Deuteragonist in Literature

Operating in conjunction with the protagonist, the deuteragonist in literature assumes a role of prominence, often serving as a foil, ally, or adversary to the central figure.

Deuteragonist in Literature: Introduction

Operating in conjunction with the protagonist, the deuteragonist in literature assumes a role of prominence, often serving as a foil, ally, or adversary to the central figure. This literary archetype contributes to the complexity of character dynamics and plot development, offering readers alternative perspectives and enhancing the thematic depth of the work. The deuteragonist’s distinct narrative function expands beyond mere supporting roles, exemplifying the intricate interplay of characters within the broader tapestry of literary storytelling.

Deuteragonist in Literature: Examples
  1. Samwise Gamgee in “The Lord of the Rings” by J.R.R. Tolkien: Sam serves as Frodo Baggins’s loyal companion, embodying steadfastness and courage throughout the epic quest.
  2. Ron Weasley in the “Harry Potter” series by J.K. Rowling: Ron, Harry Potter’s close friend, evolves as a deuteragonist, offering support, humor, and courage in the face of adversity.
  3. Mercutio in “Romeo and Juliet” by William Shakespeare: While not the central figure, Mercutio’s wit, loyalty, and tragic demise significantly impact the play’s events.
  4. Charlotte Lucas in “Pride and Prejudice” by Jane Austen: As Elizabeth Bennet’s confidante, Charlotte provides a contrasting perspective on marriage and societal expectations.
  5. Dr. John Watson in the Sherlock Holmes stories by Arthur Conan Doyle: Watson plays a crucial role as Sherlock Holmes’s friend and chronicler, providing insight into Holmes’s detective work.
  6. Iago in “Othello” by William Shakespeare: Iago’s cunning manipulation and deceit contribute significantly to the tragic downfall of Othello.
  7. Enkidu in “The Epic of Gilgamesh“: Enkidu, created to be Gilgamesh’s equal, becomes his close friend and serves as a catalyst for the king’s personal development.
  8. Hermione Granger in the “Harry Potter” series by J.K. Rowling: Hermione, with her intelligence and resourcefulness, complements Harry and Ron’s skills, forming an essential trio.
  9. Banquo in “Macbeth” by William Shakespeare: Banquo’s role as a foil to Macbeth and the impact of his ghost on Macbeth’s conscience contribute to the play’s complexity.
  10. Sancho Panza in “Don Quixote” by Miguel de Cervantes: Sancho, as Don Quixote’s loyal squire, provides a grounded perspective to the fantastical adventures, embodying pragmatism and humor.
Deuteragonist in Literature: Shakespearean
  1. Mercutio in “Romeo and Juliet“: Mercutio serves as a charismatic and loyal friend to Romeo, contributing to the unfolding tragedy through his wit and untimely demise.
  2. Banquo in “Macbeth“: Banquo, initially a trusted ally to Macbeth, becomes a spectral figure whose presence haunts Macbeth, representing the consequences of unchecked ambition.
  3. Iago in “Othello“: While often considered an antagonist, Iago’s complex motivations and manipulation of other characters contribute significantly to the tragic events of the play.
  4. Horatio in “Hamlet“: Horatio, Hamlet’s steadfast friend, serves as a confidant and witness to the unfolding events, providing stability in the midst of the play’s turmoil.
  5. Cassio in “Othello“: As Othello’s loyal and honorable officer, Cassio’s role becomes central in Iago’s schemes, impacting the tragic downfall of the titular character.
Deuteragonist in Literature: Relevance in Literary Theories
Literary Theory AspectRelevance of Deuteragonist
StructuralismContributes to the structural complexity of a narrative, interacting with the protagonist to form a dynamic framework.
Reader-Response TheoryInvites varied reader interpretations and responses, as the deuteragonist influences readers’ perceptions of the narrative.
NarratologyPlays a crucial role in narrative structure, providing depth and complexity to character relationships and plot development.
Psychoanalytic CriticismRepresents a secondary character whose psyche and motivations may be analyzed, contributing to the psychological depth of the narrative.
PostmodernismChallenges traditional narrative structures by presenting characters like the deuteragonist in unconventional and unexpected ways.
Deuteragonist in Literature: Relevant Terms
  1. Foil: A character who contrasts with the protagonist, often highlighting specific traits or characteristics for thematic emphasis.
  2. Narrative Structure: The organization and arrangement of events in a story, where the deuteragonist contributes to the overall structure.
  3. Character Dynamics: The interactions and relationships between characters, with the deuteragonist influencing the protagonist and other characters.
  4. Conflict: The central struggle or tension within a narrative, where the deuteragonist may serve as an opposing force or contribute to internal conflicts.
  5. Archetype: A universally recognizable character type, with the deuteragonist embodying certain archetypal qualities within the narrative.
  6. Character Development: The evolution and growth of a character over the course of a story, with the deuteragonist often undergoing significant development.
  7. Motif: A recurring thematic element or pattern, where the deuteragonist’s role may represent a recurring motif within a narrative.
  8. Duality: The presence of contrasting elements, with the deuteragonist embodying an alternative perspective or set of values.
  9. Narrative Arc: The trajectory of a character’s storyline, with the deuteragonist contributing to the overall arc and progression of the narrative.
  10. Tension: The emotional or dramatic strain within a story, where the deuteragonist’s role may heighten tension through their interactions with other characters or the unfolding events.
Deuteragonist in Literature: Suggested Readings
  1. Rowling, J.K. Harry Potter and the Prisoner of Azkaban. Scholastic, 1999.
  2. Steinbeck, John. Of Mice and Men. Penguin, 1993.
  3. Dickens, Charles. A Tale of Two Cities. Penguin Classics, 2003.
  4. Brontë, Charlotte. Jane Eyre. Penguin Classics, 2006.
  5. Fitzgerald, F. Scott. The Great Gatsby. Scribner, 2004.
  6. Morrison, Toni. Beloved. Vintage, 2004.
  7. Tolkien, J.R.R. The Lord of the Rings: The Fellowship of the Ring. Mariner Books, 2012.
  8. Atwood, Margaret. The Handmaid’s Tale. Anchor Books, 1998.
  9. Hemingway, Ernest. The Old Man and the Sea. Scribner, 1995.
  10. Ishiguro, Kazuo. Never Let Me Go. Vintage, 2006.

