Tag: literary devices

Generalization: Etymology, Literal and Conceptual Meanings

Etymology/Term:

The term “generalization” traces its origins to the Latin word “generalis,” meaning “pertaining to all.” It entered the English language in the early 18th century, encompassing the notion of forming general conclusions or statements based on particular instances or experiences.

Literal Meaning:

• Broad Inference: In its literal sense, generalization refers to the act of making broad inferences or statements that apply to a larger group or category based on specific observations or examples.
• Abstraction: It involves the abstraction of common characteristics from individual instances, leading to the formulation of general principles or rules.

Conceptual Meaning:

• Cognitive Process: Conceptually, generalization is a cognitive process wherein individuals extend their understanding from specific cases to broader concepts, allowing for efficient categorization and decision-making.
• Learning and Adaptation: It plays a crucial role in learning and adaptation, as individuals generalize from past experiences to navigate new situations, contributing to the development of mental schemas and frameworks.

Understanding the etymology, literal meanings, and conceptual nuances of generalization is essential for appreciating its role in language, cognition, and the formation of abstract knowledge.

Generalization: Definition as a Rhetorical Device

Generalization, as a rhetorical device, involves the broadening of specific instances or examples to form a sweeping statement applicable to a larger context. It serves as a persuasive tool by simplifying complex information, facilitating audience comprehension, and enabling the conveyance of overarching ideas. While it can enhance clarity and efficiency in communication, the inherent risk lies in oversimplifying nuanced topics, potentially leading to inaccuracies or the reinforcement of stereotypes.

Generalization: Types and Examples

Type of Generalization	Definition	Example
Inductive Generalization	Drawing a general conclusion based on specific observations.	All observed swans are white; therefore, all swans are white.
Deductive Generalization	Applying a general principle to a specific case.	All humans are mortal; therefore, Socrates, being human, is mortal.
Stereotypical Generalization	Assigning traits or characteristics to an entire group based on stereotypes.	Assuming all individuals from a certain region are skilled in a particular trade.
Hasty Generalization	Forming a generalization based on insufficient or biased evidence.	Meeting a few friendly people in a city and concluding that everyone there is friendly.
Analogical Generalizations	Inferring a general conclusion based on similarities between cases.	Since a previous economic policy worked well in Country A, it will be effective in Country B.
Statistical Generalizations	Making a general statement based on statistical data.	90% of surveyed participants preferred Product X, indicating a widespread preference.

Understanding these types of generalizations and their respective examples is crucial for critical thinking and effective communication, as it allows individuals to assess the validity and potential biases inherent in generalized statements.

Generalization: Examples in Everyday Life

1. Weather Generalizations:

• Example: “It always rains on weekends.”

2. Cultural Generalizations:

• Example: “People from this country are always polite.”

3. Dietary Generalizations:

• Example: “Vegetarians never get enough protein.”

4. Academic Generalizations:

• Example: “All students in that program are exceptionally bright.”

5. Professional Generalizations:

• Example: “All lawyers are argumentative.”

6. Technology Generalizations:

• Example: “Older generations don’t understand modern technology.”

7. Age-related Generalizations:

• Example: “Teenagers are always rebellious.”

8. Gender Generalizations:

• Example: “Men are not good at multitasking.”

9. Travel Generalizations:

• Example: “People from that city are terrible drivers.”

10. Social Media Generalizations:

• Example: “Everyone on social media is seeking validation.”

These examples illustrate how generalizations often emerge in everyday conversations, reflecting common patterns of thought that may oversimplify complex and diverse aspects of life.

Generalization in Literature: Suggested Readings

1. Aristotle. On Rhetoric: A Theory of Civic Discourse. Translated by George A. Kennedy, Oxford UP, 2007.
2. Booth, Wayne C., Gregory G. Colomb, and Joseph M. Williams. The Craft of Research. 4th ed., University of Chicago Press, 2016.
3. Graff, Gerald, and Cathy Birkenstein. They Say/I Say: The Moves That Matter in Academic Writing. 3rd ed., W. W. Norton & Company, 2014.
4. Heinrichs, Jay. Thank You for Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion. 3rd ed., Three Rivers Press, 2017.
5. Lanham, Richard A. A Handlist of Rhetorical Terms. 2nd ed., University of California Press, 1991.
6. Lunsford, Andrea A., John J. Ruszkiewicz, and Keith Walters. Everything’s an Argument with Readings. 8th ed., Bedford/St. Martin’s, 2019.
7. Perelman, Chaim, and Lucie Olbrechts-Tyteca. The New Rhetoric: A Treatise on Argumentation. Translated by John Wilkinson and Purcell Weaver, University of Notre Dame Press, 1969.
8. Strunk, William, and E. B. White. The Elements of Style. 4th ed., Pearson, 1999.

False Dichotomy in Literature: Introduction

The phenomenon of false dichotomy in literature represents a nuanced and often misleading binary opposition constructed in literary discourse. This rhetorical device manifests when complex themes or characterizations are oversimplified into two opposing categories, obscuring the multifaceted nature of the subject matter. Such reductionist frameworks not only impede a comprehensive understanding of literary works but also limit the exploration of intricate narrative dimensions. This academic inquiry seeks to unveil instances of false dichotomy in literature, scrutinizing their implications on interpretation and analysis, while advocating for a more nuanced approach that embraces the inherent complexity and ambiguity embedded in literary texts.

False Dichotomy in Literature: Shakespearean Examples

Play	False Dichotomy Example	Explanation
Romeo and Juliet	Love vs. Hate	The portrayal of the feud between the Montagues and Capulets as an absolute divide oversimplifies the complexities of human relationships, blurring the nuances of individual characters.
Hamlet	Madness vs. Sanity	The dichotomy between Hamlet’s perceived madness and sanity oversimplifies the protagonist’s internal struggles and fails to capture the intricacies of his complex emotional and psychological state.
Macbeth	Fate vs. Free Will	The play presents a false dichotomy by suggesting that Macbeth’s tragic downfall is solely predetermined by fate, neglecting the role of personal choices and actions in shaping his destiny.
Othello	Trust vs. Betrayal	The dichotomy between trust and betrayal oversimplifies the complexities of the relationships in the play, particularly the manipulation of Othello by Iago, and undermines the impact of jealousy and societal prejudices.
The Tempest	Civilization vs. Barbarism	The portrayal of Caliban as a barbaric figure and Prospero as a representative of civilization creates a false dichotomy, neglecting the nuances of power dynamics, colonialism, and the characters’ multifaceted nature.
King Lear	Nature vs. Nurture	The play explores the false dichotomy of nature versus nurture through the characters of Lear’s daughters, Goneril and Regan, oversimplifying the complexities of familial relationships and the motivations behind their actions.

These examples from Shakespearean literature serve to illustrate instances where false dichotomies are constructed, highlighting the importance of avoiding simplistic binary oppositions to foster a more nuanced understanding of the characters and themes within these timeless works.

False Dichotomy in Literature: Examples

1. To Kill a Mockingbird by Harper Lee

• False Dichotomy: Good vs. Evil
• Explanation: The novel oversimplifies moral complexities by portraying characters as either entirely good (Atticus Finch) or entirely evil (Bob Ewell), neglecting the shades of gray and the potential for redemption in individuals.

2. 1984 by George Orwell

• False Dichotomy: Freedom vs. Totalitarianism
• Explanation: The dichotomy between freedom and a dystopian, totalitarian regime oversimplifies the political and social commentary, obscuring the nuanced exploration of individual autonomy within a complex and oppressive society.

3. The Great Gatsby by F. Scott Fitzgerald

• False Dichotomy: Wealth vs. Poverty
• Explanation: The novel presents a dichotomy between the opulence of the upper class and the struggles of the lower class, oversimplifying the intricate relationships and motivations of the characters, particularly in the context of the American Dream.

4. The Lottery by Shirley Jackson (Short Story)

• False Dichotomy: Tradition vs. Progress
• Explanation: The story explores the blind adherence to tradition through the town’s ritualistic lottery, creating a false dichotomy that undermines the potential for critical examination of societal norms and the consequences of unquestioning conformity.

5. The Catcher in the Rye by J.D. Salinger

• False Dichotomy: Conformity vs. Nonconformity
• Explanation: The novel presents a dichotomy between societal conformity and the protagonist Holden Caulfield’s nonconformist views, oversimplifying the exploration of individual identity and the challenges of navigating adolescence.

These examples underscore the prevalence of false dichotomies in literature, demonstrating how such oversimplified frameworks can hinder a nuanced understanding of the complexities inherent in the characters and themes of these literary works.

