunny sky;

Echoes fade and memories die;

Autumn frosts have slain July.

Still she haunts me, phantomwise,

Alice moving under skies

Never seen by waking eyes.

Children yet, the tale to hear,

Eager eye and willing ear,

Lovingly shall nestle near.

In a Wonderland they lie,

Dreaming as the days go by,

Dreaming as the summers die;

Ever drifting down the stream

Lingering in the golden gleam

Life, what is it but a dream?

Annotations of “Life is but a Dream” by Lewis Carroll
LineAnnotation
Life is but a DreamSets the central theme: questioning if life is an illusion.
A boat, beneath a sunny skyCreates a peaceful and idyllic scene.
Lingering onward dreamilySuggests a sense of drifting and unreality.
In an evening of JulySignifies a specific time of beauty and warmth.
Children three that nestle nearIntroduces the audience: curious children.
Eager eye and willing earShows their attentiveness to the story.
Pleased a simple tale to hearHighlights the joy of storytelling.
Long has paled that sunny skyCreates a contrast, signifying the passage of time.
Echoes fade and memories dieEmphasizes the ephemeral nature of experiences.
Autumn frosts have slain JulyUses vivid imagery to represent the death of summer, symbolizing change.
Still she haunts me, phantomwiseThe memory of Alice lingers like a dream.
Alice moving under skiesFocuses on Alice, the central figure from the story.
Never seen by waking eyesSuggests Alice represents a dreamlike experience.
Children yet, the tale to hearShifts back to the present, introducing future listeners.
Eager eye and willing earRepeats the image of attentive children.
Lovingly shall nestle nearImplies a sense of comfort and connection.
In a Wonderland they liePlaces the children within the fantastical world.
Dreaming as the days go byConnects their experience to the dreamlike nature of life.
Dreaming as the summers dieReinforces the fleeting quality of time.
Ever drifting down the streamCreates a metaphor for the passage of life.
Lingering in the golden gleamSuggests precious moments within the flow of time.
Life, what is it but a dream?The central question is directly posed, leaving the answer open.
Literary and Poetic Devices in “Life is but a Dream” by Lewis Carroll
DeviceExampleExplanation
Alliteration“Children three that nestle near”Repetition of consonant sounds at the beginning of words closely positioned in a phrase or line.
Allusion“Alice moving under skies / Never seen by waking eyes”Reference to Alice from Carroll’s “Alice’s Adventures in Wonderland,” invoking a familiar figure.
Anaphora“Eager eye and willing ear”Repetition of the phrase “Eager eye and willing ear” for emphasis and poetic effect.
Assonance“Dreaming as the days go by”Repetition of vowel sounds (“ee” and “a”) within nearby words.
Consonance“Autumn frosts have slain July”Repetition of consonant sounds (“s” and “n”) in non-rhyming words, creating a musical effect.
Enjambment“A boat, beneath a sunny sky / Lingering onward dreamily”Continuation of a sentence beyond the end of a line or stanza without a pause.
Epistrophe“Dreaming as the summers die;”Repetition of the phrase “Dreaming” at the end of consecutive clauses or sentences.
Imagery“Lingering in the golden gleam”Vivid descriptions that appeal to the senses, creating mental images.
Irony“Children yet, the tale to hear,”The irony lies in the fact that the children are described as “yet” to hear the tale, implying anticipation.
Metaphor“Life, what is it but a dream?”Comparison between life and a dream, suggesting life’s fleeting and illusory nature.
Onomatopoeia“Ever drifting down the stream”Use of words that imitate natural sounds (“drifting” mimics the sound of movement on water).
Oxymoron“Golden gleam”Combines contradictory words (“golden” suggests warmth and brightness, while “gleam” implies a sudden flash of light).
Personification“Autumn frosts have slain July.”Attribution of human qualities (slain) to non-human entities (frosts affecting July).
Repetition“Dreaming as the days go by, / Dreaming as the summers die;”Repeated use of the word “dreaming” for emphasis and poetic rhythm.
Simile“Still she haunts me, phantomwise,”Comparison using “like” or “as” (“phantomwise” suggests haunting in a ghost-like manner).
Symbolism“In a Wonderland they lie,”Use of symbols (Wonderland) to represent a fantastical or imaginative realm.
Synecdoche“Children three”Refers to three children, using a part (“three”) to represent the whole (group of children).
Tone“Life, what is it but a dream?”The overall attitude or mood conveyed by the poem’s language and style.
Understatement“Long has paled that sunny sky;”Deliberate presentation of something as less important or significant than it actually is.
Visual Imagery“A boat, beneath a sunny sky / Lingering onward dreamily”Descriptions that evoke images in the mind’s eye, appealing to the sense of sight.
Themes in “Life is but a Dream” by Lewis Carroll
  1. Theme 1: Nostalgia: The poem is filled with a sense of nostalgia, as the speaker reflects on a past time that has passed and cannot be regained. The “sunny sky” has “paled” and the “echoes fade and memories die” (lines 5-6), emphasizing the fleeting nature of life. The speaker longs for a time that has been lost, as seen in the line “Still she haunts me, phantomwise” (line 9).
  2. Theme 2: The Power of Imagination: The poem highlights the power of imagination and its ability to transcend reality. The speaker describes Alice moving “under skies / Never seen by waking eyes” (lines 11-12), suggesting that the imagination can create worlds beyond our everyday experience. The children’s eagerness to hear the tale also shows how imagination can captivate and inspire us (lines 3-4).
  3. Theme 3: The Passage of Time: The poem explores the passage of time and how it affects our lives. The speaker notes how “Autumn frosts have slain July” (line 6), symbolizing the end of summer and the passing of time. The line “Ever drifting down the stream / Lingering in the golden gleam” (lines 15-16) also suggests the constant flow of time, which we cannot stop or hold onto.
  4. Theme 4: The Dreamlike Nature of Life: The poem’s central theme is the idea that life is but a dream, suggesting that our experiences may be fleeting and illusory. The speaker asks, “Life, what is it but a dream?” (line 16), emphasizing the idea that our lives may be no more substantial than a dream. This theme is reinforced by the imagery of the children “dreaming as the days go by, / Dreaming as the summers die” (lines 13-14).
Literary Theories and “Life is but a Dream” by Lewis Carroll
Literary TheoryExplanation & Reference in PoemAnalysis
SymbolismThe use of symbols to represent ideas or concepts. * The boat drifting down the stream can symbolize the journey of life, traversing through time (as suggested by the contrasting seasons). * July (summer) can represent a time of innocence and warmth, contrasting with the coldness of autumn and the fading memory, suggesting the loss of youthful perception.This poem relies heavily on symbolism to convey its central theme. The speaker uses the image of the boat to represent the passage of life, a common symbol across literature. July, a time of summer warmth, stands in stark contrast to the cold autumn frosts, representing the loss of innocence and the fading quality of memory.
RomanticismA movement emphasizing emotion, imagination, and nature.
* The poem evokes a sense of wonder and curiosity through the image of a sunny sky and children eager to hear a story (“Eager eye and willing ear”). * Nature imagery (boat, sky) creates a peaceful and idyllic setting.
The poem reflects Romantic ideals through its focus on childhood curiosity and the beauty of nature. The idyllic scene presented in the first stanza, with a boat drifting under a sunny sky, establishes a sense of peace and tranquility, a world ripe for imaginative exploration.
ElegyA formal poem lamenting the death of a person or something else of value. * The second stanza uses a melancholic tone to depict the passage of time and the fading memory of the idyllic scene.
* “Autumn frosts have slain July” personifies autumn and uses strong verbs to portray the death of summer.
While not a traditional elegy focused on a specific person’s death, the poem employs elements of the form to lament the loss of innocence and the ephemeral nature of experience. The shift in tone and imagery in the second stanza, with the personification of autumn and the stark image of July being slain, creates a sense of loss and impermanence.
Essay Topics, Questions and Thesis Statements about “Life is but a Dream” by Lewis Carroll
Essay TopicQuestionThesis Statement
1. Childhood Innocence in “Life is but a Dream”How does Lewis Carroll portray childhood innocence in the poem?In “Life is but a Dream,” Lewis Carroll portrays childhood innocence through imagery, symbolism, and nostalgic reflections, highlighting its fleeting nature and impact on adult perspectives.
2. Themes of Memory and NostalgiaWhat role do memory and nostalgia play in Carroll’s exploration of life and dreams?Lewis Carroll explores themes of memory and nostalgia in “Life is but a Dream” to convey the passage of time, the wistfulness of reminiscence, and the dream-like quality of childhood experiences.
3. Imagery and SymbolismHow does Carroll use imagery and symbolism to convey deeper meanings in the poem?Through vivid imagery and symbolism, Lewis Carroll illustrates the transient nature of life and the transformative power of imagination in “Life is but a Dream.”
4. Comparison of Dream and RealityWhat parallels does Carroll draw between dreams and reality in the poem?Lewis Carroll juxtaposes dreams and reality in “Life is but a Dream” to suggest that life itself is ephemeral and akin to a dream, where perceptions and experiences shape our understanding of existence.
Short Questions/Answers about “Life is but a Dream” by Lewis Carroll
  • Q. 1: What is the setting of the poem?
    The poem “Life is but a Dream” by Lewis Carroll is set on a serene boat ride in a peaceful river, on a lazy summer evening in July. The speaker is accompanied by three children who are eager to hear his stories, creating a warm and dreamy atmosphere. The opening lines, “A boat, beneath a sunny sky / Lingering onward dreamily / In an evening of July” (lines 1-3), vividly depict the idyllic setting, evoking a sense of tranquility and relaxation.
  • Q. 2: What happens to the memories of the boat ride?
    As time passes, the memories of the boat ride with the children gradually fade away, leaving the speaker with only echoes of the past. The “sunny sky” of July turns pale, and the “echoes fade and memories die” as autumn arrives, symbolizing the fleeting nature of life and memory (lines 5-6). The speaker is left to cherish the fading recollections of a bygone era, highlighting the bittersweet nature of nostalgia.
  • Q. 3: Who is the phantom that haunts the speaker?
    The phantom that haunts the speaker is Alice, one of the children from the boat ride, who appears in his dreams and imagination. The lines “Still she haunts me, phantomwise, / Alice moving under skies / Never seen by waking eyes” (lines 9-11) suggest that Alice represents the power of imagination and the enduring presence of the past in the speaker’s mind. The speaker’s lingering memories of Alice symbolize the way our experiences and encounters can shape our thoughts and emotions long after they have passed.
  • Q. 4: What is the central theme of the poem?
    The central theme of the poem “Life is but a Dream” is the ephemeral and dreamlike nature of human existence. The speaker compares life to a stream that drifts away, leaving no trace, and asks, “Life, what is it but a dream?” (line 16), emphasizing the transitory nature of our experiences, memories, and lives. The poem suggests that life is fragile and easily forgotten, much like a dream that vanishes upon waking, leaving us with only fleeting impressions and memories.
Suggested Readings: “Life is but a Dream” by Lewis Carroll
  1. Lewis Carroll. Through the Looking-Glass, and What Alice Found There. Macmillan and Co., 1872.
  2. Turner, Beatrice. “” Which is to be master?”: Language as Power in Alice in Wonderland and Through the Looking-Glass.” Children’s Literature Association Quarterly 35.3 (2010): 243-254.
  3. Susina, Jan. “The Making of the Alice Books: Lewis Carroll’s Uses of Earlier Children’s Literature, and: In Memoriam, Charles Lutwidge Dodgson, 1832-1898: Obituaries of Lewis Carroll and Related Pieces.” The Lion and the Unicorn 23.1 (1999): 149-153.
  4. Cusack, Paul TE. “Lewis Carroll in Wonderland.” Social Science Learning Education Journal 7.05 (2022): 96-97.
  5. Carroll Society of North America: https://www.lewiscarroll.org/
Representative Quotations from about “Life is but a Dream” by Lewis Carroll
QuoteContextTheoretical Perspective
“A boat, beneath a sunny sky / Lingering onward dreamily / In an evening of July”The opening lines set the scene for the poem, establishing a peaceful atmosphere.Dreamy Imagery: The use of words like “dreamily” and “sunny” creates a vivid and idyllic image in the reader’s mind.
“Long has paled that sunny sky; / Echoes fade and memories die; / Autumn frosts have slain July.”The speaker reflects on the passing of time, noting how the beauty of the scene has faded.Mortality and Impermanence: The speaker acknowledges that everything, including life and beauty, is transitory and will eventually fade away.
“Still she haunts me, phantomwise, / Alice moving under skies / Never seen by waking eyes.”The speaker reveals that Alice, a child from the boat ride, continues to haunt his dreams.The Power of Imagination: Alice represents the enduring presence of the past in the speaker’s mind, highlighting the power of imagination and memory.
“Children yet, the tale to hear, / Eager eye and willing ear, / Lovingly shall nestle near.”The speaker imagines children gathering around him to hear stories, evoking a sense of nostalgia.Nostalgia and Longing: The speaker yearns for the past and the joy it brought, emphasizing the bittersweet nature of nostalgia.
“Ever drifting down the stream / Lingering in the golden gleam / Life, what is it but a dream?”The speaker compares life to a stream, questioning its nature and purpose.Existential Inquiry: The speaker ponders the meaning of life, suggesting that it may be nothing more than a fleeting dream, highlighting the Existential Crisis.

