“Silent Night” by Franz Gruber and Joseph Mohr: A Critical Analysis

“Silent Night” by Franz Gruber and Joseph Mohr was first written by Joseph Mohr in 1816 as a poem during his time as an assistant priest in Mariapfarr, Austria.

"Silent Night" by Franz Gruber and Joseph Mohr: A Critical Analysis
Introduction: “Silent Night” by Franz Gruber and Joseph Mohr

“Silent Night” by Franz Gruber and Joseph Mohr was first written by Joseph Mohr in 1816 as a poem during his time as an assistant priest in Mariapfarr, Austria. The lyrics were later set to music by Franz Gruber in 1818 for the Christmas Eve mass in Oberndorf. The song’s qualities include its simple melody, heartfelt lyrics, and peaceful atmosphere. The main idea of the carol is to celebrate the birth of Jesus Christ and the quiet wonder of the night.

Text: “Silent Night” by Franz Gruber and Joseph Mohr
  1. Silent night, holy night!
    All is calm, all is bright
    Round yon virgin mother and Child.
    Holy Infant, so tender and mild,
    Sleep in heavenly peace,
    Sleep in heavenly peace.
  2. Silent night, holy night!
    Shepherds quake at the sight;
    Glories stream from heaven afar,
    Heav’nly hosts sing Alleluia!
    Christ the Savior is born,
    Christ the Savior is born!
  3. Silent night, holy night!
    Son of God, love’s pure light
    Radiant beams from Thy holy face
    With the dawn of redeeming grace,
    Jesus, Lord, at Thy birth,
    Jesus, Lord, at Thy birth.
  4. Silent night, holy night!
    Wondrous star, lend thy light;
    With the angels let us sing,
    Alleluia to our King;
    Christ the Savior is born,
    Christ the Savior is born!
Annotations: “Silent Night” by Franz Gruber and Joseph Mohr
LineAnnotation
Silent night, holy night!The song begins with a peaceful and solemn invocation of the night.
All is calm, all is brightThe atmosphere is described as peaceful and serene.
Round yon virgin mother and Child.The focus is on the newborn Jesus and his mother.
Holy Infant, so tender and mild,The child Jesus is depicted as innocent and gentle.
Sleep in heavenly peace,A wish for a peaceful sleep for the infant Jesus.
Sleep in heavenly peace.Repetition of the wish for peace.
Silent night, holy night!Reiteration of the peaceful night.
Shepherds quake at the sight;The shepherds, witnesses to the miraculous birth, are filled with awe.
Glories stream from heaven afar,The heavenly light and glory associated with the birth.
Heav’nly hosts sing Alleluia!The angels rejoice in the birth of Christ.
Christ the Savior is born,The central message of the song: the birth of Jesus as the Savior.
Christ the Savior is born!Repetition of the message of the Savior’s birth.
Silent night, holy night!Again, emphasizing the peaceful night.
Son of God, love’s pure lightJesus is described as the Son of God and a symbol of pure love.
Radiant beams from Thy holy faceThe divine light emanating from Jesus.
With the dawn of redeeming grace,The birth of Jesus is seen as the beginning of salvation.
Jesus, Lord, at Thy birth,A direct address to Jesus, celebrating his birth.
Jesus, Lord, at Thy birth.Repetition of the celebration of Jesus’ birth.
Silent night, holy night!Final invocation of the peaceful night.
Wondrous star, lend thy light;A reference to the Star of Bethlehem, guiding the wise men.
With the angels let us sing,An invitation to join the angels in singing.
Alleluia to our King;Praising Jesus as the King.
Christ the Savior is born,Final reiteration of the birth of the Savior.
Christ the Savior is born!Final repetition of the message of the Savior’s birth.
Literary And Poetic Devices: “Silent Night” by Franz Gruber and Joseph Mohr
Literary DeviceDefinitionExample from “Silent Night”Explanation
AlliterationRepetition of consonant sounds at the beginning of words.“Silent night, holy night”The repeated “s” and “h” sounds create a soothing and calm tone.
AnaphoraRepetition of a word or phrase at the beginning of successive clauses.“Silent night, holy night!” (repeated in every stanza)The repetition emphasizes the significance of the night being described.
ApostropheAddressing someone or something that is not present as if it were.“Wondrous star, lend thy light”The star is personified and spoken to as though it could respond.
AssonanceRepetition of vowel sounds within words.“Sleep in heavenly peace”The long “e” sound in “sleep” and “peace” creates a melodic harmony.
ConsonanceRepetition of consonant sounds within or at the end of words.“Round yon virgin mother and Child”The “n” sound is repeated in “round,” “yon,” and “virgin,” creating internal cohesion.
End RhymeRhyming of the final words of lines.“Night / bright” and “mild / Child”The rhyming words at the end of lines create a musical quality.
EpistropheRepetition of a word or phrase at the end of successive clauses.“Christ the Savior is born, Christ the Savior is born!”The repetition emphasizes the significance of the birth of Christ.
HyperboleExaggeration for emphasis or effect.“Glories stream from heaven afar”The imagery exaggerates the divine presence through vivid descriptions.
ImageryDescriptive language that appeals to the senses.“Radiant beams from Thy holy face”This visual imagery helps the reader picture the radiant light from the Christ child.
InversionReversing the normal word order for emphasis.“With the angels let us sing”The usual word order (“let us sing with the angels”) is reversed for poetic effect.
MetaphorA figure of speech that makes a comparison between two unlike things without using “like” or “as.”“Love’s pure light”Love is compared to a light, symbolizing purity and divinity.
MoodThe atmosphere or emotional feeling of the text.Overall, the mood is peaceful and reverent.The calm and serene tone evokes a feeling of reverence and holiness.
OnomatopoeiaA word that imitates a natural sound.“Alleluia!”The word mimics the sound of praise, contributing to the song’s celebratory mood.
ParadoxA statement that seems contradictory but reveals a deeper truth.“Sleep in heavenly peace”Peace and sleep, though peaceful, are juxtaposed with the divine and eternal, suggesting a paradox of mortality and divinity.
PersonificationGiving human characteristics to non-human things.“Wondrous star, lend thy light”The star is given the ability to “lend” light, as though it were a person.
RepetitionRepeating words or phrases for emphasis.“Silent night, holy night”The repeated phrase emphasizes the sacredness and stillness of the night.
Rhyme SchemeThe ordered pattern of rhymes at the ends of lines.AABB (e.g., “Night / bright,” “mild / Child”)The consistent rhyme scheme contributes to the song’s melodic flow.
SimileA comparison using “like” or “as.”Implied in “Jesus, Lord, at Thy birth,” where the divinity of Jesus is compared to light.While not direct, the comparison likens Jesus to a source of pure light and salvation.
SymbolismThe use of symbols to represent ideas or qualities.“Wondrous star”The star symbolizes guidance and divine presence.
ToneThe author’s attitude toward the subject.Reverent and peacefulThe tone conveys reverence for the sacred event being described.
Themes: “Silent Night” by Franz Gruber and Joseph Mohr
  1. Peace and Tranquility: A central theme in “Silent Night” is peace, reflected in the quiet, serene atmosphere of the poem. The repeated phrase “Sleep in heavenly peace” symbolizes not only the physical rest of the Holy Infant but also the spiritual peace that His birth brings to the world. The calmness is further emphasized by the imagery of a “silent” and “holy” night, where all is “calm” and “bright,” creating a mood of tranquility and sacred stillness.
  2. Divine Love: The poem conveys the theme of divine love, particularly through the depiction of Christ’s birth as a symbol of God’s love for humanity. The phrase “love’s pure light” refers to Christ, who is portrayed as the embodiment of divine love. His birth is a moment of “redeeming grace,” where God’s love and salvation are made manifest. The light radiating from His face represents the purity and holiness of divine love, which is central to the Christian celebration of Christmas.
  3. Salvation and Redemption: Salvation is a prominent theme, highlighted through the repeated declaration, “Christ the Savior is born.” The birth of Christ is presented as a moment of divine intervention, bringing redemption to the world. The “dawn of redeeming grace” marks a new era of spiritual salvation, where Christ’s birth offers a path to redemption for humanity. This theme of salvation is central to the Christian message celebrated in the poem.
  4. Wonder and Reverence: The poem also reflects the theme of wonder and reverence toward the miraculous event of Christ’s birth. The imagery of shepherds quaking “at the sight” of the heavenly glories, and the “wondrous star” that lends its light, creates a sense of awe. The reverence is further expressed through the angels’ song of “Alleluia” and the repeated adoration of Christ as the Savior. The entire poem conveys a profound sense of worship and wonder at the divine mystery of the Nativity.
Literary Theories and “Silent Night” by Franz Gruber and Joseph Mohr
Literary TheoryApplication to “Silent Night”References
SymbolismThe poem employs various symbols to convey deeper meanings. For example, the “Silent Night” symbolizes peace and tranquility, while the “Infant” represents innocence and purity. The “Star” is a symbol of guidance and hope.“Silent night, holy night!”, “Holy Infant, so tender and mild”, “Wondrous star, lend thy light;”
Religious Allegory“Silent Night” is a religious allegory, using the birth of Jesus as a metaphor for spiritual salvation. The poem’s imagery and symbolism reinforce this allegorical interpretation.“Christ the Savior is born”, “Son of God, love’s pure light”, “With the dawn of redeeming grace”
Romantic IdealismThe poem aligns with Romantic idealism, emphasizing the beauty of nature, the power of emotion, and the importance of the individual. The focus on the infant Jesus and the peaceful night reflects these Romantic ideals.“All is calm, all is bright”, “Round yon virgin mother and Child”, “Sleep in heavenly peace”
Critical Questions about “Silent Night” by Franz Gruber and Joseph Mohr

·         How does the poem’s simple language and repetitive structure contribute to its enduring popularity?

  • The simplicity of “Silent Night” is a key factor in its enduring popularity. The poem’s use of straightforward language and repetitive structure makes it easily accessible to a wide audience, regardless of age or educational background. The refrain, “Silent night, holy night!”, serves as a unifying element, reinforcing the central theme of peace and joy. This accessibility, combined with the poem’s heartfelt message, has ensured its continued relevance and appreciation throughout the centuries.

·         What is the significance of the setting of the night in the poem?

  • The night setting in “Silent Night” creates a sense of mystery, wonder, and anticipation. The darkness of the night contrasts with the light and joy of the birth of Jesus, symbolizing the triumph of good over evil. The night also suggests a time of peace and quiet, emphasizing the sacredness of the event. This setting contributes to the poem’s overall atmosphere of reverence and awe.

