Introduction: “Penelope’s Song” by Louise Glück
“Penelope’s Song” by Louise Glück first appeared in her 2006 collection Averno, a work celebrated for its lyrical depth and mythological resonances. This poem, like many others in the collection, reimagines classical themes, here presenting Penelope, the wife of Odysseus, in a modern and introspective light. The poem explores themes of longing, self-reflection, and the tension between personal identity and societal roles. Penelope’s voice oscillates between vulnerability and command as she prepares for her husband’s return, blending domestic imagery with a sense of mythic grandeur. Glück’s use of evocative language and stark imagery captures the complexities of Penelope’s character, making the poem resonate deeply with readers. Its popularity stems from Glück’s ability to recontextualize ancient myths to reflect contemporary emotional landscapes, solidifying her reputation as a master of blending the timeless with the personal.
Text: “Penelope’s Song” by Louise Glück
Little soul, little perpetually undressed one,
Do now as I bid you, climb
The shelf-like branches of the spruce tree;
Wait at the top, attentive, like
A sentry or look-out. He will be home soon;
It behooves you to be
Generous. You have not been completely
Perfect either; with your troublesome body
You have done things you shouldn’t
Discuss in poems. Therefore
Call out to him over the open water, over the bright
Water
With your dark song, with your grasping,
Unnatural song–passionate,
Like Maria Callas. Who
Wouldn’t want you? Whose most demonic appetite
Could you possibly fail to answer? Soon
He will return from wherever he goes in the
Meantime,
Suntanned from his time away, wanting
His grilled chicken. Ah, you must greet him,
You must shake the boughs of the tree
To get his attention,
But carefully, carefully, lest
His beautiful face be marred
By too many falling needles.
Annotations: “Penelope’s Song” by Louise Glück
Line | Annotation |
Little soul, little perpetually undressed one, | The speaker addresses a part of herself, possibly her spirit or inner self, emphasizing vulnerability and exposure. The phrase “perpetually undressed” conveys raw, unguarded emotion. |
Do now as I bid you, climb | A command is given, implying control or an internal dialogue. The act of climbing suggests aspiration or preparing for a task. |
The shelf-like branches of the spruce tree; | The spruce tree, with its “shelf-like branches,” symbolizes stability or structure, a means to rise or observe. |
Wait at the top, attentive, like | Suggests a sense of anticipation and readiness, possibly for the return of a loved one. |
A sentry or look-out. | The imagery of a sentry evokes watchfulness and protection, emphasizing vigilance and duty. |
He will be home soon; | Introduces the theme of waiting for a loved one, likely Odysseus, anchoring the poem in Penelope’s myth. |
It behooves you to be | Indicates a moral or social obligation, a directive for behavior. |
Generous. You have not been completely | The word “generous” suggests forgiveness or acceptance. The speaker acknowledges imperfection, hinting at self-awareness or guilt. |
Perfect either; with your troublesome body | Refers to human flaws and physical desires, underscoring vulnerability and imperfection. |
You have done things you shouldn’t | Implies guilt or transgression, perhaps alluding to personal failings or unspoken actions. |
Discuss in poems. | Breaks the fourth wall, drawing attention to the medium itself and what can or cannot be articulated in poetry. |
Therefore | Acts as a transition, signaling justification or explanation. |
Call out to him over the open water, over the bright | Evokes the image of distance and longing, with “bright water” symbolizing clarity and hope. |
Water | Water often symbolizes emotion, reflection, or separation, reinforcing themes of longing and connection. |
With your dark song, with your grasping, | The “dark song” implies an emotional, possibly mournful or passionate expression, while “grasping” suggests yearning or desperation. |
Unnatural song–passionate, | Describes the song as intense and raw, with “unnatural” possibly reflecting societal constraints or inner conflict. |
Like Maria Callas. Who | References Maria Callas, a famous opera singer known for her dramatic performances, emphasizing emotion and artistry. |
Wouldn’t want you? Whose most demonic appetite | Raises questions about desire and insatiable hunger, both literal and metaphorical. |
Could you possibly fail to answer? Soon | Suggests that Penelope, or the speaker, holds power to fulfill even the deepest desires, though she feels the pressure to meet expectations. |
He will return from wherever he goes in the | Refers to Odysseus’ long absences, evoking a mix of hope and resignation in waiting. |
Meantime, | Reflects the indefinite nature of waiting, capturing Penelope’s prolonged anticipation. |
Suntanned from his time away, wanting | Suggests Odysseus’ physical transformation and his return with ordinary desires, grounding him in reality. |