False Dichotomy in Literature: Relevance in Literary Theories

Literary Theory	Relevance of False Dichotomy
Structuralism	Structuralism emphasizes binary oppositions, and false dichotomies can be seen as oversimplified structural elements that limit a comprehensive analysis of the intricate relationships within a text.
Poststructuralism	Poststructuralist theories challenge fixed binary categories, exposing the limitations of false dichotomies in constraining the fluidity and ambiguity inherent in language and meaning.
Feminist Criticism	False dichotomies, such as male vs. female, may perpetuate gender stereotypes. Feminist criticism seeks to deconstruct these oversimplifications, promoting a more nuanced understanding of gender dynamics in literature.
Marxist Criticism	Marxist criticism critiques class-based dichotomies, like bourgeoisie vs. proletariat. False dichotomies may oversimplify social structures, hindering a comprehensive analysis of the complex power dynamics in literature.
Psychoanalytic Theory	False dichotomies in characters’ psyches (e.g., id vs. superego) oversimplify the intricacies of human psychology. Psychoanalytic theory aims to delve into the subconscious layers beyond simplistic oppositions.
Reader-Response Theory	False dichotomies can limit the diversity of reader responses. This theory suggests that meaning is co-created by readers, emphasizing the need to recognize a spectrum of interpretations beyond binary oppositions.
Deconstructionism	Deconstruction challenges fixed meanings and exposes the instability of false dichotomies. It encourages dismantling oppositions to reveal the complexities and contradictions within a literary text.
Cultural Studies	Cultural studies critique false dichotomies that perpetuate cultural stereotypes. Examining literature within its cultural context helps uncover the nuances that false dichotomies may obscure.

These brief explanations highlight how false dichotomy intersects with and is critiqued within various literary theories, showcasing its relevance in shaping the discourse surrounding literary analysis.

False Dichotomy in Literature: Relevant Terms

Argumentative Term	Definition
Oversimplification	Reducing complex concepts or characters to simplistic and binary oppositions.
Reductionism	The practice of simplifying a complex issue or phenomenon to a limited set of factors, neglecting nuances.
Binary Opposition	A pair of contrasting concepts or ideas presented as mutually exclusive, contributing to false dichotomies.
Nuanced Perspective	Emphasizing the need for a more subtle and refined understanding that considers the intricacies beyond simplistic oppositions.
Dialectical Approach	Advocating for a method that explores contradictions and tensions within a text, challenging rigid dichotomies.
Critical Examination	Encouraging a thorough and analytical assessment of the text to unveil hidden complexities and challenge false dichotomies.
Contextual Consideration	Acknowledging the importance of examining literature within its cultural, historical, and social context to avoid oversimplified divisions.
Multidimensional Analysis	Embracing a layered approach that considers multiple facets and perspectives rather than adhering to a binary framework.
Narrative Ambiguity	Recognizing and appreciating the presence of ambiguity in narratives, which challenges the imposition of rigid dichotomies.
Cognitive Dissonance	Highlighting the discomfort or tension caused by the oversimplification of complex themes, urging a more nuanced and inclusive interpretation.

These terms provide a foundation for constructing arguments against false dichotomy in literary analysis, emphasizing the importance of nuanced, contextual, and multidimensional perspectives.

False Dichotomy in Literature: Suggested Readings

1. Aristotle. On Rhetoric: A Theory of Civic Discourse. Translated by George A. Kennedy, Oxford UP, 2007.
2. Booth, Wayne C., Gregory G. Colomb, and Joseph M. Williams. The Craft of Research. 4th ed., University of Chicago Press, 2016.
3. Graff, Gerald, and Cathy Birkenstein. They Say/I Say: The Moves That Matter in Academic Writing. 3rd ed., W. W. Norton & Company, 2014.
4. Heinrichs, Jay. Thank You for Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion. 3rd ed., Three Rivers Press, 2017.
5. Lanham, Richard A. A Handlist of Rhetorical Terms. 2nd ed., University of California Press, 1991.
6. Lunsford, Andrea A., John J. Ruszkiewicz, and Keith Walters. Everything’s an Argument with Readings. 8th ed., Bedford/St. Martin’s, 2019.
7. Perelman, Chaim, and Lucie Olbrechts-Tyteca. The New Rhetoric: A Treatise on Argumentation. Translated by John Wilkinson and Purcell Weaver, University of Notre Dame Press, 1969.
8. Strunk, William, and E. B. White. The Elements of Style. 4th ed., Pearson, 1999.

False Dichotomy: Etymology, Literal and Conceptual Meanings

False Dichotomy: Etymology

The term “false dichotomy” finds its roots in the combination of two distinct concepts. “False” is derived from the Latin word “falsus,” meaning deceptive or untrue, while “dichotomy” originates from the Greek word “dichotomia,” signifying a division into two parts. The juxtaposition of these linguistic elements reflects the essence of the fallacy itself – presenting a situation as if it only has two mutually exclusive options when, in reality, there may be a spectrum of possibilities or nuanced alternatives.

Literal Meaning:

• Refers to a deceptive division into only two options.
• Involves presenting a situation as an either/or scenario.
• Often oversimplifies complex issues by neglecting middle-ground possibilities.

Conceptual Meaning:

• Describes a logical fallacy in which alternatives are inaccurately portrayed as exhaustive.
• Highlights the limitations of binary thinking and encourages a more nuanced approach.
• Emphasizes the importance of recognizing and considering a range of options in decision-making and problem-solving.

False Dichotomy: Definition as a Rhetorical Device

A false dichotomy, employed as a rhetorical device, involves the presentation of a complex issue or argument as if there are only two mutually exclusive options, thereby oversimplifying the discourse. This fallacious tactic aims to steer the audience towards a predetermined conclusion by suppressing nuanced perspectives or middle-ground alternatives. As a manipulative rhetorical strategy, it disregards the intricacies inherent in many subjects, fostering a binary perception that may not accurately reflect the multifaceted nature of the underlying matter.

False Dichotomy: Types and Examples

Type of False Dichotomy	Description	Example
Exclusion of Middle Ground	Presenting only two extreme options, neglecting any middle-ground possibilities.	Either you support complete deregulation of the industry, or you advocate for stifling government control with no room for a balanced regulatory approach.
False Continuum	Falsely framing a spectrum of possibilities as if it consists of only two distinct endpoints.	The debate on environmental policies is often framed as a choice between complete environmental preservation and rampant industrial development, ignoring the potential for sustainable practices that balance both concerns.
Oversimplification	Reducing a complex issue to a simplistic dichotomy, overlooking the various factors at play.	The discussion on economic policy is falsely dichotomized into capitalism versus socialism, disregarding the possibility of hybrid models that incorporate elements from both systems.
False Cause and Effect	Incorrectly asserting a cause-and-effect relationship between two options.	Claiming that increased spending on education is the only solution to improving academic performance, without considering other factors such as teaching methods or curriculum design.
False Analogy	Drawing parallels between unrelated situations and presenting them as the only options.	Arguing that choosing between two political candidates is akin to selecting between life and death, creating an exaggerated sense of urgency and importance.

False Dichotomy: Examples in Everyday Life

1. Political Affiliation:
   • Portraying politics as an exclusive choice between two parties, overlooking independent or third-party options.
2. Dietary Choices:
   • Presenting nutrition as a binary choice between strict veganism and unrestricted carnivorous diets, ignoring various balanced approaches.
3. Career Paths:
   • Falsely dichotomizing success as either achieving a high-paying job or settling for a lower-income profession, neglecting personal fulfillment and alternative definitions of success.
4. Parenting Styles:
   • Oversimplifying parenting methods by framing them as either overly permissive or excessively strict, disregarding the effectiveness of a balanced and nurturing approach.
5. Technology Use:
   • False dichotomy between complete digital immersion and complete rejection of technology, overlooking the possibility of a mindful and selective approach.
6. Education Models:
   • Framing the education debate as a choice between traditional classroom learning and exclusive reliance on online education, without considering hybrid or personalized learning options.
7. Environmental Stewardship:
   • Falsely dichotomizing environmentalism as an all-or-nothing commitment, overlooking practical, everyday sustainability choices that individuals can make.
8. Relationship Dynamics:
   • Presenting relationships as either wholly monogamous or entirely polyamorous, neglecting the spectrum of relationship structures and preferences.
9. Health and Fitness:
   • Oversimplifying wellness by dichotomizing exercise as either extreme, intense workouts or complete sedentary behavior, ignoring the benefits of moderate and varied physical activity.
10. Time Management:
    • False dichotomy between overcommitting and being unproductive, overlooking the importance of setting priorities and achieving a balanced schedule.