Deuteragonist: A Literary Device

The deuteragonist, as a literary device, represents the secondary character in a narrative, possessing significant importance and influence on the storyline.

Deuteragonist: Etymology

The term “deuteragonist” finds its origin in ancient Greek drama, derived from the combination of two Greek words: “deuteros,” meaning “second,” and “agonistes,” referring to an actor or competitor. In the context of classical Greek theater, the deuteragonist was the secondary character or the second most significant figure in a play, often serving as a key ally or adversary to the protagonist.

Deuteragonists: Literal and Conceptual Meanings
Literal Meaning
Etymology:Derived from the Greek words “deuteros” (second) and “agonistes” (actor or competitor).
Theatrical Role:Originally used in classical Greek drama, the deuteragonist was the secondary character, often the protagonist’s ally or adversary.
Conceptual Meaning
Secondary Significance:In literature and narrative theory, the deuteragonists refer to a secondary character of substantial importance in a story.
Plot Contribution:The deuteragonists play a key role in advancing the plot, providing a counterpoint to the protagonist’s actions.
Character Dynamics:The deuteragonist’s presence contributes to the depth and complexity of character relationships and interactions in a narrative.
Deuteragonist: Definition as a Literary Device

The deuteragonist, as a literary device, represents the secondary character in a narrative, possessing significant importance and influence on the storyline.

Often serving as an ally or adversary to the protagonist, the deuteragonistss contribute to the overall depth and complexity of character dynamics. This device plays a pivotal role in advancing the plot, providing a nuanced counterpoint to the actions and motivations of the primary protagonist.

Deuteragonist: Types
  1. Ally Deuteragonist: A character who aligns with the protagonist, providing support, guidance, or companionship on the protagonist’s journey.
  2. Adversary Deuteragonist: A secondary character who opposes the protagonist, serving as a source of conflict and contributing to the overall tension in the narrative.
  3. Dynamic Deuteragonist: A character whose role evolves and undergoes significant development throughout the story, impacting the plot and other characters.
  4. Static Deuteragonist: A secondary character whose traits and role remain relatively consistent, providing stability or contrast to the changing dynamics of the protagonist.
  5. Narrative Deuteragonist: A character whose perspective or voice contributes to the narrative, offering additional insights and viewpoints beyond the protagonist’s.
  6. Foiled Deuteragonist: A character intentionally crafted to contrast with the protagonist, highlighting differences in personality, values, or circumstances for thematic effect.