His grilled chicken. | Introduces a mundane detail, juxtaposing epic myth with domestic reality, highlighting the duality of Penelope’s world. |
Ah, you must greet him, | The imperative “must” underscores duty, signaling societal or personal expectations. |
You must shake the boughs of the tree | The act of shaking boughs symbolizes effort or an attempt to draw attention, possibly referencing Penelope’s agency. |
To get his attention, | Highlights Penelope’s desire or obligation to be noticed, reinforcing themes of longing and recognition. |
But carefully, carefully, lest | The repetition of “carefully” emphasizes caution, possibly reflecting the fragility of relationships or appearances. |
His beautiful face be marred | Suggests reverence for the husband’s physical appearance and the need to preserve his image, perhaps reflecting societal ideals. |
By too many falling needles. | The falling needles symbolize potential harm or unintended consequences, underscoring the precariousness of human interactions and emotions. |
Literary And Poetic Devices: “Penelope’s Song” by Louise Glück
Literary/Poetic Device | Example | Explanation |
Allusion | “Like Maria Callas” | Refers to the renowned opera singer, emphasizing the intensity and passion of the song, blending myth and modern cultural reference. |
Anaphora | “You must… You must…” | Repetition of “You must” creates rhythm and emphasizes obligation or duty. |
Assonance | “Call out to him over the open water, over the bright water” | The repetition of vowel sounds in “over” and “water” creates a melodic effect, enhancing the lyrical quality of the poem. |
Caesura | “Do now as I bid you, climb” | The pause after “you” slows the pace, mirroring the contemplative tone. |
Contrast | “Bright water” vs. “dark song” | Highlights opposing elements—hope and despair, clarity and complexity—creating depth in the emotional tone. |
Domestic Imagery | “Wanting his grilled chicken” | Juxtaposes the epic narrative with mundane, everyday details, grounding the myth in reality. |
Double Entendre | “Shake the boughs of the tree” | Could mean both literally shaking the tree and metaphorically stirring emotions or actions. |
Enjambment | “Call out to him over the open water, over the bright / Water” | The continuation of the sentence across lines creates fluidity, mirroring the motion of water and longing. |
Hyperbole | “Whose most demonic appetite could you possibly fail to answer?” | Exaggerates the power of the addressee to fulfill desires, emphasizing their perceived importance. |
Imagery | “Climb the shelf-like branches of the spruce tree” | Creates a vivid picture of the tree, evoking both a physical and metaphorical ascent. |
Irony | “With your troublesome body you have done things you shouldn’t discuss” | Suggests that the speaker acknowledges imperfections while ironically commanding the soul to act morally. |
Metaphor | “Little soul, little perpetually undressed one” | The soul is metaphorically described as vulnerable and exposed, representing raw emotion or truth. |
Mythological Allusion | “He will be home soon” | Alludes to Penelope and Odysseus from Greek mythology, situating the narrative in a mythic context. |
Paradox | “Unnatural song–passionate” | Combines the unnatural with passion, suggesting something both contradictory and deeply human. |
Personification | “Little soul, little perpetually undressed one” | The soul is personified as vulnerable and exposed, adding emotional depth to the speaker’s plea. |
Repetition | “Over the open water, over the bright water” | Repeats “over the… water” to emphasize distance and longing, creating a rhythmic flow. |
Symbolism | “The spruce tree” | The tree symbolizes stability, growth, and a vantage point for anticipation and observation. |
Tone | “Carefully, carefully, lest his beautiful face be marred” | The tone is cautious and reverent, reflecting both care and anxiety about the relationship’s fragility. |
Themes: “Penelope’s Song” by Louise Glück
1. Longing and Anticipation
A central theme in “Penelope’s Song” is the enduring sense of longing and anticipation for the return of a loved one. Penelope, the speaker, awaits Odysseus’s return, reflecting her emotional endurance and devotion. This is evident in lines such as “He will be home soon; it behooves you to be generous.” The phrase underscores her sustained hope despite the prolonged separation. The repetitive imagery of watching and waiting, such as “climb the shelf-like branches of the spruce tree; wait at the top, attentive,” reinforces the emotional strain and vigilance required in maintaining this hope.
2. Self-Reflection and Guilt
The theme of self-reflection and guilt permeates the poem, as the speaker grapples with her own imperfections. This is highlighted in “You have not been completely perfect either; with your troublesome body you have done things you shouldn’t discuss in poems.” Here, the speaker acknowledges her own flaws, suggesting that waiting and loyalty are not devoid of inner conflict. This introspection humanizes Penelope, making her struggles relatable beyond the mythological context.