False Dichotomy in Literature: Suggested Readings

1. Aristotle. On Rhetoric: A Theory of Civic Discourse. Translated by George A. Kennedy, Oxford UP, 2007.
2. Booth, Wayne C., Gregory G. Colomb, and Joseph M. Williams. The Craft of Research. 4th ed., University of Chicago Press, 2016.
3. Graff, Gerald, and Cathy Birkenstein. They Say/I Say: The Moves That Matter in Academic Writing. 3rd ed., W. W. Norton & Company, 2014.
4. Heinrichs, Jay. Thank You for Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion. 3rd ed., Three Rivers Press, 2017.
5. Lanham, Richard A. A Handlist of Rhetorical Terms. 2nd ed., University of California Press, 1991.
6. Lunsford, Andrea A., John J. Ruszkiewicz, and Keith Walters. Everything’s an Argument with Readings. 8th ed., Bedford/St. Martin’s, 2019.
7. Perelman, Chaim, and Lucie Olbrechts-Tyteca. The New Rhetoric: A Treatise on Argumentation. Translated by John Wilkinson and Purcell Weaver, University of Notre Dame Press, 1969.
8. Strunk, William, and E. B. White. The Elements of Style. 4th ed., Pearson, 1999.

Circular Reasoning in Literature: Introduction

Circular reasoning in literature, a sophisticated rhetorical device, seamlessly intertwines with literary works, serving as a narrative tool to create intricate layers of meaning. Within literary realms, authors deftly employ circular reasoning to craft narratives that challenge readers’ interpretative skills. This nuanced technique often involves a self-referential loop, where the conclusion is subtly embedded within the narrative premises, inviting readers to navigate complex thematic landscapes. By strategically utilizing circular reasoning, writers introduce a level of ambiguity and complexity, prompting readers to unravel the intricacies of character motivations and plot developments. In literature, circular reasoning becomes a captivating element that adds depth to storytelling, compelling readers to explore the elusive nature of truth within the imaginative worlds crafted by authors.

Circular Reasoning in Literature: Shakespearean Examples

Example	Explanation
1. Hamlet’s Delay in Avenging His Father	Circular Reasoning: Hamlet delays avenging his father’s murder because he is unsure about the ghost’s honesty. Explanation: Hamlet questions the ghost’s credibility, using his uncertainty about the ghost’s honesty as a reason for his inaction, creating a circular justification for his delay.
2. Macbeth’s Ambition and Prophecies	Circular Reasoning: Macbeth believes he is invincible because the witches told him so. Explanation: Macbeth’s belief in the witches’ prophecies becomes a circular justification for his actions, as he interprets subsequent events to fit the prophecy, reinforcing his conviction of invincibility.
3. Othello’s Jealousy and Desdemona’s Infidelity	Circular Reasoning: Othello becomes jealous of Desdemona because Iago suggests she is unfaithful, and Othello’s jealousy is then used as evidence of her guilt. Explanation: Iago’s insinuations plant the seed of suspicion, and Othello’s increasing jealousy becomes the very evidence that supports Iago’s initial claims, creating a self-reinforcing cycle of distrust and tragedy.

These examples from Shakespearean works illustrate instances where characters’ reasoning forms a circular structure, contributing to the complexity and depth of the narratives.

Circular Reasoning in Literature: Examples

1. The Catcher in the Rye by J.D. Salinger
   • Circular Reasoning: Holden Caulfield dislikes “phony” people because they are not genuine.
   • Explanation: Holden’s definition of “phony” is vague, and his dislike for people is based on their perceived phoniness, creating a circular justification for his disdain.
2. 1984 by George Orwell
   • Circular Reasoning: The government in “1984” asserts its authority is unquestionable because it cannot be challenged.
   • Explanation: The circularity lies in the government’s claim that its authority is absolute, using the inability to challenge it as proof of its inviolability.
3. One Hundred Years of Solitude by Gabriel Garcia Marquez
   • Circular Reasoning: The Buendía family in the novel is cursed because of the actions of its members.
   • Explanation: The circularity arises as the family’s purported curse is based on the actions of its members, while those actions are influenced by the supposed curse.
4. “The Lottery” by Shirley Jackson
   • Circular Reasoning: The town continues the ritualistic lottery because it has always been done that way.
   • Explanation: The circularity is evident in the tradition’s perpetuation based on its longstanding practice, without questioning its purpose or morality.
5. “The Tell-Tale Heart” by Edgar Allan Poe
   • Circular Reasoning: The narrator insists on their sanity because they can tell the story coherently.
   • Explanation: The narrator’s argument for sanity relies on their coherent storytelling, which in turn is used as evidence of their mental stability.
6. “The Stranger” by Albert Camus
   • Circular Reasoning: Meursault is deemed morally deficient because he is indifferent to societal norms.
   • Explanation: The circularity lies in society’s judgment of Meursault’s morality, which is based on his indifference to societal norms, creating a self-referential loop.
7. “The Metamorphosis” by Franz Kafka
   • Circular Reasoning: Gregor Samsa is treated as an insect because he looks like one.
   • Explanation: The circularity is evident in the family’s reaction to Gregor’s physical transformation, as their treatment of him as an insect is based solely on his appearance.

These examples illustrate how circular reasoning is employed in literature to enhance characterization, thematic complexity, and narrative depth.

Circular Reasoning in Literature: Relevance in Literary Theories

Literary Theory	Relevance of Circular Reasoning	Examples in Literature
Psychoanalytic Theory	In psychoanalysis, circular reasoning can depict the complexities of characters’ subconscious motivations and conflicts.	In “The Catcher in the Rye,” Holden’s aversion to “phony” people reflects deeper psychological struggles and conflicts.
Marxist Literary Theory	Circular reasoning can illuminate how societal structures and power dynamics perpetuate themselves.	In “1984,” the government’s assertion of unquestionable authority reflects the self-perpetuating nature of oppressive regimes.
Magical Realism	Within magical realism, circular reasoning can enhance the seamless integration of fantastical elements into everyday life.	In “One Hundred Years of Solitude,” the circularity of the Buendía family’s curse aligns with the magical realist narrative, blurring the lines between reality and magic.
Structuralism	Circular reasoning can be relevant in structuralism by showcasing how narrative structures and symbols refer back to themselves.	In “The Lottery,” the town’s continuation of the lottery based on tradition exemplifies the circularity inherent in cultural rituals and structures.
Narrative Theory	Within narrative theory, circular reasoning can be employed to explore the subjective nature of storytelling and perspective.	In “The Tell-Tale Heart,” the narrator’s insistence on sanity based on coherent storytelling engages with the theme of unreliable narration.
Existentialist Literary Theory	Circular reasoning aligns with existentialism by exploring individualism, alienation, and the arbitrary nature of societal judgments.	In “The Stranger,” Meursault’s moral deficiency attributed to his indifference reflects existentialist themes of individualism and societal absurdity.
Kafkaesque Literature	In Kafkaesque literature, circular reasoning contributes to the surreal and absurd nature of the narrative, emphasizing themes of alienation.	In “The Metamorphosis,” Gregor’s treatment as an insect based on appearance aligns with Kafkaesque themes of the bizarre and the absurd.

These examples illustrate how circular reasoning is pertinent across various literary theories, enhancing the exploration of complex themes within different theoretical frameworks.

Circular Reasoning in Literature: Relevant Terms

Rhetorical Fallacy/Term	Description	Relevance to Circular Reasoning in Literature
Begging the Question	Assuming the truth of a statement without providing evidence, often creating a circular argument.	Commonly found in characters or plotlines where assumptions are accepted without justification.
Circular Definition	Defining a term using the term itself or a synonym, resulting in circular reasoning.	Appears when characters or themes in literature are described in ways that lack substantive meaning.
Tautology	Expressing the same idea using different words, contributing to a circular argument.	Often found in dialogues or narratives where characters redundantly reinforce the same concept.
False Dilemma	Presenting a situation as having only two possible outcomes when more exist, oversimplifying complexity.	Reflects in literature when characters face limited choices, ignoring nuanced possibilities.
Post Hoc Fallacy	Assuming that because one event precedes another, it is the cause of the second event.	Relevant when characters attribute outcomes to preceding events without establishing causation.
Ad Hominem	Attacking the character or motives of a person rather than the substance of their argument.	Appears in literature when characters engage in personal attacks rather than addressing the argument.
Red Herring	Introducing irrelevant information to divert attention from the main issue.	Evident when authors introduce distractions or side plots, steering readers away from essential themes.
Appeal to Authority	Relying on the opinion of an authority figure rather than presenting valid evidence.	Characters might employ this fallacy by accepting statements solely based on the speaker’s authority.
Hasty Generalization	Drawing a conclusion based on insufficient evidence, often contributing to circular reasoning.	Characters may jump to conclusions without adequate information, perpetuating circular logic.
Slippery Slope	Asserting that a particular event will set off a chain reaction leading to an undesirable outcome.	Appears in literature when characters predict extreme consequences without demonstrating causal links.