“Leisure” by W.H. Davies: A Critical Analysis

“Leisure” by W.H. Davies, first published in 1911 in his collection Songs of Joy and Others, showing its enduring appeal in its simple yet profound message about the importance of slowing down and appreciating the beauty of the natural world.

"Leisure" by W.H. Davies: A Critical Analysis

Introduction: “Leisure” by W.H. Davies

“Leisure” by W.H. Davies, first published in 1911 in his collection Songs of Joy and Others, showing its enduring appeal in its simple yet profound message about the importance of slowing down and appreciating the beauty of the natural world. Davies uses vivid imagery and evocative language to contrast the frenetic pace of modern life with the serenity of nature, encouraging readers to break free from the monotony of routine and reconnect with the simple joys of life. The poem’s rhythmic structure and accessible language make it both memorable and thought-provoking, leaving a lasting impression on those who encounter its timeless message.

Text: “Leisure” by W.H. Davies

WHAT is this life if, full of care,
We have no time to stand and stare?—

No time to stand beneath the boughs,
And stare as long as sheep and cows:

No time to see, when woods we pass,
Where squirrels hide their nuts in grass:

No time to see, in broad daylight,
Streams full of stars, like skies at night:

No time to turn at Beauty’s glance,
And watch her feet, how they can dance:

No time to wait till her mouth can
Enrich that smile her eyes began?

A poor life this if, full of care,
We have no time to stand and stare.