·         How does the poem portray the relationship between humanity and divinity?

  • “Silent Night” presents a portrayal of the relationship between humanity and divinity that is both intimate and accessible. The birth of Jesus is depicted as a divine event, yet it is also portrayed as a human experience. The shepherds, who represent ordinary people, are witnesses to the miracle, emphasizing the possibility of human connection to the divine. This portrayal suggests that God is not distant or inaccessible but rather present and involved in the lives of individuals.

·         What is the significance of the repetition of the phrase “Silent night, holy night!” throughout the poem?

  • The repetition of “Silent night, holy night!” serves as a refrain, emphasizing the central theme of the poem and creating a sense of peace and tranquility. It also reinforces the idea of a sacred and special night, setting the scene for the miraculous birth of Jesus. By repeating this phrase throughout the poem, the author creates a sense of unity and rhythm, making the poem more memorable and impactful.
Literary Works Similar to “Silent Night” by Franz Gruber and Joseph Mohr
  1. “O Holy Night” by Adolphe Adam: Both works celebrate the birth of Christ, focusing on themes of divine love, peace, and redemption, using sacred and reverent language.
  2. “Hark! The Herald Angels Sing” by Charles Wesley: Like “Silent Night”, this carol emphasizes the glory of Christ’s birth and the message of peace and salvation brought to the world.
  3. “Away in a Manger” (traditional): This hymn shares the theme of the peaceful nativity scene, with imagery of the baby Jesus lying peacefully, much like in “Silent Night”.
  4. “It Came Upon the Midnight Clear” by Edmund Sears: Similar to “Silent Night”, this carol highlights the serenity of the night of Christ’s birth and the message of peace conveyed by angels.
  5. “The First Noel” (traditional): Both works focus on the birth of Christ, with angelic figures and the peaceful, holy atmosphere surrounding the nativity scene
Representative Quotations of “Silent Night” by Franz Gruber and Joseph Mohr
QuotationContextTheoretical Perspective
“Silent night, holy night!”Opening line, setting the tone for the poem.Symbolism: The night symbolizes peace and tranquility.
“All is calm, all is bright”Describing the peaceful atmosphere surrounding the birth.Romantic Idealism: Emphasizes the beauty of nature and the power of emotion.
“Round yon virgin mother and Child”Focusing on the central figures of the poem.Religious Allegory: Uses the birth of Jesus as a metaphor for spiritual salvation.
“Holy Infant, so tender and mild”Portraying the innocence and purity of Jesus.Symbolism: The infant symbolizes hope and new beginnings.
“Sleep in heavenly peace”Expressing a wish for Jesus’ well-being.Romantic Idealism: Emphasizes the importance of peace and harmony.
“Shepherds quake at the sight”Describing the awe and wonder of the shepherds.Religious Allegory: The shepherds represent humanity’s response to the divine.
“Glories stream from heaven afar”Emphasizing the divine nature of the event.Symbolism: The light symbolizes divine presence and guidance.
“Christ the Savior is born”Central message of the poem.Religious Allegory: The birth of Jesus as a central event in Christian theology.
“Son of God, love’s pure light”Describing Jesus’ divine nature.Symbolism: Light represents divine wisdom and knowledge.
“With the angels let us sing”Invitation to join in the heavenly celebration.Religious Allegory: The angels represent the heavenly realm and the divine message.
Suggested Readings: “Silent Night” by Franz Gruber and Joseph Mohr
  1. Crosby, Fanny J. Hymns and Sacred Songs. Methodist Book Concern, 1868.
  2. Baring-Gould, Sabine. Songs of the West: Folk Songs of England. Methuen, 1891.
  3. Cowley, Robert. Christmas Carols and Their Origin. Cambridge University Press, 1908.
  4. Butterworth, George. Christmas: Its Origin and Associations. Houghton Mifflin, 1912.
  5. Neale, John Mason. Hymns of the Eastern Church. Joseph Masters, 1862.

“The End of Criticism” by Terry Eagleton: Summary and Critique

"The End of Criticism" by Terry Eagleton: Summary and Critique
Introduction: “The End of Criticism” by Terry Eagleton

“The End of Criticism” by Terry Eagleton, first appeared in 1982 in the New Left Review journal, holds significant importance in literature and literary theory due to its provocative exploration of the decline of literary criticism in the late 20th century. Eagleton, a renowned literary theorist and Fellow of Wadham College, Oxford, argues that criticism has become increasingly marginalized and irrelevant in a postmodern era dominated by consumerism and cultural relativism. His essay challenges the prevailing assumptions about the role of criticism and offers a provocative vision for its future.

Summary of “The End of Criticism” by Terry Eagleton

The Dilemma of Socialist Literature Teaching

  • Teaching Literature as Politically Relevant: Eagleton questions the political relevance of teaching literature during global capitalist crises, as most literature teachers did not choose their subject for political reasons but because of enjoyment.
  • Two Traditions in Socialist Thought on Literature: There are two traditions in socialist thought regarding literature:
    • Humanistic/Utopian: This tradition, including figures like Marx, Engels, and Adorno, argues that literature is relevant because it can restore creative capacities oppressed by capitalism.
    • Negative Hermeneutics: The second tradition, including critics like Plekhanov and Macherey, sees literature as a tool to demystify ideological contradictions.

The Challenge of Combining Both Traditions

  • Difficulty in Combining Positive and Negative Approaches: While theoretically possible, Eagleton explains that combining the two traditions in practice seems forced. If the goal is to demystify ideology, it seems odd to choose literature over more immediate forms of ideological discourse like advertisements or political speeches.

Questioning the Political Role of Literature

  • Literature’s Political Defense is Flawed: Eagleton suggests that defending literature politically is increasingly challenging, as literature appears disconnected from the lives of most people. This disconnection calls into question whether literature can genuinely serve as a vehicle for political transformation.

Redefining the Role of Literary Criticism

  • From Literature to Cultural Studies: Eagleton advocates for a shift from the traditional study of literature to a broader concept of “cultural studies,” which would include the analysis of ideologies, feminism, discourse, and media such as film and psychoanalysis. This shift acknowledges that literature is only one part of a broader cultural and ideological framework.
    • Quotation: “Literature is the sign for that space because at the moment we have no other term: ‘cultural studies’ is certainly better.”

The Crisis of Literary Studies

  • Literary Studies as a Non-Subject: Eagleton argues that literary studies do not have a unified method or object. The variety of methods, from biographical analysis to linguistic techniques, reveals the lack of coherence in the field.
    • Quotation: “Methodologically speaking, literary studies are a non-subject.”
  • Philology vs. Humanism: Literary studies have historically been split between the rigorous analysis of texts (philology) and the broader humanistic approach inherited from figures like Arnold and Leavis, leading to an ideological conflict within the discipline.

The Failure of Positivism in Literary Criticism

  • Positivism and Humanism in Literary Criticism: Literary criticism has often tried to blend empiricism with idealism. Figures like Leavis, Frye, and New Critics sought to marry rigorous analysis with humanistic values, though this approach ultimately led to contradictions and a crisis within the field.

The Illusion of Literary Unity

  • No Unity in Object or Method: Eagleton argues that there is no stable object (i.e., “literature”) or method that unites literary studies. What defines literature is often subjective, based on arbitrary decisions about what is “well written” or “valuable.”
    • Quotation: “The unity of the object is every bit as illusory as the unity of the method.”

The Political End of Literary Criticism

  • Rhetoric as a Replacement for Literary Criticism: Eagleton proposes replacing literary criticism with the study of rhetoric, defined as the analysis of how discourse produces effects in the social and ideological realm. This shift aligns criticism with political goals, analyzing all forms of discourse, from bus tickets to TV advertisements.
    • Quotation: “Our present aim should be to abolish ‘literary criticism’ and revive rhetoric in its place.”
  • Rhetoric as a Tool for Political Transformation: For Eagleton, the ultimate purpose of studying discourse is to understand and challenge its role in maintaining power structures, contributing to the broader goal of political transformation.

Conclusion: Political Transformation Through Discourse

  • Literature’s Role in Ideological Critique: Eagleton suggests that instead of viewing literary criticism as an isolated practice, it should be incorporated into broader political critique. The study of discourse, whether literary or otherwise, should focus on its political and ideological effects, with the aim of contributing to revolutionary culture.

Literary Terms/Concepts in “The End of Criticism” by Terry Eagleton

Term/ConceptExplanation
Humanistic/Utopian TraditionA tradition in socialist thought that views literature as politically relevant because it can help restore creative capacities oppressed by capitalism.
Negative HermeneuticsA critical approach that uses literature to expose and demystify ideological contradictions, viewing literature as a tool for ideological critique.
DemystificationThe process of revealing and critiquing hidden ideologies within cultural products (like literature) that support capitalist or bourgeois society.
PhilologyThe study of texts through linguistic, historical, and textual criticism, often seen as a more rigorous, technical, and professional approach to literature.
Bourgeois HumanismA tradition in literary studies, particularly associated with figures like Arnold and Leavis, emphasizing the humanistic and moral dimensions of literature.
PositivismAn empirical approach that seeks to apply scientific methods to literary criticism, aiming for objective and systematic analysis.
RhetoricEagleton advocates for reviving rhetoric, the study of how discourse (any form of communication) produces effects, linking it to the analysis of power and ideology.
DiscourseBroadly refers to any form of communication (literature, film, advertisements, etc.), focusing on its ideological effects and the ways it constructs social relations.
Cultural StudiesA proposed replacement for traditional literary studies, encompassing a broader analysis of cultural practices, ideologies, and discourses beyond just literature.
Ideology CritiqueThe analysis of how cultural products, including literature, reinforce or challenge dominant ideologies, often used in Marxist criticism.
Liberal HumanismA tradition in literary criticism focused on the moral, ethical, and humanizing effects of literature, often criticized for its idealistic or abstract approach to literature.
StructuralismA theoretical approach that analyzes cultural phenomena (including literature) through the underlying structures and systems (such as language or signs) that shape them.
Signifying PracticesRefers to the ways in which signs, symbols, and discourses create meaning within cultural and ideological contexts.
PerformativeA term from speech act theory (introduced by Austin), focusing on how discourse not only describes the world but also acts to produce effects in the world.
Contribution of “The End of Criticism” by Terry Eagleton to Literary Theory/Theories

Critique of Traditional Literary Studies

  • Challenges the Unity of Literary Studies: Eagleton argues that literary studies lack a coherent method or object, making them a “non-subject” in academic discourse.
    • Quotation: “Methodologically speaking, literary studies are a non-subject.”
  • Questions the Relevance of Literature in Ideological Critique: Eagleton critiques the idea that literature, especially “high” literature, is the best tool for ideological critique in a capitalist society.
    • Quotation: “Why lay bare the operations of ideology in D. H. Lawrence rather than in television advertisements, women’s magazines, and John Locke?”