These fallacies and terms are relevant in identifying and understanding instances of circular reasoning in literary works.

Circular Reasoning in Literature: Suggested Readings

1. Aristotle. On Rhetoric: A Theory of Civic Discourse. Translated by George A. Kennedy, Oxford UP, 2007.
2. Booth, Wayne C., Gregory G. Colomb, and Joseph M. Williams. The Craft of Research. 4th ed., University of Chicago Press, 2016.
3. Graff, Gerald, and Cathy Birkenstein. They Say/I Say: The Moves That Matter in Academic Writing. 3rd ed., W. W. Norton & Company, 2014.
4. Heinrichs, Jay. Thank You for Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion. 3rd ed., Three Rivers Press, 2017.
5. Lanham, Richard A. A Handlist of Rhetorical Terms. 2nd ed., University of California Press, 1991.
6. Lunsford, Andrea A., John J. Ruszkiewicz, and Keith Walters. Everything’s an Argument with Readings. 8th ed., Bedford/St. Martin’s, 2019.
7. Perelman, Chaim, and Lucie Olbrechts-Tyteca. The New Rhetoric: A Treatise on Argumentation. Translated by John Wilkinson and Purcell Weaver, University of Notre Dame Press, 1969.
8. Strunk, William, and E. B. White. The Elements of Style. 4th ed., Pearson, 1999.

Circular Reasoning: Etymology, Literal and Conceptual Meanings

Etymology

The term “Circular Reasoning” derives from the Latin word “circulus,” meaning circle or circuit, and “ratio,” meaning reason. This etymology reflects the inherent nature of the concept, which involves a logical fallacy where the conclusion of an argument is inherently presupposed by its premises, creating a circular and self-referential structure.

Literal Meaning

In a literal sense, “Circular Reasoning” refers to the logical fallacy wherein the argument’s conclusion is restated in one of its premises, resulting in a circular and tautological structure. This form of reasoning fails to provide meaningful evidence or support for the conclusion and instead relies on a self-referential loop that lacks substantive logical progression.

Conceptual Meaning

Conceptually, “Circular Reasoning” extends beyond the specific instances of logical fallacies and encompasses a broader critique of reasoning processes that lack foundational coherence. It highlights the inherent flaw in arguments where the premises merely restate or assume the truth of the conclusion without offering external evidence, thereby hindering the pursuit of valid and sound logical deductions.

In short, the term “Circular Reasoning” encompasses the following:

• Etymology: The term originates from Latin, combining “circulus” (circle) and “ratio” (reason).
• Literal Meaning: Refers to the logical fallacy where the argument’s conclusion is restated in its premises, creating a circular and tautological structure.
• Conceptual Meaning: Critiques reasoning processes lacking foundational coherence, emphasizing the need for valid and sound logical deductions.

Circular Reasoning: Definition as a Rhetorical Device

“Circular Reasoning” operates as a rhetorical device characterized by the logical fallacy of presenting an argument whose conclusion is assumed in one of its premises. This circular and self-referential structure creates an illusion of validity without offering substantive evidence or logical progression. As a rhetorical strategy, it undermines the integrity of logical discourse by perpetuating a closed loop of reasoning that fails to contribute meaningful support to the argument’s conclusion.

Circular Reasoning: Types and Examples

Type of Circular Reasoning	Description	Example
Circular Definition	Defining a term using the term itself or a synonym.	Example: “The paranormal is that which cannot be explained by science.”
Circular Reference	Supporting a claim by referring to the claim itself.	Example: “This drug is effective because it cures illnesses.”
Circular Cause and Consequence	Assuming the consequence as the cause or vice versa.	Example: “He is rich because he has a lot of money.”
Circular Proof	Using the conclusion as part of the evidence.	Example: “God exists because the Bible says so, and the Bible is the word of God.”
Circular Analogy	Employing an analogy that is synonymous with the argument.	Example: “This plan will succeed because it’s like a well-thought-out success.”

These examples illustrate instances where the reasoning relies on a circular structure, creating an illusion of validity without offering external support or logical progression.

Circular Reasoning: Examples in Everyday Life

1. Circular Definition:

• Example: “Honesty is the quality of being truthful and not deceitful.” In this case, the definition uses synonyms that do not provide distinct meaning, creating a circular reference.

2. Circular Reference:

• Example: “I trust her because she never lies, and I know she never lies because she is a trustworthy person.” The trustworthiness is assumed without external validation, creating a circular reference.

3. Circular Cause and Consequence:

• Example: “He must be guilty because only a guilty person would act so suspiciously. His suspicious behavior proves his guilt.” Here, the assumption of guilt is based on the very behavior that is said to prove it.

4. Circular Proof:

• Example: “The theory is correct because it’s written in this official document, and the document is official because it contains the correct theory.” The argument relies on the document’s authority, which is itself contingent on the theory being correct.

5. Circular Analogy:

• Example: “This approach is effective because it mimics the successful strategy, and the successful strategy is effective because it follows this approach.” The circular analogy assumes effectiveness without external validation.

6. Circular Justification:

• Example: “He deserves the promotion because he has been in the company the longest, and being in the company the longest makes him the most deserving of a promotion.” The justification for promotion is circular, relying solely on seniority.

7. Circular Quoting:

• Example: “The article is reliable because it quotes an expert, and the expert’s opinion is trustworthy because it’s cited in this reliable article.” The circularity arises from relying on the article’s reliability to vouch for the expert’s credibility.

8. Circular Assumption:

• Example: “God exists because the Bible says so, and we can trust the Bible because it is the word of God.” The assumption of God’s existence relies on the premise that the Bible is divinely inspired.

9. Circular Comparison:

• Example: “This car is superior because it outperforms others, and it outperforms others because it is a superior vehicle.” The circularity arises from using the conclusion to support the initial premise.

10. Circular Validation:

• Example: “The survey results are accurate because they agree with what people believe, and what people believe is validated by the survey results.” The circular validation assumes accuracy without independent verification.

Circular Reasoning in Literature: Suggested Readings

1. Aristotle. On Rhetoric: A Theory of Civic Discourse. Translated by George A. Kennedy, Oxford UP, 2007.
2. Booth, Wayne C., Gregory G. Colomb, and Joseph M. Williams. The Craft of Research. 4th ed., University of Chicago Press, 2016.
3. Graff, Gerald, and Cathy Birkenstein. They Say/I Say: The Moves That Matter in Academic Writing. 3rd ed., W. W. Norton & Company, 2014.
4. Heinrichs, Jay. Thank You for Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion. 3rd ed., Three Rivers Press, 2017.
5. Lanham, Richard A. A Handlist of Rhetorical Terms. 2nd ed., University of California Press, 1991.
6. Lunsford, Andrea A., John J. Ruszkiewicz, and Keith Walters. Everything’s an Argument with Readings. 8th ed., Bedford/St. Martin’s, 2019.
7. Perelman, Chaim, and Lucie Olbrechts-Tyteca. The New Rhetoric: A Treatise on Argumentation. Translated by John Wilkinson and Purcell Weaver, University of Notre Dame Press, 1969.
8. Strunk, William, and E. B. White. The Elements of Style. 4th ed., Pearson, 1999.

Ciphers in Literature: Introduction

Ciphers in literature serve as powerful devices, embodying symbols and metaphors that transcend their surface meanings. These enigmatic elements contribute depth and complexity to narratives by inviting readers to unravel hidden meanings and make connections. Often, characters may function as ciphers, representing broader themes, ideologies, or archetypes within the story. Symbolic and allegorical in nature, ciphers facilitate nuanced storytelling, allowing authors to convey intricate concepts without explicit exposition. As literary tools, ciphers engage readers in a dynamic process of interpretation, enriching the narrative experience through layers of symbolism and ambiguity.

Ciphers in Literature: Shakespearean Examples

Play	Cipher Example	Context
Hamlet	“To be or not to be, that is the question.”	This famous soliloquy is a contemplation on life and death, serving as a cipher for existentialism.
Macbeth	“Out, out, brief candle!”	This line reflects on the transience of life and the inevitability of death.
Othello	“I am not what I am.”	Spoken by Iago, this line reflects the theme of deception and manipulation in the play.
Romeo and Juliet	“But, soft! what light through yonder window breaks?”	This line is a romantic cipher expressing the beauty of Juliet as seen by Romeo.
Julius Caesar	“Beware the Ides of March.”	This warning, delivered by a soothsayer, foreshadows the events that unfold in the play.
A Midsummer Night’s Dream	“The course of true love never did run smooth.”	This line encapsulates the theme of love’s challenges and complications in the play.
The Tempest	“We are such stuff as dreams are made on.”	This line reflects on the ephemeral nature of reality and the power of imagination.