Annotations: “Leisure” by W.H. Davies
LineAnnotation
WHAT is this life if, full of care,Questioning the purpose of life if it’s consumed by worry and responsibility
We have no time to stand and stare?—Longing for a moment to pause and appreciate the world around us
No time to stand beneath the boughs,Imagery of trees and nature, symbolizing peace and tranquility
And stare as long as sheep and cows:Comparing humans to animals that take time to graze and enjoy their surroundings
No time to see, when woods we pass,Missing out on the beauty of nature, even when surrounded by it
Where squirrels hide their nuts in grass:Imagery of squirrels collecting nuts, symbolizing preparation and enjoyment
No time to see, in broad daylight,Missing out on the beauty of the world, even in plain sight
Streams full of stars, like skies at night:Imagery of stars reflecting in streams, symbolizing wonder and magic
No time to turn at Beauty’s glance,Missing out on the beauty and joy that life has to offer
And watch her feet, how they can dance:Imagery of beauty and grace, symbolizing joy and freedom
No time to wait till her mouth canAnticipating the joy and beauty that life has to offer
Enrich that smile her eyes began?Imagery of a smile, symbolizing happiness and joy
A poor life this if, full of care,Concluding that a life without time to appreciate beauty is a poor one
We have no time to stand and stare.Repetition of the idea that life is too full of care and worry
Literary And Poetic Devices: “Leisure” by W.H. Davies
DeviceExampleExplanation
Repetition“No time to…” (repeated throughout)Emphasizes the constant lack of leisure in a busy life.
Rhetorical Question“WHAT is this life if, full of care…”Makes the reader contemplate the value of a life without leisure.
AnaphoraRepeated use of “No time to…” at the beginning of linesCreates a rhythm and reinforces the limited time for appreciation.
Simile“Streams full of stars, like skies at night”Compares the sparkling water in streams to the stars in the night sky, highlighting hidden beauty.
Metaphor (implied)“Beauty’s glance”Beauty is personified, suggesting it actively tries to capture attention.
Imagery“Boughs,” “squirrels,” “nuts,” “grass,” “streams,” “stars,” “feet,” “smile”Creates vivid pictures in the reader’s mind of nature and a beautiful woman.
EnjambmentLines flow into each other without a full stopCreates a sense of continuous thought and urgency.
Parallelism“No time to see… No time to see…”Creates a balanced structure that emphasizes missed opportunities.
Apostrophe“And watch her feet, how they can dance”Directly addresses “Beauty,” making it feel more present and engaging.
Alliteration“Full of care,” “Boughs beneath,” “Stars, like skies”Repetition of consonant sounds creates a musicality and emphasizes specific words.
Assonance“Time to stand,” “Wait till her”Repetition of vowel sounds creates internal rhyme and a sense of flow.
Hyperbole“No time to…” (repeated)Exaggerates the lack of time to emphasize its importance.
Epistrophe“We have no time to stand and stare.” (repeated)Powerful ending that reiterates the central message.
Iambic Meter (mostly)The underlying rhythm of most lines (unstressed-stressed)Creates a natural, conversational flow.
CaesuraPauses within linesCreates emphasis on specific words or phrases (e.g., “WHAT is this life…”).
Figurative LanguageSimile, metaphorEnhances the poem’s imagery and meaning.
Symbolism“Standing and staring”Represents taking the time to appreciate life’s simple beauty.
ToneReflective, questioning, persuasiveEncourages the reader to re-evaluate their priorities.
Themes: “Leisure” by W.H. Davies
  1. The Importance of Leisure: The poem’s central theme is the value of taking time to appreciate life’s simple pleasures. The constant repetition of “No time to…” emphasizes the frantic pace of modern life that leaves no room for leisure. Davies contrasts this with the leisurely nature of animals, like the sheep and cows who graze and the squirrels who gather nuts. The speaker suggests that a life without leisure is a “poor life,” implying that true happiness comes from slowing down and appreciating the world around us.
  2. Appreciation of Nature’s Beauty: The poem is filled with vivid imagery of the natural world, from the “streams full of stars” to the “squirrels [hiding] their nuts in grass.” Davies highlights the beauty readily available in nature, waiting to be noticed by those who take the time to “stand and stare.” The comparison of a stream to a starry night sky emphasizes the wonder hidden in plain sight, urging readers to look beyond the surface and appreciate the intricate details.
  3. The Loss of Wonder: The poem expresses a sense of loss for the ability to find wonder in everyday life. Lines like “No time to see, when woods we pass” suggest that people have become so focused on their busy schedules that they miss the simple joys of observing nature. Davies contrasts this with the way animals seem to have a natural curiosity and appreciation for their surroundings. The speaker laments the lost ability to be captivated by “Beauty’s glance,” suggesting a world where people have become too preoccupied to appreciate the beauty that surrounds them.
  4. The Allure of Beauty: The poem acknowledges the captivating power of beauty, both in nature and potentially in a personified form (“Beauty’s glance”). The speaker expresses a desire to “watch her feet, how they can dance” and “wait till her mouth can / Enrich that smile her eyes began.” This imagery suggests that beauty has the power to hold our attention and bring joy, further emphasizing the importance of taking time to appreciate it.
Literary Theories and “Leisure” by W.H. Davies
Literary TheoryReference from the PoemAnalysis
Romanticism“No time to stand beneath the boughs, / And stare as long as sheep and cows” (lines 3-4)Emphasis on nature and the importance of taking time to appreciate its beauty.
Carpe Diem“No time to turn at Beauty’s glance, / And watch her feet, how they can dance” (lines 9-10)Urging the reader to seize the moment and appreciate beauty before it’s too late.
Simple Living“WHAT is this life if, full of care, / We have no time to stand and stare” (lines 1-2)Critique of a life consumed by worry and responsibility, advocating for a simpler way of living.
Critical Questions about “Leisure” by W.H. Davies
  • Question 1: What is the central theme of the poem, and how is it developed throughout the stanzas?
  • The central theme of the poem is the importance of taking time to appreciate the beauty of life, despite the demands of a busy and care-filled existence. Davies develops this theme by repeatedly emphasizing the importance of “standing and staring” at the natural world, and lamenting the fact that we often fail to do so. Through imagery and metaphor, he highlights the beauty of nature and the joy that can be found in simple moments of observation.
  • Question 2: How does the poem’s use of imagery and metaphor contribute to its message about the importance of leisure?
  • The imagery and metaphor of the poem play a crucial role in conveying the importance of leisure. Davies uses vivid descriptions of nature, such as “streams full of stars” and “woods” where “squirrels hide their nuts in grass,” to create a sense of wonder and enchantment. These images serve as a reminder of the beauty that can be found in the world, and the importance of taking time to appreciate it. The metaphor of “standing and staring” also emphasizes the idea that leisure is not just a luxury, but a necessary part of a fulfilling life.
  • Question 3: What does the poem suggest about the relationship between work and leisure, and how does this relate to modern conceptions of productivity and busyness?
  • The poem suggests that work and leisure are not mutually exclusive, and that taking time to appreciate beauty and nature is essential to a happy and fulfilling life. This idea challenges modern conceptions of productivity and busyness, which often prioritize work and achievement over relaxation and enjoyment. Davies’ poem argues that leisure is not a luxury, but a necessity, and that failing to prioritize it can lead to a life that is “full of care” but empty of joy.
  • Question 4: How does the poem’s message about leisure relate to broader social and cultural issues, such as class and gender?
  • Its message about leisure can be seen as a commentary on broader social and cultural issues, such as class and gender. In the early 20th century, when the poem was written, leisure time was often a luxury reserved for the wealthy, while working-class people had limited access to free time. Davies’ poem can be seen as a call to recognize the importance of leisure for all people, regardless of class or gender. Additionally, the poem’s emphasis on the importance of appreciating beauty and nature can be seen as a feminist critique of traditional gender roles, which often prioritize productivity and domesticity over relaxation and enjoyment.
Literary Works Similar to “Leisure” by W.H. Davies
  1. Stopping by Woods on a Snowy Evening” by Robert Frost: This classic poem by a fellow nature enthusiast shares a similar theme with “Leisure.” Frost contemplates the beauty of a snowy landscape and the allure of pausing amidst a busy life. Both poems use winter imagery and highlight the importance of finding peace and appreciation in nature.
  2. I Wandered Lonely as a Cloud” by William Wordsworth: This romantic poem by Wordsworth celebrates the transformative power of nature. Like “Leisure,” it encourages the reader to slow down and appreciate the beauty of the natural world. Both poems use vivid imagery and emphasize the emotional connection humans can have with nature.
  3. “The World Is Too Much with Us” by William Wordsworth: This poem by Wordsworth takes a slightly different approach. While still lamenting the fast pace of life, it focuses on the potential loss of connection with nature. Similar to “Leisure,” it criticizes the way daily concerns can blind us to the beauty that surrounds us.
  4. “She Walks in Beauty” by Lord Byron: This poem by Byron celebrates the captivating power of female beauty. Although not directly focused on nature, it shares a thematic connection with “Leisure” regarding the importance of stopping to appreciate something beautiful. Both poems use vivid imagery and evoke a sense of awe and admiration.
  5. “The Peace of Wild Things” by Wendell Berry: This contemporary poem by Berry offers a more modern perspective on appreciating nature. Like “Leisure,” it emphasizes the importance of finding solace and peace in the natural world. Both poems advocate for slowing down and connecting with the natural environment as a way to find peace and perspective.
Suggested Readings: “Leisure” by W.H. Davies
  1. Davies, W. H. Songs of Joy and Others. Fifield, 1911.
  2. Waterman, Rory, ed. WH Davies: Essays on the Super-Tramp Poet. Anthem Press, 2021.
Representative Quotations of “Leisure” by W.H. Davies
QuotationContextTheoretical Perspective
“WHAT is this life if, full of care, / We have no time to stand and stare?”Opening lines, emphasizing the importance of leisureRomanticism: Valuing emotional experience and beauty over material concerns
“No time to stand beneath the boughs, / And stare as long as sheep and cows”Imagery of nature, highlighting the need to slow downSimple Living: Advocating for a simpler way of life, free from unnecessary complexity
“No time to see, when woods we pass, / Where squirrels hide their nuts in grass”Imagery of nature, emphasizing the beauty in detailsEcocriticism: Highlighting the interconnectedness of human and natural worlds
“A poor life this if, full of care, / We have no time to stand and stare”Concluding lines, reiterating the importance of leisureCarpe Diem: Urging the reader to seize the moment and appreciate beauty