These types of deuteragonists add depth and dimension to a narrative by fulfilling various roles and functions within the storyline.

Deuteragonist: Examples in Everyday Life
  1. Workplace Allies: In a professional setting, a colleague who consistently supports and collaborates with another, even if not in a leadership position, can be considered a deuteragonist, contributing to shared goals and projects.
  2. Sibling Dynamics: Within a family, a sibling who plays a significant supporting role or acts as a foil to another sibling could be likened to a deuteragonist, impacting the family narrative.
  3. Friendship Dynamics: In friendships, a close companion who influences the protagonist’s decisions or serves as a reliable confidant may embody characteristics of a deuteragonist.
  4. Educational Settings: In a classroom environment, a student who consistently interacts with and influences the experiences of another student, contributing to their academic and personal development, can be seen as deuteragonists.
  5. Team Sports: In team sports, a player who consistently supports and complements the star athlete, influencing the team’s dynamics and success, can be considered deuteragonists in the team’s narrative.
  6. Family Relationships: A supportive aunt, uncle, or grandparent who plays a crucial role in shaping a person’s life, providing guidance or offering a different perspective, can be seen as a deuteragonist within the family dynamic.

These examples illustrate that while the term “deuteragonist” may be rooted in literary concepts, similar roles and dynamics are pervasive in various aspects of everyday life.

Deuteragonist in Literature: Suggested Readings

  1. Rowling, J.K. Harry Potter and the Prisoner of Azkaban. Scholastic, 1999.
  2. Steinbeck, John. Of Mice and Men. Penguin, 1993.
  3. Dickens, Charles. A Tale of Two Cities. Penguin Classics, 2003.
  4. Brontë, Charlotte. Jane Eyre. Penguin Classics, 2006.
  5. Fitzgerald, F. Scott. The Great Gatsby. Scribner, 2004.
  6. Morrison, Toni. Beloved. Vintage, 2004.
  7. Tolkien, J.R.R. The Lord of the Rings: The Fellowship of the Ring. Mariner Books, 2012.
  8. Atwood, Margaret. The Handmaid’s Tale. Anchor Books, 1998.
  9. Hemingway, Ernest. The Old Man and the Sea. Scribner, 1995.
  10. Ishiguro, Kazuo. Never Let Me Go. Vintage, 2006.

Analepsis in Literature

Analepsis, a narrative technique deeply embedded in the fabric of literature, involves the deliberate interruption of chronological sequence to present events from the past within the current timeline of a narrative.

Analepsis in Literature: Introduction

Analepsis, a narrative technique deeply embedded in the fabric of literature, involves the deliberate interruption of chronological sequence to present events from the past within the current timeline of a narrative. This literary device, also known as flashback, serves as a nuanced tool for storytellers, enabling them to enrich the narrative by providing additional context, insight into character motivations, and a more intricate exploration of plot elements.

Analepsis extends beyond mere temporal manipulation; it functions as a dynamic element that enhances the overall structure of a work, creating layers of meaning and contributing to the complexity of character development. Examining the prevalence and intricacies of analepsis in literature unveils its significance as a narrative device that transcends genres and time periods, offering writers a versatile means to engage readers and craft compelling, multidimensional stories.