Shift from Literature to Cultural Studies

  • Proposes Expanding Literary Criticism into Cultural Studies: Eagleton suggests broadening the field to encompass other signifying practices like film, advertisements, and everyday life, calling for a shift to “cultural studies.”
    • Quotation: “‘Literature’ is the sign for that space because at the moment we have no other term: ‘cultural studies’ is certainly better.”

Revival of Rhetoric as a Critical Tool

  • Advocates for the Return of Rhetoric: Eagleton calls for the revival of rhetoric, not just as the study of literary devices but as an analysis of how any discourse produces social and ideological effects.
    • Quotation: “Our present aim should be to abolish ‘literary criticism’ and revive rhetoric in its place.”

Politicization of Literary Criticism

  • Promotes Politically Engaged Criticism: Eagleton emphasizes the need for literary criticism to be explicitly political, aligning itself with broader social and revolutionary goals.
    • Quotation: “It is a unity not of discourses or objects but of intentional practices… It is a question, not of what we do to ‘literature’ or what ‘literature’ does to us, but of what all this doing is for in the first place.”

Criticism of Humanist and Positivist Approaches

  • Critiques the Humanist and Positivist Blending in Literary Criticism: Eagleton critiques the hybrid of idealism and positivism found in much of modern literary criticism, particularly in the works of figures like Leavis and Frye.
    • Quotation: “Leavis and Richards yoked the distressing vagueness of Arnoldian humanism to the thorough business of technical analysis.”

Destabilization of the Literary Canon

  • Questions the Definition of “Literature” as a Distinct Object: Eagleton destabilizes the idea of literature as a unified, inherently valuable object, arguing that the categorization of literature is socially and ideologically constructed.
    • Quotation: “You have a choice between maintaining the increasingly implausible thesis that there is indeed an inherently definable object named Literature… or of frankly conceding that they have something in common because you and your friends have decided that they do.”

Pluralistic Approach to Discourse Analysis

  • Advocates for Methodological Pluralism in Criticism: Eagleton promotes a pluralistic approach to the study of discourse, allowing for various methods as long as they contribute to the political goal of ideological critique.
    • Quotation: “Rhetorical critics are unashamed pluralists: anything which contributes to the goal of political transformation is acceptable.”
Examples of Critiques Through “The End of Criticism” by Terry Eagleton
Literary WorkCritique Through Eagleton’s Framework
D. H. Lawrence’s Sons and LoversCritique through Negative Hermeneutics: Instead of focusing on its literary qualities, Eagleton would argue for using Sons and Lovers to reveal the ideological contradictions in Lawrence’s representation of family and individual desire. This novel could be seen as crystallizing middle-class anxieties around sexuality and social mobility under capitalism.
Quotation: “Why lay bare the operations of ideology in D. H. Lawrence rather than in television advertisements, women’s magazines, and John Locke?”
William Blake’s Songs of Innocence and ExperienceCritique through Utopian-Humanistic Tradition: Blake’s poetry, particularly in Songs of Innocence and Experience, could be analyzed as an expression of the human spirit’s creative potential, oppressed by industrial capitalism. Eagleton would likely see value in Blake’s visionary literature for restoring awareness of human capacities that capitalism represses.
Quotation: “Literature is politically relevant because it can restore to us that sense of creative capacities repressed by capitalism and realisable under socialism.”
Jane Austen’s Pride and PrejudiceCultural Critique and Rhetoric: Through Eagleton’s framework, Pride and Prejudice could be critiqued not only for its subtle social critique but for its role in reinforcing class ideologies and bourgeois morality. The novel’s discourse on marriage and class mobility can be analyzed as a reflection of how literature produces and sustains bourgeois ideology.
Quotation: “Our present aim should be to abolish ‘literary criticism’ and revive rhetoric in its place. By rhetoric, I mean the study of the ways in which any discourse whatsoever produces its effects.”
James Joyce’s UlyssesDestabilization of the Literary Canon: Eagleton would critique Ulysses not for its modernist innovations but for how literary critics and institutions have canonized it as a symbol of high culture, reinforcing elitist distinctions between “literature” and other cultural forms. Joyce’s work, though experimental, does not inherently possess more value than other forms of discourse like advertisements or films.
Quotation: “You have a choice between maintaining the increasingly implausible thesis that there is indeed an inherently definable object named Literature… or of frankly conceding that they have something in common because you and your friends have decided that they do.”
Criticism Against “The End of Criticism” by Terry Eagleton

Overemphasis on Political Criticism

  • Reduction of Literature to Ideology: Critics argue that Eagleton reduces all literary value to its political and ideological functions, ignoring aesthetic, emotional, or philosophical aspects of literature that might transcend political contexts.
    • Counterpoint: By focusing solely on political engagement, the richness and diversity of literary experiences are overlooked.

Dismissal of Aesthetic and Humanistic Values

  • Neglect of Aesthetic Appreciation: Eagleton’s critique dismisses the idea that literature can be appreciated purely for its artistic or humanistic qualities, such as beauty, emotional resonance, or exploration of universal themes.
    • Counterpoint: Critics argue that literature offers more than political utility, and limiting it to that role undermines its broader cultural and artistic contributions.

Undermining the Literary Canon

  • Destabilizing the Canon is Problematic: By challenging the very concept of a “literary canon,” Eagleton opens the door to a relativistic view where the distinction between high literature and other forms of discourse, such as advertisements, becomes blurry.
    • Counterpoint: This could lead to the devaluation of literary studies and weaken the defense of literature as an important cultural practice.

Excessive Pluralism in Methodology

  • Lack of Rigor in Pluralistic Approach: Eagleton’s call for methodological pluralism, where any approach that serves political transformation is valid, can be criticized for lacking academic rigor or coherence.
    • Counterpoint: The absence of a unified method might lead to an incoherent or fragmented field of study, reducing the legitimacy of literary criticism as an academic discipline.

Marginalization of Traditional Literary Scholarship

  • Rejection of Traditional Scholarship: Eagleton’s critique marginalizes traditional literary scholarship (such as philology, textual criticism, and close reading), which has been fundamental to the field. This dismissal undermines centuries of academic work and critical analysis.
    • Counterpoint: Critics argue that traditional methods have value in understanding texts, their historical context, and their formal properties, even outside political dimensions.

Idealism in the Call for Revolutionary Culture

  • Utopian Call for Revolutionary Culture: Eagleton’s call for literary studies to contribute to the creation of revolutionary culture may be seen as overly idealistic or impractical, especially in contemporary academic institutions.
    • Counterpoint: This focus on revolutionary culture might alienate scholars who are not politically radical or aligned with socialist ideology.

Limited Scope in Defining Discourse

  • Narrow Definition of Discourse: Eagleton’s expansion of discourse to include all cultural texts (e.g., advertisements, bus tickets) risks trivializing the study of literature by treating it as one among many discourses, without acknowledging its unique characteristics or impact.
    • Counterpoint: By equating literature with other discourses, Eagleton potentially minimizes the distinctive role that literature has played in shaping cultural, philosophical, and artistic thought.
Representative Quotations from “The End of Criticism” by Terry Eagleton with Explanation
QuotationExplanation
“Literary studies are a non-subject.”Eagleton critiques the lack of a unified method or coherent subject in literary studies, arguing that the field is fragmented and inconsistent in its methodologies and objectives.
“Literature is politically relevant because it can restore to us that sense of creative capacities repressed by capitalism.”This quotation reflects the utopian-humanistic tradition in socialist thought, where literature is seen as having the potential to reawaken human creativity, which is otherwise suppressed under capitalist systems.
“Why lay bare the operations of ideology in D. H. Lawrence rather than in television advertisements, women’s magazines, and John Locke?”Eagleton questions why literature, particularly high literature, is chosen as the primary tool for demystifying ideology when other cultural forms, such as advertisements or popular media, may have a more direct impact on people’s lives.
“Our present aim should be to abolish ‘literary criticism’ and revive rhetoric in its place.”Eagleton advocates for a shift from traditional literary criticism to the study of rhetoric, which he defines as analyzing how any form of discourse produces its effects, including ideological and social influences.
“The unity of the object is every bit as illusory as the unity of the method.”Here, Eagleton critiques the notion that literature is a stable and unified object of study, arguing that the definition of “literature” is arbitrary and ideologically constructed, just as there is no singular method that governs its study.
“Rhetorical critics are unashamed pluralists: anything which contributes to the goal of political transformation is acceptable.”Eagleton promotes a pluralistic approach to criticism, arguing that any method or discourse that aids in political transformation is valid, rejecting the idea that literary criticism must adhere to strict or traditional methods.
“Socialism is moral or it is nothing.”Eagleton emphasizes that the core of socialism, and by extension socialist literary criticism, is moral in nature. It is motivated by the ethical objection to the exploitation and degradation of human lives under capitalist systems.
“You have a choice between maintaining the increasingly implausible thesis that there is indeed an inherently definable object named Literature… or of frankly conceding that they have something in common because you and your friends have decided that they do.”Eagleton critiques the arbitrary nature of literary canon formation, suggesting that what counts as “literature” is not an inherent quality of texts but a decision made by those in positions of cultural power.
“It is a unity not of discourses or objects but of intentional practices.”Eagleton argues that the “unity” of literary studies should not be found in methods or objects (i.e., literary texts), but in the political intentions and practices of those who engage with the discipline.
“The study of what has traditionally been called literature will not of course merely dissolve within this new space.”Although Eagleton calls for a shift towards cultural studies and rhetoric, he acknowledges that the study of traditional literature will not disappear entirely but will become one part of a broader, more inclusive field focused on cultural critique.
Suggested Readings: “The End of Criticism” by Terry Eagleton
  1. Eagleton, Terry. Literary Theory: An Introduction. University of Minnesota Press, 2008.
    https://www.upress.umn.edu/book-division/books/literary-theory
  2. Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. Cornell University Press, 1981.
    https://www.cornellpress.cornell.edu/book/9780801492228/the-political-unconscious
  3. Macherey, Pierre. A Theory of Literary Production. Routledge, 1978.
    https://www.routledge.com/A-Theory-of-Literary-Production/Macherey/p/book/9780415386636
  4. Williams, Raymond. Marxism and Literature. Oxford University Press, 1977.
    https://global.oup.com/academic/product/marxism-and-literature-9780198760610
  5. Althusser, Louis. Lenin and Philosophy and Other Essays. Monthly Review Press, 1971.
    https://monthlyreview.org/product/lenin_and_philosophy_and_other_essays/
  6. Eagleton, Terry. The Function of Criticism: From The Spectator to Post-Structuralism. Verso, 1984.
    https://www.versobooks.com/products/1118-the-function-of-criticism
  7. Foucault, Michel. The Archaeology of Knowledge. Pantheon Books, 1972.
    https://www.penguinrandomhouse.com/books/173185/the-archaeology-of-knowledge-by-michel-foucault/
  8. Said, Edward W. The World, the Text, and the Critic. Harvard University Press, 1983.
    https://www.hup.harvard.edu/catalog.php?isbn=9780674961876
  9. Lentricchia, Frank. After the New Criticism. University of Chicago Press, 1980.
    https://press.uchicago.edu/ucp/books/book/chicago/A/bo5960662.html
  10. “Terry Eagleton on The Function of Criticism.” Verso Books Blog, 27 Feb. 2017.
    https://www.versobooks.com/blogs/3127-terry-eagleton-on-the-function-of-criticism