3. The Intersection of the Mundane and Mythic
Glück juxtaposes domestic and epic elements, showing the intersection of the mundane and the mythic in Penelope’s life. For example, the line “Suntanned from his time away, wanting his grilled chicken” brings Odysseus down from the realm of legend to that of an ordinary man with simple desires. This blending of the ordinary with the extraordinary reflects the duality of Penelope’s role as both a mythological figure and a relatable human being navigating everyday life.
4. Duty and Restraint
Duty and restraint are recurring themes as Penelope contemplates her role as the loyal wife. Her actions are driven by societal expectations and internalized responsibilities, as seen in “You must greet him, you must shake the boughs of the tree to get his attention.” The repeated use of “must” underscores the weight of these obligations, highlighting the sacrifices and careful efforts she makes to preserve her relationship. The cautionary tone in “carefully, carefully, lest his beautiful face be marred” illustrates her deep consideration for his well-being, reflecting the constraints placed upon her emotional expression.
Literary Theories and “Penelope’s Song” by Louise Glück
Literary Theory | Application to “Penelope’s Song” | References from the Poem |
Feminist Literary Theory | Explores themes of gender roles, expectations, and the portrayal of women’s experiences. Penelope embodies the loyal wife archetype, navigating societal pressures while reflecting on her vulnerabilities and sacrifices. | “It behooves you to be generous. You have not been completely perfect either.” Highlights societal expectations of forgiveness and self-sacrifice for women. |
Psychoanalytic Theory | Examines the speaker’s internal conflict, guilt, and desires. Penelope’s dialogue with her “little soul” reveals a fragmented psyche and suppressed emotions, showing her struggle to reconcile duty with personal flaws. | “Little soul, little perpetually undressed one… with your troublesome body you have done things you shouldn’t discuss in poems.” Suggests guilt and repressed desires. |
Mythological/Archetypal Theory | Analyzes the poem through the lens of myth, focusing on Penelope as an archetypal figure of loyalty, patience, and emotional endurance. Glück reimagines her in a modern, introspective context. | “He will return from wherever he goes in the meantime, suntanned from his time away, wanting his grilled chicken.” Juxtaposes the heroic myth with mundane reality. |
Critical Questions about “Penelope’s Song” by Louise Glück
1. How does Louise Glück reimagine Penelope’s character in “Penelope’s Song”?
Louise Glück reimagines Penelope as a complex, introspective figure who transcends her traditional portrayal as the loyal wife waiting passively for Odysseus. In “Little soul, little perpetually undressed one,” Glück grants Penelope a reflective inner dialogue, addressing her vulnerability and emotional rawness. The speaker’s acknowledgment of imperfections, such as “You have not been completely perfect either,” humanizes Penelope, showing her struggles with guilt and self-awareness. This reimagining shifts the focus from Odysseus’s heroism to Penelope’s inner life, emphasizing her strength and individuality.
2. What role does guilt play in the poem?
Guilt is a pervasive theme in “Penelope’s Song,” as the speaker reflects on her perceived shortcomings. The line “With your troublesome body you have done things you shouldn’t discuss in poems” reveals a deep sense of self-reproach, suggesting that Penelope views her physical desires or actions as transgressive. This guilt is juxtaposed with her sense of duty, as seen in “You must greet him, you must shake the boughs of the tree.” The tension between these emotions underscores the complexity of her character, illustrating the psychological toll of societal expectations and personal responsibility.
3. How does “Penelope’s Song” blend the mundane with the mythic?
Glück masterfully blends the mundane with the mythic, grounding Penelope’s legendary story in everyday experiences. While the poem references mythological elements, such as Penelope’s role as a sentry waiting for Odysseus (“Wait at the top, attentive, like a sentry or look-out”), it also incorporates domestic imagery, like “wanting his grilled chicken.” This juxtaposition bridges the gap between the timelessness of the myth and the relatable, human aspects of Penelope’s life, emphasizing her duality as both a mythical figure and a modern, introspective woman.
4. What is the significance of the soul in the poem?
The soul in “Penelope’s Song” represents Penelope’s inner self, embodying her emotional vulnerability and resilience. Addressed as “little soul, little perpetually undressed one,” it is depicted as exposed and raw, reflecting Penelope’s unguarded emotions. The soul’s role as an observer, climbing the spruce tree and acting as a sentry (“Wait at the top, attentive, like a sentry or look-out”), symbolizes Penelope’s internal vigilance and longing for Odysseus. The interplay between the soul’s fragility and its duty highlights Penelope’s emotional complexity and her struggle to balance her inner desires with her outward responsibilities.