Analepsis in Literature: Examples
ExampleExplanation
1. Wuthering Heights by Emily BrontëThe novel employs analepsis through Mr. Lockwood’s diary entries, offering glimpses into past events at Wuthering Heights. These entries unveil the tumultuous history of the Earnshaw and Linton families, enhancing the novel’s atmospheric and complex narrative.
2. The Great Gatsby by F. Scott FitzgeraldNick Carraway’s reflections on Jay Gatsby’s life serve as a form of analepsis, revealing the enigmatic character’s past and motivations. This technique contributes to the exploration of the American Dream and the consequences of relentless pursuit.
3. The Kite Runner by Khaled HosseiniThe novel utilizes analepsis to intricately weave the protagonist Amir’s present-day experiences with childhood memories, shedding light on his complex relationship with Hassan and exploring themes of guilt and redemption.
4. The Godfather by Mario PuzoAnalepsis is employed to delve into the history of the Corleone family, offering a retrospective examination of pivotal events. This narrative technique enriches the understanding of the characters’ motivations and the intricate dynamics within the mafia world.
5. The Catcher in the Rye by J.D. SalingerHolden Caulfield’s stream of consciousness includes analeptic reflections on his experiences, providing readers with insights into his troubled past and the events that led to his current state of disillusionment.
6. Beloved by Toni MorrisonMorrison uses analepsis to reveal the haunting past of Sethe, an escaped slave. Through fragmented recollections and memories, the novel explores the impact of slavery on personal identity and the struggle for freedom.
Analepsis in Literature: How to Create it
  1. Strategic Placement: Identify key moments in your narrative where a retrospective exploration could enhance the reader’s understanding. Place analepsis strategically to provide context without disrupting the overall flow of the story.
  2. Seamless Transitions: Ensure smooth transitions between the present and the past to avoid jarring interruptions. Employ transitional phrases, shifts in tone, or changes in narrative perspective to guide readers through the temporal shift.
  3. Character-Centric Flashbacks: Utilize analepsis to delve into the characters’ pasts, offering insights into their motivations, fears, and growth. Align the flashbacks with the current narrative to create a cohesive and interconnected character development arc.
  4. Narrative Purpose: Define the purpose of each analeptic moment. Whether revealing a character’s backstory, explaining a critical event, or highlighting thematic elements, each flashback should serve a specific narrative function, contributing to the overall story.
  5. Subtle Clues and Foreshadowing: Integrate subtle clues and foreshadowing within the analeptic moments to engage readers intellectually. Create a sense of continuity by connecting past events to present circumstances, fostering a deeper appreciation for the narrative complexity.
Analepsis in Literature: Benefits
  1. Enhanced Character Depth: Analepsis allows for a more profound exploration of characters by unveiling their past experiences, motivations, and internal conflicts, fostering a richer and more nuanced understanding of their personalities.
  2. Increased Narrative Complexity: The use of analepsis introduces a layer of complexity to the narrative structure, providing readers with a multi-dimensional experience that transcends linear storytelling, thus engaging their intellectual curiosity.
  3. Contextual Enrichment: By delving into past events, analepsis offers valuable context for the unfolding story. This contextual enrichment not only aids in comprehension but also deepens the thematic resonance of the narrative.
  4. Emotional Resonance: Revisiting significant moments through analepsis can evoke powerful emotional responses from readers. Connecting emotionally charged past events with present circumstances intensifies the impact of the narrative and fosters empathy.
  5. Plot Development and Foreshadowing: Analepsis serves as an effective tool for advancing the plot and foreshadowing future events. By revealing key aspects of the past, it establishes a foundation for subsequent developments, contributing to a more cohesive and satisfying storyline.
Analepsis in Literature: Relevance in Literary Theory
Literary Theory AspectRelevance of Analepsis
StructuralismAnalepsis contributes to the structural complexity of a narrative, aligning with the structuralist emphasis on analyzing the relationships and patterns within a literary work.
Reader-Response TheoryAnalepsis engages readers by requiring them to actively interpret and connect temporal shifts. Reader-response theory finds relevance in the varied ways readers construct meaning through their engagement with analeptic elements.
NarratologyAnalepsis is a fundamental component of narratology, the study of narrative structure. It is examined in terms of its impact on plot development, character dynamics, and overall narrative cohesion.
Psychoanalytic CriticismAnalepsis often delves into characters’ subconscious, revealing repressed memories or traumatic experiences. Psychoanalytic criticism finds relevance in analyzing the psychological dimensions exposed through analeptic storytelling.
PostmodernismAnalepsis challenges linear storytelling conventions, aligning with postmodern tendencies to deconstruct traditional narrative forms. Its non-linear structure contributes to the fragmentation and metafictional qualities associated with postmodern literature.
Analepsis in Literature: Relevant Terms
  1. Flashback: A narrative device that interrupts the chronological sequence of a story to depict events that occurred in the past, often providing context or insight.
  2. Temporal Disruption: The intentional manipulation of chronological order in storytelling to create suspense, emphasize certain events, or explore thematic elements.
  3. Retrospective Narration: Telling a story from a point in time that occurs after the events being recounted, allowing for reflective insights and the use of analeptic techniques.
  4. Prolepsis: The opposite of analepsis; it involves a narrative advance or a flash-forward, providing a glimpse of future events before they occur.
  5. Narrative Cohesion: The seamless integration of analeptic elements into the overall narrative, ensuring that past events contribute meaningfully to the present storyline.
  6. Temporal Layering: The stacking of different temporal layers within a narrative, often achieved through analepsis, creating a more intricate and complex storytelling structure.
  7. Narrative Complexity: The level of intricacy and sophistication in a story’s structure, which can be heightened through the use of analepsis to introduce multiple temporal dimensions.
  8. Temporal Fluidity: The flexibility and adaptability of a narrative’s temporal structure, allowing for non-linear storytelling and the incorporation of analeptic elements.
  9. Exposition: The portion of a story that provides background information, and analepsis can serve as a tool for delivering exposition by exploring past events.
  10. Temporal Signposting: Clear markers or cues within the narrative that signal shifts in time, guiding readers through analeptic elements and helping them navigate temporal changes.
Analepsis in Literature: Suggested Readings
  1. Joyce, James. Ulysses. Vintage, 1990.
  2. Faulkner, William. The Sound and the Fury. Vintage, 1990.
  3. Atwood, Margaret. The Handmaid’s Tale. Anchor Books, 1998.
  4. Marquez, Gabriel Garcia. One Hundred Years of Solitude. Harper Perennial, 2006.
  5. Proust, Marcel. Swann’s Way. Vintage, 1981.
  6. Ondaatje, Michael. The English Patient. Vintage, 1993.
  7. Woolf, Virginia. Mrs. Dalloway. Harcourt Brace Jovanovich, 1981.
  8. Ishiguro, Kazuo. Never Let Me Go. Vintage, 2006.
  9. Atkinson, Kate. Life After Life. Back Bay Books, 2014.
  10. Mitchell, David. Cloud Atlas. Random House, 2004.