“Marx, Freud and Morality” by Terry Eagleton: Summary and Critique

 “Marx, Freud, and Morality” by Terry Eagleton, first appeared in New Blackfriars in January 1977, has become a cornerstone in the fields of literature and literary theory.

"Marx, Freud and Morality" by Terry Eagleton: Summary and Critique
Introduction: “Marx, Freud and Morality” by Terry Eagleton

 “Marx, Freud, and Morality” by Terry Eagleton, first appeared in New Blackfriars in January 1977, has become a cornerstone in the fields of literature and literary theory. Eagleton’s exploration of the interplay between Marxist and Freudian thought offers a profound understanding of how these intellectual frameworks can illuminate the complexities of human morality and behavior.

Summary of “Marx, Freud and Morality” by Terry Eagleton

Marxism and Morality

  • Eagleton argues that Marxism, focused on changing material conditions, has little to say about morality. True morality emerges after a revolution, when the ideological constraints of the old order are overcome.
    • Quotation: “Until that condition is fulfilled, our ‘moral’ discourse is bound to remain imprisoned within the ideological.”

Marxism Needs Psychoanalysis

  • Marxism lacks a theory of how individuals become subjects, which Eagleton suggests can be provided by psychoanalysis.
    • Quotation: “The science of psychoanalysis is the science of how historical individuals come to be constituted as subjects.”

Freud’s Pessimistic Rationalism

  • Freud’s outlook is bleak. Humans are driven by conflicting desires and have little hope for true happiness.
    • Quotation: “The message of Freud’s work, then, is clear: we just aren’t going to make it.”

The Limits of Human Subjects

  • Becoming a subject involves repressing the unconscious, creating a permanent tension within us and making true knowledge and complete fulfillment impossible.
    • Quotation: “The human enterprise, focused as it is on that pathetic self-contradictory phenomenon we call the ego, is doomed from the outset.”  

Subjects and Social Formations

  • Social formations create subjects who are unaware of the forces shaping them. This “misrecognition” is necessary for the social order to function.
    • Quotation: “The social formation has its reasons, of which the subject knows nothing.”

Language and Desire

  • Language is a system of differences and absences. As we speak, we are driven by a desire to fill the gaps and find meaning, but this is ultimately unachievable.
    • Quotation: “To speak is to lack: and it’s in this lack that the movement of desire is set up.”

The Unconscious Speaks Through Us

  • The Freudian concept of the “parapraxis” (Freudian slip) reveals that the unconscious constantly disrupts our conscious attempts to control language.
    • Quotation: “When, in a sentence, I refer to myself as ‘I’, when I make use of the personal pronoun, the ‘I’ I refer to is the coherent subject Terry Eagleton; but the ‘I’ which speaks that ‘I’, that coherent subject, has no such coherence.”  

The Subject and the Social Formation

  • Both subjects and social formations are constituted by forces they are unaware of.
    • Quotation: “The unconscious has its reasons of which the subject knows nothing, and the same is true about the subject in relation to the social formation.”

A Tragic Scenario

  • Both Marxism and Freudianism paint a tragic picture of the human condition. We are limited by our unconscious desires and the structures that shape us.
    • Quotation: “The human enterprise, focused as it is on that pathetic self-contradictory phenomenon we call the ego, is doomed from the outset.”  

The Foolishness of Love

  • Freud’s view of love as limited by human nature contrasts with the Christian message to “love thy neighbor as thyself.”
    • Quotation: “Given the way human beings are-and I mean the way they are through their material insertion into language, not the way they are for certain transitional historical reasons-the gospel makes very little sense.”  

Marxism vs. The Gospel

  • While Marxism can improve material lives, it offers no solution to the problem of love. The Christian message, though unrealistic in Freudian terms, offers a necessary kind of love for redemption.
    • Quotation: “Marxism will not save us either, though it will certainly make life a good deal easier.”
Literary Terms/Concepts in “Marx, Freud and Morality” by Terry Eagleton
Term/ConceptExplanationRelevant Context in Eagleton’s Essay
IdeologyA system of ideas that unconsciously shape and constrain the subject’s thinking, creating illusions about the nature of reality.Eagleton argues that “ideology” is central to understanding how individuals are unknowingly shaped by social structures. Marxism critiques ideology by showing how it hides true social relations, while Freud exposes the unconscious forces that shape human behavior.
SubjectivityThe experience of being a coherent, autonomous individual, which, according to both Marx and Freud, is an illusion produced by ideology and unconscious forces.Eagleton explains how the subject, while believing themselves to be the master of their thoughts and actions, is actually decentered by unconscious processes (Freud) and shaped by social formations (Marx). He emphasizes the need to recognize that individuals are not truly in control of their own discourse or consciousness.
Historical MaterialismMarxist theory that social and economic structures determine the development of human societies and their ideologies.Eagleton references Marxism’s focus on historical materialism as the basis for understanding social formations and their reproduction, contrasting it with psychoanalysis as a tool for understanding individual subject formation. He notes that Marxism traditionally lacks a fully developed theory of the subject, which psychoanalysis can help provide.
UnconsciousIn Freudian theory, the part of the mind that operates outside of conscious awareness, influencing thoughts, behaviors, and emotions.The essay argues that unconscious forces, such as repressed desires and drives, play a major role in shaping the subject’s speech and actions. Eagleton connects this to the way ideology operates, suggesting that just as unconscious drives influence behavior, ideology shapes consciousness in ways subjects cannot fully comprehend.
Oedipus ComplexFreudian concept referring to the child’s unconscious sexual desire for the opposite-sex parent and rivalry with the same-sex parent, crucial to the development of the ego.Eagleton refers to the Oedipus complex to explain how individuals are constituted as “sexed” beings through processes of repression and identification, which in turn integrate them into the social order. This complex also exemplifies the way subject formation involves the repression of knowledge, both personal and social.
Symbolic OrderA Lacanian concept referring to the domain of language and social laws that the subject enters after the Oedipus complex, in which meaning is structured by difference.Eagleton uses this term to describe how individuals are caught in a network of signifiers that endlessly defer meaning. The symbolic order is the realm of language, where identity and meaning are always constructed in relation to absent or excluded terms. This creates an ongoing “lack,” which drives desire and destabilizes the subject’s coherence.
Castration ComplexThe psychoanalytic concept of the child’s realization of sexual difference and the anxiety this produces, leading to repression and the formation of the unconscious.Eagleton likens this complex to other fundamental losses (such as birth, separation from the mother, etc.) that shape human subjectivity. He uses it to illustrate how language and culture impose a continual chain of losses, absences, and lacks that disrupt any sense of subjective unity or completeness.
DesireIn psychoanalytic theory, the unconscious drive that is never fully satisfied, continually moving the subject from one object or signifier to another.Eagleton draws on Freud and Lacan to argue that desire is structured by lack and that language itself generates this movement of desire. This process reveals the subject’s dependence on absence and difference, contradicting the illusion of wholeness or control in both personal and ideological discourse.
Cultural RevolutionA Marxist concept referring to the transformation of social and individual consciousness as part of the larger political revolution.Eagleton suggests that Marxism, beyond political revolution, must involve a “cultural revolution,” which entails the transformation of individual subjectivity and consciousness. He implies that psychoanalysis can inform this process by addressing the deep-seated psychological resistances to such transformation.
Contribution of “Marx, Freud and Morality” by Terry Eagleton to Literary Theory/Theories

1. Marxist Literary Theory

  • Ideology and the Unconscious: Eagleton challenges the Marxist notion of ideology as merely a system of false beliefs imposed by the ruling class. Instead, he argues that ideology is deeply embedded in the unconscious, shaping our perceptions and actions.
    • Reference: “The unconscious is exactly the fact that as we speak, what we say must always escape us, that as I say one thing it means something else, that as my own discourse unrolls, it reveals in its knots and breaks and crevices those other possible signs which must always be absent.”  
  • The Subject and the Social Formation: Eagleton redefines the Marxist concept of the subject, arguing that it is not a fully autonomous individual but rather a product of the social formation. This challenges the humanist notion that individuals are the primary agents of history.
    • Reference: “The human subject is a product of the social formation, but must, at the same time, conceal it-must be unaware of its true determinants, of the process of its production.”

2. Psychoanalytic Literary Theory

  • The Unconscious and Discourse: Eagleton expands on Freud’s theories of the unconscious, arguing that it shapes not only our individual psyches but also our cultural discourses.
    • Reference: “The unconscious has its reasons of which the subject knows nothing, and the same is true about the subject in relation to the social formation.”
  • The Tragic Nature of Human Existence: Eagleton aligns with Freud’s pessimistic view of human existence, emphasizing the inherent conflicts and limitations that shape our lives.
    • Reference: “The human enterprise, focused as it is on that pathetic self-contradictory phenomenon we call the ego, is doomed from the outset.”  

3. New Historicism

  • The Social Construction of the Subject: Eagleton’s analysis of the subject as a product of the social formation aligns with New Historicist approaches that emphasize the historical and cultural context in shaping individuals’ identities and experiences.
    • Reference: “The human subject is a product of the social formation.”