Literary Works Similar to “Penelope’s Song” by Louise Glück
- “Ulysses” by Alfred, Lord Tennyson
Similarity: Explores the aftermath of Odysseus’s journey, delving into themes of longing, identity, and the tension between domestic life and adventure. - “Circe’s Power” by Louise Glück
Similarity: Reimagines another figure from Greek mythology, focusing on Circe’s perspective, blending vulnerability with power, much like Penelope’s introspection. - “Ithaka” by C.P. Cavafy
Similarity: Centers on the journey and the emotional resonance of returning home, akin to Penelope’s anticipation and reflection in Glück’s poem. - “The Penelope Poem” by Dorothy Parker
Similarity: Provides a modern, witty take on Penelope’s voice, questioning traditional gender roles and expectations in a manner that parallels Glück’s reinterpretation. - “Odysseus to Telemachus” by Joseph Brodsky
Similarity: Examines the Odyssean myth from a personal perspective, mirroring Glück’s focus on the emotional and relational dynamics of the mythological narrative.
Representative Quotations of “Penelope’s Song” by Louise Glück
Quotation | Context | Theoretical Perspective |
“Little soul, little perpetually undressed one” | The speaker addresses her inner self, portraying vulnerability and emotional rawness. | Psychoanalytic Theory: Highlights the fragmentation of identity and self-reflection on vulnerability. |
“Do now as I bid you, climb the shelf-like branches of the spruce tree” | A command to act, symbolizing vigilance and readiness for Odysseus’s return. | Mythological/Archetypal Theory: Positions Penelope as a sentry, an archetype of loyalty and watchfulness. |
“He will be home soon; it behooves you to be generous.” | Expresses hope for Odysseus’s return, alongside a sense of moral obligation to forgive. | Feminist Theory: Reflects societal expectations for women to embody forgiveness and patience. |
“With your troublesome body you have done things you shouldn’t discuss in poems.” | Penelope acknowledges her imperfections and transgressions. | Psychoanalytic Theory: Explores guilt and repression related to the physical body and societal constraints. |
“Call out to him over the open water, over the bright water” | A plea for connection, symbolizing longing and emotional distance. | Structuralism: Emphasizes the symbolic significance of water as separation and hope. |
“With your dark song, with your grasping, unnatural song—passionate” | Describes Penelope’s inner cry for attention and love. | Reader-Response Theory: Invites readers to interpret the “dark song” as a metaphor for unmet emotional needs. |
“Wanting his grilled chicken” | Introduces a mundane detail about Odysseus’s desires upon his return. | Postmodern Theory: Juxtaposes epic myths with domestic realities to challenge traditional narratives. |
“Carefully, carefully, lest his beautiful face be marred” | Penelope worries about the consequences of her actions affecting Odysseus. | Feminist Theory: Highlights the burden of care and responsibility placed on women within relationships. |
“Whose most demonic appetite could you possibly fail to answer?” | Suggests the intense, almost insatiable expectations placed on Penelope by society or herself. | Marxist Theory: Critiques societal roles and expectations imposed on women in patriarchal systems. |
“Shake the boughs of the tree to get his attention” | A directive to take action, symbolizing the effort to be noticed and valued. | Deconstruction: Examines the tension between agency and submission within Penelope’s actions. |
Suggested Readings: “Penelope’s Song” by Louise Glück
- Schweizer, Harold. “PENELOPE WAITING.” Soundings: An Interdisciplinary Journal, vol. 85, no. 3/4, 2002, pp. 279–99. JSTOR, http://www.jstor.org/stable/41179013. Accessed 9 Dec. 2024.
- Nash, Susan Smith. World Literature Today, vol. 71, no. 1, 1997, pp. 156–57. JSTOR, https://doi.org/10.2307/40152667. Accessed 9 Dec. 2024.
- Elisabeth Frost. “Disharmonies of Desire.” The Women’s Review of Books, vol. 14, no. 2, 1996, pp. 24–25. JSTOR, https://doi.org/10.2307/4022569. Accessed 9 Dec. 2024.
- Manwell, Elizabeth A. “Penelope’s Web: The Early Poetry of Joanne Kyger.” International Journal of the Classical Tradition, vol. 23, no. 1, 2016, pp. 55–76. JSTOR, http://www.jstor.org/stable/45239855. Accessed 9 Dec. 2024.
- Diehl, Joanne Feit, ed. On Louise Glück: Change What You See. University of Michigan Press, 2005.