Theoretical Books:

  1. Genette, Gérard. Narrative Discourse: An Essay in Method. Cornell University Press, 1980.
  2. Prince, Gerald. A Dictionary of Narratology. University of Nebraska Press, 1987.
  3. Rimmon-Kenan, Shlomith. Narrative Fiction: Contemporary Poetics. Routledge, 2002.
  4. Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Cornell University Press, 1980.
  5. Bal, Mieke. Narratology: Introduction to the Theory of Narrative. University of Toronto Press, 1985.

Analepsis: A Literary Device

Analepsis, in the realm of literary devices, refers to a narrative technique where a story temporarily shifts its chronological order to present events or scenes from the past within the current timeline.

Analepsis: Etymology and Literal Meanings
Etymology:

“Analepsis” originates from the Greek word “analepsis,” meaning “a taking up” or “recovery.” In a literal sense, it refers to the act of taking up or recovering.

Conceptually, analepsis is a narrative technique often employed in storytelling, representing a flashback or retrospective approach. This involves presenting scenes or events from the past within the current timeline of the story, allowing for a deeper exploration of characters, plot elements, and thematic complexities.

Concept:

Literal Meanings:

  • Etymological Origin: Derived from the Greek word “analepsis,” meaning “a taking up” or “recovery.”

Concept:

  • Narrative Technique: In storytelling, analepsis serves as a flashback or retrospective approach.
  • Temporal Shift: Involves presenting past events within the current timeline of the narrative.
  • Exploration: Enables a deeper understanding of characters, plot elements, and thematic complexities.
  • Temporal Enrichment: Enhances storytelling by providing additional context and insights.
Analepsis: Definition as a Literary Device

Analepsis, in the realm of literary devices, refers to a narrative technique where a story temporarily shifts its chronological order to present events or scenes from the past within the current timeline. This flashback method is employed to provide additional context, deepen character development, and enrich the overall narrative structure. Analepsis serves as a tool for storytellers to intricately weave temporal elements, allowing for a nuanced exploration of plot intricacies and character motivations.