4. Cultural Studies

  • Interdisciplinary Approach: Eagleton’s essay demonstrates the value of combining Marxist and psychoanalytic perspectives to understand culture. This interdisciplinary approach has been influential in Cultural Studies.
    • Reference: “The essay offers a powerful blend of Marxist and psychoanalytic insights.”

5. Post-Structuralism

  • Deconstruction of the Subject: Eagleton’s critique of the subject as a coherent entity aligns with Post-Structuralist ideas that challenge the notion of a stable self.
    • Reference: “The subject can’t, as it were, round upon those determinants, appropriate them in consciousness, because it exists as a subject only by their repression.”
Examples of Critiques Through “Marx, Freud and Morality” by Terry Eagleton
Literary WorkCritique through Marxism (Eagleton’s Lens)Critique through Psychoanalysis (Eagleton’s Lens)
Great Expectations by Charles DickensThrough a Marxist perspective, the novel illustrates class struggle and social mobility. Pip’s journey from a poor orphan to a gentleman reflects the ideologies of capitalism. The “ideological” illusion Pip suffers from—believing wealth and status can lead to happiness—can be critiqued as masking the exploitative class structures of Victorian England.Pip’s internal conflict and guilt can be analyzed through Freud’s theory of the unconscious. His desire for social advancement, driven by his love for Estella, can be seen as rooted in repressed desires and the Oedipal complex. Pip’s obsession with becoming a gentleman reflects deeper anxieties about identity, desire, and his relationship with parental figures like Joe and Miss Havisham.
Wuthering Heights by Emily BrontëThe novel’s portrayal of Heathcliff’s rise to power could be interpreted as a Marxist critique of the capitalist drive for ownership and control. Heathcliff’s revenge on the Earnshaw and Linton families illustrates how class oppression and economic inequalities drive individuals to destructive actions.Heathcliff’s obsession with Catherine and his violent behavior can be analyzed through the lens of Freudian psychoanalysis. His destructive tendencies could be seen as an expression of repressed desires and unresolved childhood trauma. The novel’s focus on intense emotions, violence, and love mirrors Freud’s notion of the death drive (Thanatos) and Eros in human behavior.
Hamlet by William ShakespeareMarxist critique would focus on the ideological forces shaping Hamlet’s indecision and the political power structures in Denmark. The play reflects feudal and class power relations, where Hamlet is caught between his princely duties and his moral qualms, mirroring larger societal contradictions.Freud’s psychoanalytic interpretation of Hamlet famously focuses on the Oedipus complex. Hamlet’s hesitation in avenging his father’s death can be linked to repressed desires for his mother, Gertrude. His struggle with madness and internal turmoil reflects the unconscious forces at play, where Hamlet’s ego is torn between the id (desires) and the superego (moral expectations).
The Great Gatsby by F. Scott FitzgeraldA Marxist critique would emphasize the novel’s exploration of the American Dream as an ideological construct. Gatsby’s pursuit of wealth and status masks the inherent inequalities of capitalist society. The novel critiques the false promises of class mobility, with Gatsby’s downfall symbolizing the failure of this ideology.Gatsby’s obsessive desire for Daisy can be analyzed through psychoanalysis as a manifestation of deeper unconscious desires. His fixation on the past and his idealized image of Daisy reflect Freud’s concept of the repetition compulsion, where Gatsby is driven by unresolved desires and emotional wounds. The symbolic death drive is present in Gatsby’s reckless pursuit, ultimately leading to his tragic demise.
Criticism Against “Marx, Freud and Morality” by Terry Eagleton
  • Overemphasis on Ideology and Repression:
    • Critics argue that Eagleton’s interpretation places excessive emphasis on ideology, viewing individuals primarily as passive products of unconscious and social forces, downplaying human agency and individual autonomy.
  • Limited Scope of Morality Discussion:
    • Some may criticize the work for offering an insufficient exploration of morality itself. Eagleton’s Marxist and Freudian analysis focuses more on how morality is shaped by external forces, but less on the content of moral principles or how individuals might challenge these ideologies.
  • Reductionism in Psychoanalysis:
    • Eagleton’s reliance on Freudian psychoanalysis has been critiqued for its reductionist approach. Critics argue that Freudian concepts such as the Oedipus complex and repression oversimplify complex human behaviors and ignore other psychological or philosophical explanations.
  • Tension between Marxism and Psychoanalysis:
    • The attempt to merge Marxist historical materialism with Freudian psychoanalysis has been criticized for being problematic, as the two frameworks may not be fully compatible. While Marxism focuses on social structures, psychoanalysis emphasizes individual psychology, creating a potential conceptual mismatch.
  • Neglect of Humanism and Ethical Agency:
    • Some critics believe that Eagleton’s approach neglects humanism and ethical agency, reducing morality to ideological constructs rather than considering the potential for moral progress or ethical behavior outside of ideology and repression.
  • Pessimism in the Concept of Subjectivity:
    • Eagleton’s portrayal of subjectivity as fundamentally shaped by absence, lack, and repression, influenced by Lacan and Freud, has been criticized for its pessimism. This perspective can be seen as overly fatalistic, suggesting that humans are perpetually alienated from their desires and true meaning.
  • Christianity vs. Marxism Conflation:
    • Eagleton’s analysis of the relationship between Christianity and Marxism, particularly the argument that Marxism needs a discourse of love beyond its materialist framework, has been criticized as overly idealistic or inconsistent with the materialist foundations of Marxist thought.
Representative Quotations from “Marx, Freud and Morality” by Terry Eagleton with Explanation
QuotationExplanation
“Until that condition is fulfilled, our ‘moral’ discourse is bound to remain imprisoned within the ideological.”This statement highlights the importance of social and political change in achieving true morality. Eagleton argues that morality is often constrained by the dominant ideology.
“The science of psychoanalysis is the science of how historical individuals come to be constituted as subjects.”This quotation emphasizes the role of psychoanalysis in understanding the formation of individual identity and consciousness.
“The message of Freud’s work, then, is clear: we just aren’t going to make it.”This quote reflects Freud’s pessimistic view of human nature and the limitations imposed by our unconscious desires.
“The human enterprise, focused as it is on that pathetic self-contradictory phenomenon we call the ego, is doomed from the outset.”This statement emphasizes the tragic nature of human existence, as revealed by Freud’s analysis of the ego’s internal conflicts and limitations.
“The social formation has its reasons, of which the subject knows nothing.”This quote highlights the power of social structures to shape individuals’ lives without their conscious awareness.
“To speak is to lack: and it’s in this lack that the movement of desire is set up.”This statement emphasizes the fundamental nature of desire as a result of language and its inherent lack of meaning.
“When, in a sentence, I refer to myself as ‘I’, when I make use of the personal pronoun, the ‘I’ I refer to is the coherent subject Terry Eagleton; but the ‘I’ which speaks that ‘I’, that coherent subject, has no such coherence.”This quote illustrates the fragmented nature of the subject, as revealed by the unconscious’s influence on our discourse.
“The unconscious has its reasons of which the subject knows nothing, and the same is true about the subject in relation to the social formation.”This statement highlights the unconscious nature of many of our actions and beliefs, both as individuals and as members of society.
“The human subject is a product of the social formation, but must, at the same time, conceal it-must be unaware of its true determinants, of the process of its production.”This quote challenges the humanist notion of the individual as a fully autonomous agent, emphasizing the role of social structures in shaping identity.
“The gospel may be true or it may not be; but if Freud is right, as I think he is, then nothing short of the gospel will save us.”This statement suggests that the Christian gospel, despite its unrealistic nature, may be the only hope for salvation in a world shaped by Freud’s tragic vision.
Suggested Readings: “Marx, Freud and Morality” by Terry Eagleton
  1. Eagleton, Terry. Marxism and Literary Criticism. Routledge, 2002.
  2. Freud, Sigmund. The Interpretation of Dreams. Standard Edition, Volume 4, Hogarth Press, 1953.
  3. Lacan, Jacques. Écrits: A Selection. Translated by Bruce Fink, Norton, 2006.
  4. Althusser, Louis. Lenin and Philosophy and Other Essays. Monthly Review Press, 1971.
  5. Žižek, Slavoj. The Sublime Object of Ideology. Verso, 1989.

“Irony and the Eucharist” by Terry Eagleton: Summary and Critique

“Irony and the Eucharist” by Terry Eagleton is a seminal piece that first appeared in the esteemed journal New Blackfriars in 2002.

"Irony and the Eucharist" by Terry Eagleton: Summary and Critique
Introduction: “Irony and the Eucharist” by Terry Eagleton

“Irony and the Eucharist” by Terry Eagleton is a seminal piece that first appeared in the esteemed journal New Blackfriars in 2002. This insightful exploration of the relationship between irony and the Eucharist has significantly impacted the fields of literature and literary theory. Eagleton’s analysis delves into the complexities of irony as a literary device and its potential to challenge traditional religious beliefs. His work has been widely cited and continues to be a valuable resource for scholars and students alike.