These examples showcase how Shakespeare employed language to convey deeper meanings and themes through the use of ciphers and metaphors.

Ciphers in Literature: Examples

Literary Work	Cipher Example	Context
Sir Gawain and the Green Knight	The green girdle	The green girdle is a symbolic cipher representing Gawain’s struggle with his own weaknesses and moral choices.
Sherlock Holmes Series	“The Dancing Men” code	In the short story “The Dancing Men,” Holmes deciphers a series of stick figures to solve a mystery involving secret messages.
Alice’s Adventures in Wonderland	The Cheshire Cat’s riddles	The Cheshire Cat speaks in enigmatic riddles, adding a layer of mystery and whimsy to Lewis Carroll’s tale.
Dr. Jekyll and Mr. Hyde	Dr. Jekyll’s letter to Mr. Utterson	Dr. Jekyll’s letter reveals the dual identity and the struggle between good and evil in Robert Louis Stevenson’s novel.
Macbeth	The witches’ prophecies	The prophecies given by the three witches serve as a cipher, driving Macbeth’s actions and shaping the play’s plot.
Rebecca	Mrs. Danvers’ manipulation	Mrs. Danvers, in Daphne du Maurier’s novel, is a cipher for the lingering influence of the deceased Rebecca on Manderley.
The Da Vinci Code	Cryptic codes and symbols	Dan Brown’s novel is filled with ciphers and codes related to art, history, and religious symbolism, adding intrigue to the plot.
Trainspotting	Scottish dialect and slang	Irvine Welsh’s novel employs a cipher of Scottish dialect and slang, providing an authentic portrayal of the characters and setting.

These examples demonstrate the diverse ways in which ciphers and codes are used to enhance the storytelling and thematic elements in British and Scottish literature.

Ciphers in Literature: Relevance in Literary Theories

Literary Theory	Relevance of Ciphers in Literature	Example
Structuralism	Ciphers can be seen as elements within a larger structure, contributing to the overall meaning and organization of a literary work.	Analyzing the recurrence of motifs or symbols as ciphers in a text.
Semiotics	Ciphers are symbols that convey meaning through a system of signs and can be examined for their cultural and contextual significance.	Studying the use of symbols or codes as ciphers in relation to cultural or historical contexts.
Deconstruction	Ciphers can be deconstructed to reveal layers of meaning, ambiguity, and contradictions, challenging fixed interpretations.	Examining how a cipher’s meaning may be fluid or contested in a text.
Psychoanalytic Theory	Ciphers may represent repressed desires, subconscious thoughts, or psychological conflicts, providing insights into characters’ minds.	Analyzing symbols or actions as ciphers for characters’ inner struggles.
New Criticism/Formalism	Ciphers serve as integral components for close reading, emphasizing the intrinsic value of the text itself and its formal elements.	Focusing on how a cipher contributes to the unity and coherence of a work.
Feminist Criticism	Ciphers may be examined for gendered representations and power dynamics, revealing how language and symbols contribute to societal norms.	Exploring how female characters or symbols are used as ciphers in a patriarchal context.
Cultural Studies	Ciphers reflect cultural codes and can be studied to understand how literature engages with and challenges prevailing cultural norms.	Investigating how ciphers convey cultural messages or subvert dominant ideologies.
Postcolonial Theory	Ciphers may represent colonial impositions or resistance, and their analysis can uncover the ways in which power dynamics are encoded.	Examining symbols or language as ciphers for colonial legacies and resistance.

These examples demonstrate the multifaceted role of ciphers in literature and how they can be analyzed through various theoretical lenses, enriching our understanding of texts within different literary frameworks.

Ciphers in Literature: Relevant Terms

1. Symbolism: The use of symbols, like ciphers, to represent deeper meanings and concepts within a literary work.
2. Motif: A recurring theme, idea, or symbol that serves as a unifying element in a story.
3. Allegory: A narrative where characters and events symbolize broader ideas or moral concepts.
4. Metaphor: A figure of speech where a word or phrase is applied to something it does not literally denote, often creating a symbolic comparison.
5. Enigma: Something mysterious or puzzling, akin to a cipher, that invites interpretation or solution.
6. Subtext: The underlying or implicit meaning in a text that is not explicitly stated, often requiring interpretation.
7. Foreshadowing: The use of hints or clues to suggest future events, creating a sense of anticipation or mystery.
8. Dystopia: A literary genre that explores an imagined society with undesirable or oppressive characteristics, often serving as a cipher for social critique.
9. Paradox: A statement or situation that seems contradictory but may reveal a deeper truth.
10. Allusion: A brief and indirect reference to a person, place, thing, or idea of historical, cultural, literary, or political significance.

Ciphers in Literature: Suggested Readings

1. Baldick, Chris. Literary Theory: A Very Short Introduction. Oxford University Press, 2000.
2. Eagleton, Terry. Literary Theory: An Introduction. Blackwell, 2008.
3. Frye, Northrop. Anatomy of Criticism: Four Essays. Princeton University Press, 1957.
4. Guerin, Wilfred L., et al. A Handbook of Critical Approaches to Literature. Oxford University Press, 2015.
5. Lentricchia, Frank, and Thomas McLaughlin. Critical Terms for Literary Study. University of Chicago Press, 1995.
6. Lodge, David. The Art of Fiction. Vintage, 1992.
7. Rivkin, Julie, and Michael Ryan. Literary Theory: An Anthology. Blackwell, 2004.
8. Tyson, Lois. Critical Theory Today: A User-Friendly Guide. Routledge, 2015.
9. Wellek, René, and Austin Warren. Theory of Literature. Harcourt, Brace, 1949.
10. Wolfreys, Julian. Introducing Literary Theories: A Guide and Glossary. Edinburgh University Press, 2001.

Cipher: Etymology, Literal and Conceptual Meanings

Etymology/Term

The term “cipher” originates from the Arabic word “sifr,” meaning zero or empty. It entered medieval Latin as “cifra,” and later Middle French as “chiffre,” signifying a numerical symbol or code. Over time, it evolved to encompass various encoding methods and cryptographic techniques.

Literal Meanings

• Mathematics: Originally denoting zero, a cipher is a numerical digit with no intrinsic value, often used as a placeholder in positional number systems.
• Cryptography: In a strict sense, a cipher is a method of encrypting text or data to secure communication. It involves substituting or transposing characters according to a predefined algorithm.

Conceptual Meanings

• Secrecy and Concealment: Beyond its technical definition, “cipher” is metaphorically associated with secrecy and concealment, reflecting the primary purpose of cryptographic ciphers to obscure information.
• Mystery and Enigma: In a broader context, “cipher” can evoke a sense of mystery or puzzle, symbolizing anything that is difficult to interpret or decode.
• Symbolism in Culture: The term has cultural significance, representing hidden meanings or encrypted messages in literature, art, and popular culture. It can connote a hidden language or code understood by a select few.

Cipher: Definition as a Literary Device

In literature, a cipher refers to a character or symbol that lacks clear individual traits or characteristics, serving as a blank slate for readers to project their interpretations onto. Ciphers often embody ambiguity, allowing authors to convey broader themes or societal concepts through these enigmatic figures. The deliberate vagueness of a cipher adds layers of complexity to a narrative, inviting readers to engage in deeper analysis and draw personal connections to the story.