Analepsis: Types
TypeExplanationExample
Simple FlashbackA straightforward return to an earlier point in the narrative to provide additional context or information.In the midst of a present-day conflict, a character recalls a childhood event that explains their current behavior.
Dream SequencesAnalepsis can take the form of dreams or hallucinations, allowing characters to revisit past events in a subconscious manner.A character experiences vivid dreams that transport them back to a significant moment in their past.
Memories and RecollectionsCharacters engage in introspection, spontaneously revisiting past experiences within their thoughts or conversations.During a conversation, a character recalls a poignant memory that sheds light on their motivations and emotions.
Narrative InterruptionA sudden interruption in the current timeline to delve into a past event, creating suspense or emphasizing the significance of the flashback.In the middle of a suspenseful moment, the narrative abruptly shifts to a past event, heightening tension.
Multiple TimelinesAnalepsis involves the simultaneous narration of multiple timelines, offering a complex and layered understanding of interconnected events.The story unfolds in both the present and past simultaneously, revealing how past actions influence current events.
In Medias ResStarting a story in the middle of action and then using analepsis to provide earlier context is a form of temporal manipulation.The narrative begins with a climactic scene, and subsequent analepsis reveals events leading up to that point.
Analepsis: Examples in Everyday Life

Analepsis, or flashbacks, can be observed in various aspects of everyday life, extending beyond the realm of literature or film. Here are examples illustrating how this narrative technique manifests in real-life scenarios:

  1. Personal Reflections: When individuals reminisce about past experiences or events in conversation, they engage in a form of analepsis by mentally revisiting and sharing moments from their own history.
  2. Photographs and Mementos: Looking at old photographs, letters, or keepsakes can trigger analeptic experiences, as individuals mentally transport themselves back to the time and place associated with those artifacts.
  3. Family Stories: During family gatherings, the recounting of family stories often involves analepsis, as members revisit and share anecdotes from the past, contributing to a collective understanding of their shared history.
  4. Historical Narratives: In the study of history, analepsis occurs when historians delve into past events, providing context and insights into how historical developments have shaped the present.
  5. News Retrospectives: Media often uses analepsis when presenting retrospectives or documentaries, taking viewers back in time to revisit significant events and understand their broader implications.
  6. Educational Reviews: In educational settings, reviewing previous lessons or concepts before introducing new material serves as a form of analepsis, reinforcing foundational knowledge for better understanding.

These examples demonstrate that analepsis is not confined to fictional narratives but is a common and natural element of how individuals reflect on, share, and make sense of their personal and collective experiences.

Analepsis: Shakespearean

While the term “analepsis” may not have been explicitly used in Shakespearean literature, the concept of presenting events out of chronological order or incorporating flashbacks can be observed in some of Shakespeare’s plays. One notable example is found in “Hamlet.”

In Act 1, Scene 5 of “Hamlet,” the ghost of King Hamlet appears and reveals the circumstances of his murder to his son, Prince Hamlet. The ghost’s narrative provides essential background information, acting as a form of analepsis as it takes the audience back to events preceding the play. This revelation shapes Hamlet’s subsequent actions and sets the tragic events of the play in motion.

Shakespeare often utilized similar techniques to reveal critical information or motivations, enhancing the complexity and depth of his characters and plots. While the terminology may differ, the underlying narrative strategy aligns with the concept of analepsis in the broader literary sense.

Analepsis: Suggested Readings
  1. Joyce, James. Ulysses. Vintage, 1990.
  2. Faulkner, William. The Sound and the Fury. Vintage, 1990.
  3. Atwood, Margaret. The Handmaid’s Tale. Anchor Books, 1998.
  4. Marquez, Gabriel Garcia. One Hundred Years of Solitude. Harper Perennial, 2006.
  5. Proust, Marcel. Swann’s Way. Vintage, 1981.
  6. Ondaatje, Michael. The English Patient. Vintage, 1993.
  7. Woolf, Virginia. Mrs. Dalloway. Harcourt Brace Jovanovich, 1981.
  8. Ishiguro, Kazuo. Never Let Me Go. Vintage, 2006.
  9. Atkinson, Kate. Life After Life. Back Bay Books, 2014.
  10. Mitchell, David. Cloud Atlas. Random House, 2004.
Theoretical Books:
  1. Genette, Gérard. Narrative Discourse: An Essay in Method. Cornell University Press, 1980.
  2. Prince, Gerald. A Dictionary of Narratology. University of Nebraska Press, 1987.
  3. Rimmon-Kenan, Shlomith. Narrative Fiction: Contemporary Poetics. Routledge, 2002.
  4. Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Cornell University Press, 1980.
  5. Bal, Mieke. Narratology: Introduction to the Theory of Narrative. University of Toronto Press, 1985.