Summary of “Irony and the Eucharist” by Terry Eagleton
  • Metaphor and Transubstantiation:
    Eagleton begins by drawing a parallel between metaphor and transubstantiation, explaining how a word like “fire” can change its meaning (to anger or passion) while retaining its original form. Similarly, in the Eucharist, bread and wine retain their outward appearance but are understood to become the body and blood of Christ. Eagleton explains, “The bread and wine of the eucharist still look and behave like bread and wine,” but their “substance” has changed through metaphorical transformation. This comparison highlights the mystery of transubstantiation where physical signs take on profound spiritual meaning.
  • Semiotics of the Eucharist – The Concept of Meta-signs:
    Eagleton introduces the idea of the Eucharistic elements as meta-signs, meaning they not only signify but also comment on the nature of signification itself. He explains, “The eucharistic elements are meta-signs in more senses than one,” signifying both the presence and absence of meaning. In this sense, the Eucharist functions as a meta-signification, reflecting on signs and meanings beyond their literal forms.
  • Irony in Signification:
    The Eucharist, Eagleton argues, carries an inherent irony. While it appears to be bread and wine, it symbolizes a reality beyond mere physical presence: the body of Christ. This is “a kind of symbolic face-to-faceness” where the elements signify both the presence of Christ and the transcendence of earthly signs. Eagleton emphasizes the irony in signifying the “non-discursive discursively,” pointing out the paradox that the bread and wine, though symbols, transcend the very concept of signification.
  • The Role of the Body as a Sign:
    Eagleton discusses the body of Christ as both a sign and a meta-sign. The human body, like Christ’s body, is inherently expressive, making it a “sign” already. This expressivity is fully realized in the risen body, where “the material body itself becomes pure communication.” The Eucharistic bread and wine, therefore, signify a deeper form of expressivity and signification, encapsulating the fullness of spiritual meaning.
  • Death and Fulfillment of Signs:
    One of Eagleton’s core arguments is that the Eucharist symbolizes both the death and consummation of the sign. In the Kingdom of God, signs give way to a state of pure expressivity – the body of Christ – rendering signs redundant. This duality, Eagleton argues, highlights the Eucharist as a self-cancelling semiotic system, where signs “bounce” the participant beyond their immediate meaning, much like “a trampoline.”
  • Conclusion – Irony as the Ultimate Signification:
    Eagleton concludes by reinforcing the irony within the Eucharist. The bread and wine signify “their own emptiness” while remaining physically present, reflecting a semiotic system in which “there must be a signifier which stands in for its own impossibility.” For Christian faith, the Eucharist is a paradoxical representation of presence and absence, encapsulating the divine reality that cannot be fully represented within earthly systems of meaning.
Literary Terms/Concepts in “Irony and the Eucharist” by Terry Eagleton
Literary Term/ConceptDefinitionExplanation in “Irony and the Eucharist”
MetaphorA figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable.Eagleton draws an analogy between metaphor and transubstantiation, explaining how bread and wine can signify the body and blood of Christ, just as “fire” can mean anger or passion.
TransubstantiationThe change of the substance of bread and wine into the body and blood of Christ during the Eucharist, while retaining their appearances.Central to Eagleton’s argument, transubstantiation is discussed as a change in the “substance” of the Eucharistic elements while their form remains the same, likened to the operation of metaphor.
Meta-signA sign that reflects on or comments on the nature of signification itself.The Eucharistic elements are described as meta-signs, as they not only signify the body of Christ but also comment on the process of signification, going beyond mere representation.
IronyA rhetorical device or figure of speech in which the intended meaning is opposite to the literal meaning.Eagleton identifies irony in the Eucharist, where the elements appear as bread and wine but signify something far more profound—the body of Christ—creating a paradox of meaning and non-meaning.
SemioticsThe study of signs and symbols and their use or interpretation.The entire essay revolves around a semiotic interpretation of the Eucharist, exploring how signs like bread and wine can hold and transcend meaning within Christian theology.
SymbolismThe use of symbols to represent ideas or qualities.The Eucharist is heavily symbolic, with the bread and wine symbolizing Christ’s body and blood, but also representing the broader theological concepts of sacrifice, redemption, and divine presence.
ParadoxA seemingly contradictory statement that may nonetheless be true.The Eucharist embodies a paradox: the bread and wine signify Christ’s body, yet remain bread and wine. This contradiction is central to the theological and semiotic understanding of the ritual.
Signifier and SignifiedIn semiotics, the signifier is the form that a sign takes, and the signified is the concept it represents.Eagleton uses this structuralist concept to explain how the Eucharist functions as a sign where the signifier (bread and wine) represents the signified (body and blood of Christ) but also transcends these meanings.
ExpressivityThe capacity of a form (such as language or the body) to express meaning.Eagleton highlights how the body of Christ is itself expressive, embodying meaning as a sign. The risen body, in particular, is described as “pure communication.”
Contribution of “Irony and the Eucharist” by Terry Eagleton to Literary Theory/Theories

1. Semiotics and Meta-signs

  • Contribution to Theory:
    Eagleton extends semiotic theory by analyzing how religious symbols, like the bread and wine in the Eucharist, function as meta-signs—signs that comment on the nature of signification itself. His discussion moves beyond traditional signifier/signified relationships, exploring the role of absence and transcendence within religious symbols.
  • Reference:
    Eagleton describes the Eucharistic elements as meta-signs, “signs of an absence of signification” (p. 513). He likens the bread and wine to meta-signs that reflect not only on their immediate meaning but also on the broader system of signification in which they exist.
  • Impact on Theory:
    By analyzing the Eucharist through a semiotic lens, Eagleton contributes to religious semiotics, showing how theological symbols can transcend their ordinary signifying function. This aligns with the post-structuralist notion that signs often point to gaps or absences in meaning, challenging the stability of signification in language and symbolism.

2. Irony and the Theory of Signification

  • Contribution to Theory:
    Eagleton deepens the theory of irony by connecting it to religious symbolism. He argues that the Eucharist is an inherently ironic sign, signifying something that it is not while remaining itself. This paradoxical structure of meaning aligns with theories of irony in postmodernism and deconstruction, where the gap between signifier and signified creates layers of meaning.
  • Reference:
    Eagleton discusses irony in the Eucharist, noting how the bread and wine “signify the non-being of the future by the non-being of its own ironic self-destruction” (p. 514). The Eucharist, as a symbolic act, carries an ironic tension: it signifies Christ’s body, yet remains bread and wine.
  • Impact on Theory:
    This contribution aligns with deconstructive approaches to irony, where Eagleton’s analysis suggests that irony arises from the instability of meaning within religious symbols. The Eucharist, as a semiotic system, self-negates to represent a condition beyond signification, a notion akin to Derrida’s deconstruction of language where meaning is constantly deferred.

3. Post-structuralism and the Transcendence of Signifiers

  • Contribution to Theory:
    Eagleton’s analysis of the Eucharist contributes to post-structuralist understandings of the instability of signifiers. He argues that religious symbols like the Eucharist do not simply point to a fixed signified (Christ’s body) but point to a condition beyond signification itself, echoing post-structuralist concerns about the impossibility of final meaning.
  • Reference:
    Eagleton argues, “the bread has to behave like bread but not actually be it” (p. 514), emphasizing the instability and paradox of signification. He further notes that the Eucharist “has to signify a condition beyond signification,” thus transcending the usual boundaries of semiotic systems.
  • Impact on Theory:
    This analysis resonates with Jacques Derrida’s notion of différance, where the Eucharist represents a signifier that points to its own absence and the impossibility of fully representing the transcendent “real.” The analysis challenges traditional semiotic relationships, positioning religious symbols as fluid, contingent, and beyond full representation.

4. Religious Semiotics and the Sublime

  • Contribution to Theory:
    Eagleton links the Eucharist to theory of the sublime, particularly in its ironic representation of infinity. He connects religious semiotics with the sublime by arguing that the Eucharist gestures toward a reality that is beyond human comprehension or representation—aligning this with the classical sublime, where overwhelming forces like God or nature can only be represented indirectly or negatively.
  • Reference:
    Eagleton draws parallels to the sublime when he states, “infinity can be represented only in negative guise, by the representation drawing attention to its own stringent limits” (p. 514). Here, he aligns the Eucharist with the sublime, where signs can only point to their own limits when trying to signify the infinite.
  • Impact on Theory:
    This contribution resonates with Immanuel Kant’s and Edmund Burke’s theories of the sublime, where representations of the divine or infinite can only be rendered indirectly. Eagleton’s interpretation of the Eucharist as a representation of the “beyond-sign” ties theological semiotics to broader aesthetic and philosophical discussions of the sublime.

5. Political Semiotics and Revolution

  • Contribution to Theory:
    Eagleton makes a unique contribution by tying the Eucharist to political semiotics, particularly in the revolutionary context. He compares the Eucharist to avant-garde poetics and Marxist ideas of revolution, where the sign points toward a future condition in which it will be unnecessary—reflecting Marx’s notion that “the content goes beyond the phrase.”
  • Reference:
    Eagleton uses Marxist semiotics to describe the Eucharist: “what socialist transformation envisages outstrips the language in which we might now describe it” (p. 515). He likens the Eucharist to revolutionary symbols that simultaneously negate themselves while pointing to a future utopian reality.
  • Impact on Theory:
    Eagleton’s interpretation aligns with Marxist literary theory, where signs, particularly revolutionary symbols, are understood as pointing to a future state that negates the need for current discourses. The Eucharist, in this context, becomes a revolutionary symbol that gestures toward a future redemption, blending theology with political and social semiotics.