“Lament for a Dead Cow” by Francis Carey Slater: A Critical Analysis

“Lament for a Dead Cow” by Francis Carey Slater was first published in The Cattenary: Book of South African Verse (1925) and later included in The New Centenary: Book of South African Verse (1945).

"Lament for a Dead Cow" by Francis Carey Slater: A Critical Analysis
Introduction: “Lament for a Dead Cow” by Francis Carey Slater

“Lament for a Dead Cow” by Francis Carey Slater was first published in The Cattenary: Book of South African Verse (1925) and later included in The New Centenary: Book of South African Verse (1945). The poem captures the deep bond between the Xhosa people and their cattle, reflecting the cultural and economic significance of livestock in their lives. Through evocative imagery and a mournful tone, Slater portrays the sorrow and loss felt by the community upon the death of a cherished cow. The lyrical quality, rhythmic flow, and emotional depth of the poem also underscore the connection between humans and nature, highlighting themes of dependency, respect, and grief. Slater’s use of simple yet powerful language enables readers to empathize with the profound sense of bereavement experienced by the cow’s owners.

Text: “Lament for a Dead Cow” by Francis Carey Slater

Chant by Xhosa family on the death of Wetu, their only cow

Siyalila, siyalila, inkomo yetu ifile!

Beautiful was Wetu as a blue shadow,

That nests on the grey rocks

About a sunbaked hilltop:

Her coat was black and shiny                                                                

Like an Isipingo-berry;                                                                            

Her horns were as sharp as the horns of the new moon

That tosses aloft the evening star.

Her round eyes were as clear and soft

As a mountain-pool,                                                                                

Where shadows dive from the high rocks.                                            

No more will Wetu banish teasing flies

With her whistling tail.

No more will she face yapping curs

With lowered horns and bewildered eyes;                                              

No more will her slow shadow                                                               

Comfort the sunburnt veld, and her sweet lowing

Delight the hills in the evening.

The fountain that filled our calabashes

Has been drained by a thirsty sun;                                                        

The black cloud that brought us white rain

Has vanished – the sky is empty.

Our kraal is desolate.

Our calabashes are dry:

And we weep.                                                                                        