Cipher: Types and Examples

1. Symbolic Ciphers:
   • Definition: Characters or objects that represent abstract ideas or concepts.
   • Example: In George Orwell’s “Animal Farm,” the character of Napoleon symbolizes Joseph Stalin, acting as a cipher for the oppressive regime.
2. Enigmatic Characters:
   • Definition: Characters deliberately crafted with mysterious or ambiguous qualities, allowing readers to project their interpretations.
   • Example: Jay Gatsby in F. Scott Fitzgerald’s “The Great Gatsby” serves as an enigmatic cipher, embodying the American Dream and the illusions of wealth.
3. Allegorical Ciphers:
   • Definition: Characters or elements that stand for moral, political, or philosophical concepts within an allegory.
   • Example: In John Bunyan’s “The Pilgrim’s Progress,” Christian represents the individual’s spiritual journey, serving as an allegorical cipher for the pursuit of faith.
4. Blank Slate Protagonists:
   • Definition: Protagonists intentionally lacking distinct traits to enable reader identification and immersion.
   • Example: The narrator in Charlotte Perkins Gilman’s “The Yellow Wallpaper” functions as a blank slate protagonist, allowing readers to experience the descent into madness firsthand.
5. Narrative Ciphers:
   • Definition: Elements in the narrative that carry symbolic weight, enhancing the overall meaning.
   • Example: The journey of the river in Joseph Conrad’s “Heart of Darkness” serves as a narrative cipher, symbolizing the progression into the dark recesses of the human soul.
6. Cultural or Historical Ciphers:
   • Definition: Literary elements representing broader cultural or historical contexts.
   • Example: The character of Atticus Finch in Harper Lee’s “To Kill a Mockingbird” can be viewed as a cultural cipher for justice and moral integrity in the face of racial injustice.
7. Metaphorical Ciphers:
   • Definition: Symbols or metaphors within a text that convey deeper meanings.
   • Example: The “green light” in “The Great Gatsby” serves as a metaphorical cipher for Gatsby’s unreachable dreams and aspirations.
8. Archetypal Ciphers:
   • Definition: Characters embodying archetypal roles or universal symbols.
   • Example: The protagonist as a “heroic figure” in the hero’s journey archetype, seen in works like J.K. Rowling’s “Harry Potter” series.

Understanding these diverse types of ciphers enriches the reader’s experience, providing layers of meaning and complexity to the literary work.

Cipher: Examples in Everyday Life

1. Traffic Signals:
   • Example: Red, yellow, and green lights serve as ciphers, conveying specific instructions to drivers without the need for written language.
2. Emojis:
   • Example: Emojis function as visual ciphers, expressing emotions or conveying tone in digital communication.
3. Barcodes:
   • Example: Barcodes on products serve as ciphers that encode information about the item, facilitating efficient scanning and inventory management.
4. QR Codes:
   • Example: QR codes act as ciphers, encoding information such as website links, contact details, or event details for quick access via smartphones.
5. Road Signs:
   • Example: Traffic signs, with symbols and colors, function as ciphers to communicate rules and warnings to drivers.
6. Musical Notation:
   • Example: Sheet music is a cipher that represents musical notes, allowing musicians to interpret and perform compositions.
7. Airport Signage:
   • Example: Airport symbols and signs, such as those indicating restrooms or baggage claim, act as ciphers to guide travelers without language barriers.
8. Symbols on Electronic Devices:
   • Example: Icons on smartphones and other electronic devices serve as ciphers, representing functions like battery status, connectivity, and app categories.
9. Currency Symbols:
   • Example: Symbols such as $, €, or ¥ serve as ciphers for different currencies, facilitating international commerce.
10. Weather Icons:
    • Example: Weather forecasts often use visual ciphers like sun, clouds, rain, or snow to convey meteorological conditions at a glance.

These examples illustrate how ciphers play a fundamental role in simplifying and enhancing communication in various aspects of daily life, allowing for quick and efficient understanding without the need for extensive explanations.

Cipher in Literature: Suggested Readings

1. Baldick, Chris. Literary Theory: A Very Short Introduction. Oxford University Press, 2000.
2. Eagleton, Terry. Literary Theory: An Introduction. Blackwell, 2008.
3. Frye, Northrop. Anatomy of Criticism: Four Essays. Princeton University Press, 1957.
4. Guerin, Wilfred L., et al. A Handbook of Critical Approaches to Literature. Oxford University Press, 2015.
5. Lentricchia, Frank, and Thomas McLaughlin. Critical Terms for Literary Study. University of Chicago Press, 1995.
6. Lodge, David. The Art of Fiction. Vintage, 1992.
7. Rivkin, Julie, and Michael Ryan. Literary Theory: An Anthology. Blackwell, 2004.
8. Tyson, Lois. Critical Theory Today: A User-Friendly Guide. Routledge, 2015.
9. Wellek, René, and Austin Warren. Theory of Literature. Harcourt, Brace, 1949.
10. Wolfreys, Julian. Introducing Literary Theories: A Guide and Glossary. Edinburgh University Press, 2001.

Undistributed Middle in Literature: Introduction

The undistributed middle in literature, a fallacy rooted in logic, finds intriguing applications in literature, transcending its traditional role in deductive reasoning. In literary analysis, this fallacy manifests when authors draw faulty connections between characters, themes, or ideas by erroneously emphasizing shared attributes. This misuse of logic can lead to misleading conclusions or misinterpretations within the narrative. As writers navigate the complexities of rhetoric and argumentation in literature, understanding the undistributed middle becomes pivotal in maintaining coherence and validity. Exploring how this fallacy operates within the nuanced landscape of storytelling enriches the study of literature by unveiling the subtle interplay between logic and narrative craft.

Undistributed Middle in Literature: Shakespearean Examples

Shakespearean Example	Explanation
Example 1: “Macbeth”	Premise 1: Macbeth is ambitious. Premise 2: Lady Macbeth is ambitious. Conclusion: Therefore, Macbeth and Lady Macbeth have the same moral character, ignoring other factors contributing to their actions and motivations.
Example 2: “Romeo and Juliet”	Premise 1: Juliet loves Romeo. Premise 2: Juliet’s Nurse loves Juliet. Conclusion: Therefore, Juliet’s Nurse and Romeo share a similar type of love, oversimplifying the complex nature of romantic and familial affection in the play.
Example 3: “Othello”	Premise 1: Othello is a Moor. Premise 2: Iago is a Moor. Conclusion: Therefore, Othello and Iago must have identical cultural and moral backgrounds, neglecting the crucial distinctions in their characters and motivations.
Example 4: “Hamlet”	Premise 1: Hamlet is indecisive. Premise 2: Ophelia is indecisive. Conclusion: Therefore, Hamlet and Ophelia share the same flaw, oversimplifying their complex characters and the unique circumstances influencing their decision-making.
Example 5: “Julius Caesar”	Premise 1: Brutus is honorable. Premise 2: Cassius is honorable. Conclusion: Therefore, Brutus and Cassius possess identical moral virtues, disregarding the contextual nuances and conflicting motives that drive their actions throughout the play.

Undistributed Middle in Literature: Examples

1. Harry Potter Series by J.K. Rowling:
   • Premise 1: Harry can speak Parseltongue.
   • Premise 2: Tom Riddle can speak Parseltongue.
   • Fallacy: Therefore, Harry is the heir of Slytherin.

In this example, the fallacy occurs because the ability to speak Parseltongue is not exclusive to the heir of Slytherin, as evidenced by Tom Riddle.

2. Romeo and Juliet by William Shakespeare:
   • Premise 1: Juliet loves Romeo.
   • Premise 2: Romeo loves Juliet.
   • Fallacy: Therefore, their families will accept their love.

The undistributed middle here is the assumption that mutual love between Romeo and Juliet will automatically result in acceptance from their feuding families.

3. Pride and Prejudice by Jane Austen:
   • Premise 1: Darcy is wealthy.
   • Premise 2: Bingley is wealthy.
   • Fallacy: Therefore, both Darcy and Bingley are equally eligible bachelors.

This oversimplification ignores other important factors such as character and values that play a crucial role in the story.

4. The Great Gatsby by F. Scott Fitzgerald:
   • Premise 1: Gatsby throws extravagant parties.
   • Premise 2: Tom Buchanan throws extravagant parties.
   • Fallacy: Therefore, Gatsby and Tom are equally morally bankrupt.

The undistributed middle here is assuming that similar behaviors imply similar moral character, neglecting other aspects of their personalities.

5. Animal Farm by George Orwell:
   • Premise 1: Snowball opposes the humans.
   • Premise 2: Napoleon opposes the humans.
   • Fallacy: Therefore, Snowball and Napoleon have the same goals.

This oversimplification ignores the different motivations and methods used by Snowball and Napoleon in the pursuit of their goals.

6. Lord of the Flies by William Golding:
   • Premise 1: Ralph wants order.
   • Premise 2: Piggy wants order.
   • Fallacy: Therefore, Ralph and Piggy have the same leadership capabilities.

This overlooks the differences in leadership styles and the characters’ ability to adapt to the challenges they face on the island.

7. To Kill a Mockingbird by Harper Lee:
   • Premise 1: Atticus defends Tom Robinson.
   • Premise 2: Miss Maudie supports Atticus.
   • Fallacy: Therefore, everyone in Maycomb supports Tom Robinson’s innocence.

This oversimplification ignores the racial prejudices prevalent in Maycomb and the varying attitudes toward Tom Robinson’s trial.