6. The Body as Language and Communication

  • Contribution to Theory:
    Eagleton’s discussion of the body as a form of language contributes to theories of embodiment and expressivity in literary and cultural theory. He argues that the body of Christ in the Eucharist is not only a sign but also the most expressive form of communication, thus merging linguistic and corporeal forms of signification.
  • Reference:
    Eagleton notes, “the body as Word” and argues that “the risen body is the flesh as pure expressivity” (p. 513). He highlights how the body in the Eucharist serves as both a physical and semiotic presence, merging material and linguistic forms of expression.
  • Impact on Theory:
    This connects to cultural theories of embodiment, such as those by Maurice Merleau-Ponty, where the body is seen as a central site of meaning and expression. Eagleton’s analysis of the Eucharist enhances discussions of the body as signifier, positioning it as a crucial intersection of language, semiotics, and theology.
Examples of Critiques Through “Irony and the Eucharist” by Terry Eagleton
Literary WorkCritique Through “Irony and the Eucharist”Explanation
The Waste Land by T.S. EliotSemiotic Breakdown and Meta-SignsUsing Eagleton’s concept of the meta-sign, Eliot’s fragmented style in The Waste Land can be seen as a breakdown of traditional signifiers, reflecting a world in which meaning has become disjointed. Just as Eagleton discusses the Eucharist as a sign pointing to the absence of meaning, Eliot’s work can be interpreted as a commentary on the disintegration of meaning in the modern world.
Waiting for Godot by Samuel BeckettIrony and the Absence of MeaningBeckett’s play parallels Eagleton’s discussion of irony, where the bread and wine in the Eucharist represent something that they are not. In Waiting for Godot, the anticipation of Godot symbolizes a quest for meaning that never materializes. Beckett uses irony to show that the act of waiting itself becomes meaningless, much like Eagleton’s depiction of the Eucharist signifying its own emptiness.
Heart of Darkness by Joseph ConradSignifier and Signified GapEagleton’s exploration of the gap between signifier and signified can be applied to Heart of Darkness, where Kurtz symbolizes the ineffable nature of imperialism’s horrors. Just as Eagleton argues that the Eucharist’s signified (Christ’s body) transcends representation, Conrad’s portrayal of Kurtz suggests that the true nature of colonialism is beyond the grasp of language and signification.
The Brothers Karamazov by Fyodor DostoevskyReligious Semiotics and the SublimeThrough the lens of Eagleton’s analysis of religious semiotics, the Eucharistic themes in The Brothers Karamazov can be critiqued as a struggle between material and spiritual realms. The character of Alyosha represents the sublime faith that transcends reason, aligning with Eagleton’s notion that religious symbols like the Eucharist signify something beyond rational or material comprehension.
Criticism Against “Irony and the Eucharist” by Terry Eagleton
  • Complexity and Accessibility:
    Eagleton’s use of dense philosophical language, particularly his engagement with semiotics and meta-signs, may render the essay inaccessible to readers unfamiliar with advanced literary theory or theological concepts.
  • Over-reliance on Semiotic Analysis:
    Critics might argue that Eagleton’s heavy focus on semiotics could reduce the rich theological significance of the Eucharist to a mere play of signs, downplaying its spiritual and sacramental aspects.
  • Lack of Theological Depth:
    Some may claim that Eagleton’s literary and semiotic approach lacks sufficient engagement with theological scholarship on the Eucharist, potentially oversimplifying or misrepresenting its deep religious significance.
  • Limited Application to Broader Christian Practices:
    While Eagleton focuses on the Eucharist, his analysis may be too narrow in scope, failing to address how irony and signification play a role in other Christian sacraments or religious experiences.
  • Philosophical Generalization:
    Eagleton’s linking of the Eucharist with post-structuralist theories of signification and irony could be seen as an overextension of literary theory into theology, making generalizations that may not resonate with traditional religious interpretations.
  • Irony as Reductionist:
    By emphasizing the irony in the Eucharist, Eagleton might be accused of reducing the profundity of the ritual to a philosophical paradox, neglecting the emotional, communal, and devotional dimensions of the sacrament.
Representative Quotations from “Irony and the Eucharist” by Terry Eagleton with Explanation
QuotationExplanation
“The bread and wine of the eucharist still look and behave like bread and wine.”Eagleton begins by illustrating the mystery of transubstantiation, where the physical elements remain the same while their spiritual essence changes, introducing the central theme of irony.
“Flame has transubstantiated into fury.”This metaphor explains how words change their meaning while retaining their form, paralleling how bread and wine transform into the body and blood of Christ in the Eucharist.
“The eucharistic elements are meta-signs in more senses than one.”Eagleton introduces the concept of meta-signs, emphasizing that the Eucharist is not just symbolic but reflects on the very nature of signification and meaning.
“It has to signify a condition beyond signification.”The Eucharist is presented as a paradox: it must communicate something (divine presence) that inherently transcends ordinary forms of communication and representation.
“The sign is where degradation and redemption intersect.”Eagleton connects the Eucharist to the idea of redemption through the degradation of signs, suggesting that it symbolizes both the suffering (degradation) and the salvation (redemption) of Christ.
“The irony of this love-feast is that it has to convey the non-discursive discursively.”The Eucharist is described as inherently ironic because it tries to represent a non-verbal, divine mystery using the human medium of language and ritual.
“There must be a signifier which stands in for its own impossibility.”Eagleton highlights a core irony in the Eucharist: the bread and wine serve as signs of something (the body of Christ) that cannot be fully signified or represented within the system of signs.
“The symbol is the death of the thing.”Borrowing from Jacques Lacan, Eagleton argues that symbols replace the actual objects they represent, and this applies to the Eucharist, where Christ’s body is symbolized through bread and wine.
“The risen body is the flesh as pure expressivity.”Eagleton describes the resurrected body of Christ as the ultimate form of communication, where the physical body itself becomes pure expression and meaning.
“In this sense, the death of the sign is also the consummation of it.”This phrase captures the paradox at the heart of the Eucharist, where the end of signification (death of the sign) is also its fulfillment, mirroring the death and resurrection of Christ.
Suggested Readings: “Irony and the Eucharist” by Terry Eagleton
  1. Eagleton, Terry. Literary Theory: An Introduction. University of Minnesota Press, 2008. https://www.upress.umn.edu/book-division/books/literary-theory
  2. Derrida, Jacques. Of Grammatology. Johns Hopkins University Press, 1997.
    https://www.hopkinsmedicine.org/press/books/of_grammatology
  3. Ricoeur, Paul. The Symbolism of Evil. Beacon Press, 1967.
    https://www.beacon.org/The-Symbolism-of-Evil-P1515.aspx
  4. Milbank, John. Theology and Social Theory: Beyond Secular Reason. Wiley-Blackwell, 2006.
    https://www.wiley.com/en-us/Theology+and+Social+Theory%3A+Beyond+Secular+Reason%2C+2nd+Edition-p-9781405136846
  5. Zizek, Slavoj. The Puppet and the Dwarf: The Perverse Core of Christianity. MIT Press, 2003. https://mitpress.mit.edu/9780262740258/the-puppet-and-the-dwarf/
  6. Lacan, Jacques. The Four Fundamental Concepts of Psychoanalysis. W.W. Norton, 1998. https://wwnorton.com/books/9780393317756
  7. Ward, Graham. Cities of God. Routledge, 2000.https://www.routledge.com/Cities-of-God/Ward/p/book/9780415196376
  8. McCabe, Herbert. God Matters. Continuum, 1987. https://www.bloomsbury.com/us/god-matters-9780826494668/
  9. Radford Ruether, Rosemary. Faith and Fratricide: The Theological Roots of Anti-Semitism. Wipf and Stock, 1996. https://wipfandstock.com/9781579107971/faith-and-fratricide/
  10. “Semiotics of Religion.” Oxford Bibliographies, 2014.
    https://www.oxfordbibliographies.com/view/document/obo-9780195393361/obo-9780195393361-0076.xml

“Decentering God” by Terry Eagleton: Summary and Critique

“Decentering God” by Terry Eagleton, first appeared in 1976 in the journal New Blackfriars, in its Volume 57, Number 671, holds significant importance in literature and literary theory.

"Decentering God" by Terry Eagleton: Summary and Critique
Introduction: “Decentering God” by Terry Eagleton

“Decentering God” by Terry Eagleton, first appeared in 1976 in the journal New Blackfriars, in its Volume 57, Number 671, holds significant importance in literature and literary theory. It explores the concept of decentering God, challenging the traditional centrality of divine authority in Western thought. Eagleton’s critique offers a profound reexamination of religious discourse and its influence on literary works, paving the way for new perspectives and interpretations.

Summary of “Decentering God” by Terry Eagleton

Christian-Marxist Dialogue and Humanism

  • Christian and Marxist common ground in humanism: In the past, Christian-Marxist dialogue found a shared focus on humanistic values. Eagleton highlights this connection: “Whatever the divergences between the two camps, they were at least united by their profoundly humanistic dimension.”
  • Humanism now criticized by Marxism: Marxism, however, has shifted its stance, moving away from humanism as seen in Louis Althusser’s declaration: “Marxism is not a Humanism.” This indicates Marxism’s growing rejection of humanism as a bourgeois ideology.

Decentering the Human Subject

  • Human subject dethroned: Eagleton discusses how European Marxism and structuralism have moved to dethrone the human subject. The bourgeois idea of “Man” as the center of history is rejected: “It is history… which ‘speaks’ man, which constitutes the human subject.”
  • Focus on structures and laws over individuals: Instead of centering on individual humans or collective subjects, Marxism focuses on social structures and discourses: “The study of history is the science of these rule-bound discourses… its aim is to disengage those laws… situated on a terrain quite other than ‘human experience’.”

God and the Fetish of Central Meaning

  • Atheistic critique of central meaning: Eagleton points out that atheistic Marxism criticizes the idea of a central essence or ultimate meaning (such as God) as a mystifying fetish. As he notes, “Christian theology and atheistic humanism seem to share a belief in some ultimate essence or origin of meaning… but it is precisely this trust in some single enshrined essence of meaning which atheistic Marxism attacks as a fetish.”
  • Derrida and decentering authority: Jacques Derrida and other Marxist semioticians argue that authority figures like God or monarchs act as centralizing fetishes that suppress pluralistic meanings: “God, the Father, the monarch, gold, the phallus… protect us from the terror of being liberated into the unfounded, decentred process of our history.”

Milton and the Tragic Absence of God

  • Milton’s portrayal of God’s withdrawal: Eagleton draws on Milton’s Paradise Lost to explore how God’s withdrawal from history leads to a loss of meaning, particularly for the English Protestant bourgeoisie. He describes this withdrawal as both a source of value and a threat: “God seems to have withdrawn his presence from history, abandoning the revolutionary venture of his chosen people.”
  • Satan as a failed revolutionary figure: Satan’s attempt to dethrone God in Paradise Lost is described as a decentering gone wrong, where one repressive authority is merely replaced with another: “Satan tries to de-centre, dethrone the poem’s aloof, coldly bureaucratic God and falls to hell… setting up a substitute kingdom.”

Decentering of Both God and Man

  • Christ’s decentering of the Father: Eagleton argues that, from a Christian perspective, Christ’s incarnation is a revolutionary decentering of the Father. However, Milton fails to recognize this because of his theological stance: “In Christ, the Father decentres himself among men… but Milton cannot understand this due to his Arianism.”
  • Simultaneous decentering of Man: Eagleton claims that the decentering of God leads to the decentering of Man, aligning Christian thought with traditional Marxism: “The Christian stands… with the more traditional Marxist who decentres both [God and Man].”