Annotations: “Lament for a Dead Cow” by Francis Carey Slater
LineAnnotation
Chant by Xhosa family on the death of Wetu, their only cowIntroduction to the poem’s context and subject
Siyalila, siyalila, inkomo yetu ifile!Xhosa chant, translating to “We cry, we cry, our cow is dead!”
Beautiful was Wetu as a blue shadow,Simile comparing Wetu’s beauty to a blue shadow
That nests on the grey rocksMetaphor comparing Wetu to a nesting bird, emphasizing her peaceful nature
About a sunbaked hilltop:Description of the landscape, setting the scene for Wetu’s beauty
Her coat was black and shinyPhysical description of Wetu, highlighting her beauty
Like an Isipingo-berry;Simile comparing Wetu’s coat to a shiny berry, emphasizing its beauty
Her horns were as sharp as the horns of the new moonSimile comparing Wetu’s horns to the new moon, emphasizing their sharpness
That tosses aloft the evening star.Metaphor comparing Wetu’s horns to a celestial phenomenon, emphasizing their beauty
Her round eyes were as clear and softPhysical description of Wetu’s eyes, emphasizing their gentle nature
As a mountain-pool,Simile comparing Wetu’s eyes to a mountain pool, emphasizing their peacefulness
Where shadows dive from the high rocks.Metaphor comparing Wetu’s eyes to a peaceful pool, emphasizing their depth
No more will Wetu banish teasing fliesLamentation of Wetu’s passing, emphasizing her usefulness
With her whistling tail.Description of Wetu’s behavior, emphasizing her playful nature
No more will she face yapping cursLamentation of Wetu’s passing, emphasizing her bravery
With lowered horns and bewildered eyes;Description of Wetu’s behavior, emphasizing her confusion in the face of threats
No more will her slow shadowLamentation of Wetu’s passing, emphasizing her comforting presence
Comfort the sunburnt veld, and her sweet lowingDescription of Wetu’s impact on the landscape, emphasizing her nourishing presence
Delight the hills in the evening.Description of Wetu’s impact on the landscape, emphasizing her joyful presence
The fountain that filled our calabashesMetaphor comparing Wetu to a life-giving fountain, emphasizing her nourishing presence
Has been drained by a thirsty sun;Metaphor comparing the sun to a draining force, emphasizing the impact of Wetu’s passing
The black cloud that brought us white rainMetaphor comparing Wetu to a life-giving cloud, emphasizing her nourishing presence
Has vanished – the sky is empty.Lamentation of Wetu’s passing, emphasizing the emptiness left by her death
Our kraal is desolate.Description of the family’s situation, emphasizing their sadness and loss
Our calabashes are dry:Description of the family’s situation, emphasizing their physical need for Wetu’s nourishment
And we weep.Expression of the family’s grief, emphasizing their emotional pain
Literary And Poetic Devices: “Lament for a Dead Cow” by Francis Carey Slater
Literary DeviceExampleExplanation
Allusion“her horns were as sharp as the horns of the new moon”Reference to something outside the poem (new moon) to create a comparison.
Anaphora“No more will Wetu” (repeated phrases)Repetition of a word or phrase at the beginning of successive clauses to create emphasis.
Assonance“Her coat was black and shiny”Repetition of vowel sounds within words to create internal rhyming within phrases or sentences.
Consonance“tosses aloft the evening star”Repetition of consonant sounds within or at the end of words to create a harmonious effect.
Enjambment“Beautiful was Wetu as a blue shadow, / That nests on the grey rocks”Continuation of a sentence without a pause beyond the end of a line, creating a flow of thought.
Hyperbole“The fountain that filled our calabashes / Has been drained by a thirsty sun”Exaggeration to emphasize the extent of loss and desolation.
Imagery“Her round eyes were as clear and soft / As a mountain-pool”Descriptive language that appeals to the senses, creating vivid pictures in the reader’s mind.
Metaphor“The black cloud that brought us white rain”A figure of speech that implies a comparison between two unlike things without using “like” or “as.”
Onomatopoeia“whistling tail”A word that imitates the sound it represents, enhancing the auditory effect of the description.
Oxymoron“clear and soft” (describing eyes)Combination of contradictory terms to create a paradoxical effect.
Personification“the thirsty sun,” “teasing flies”Attribution of human characteristics to non-human things to create relatability and vividness.
Repetition“No more” (repeated phrase)Reiteration of words or phrases to emphasize a point or theme.
Simile“Her coat was black and shiny / Like an Isipingo-berry”A figure of speech that compares two different things using “like” or “as.”
Symbolism“The black cloud” (symbolizing loss and emptiness)Use of symbols to represent ideas or qualities beyond their literal sense.
Tone“And we weep.”The attitude of the speaker, reflected in word choice and style, creating a mood of sorrow.
ApostropheAddressing Wetu directly, though she is deadDirect address to an absent or imaginary person or a personified abstraction.
Irony“teasing flies,” “yapping curs”Situational irony in the juxtaposition of the cow’s gentle nature with the trivial annoyances.
Juxtaposition“Her round eyes were as clear and soft / As a mountain-pool”Placing two elements close together to highlight their differences or similarities.
LamentThe entire poemAn expression of grief or sorrow, characteristic of elegiac poetry.
Themes: “Lament for a Dead Cow” by Francis Carey Slater
  • Beauty and Appreciation: The poem is a tribute to Wetu’s beauty and the impact she had on the family. The speaker uses vivid imagery and metaphors to describe her physical appearance, such as her “black and shiny” coat (line 5) and “round eyes… as clear and soft / As a mountain-pool” (lines 9-10). The comparison of her beauty to a “blue shadow” (line 2) and her horns to the “horns of the new moon” (line 8) highlights the family’s appreciation for her unique qualities. The speaker’s use of sensory language, such as the description of her “sweet lowing” (line 17), further emphasizes the family’s fondness for Wetu.
  • Loss and Mourning: The poem is a heartfelt lamentation of Wetu’s death, with the family expressing their grief and sorrow. The repetition of “No more will Wetu” (lines 13-15) drives home the finality of her passing, and the speaker’s use of words like “desolate” (line 22) and “weep” (line 24) conveys the depth of their emotional pain. The family’s sense of loss is compounded by the fact that Wetu was their “only cow” (line 1), making her death a significant blow to their daily lives. The poem’s use of rhetorical questions, such as “The fountain that filled our calabashes / Has been drained by a thirsty sun” (lines 18-19), adds to the sense of despair and hopelessness.
  • Nature and Environment: The poem explores the interconnectedness of Wetu and the natural environment. The speaker describes how Wetu’s presence affected the landscape, saying she would “banish teasing flies / With her whistling tail” (lines 11-12) and “comfort the sunburnt veld” (line 16). The use of natural imagery, such as “grey rocks” (line 3), “sunbaked hilltop” (line 4), and “mountain-pool” (line 10), emphasizes the connection between Wetu and the land. The poem also highlights the impact of Wetu’s death on the environment, with the “thirsty sun” (line 18) and “empty” sky (line 20) serving as metaphors for the desolation and emptiness felt by the family.
  • Desolation and Emptiness: The poem conveys the sense of desolation and emptiness felt by the family after Wetu’s passing. The speaker says “Our kraal is desolate” (line 22), and “Our calabashes are dry” (line 23), emphasizing the impact of her loss on their daily lives. The family’s grief is compounded by the loss of Wetu’s provision and comfort, leaving them feeling empty and bereft. The use of words like “drained” (line 19) and “vanished” (line 20) adds to the sense of desolation, highlighting the fact that Wetu’s death has left a void in the family’s life that cannot be filled.
Literary Theories and “Lament for a Dead Cow” by Francis Carey Slater
Literary TheoryReference from the PoemAnalysis
Ecocriticism“Comfort the sunburnt veld, and her sweet lowing / Delight the hills in the evening.” (lines 18-19)The poem highlights the interconnectedness of Wetu and the natural environment, emphasizing the impact of her loss on the landscape.
Postcolonialism“Chant by Xhosa family on the death of Wetu, their only cow” (line 1)The poem acknowledges the cultural heritage of the Xhosa people and their relationship with nature, challenging dominant Western perspectives.
Mourning and Melancholia (Psychoanalytic Theory)“No more will Wetu… / No more will she… / No more will her slow shadow” (lines 13-15)The poem exhibits a melancholic tone, with the family unable to let go of Wetu’s memory and struggling to come to terms with their loss.
Critical Questions about “Lament for a Dead Cow” by Francis Carey Slater
  • How does the poem use imagery to convey the significance of Wetu to the Xhosa family?
  • In “Lament for a Dead Cow,” Francis Carey Slater employs vivid imagery to underscore the deep significance of Wetu to the Xhosa family. The poem describes Wetu with comparisons that elevate her to an almost ethereal status, likening her coat to the shiny Isipingo-berry and her horns to the sharp new moon that “tosses aloft the evening star.” These comparisons not only highlight Wetu’s physical beauty but also suggest her vital presence in the family’s life. The imagery of her eyes, “as clear and soft as a mountain-pool,” evokes a sense of calm and purity, emphasizing her role as a source of comfort and sustenance. The loss of Wetu is depicted through the desolate imagery of an empty sky and dry calabashes, reinforcing the profound impact of her absence on the family’s daily life and emotional well-being.
  • What role does symbolism play in the poem to reflect the themes of loss and mourning?
  • Symbolism in “Lament for a Dead Cow” is crucial in reflecting the themes of loss and mourning. Wetu, the cow, symbolizes not only a cherished family member but also the lifeline of the Xhosa family. Her description as “a black cloud that brought us white rain” and “the fountain that filled our calabashes” signifies her essential role in providing sustenance and nourishment. The imagery of a drained fountain and an empty sky symbolizes the void left by her death, emphasizing the extent of the family’s grief and loss. The desolate kraal and the dry calabashes further symbolize the barrenness and despair that follow Wetu’s death, capturing the depth of the family’s mourning and the critical role Wetu played in their lives.
  • How does the poem express the connection between the Xhosa family and their environment through Wetu?
  • The poem “Lament for a Dead Cow” expresses the connection between the Xhosa family and their environment through the figure of Wetu, the cow. Wetu’s presence is intimately tied to the natural world, with her physical attributes compared to elements of the landscape, such as her eyes to a “mountain-pool” and her coat to an “Isipingo-berry.” Her ability to banish flies with her tail and face off yapping curs highlights her active participation in the natural and domestic spheres. The description of her shadow comforting the sunburnt veld and her lowing delighting the hills further illustrates her integral role in the family’s interaction with their environment. Her death is depicted as a disruption of this harmony, with the sun draining the fountain and the sky emptying of clouds, symbolizing the severed connection between the family and the nourishing forces of their surroundings.
  • What emotional tone is created by the poem, and how does it enhance the reader’s understanding of the Xhosa family’s experience?
  • The emotional tone of “Lament for a Dead Cow” is one of deep sorrow and lamentation, which enhances the reader’s understanding of the Xhosa family’s experience. The repeated phrase “Siyalila, siyalila, inkomo yetu ifile!” (We are crying, we are crying, our cow has died!) sets a mournful tone from the outset, emphasizing the depth of the family’s grief. The affectionate and reverent descriptions of Wetu, such as her “beautiful” appearance and her “sweet lowing,” convey the love and admiration the family had for her. This emotional tone is further deepened by the stark imagery of desolation following her death, such as the “empty sky” and “dry calabashes.” The family’s weeping and the desolation of their kraal vividly communicate their sense of loss and the emotional vacuum left by Wetu’s absence, allowing readers to fully empathize with their mourning.
Literary Works Similar to “Lament for a Dead Cow” by Francis Carey Slater
  1. Elegy Written in a Country Churchyard” by Thomas Gray: This poem reflects on the lives of the rural poor and their inevitable deaths, emphasizing themes of loss, memory, and the passage of time, much like the lament for the dead cow.
  2. “The Cow” by Robert Louis Stevenson: This poem personifies a cow, describing her in affectionate terms and reflecting on her role in the farm and the poet’s life, similar to how Wetu is described in Slater’s poem.
  3. “Ode on the Death of a Favourite Cat Drowned in a Tub of Goldfishes” by Thomas Gray: Gray’s poem laments the death of a pet cat, blending humor with sorrow, and highlighting the pet’s importance, akin to the elegiac tone in “Lament for a Dead Cow.”
  4. “The Oxen” by Thomas Hardy: Hardy’s poem evokes nostalgia and a sense of loss for pastoral traditions and simple rural life, resonating with the themes of attachment to livestock and the rural way of life found in Slater’s work.
  5. “To a Mouse” by Robert Burns: This poem sympathizes with a mouse whose home has been destroyed, reflecting on human impact on nature and expressing sorrow for the suffering of a small creature, mirroring the empathy and mourning in Slater’s poem.
Suggested Readings: “Lament for a Dead Cow” by Francis Carey Slater
  1. Chapman, Michael, ed. The New Century of South African Poetry. Johannesburg: Ad Donker, 2002.
  2. Gray, Stephen. Modern South African Poetry. Cape Town: David Philip, 1984.
Representative Quotations of “Lament for a Dead Cow” by Francis Carey Slater
QuotationContextTheoretical Perspective
“Beautiful was Wetu as a blue shadow” (line 2)The poem begins by describing Wetu’s beauty, comparing her to a shadow on the rocks.Ecocriticism: Highlights the connection between Wetu and the natural environment.
“No more will Wetu banish teasing flies / With her whistling tail” (lines 12-13)The poem shifts to describe what Wetu will no longer be able to do, emphasizing her absence.Mourning and Melancholia (Psychoanalytic Theory): Explores the family’s inability to let go of Wetu’s memory and their struggle with grief.
“Her round eyes were as clear and soft / As a mountain pool” (lines 9-10)The poem continues to describe Wetu’s physical beauty, comparing her eyes to a mountain pool.Postcolonialism: Challenges dominant Western perspectives by centering Xhosa cultural heritage and language.
“The fountain that filled our calabashes / Has been drained by a thirsty sun” (lines 19-20)The poem reveals the cause of Wetu’s death, a severe drought that drained the family’s water source.Ecofeminism: Highlights the connection between Wetu’s life-giving role and the natural environment, emphasizing the impact of environmental degradation.
“And we weep” (line 25)The poem concludes with the family’s emotional response to Wetu’s death, emphasizing their grief and loss.Trauma Theory: Explores the psychological impact of Wetu’s death on the family, highlighting their trauma and emotional pain.