8. The Catcher in the Rye by J.D. Salinger:
   • Premise 1: Holden Caulfield dislikes phonies.
   • Premise 2: Mr. Spencer dislikes phonies.
   • Fallacy: Therefore, Holden and Mr. Spencer share the same perspective on life.

This oversimplification overlooks the broader context of each character’s experiences and the reasons behind their attitudes toward phoniness.

Undistributed Middle in Literature: Relevance in Literary Theories

1. Formalism:
   • Relevance: Formalism, which focuses on the intrinsic elements of a literary work, could potentially fall into the undistributed middle fallacy if it makes assumptions about the meaning of a work based solely on its formal features without considering external factors. For instance, assuming that a poem’s rhyme scheme alone determines its thematic depth would be committing the undistributed middle fallacy.
2. Marxist Literary Theory:
   • Relevance: Marxist literary theory often analyzes literature through the lens of class struggle and economic structures. The undistributed middle could occur if one assumes that the economic conditions of a society directly determine the meaning of a literary work without considering other cultural or individual factors.
3. Feminist Literary Theory:
   • Relevance: Feminist literary theory focuses on the representation of women and gender roles in literature. The undistributed middle might be present if one assumes that the gender of an author alone determines the feminist or anti-feminist nature of a work without considering the specific content and context of the text.
4. Psychoanalytic Literary Theory:
   • Relevance: Psychoanalytic theory, particularly Freudian analysis, might exhibit the undistributed middle if it assumes that certain symbols or themes in literature have a universal meaning based solely on Freudian concepts, without considering the specific cultural or historical context of the work.
5. Postcolonial Literary Theory:
   • Relevance: Postcolonial theory explores the effects of colonialism on literature and culture. The undistributed middle could occur if one assumes that any text from a colonized region is inherently anti-colonial or that all works from colonizers are inherently colonialist, without considering the nuances of individual texts.

Undistributed Middle in Literature: Relevant Terms

Fallacy	Definition
Ad Hominem	Attacking the person making the argument rather than addressing the argument itself.
Straw Man	Misrepresenting an opponent’s argument to make it easier to attack.
False Analogy	Making an inappropriate or misleading comparison between two things.
Hasty Generalization	Drawing a conclusion based on insufficient or biased evidence.
Circular Reasoning	Restating the argument rather than proving it.
Red Herring	Introducing irrelevant information to divert attention from the main issue.
Appeal to Authority	Relying on the opinion of an authority figure instead of providing evidence.
Post Hoc Fallacy	Incorrectly assuming that one event caused another because it occurred afterward.
Begging the Question	Assuming the truth of an argument’s conclusion within the premise itself.
Appeal to Ignorance	Arguing that a claim is true because it has not been proven false, or vice versa.

Undistributed Middle in Literature: Suggested Readings

1. Aristotle. On Rhetoric: A Theory of Civic Discourse. Translated by George A. Kennedy, Oxford UP, 2007.
2. Booth, Wayne C., Gregory G. Colomb, and Joseph M. Williams. The Craft of Research. 4th ed., University of Chicago Press, 2016.
3. Graff, Gerald, and Cathy Birkenstein. They Say/I Say: The Moves That Matter in Academic Writing. 3rd ed., W. W. Norton & Company, 2014.
4. Heinrichs, Jay. Thank You for Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion. 3rd ed., Three Rivers Press, 2017.
5. Lanham, Richard A. A Handlist of Rhetorical Terms. 2nd ed., University of California Press, 1991.
6. Lunsford, Andrea A., John J. Ruszkiewicz, and Keith Walters. Everything’s an Argument with Readings. 8th ed., Bedford/St. Martin’s, 2019.
7. Perelman, Chaim, and Lucie Olbrechts-Tyteca. The New Rhetoric: A Treatise on Argumentation. Translated by John Wilkinson and Purcell Weaver, University of Notre Dame Press, 1969.
8. Strunk, William, and E. B. White. The Elements of Style. 4th ed., Pearson, 1999.

Undistributed Middle: Etymology, Literal and Conceptual Meanings

Etymology/Term:

The term “Undistributed Middle” originated in the field of logic and is associated with a fallacy in deductive reasoning. The term can be traced back to the mid-19th century and has its roots in formal logic and syllogistic reasoning.

Literal Meaning:

• The undistributed middle refers to a logical fallacy where the middle term in a categorical syllogism is not distributed to both premises.
• In a syllogism, the middle term is the one shared by the major and minor premises. When this term is not properly distributed, it can lead to faulty conclusions.

Conceptual Meaning:

• The undistributed middle fallacy occurs when the middle term, which connects the major and minor premises, fails to establish a connection between the two.
• It results in an invalid syllogism, as the conclusion drawn does not necessarily follow logically from the premises.
• The conceptual essence of the undistributed middle fallacy lies in the failure to adequately connect the terms in a way that ensures a sound and valid argument.

Undistributed Middle: Definition as a Rhetorical Device

The undistributed middle, as a rhetorical device, involves the misleading use of shared characteristics to create a false connection between disparate ideas or groups. It occurs when a speaker implies a commonality between two subjects by focusing on a trait they share, yet fails to demonstrate a direct relationship. This device aims to manipulate perceptions by exploiting superficial similarities without establishing a valid logical link.

Undistributed Middle: Types and Examples

Type	Description	Example
Superficial Similarity	Attributes or characteristics are shared, creating a deceptive connection without logical support.	All cats have whiskers. My car has whiskers (antennas). Therefore, my car is a cat.
Association Fallacy	Linking two subjects based on shared traits, implying a connection without addressing relevant factors.	People who like ice cream are generally happy. Mary likes ice cream. Therefore, Mary must be a happy person.
Ambiguous Language	The middle term is used in an ambiguous way, allowing for multiple interpretations and confusion.	Dogs are known for loyalty. This book is loyal to its theme. Therefore, this book is a dog.

These examples illustrate different manifestations of the undistributed middle fallacy, where the shared characteristics are insufficient to establish a valid logical connection between the subjects involved.

Undistributed Middle: Examples in Everyday Life

1. Coffee and Tea Fallacy:
   • Premise 1: Coffee wakes you up.
   • Premise 2: Tea wakes you up.
   • Conclusion: Therefore, coffee is tea.
2. Car and Bicycle Fallacy:
   • Premise 1: Cars have wheels.
   • Premise 2: Bicycles have wheels.
   • Conclusion: Therefore, cars are bicycles.
3. Vegetarian and Vegan Fallacy:
   • Premise 1: Vegetarians eat plants.
   • Premise 2: Vegans eat plants.
   • Conclusion: Therefore, vegetarians are vegans.
4. Book and Movie Fallacy:
   • Premise 1: Books tell stories.
   • Premise 2: Movies tell stories.
   • Conclusion: Therefore, books are movies.
5. Summer and Winter Fallacy:
   • Premise 1: Summer is hot.
   • Premise 2: Winter is hot (indoors with heating).
   • Conclusion: Therefore, summer is winter.
6. Language and Communication Fallacy:
   • Premise 1: English is a language.
   • Premise 2: Sign language is a language.
   • Conclusion: Therefore, English is sign language.
7. Fruit and Vegetable Fallacy:
   • Premise 1: Fruits are sweet.
   • Premise 2: Desserts are sweet.
   • Conclusion: Therefore, fruits are desserts.
8. Watermelon and Water Fallacy:
   • Premise 1: Watermelons contain water.
   • Premise 2: Water bottles contain water.
   • Conclusion: Therefore, watermelons are water bottles.
9. Dog and Cat Fallacy:
   • Premise 1: Dogs have tails.
   • Premise 2: Cats have tails.
   • Conclusion: Therefore, dogs are cats.
10. Bus and Plane Fallacy:
    • Premise 1: Buses transport people.
    • Premise 2: Planes transport people.
    • Conclusion: Therefore, buses are planes.

Undistributed Middle in Literature: Suggested Readings

1. Aristotle. On Rhetoric: A Theory of Civic Discourse. Translated by George A. Kennedy, Oxford UP, 2007.
2. Booth, Wayne C., Gregory G. Colomb, and Joseph M. Williams. The Craft of Research. 4th ed., University of Chicago Press, 2016.
3. Graff, Gerald, and Cathy Birkenstein. They Say/I Say: The Moves That Matter in Academic Writing. 3rd ed., W. W. Norton & Company, 2014.
4. Heinrichs, Jay. Thank You for Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion. 3rd ed., Three Rivers Press, 2017.
5. Lanham, Richard A. A Handlist of Rhetorical Terms. 2nd ed., University of California Press, 1991.
6. Lunsford, Andrea A., John J. Ruszkiewicz, and Keith Walters. Everything’s an Argument with Readings. 8th ed., Bedford/St. Martin’s, 2019.
7. Perelman, Chaim, and Lucie Olbrechts-Tyteca. The New Rhetoric: A Treatise on Argumentation. Translated by John Wilkinson and Purcell Weaver, University of Notre Dame Press, 1969.
8. Strunk, William, and E. B. White. The Elements of Style. 4th ed., Pearson, 1999.