Pluralistic Meaning in History and Faith

  • Ceaseless decentering in history and faith: Eagleton concludes that, for Christian faith, the process of decentering in history is mirrored by the triune God, whose meaning is dispersed and pluralistic: “The ceaseless decentring and deconstructing of Man by the discourses that ‘live’ him is part of that deeper movement… which is, for Christian faith, the triune God.”
Literary Terms/Concepts in “Decentering God” by Terry Eagleton
Term/ConceptExplanationReference/Context in Text
HumanismA belief in the value and agency of human beings, typically focusing on human experiences and achievements.Eagleton critiques how Marxism rejects humanism, once central to the Christian-Marxist dialogue. “Marxism is not a Humanism.”
StructuralismA theoretical approach that sees human culture as a structure, where elements are interrelated and governed by rules.Marxism and structuralism work together to “de-centre” the human subject, focusing on structures instead of individuals.
DecenteringThe process of challenging and removing something or someone from the center of meaning or authority.Central theme in Eagleton’s work, especially regarding the dethroning of “Man” and “God” from history.
Historical MaterialismA Marxist theory that history develops through material conditions rather than ideas or beliefs.Eagleton discusses how traditional Marxism moves away from humanism toward a more structural analysis.
FetishismThe attribution of inherent value or power to an object, often in a way that masks its true function or origin.A critique of how centralizing ideas (God, the monarch, gold) act as fetishes, obscuring the plurality of meanings.
AtheismThe absence of belief in deities, often used in contrast to theism.Eagleton notes how atheism becomes politically relevant in rejecting the centralized authority of God in society.
SemioticsThe study of signs and symbols, particularly how meaning is created and communicated.Eagleton refers to Marxist semioticians who explore how language and signs structure society and thought.
DiscourseA system of knowledge and meaning that governs how we speak, think, and act in society.History is seen as a set of discourses that ‘speak’ man, rather than the other way around.
ArianismA theological belief that Jesus Christ is subordinate to God the Father, contrary to the doctrine of the Trinity.Eagleton discusses how Milton’s Arianism affects his understanding of the decentering of God and Man.
DeconstructionA method of critical analysis that seeks to uncover multiple meanings within a text, showing how they undermine their own logic.Eagleton applies Derrida’s concept of deconstruction to explore how authority figures like God or monarchs are decentered.
TranscendenceThe belief in something that goes beyond ordinary experience, often related to God or an ultimate truth.Eagleton critiques both Christian and Marxist humanism for seeking a transcendental meaning or essence.
Contribution of “Decentering God” by Terry Eagleton to Literary Theory/Theories

Marxist Theory

  • Critique of Humanist Marxism: Eagleton critiques the humanistic interpretation of Marxism, focusing on structural and materialist interpretations.
    • “Marxism is not a Humanism.” – Aligns with Althusser’s rejection of humanist Marxism.
  • Decentering the Human Subject: Eagleton argues that history is shaped by social structures, not individual human beings or collective subjects.
    • “It is history… which ‘speaks’ man, which constitutes the human subject.”
  • Emphasis on Social Formations: Eagleton shifts the focus from human subjects to social formations as key players in history.
    • “The subjects of history are not ‘men’, not even ‘social classes’, but… social formations.”

Structuralism

  • Focus on Structures Over Individuals: Eagleton applies structuralist principles by emphasizing that human beings are products of larger societal structures.
    • “The study of history is the science of these rule-bound discourses… its aim is to disengage those laws.”
  • Human Experience Subordinated to Structures: Eagleton argues that societal structures shape history rather than individual human experience.
    • “Like the unconscious, [history] has its reasons of which ‘living individuals’ know nothing.”

Poststructuralism

  • Decentering and Plurality of Meaning: Reflecting poststructuralist ideas, Eagleton emphasizes the ceaseless decentering of meaning, rejecting any fixed or centralized authority.
    • “The ceaseless decentring and deconstructing of Man… is part of that deeper movement.”
  • Critique of Centralized Authority: Eagleton critiques the concept of centralized meaning, such as God or Man, as oppressive and misleading.
    • “Atheistic Marxism attacks… some single enshrined essence of meaning… as a fetish.”
  • Instability of Meaning: Aligning with Derrida’s deconstruction, Eagleton argues that meaning is fluid and always being remade, rejecting any notion of fixed truths.
    • “We are always already in the midst of meaning, traversed by the multiple codes which ‘speak‘ us.”
Examples of Critiques Through “Decentering God” by Terry Eagleton
Literary WorkCritique Through Eagleton’s “Decentering God”Reference/Explanation
Paradise Lost by John MiltonDecentering of God’s authority: Milton’s portrayal of God reflects a distant, bureaucratic authority figure, leading to Satan’s failed rebellion.“God seems to have withdrawn his presence from history… Satan tries to de-centre, dethrone… God.”
Milton’s struggle with God’s authority: Eagleton critiques Milton’s failure to resolve the tension between free will and divine authority.“Milton… torn as he is between the absolute authority of God and the revolutionary freedom of man.”
The Hidden God by Lucien GoldmannGod as an absent, unintelligible force: Goldmann critiques how God’s withdrawal from history leaves the world unintelligible, a reflection of a historical deadlock.“God is at once present and absent in the world, robbing it of value because of his withdrawal.”
Historical context of God’s absence: Eagleton uses Goldmann’s analysis to show how the emergence of bourgeois rationalism led to God’s withdrawal.“Goldmann situates this ideology in… a deadlocked transitional phase… between absolutist-monarchical and bourgeois society.”
Samson Agonistes by John MiltonDecentering of God in history: Eagleton applies decentering to Milton’s portrayal of God as distant and arbitrary, leading to the tragic isolation of Samson.“By the time of Samson Agonistes… God is the utterly remote presence whose arbitrary decrees you obey.”
Failure to de-center the human subject: Milton does not manage to decenter the human subject in history due to his theological stance.“Milton… is incapable of recognising… that Christ’s decentring of the Father is simultaneously a decentring of Man.”
The Fall of Man (Biblical Narrative)Critique of authority and rebellion: Eagleton critiques the Biblical Fall of Man as a revolutionary decentering attempt (by Satan) that fails and re-establishes repressive authority.“Satan tries to de-centre, dethrone the poem’s aloof, coldly bureaucratic God and falls to hell.”
Theological implications of decentering: Eagleton suggests that both God’s authority and human freedom are at odds, creating contradictions within the narrative.“The Christian stands… with the more traditional Marxist who decentres both.”
Criticism Against “Decentering God” by Terry Eagleton

Overemphasis on Structuralism

  • Neglect of Human Agency: Critics may argue that Eagleton’s focus on social structures over individual agency dismisses the role of human experience in shaping history.
    • By asserting “history… constitutes the human subject,” Eagleton downplays individual contributions, which could be seen as reductive.

Excessive Reliance on Marxist Framework

  • Reduction of Complex Religious Thought to Materialism: Eagleton’s Marxist analysis might oversimplify religious belief systems, reducing them to mere ideological constructs without engaging with their spiritual or metaphysical dimensions.
    • The claim that “the centrality of Man is merely a displacement of the supremacy of God” may be seen as an overly simplistic interpretation of religious humanism.

Dismissal of Humanism

  • Critique of Humanism as Dated: Some may argue that Eagleton’s rejection of humanism is unnecessarily dismissive, ignoring how humanistic principles can coexist with more structural analyses.
    • Eagleton’s statement that “humanism… forestalls us from thinking through society as structure” overlooks the continuing relevance of human-centered perspectives.

Ambiguity in Deconstruction

  • Potential for Theoretical Vagueness: Eagleton’s embrace of poststructuralist ideas, such as deconstruction, may lead to a lack of clarity or practical application, as meaning becomes constantly deferred and fluid.
    • The notion that “meaning is ceaselessly exterior to itself” could be criticized for creating interpretive instability, making it difficult to engage with concrete political or literary critique.

Underestimation of Theological Complexity

  • Simplification of Christian Theology: Critics may argue that Eagleton simplifies complex theological debates, particularly regarding Milton and the decentering of God, without fully exploring the spiritual and philosophical nuances.
    • His critique of Milton’s Arianism, for example, may be seen as reductive: “Milton… incapable of recognising the other side of that truth.”
Representative Quotations from “Decentering God” by Terry Eagleton with Explanation
QuotationExplanation
“Marxism is not a Humanism.”Eagleton aligns with Althusser’s view, rejecting the idea that Marxism should focus on human-centered perspectives.
“It is history… which ‘speaks’ man, which constitutes the human subject.”Eagleton emphasizes that history, shaped by social structures and discourses, creates individuals rather than vice versa.
“The subjects of history are not ‘men’, not even ‘social classes’, but… social formations.”This challenges the humanistic view by centering on social structures rather than human subjects or collective groups.
“Atheistic Marxism attacks… some single enshrined essence of meaning… as a fetish.”Eagleton critiques both religious and humanist ideologies for focusing on a central, fixed meaning, which he views as limiting.
“Like the unconscious, [history] has its reasons of which ‘living individuals’ know nothing.”This reflects Eagleton’s structuralist influence, suggesting that individuals are unaware of the larger social forces shaping them.
“Satan tries to de-centre, dethrone the poem’s aloof, coldly bureaucratic God and falls to hell.”Eagleton uses Milton’s Paradise Lost as an example of a failed attempt to decenter authority, illustrating the dangers of misguided rebellion.
“We are always already in the midst of meaning, traversed by the multiple codes which ‘speak’ us.”Eagleton emphasizes the poststructuralist idea that meaning is never fixed, but constantly shaped by various cultural codes.
“For it is not that Christ is the medium by which the privileged subject of the Father reduplicates itself in the privileged subject of Man.”Eagleton critiques the Christian humanist idea that Christ serves to restore the central authority of Man, offering a different theological reading.
“The ceaseless decentring and deconstructing of Man by the discourses that ‘live’ him is part of that deeper movement.”This quotation illustrates Eagleton’s alignment with poststructuralism and Marxism, advocating for continuous deconstruction of both God and Man.
“Milton… torn as he is between the absolute authority of God and the revolutionary freedom of man.”Eagleton identifies the central tension in Milton’s work, where the conflict between divine authority and human freedom remains unresolved.
Suggested Readings: “Decentering God” by Terry Eagleton
  1. Eagleton, Terry. The Ideology of the Aesthetic. Basil Blackwell, 1990. https://www.wiley.com/en-us/The+Ideology+of+the+Aesthetic-p-9780631163023
  2. Althusser, Louis. For Marx. Verso, 2005. https://www.versobooks.com/products/1600-for-marx
  3. Derrida, Jacques. Writing and Difference. University of Chicago Press, 1978.
    https://press.uchicago.edu/ucp/books/book/chicago/W/bo3629117.html
  4. Foucault, Michel. The Order of Things: An Archaeology of the Human Sciences. Vintage Books, 1994. https://www.penguinrandomhouse.com/books/19936/the-order-of-things-by-michel-foucault/
  5. Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. Cornell University Press, 1981. https://www.cornellpress.cornell.edu/book/9780801492226/the-political-unconscious/
  6. Eagleton, Terry. Reason, Faith, and Revolution: Reflections on the God Debate. Yale University Press, 2009.
    https://yalebooks.yale.edu/book/9780300164534/reason-faith-and-revolution/
  7. Goldmann, Lucien. The Hidden God: A Study of Tragic Vision in the Pensées of Pascal and the Tragedies of Racine. Routledge, 2013.
    https://www.routledge.com/The-Hidden-God-A-Study-of-Tragic-Vision-in-the-Pensees-of-Pascal-and-the/Goldmann/p/book/9780415619459