“La Belle Dame sans Merci” by John Keats: A Critical Analysis

“La Belle Dame sans Merci” by John Keats, first appeared in the journal The Indicator in 1820, and later reappeared in Keats’ 1820 collection Lamia, Isabella, The Eve of St. Agnes, and Other Poems.

"La Belle Dame sans Merci" by John Keats: A Critical Analysis
Introduction: “La Belle Dame sans Merci” by John Keats

“La Belle Dame sans Merci” by John Keats, first appeared in the journal The Indicator in 1820, and later reappeared in Keats’ 1820 collection Lamia, Isabella, The Eve of St. Agnes, and Other Poems. This ballad form, characterized by its narrative structure, simple language, and use of dialogue, aligns with the Romantic aesthetic, which emphasized emotion, nature, and the supernatural. Keats’ exploration of themes like love, loss, and longing, along with the poem’s haunting atmosphere and enigmatic female figure, have contributed to its enduring appeal and critical acclaim as a significant work in the English Romantic tradition.

Text: “La Belle Dame sans Merci” by John Keats

O what can ail thee, knight-at-arms,

       Alone and palely loitering?

The sedge has withered from the lake,

       And no birds sing.

O what can ail thee, knight-at-arms,

       So haggard and so woe-begone?

The squirrel’s granary is full,

       And the harvest’s done.

I see a lily on thy brow,

       With anguish moist and fever-dew,

And on thy cheeks a fading rose

       Fast withereth too.

I met a lady in the meads,

       Full beautiful—a faery’s child,

Her hair was long, her foot was light,

       And her eyes were wild.

I made a garland for her head,

       And bracelets too, and fragrant zone;

She looked at me as she did love,

       And made sweet moan

I set her on my pacing steed,

       And nothing else saw all day long,

For sidelong would she bend, and sing

       A faery’s song.

She found me roots of relish sweet,

       And honey wild, and manna-dew,

And sure in language strange she said—

       ‘I love thee true’.

She took me to her Elfin grot,

       And there she wept and sighed full sore,

And there I shut her wild wild eyes

       With kisses four.

And there she lullèd me asleep,

       And there I dreamed—Ah! woe betide!—

The latest dream I ever dreamt

       On the cold hill side.

I saw pale kings and princes too,

       Pale warriors, death-pale were they all;

They cried—‘La Belle Dame sans Merci

       Thee hath in thrall!’

I saw their starved lips in the gloam,

       With horrid warning gapèd wide,

And I awoke and found me here,

       On the cold hill’s side.

And this is why I sojourn here,

       Alone and palely loitering,

Though the sedge is withered from the lake,

       And no birds sing.