Cherry Picking in Literature: Introduction

Cherry picking in literature, an important rhetorical device, finds its nuanced application where authors deliberately select and present specific details, events, or characters to shape narrative perspectives and influence reader interpretation. Literary cherry picking extends beyond mere narrative choices and entails a purposeful curation of elements to evoke desired emotions, establish thematic motifs, or underscore underlying messages. Authors wield this literary device to craft a deliberate, often subjective, portrayal of their fictional worlds, selectively emphasizing certain facets while strategically neglecting others. This artful manipulation of narrative elements allows for the construction of compelling narratives that resonate with readers, offering a glimpse into the deliberate choices writers make to convey meaning and provoke particular responses within the literary landscape.

Cherry Picking in Literature: Shakespearean Examples

1. “Hamlet” – Selective Madness: In Shakespeare’s “Hamlet,” the protagonist feigns madness, using selective behavior and speech to manipulate those around him. Hamlet strategically chooses when to appear mad, creating ambiguity about his true mental state and leading characters, and readers, to question the authenticity of his madness.
2. “Othello” – Selective Trust: In “Othello,” Iago selectively provides information to Othello, omitting crucial details and manipulating perceptions to stoke jealousy and suspicion. By cherry-picking facts, Iago masterfully engineers Othello’s tragic downfall.
3. “Macbeth” – Selective Ambition: The character of Macbeth in the play “Macbeth” selectively embraces ambition, choosing to heed the prophecies that align with his aspirations while disregarding warnings that could deter him from the path of ruthless power-seeking.
4. “Romeo and Juliet” – Selective Loyalties: In the tragedy “Romeo and Juliet,” the titular characters selectively prioritize their love over loyalty to their feuding families, leading to a series of tragic events. Their selective allegiance to each other contributes to the ultimate tragedy of the play.
5. “Julius Caesar” – Selective Persuasion: In “Julius Caesar,” Cassius selectively appeals to Brutus’s sense of honor and patriotism while omitting the potential negative consequences of their plot against Caesar. Cassius’s cherry-picked arguments influence Brutus’s decision to join the conspiracy.
6. “A Midsummer Night’s Dream” – Selective Perception: Shakespeare employs the theme of selective perception in “A Midsummer Night’s Dream,” where characters experience magical illusions that influence their romantic entanglements. This selective perception adds layers of comedic confusion to the play.

Cherry Picking in Literature: Examples

1. Gabriel Garcia Marquez’s A Very Old Man with Enormous Wings (Colombia):
   • Cherry Picked Element: Magical realism
   • Context: The story blends fantastical elements with mundane reality. If one were to only focus on the magical realism without considering the deeper social commentary, they might miss the critique of human nature and society.
2. Franz Kafka’s The Metamorphosis (Czech Republic):
   • Cherry Picked Element: Gregor Samsa’s transformation into a giant insect
   • Context: The story is often analyzed for its existential themes, exploring alienation and the absurdity of human existence. Cherry picking the insect transformation might oversimplify the profound philosophical aspects.
3. Rumi’s Poetry (Persian):
   • Cherry Picked Element: Romantic verses
   • Context: Rumi’s poetry encompasses a wide range of themes, including spirituality, mysticism, and the nature of existence. Focusing solely on romantic verses might neglect the spiritual depth and philosophical insights present in his work.
4. Lu Xun’s “Diary of a Madman” (China):
   • Cherry Picked Element: Allegory of cannibalism
   • Context: The story is a critique of traditional Chinese culture and its oppressive nature. Cherry picking the cannibalism theme without understanding its allegorical significance may miss the broader commentary on societal ills.
5. Pablo Neruda’s Poetry (Chile):
   • Cherry Picked Element: Love poems
   • Context: Neruda’s poetry spans a wide range of themes, including politics, nature, and existential reflections. Focusing solely on love poems might overlook his contributions to social and political discourse.
6. Haruki Murakami’s “Kafka on the Shore” (Japan):
   • Cherry Picked Element: Surrealistic and dreamlike sequences
   • Context: Murakami’s work often explores the human psyche and existential questions. Cherry picking the surreal elements might miss the psychological depth and the interplay between reality and fantasy.
7. Octavio Paz’s Poetry (Mexico):
   • Cherry Picked Element: Sensual and erotic imagery
   • Context: Paz’s poetry delves into existential questions, cultural identity, and the nature of language. Focusing only on the sensual aspects might overlook the philosophical and intellectual dimensions of his work.

In each case, it’s essential to consider the broader context of the literary work to fully appreciate its richness and depth. Cherry picking specific elements can lead to a superficial understanding and miss the intended nuances and complexities of the text.

Cherry Picking in Literature: Relevance in Literary Theories

Literary Theory	Cherry Picked Element	Relevance in Theory
Formalism	Symbolism in a poem’s imagery	Formalism focuses on the intrinsic structure of a work, so cherry picking symbols aids in structural analysis.
Structuralism	Specific recurring motifs in a novel	Identifying and isolating certain motifs helps reveal underlying structures and patterns in the narrative.
Feminist Criticism	Female characters’ dialogues in a play	Analyzing specific dialogues sheds light on gender dynamics and power relations, crucial in feminist critique.
Marxist Criticism	Instances of class struggle in a novel	Cherry picking examples of class conflict helps illuminate the text’s reflection of societal power imbalances and economic structures.
Postcolonial Criticism	Representations of colonial oppression	Focusing on specific instances of colonial oppression aids in uncovering the text’s relationship with postcolonial contexts and power dynamics.
Psychoanalytic Criticism	Dreams and unconscious desires in a story	Examining cherry-picked dream sequences or symbols contributes to understanding the characters’ subconscious motivations and conflicts.
Reader-Response Theory	Individual reader’s emotional response	Cherry picking specific emotional reactions helps illustrate the theory’s emphasis on the subjective, personal interpretation of a text.

It’s important to note that these literary theories are not mutually exclusive, and elements of each may be present in various works. Cherry picking allows scholars to highlight and emphasize specific elements relevant to their chosen theoretical framework while potentially overlooking other facets of the text. A comprehensive analysis often considers multiple theories to provide a well-rounded interpretation.

Cherry Picking in Literature: Relevant Terms

1. Metaphor: Direct comparison between two unlike things for symbolic meaning.
2. Irony: A contrast between expectation and reality, often for humor or emphasis.
3. Hyperbole: Exaggeration for emphasis or effect.
4. Alliteration: Repetition of initial consonant sounds in neighboring words.
5. Anaphora: Repetition of a word or phrase at the beginning of successive clauses.
6. Oxymoron: Combining contradictory terms for a paradoxical effect.
7. Euphemism: Substituting a mild or less direct word or phrase for one considered harsh or blunt.
8. Paradox: A statement that seems contradictory but may reveal a deeper truth.
9. Synecdoche: Using a part of something to represent the whole or vice versa.
10. Assonance: Repetition of vowel sounds in nearby words for rhythmic effect.

Cherry Picking in Literature: Suggested Readings

1. Aristotle. On Rhetoric: A Theory of Civic Discourse. Translated by George A. Kennedy, Oxford UP, 2007.
2. Booth, Wayne C., Gregory G. Colomb, and Joseph M. Williams. The Craft of Research. 4th ed., University of Chicago Press, 2016.
3. Graff, Gerald, and Cathy Birkenstein. They Say/I Say: The Moves That Matter in Academic Writing. 3rd ed., W. W. Norton & Company, 2014.
4. Heinrichs, Jay. Thank You for Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion. 3rd ed., Three Rivers Press, 2017.
5. Lanham, Richard A. A Handlist of Rhetorical Terms. 2nd ed., University of California Press, 1991.
6. Lunsford, Andrea A., John J. Ruszkiewicz, and Keith Walters. Everything’s an Argument with Readings. 8th ed., Bedford/St. Martin’s, 2019.
7. Perelman, Chaim, and Lucie Olbrechts-Tyteca. The New Rhetoric: A Treatise on Argumentation. Translated by John Wilkinson and Purcell Weaver, University of Notre Dame Press, 1969.
8. Strunk, William, and E. B. White. The Elements of Style. 4th ed., Pearson, 1999.