Annotations: “La Belle Dame sans Merci” by John Keats
StanzaTextAnnotation
1O what can ail thee, knight-at-arms, Alone and palely loitering? The sedge has withered from the lake, And no birds sing.The speaker addresses a knight who looks ill and is wandering alone. The imagery of withered sedge and silent birds creates a desolate, lifeless setting.
2O what can ail thee, knight-at-arms, So haggard and so woe-begone? The squirrel’s granary is full, And the harvest’s done.The speaker repeats the question, emphasizing the knight’s wretched appearance. The fullness of the squirrel’s granary and the completed harvest suggest the knight’s suffering is out of place in this season of abundance.
3I see a lily on thy brow, With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too.The knight’s pale brow and withering cheeks are compared to a lily and a fading rose, symbolizing sickness and impending death.
4I met a lady in the meads, Full beautiful—a faery’s child, Her hair was long, her foot was light, And her eyes were wild.The knight recounts meeting a beautiful lady in the meadows, described as ethereal and fairy-like, with long hair, a light step, and wild eyes.
5I made a garland for her head, And bracelets too, and fragrant zone; She looked at me as she did love, And made sweet moanThe knight describes making a garland, bracelets, and a belt of flowers for the lady. Her loving look and moan suggest mutual affection and enchantment.
6I set her on my pacing steed, And nothing else saw all day long, For sidelong would she bend, and sing A faery’s song.The knight places the lady on his horse, and they spend the day together. She sings a magical, entrancing song, indicating her otherworldly nature.
7She found me roots of relish sweet, And honey wild, and manna-dew, And sure in language strange she said— ‘I love thee true’.The lady provides the knight with mysterious, possibly enchanted food, and declares her love in a strange language, deepening the sense of enchantment.
8She took me to her Elfin grot, And there she wept and sighed full sore, And there I shut her wild wild eyes With kisses four.The lady brings the knight to her fairy cave, where she weeps and sighs. The knight comforts her with kisses, showing their deep, yet sorrowful connection.
9And there she lullèd me asleep, And there I dreamed—Ah! woe betide!— The latest dream I ever dreamt On the cold hill side.The lady lulls the knight to sleep, and he has a prophetic dream filled with dread, suggesting something ominous about his situation.
10I saw pale kings and princes too, Pale warriors, death-pale were they all; They cried—‘La Belle Dame sans Merci Thee hath in thrall!’In his dream, the knight sees pale, ghostly kings, princes, and warriors who warn him that he is enslaved by the beautiful lady without mercy.
11I saw their starved lips in the gloam, With horrid warning gapèd wide, And I awoke and found me here, On the cold hill’s side.The knight describes the horrifying vision of the dead men’s gaping mouths, waking up alone on the cold hillside, indicating the lady’s enchantment has left him abandoned.
12And this is why I sojourn here, Alone and palely loitering, Though the sedge is withered from the lake, And no birds sing.The knight concludes by explaining that this is why he remains alone and sorrowful, in a bleak, lifeless environment, under the lingering spell of the lady.
Literary And Poetic Devices: “La Belle Dame sans Merci” by John Keats
Literary/Poetic DeviceExample from the PoemExplanation
Alliteration“Alone and palely loitering”Repetition of initial consonant sounds (“l”) to create musicality and emphasize the knight’s isolation and weariness.
Anaphora“O what can ail thee, knight-at-arms,” (repeated twice)Repetition of a word or phrase at the beginning of successive clauses for emphasis.
Assonance“And no birds sing”Repetition of vowel sounds (“i”) to create internal rhyme and a sense of melancholy.
Ballad StanzaFour-line stanzas with ABCB rhyme schemeTraditional form for narrative poems, often with a simple, song-like quality.
Caesura“And there I dreamed—Ah! woe betide!— “A pause or break within a line of poetry, often for emphasis or dramatic effect.
Diacope“pale kings and princes too, / Pale warriors, death-pale were they all”Repetition of a word with one or more words in between, emphasizing the paleness and otherworldly nature of the figures.
Enjambment“For sidelong would she bend, and sing / A faery’s song”The continuation of a sentence without a pause beyond the end of a line, creating a sense of fluidity.
Imagery“I see a lily on thy brow, / With anguish moist and fever dew”Vivid descriptions that appeal to the senses, creating a picture in the reader’s mind.
Irony“I love thee true” (said by the deceptive fairy)The use of words to convey a meaning opposite to their literal meaning.
Metaphor“And on thy cheeks a fading rose”A comparison between two unlike things without using “like” or “as.”
Personification“The sedge has withered from the lake”Giving human qualities to inanimate objects or abstract ideas.
Repetition“Pale” (repeated multiple times)The repeating of a word or phrase to emphasize a point or create a sense of rhythm.
Rhyme“arms” and “alarms”The repetition of similar sounds at the end of lines.
Simile“Her hair was long, her foot was light”A comparison between two unlike things using “like” or “as.”
Symbolism“lily” (representing purity), “rose” (representing love)The use of objects or images to represent abstract ideas.
ToneMelancholy, haunting, eerieThe writer’s attitude towards the subject matter.
Allusion“La Belle Dame sans Merci” (title, alluding to medieval French poetry)An indirect reference to a person, place, thing, or idea of historical, cultural, or literary significance.
Hyperbole“wild wild eyes”An exaggerated statement or claim not meant to be taken literally.
Internal Rhyme“I made a garland for her head, / And bracelets too, and fragrant zone”Rhyme that occurs within a single line of verse.
Onomatopoeia“gaped” (imitates the sound of a mouth opening wide)The use of words that imitate sounds.
Themes: “La Belle Dame sans Merci” by John Keats
  • Theme 1: The All-Consuming Nature of Love: The poem explores the theme of love as an overwhelming force that can consume an individual’s entire being. The knight is entranced by the beautiful lady, and his love for her becomes all-encompassing. He is “alone and palely loitering” (lines 1 and 13), suggesting that his love has isolated him from the world and drained him of his vitality. The lady’s eyes are “wild” (line 15), indicating a fierce and untamed passion that draws the knight in. The lines “She looked at me as she did love, / And made sweet moan” (lines 19-20) suggest a deep emotional connection that goes beyond words. The knight’s love is so intense that it becomes an all-consuming force, leading him to abandon all else for the lady.
  • Theme 2: The Enchantment and Danger of the Unknown: The poem delves into the realm of the supernatural and the unknown, with the lady being described as a “faery’s child” (line 15). The knight is drawn into her mystical world, where she weeps and sighs “full sore” (line 33) and speaks in a “language strange” (line 35). The poem creates an atmosphere of enchantment and mystery, blurring the lines between reality and fantasy. However, this enchantment comes with a warning, as the “pale kings and princes” (line 39) caution the knight that the lady has him “in thrall” (line 40). This suggests that the unknown can be both alluring and dangerous, and that one must be cautious when venturing into its realm.
  • Theme 3: The Transience of Joy and Beauty: The poem highlights the fleeting nature of joy and beauty, as embodied by the withered sedge and the silence of the birds. The knight’s time with the lady is short-lived, and he is soon left alone on the “cold hill side” (line 42). The poem suggests that happiness is ephemeral and can quickly turn to sorrow. The lady’s beauty is also fleeting, as seen in the lines “I see a lily on thy brow, / With anguish moist and fever-dew, / And on thy cheeks a fading rose / Fast withereth too” (lines 9-12). This theme serves as a reminder to appreciate beauty while it lasts and to be prepared for its inevitable decline.
  • Theme 4: The Dangers of Obsessive Desire: The poem explores the consequences of obsessive desire, as the knight’s all-consuming love for the lady leads to his downfall. The “pale kings and princes” (line 39) warn the knight that the lady has him “in thrall” (line 40), suggesting that his obsession has made him a captive to his own desires. The poem suggests that obsessive desire can lead to destruction, as the knight is left alone and bereft on the “cold hill side” (line 42). This theme serves as a cautionary tale about the dangers of succumbing to one’s desires and the importance of maintaining a sense of balance and perspective in life.
Literary Theories and “La Belle Dame sans Merci” by John Keats
Literary TheoryKey ConceptsEvidence from the Poem
RomanticismEmphasis on emotion, imagination, nature, and the supernatural.* Emotion and Imagination: “O what can ail thee, knight-at-arms, / Alone and palely loitering?” (Knight’s intense emotional state and dream-like encounter with the fairy)
* Nature: “The sedge has withered from the lake, / And no birds sing.” (Bleak natural setting reflects the knight’s inner turmoil)
* Supernatural: “I met a lady in the meads, / Full beautiful – a faery’s child” (Enigmatic fairy figure)
PsychoanalyticUnconscious desires, dreams, symbolism, archetypes.* Dreams: “And there I dreamed – Ah! woe betide! – / The latest dream I ever dreamt” (Dream as a manifestation of the knight’s unconscious desires and fears)
* Femme Fatale: “La Belle Dame sans Merci / Thee hath in thrall!” (Fairy woman as an alluring yet destructive figure)
* Oedipal Complex: “And there I shut her wild wild eyes / With kisses four.” (Ambiguous intimacy, potentially symbolizing a mother figure)
FeministGender roles, power dynamics, objectification of women.* Power Dynamics: “She looked at me as she did love, / And made sweet moan” (Fairy’s silence and passivity highlight a power imbalance)
* Objectification: “Full beautiful – a faery’s child, / Her hair was long, her foot was light” (Focus on the fairy’s physical beauty through the male gaze) * Monstrous Feminine: “They cried—’La Belle Dame sans Merci / Thee hath in thrall!'” (Fairy blamed for the knight’s suffering, reinforcing harmful stereotypes)
Critical Questions about “La Belle Dame sans Merci” by John Keats
  • What role does nature play in establishing the mood and setting of “La Belle Dame sans Merci”?
  • In “La Belle Dame sans Merci,” nature is used extensively to set a somber and desolate mood. From the very beginning, Keats paints a picture of a barren landscape where “the sedge has withered from the lake, / And no birds sing” (Stanza 1). This imagery suggests a world devoid of life and vibrancy, mirroring the knight’s own lifeless and despondent state. The contrast between the natural world’s typical associations with life and growth and the bleak, lifeless scene Keats describes underscores the knight’s despair and the haunting effect of his encounter with the lady. This desolation is further emphasized when the squirrel’s granary is full, and the harvest is done, yet the knight remains “alone and palely loitering” (Stanza 2), highlighting the disconnect between the natural world’s cycles and his own stagnant condition.
  • How does Keats use symbolism to convey the knight’s emotional and physical state?
  • Symbolism is central in conveying the knight’s deteriorating condition in “La Belle Dame sans Merci.” The knight’s pallor is likened to a “lily on thy brow” (Stanza 3), a symbol of both purity and death, suggesting his impending demise or the draining of his vitality. His cheeks, described as having a “fading rose” (Stanza 3), reinforce the idea of lost vigor and beauty. These floral symbols of fading and withering reflect his encounter with the lady, whose initial allure has ultimately left him in a state of decay. The dream of “pale kings and princes” and “pale warriors” (Stanza 10), further symbolizes death and the ensnaring power of the lady, suggesting that the knight’s fate is sealed, just like those he saw in his vision.
  • What is the significance of the knight’s dream in the poem, and how does it enhance the narrative?
  • The knight’s dream is a crucial turning point in the poem, serving as both a revelation and a foreshadowing of his fate. In the dream, the knight sees “pale kings and princes too, / Pale warriors, death-pale were they all” (Stanza 10), who warn him that “La Belle Dame sans Merci” has him in her thrall. This vision reveals the lady’s true nature as a femme fatale who ensnares men, draining them of their vitality and leaving them to waste away. The dream heightens the sense of foreboding and inevitability, making it clear that the knight is not the first to fall victim to her enchantment. This shared fate among the pale figures he sees underscores the poem’s themes of love, death, and the supernatural, and deepens the tragedy of the knight’s condition by showing that his fate is part of a larger, inexorable pattern.
  • How does Keats explore the theme of illusion versus reality in “La Belle Dame sans Merci”?
  • Keats masterfully explores the theme of illusion versus reality through the knight’s encounter with the mysterious lady. The initial meeting is shrouded in an almost dream-like quality, with the lady being described as a “faery’s child” with “wild” eyes (Stanza 4), suggesting an ethereal and otherworldly presence. The idyllic moments they share, such as when she sings “a faery’s song” (Stanza 6), are contrasted sharply by the stark reality of the knight’s condition at the poem’s end. The enchantment and subsequent desolation highlight the transient nature of the lady’s allure and the devastating impact of mistaking illusion for reality. The knight’s experience serves as a cautionary tale about the dangers of succumbing to enchanting illusions, which, although beautiful and alluring, ultimately lead to desolation and despair. The poem leaves readers questioning the nature of the lady’s love and whether the knight’s suffering is due to his own misguided perceptions or a genuine supernatural entrapment.
Literary Works Similar to “La Belle Dame sans Merci” by John Keats
  1. The Rime of the Ancient Mariner” by Samuel Taylor Coleridge: Similarity: Both poems feature a protagonist who tells a cautionary tale about a haunting, supernatural experience that leaves them in a state of despair and isolation.
  2. “Goblin Market” by Christina Rossetti: Similarity: Both works involve encounters with otherworldly, enchanting beings who tempt the protagonists, leading to dire consequences and a struggle to return to normalcy.
  3. “The Lady of Shalott” by Alfred, Lord Tennyson: Similarity: Both poems explore themes of isolation and unrequited love, with central female figures whose fates are intertwined with the supernatural and lead to tragic endings.
  4. “Kubla Khan” by Samuel Taylor Coleridge: Similarity: Both poems create vivid, dream-like atmospheres with enchanting and otherworldly imagery, exploring the themes of illusion versus reality and the fleeting nature of beauty.
  5. “Christabel” by Samuel Taylor Coleridge: Similarity: Both poems feature encounters with mysterious, supernatural women who have a profound and unsettling impact on the protagonists, highlighting themes of enchantment and ominous foreboding.
Suggested Readings: “La Belle Dame sans Merci” by John Keats

Books:

Scholarly Articles:

  • Bate, Walter Jackson. “Keats’s ‘Belle Dame’.” The Sewanee Review, vol. 61, no. 4, 1953, pp. 531-553. JSTOR, www.jstor.org/stable/27537406
  • Weissman, Judith. “”Language Strange”:” La Belle Dame Sans Merci” and the Language of Nature.” Colby Quarterly 16.2 (1980): 4.
  • Stillinger, Jack. “The Hoodwinking of Madeline and Other Symbolic Acts in Keats’s Poetry.” Studies in Philology, vol. 68, no. 4, 1971, pp. 433-453. JSTOR, www.jstor.org/stable/4173750
Representative Quotations of “La Belle Dame sans Merci” by John Keats
QuoteContextPerspective
“O what can ail thee, knight-at-arms,
Alone and palely loitering?”
The poet asks the knight what is bothering him as he wanders alone.The poet introduces the knight’s predicament.
“I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.”
The knight describes the lady’s beauty and how it is fading.The knight is entranced by the lady’s beauty.
“I met a lady in the meads,
Full beautiful—a faery’s child,
Her hair was long, her foot was light,
And her eyes were wild.”
The knight describes meeting the lady and her enchanting appearance.The lady is enchanting and otherworldly.
“I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried—‘La Belle Dame sans Merci
Thee hath in thrall!’”
The knight sees the lady’s previous victims and they warn him about her.The lady is dangerous and has the knight under her spell.
“And this is why I sojourn here,
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.”
The knight is still under the lady’s spell and is suffering as a result.The knight is trapped by his love for the lady.